#1960s maximalism

[the-darling-house]

The Birdcage Dining Room and The Marble Library in the Astroworld Hotel Celestial Suite, designed by Harper Goff—art director for Willy Wonka & the Chocolate Factory, Disneyland Main Street USA, and 20,000 Leagues Under the Sea.

[verjaluys]

[sirfrogsworth]

sirfrogsworth please i am begging to know your boomer uncle’s thought process when he installed all those spam search bars what on earth was he TRUING to do

This was my Uncle Larry. He died in 2014 from a lifetime of smoking.

But while he was alive, he was what my grandma would refer to as "a character."

I feel like seeing his photo gives a partial explanation of the toolbar fiasco.

He was a man stuck in the 1960s but extremely curious about new things.

It was the early 2000s and I was trying to make some extra money. So when he was interested in getting a computer I offered to build him one from scratch.

What I didn't consider about this arrangement was that I was basically signing up to be my uncle's IT person. If something went wrong, it could possibly be due to a mistake I made.

He called me up complaining he couldn't see his websites and that the computer was running slower than normal.

I boot up his system and it takes 10 minutes to get to Windows. The desktop was filled with random programs he installed. And when I opened his web browser I was immediately greeted with a dozen pop up advertisements. Once I nuked them all, all of the different search toolbars were revealed. There was maybe a few inches of space for viewing websites and he had just been looking at photos a segment at a time for weeks before wondering if maybe it wasn't supposed to work like that.

I asked him why he installed all of this crap and he told me he didn't realize he had a choice. He just thought you had to say yes to everything that popped up on the screen. He also opened every spam email he received.

To make matters even worse, when he was searching for lewd pictures of Catherine Bell (aka the "JAG lady" with nice cans), he ended up on various softcore porn sites containing ever more dangerous pop up ads. And he clicked on all of those as well.

He loved the internet. It was a wonderland for such a curious person. He loved typing in random things and just reading and looking at pictures for hours. Aside from Maxim photos of TV celebrities, his searches were pretty innocent. He looked at old cars he used to own and lawnmowers he wanted to buy. He read old war stories and found websites helping him learn how to whittle walking sticks.

But he had no sense of danger. He had a Leroy Jenkins approach to life. He just sort of jumped into whatever without any fear or caution. Which is probably why my parents were so pissed at him when he offered 8 year-old me a ride on his new motorcycle. He immediately took me off-road and up a steep hill without a helmet or telling me to hold on. And it was a Harley, so not really meant for that terrain.

I tried a virus scan and it just said "You have every virus." So I had to nuke his Windows install from orbit. I then gave him computer lessons, which he paid me for, so that sort of worked out despite how frustrating it was to keep him from clicking on random things.

Uncle Larry taught me an important lesson.

Never tell your family you know about computers.

[max1461]

I think that the average internet Marxist is actually not much of a materialist at all, in fact in their behavior and rhetoric they seem very concerned with moral purity, the redemptive power of suffering, and the ability of narrative to shape the actual world. As myriad as the senses of the word "materialist" have come to be, none of this would seem to comport well with any of them. This all feels very Christian.

In some cases I really do think there is a latent Christianity in it, but I think the stronger source of this trend is simply the leftist emphasis on sloganeering. Somewhere along the line, maybe with the Bolshevik policy of democratic centralism or maybe somewhere else, the importance of the slogan, the party line, the supreme power of the speech act seems to have been elevated for many leftists above all other concerns. From this follows the kind of disingenuous, obviously fallacious argument you so often see from the online ML left. The point is to say the magic words that have been carefully agreed upon, the magic incantation that will defeat all opposition.

Whether it's "I don't want to vote for a candidate who supports any amount of genocide" or "The Is-not-rael Zionist entity is on the edge of collapse!" or whatever else, a rational person can recognize the impotence of these words. They don't do anything. They're just words. But the feeling seems to be that once the perfect incantation is crafted—the incantation that makes your opponent sound maximally like a Nazi without engaging with their position in good faith, or the incantation which brushes aside all thoughts of defeat, or whatever else—once the perfect incantation is crafted, all that is left to do is say it and say it and say it, and make sure everyone else is saying it too.

This is not a materialist way of approaching politics. This is a mystical way of approaching politics.

I think it's also worth saying that this tendency in Marxism seems old, it certainly predates the internet. Lots of Marxists today are vocal critics of identity politics, of what they see as the liberal, insubstantive, and idealist Diversity, Equity, and Inclusion framework. I share this criticism to a significant degree, but I'm not very eager to let Marxists off the hook here. The modern DEI framework evolved directly out of a liberal/capitalist appropriation of earlier academic ideas about social justice from such sources as Queer Studies, Black Studies, academic Feminism and so on. I say this as a neutral, factual description of its history which I believe to be essentially accurate. In turn, disciplines like Queer Studies, Black Studies, and academic Feminism each owe a great intellectual dept to academic Marxism, and likewise to the social movements of the 1960s (here in the Anglosphere), which themselves were strongly influenced by Marxism.

Obviously as the place of these fields in the academy was cemented, they lost much (most) of their radical character in practice. To a significant degree however, I think their rhetorical or performative radicalism was retained, and was further fostered by the cloistered environment of academia. In this environment the already-extant Marxist tendency to sloganeering seems in my impression to have metastasized greatly. And so I think the political right is not actually wrong, or not wholly wrong, when they attribute the speech-act-centrism of modern American (and therefore, online) politics, its obsession with saying things right above doing things right and its constantly shifting maze of appropriate forms of expression, at least in part to Marxism.

Now I should say that I don't think the right is correct about much else in this critique, and I also don't think this is wholly attributable to Marxism. But I think there's plainly an intellectual dept there.

More than anything else, this is my genuine frustration with both Marxism as it exists today and with its intellectual legacy as a whole. I fundamentally do not believe in the great transformative power of speech acts, I do not believe in the importance of holding the correct line, I do not believe that the specifics of what you say or how you say it matter nearly as much as what you do. I do not think there is much to be gained from playing the kind of language games that Marxists often like to play, and I do not think that playing language games and calling it "materialist analysis" is a very compelling means of argument.

[ghostwarriorrrr]

🇹🇷🔥 Turkish Air Force - F-4E 2020 Terminator

The F-4E 2020 Terminator represents a significant leap forward in the capabilities of the Turkish Air Force. This comprehensive upgrade enhances the venerable F-4E Phantom II with modern Turkish-made weapons systems, showcasing Türkiye’s commitment to self-reliance and advanced military technology.

Background

With a storied history dating back to the 1960s, the F-4E Phantom II has been a pivotal player on the global stage of air combat. Serving multiple nations and seeing numerous conflicts, the Phantom carved out its place in aviation history as a versatile and rugged aircraft. Türkiye’s decision to upgrade this aircraft stems from a strategic imperative to leverage existing assets while infusing them with cutting-edge technology to maintain relevance in modern aerial warfare. The 2020 Terminator program is the Turkish Air Force’s ambitious initiative to retrofit these fighters with state-of-the-art systems.

