#1660s fashion

[peggy-elise]

Dazzling Joan Bennett as Maria Theresa in The Man In The Iron Mask 1939 💋

[fashionsfromhistory]

Sailor's Slops

1600s-1700s

Extremely rare survival of a shirt and breeches, called slops, as worn by sailors from the late 16th through to the 18th centuries. This unique set of loose, practical sailor’s clothing reveals life aboard ship. They are made of very strong linen to endure the hard, rough work. There is tar across the front from hauling ropes. The breeches are heavily mended and patched, which the sailor would have done himself.

The Museum of London (ID: 53.101/1b)

[historical-fashion-polls]

submitted by @asterroth

[shewhoworshipscarlin]

The Letter by Gerard Ter Borch, 1660-65, Holland.

[artthatgivesmefeelings]

Sir Peter Lely (Dutch/active in England, 1618-1680) Portrait of a Lady in Blue holding a Flower, ca.1660 Dulwich Picture Gallery, London

This painting hung for almost 300 years at Raynham Hall in Norfolk, the estate of the aristocratic Townshend family.

[crinolinecuriousity]

Stays & Busk | c.1660-1680 | Dutch

[dwellordream]

- Margot Lister, Costume

[misforgotten2]

If you check the embroidery closely you still see the traces of blood of little Indonesian girls’ fingers.

Aldens Catalog Spring and Summer - 1966

[hekates-historical-clothing]

Painting by Dutch painter Peter Lely of King James II of England and his wife Anne Hyde, ca. 1661 - 1662

[emaya-chan-the-potato-headed]

1660s male fashion be like " 'orrible Jolly Ollie be dead! HUZZ-AH! Let us drape ourselves in a million loops o' ribbon!!!" 😆

[peggy-elise]

Joan Fontaine and Arturo de Córdova in Frenchman’s Creek 1944 🏴‍☠️

[fashionsfromhistory]

Knitted Shirt

1650s-1690s

Norway

Nasjonalmuseet

[inlovewithregencyera]

My Fair Lady: Late Baroque Era Set

(no fancy thumbnail this time, sorry) ♫ < baroque music

Please READ ALL OF THIS before downloading. I will not answer an ask if it was answered here. Read.

This is a late 17th-century/early 18th-century Baroque Set. You will get 25 items for women, girls, and toddlers! Towards the bottom, I will give you tips to start a Baroque Era Save (people to find on gallery and men/boy attire).

I would like to thank @the-melancholy-maiden @linzlu @sychik @batsfromwesteros @vintagesimstress @cringeborg @acanthus-sims @stereo-91 and sims 2 creator maya40 for the stuff I've used to make all of this. I'm sure there are more creators but I cannot recall their names off the top of my head. DM me if you see a piece of your mesh here so I can give proper credit. I would also like to thank @belleophile for testing these items for me.

The stuff in this set can work for the late 1660s-early 1710s.

WHAT YOU GET: You will get 3 hat hairs, 1 for each age I listed above, 2 Fontanges for adults that work with the hat slider mod, 4 adult hairs, an adult baroque hair comb piece, 1 adult baroque sash accessory used for court and portraits, 1 ribbon hair piece to go with a hair, and 13 dresses (2 1670s/1660s mantuas, 1 1680s-1710s Habit used for Hunting or Riding, 1 1690s-1710s court dress used for court occasions, 1 1690s-1710s jeweled portrait dress and 1 1660s-1670s portrait dress with sash, and finally 7 1690s-1710s mantuas used for everyday, formal, and seasonal wear. I've included 1 dress for a child and 1 dress for a toddler as well).

