#19th c.
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realmoftheacornking · 7 months ago
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Take a seat.
Artists' model, France, c. 1875.
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ihavefoundtheline · 1 year ago
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Henri de Toulouse-Lautrec.  Cléo de Méride, 1898.
Prints & Multiples
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saint-hymn · 3 months ago
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mercy, mèrci
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jeannepompadour · 8 months ago
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Bridesmaid dress, House of Worth (French, 1858–1956), silk with pearl trim, 1896
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kirieshkavpope · 9 months ago
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I just wanted to see them in an unusual for c&p color scheme
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forsapphics · 13 days ago
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L'Ă©treinte (The Hug) (1800s - 1900s)
Jean-Frédéric Schall (1752 - 1825)
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chic-a-gigot · 3 months ago
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L'Art et la mode, no. 42, vol. 15, 20 octobre 1894, Paris. Créations inédites. Dessin de C. Billié. Bibliothèque nationale de France
Toilette de ville en drap mastic, brodé au plumetis sur un dessous de velours hanneton. Corsage de velours garni de bretelles formant choux à la taille. Manches larges, poignets drap brodé. Chapeau 1830, en feutre mastic, garni de velours hanneton.
City ensemble in mastic cloth, embroidered with plumetis on a chafer velvet underside. Velvet bodice trimmed with straps forming cabbages at the waist. Wide sleeves, embroidered cloth cuffs. 1830 hat, in mastic felt, trimmed with chafer velvet.
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Robe de visites, en velours Parme, brodée de jais, garnie de vison et de velours aubergine. Manches toutes brodées. Chapeau en feutre noir, garni de plumes et de roses de velours aubergine.
Visiting dress, in Parma velvet, embroidered with jet, trimmed with mink and aubergine velvet. Fully embroidered sleeves. Black felt hat, trimmed with feathers and aubergine velvet roses.
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Collet en fourrure, garni de velours gris mauve rebrodé formant longues pointes devant. Choux aux épaules. Capeline Louis XVI, garnie de plumes noires et de violettes.
Fur collar, trimmed with mauve-gray velvet embroidered into long points at the front. Shoulder puffs. Louis XVI wide-brimmed hat, trimmed with black and violet feathers.
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Collet en velours noir et moire blanche brodée de jais. Bord de plumes noires, bretelles en velours noir. Chapeau "petit abbé", garni de plumes.
Collar in black velvet and white moire embroidered with jet. Edge of black feathers, straps in black velvet. "Petit abbé" hat, trimmed with feathers.
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Manteau de voiture, en velours noir et hermine, rattaché aux épaules par des motifs de jais et cabochons; revers en soie vieux rose, avec jais en bas. Toque en plumes noires et velours vieux rose. — Manchon velours.
Car coat, in black velvet and ermine, attached at the shoulders with jet and cabochon motifs; old pink silk lapels, with jet at the bottom. Black feather and old pink velvet toque. — Velvet muff.
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rosscountyhistoricalsociety · 5 months ago
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This lovely harp is featured in our newest exhibit, "Songs and Strings" now open for tours! It was made by SĂ©bastien Erard who made musical instruments from 1811 until his death in 1833/1834.
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dustzvacuumcleaner · 3 months ago
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Horror scene storyboarding homework practice. So I drew Southern plantation owner vampire John C Calhoun.
Made some changes w/ my professor’s suggestions and will develop a little bit further later
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You got the concept xx
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not-xpr-art · 3 months ago
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a fragile state of mind...
(illustration based on the inside no 9 episode 'the trolley problem')
(09/2024)
forever just SO fascinated by this ep and these characters tbh!
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perplexingly · 1 year ago
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i love how Mary Shelley's writing is like
"This is what happene to me this afternoon" - followed by the briefest description of a life-shattering situation, with no build-up or explanation, almost as an afterthought to the more important part of the narration:
"And here's how it made me feel" - followed by 10 pages of detailed deep introspection
Descriptions of nature falls somewhere in the middle
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realmoftheacornking · 7 months ago
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WAKE THE HELL UP! IT'S SATYR-DAY!
Eros restrains the Satyr from committing a dreadful indiscretion, 19th c.
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fluentisonus · 7 months ago
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guy who spends way too much time thinking about the 18th & 19th centuries trying to brainstorm career paths: what if I became a sail maker
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laniidae-passerine · 3 months ago
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really taken with how Louis is the only one of his siblings without a religiously coded name. Paul as in the apostle, constantly talking about what the Lord wants and trying to guide Louis in the right direction through his preaching. Grace as in the freely given, pure love and forgiveness offered by God, the sweet sound that can save any sinner. Louis loses Paul and then he loves the Devil, forever turning his back on Grace.
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jeannepompadour · 12 days ago
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Posthumus portrait of Jacques Cathelineau (1759-1793), commander of the Vendee, Anne-Louis Girodet de Roussy-Trioson, 1816-24
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beatriceportinari · 11 months ago
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Another year, another outfit to die in! Happy birthday again Izuna!!!!!!
Like last year, I played with someone else's lines for these charming patterns, thank you so much Lena @elhnrt ! I had a ton of fun :D
Check the readmore for pattern references and explanations, there are some easter eggs in there :)
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(x,x,x,x)
My goal for this piece, in addition to playing with patterns and textures and adding some Naruto references, was to add as many death flags as possible.
The idea of having Izuna in a fireman's coat is obviously not from me. I've always like the idea of Uchihas in fire resistant clothes, and the opportunity for a thick texture alongside a reversible double pattern is very appealing. I used the image of the second reference as a base, with skulls on one side and stylized lightning patterns on the other (visible inside the sleeves and collar). Both were common immagery of firemen coats.
The actual skull pattern is taken from the third reference. I'd seen this one before and before even learning anything abt it it was too beautiful to pass up. Those white and navy gradients are absolutely delightful and I enjoyed using my gel pens for them very much.... This particular type of imagery with skulls and bones in a field is called Nozarashi, inspired by Buddhist representation of death and transience.
The lightning pattern itself is a reference to water and lightning dragons :) Like Tobirama's iconic jutsu, it's one of the hints of what's abt to happen to our little guy. The scabbard is also decorated with dragon motifs for the same reason.
The background pattern is taken from the first reference, another fireman's coat with an illustration of Raijin, the thunder god. He is often representated with drums decorated with tomoes. It works nicely as a standard looking sharingan illustration, with a reference to Tobirama's hiraishingiris with the thunder imagery, like the thunder patterns inside the coat.
If you're interested in this I recommend the book linked in the second reference! It is entirely about skeleton motifs in japanese clothing of the early 20th century.
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