Strategic Importance

The ability to exert air superiority and conduct precision strikes is paramount in a region marked by dynamic security challenges. The F-4E 2020 Terminator’s enhanced capabilities contribute significantly to deterrence, and the demonstration of Türkiye’s advancing aerospace industry serves both a strategic and diplomatic purpose.

Upgrade Overview

The 2020 Terminator upgrade, realized by Turkish Aerospace Industries in collaboration with ASELSAN, constitutes a multifaceted improvement over the aircraft’s original design. It touches every aspect of the aircraft’s systems, bringing its avionics, armaments, and electronic warfare systems into the 21st century.

Avionics:

The modernized multi-mode pulse Doppler radar extends the aircraft’s detection range, allowing it to lock onto and engage targets from greater distances. Integrating a Hands-On Throttle-And-Stick (HOTAS) system enhances pilot control, minimizing response time during high-stakes manoeuvres. Color Multifunctional Displays (MFDs) replace outdated gauges, providing pilots with real-time data visualization for improved situational awareness.

Armament:

The Terminator’s weapons suite has been revolutionized with a mixture of Western and indigenous munitions. Long-standing armaments like the AIM-9X Sidewinder are joined by Türkiye’s own precision-guided munitions, such as the SOM cruise missile, capable of striking strategic land and sea targets with formidable accuracy. The UAV-230, a domestic innovation, represents the pinnacle of Türkiye’s missile development, offering supersonic ballistic delivery of a range of warhead types over substantial distances. The BOZOK, MAM-C, MAM-L, and Cirit missiles exemplify Türkiye’s expertise in laser guidance and smart munition technology, enabling the Terminator to engage and defeat a broad spectrum of target profiles with unerring precision.

Electronic Warfare:

To contend with the contemporary battlefield’s electronic warfare environment, the F-4E 2020 Terminator incorporates an advanced Electronic Support Measures (ESM) system for rapid threat identification and an Electronic Countermeasures (ECM) suite to confound hostile tracking systems. Moreover, chaff and flare dispensers have been integrated to provide decoys against incoming missile threats, enhancing the aircraft’s survivability in hostile airspace.

Operational Capability:

The F-4E Phantom II, transformed by these integrated systems, emerges as a multirole platform capable of dominating beyond-visual-range air-to-air engagements and precision ground-attack missions. It can operate in complex electronic warfare environments and deliver various ordnances based on mission requirements, making it a flexible asset in the Türkiye Air Force’s inventory.

Significance:

The F-4E 2020 Terminator project is a hallmark of Türkiye’s aerospace ambition and its push toward defence autonomy. By retrofitting and modernizing its Phantoms, Türkiye maximizes the value of its existing fleet while also establishing a foundation for future indigenous aircraft development projects.

Munitions Details:

The advanced, indigenous Turkish weaponry integrated into the F-4E 2020 Terminator underlines a significant shift toward self-reliance in defence technologies. Each munition type brings unique capabilities that enhance the platform’s lethality:

UAV-230: A domestically-developed ballistic missile, this supersonic weapon delivers high-precision strikes at long ranges, challenging enemy defences with its speed and reduced radar cross-section.

BOZOK: The versatility of this laser-guided munition makes it ideal for engaging both stationary and moving targets with high precision, ideal for close air support.

MAM-C/L: These smart micro munitions are designed for tactical flexibility, allowing for precision targeting in complex engagement scenarios, from anti-armour operations to counter-insurgency roles.

Cirit: A highly accurate laser-guided missile system designed for low collateral damage, Cirit is adept at striking soft and lightly armoured targets with pinpoint accuracy.

SAGE Munitions: TUBITAK SAGE, Türkiye’s leading defence research and development institute, has contributed a range of munitions enhancing the Terminator’s operational capabilities across various domains.

Conclusion:

The upgraded F-4E 2020 Terminator is a testament to Türkiye’s determination to retain a competitive edge in aerospace and defence technologies. The integration of modern avionics, armaments, and electronic warfare capabilities ensures the aircraft’s continued relevance in modern air combat, and its presence in the skies serves as a deterrent in a strategically complex region.

[therobotmonster]

You can complain about the crassness of 80s advert-toons, but what came before wasn't good just because it didn't have a toy company paying the bills.

In fact, that was part of the problem.

(splitting this into its own post)

Pre-80s, your biggest player in TV animation was Hanna Barbera. Post-Cartoon Network kids won't remember, but before they had a network to fill, HB made low-cost dreck exclusively. Race-to-the-bottom, cheap-as-possible, formula driven dreck.

Some of it was dreck with potential and staying power, because you had guys like Alex Toth trying their best to make good stuff despite being given the budget of a Viewmaster disk.

Kidvid in the 80s was the first time, en-masse, someone cared about the quality of kids' entertainment on TV. Not kids' edutainment, PBS existed for awhile, but actual get down and have fun kidvid. Prior to that you had the distressing puppet shows from Sid and Marty Kroft and everything else was 'what will the kids care?' low-end channel filler.

(Channel filler that was, by the way, still selling toys and candy. Just not themed after what the kids were watching)

Then in the 80s, suddenly a lot of people care about the quality of the show. They care because the show is a very expensive ad campaign, but suddenly the avenue to maximized profits drove through a show that was actually engaging and entertaining to kids.

At the same time, your animation industry was flush with new money and a desire to not see that snatched away by another 1960s parent panic that killed the Sugar Bear cartoon. So the studios did everything they could to not make the shows the advertisements they were assumed to be. The goal of elevating the project to avoid feeling like an ad-writer also slipped in. You get stuff like Real Ghostbusters, Spiral Zone, Bravestarr, some very impressively animated and written shows...

And before that, remember, was Jabberjaw, Huckleberry Hound, and fucking Clutch Cargo.

Yes, that is a pair of human lips projected onto a blank face because they couldn't afford animation.

And everything that wasn't a toy-toon had to have a bigger budget to compete. You don't get Thundarr the Barbarian until HB has He-Man breathing down its neck. There is no Le Mondes Engloitis if they don't have the merch wave washing over France. The Disney Afternoon was only what it was because it was trying to contrast itself from the figure aisle.

There is no BTAS or Gargoyles without the action figures.

New Google makes searching for the quote basically impossible, but one of the leads on G.I.Joe has a quote along the lines of: the fantasy of G.I.Joe was not a war fantasy. The fantasy of G.I.Joe was the idea that when you get in trouble, you have a large group of friends who will be there to help you through it.

And one last dirty little secret. Before they could make cartoons based on toys the toy market was still driven by licensed stuff, it was just stuff based on live action properties:

The 80s are seen as this time in which kids were deeply exploited, and all the money made in the kidvid and toy industries is seen as the evidence of that. The idea that the boom happened, even in part, because kids were actually getting media and toys they wanted never occurs to them.

And what did youtube make into the face of kid's entertainment?

If the YT kidverse had to deal with the regulations and rules of 1980s advertising cartoons none of that would have happened.

No one wants what these guys are selling.

