#Peter Lely
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Nymphs by a Fountain by Peter Lely (1655)
#peter lely#art#paintings#fine art#17th century#17th century art#baroque#baroque art#dutch artist#dutch art#dutch golden age#mythology#greek mythology#naiad#water nymph#classic art
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Peter Lely (1618-1680) "A Boy as a Shepherd" (c. 1658-1660) Oil on canvas Located in the Dulwich Picture Gallery, London, England
#paintings#art#artwork#genre painting#male portrait#peter lely#oil on canvas#fine art#dulwich picture gallery#museum#art gallery#dutch english artist#portrait of a boy#costume#costumes#musical instruments#flute#side profile#long hair#1650s#1660s#mid 1600s#mid 17th century
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Peter Lely
#peter lely#sir peter lely#art#artwork#fine art#fineart#painting#art history#history of art#women in art
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1690s or ab. 1670 British (English) School or attr. to Peter Lely - Portrait of a Man (thought to be Charles Beauclerk, 1st Duke of St Albans)
(St Albans Museum + Gallery)
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Sir Peter Lely (Dutch/active in England, 1618-1680) Portrait of a Lady in Blue holding a Flower, ca.1660 Dulwich Picture Gallery, London
This painting hung for almost 300 years at Raynham Hall in Norfolk, the estate of the aristocratic Townshend family.
#Sir Peter Lely#Peter Lely#Dutch#England#Portrait of a lady in blue holding a flower#european fashion#fashion#1660s#1600s#art#fine art#european art#classical art#europe#european#fine arts#oil painting#europa#female portrait#female#woman#portrait
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Peter Lely, The Carnarvon Family: Group portrait of Charles Dormer, 2nd Earl of Carnarvon (1632-1709), his wife Elizabeth, née the Hon. Elizabeth Capel (1633-1678), and their children Charles, Viscount Ascott (1652-before 1673) and Elizabeth, later Elizabeth Stanhope, Countess of Chesterfield (1653-1677) (detail), 17th century. Oil on canvas, 156.2 x 217.8 cm. Private Collection.
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Portrait of Louise de Kéroualle, Duchess of Portsmouth, Peter Lely, circa 1671-4
Oil on canvas 125.1 x 101.6 cm (49 ¼ x 40 in.) J. Paul Getty Museum, Los Angeles, CA, USA
#art#painting#peter lely#baroque#dutch golden age#baroque art#17th century#1670s#oil#portrait#royalty#dutch#the getty#english#british
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Portrait of a Lady, Sir Peter Lely, 1665
#portrait of a lady#sir Peter lely#Peter lely#lely#1665#1660s#1600s#17th century#painting#portrait#art
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James II when Duke of York. By Sir Peter Lely.
#uk#house of stuart#duke of york#house of stewart#king james ii#king james vii#full length portrait#peter lely#sir peter lely#full-length portrait
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Elizabeth, comtesse de Gramont (née Hamilton; 1641–1708), was an Irish-born courtier, first after the Restoration at the court of Charles II of England in Whitehall and later, after her marriage to Philibert de Gramont, at the court of Louis XIV where she was a lady-in-waiting to the French queen, Maria Theresa of Spain.
Known as "la belle Hamilton", she was one of the Windsor Beauties painted by Peter Lely. She appears prominently in the Mémoires du comte de Grammont, written by her brother Anthony.
#Elizabeth Hamilton#Elizabeth Comtesse de Gramont#XVII century#XVIII century#people#portrait#paintings#art#arte#Windsor Beauties#Peter Lely
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Peter Lely (1618-1680) - Self-Portrait - black and coloured chalks heightened with white
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MWW Artwork of the Day (6/1/23) Sir Peter Lely (Dutch/British, 1618–1680) Susanna and the Elders (c. 1650-55) Oil on canvas, 127 x 149.2 cm. The Tate Gallery, London
The subject comes from the biblical Apocrypha. Susanna, a young Jewish wife, was secretly desired by two elders of the community, who plotted together to seduce her. They hid in her garden and when she came out to bathe they emerged and threatened that, unless she gave in to their desires, they would publicly accuse her of adultery -- the penalty for which was death. Susanna, however, spurned them and they duly made their false accusation. She was charged and condemned to die, but at the last minute the youthful Daniel - the future prophet -- cross-examined the elders and established Susanna's innocence. Lely here shows Susanna in her garden, still clothed. To the left is the stone bowl of a fountain topped with a classically inspired sculpture of a naked, weeping boy reclining on a camel, whose curved neck is seen in profile. The two elders, to the right, lean suggestively towards her.
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Peter Lely (1618-1680) "Diana Kirke, later Countess of Oxford" (c. 1665) Oil on canvas Located in the Yale Center for British Art, New Haven, Connecticut, United States Lely depicted Kirke with deliberate irony, casting her as Venus with a rose and bare breast, rather than as her namesake, the chaste goddess Diana.
#paintings#art#artwork#genre painting#female portrait#peter lely#oil on canvas#fine art#yale center for british art#museum#art gallery#dutch artist#portrait of a woman#gold dress#dresses#clothing#clothes#curly hair#history#roman mythology#aesthetic#aesthetics#1660s#mid 1600s#mid 17th century#a queue work of art
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Peter Lely
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ab. 1660 Sir Peter Lely - Portrait of a Lady in Blue holding a Flower
(Dulwich Picture Gallery)
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Peter Lely, The Carnarvon Family: Group portrait of Charles Dormer, 2nd Earl of Carnarvon (1632-1709), his wife Elizabeth, née the Hon. Elizabeth Capel (1633-1678), and their children Charles, Viscount Ascott (1652-before 1673) and Elizabeth, later Elizabeth Stanhope, Countess of Chesterfield (1653-1677) (detail), 17th century. Oil on canvas, 156.2 x 217.8 cm. Private Collection.
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