#1920 NY

[newyorkthegoldenage]

Tony Sarg, The Flatiron Building. From the book Tony Sarg's New York, 1927.

Other posts with illustrations from this book:

The Great White Way

Washington Market

The Stock Exchange

Jefferson Market Police Court

Columbus Circle

Museum of Natural History

City Hall

Source: The Cary Collection

[semioticapocalypse]

Ralph Steiner. Untitled (Clotheslines. Manhattan, New York. 1925

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

[lake-lady]

Looking out the window of an old warehouse

[libraryofva]

Recent Acquisition - Ephemera Collection

Commercial Photo Finishing. Eastman Kodak Company, Rochester, NY. 1928

[theshatterednotes]

American poet Hayden Carruth

[todaysdocument]

Plaintiff Exhibit X, Letter of Consent for Lou Gehrig. U.S. District Court. Hillerich & Bradsby Company versus The Hanna Manufacturing Company, Inc.

Record Group 21: Records of District Courts of the United States Series: Equity Cases File Unit: Hillerich and Bradsby Co. vs Hanna Manufacturing Co.

[handwritten at top right] Lou Gehrig Plf [unclear: Ex] [deletion, unclear: N? W?] X [printed] 390 DEPARTMENT OF COMMERCE UNITED STATES PATENT OFFICE [T]o all persons to whom these presents shall come, Greeting: [portion of line hidden by ribbon] THIS I[S] [TO] CERTIFY that the annexed is a true copy from the records [portion of line hidden by ribbon] [word covered: in? of?] [t]his office [typed] of Letter of Consent, filed August 1, 1927, [portion of line hidden by ribbon] in th[e] [ma]tter of the [portion hidden by ribbon] [Tra]de Mark Registered by Hillerich & Bradsby Co., [portion hidden by ribbon] [No]vember 22, 1927, Number 235,598. [seal at left] [printing at right of seal] IN TESTIMONY WHEREOF I have hereunto set my hand and caused the seal of the Patent Office to be affixed, at the City of Washington, this [typed] seventeenth [printed] day of [typed] May [printed] , in the year of our Lord one thousand nine hundred and thirty-three and of the Independence of the United States of American the one hundred and fifty-seventh. [printed below seal] ATTEST: [signature] D E Wilson [printed] Chief of Division. [signature at right] Thomas E. Robertson [printed] Commissioner of Patents. [small printing at bottom left] [unclear numbers: 11-5625] U. S. [unclear: GOVERNMENT] PRINTING [unclear] [unclear: numbers for year?]

[white on black background] [at top right] 391 [letterhead] HILLERICH & BRADSBY CO. INCORPORATED SOLE MANUFACTURERS OF THE CELEBRATED [picture of manufacturing plant] [bat design below picture] [in circle at left of picture] Office & Factory 725-731 South Preston Street [in circle at right of picture] None Genuine Without Our Trade Mark Stamped On Each Bat [below bat design] LOUISVILLE SLUGGER BASE BALL BATS [handwritten at right] N. Y. Amer. [handwritten at left] $25[superiors, underscored]50 - 10/15/23 [crossed out: LOUISVILLE. KY.] [handwritten below] New York Oct 15/1923 [typed] For a valuable consideration, the receipt of which I hereby acknowledge, I, the undersigned, hereby agree to give to Hillerich & Bradsby Co., Incorporated of Louisville, Kentucky, the sole and exclusive rights to use my name and photograph on Base Ball Bats and in advertising same and it can be registered a their Trade Mark. [signature at right] Henry Louis Gehrig [printed] Witness: [signature] Walter C Pipp [signature at right] "Lou" Gehrig [section cut out or superimposed on first of several blank lines below] [handwritten at left] [unclear: Dic] [unclear: ??d] 10/27/23. [unclear: ?r?t] Schmitz Mfg. Co. 10/25/23. [handwritten at right] 252844 [printed at bottom] "USERS OF LOUISVILLE SLUGGER BATS ARE MEMBERS OF BASEBALL'S HALL OF FAME."