[medievalandfantasymelee]

Submissions are closed but many of our noble and worthy Contenders still need Propaganda to aid them...

Of our 294 Entrants, the following 27 have had no text propaganda submitted

Amarendra Baahubali [Prabhas], Baahubali Series (2015-2017)

Arondir [Ismael Cruz Córdova], The Rings of Power (2022-)

Asbjörn [Tom Hopper], Northmen: A Viking Saga (2014)

Balian de Ibelin [Orlando Bloom], Kingdom of Heaven (2005)

Bjørn Ironside [Alexander Ludwig], Vikings (2013-2020)

Sir Bowen [Dennis Quaid], Dragonheart (1996)

Elrond Half-elven [Robert Aramayo], The Rings of Power (2022-)

Geoffrey Chaucer [Pier Paolo Pasolini], The Canterbury Tales (1972)

King Henry VIII [Ray Winstone], Henry VIII (2003)

Isildur, Son of Elendil [Maxim Baldry], The Rings of Power (2022-)

Prince Jingim [Remy Hii], Marco Polo (2014)

Kai [Michael Gothard], Arthur of the Britons (1972, 1973)

Sir Lancelot [Richard Gere], First Knight (1995)

Merlin [Nicol Williamson], Excalibur (1981)

“The Mute” [John Bernthal], Pilgrimage (2017)

“One-Eye” [Mads Mikkelsen], Valhalla Rising (2009)

Sir Percival [Tom Hopper], BBC’s Merlin (2008-2012)

Pero Tovar [Pedro Pascal], The Great Wall (2016)

Ragnar Lothbrook [Travis Fimmel], Vikings (2013-2020)

Richard III [Benedict Cumberbatch], The Hollow Crown (2012-2016)

Robin Hood [Tom Riley], Doctor Who: “The Robot of Sherwood” (2014)

“The Sherriff of Nottingham” [Alan Wheatley], The Adventures of Robin Hood (1955-1959)

“The Sherriff of Nottingham” [Peter Cushing], The Sword of Sherwood Forest (1960)

Syrio Forel [Miltos Yerolemou], Game of Thrones (2011-2019)

Tormund Giantsbane [Kristofer Hivju], Game of Thrones (2011-2019)

Ubbe [Jordan Patrick Smith], Vikings (2013-2020)

Wil Ohmsford [Austin Butler], Shannara Chronicles (2016)

The following 63 DO have text propaganda, but only consisting of a single sentence, (or propaganda that contains spoilers) and could use a bit more...

Aguilar de Nerha [Michael Fassbender], Assassin's Creed (2016)

Allan-A-Dale [Joe Armstrong], BBC’s Robin Hood (2006-2009)

Sultan Alauddin [Ranver Singh], Padmavaat (2018)

Amleth [Alexander Skarsgård], The Northman (2022)

Arman [Matevy Lykov], I Am Dragon (2015)

King Arthur [Graham Chapman], Monty Python and the Holy Grail (1975)

Asneez [Isaac Hayes], Robin Hood: Men in Tights (1993)

Ash Williams [Bruce Campbell], Army of Darkness (1992)

Azog the Defiler [Manu Bennett], The Hobbit Trilogy (2012-2014)

Ser Barristan Selmy [Ian McIlhinney], Game of Thrones (2011-2019)

Sir Brian de Bois-Guilbert [Sam Neill], Ivanhoe (1982)

Carlos I [Álvaro Cervantes], Carlos Rey Emperador (2015-2016)

Cesare Borgia [Mark Ryder], Borgia: Faith and Fear (2011-2014)

Charles Brandon [Henry Cavill], The Tudors (2007-2010)

Chu Hun [Peter Ho], Double World (2020)

Connor MacLeod [Christopher Lambert], Highlander (1986)

Prince Dastan [Jake Gyllenhaal], Prince of Persia: The Sands of Time (2010)

Dong Yilong [Henry Lau], Double World (2020)

Eamon Valda [Abdul Salis], The Wheel of Time (2021-)

Sir Elyan [Adetomiwa Edun], BBC’s Merlin (2008-2012)

Forge Fitzwilliam [Hugh Grant], Dungeons & Dragons: Honor Among Thieves (2023)

Galavant [Joshua Sasse], Galavant (2015-2016)

Galessin, Duke of Orkney [Alexis Hénon], Kaamelott (2004-2009)

Gandalf [Ian McKellan], The Lord of the Rings Trilogy (2001-2003)

Geralt z Rivii [Michał Żebrowski], The Witcher (2002)

Gimli, Son of Gloin [John Rhys-Davies], The Lord of the Rings Trilogy (2001-2003)

Prince Hamlet [Christopher Plummer], Hamlet at Elsinore (1964)

King Henry V Plantagenet [Kenneth Branagh], Henry V (1989)

Prince Humperdink [Chris Sarandon], The Princess Bride (1987)

Ivanhoe [Anthony Andrews], Ivanhoe (1982)

Jack [Tom Cruise], Legend (1985)

Ser Jaime Lannister [Nikolaj Coster-Waldau], Game of Thrones (2011-2019)

Jaskier [Joey Batey], The Witcher (2019-)

Little John [Eric Allan Kramer], Robin Hood: Men in Tights (1993)

Prince John [Richard Lewis], Robin Hood: Men in Tights (1993)

Sir Lancelot [Luc Simon], Lancelot du Lac (1974)

Sir Lancelot [Santiago Cabrera], BBC’s Merlin (2008-2012)

Loial [Hammed Animashaun], The Wheel of Time (2022-)

Matrim “Mat” Cauthon [Donal Finn], The Wheel of Time (2022)

Meriadoc “Merry” Brandybuck [Dominic Monaghan], The Lord of the Rings Trilogy (2001-2003)

Mikoláš Kozlík [František Velecký], Marketa Lazarová (1967)

Murtagh Morzansson [Garrett Hedlund], Eragon (2002)

Niankoro [Issiaka Kane], Yeelen (1987)

Niccolo Machiavelli [Thibaut Evrard], Borgia: Faith and Fear (2011-2014)

Phillippe Gaston [Matthew Broderick], Ladyhawke (1985)

“The Player” [Richard Dreyfuss], Rosencrantz and Guildenstern are Dead (1990)

Rand al’Thor [Josha Stradowski], The Wheel of Time (2022-)

Richard II Plantagenet [Ben Whishaw], The Hollow Crown (2012-2016)

Robin Hood [Kevin Costner], Robin Hood: Prince of Thieves (1991)

Robin Hood [Jonas Armstrong], BBC’s Robin Hood (2006-2009)

Rodrigo Borgia [Jeremy Irons], The Borgias (2011-2013)

Rollo [Clive Standen], Vikings (2013-2020)

Roose Bolton [Michael McElhatton], Game of Thrones (2011-2019)

Saruman [Christopher Lee], The Lord of the Rings Trilogy (2001-2003)

Sid [Luke Youngblood], Galavant (2015-2016)

“Taunting French Guard” [John Cleese], Monty Python and the Holy Grail (1975)

