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melodyofthevoid · 18 days ago

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The Crane Wives: Beyond, Beyond, Beyond

(The finale, for now. Hard to believe that I've been working on these for almost 2 years. Anyways, enjoy)

Now we arrive at the threshold, album five. The first studio album in nearly a decade, and a testament to all that came before and between. Themed and defined by change in all its forms. The lack of, the desire for, the consequences in both its wake and absence. The price of moving forward and the price of standing still. Even the sound isn’t immune, with the newer tones and style developed over the singles shown off in solos that range from electric to more traditional. Some songs challenge ones from years past, others a continuation, but all part of an ongoing conversation that ends with resolve. A desire to cross through.

The question is, will you follow through the looking glass?

Scars

How did this happen? It’s a question that comes naturally whether or not there’s truly a reason. Why am I like this? The eternal feud of nature vs nurture, whether the tangled mess of anger and bitter emotions stemmed from a single event or bloom from somewhere within. If the well was poisoned before the symptoms started to show.

And does the source even know that they left the poison to begin with?

The first few chords warp those of another song, a crooning cry from a parent who’s severed the ties and left the singer adrift. Their mournful tone twisted and distorted until it turns into the sharp twangs of a guitar, heavy footfalls that drive the song forward. A tired trudge burdened and haunted.

The singer is not who they thought they were. The refrain that carries over and over again- starting each train of thought. They’re struggling to keep their head above water, aching in a way they’ve always known. Born to in a storm that left them with a piece of itself forever. The anguish hereditary. Or maybe there’s another reason. The effect is still the same. This misery is a constant companion,

Ruefully they acknowledge all of the effort put towards them, the love and kindness, plans made with all good intentions to guide them towards a brighter and better future. Futile efforts made to no avail. They watched as they failed time and time again, trying to cross the gap to understand where the singer was and give a way forward, but a bridge constructed from only one side is doomed to fail. Letting that hard work near them risked vulnerability and letting the other close.

And how could they let them close to who they are? Broken in some fundamental way from the beginning. Destined to fail and shatter leaving them scarred, to signal to the outside what was wrong within.

Then the subject switches from those who’d tried to help, to the origin of their suffering. The piece is a companion to “Never Love an Anchor”, and the one left behind sees only the abandonment, the fact they weren’t enough to stay for. The anguish their parent felt at their personal failings and inability to care for the singer now passed on, a wound to their ego. A tire fire, caustic and toxic that refuses to be put out.

They were meant to fall apart, to wind up with scars.

Because isn’t it easier if there weren’t any other options? If this flaw sabotaged all of the work put in and rendered it all futile? Then there’s no fault, no blame to be laid. An easy surrender to the inevitable.

The question is will they continue to live like this. To allow the scars to fester, or seek out a balm despite the pain. For now, they accept their fate as the music cuts all at once.

Bitter Medicine

Hard truths go down easier with a bit of sugar, you catch more flies with honey, axioms to explain the act. Of using a veil to cover up the unpleasant parts of life. Without it what’s left? Just the ugly, twisted, reality of it all. Sometimes it’s all you have. And it’s stifling.

The singer looks at where they are. Wasted, inebriated either in a literal or metaphorical sense. Unable to be trusted to take themselves home or to drive their own life. A pathetic state of affairs, one they’re all too aware of. It’s the bed they’ve made for themselves, the consequences of their actions they accept with a blithe and self-effacing smile. They wonder how the one they love sees them. If they’re ashamed or if the front they’ve put on until now. A cheap imitation of some “better” person that isn’t long for this world.

They could be worse, so much worse. Poison sits on their tongue and they swallow and bite it all back to keep it inside. The toxicity accumulates in their body and slowly kills them inside as it has nowhere else to go. No one else deserves it, to know how corroded and hollow they are on the inside. They’re sick, but they can’t let anyone in. They’ll play the part of everything they’re not in hopes it distracts and entertains but it’s hurting them just as much as the rest.

And if someone sees through it, what then? Can look past the facade? The singer both yearns for it and fears it in turn. They need someone to clean up the mess around them, the mess they’re unable to touch. The accumulation of a thousand small cuts bleeding out into a river. Each on their own barely noticeable but together they build upon each other.