SMALL NOTICE ABOUT THE PIECES: The hairline on the hairs will not behave correctly if you have head shape presets on the sim. I've tried fixing that but no luck. If I manage to fix it, I will update it. The Hat Hairs are found in the HAT category and are not compatible with hairs you MUST download the hair files that I'll be including with them. This being said, if you remove sim clothing while they have the hat hair on, it removes the hair override too. It's strange, but just put the hat back on and it should fix. The comb, and ribbon accessory are also found in the hat category. The Sash is found in the GLASSES category. The 1660s-1670s Mantuas are not compatible with shoes, leggings, or socks. I've removed these options in CAS tools so you shouldn't have to worry about clipping. The Barbara 1670s Dress has a sash meshed onto it, and because of this does not behave well with bigger bodies. The same applies to the Henrietta 1670s Dress, as the pearls don't behave with bigger bodies. Same with the Sarah 1670s Dress jewels. The 1690s-1710s Mantuas will have small gaps if the sim is plus-sized. I have tried to fix these issues, but no luck. The hat hair fontange looks a bit gray without reshade or a lighting mod. @northernsiberiawinds has some good lighting mods. Other than that, it's fine. Below, is how it will look white with a lighting mod.

Everything has AT LEAST 20 swatches. Some things have more. There are only a few things that don't have this many swatches.

Here are some pics up close of what you are getting.

Here are some pics/fashion plates from this era.

Did I forget the 1680s mantua..? Oh no! Luckily, I've included this surprise 1680s dress you'll be getting as well for reading all of that. So 26 items! (here you can see hat hair fontange without lighting mods installed)

BAROQUE SAVE TIPS: These dresses will work for winter, summer, and traveling wear. Just add a fichu for summer wear or a shawl. For winter wear just add some long gloves and a cape. For men's stuff from this era, @stereo-91 has recolored some acanthus outfits which can be found here. I'll show you how they look below. I also recommend going to his gallery (ROTAMETERS91) as he has AMAZING builds for this era. For a little boy, @acanthus-sims has some stuff that can work.

DOWNLOAD

[shewhoworshipscarlin]

Portrait of a man by Harmensz van Rijn Rembrandt, 1661, Holland.

[enchanting-chit-chat]

Beetlejuice's Backstory and the Black Plague 💚🕷️🥀💀 PART 3

Good evening! As promised, here’s Part 3 of my series on Beetlejuice’s past and movieverse. Today, we dive deeper into historical fashion, analyzing the outfits of Beetlejuice and Delores to uncover their personal stories.

If you missed the earlier parts, check out PART 1 and PART 2.

Warning: This post contains SPOILERS for ‘Beetlejuice Beetlejuice’ (2024)... and many, MANY speculations.

Quick recap: In Part 1, we discussed the Plague. In Part 2, we delved into Beetlejuice’s past, questioning the claim that he died over 600 years ago.

I wondered: is that really true? Why does his clothing reflect the Baroque style, then?

That's right! In Part 3, I confirm my previous point: there are several clues suggesting that Beetlejuice most likely lived during the Baroque era - a cultural movement that began in Rome at the end of the 16th century and faded around 1750. Here is the list of the clues I noticed:

The lace neckband around BJ's neck.

His three-piece wedding suit.

Delores off-the-shoulder neckline and puffed sleeves.

The bird masks used by Delores and the undertakers.

AliveBeetlejuice first outfit (when he's stealing from corpses): specifically, the pirate shirt and the type of shoes.

Keep in mind that most of these elements were revolutionary novelties of the 16th-17th century. Here is proof for every. single. one of them.

The Lace Cravat

A behind the scenes still of Michael Keaton in 'Beetlejuice Beetlejuice' vs. the portrait of Jacob de Witte, Lord of Haamstede (Netherlands). The artwork was made by Jan Mijtens in 1660.

The first cravat, the predecessor of modern neckties and bow ties, originated in France during Louis XIV’s reign as a political and fashion statement. (Although the early idea comes from the Ancient Roman focale, used around 200 CE). The King was inspired by a particularly eye-catching necktie wore by Croatian mercenaries as part of their uniform. The new article of clothing quickly became a fashion staple for high-ranking men across Europe.

In its use, it represented the evolution of the common handkerchief, already popular in the 1500s as a practical tool, a flirty decoration, and a status symbol. I believe the variant Beetlejuice is wearing in the picture is called ‘jabot,’ and is one of the older, simpler versions.

Lace, often used in cravats, highlighted the wearer’s wealth. Italian lace, especially from Venice, was highly sought after by the European elite since the 15th century, when ruffs and collars were in vogue.