King Theoden, Son of Thengel [Bernard Hill], The Lord of the Rings Trilogy (2001-2003)

Thierry of Janville [Jean-Claude Drouot], Thierry la Fronde (1963-1966)

Sir Thomas Grey [Nigel Terry], Covington Cross (1992)

Trumpkin [Peter Dinklage], The Chronicles of Narnia: Prince Caspian (2008)

Vlad III Dracula [Luke Evans], Dracula Untold (2014)

Wat [Alan Tudyk], A Knight’s Tale (2001)

Wen Kexing [Gong Jun], Word of Honor (2021

And the following 57 have had fewer than 3 pictures submitted as visual propaganda

Prince Aemond Targaryen [Ewan Mitchell], House of the Dragon (2022-)

Ahmad [Mahesh Jadu], Marco Polo (2014)

Shah Ala ad Daula [Olivier Martinez], The Physician (2013)

Alessandro Farnese [Diarmuid Noyes], Borgia (2011-2014)

Amarendra Baahubali [Prabhas], Baahubali (2015-2017)

Amleth [Alexander Skarsgård], The Northman (2022)

Arman [Matvey Lykov], I Am Dragon (2015)

Arthur Pendragon [Oliver Tobias], Arthur of the Britons (1972-1973)

King Arthur [Sean Connery], First Knight (1995)

Sir Bowen [Dennis Quaid], Dragonheart (1996)

Sir Brian de Bois-Guilbert [Sam Neill], Ivanhoe (1982)

Carlos I [Álvaro Cervantes], Carlos Rey Emperador (2015-2016)

King Caspian X [Samuel West], BBC’s Prince Caspian and the Voyage of the Dawn Treader (1989)

Cesare Borgia [Mark Ryder], Borgia (2011-2014)

Prince Charmont [Hugh Dancy], Ella Enchanted (2004)

Chu Hun [Peter Ho], Double World (2020)

Connor MacLeod [Christopher Lambert], Highlander (1986)

Dong Yilong [Henry Lau], Double World (2020)

Fjölnir [Claes Bang], The Northman (2022)

Francesco de Pazzi [Matteo Martari], Medici (2016-2019)

Geoffrey Chaucer [Pier Paolo Pasolini], The Canterbury Tales (1972)

Gest [Jakob Þór Einarsson], Hrafninn flýgur (1984)

Gimli, Son of Gloin [John Rhys-Davies], The Lord of the Rings Trilogy (2001-2003)

King Henry II [Peter O’Toole], The Lion in Winter (1968)

Hugh Beringar [Sean Pertwee], Cadfael (1994-1998)

Prince Jingim [Remy Hii], Marco Polo (2014)

Little John [Nicol Williamson], Robin and Marian (1976)

Kai [Michael Gothard], Arthur of the Britons (1972, 1973)

Sir Lancelot [Richard Gere], First Knight (1995)

Lurtz [Lawrence Makoare], The Lord of the Rings Trilogy (2001-2003)

Meriadoc “Merry” Brandybuck [Dominic Monaghan], The Lord of the Rings Trilogy (2001-2003)

Merlin [Nicol Williamson], Excalibur (1981)

Much [Sam Troughton], BBC’s Robin Hood (2006-2009)

Murtagh Morzansson [Garrett Hedlund], Eragon (2002)

Niankoro [Issiaka Kane], Yeelen (1987)

Niccolo Machiavelli [Thibaut Evrard], Borgia: Faith and Fear (2011-2014)

“The Player” [Richard Dreyfuss], Rosencrantz and Guildenstern are Dead (1990)

Podrick Payne [Daniel Portman], Game of Thrones (2011-2019)

Rilk [Jesse Lee Keeter] JourneyQuest (2010)

Robert the Bruce [Chris Pine], Outlaw King (2018)

Robin Longstride [Russell Crowe], Robin Hood (2010)

Saburo Naotora Ichimonji [Ryu Daisuke], Ran (1985)

Sid [Luke Youngblood], Galavant (2015-2016)

Sihtric Kjartansson [Arnas Fedaravicius], The Last Kingdom (2015-2022)

Syrio Forel [Miltos Yerolemou], Game of Thrones (2011-2019)

“Taunting French Guard” [John Cleese], Monty Python and the Holy Grail (1975)

Thierry of Janville [Jean-Claude Drouot], Thierry la Fronde (1963-1966)

Sir Thomas Grey [Nigel Terry], Covington Cross (1992)

Thraxus Boorman [Amar Chadha-Patel], Willow (2022]

Sir Tristan [Kingsley Ben-Adir], King Arthur: Legend of the Sword (2017)

Uglúk [Nathaniel Lees], The Lord of the Rings Trilogy (2001-2003)

“Unnamed Elf Escort” (Alias: “Figwit”), The Lord of the Rings Trilogy (2001-2003)

Wen Kexing [Gong Jun], Word of Honor (2021

Wil Ohmsford [Austin Butler], The Shannara Chronicles (2016)

Will Scarlett [Patrick Knowles], The Adventures of Robin Hood (1938)

Will Scarlett [Christian Slater], Robin Hood: Prince of Thieves (1991)

Willow Ufgood [Warwick Davis], Willow (1988, 2022)

[shosty-we-understand]

Maxim Shostakovich recalls only ever seeing his father cry twice: once when his mother, Nina, the composer’s first wife, died suddenly in 1954; and again when his father was forced to join the Communist Party of the Soviet Union in 1960.

[makiitabaki]

Part 1. 1950s- early 1960s in the life of Wojciech Pszoniak.

PART 2

(But I am annoying about his life's story)

Wojtek at the age of 13 in the army.

- After his father's death and refusal of admission to high school, Wojtek was going through an incredibly hard time so he joined the army. He absolutely hated being there but just couldn't quit since he was told that his mother (who was in a tough financial situation) was paying for it.

Wojtek's clarinet solo. -

Wojtek's mother wanted her son to be as musically talented as possible so he took lessons in: violin (which once belonged to his grandfather), clarinet and oboe (fun fact: he could also play the saxophone).

A little older Wojtek and his first roles.

- At the time, Wojtek's career was beginning. How he trained himself to be an actor was to try to act in life. He worked as a dog groomer for some time and while talking with one of his clients he would improvise what to say, talking of French styles in dog grooming and boasting about how beautiful the client's poodle was, and how the fur was the prettiest he had ever seen (those praises and talks earned him a few free dinners).

Cold Wojtek in the early 60s.

- Wojtek and the predesessor of the many beautiful scarves he wore later in life.

Wojtek performing in a cabaret.

- It was a cabaret he himself created. It was called "Czewona Żyrafa" ("Red Giraffe") where he actually gained a little popularity.

Wojtek in a pantomime.

- His little popularity before finishing the Cracow Acting school. (Fun fact: When he was rejected from the Warsaw Acting School he apparently exclaimed: "Don't fucking think that I won't become an actor! Don't think I won't!" and then slammed the door)

"Quince fruit" -

on the stage of STEP - Student Theater created by him and Jacek Gruza.