Accepting an offered hand is another question in and of itself. Do they deserve it? Is it a gift given or is it taken? Someone’s else’s good intentions wasted on their act, for their own faults. It’d be a waste on them, and so they continue on as they were. Suffering in their own skin and hiding behind the mask that chokes them.

In another life, they’d let it all go, but this isn’t that life. The singer’s convinced this is all there is. Convinced that their arsenic laced words are medicine. The truth. But they’ve decided that it is.

And so it is.

Higher Ground

When you’re lost in the midst of an upheaval, when the earth itself is turning on its head, sometimes the only option, the only means of survival, is to go, to remove oneself from the situation. But there are things left behind, an impact not intended. A decision that can be as consequential as the event itself.

Such is the singer’s predicament. They’re trying to look out ahead, but they can’t see the horizon, can’t see beyond today. Higher ground could give them a better view, a larger picture and save them, but there’s a cost to that choice. A domino effect is spiraling out after they spoke their mind, let go of the truth. What’s done can’t be undone and now everything is changing, shifting. What once was close drifts apart, what once was parted clashes, titanic shifting of tectonic plates. Inexorable forces that leave nothing untouched.

And nothing undamaged. Someone’s going to get caught up, hurt. Once they come down they’ll see the full extent of it all and that terrifies them. But again, it’s out of their hands.

Every warning sign is flaring, ravens and crows are heralding incoming danger. A predator. A threat to everything in sight. But with all that they’ve set into motion, is the warning for them? Or about them? This wasn’t the plan, not to hurt anyone, not to change everything, but they won’t know for sure. Not until the dust settles and they stand above it all.

They’ve survived, at least.

Predator

When every shadow becomes a claw, every smile hides a threat, the world becomes an endless hall of mirrors, reflecting back all of one’s fears. Nowhere is safe, not when you’re the world’s prey.

“What’s the worst thing that could happen?” The rhetorical question, that to the anxious, isn’t rhetorical in the least. It’s the risk they measure the outside against, the guide to all actions. If they can imagine the worst possible outcome then it can be prepared for, warded against. Because disaster will come, inevitably. Staying on guard at all times, lest their comfort come at the cost of their safety (even if the sky is not falling, it’s easy to panic at every little crack. Perhaps they’re too prepared.)

When it hits, as it always does, it’s their own fault. They know better. They let in a predator, lowered their walls and their guard to someone who, not for the first time, left them wounded and vulnerable. Signs were missed that they’d seen before, a lesson they should have learned the hard way but failed to truly comprehend. So it’ll happen again.

Regardless of the fact that someone else took those actions. It’s their fault. It has to be.

To the prey animal, confrontation is to be avoided at all costs, so the response to danger is to fawn. Follow the path of least resistance and never put up a fight. If there’s a problem, it’s probably their own misinterpretation of the situation, because… If they say no, if they push back, there could be consequences. They could get hurt, cut by sharp teeth and sharper words.

But there’s only so much that someone can put up with and stand before it’s too much. Gaslighting finally igniting a spark of resistance. They’re already struggling to breathe, struggling with the constant anxiety and fear and this? They don’t need this too. What if they didn’t have to live like this anymore, and they finally said no?

And at last they confront at least one of their fears. Calling out their treatment, the fact they’ve been used. Trying to better this person, hoping that they’ll see the harm they’re causing on their own, they’ve done it a hundred times and it’s never happened. They keep getting hurt. The predator can’t see the blood on their teeth, doesn’t know their own strength, the bodies in their wake.

But no, not this time.

Say It

No one wants to be the first to leave. The first to sever ties. Admit defeat. Even in spite of years of change, of what once was withering on the vine, sometimes there’s still hope that the garden can recover, however impossible and slim. A loyal dog that waits, tied to a post, for an owner that won’t come back. Because what if it goes back to the way it used to be? That honeymoon phase where everything blossomed and bloomed. But it won’t.

The singer wonders where it went wrong? Staring at the person they once considered so close and begging for an answer. Was it them? Was the reality of their personality, their flaws, too much to bear? Erasing the idealized version that their partner once held of them? Were they, are they disappointing to know truly?

Without an answer, they demand a different one: tell them it’s done. Let them out. Let them stop hoping for a spark to rekindle the flame of passion. Otherwise they’ll remain there in the dark. Pining for better times.