[new-york-central-official]

Informational pamphlet from the late 1920s full of photos of Niagara Falls, one of many beautiful locations accessible via the New York Central Lines.

[thingsmk1120sayz]

[dinosaurwithablog]

I love the cars!! The entrance to the park looks so lonely compared to what it looks like now. Trees grow a lot in 100 years. 😁 It's a beautiful arch, isn't it? I used to go to this park a lot in the 70s and 80s. I love the Greenwich Village area of Manhattan. It's always a great time!!!

E.O. Hoppe. Washington Square Park. 1920s

[newyorkthegoldenage]

Edward Hopper, Night Shadows, 1921. Etching on paper.

In Night Shadows, Edward Hopper creates an atmosphere of suspense by placing the audience at a high vantage point, looking down on a lone figure at night. The print demonstrates the vigorous cross-hatching, deeply bitten lines, and heavy inking that are typical of Hopper’s etchings. The starkly white paper and shades of black ink represent an effect called chiaroscuro, which is Italian for “light–dark.” The subjects most identified with Hopper are empty scenes—an isolated house, a vacant room, an abandoned street. These eerie settings, amplified by manipulation of shadow, unusual vantage points, and simple composition, add to the mystery and psychological tension in his work. When Hopper does include figures in his art, they are often alone, weighted by solitude or dwarfed by their modern environment. —Weisman Museum

Photo: Weisman Art Museum, Univ. of Minnesota

[libraryofva]

Recent Acquisition - Ephemera Collection

Balopticons and Accessories. With a Foreword on Visual Education. Bausch & Lomb Optical Co., Rochester, NY. 1927.

[theshatterednotes]

US poet Richard Wilbur

[newyorkthegoldenage]

Theater manners, 1927.

Daily News, New York, June 12, 1927

[siffrins-therapist]

👾censoredmandibiles Follow

OK time to settle something

EDIT: this post WAY ended up breaking containment. GO CLUTCH YOUR PEARLS ELSEWHERE

🦑tentacleovi Follow

YO FREE BLOCKLIST IN THE NOTES HOLY SHIT

#RIP OP's notifs #i don't go here but i suggest making popcorn before diving into those notes #some of it is puritan bs you'd expect #some of it is discourse i never even knew existed

41.6K Notes

🕷️friendofcharlotte

I think a painting my friend got at a thrift store was painted by Mr. Italy Veneziano? Is there a way to authenticate it? Google isn't helping.

⭐wishonadeadstar Follow

Try here. Turns out my nan's portrait of her farmhouse was originally painted by Mr. Romano when he was living in NY during the 1920's.

🕷️friendofcharlotte

THANK YOU

8 Notes

📽️bisexuallightinggoggles Follow

hey yo so the US rep put like 100 hours into playing that game Spiritfarer just this week... anyone want to go check on the guy??

💿newagepirate Follow

There are literally government workers who's literal job it is to check on him

⛰️lesbianmothernature Follow

how tf do you know he put 100 hours into playing a game anyway????

📽️bisexuallightinggoggles Follow

We're friends on Steam. He adds like everyone who asks.

And for everyone in the notes asking what Spiritfarer is it's one of those cozy simulator games here's the trailer.

#isn't the 'deathiversary' of his friend Davie this week? #i'm definitely not the first person to think of that #okay looking at the notes was a mistake #like i'm not one of those ppl who puts #'DNI if your username makes fun of davies death' but #immortal or not #even if it happend centuries ago #you can still be sad your FUCKING FRIEND DIED

12.3k Notes

🥾hikingawayfrommyfeelings Follow

So if I become a citizen of Ladonia can he just... visit me through my computer?

🦝trashypanda Follow

He gets mad when you summon him :(

🦘callmejoeythewayi Follow

"summon him" Like a fucking demon?