Trenchcoat Wojtek. No long explanation for that. (Eugghhhh I wish he had the chance to play young Maxime 💔)

[thisisyourdriverspeaking]

It's the most iconic race in the world so it's deserved it's own post & playlist. I give you the all the drivers in the 2024 24 Hours of Le Mans racing tunes. Enjoy (even though this post is a little late). 😊

John Hartshorne (18th April 1957) - Malcolm Vaughan - The World Is Mine

Thomas Flohr (17th March 1960) - Bert Weedon - Big Beat Boogie

Claudio Schiavoni (14th November 1960) - Brenda Lee - I Want To Be Wanted

Satoshi Hoshino (7th April 1961) - Nat 'King' Cole - The World In My Arms

Johnny Laursen (16th February 1964) - Cliff Richard - Don't Talk To Him

George Kurtz (5th May 1965) - Pretty Things - Honey I Need

Hiroshi Koizumi (25th May 1969) - Marvin Gaye - I Heard It Through The Grapevine

Takeshi Kimura (22nd October 1970) - Tom Jones - I (Who Have Nothing)

Ben Keating (18th August 1971) - Gilbert O'Sullivan - We Will

John Falb (13th December 1971) - The Who - Let's See Action

Alexander Mattschull (2nd March 1972) - The Partridge Family - It's One Of Those Nights

Michael Wainwright (25th July 1973) - Stevie Wonder - You Are The Sunshine Of My Life

Rodrigo Sales (2nd November 1973) - Rod Stewart - Oh No Not My Baby

Ian James (22nd July 1974) - Main Ingredient - Just Don't Want To Be Lonely

Naveen Rao (21st May 1975) - Billy Swan - Don't Be Cruel

Giacomo Petrobelli (7th November 1975) - George Harrison - You

Hiroshi Hamaguchi (1st October 1976) - Smokey Robinson & The Miracles - Tears Of A Clown

Francois Perrodo (14th February 1977) - Fleetwood Mac - Go Your Own Way

Valentino Rossi (16th February 1979) - The Pretenders - Stop Your Sobbing

Sebastien Bourdais (28th February 1979) - Elvis Costello & The Attractions - Oliver's Army

Brendan Iribe (12th August 1979) - David Bowie - DJ

David Heinemeier Hansson (15th October 1979) - Secret Affair - Time For Action

Jenson Button (19th January 1980) - Rupert Holmes - Escape (The Pina Colada Song)

Scott Dixon (22nd July 1980) - Leo Sayer - More Than I Can Say

Ryan Hardwick (3rd October 1980) - Gladys Knight & The Pips - Taste Of Bitter Love

Frederic Makowiecki (22nd November 1980) - David Bowie - Fashion

Ahmad Al Harthy (31st August 1981) - Central Line - Walking Into Sunshine

Patrick Pilet (8th October 1981) - Orchestral Manoeuvres In The Dark - Souvenir

Andre Lotterer (19th November 1981) - The Four Tops - When She Was My Girl

Loic Duval (12th June 1982) - Danger Danger - Comin' Home

Jose Maria Lopez (26th April 1983) - Eurthymics - Love Is A Stranger

P.J Hyett (10th August 1983) - Shakin' Stevens - It's Late

Augusto Farfus (3rd September 1983) - Paul Young - Wherever I Lay My Hat (That's My Home)

Francois Heriau (25th October 1983) - Hot Streak - Body Work

Neel Jani (8th December 1983) - Robert Plant - In The Mood

Richard Lietz (17th December 1983) - Ann Breen - Pal Of My Cradle Days

Alessandro Pier Guidi (18th December 1983) - Black Lace - Superman

Oliver Jarvis (9th January 1984) - Lionel Richie - Running With The Night

James Cottingham (21st January 1984) - Pat Benatar - Love Is A Battlefield

Daniel Serra (24th February 1984) - Bourgie Bourgie - Breaking Point

Franck Perara (21st March 1984) - World Famous Supreme Team - Hey DJ

Nicolas Lapierre (2nd April 1984) - Rockwell - Somebody's Watching Me

Arnold Robin (7th October 1984) - Orange Juice - Lean Period

Matteo Cressoni (28th October 1984) - Tracey Ullman - Helpless

Nick Tandy (5th November 1984) - Paul McCartney - No More Lonely Nights

Robert Kubica (7th December 1984) - Meat Loaf - Nowhere Fast

Ben Hanley (22nd January 1985) - Bronski Beat - It Ain't Necessarily So

Filipe Albuquerque (13th June 1985) - Bruce Springsteen - Born In The USA

Salih Yoluc (22nd August 1985) - Maria Vidal - Body Rock

Renger Van Der Zande (16th February 1986) - The Damned - Eloise

Rahel Frey (23rd February 1986) - Madonna - Dress You Up

Maxime Martin (20th March 1986) - Dee C Lee - Come Hell Or Waters High

Paul Di Resta (16th April 1986) - Simple Minds - Sanctify Yourself

Romain Grosjean (17th April 1986) - Jim Diamond - Hi Ho Silver

Mathias Beche (28th June 1986) - Madonna - Live To Tell

Davide Rigon (26th August 1986) - Pam Hall - Dear Boopsie

Kamui Kobayashi (13th September 1986) - Modern Talking - Brother Louie

Rene Rast (26th October 1986) - Marti Webb & The Simon May Orchestra - Always There

Edoardo Mortara (12th January 1987) - Mick Karn - Buoy

Francesco Castellacci (4th April 1987) - Lionel Richie - Se La

Alex Malykhin (17th August 1987) - Total Contrast - Jody

Tom Van Rompuy (8th September 1987) - Marshall Hain - Dancin' In The City

Darren Leung (25th September 1987) - ABC - The Night You Murdered Love

Jean-Karl Vernay (31st October 1987) - Rick Astley - Whenever You Need Somebody

Nicky Catsburg (15th February 1988) - The Cure - Hot Hot Hot

Paul Lafarque (8th July 1988) - Natalie Cole - Everlasting

Daniel Mancinelli (23rd July 1988) - Maxi Priest - Wild World

Colin Braun (22nd September 1988) - The Beatmasters & PP Arnold - Burn It Up

Kevin Estre (28th October 1988) - Bobby McFerrin - Don't Worry By Happy

Sebastien Buemi (31st October 1988) - Robert Palmer - She Makes My Day

Miguel Molina (17th February 1989) - Big Country - Peace In Our Time

Sarah Bovy (15th May 1989) - Royal House ft Ian Star - A Better Way

Christopher Mies (24th May 1989) - Swing Out Sister - You On My Mind

James Calado (13th June 1989) - Robert Palmer - Change His Ways

Matt Bell (5th November 1989) - Erasure - Drama!