This detail suggests two possibilities:

Beetlejuice might have been an impoverished aristocrat (or a rich merchant) clinging to his title until the end. This could also explain the ring on his index finger, symbolizing power or family ties. Or both.

Alternatively, he may have been someone who strongly wished to be part of the elite.

Jacket and Breeches

Aristocratic fashion, 1630 (Victoria & Albert collection) vs. What Beetlejuice wore in the wedding scene.

Another standout innovation of the Baroque period was the introduction of the three-piece men’s suit, known as the ‘Habit à la française.’

This ensemble included a tailcoat (a calf-length jacket), a coat (a long waistcoat), and knee-length breeches. Like the cravat, this fashion was adopted across Europe. As you can see, Beetlejuice is perfectly embodying this fashion, which evolved and remained popular until the 19th century. Interestingly, one shoe is missing.

Pirate Shirt

Originating in the 16th-17th century, the ‘poet shirt’ or ‘poet blouse’ remained popular through the Romantic era. These multi-purpose shirts served as both underwear and nightwear, featuring long tails that reached mid-thigh or knee. The body and sleeves were gathered at the collar and cuffs, creating a full, loose fit.

Delores' Outfit

For comparison, I’ve included an illustration of noblewomen’s fashion at the court of Louis XIII (died 1643). His successor, Louis XIV, made France a cultural and fashion beacon for the next two centuries.

In the movie, Delores wears two nearly identical outfits: long dresses with puffed sleeves ending just below the elbow, a corset, and an off-the-shoulder neckline. This style aligns with 17th-century trends when fashion became more comfortable and relaxed.

The black color suits her character’s personality and role in the film, possibly hinting at a connection to the late Renaissance and the Spanish Court.

In fact, during the reign of Charles V (1500-1558) and his son Philip II (1527-1598), Spanish aristocracy particularly favored the black color, as it represented austerity and power for both men and women. Additionally, a deep shade of black was particularly difficult to achieve with the dyeing methods of the time, making those fabrics quite expensive to make.

However, The Spanish style was quite the opposite to what France later proposed: it consisted in a severe and somber luxury, which increased in opulence as the time passed. As Spain happened to be the beacon of fashion before Louis XIV came along, it's only natural that black rapidly became quite popular all around Europe as well. The color was particularly appreciated by the members of the middle class in Protestant nations and, apparently, in Italy as well.

Finally, keep in mind that 'Delores' is a variant of the more common 'Dolores'. Both names have Spanish origins and means 'sorrows'.

So what do we think? Was Beetlejuice from a rich family? Was Delores a Spanish witch?

Who knows! But I’m willing to dream and speculate!

Until the big reveal from Tim Burton himself in the now teased but not confirmed yet sequel, have a fantastic week!✨

[charminglygrouped]

Muslins (cotton fabrics) made in India for the European market in the late 18th and early 19th centuries.

Fabrics designed to be sold and made up in Europe featured a relatively subdued colour palette, distinct from those intended for sale locally, or in Thailand or Indonesia. They were mostly naturalistic florals on white or cream grounds. The designs were block-printed or hand-painted; sometimes, some elements were painted and others embroidered (as in images five and eight).

Block printing uses hand-carved wooden blocks, which are then painted and pressed onto a length of fabric repeatedly to form a design. Each colour and design element requires a separate block.

Printing block of carved wood, India, 19th century

Beverly Lemire, a scholar who writes a lot about textiles and the production of consumer tastes and markets in Europe in this period, writes:

Textiles played a crucial role in defining gender, rank, and race in British imperial expansion during the long eighteenth century. This period saw an emphasis on whiteness in skin and cloth, symbolizing social status and racial hierarchy, with laundering, largely performed by low-ranked and racialized women, maintaining pristine garments representing social “whiteness.” Everyday clothing, its care, and the opulent societal lifestyle of the elite, characterized by events such as masquerade balls, upheld the imperial ethos of race and reinforced social hierarchies. A critical history of empire must examine fabrics and their use, as well as the motivations behind material whiteness. [Empire and the Fashioning of Whiteness: Im/Material Culture in the British Atlantic World, c. 1660–1820]

[Source and more information on fabric # one / two / three / four / five / six / seven / eight]