Because once upon a time their lover gave them everything. Provided a haven and home. A gentle hand that wiped away their tears and pulled back their layers. All of those memories of warmth against the bitter cold of the present call into doubt their sincerity. Did they really care before? Was it all pretend?

Would it be better if it was?

The guillotine hangs over their head, a blade that could sever and end their suffering but instead hovers. A reminder that it could end at any point but won’t. They wait dutifully, a dog who can’t help but take what they’re given. Loyal and faithful even when that love and devotion isn’t returned.

But if it was real once, they would do it over again. Wouldn’t they? Or would the one the singer holds so dear choose to avoid their relationship altogether. To alter their paths so that they never met. Have things fallen apart to where it was never worth it in the first place? Is the thought of what they’ve become so toxic, so tainted, that they'd give up whatever good came of it to spare themselves?

The question lingers, and so the singer does nothing but wait, too afraid to take the first step.

Waiting for them to say it.

Mad Dog

A fruitless pursuit, an endless chase, the eternal drive to reach for that promised oasis shimmering just beyond the horizon a few steps away. There is no exit condition when a paycheck is all that stands between you and losing it all. Enter the workforce at 18 (or younger), keep working until you’re 72 (or older), then you can maybe lie down. Can’t grind yourself to the bone too early, can’t run out of steam yet. If just a little more money is made, a few more spare coins stuffed away for later, maybe it’ll resemble happiness.

The singer’s blinders keep them on the same track they’ve always known, striving to achieve when all it’s done is lead them further and further from home. Tunnel visioned and yet it’s never in reach. No matter how far they run. How hard they work.

But no one else is keeping their bills paid, no one else is going to make them a millionaire, so they keep repeating and repeating. Hoping that they’ll get an answer back that isn’t the same as before.

Thus, the chase continues, a dog chained to a post snapping after a rabbit it can never catch. Running, and running, and running, yet forever tied to the same spot. Once that leash runs out of room the retaliation snaps back with a vengeance. Punishing the hound for stepping out of its role and putting it “where it belongs”. Daring to yearn for more cannot be tolerated.

As if the empty race weren’t enough, there’s debt to be paid too. A rock burdening every step, forcing those bound to it to step lightly. Any misstep could spell disaster, drop the guillotine, it’s a constant tightrope cutting into their feet. And it’d be easier if someone else, anyone else, could choose which way to go. To give a direction that won’t lead to disaster. To take that burden off their shoulders.

Because water’s coming in, the debt’s getting worse, and they’re going to go down. The shore’s visible, it’s there, there’s something beyond the current situation, but it’s not getting any closer.

Whatever hope there is, it’s almost manic. The only thing keeping them afloat. Maybe they’ll get lucky and strike it rich, maybe they can make this paycheck go a little further. But there’s no support, no one to wipe their tears, keep them from teetering off of the edge.

So the race continues. The pull and snap, the desperate clawing up the hill until Sisyphus’ boulder falls back down again. Stuck in a cycle out of their control.

At least until they can find the one that chains them. They may not catch the rabbit, but they can bite a hand.

Arcturus Beaming

There’s something special about that moment at rock bottom. Not in the state of it, the despair, the agony, no. There’s something about that moment when it changes. Changes from an endlessly growing pit to… simply the bottom. A moment in time where suddenly the perspective shifts and now there’s a way out and up, a perspective changed by a sight once taken for granted. Maybe it’s the leaves changing in the fall, the sound of people laughing and talking in a cafe. A favorite drink you want to have again.

Or maybe, it’s the sky. That shimmering tapestry. Dotted with a trillion points of light (should you live far enough away from any pollution to see it) it has served as an inspiration for so many. Ever changing and yet… always there.

Arcturus glimmers as the 4th brightest star in the solar system, visible during summer in the northern hemisphere. Visible to those even in more light polluted areas, reminding them that there’s more out there than the limited vision of the pit.

The singer begins there, thanking that dark place, where despair threatened to ravage them. They hid from the world there, sheltering to wallow in their pain as it became all they could see for a time. It shrunk their view of what could be, leaving a feat that seems all but impossible. Plato describes a scenario in which a prisoner lives their entire life within a cave like the singer’s own, shown only shadows of objects. Those simulations as their only context, all that they know. But the singer is curious, and that fear can only hold them for so long. They may understand the cave, the pain, but what else is there?