Marco Wittmann (24th November 1989) - D Mob Introducing Cathy Dennis - C'mon And Get My Love

Brendon Hartley (10th November 1989) - Phil Collins - Another Day In Paradise

Mirko Bortolotti (10th January 1990) - Inner City - Whatcha Gonna Do With My Lovin'

Andrea Caldarelli (14th February 1990) - The Beloved - Hello

Stephane Richelmi (17th March 1990) - David A Stewart ft Candy Dulfer - Lily Was Here

Ollie Millroy (21st April 1990) - Lloyd Cole - Don't Look Back

Jean-Eric Vergne (25th April 1990) - MC Duke - The Final Conflict

Earl Bamber (9th July 1990) - Luciano Pavarotti - Nessun Dorma

Michael Christensen (28th August 1990) - DNA ft Suzanne Vega - Tom's Diner

Marco Sorensen (6th September 1990) - Happy Mondays - Step On

Matthias Kaiser (22nd January 1991) - Alexander O'Neal - All True Man

Jack Hawksworth (28th February 1991) - Patsy Cline - I Fall To Pieces

Ryan Cullen (26th March 1991) - The Bee Gees - Secret Love

Ben Barker (23rd April 1991) - Inspiral Carpets - Caravan

Daniel Juncadella (7th May 1991) - Pet Shop Boys - Where The Streets Have No Name

Laurens Vanthoor (8th May 1991) - Vic Reeves & The Roman Numerals - Born Free

Jordan Taylor (10th May 1991) - K-Klass - Rhythm Is A Mystery

Will Stevens (28th June 1991) - Divinyls - I Touch Myself

Klaus Bachler (27th July 1991) - Amy Grant - Baby Baby

Robin Frijns (7th August 1991) - Voice Of The Beehive - Monsters And Angels

Jakub Smiechowski (11th October 1991) - Gloria Estefan - Live For Loving You

Paul-Loup Chatin (19th October 1991) - Oleta Adams - Don't Let The Sun Go Down On Me

Harry Tincknell (29th October 1991) - Public Enemy - Can't Truss It

Nicolas Costa (14th November 1991) - Love And Money - Winter

Rene Binder (1st January 1992) - James - Sound

Nico Muller (25th February 1992) - Texas - Alone With You

Stoffel Vandoorne (26th March 1992) - The Charlatans - Weirdo

Zacharie Robichon (31st May 1992) - Michael Jackson - In The Closet

Norman Nato (8th July 1992) - KWS - Please Don't Go

Felipe Nasr (21st August 1992) - Luther Vandross & Janet Jackson - The Best Things In Life Are Free

Alex Lynn (17th September 1993) - Pet Shop Boys - Go West

Pipo Derani (12th October 1993) - Salt-N-Pepa - Shoop

Antonio Giovinazzi (14th December 1993) - Brian May - Last Horizon

Michelle Gatting (31st December 1993) - Belinda Carlisle - Lay Down Your Arms

Alex Riberas (27th January 1994) - Peabo Bryson & Regina Belle - A Whole New World

Ryo Hirakawa (7th March 1994) - Morrissey - The More You Ignore Me, The Closer I Get

Giorgio Roda (18th March 1994) - Urban Cookie Collective - Sail Away

Daniil Kvyat (26th April 1994) - Roxette - Sleeping In My Car

Mathieu Jaminet (24th October 1994) - Take That - Sure

Matthieu Vaxiviere (3rd December 1994) - Sophie B Hawkins - Don't Don't Tell Me No

Raffaele Marciello (17th December 1994) - PJ & Duncan - Eternal Love

Mikkel Jensen (31st December 1994) - Pearl Jam - Spin The Black Circle

Nyck De Vries (6th February 1995) - M People - Open Your Heart

Matt Campbell (17th February 1995) - MN8 - I've Got A Little Something For You

Alessio Rovera (22nd June 1995) - Pizzaman - Sex On The Streets

Charlie Eastwood (11th August 1995) - Oasis - Some Might Say

Jack Aitken (23rd September 1995) - Vanessa Williams - Colours Of The Wind

Dennis Olsen (14th April 1996) - Oasis - Supersonic

Antonio Fuoco (20th May 1996) - Kavana - Crazy Chance

Matteo Cairoli (1st June 1996) - Gloria Estefan - Reach

Kelvin Van Der Linde (20th June 1996) - Blur - Charmless Man

James Allen (4th July 1996) - Gina G - Ooh Aah.. Just A Little Bit

Larry Ten Voorde (2nd November 1996) - Los Del Rio - Macarena

Sean Gelael (1st November 1996) - Huff & Puff - Help Me Make It

Ben Barnicoat (20th December 1996) - Phil Collins - Dance Into The Light

Mikkel O.Pedersen (26th January 1997) - The Prodigy - Poison

Nicklas Nielsen (6th February 1997) - Kavana - I Can Make You Feel Good

Ben Tuck (3rd March 1997) - Space - Dark Clouds

Alex Palou (1st April 1997) - Spice Girls - Who Do You Think You Are

Louis Deletraz (22nd April 1997) - Michelle Gayle - Sensational

Ferdinand Habsburg (20th June 1997) - Sneaker Pimps - Six Underground

Laurents Horr (11th September 1997) - Refugee Allstars & Lauryn Hill - The Sweetest Thing

Frederik Schandorff (26th December 1997) - Course - Best Love

Dries Vanthoor (20th April 1998) - Ultra - Say You Do

Erwan Bastard (9th June 1998) - Solid Harmonie - I Want You To Want Me

Job Van Uitert (10th October 1998) - Ultra - The Right Time

Callum Ilott (11th November 1998) - Culture Club - I Just Wanna Be Loved

Mick Schumacher (22nd March 1999) - Men Of Vizion - Do You Feel Me? (Freak You)

Marino Sato (12th May 1999) - Melky Sedeck - Raw

Sheldon Van Der Linde (13th May 1999) - Busta Rhymes ft Janet Jackson - What's It Gonna Be?

Fabio Scherer (13th June 1999) - Bjork - All Is Full Of Love

Riccardo Pera (4th July 1999) - Salt Tank - Dimension

Julien Andlauer (5th July 1999) - Luscious Jackson - Ladyfingers

Phil Hanson (5th July 1999) - Tina Cousins - Forever

Ritomo Miyata (10th August 1999) - Lolly - Viva La Radio

Robert Shwartzman (16th September 1999) - Paul Johnson - Get Get Down

Bent Viscaal (18th September 1999) - Supergrass - Moving

Rui Andrade (23rd September 1999) - Lauryn Hill - Everything Is Everything

Gregoire Saucy (26th December 1999) - Holly Johnson - The Power Of Love

Scott Huffaker (28th December 1999) - Leann Rimes - Crazy

Felipe Drugovich (23rd May 2000) - Mel C & Lisa 'Left Eye' Lopes - Never Be The Same Again

Timur Boguslavskiy (30th April 2000) - Andreas Johnson - Glorious

Yifei Ye (16th June 2000) - Peter Lazonby - Sacred Cycles

Sebastian Baud (6th July 2000) - Morgan - Flying High

Oliver Rasmussen (6th November 2000) - Texas - In Demand

Nicolas Varrone (6th November 2000) - Darude - Feel The Beat

Jean-Baptiste Simmenauer (19th November 2000) - Robbie Williams & Kylie Minogue - Kids