🫒shrekbignaturals Follow

We are NOT rehashing that old discourse.

🎱magic8saveme Follow

Oh god I just revived my blog after escaping x/twitter and last time I saw that disk hoarse, my dash was just post after post of this for DAYS

🪄magictrio-dropout

#was there actual discourse about whether the nation-people were demons? #cuz the discourse i saw on my dash was #whether tales of things like demons vampires and #other immortal or 'came back to life' creatures #were born from when the nation-people resurrecting #or like #doing creepy stuff

IDK about tumblr or the first bit (I've personally never heard that at least not from anyone being serious) but the other stuff has been debated in academia for decades! One of my literature professors is ADAMANT that the vampire myth can be traced to old folklore about the reps and them reviving and possibly the blood-drinking comes from an evolution of the myth when before, old stories talked about blood soaking the earth where vampires rose. If anyone's interested, here's where you can find my professor's paper about it.

🎃warongayxmas

So like. *grabs a bat and slowly approaches a hornet's nest* Then does the Jesus story have the same roots then?

🫒shrekbignaturals Follow

WE 👏 ARE 👏 NOT 👏 RE 👏 HASHING 👏 THAT 👏 DISCOURSE👏

🥾hikingawayfrommyfeelings Follow

Wtf happened to my post???

#so did OP become a Ladonian citizen or what?

187.4k Notes

🐦‍pinchforawish Follow

MY DAD GOT TO SEE MR ENGLAND LIVE BACK WHEN HE WAS IN A PUNK BAND

🐦‍pinchforawish Follow

TUMBLR WTF HOW TF DOES THIS VIOLATE GUIDELINES

🏴dinotonugget-deactivated

Finally. Proof that the site runs so shittily bc Mr. Eyebrows works for staff

🫎moosecrossing Follow

Spoke the truth and got fucking killed for it

67.9 Notes

[thingsmk1120sayz]

Ice Skating on Hoyt Lake Buffalo New York 1910s or 1920s

[mimi-0007]

FATHER & SON: James Earl Jones with his Father Robert Earl Jones on Stage in the 1962 Production "Moon on a Rainbow Shawl."

Robert Earl Jones (February 3, 1910 – September 7, 2006), sometimes credited as Earl Jones, was an American actor and professional boxer. One of the first prominent Black film stars, Jones was a living link with the Harlem Renaissance of the 1920s and 1930s, having worked with Langston Hughes early in his career.

Jones was best known for his leading roles in films such as Lying Lips (1939) and later in his career for supporting roles in films such as The Sting (1973), Trading Places (1983), The Cotton Club (1984), and Witness (1985).

Jones was born in northwestern Mississippi; the specific location is unclear as some sources indicate Senatobia, while others suggest nearby Coldwater. He left school at an early age to work as a sharecropper to help his family. He later became a prizefighter. Under the name "Battling Bill Stovall", he was a sparring partner of Joe Louis.

Jones became interested in theater after he moved to Chicago, as one of the thousands leaving the South in the Great Migration. He moved on to New York by the 1930s. He worked with young people in the Works Progress Administration, the largest New Deal agency, through which he met Langston Hughes, a young poet and playwright. Hughes cast him in his 1938 play, Don't You Want to Be Free?.

Jones also entered the film business, appearing in more than twenty films. His film career started with the leading role of a detective in the 1939 race film Lying Lips, written and directed by Oscar Micheaux, and Jones made his next screen appearance in Micheaux's The Notorious Elinor Lee (1940). Jones acted mostly in crime movies and dramas after that, with such highlights as Wild River (1960) and One Potato, Two Potato (1964). In the Oscar-winning 1973 film The Sting, he played Luther Coleman, an aging grifter whose con is requited with murder leading to the eponymous "sting". In the later 20th century, Jones appeared in several other noted films: Trading Places (1983) and Witness (1985).

