#1450s
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Horsewoman of Spades from the Visconti tarot deck by Bonifacio Bembo, 1450.
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ab. 1450 Master E. S. - Lady with a helmet and an empty escutcheon
(Staatliche Kunstsammlungen Dresden)
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War Hammer, French, 1450
From the Met Museum
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Enguerrand Quarton - Le Couronnement de la Vierge (Coronation of the Virgin), 1454
72" x 86.6"
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Enguerrand Quarton / “The Coronation of the Virgin” / 1453-1454 / Pierre de Luxembourg Museum
#Enguerrand Quarton#15th century art#15th century#virgin mary#french art#1450s#1450s art#coronation of the virgin
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The Madonna of Humility, after Robert Campin, circa 1450–1470
Oil on panel 48.6 x 37.8 cm (19 ⅛ x 14 ⅞ in.) J. Paul Getty Museum, Los Angeles, CA, USA
#art#painting#robert campin#renaissance#northern renaissance#15th century#1450s#1460s#religious#the getty#netherlandish#dutch#oil
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I came across this drawing in a 15th century book of what is supposedly an extendable dagger, but all I can see is a friendly cartoon character who's about to teach me about siege warfare.
#it is also important that you know the official designation of this volume is Ms. Thott.290.2º#self#15th century#1450s#weapons#a friend
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The woman portrayed as very small, Elizabeth Etchingham, died first, in 1452, nearly 30 years before her friend Agnes Oxenbridge, who died in 1480.
"Normal Women: 900 Years of Making History" - Philippa Gregory
#book quote#normal women#philippa gregory#nonfiction#elizabeth etchingham#death#50s#1450s#agnes oxenbridge#80s#1480s#15th century#and they were roommates#lesbian#church of st nicholas and st mary
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~ Serpent ornament.
Date: A.D. 1450–1532
Place of origin: Peru
Culture: Inca (?)
Medium: Cotton, camelid hair
#15th century#16th century#history#museum#archeology#ancient history#archaeology#serpent ornament#serpent#snake#inca#peru#a.d. 1450#a.d. q#a.d. 1532
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Garden of Love at the Court of Philippe III le Bon, duc de Bourgogne, 1450.
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ab. 1450 Master E. S. - Bride and groom
(Staatliche Kunstsammlungen Dresden)
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Courtiers in a Rose Garden: A Lady and Two Gentlemen, South Netherlandish, 1440-50
From the Met Museum
#tapestry#weaving#textile#courtiers in a rose garden#south netherlandish#netherlandish#1440#1450#1440s#1450s#1400s#15th century#history#medieval
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pet peeve
#vdtwof meta#not art#willing to give early ren stuff a pass because 1450s are technically medieval#but man I find this annoying#its so hard to find good references online quickly
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Europe Before the Fall of Constantinople, 15th century.
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what is considered "beautiful" by society is inevitably sexist, racist, ableist, classist, transphobic, and bigoted. it targets and attacks any perceived difference, and it particularly villainizes women of color while co-opting aesthetics; as if features and cultural norms can be worn as accessories.
and the scary thing! you can see all of these things, know them to be true logically, and also know that you are treated better if you are perceived as beautiful. if you have ever been treated as "ugly", you know exactly how much society reviles you if you don't manage to scamper along and perform to their rules.
and how are you supposed to balance that? do you want a nose job to fix your broken nose, or have you just recently been seeing videos about how many people look better after nose jobs. do you want to lose weight to feel good, or is it that when you lose weight people treat you better. do you want to wear this outfit, or is it just the thing that's least likely to get you harassed. do you want to get lip injections for your reasons or is your whole reason that you don't feel beautiful unless you get those lip injections?
and the definitions shift. the goals get more specific. in the way that you only become aware of your tongue when someone mentions it; parts of your body are introduced as problems. i had never heard the term "hip dip" until about a year ago - and it was in the context of how to get rid of this. i'm 30, i know this shit is invented, and yet! i still find that strange voice saying but do you think someone is going to notice?
how the fuck am i supposed to say "this is my genuine choice i am making for my body" when i also know that years of my life have been spent socializing me to accept this as my inevitable fate? how do i know i'm actually doing this out of love for my body - or am i doing it for how i want others to see me, which will be lovely enough to feel loved? how am i supposed to recover when my unhealthy habits are seen as self-discipline but if i relax i'm openly mocked for "letting time win"? how the fuck am i supposed to say "i'm doing it for me" when i'm also very aware that i'm doing it to stop myself from being teased or demeaned? is it my choice if the other option is being bullied?
we are living in a hostage negotiation - either consent to the demands or spend the rest of your life being treated like you're a despicable person.
#i also have things to say about how gender plays into this#but it became like 1450 pages#so i saved the rest in a draft#btw? hip dips used to be like valued in the 90s & 2000s during the ultra thin craze#which is so fucking wild to me bc i am old enough to REMEMBER that people WANTED them#bc they're literally the shape of your bones. they're your hipbones showing. & you literally CANNOT 'target' that area#that would be like targeting your elbow. it's a fucking JOINT.#it is a place where you either do or do not carry mass. the lower ur bodyfat percent and the higher ur thigh & glute strength#the less that you will carry weight there#which is even MORE fucking cruel bc !!! the type of people who are already trying to improve themselves helplessly#are going to be aware of their body! and ur literally GIVING them an insecurity they LITERALLY do not decide!!!!#“it rounds out ur figure” here's something my guy! maybe people shouldn't have to look uniform and sleek !!!#maybe you just want to fuck a manatee !!!#if we're really at the point that you have to apologize for LITERALLY HAVING BONES.....#like sorry my legs had to connect somewhere in my form :( i will hide that from u. my apologies ur honor#(fashion bloggers gagging bc there's evidence other people have skeletons)
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In the haunting embrace of Hell's detail, Dirk depicts a somber scene from ~1450 Palace of Fine Arts in Lille, France. A spectral dance between darkness and light unfolds.
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