Clement Novalak (23rd December 2000) - Kandi - Don't Think I'm Not

Alex Quinn (29th December 2000) - Britney Spears - Stronger

Simon Mann (10th February 2001) - ATB ft York - The Fields Of Love

Roman De Angelis (15th February 2001) - Ash - Shining Light

Charles Milesi (4th March 2001) - Spooks - Things I've Seen

Joel Sturm (28th November 2001) - Dido - Hunter

Frederik Vesti (13th January 2002) - Westlife - Queen Of My Heart

Olli Caldwell (11th June 2002) - Sugababes - Freak Like Me

Bijoy Garg (15th July 2002) - The Prodigy - Baby's Got A Temper

Antonio Serravalle (18th September 2002) - Nore - Nothin'

Reshad De Gerus (1st July 2003) - Flaming Lips - Fight Test

Malthe Jakobsen (29th October 2003) - Sheryl Crow - The First Cut Is The Deepest

Carl Bennett (2nd September 2004) - Stonebridge ft Therese - Put Em High

Esteban Masson (18th September 2004) - Easyworld - How Did It Ever Come To This

Nico Pino (21st September 2004) - Kylie Minogue - Slow

Kyffin Simpson (9th October 2004) - The 411 - Dumb

Nolan Siegel (8th November 2004) - Kaiser Chiefs - I Predict A Riot

Lorenzo Fluxa (23rd November 2004) - Daniel Bedingfield - Nothing Hurts Like Love

Jonas Ried (18th December 2004) - Natasha Bedingfield - Unwritten

Vladislav Lomko (27th December 2004) - Electric Six - Radio Gaga

Morris Schuring (20th February 2005) - Keane - Bedshaped

Maceo Capietto (12th January 2006) - James Blunt - Goodbye My Lover

Conrad Laursen (11th May 2006) - Beyonce ft Slim Thug - Check On It

And here is the link to the playlist 😊

[fathercharlesoffdensen]

In my experience as a fandom veteran of [redacted] years, hyperfixating on fictional people is a lot more fun a) as a curated experience that maximizes enjoyment and minimizes 'hate-watching' and ship wars and harassing franchise creators and trolling; and b) when the end-goal of every interaction, fandom contribution, etc. isn't mining for ~problematic elements in a piece of media and/or amongst those who 'like' something the 'wrong' way. I spent last summer mired in health issues from mold poisoning and the house renovations that followed, during which consciously escaping into beloved fictional worlds via Tumblr and AO3 kept me sane(r than I probably would have been otherwise) - knowing that they're there when I need/want to visit is probably going to factor into my survival of the current summer as well ngl. Fandom! Come for the .GIF sets, fanart, meta, memes, (civil) discourse, and friendships; weed out unnecessary drama as much as possible.

Case-in-point, I've been working my way through the original Uncanny X-Men comic run from the 1960s, and Charles Xavier's moral ambiguity is on dazzling, four-color, two-dimensional display, as well as some rather ~dated representations of disability and the era's gender roles. Indeed, those who balk at the Rogue / Magneto ship likely have even more ire for Professor X's old-school skirt-chasing, pipe-smoking incarnation, especially when he struggles not to make his mentor-student relationship with Jean Grey even more inappropriate than it already appears to be. In my personal life, I try to avoid relationship drama, behave ethically, and communicate clearly because, like daydreaming about gay ships, doing so enhances my quality of life. On the other hand, I want to roll around in the stank of all of my favorite fictional hot messes and their bad decisions and 'unhealthy' relationship dynamics and weird sex preferences, essentially for the same reason. Below are clues for an in-post skeevy Charles scavenger hunt for your continued enjoyment:

Charles out-skeeving Mister Sinister;

Chillaxing at the Hellfire Club with Tony Stark;

Mystique remarking on Krakoa! Charles' "gross" notion to create / continue a mutant leg of the CIA;

Early 60s Wolverine isn't a fan of old-school Chuck either;

Charles scaring the crap out of Scott Summers(/other mutants);

The X-Men rough-housing and nearly harming Charles;

Odin Charles in a jaunty wizard disguise;

Jean practically climbing onto Charles' lap during a battle;

Jean taking up both nursing (!!!) and cooking (!!!) duties for Charles and like four gross teenage mutant dudes;

Charles and Jean icing out the other X-Men regarding Charles' impending death(/'death' - he gets revived almost as much as she does), much to Scott, Hank, Iceman, and Angel's discontent.

TL;DR: In the immortal words of the great philosopher, Thor Christopher Hemsworth, "Do stuff, be nice, have fun" aka don't be a dick. Have a great summer!

[eternal--returned]

Seven months or so after Rothko concluded his second European sojourn, which included four weeks in Rome, the Houston-based art patrons John and Dominique de Menil paid Rothko the first of what would be many visits. In February 1960, the couple met him at his Bowery studio to see the paintings he had intended for the Four Seasons restaurant in the newly completed Seagram building, an edifice designed by Mies van der Rohe and Philip Johnson to present high modernist architecture in terms of maximally luxurious effects. Within weeks of returning from Europe, Rothko had withdrawn his paintings from their originally intended destination in that environment of princely splendor and conspicuous consumption. This act of principled renunciation impressed the de Menils, who were also captivated by the Seagram canvases themselves; later, Dominique de Menil would remember, 'They made for an extraordinary mystical environment, a mix of intimacy and transcendence that can be found in certain churches, certain mosques'. Two days after their first visit, the de Menils returned to Rothko's studio to propose acquiring the canvases for a future Catholic chapel to be built on the campus of the University of St Thomas in Houston, an institution they served as prime benefactors. But both the artist and his prospective patrons agreed that the significance of the undertaking would require freshly conceived art. And there the idea rested for another four years.

Thomas Crow ֍ "Illuminations Past and Present in the Painting of Mark Rothko." Toward Clarity (2019)

Rothko Chapel, Houston, Texas

[britsyankswheels24]

🇬🇧 The 1959 Morris Mini Minor, commonly known as the Mini, revolutionized the automotive industry. Introduced by the British Motor Corporation (BMC) and designed by Sir Alec Issigonis, it became a symbol of 1960s British culture.

🏭 Morris Motors, formed in 1919, represented 42% of British car production by 1926. In 1952, it merged with Austin to form BMC, incorporating Morris, MG, Riley, and Wolseley. The Morris name remained until 1984 when British Leyland focused on Austin and Rover.

🚘 Debuting on August 26, 1959, the Mini was designed for affordability and efficiency during economic austerity. Issigonis maximized interior space within a compact design. The goal was to create a car that was affordable, economical, and practical for everyday use. Issigonis's design achieved this by maximizing interior space within a compact exterior.

🚗 The Mini featured a transverse engine and front-wheel drive, maximizing space and handling. Its rubber cone suspension by Alex Moulton provided a smooth ride, and small corner-placed wheels enhanced handling. The small wheels were placed at the corners of the car, further enhancing interior space and giving the Mini its characteristic go-kart handling.