Toward the end of his life, Jones was noted for his stage portrayal of Creon in The Gospel at Colonus (1988), a black musical version of the Oedipus legend. He also appeared in episodes of the long-running TV shows Lou Grant and Kojak. One of his last stage roles was in a 1991 Broadway production of Mule Bone by Hughes and Zora Neale Hurston, another important writer of the Harlem Renaissance. His last film was Rain Without Thunder (1993).

Although blacklisted by the House Un-American Activities Committee in the 1950s due to involvement with leftist groups, Jones was ultimately honored with a lifetime achievement award by the U.S. National Black Theatre Festival.

Jones was married three times. As a young man, he married Ruth Connolly (died 1986) in 1929; they had a son, James Earl Jones. Jones and Connolly separated before James was born in 1931, and the couple divorced in 1933. Jones did not come to know his son until the mid-1950s. He adopted a second son, Matthew Earl Jones. Jones died on September 7, 2006, in Englewood, New Jersey, from natural causes at age 96.

THEATRE

1945 The Hasty Heart (Blossom) Hudson Theatre, Broadway

1945 Strange Fruit (Henry) McIntosh NY theater production

1948 Volpone (Commendatori) City Center

1948 Set My People Free (Ned Bennett) Hudson Theatre, Broadway

1949 Caesar and Cleopatra (Nubian Slave) National Theatre, Broadway

1952 Fancy Meeting You Again (Second Nubian) Royale Theatre, Broadway

1956 Mister Johnson (Moma) Martin Beck Theater, Broadway

1962 Infidel Caesar (Soldier) Music Box Theater, Broadway

1962 The Moon Besieged (Shields Green) Lyceum Theatre, Broadway

1962 Moon on a Rainbow Shawl (Charlie Adams) East 11th Street Theatre, New York

1968 More Stately Mansions (Cato) Broadhurst Theatre, Broadway

1975 All God's Chillun Got Wings (Street Person) Circle in the Square Theatre, Broadway

1975 Death of a Salesman (Charley)

1977 Unexpected Guests (Man) Little Theatre, Broadway

1988 The Gospel at Colonus (Creon) Lunt-Fontanne Theatre, Broadway

1991 Mule Bone (Willie Lewis) Ethel Barrymore Theatre, Broadway

FILMS

1939 Lying Lips (Detective Wenzer )

1940 The Notorious Elinor Lee (Benny Blue)

1959 Odds Against Tomorrow (Club Employee uncredited)

1960 Wild River (Sam Johnson uncredited)

1960 The Secret of the Purple Reef (Tobias)

1964 Terror in the City (Farmer)

1964 One Potato, Two Potato (William Richards)

1968 Hang 'Em High

1971 Mississippi Summer (Performer)

1973 The Sting (Luther Coleman)

1974 Cockfighter (Buford)

1977 Proof of the Man (Wilshire Hayward )

1982 Cold River (The Trapper)

1983 Trading Places (Attendant)

1983 Sleepaway Camp (Ben)

1984 The Cotton Club (Stage Door Joe)

1984 Billions for Boris (Grandaddy)

1985 Witness (Custodian)

1988 Starlight: A Musical Movie (Joe)

1990 Maniac Cop 2 (Harry)

1993 Rain Without Thunder (Old Lawyer)

TELEVISION

1964 The Defenders (Joe Dean) Episode: The Brother Killers

1976 Kojak (Judge) Episode: Where to Go if you Have Nowhere to Go?

1977 The Displaced Person (Astor) Television movie

1978 Lou Grant (Earl Humphrey) Episode: Renewal

1979 Jennifer's Journey (Reuven )Television movie

1980 Oye Ollie (Performer) Television series

1981 The Sophisticated Gents (Big Ralph Joplin) 3 episodes

1982 One Life to Live

1985 Great Performances (Creon) Episode: The Gospel at Colonus

1990 True Blue (Performer) Episode: Blue Monday