🌟 The Mini became a cultural phenomenon, popular across social classes and successful in motorsports, including multiple Monte Carlo Rally wins in the 1960s. Celebrities and ordinary people alike were drawn to its charm. The Mini saw updates until 2000, and in 2001, BMW relaunched the brand, modernizing it while retaining iconic elements.

🎥 The Mini gained further fame as Mr. Bean's beloved car. This lime green Mini, driven by Rowan Atkinson's character, became an iconic element of the show, adding to the Mini's already extensive cultural legacy.

🏁 The 1959 Morris Mini Minor is celebrated for its groundbreaking design, influencing future vehicles and remaining a timeless classic. The Mini's innovative use of space, combined with its distinctive style and fun driving experience, ensures its place as a timeless classic in automotive history.

[blackswaneuroparedux]

“Muse” est un mot qui me fait rigoler, parce que personne ne sait ce qu’il signifie. C’est l’influence d’une attitude, je suppose, mais le mot est complètement faux, il ne semble pas faire partie de la vie réelle. Alors que, bien au contraire, mon influence sur Yves relève entièrement de la vie réelle, l’amie qui travaille avec lui et qui, de temps en temps, lui dit: “Ne sois pas aussi bête, Yves.”

- LouLou de la Falaise

Loulou de la Falaise was model, designer, and more well known as Yves Saint Laurent’s long-running muse for his fashion designs.

Cecil Beaton famously said she was the only English woman he knew who could be “really chic in really hideous clothes” - de la Falaise was part of high society. But she was also always a hard worker that became a fashion icon. She became the quintessential Rive Gauche haute bohémienne.

Born on 4 May 1948 in England, Louise Vava Lucia Henriette de la Falaise had an Irish mother, Maxime Birley, Elsa Schiaparelli's favourite model, and a French father, Alain de la Falaise. She was the granddaughter of the artist Oswald Birley, official painter to the Royal Court. From the age of 7, Loulou de La Falaise studied at a boarding school in England, then in Switzerland. She spent her teenage years in London, then the capital of pop culture, and then became a fashion editor before following her mother to New York in the 1960s. She then posed for fashion photos and designed prints for Halston. In New York she was firm friends with Andy Warhol and immersed herself in the fashion scene there.

She didn’t have much luck in relationships. She was first married at 18 years old to an Irish aristocrat, Desmond Fitzgerald, from whom she soon separated. In 1977, Loulou de la Falaise married Thadée Klossowski de Rola, son of the painter Balthus, a marriage organised by Yves Saint Laurent and Pierre Bergé on a small island in the Bois de Boulogne. She has a daughter, Anna, born in 1986, of whom Yves Saint Laurent was godfather.

Yves Saint Laurent once said of his muse, “Loulou de la Falaise's real talent, apart from her undeniable professional qualities, was her charm. She had the strange power of the gift of lightness, mixed with an irreproachable acuity of her look on fashion. Intuitive, innate, unique.” Loulou de la Falaise met him in 1968, at a tea party given by his stylist friend, Fernando Sanchez. She joined Yves Saint Laurent in 1972 at the designer's request and quickly became one of his closest collaborators. Loulou de La Falaise, who had a passion for colour and a gift for eccentricity, remained at his side for 30 years, creating jewellery and hats for the haute couture house.

While many consider her Yves’s ‘muse’, she was much more than that, and became head designer for accessories. She was literally his taste check, someone he could depend on to brainstorm concepts with, finalise colour  selections. She said once, "Accessories have an important role in our stressful lives. If you go out to dinner and you don't have time to go home and change, you can take off your jacket and put on a piece of jewellery," She loved rare woods and brightly coloured stones, giant enamel flowers and had hearts fashioned from rock crystal, her lucky material. "The important thing is to invent yourself," she used to say.

After Yves Saint Laurent’s death in 2002, Loulou de la Falaise launched her own brand and collaborated with different groups by creating jewellery lines. In 2011, she created a line of jewellery exclusively for the Majorelle garden boutique in Marrakech, the garden that also housed Yves Saint Laurent's ashes. Loulou de la Falaise passed away 2011.

Photo: Loulou de la Falaise and Yves Saint Laurent at a party, 1978.

[mariacallous]

Police in Russia’s Saratov region have drawn up a misdemeanor charge against a local woman who posted pictures with rainbow flags on Instagram for “public display of an extremist organization’s symbols,” reports the human rights group Department One.

This is the first known case in Russia of someone being prosecuted for “extremist symbols” for displaying a rainbow pride flag.

Maxim Olenichev, a lawyer from Department One, was able to get a copy of the Russian Supreme Court’s ruling recognizing the “LGBT Movement” as an “extremist organization.”

According to the Supreme Court’s decision, the “International LGBT movement” emerged in the U.S. in the 1960s “as part of a birth control policy” and has been active in Russia since 1984. The document also says that the so-called movement “destroys family values,” “violates the rights of religious people,” and uses “specific language.”

On November 30, the Russian Supreme Court banned the “international LGBT movement” as an “extremist organization.” The court session was held behind closed doors; therefore, the ruling was never published.

[addressingsophism]

In Defense Of "Anti-Work"

Many people attempt to justify Neo-Calvinist Work Ethic, which is a self-contradicting piece of pseudo-religious dogma stating that all people must work for religious purposes, but not equally. The philosophy also pushes the belief that the wealthy inherited the earth and became wealthy only by way of innate virtue and should only perform unburdened laborless management and collect the majority of the wealth produced by others, and that the poor must perform hard labor and hand the money up the societal ladder to save their souls.

Early Calvinist Work Ethic dogma was used as a justification for serfdom and slavery from the late 1500s (AD) till today. Neo-Calvinist ideology forms much backbone for much of gatekeeping in Western society; as it is related to System Justification, victim-blaming and "societal weeding".

Contrary to current Western common belief, most of the world didn't belive in anything even remotely close to this concept until fairly recently. While serfdom and slavery had existed in pockets and within waxing and waning empires (with various restructuring of labor beliefs and practices), it wasn't part of a universal belief that humans were required to access the resources of the world they were born on solely through repetitious labor associated with pyramid'esque-scheme systems.

In fact the "work week" wasn't invented until the 1800s and the idea of standardization of Brute Capitalism didn't exist until the 1950s (which lead to economic downfalls and crime waves during the 1960s and 1970s).

People often assume that the majority of the world's idea of work and taxes has been standardized for millennia, and pretty much look the same across all of history, but this is simply not true.

---

Side note: The anti-work isn't a movement in opposition to task completion, but in opposition to fallacies associated with ideologies that claim human beings should naturally be treated as machines used for repetitious labor in order to support classist structures and to restrict social and economic mobility.

The current systems aren't about maximizing everyone's potential, nor about focusing on justice and accuracy.

It's simply about creating and maintaining a series of networked exploitation-focused pyramid schemes. This is ensured mostly by way of early indoctrination, and encouraged via peer pressure (pride, shame, etc).