Hurt accumulates over time, sediment that solidifies into a weight that’s carried wherever one goes. It can be an impossible challenge to free oneself of it, to breathe easy after lifting that stone for years. One’s ribs aching from the strain. But stone is not permanent. Not invulnerable. A steady drip of water can erode, a river can carve a canyon so impossibly wide it’s visible from beyond our atmosphere. Those layers, both easily added, can also be worn away. Leaving something new in its wake.

That time spent has a cost, of course. Dreams left abandoned, relationships broken, so many avenues that could have been simply… gone. That grief will linger, and that’s alright. But what exists beyond that? What happens when we look up and dream?

Beyond what we know, beyond what we understand, are there others who look at our sun and wonder? Beyond ourselves are there others crawling out of their caves and seeing more. Maybe we could all dream more

It’s not too late to do something once the revelation hits. To forfeit is the only ending, when we resign ourselves to suffering. But that’s not all life is, it can be changed. We just have to do it. Have to take the steps to push past the indulgent self-flagellation of the cave, and resolve to keep moving.

This experience rings true for myself. I found I’d dug into a mindset where I feared so much. The future, stagnation, the impossibility of becoming anything other than what I was. Littered with the half started remains of failures, hesitant half starts cushioned by a numb resignation. Couldn’t be disappointed if I never hoped. Cycles of self defeat. Overwhelmed, I laid on the deck outside and stared up into the same sky that inspired this song. Clear inky darkness pinpointed by a million specks of light. I laid there for some time, the same music I’ve detailed in these pages my only companion to a realization that felt so obvious in hindsight and yet I… I needed to come to the conclusion myself.

I can start again.

It doesn’t matter if I’ve tried a hundred times and the patterns didn’t stick. I can try again. Old behaviors, failed coping mechanisms, they can rear their ugly heads but there is tomorrow. There is a future that I can find. A me I can guide with new tools if the old ones don’t serve me. It may take time, it may hurt. But that’s my decision to make.

Nothing will change until I change. And we can.

Time Will Change You

The constant, the inevitable, the sensation of sand slipping through fingers and waves wearing down a shore. A metronomic beat follows the sound of a rusted hinge, thudding footsteps from a never ending march that never relents even as a guitar twangs above it. A companion in the flow.

The singer too is dragged along with it, pulled along as they almost gasp out the words. It hurts, some part deep inside them finally gave way and broke. It aches and it won’t end- They’ve loved and lost, planted the remains of their heart into a grave, a seed watered by their grief that may or may not bear fruit again.

And yet there is a twisted comfort on the horizon. Time will continue as it always does, seasons will pass, and with it, things change. For better or worse the singer will change. Everyone will change, and as they do they’ll leave behind what remains stagnant. Phases and traits that once defined are now locked in amber. No longer a part of the present.

Time doesn’t affect all equally, there is no system that doles out appropriate fates, some can swim and survive the current while others are subsumed entirely. The rush overwhelming in the moment, and it’s impossible to tell which way is up. But the tide will ease, nothing is forever, good or ill. Relax, let time move you and you’ll float along it.

And you’ll be changed. Like the stone smoothed by a river, edges worn away, the place you once rested, now far in the past.

And letting go takes effort, make no mistake. Healing even more so. If the grief never grows, doesn’t evolve, doesn’t become more than what was put there before, then it can stay where it is. Left to fade into nothing more than memory. A step along the winding path to the end.

The journey no one leaves the same.

Black Hole Fantasy

The concept of a black hole needs no explanation nor introduction. The complete and total collapse of a star, pulling in all light and substance. The basis of many a metaphor for endless hunger, destruction. The end of all things. Yet- they’re often theorized to contain more. Maybe the end of one thing could lead to somewhere else entirely.

For her part, the singer finds herself stuck in place, whether by some inexorable gravity or circumstance. Repeating the same orbit, going through the motions of life and losing sense of herself. If there’s more to living, a chance or opportunity for a different path, it’s fading from view. The longer one stays complacent, the harder it becomes to move. To find that missing piece that their soul longs for, but doesn’t have the words for.

Every day blends into the next, the walls of their home becoming smaller as their world shrinks. At the center lies the Black Hole, the gnawing yearning, the pit of absence that they’re ignoring. Hoping it will go away, but it won’t. Ignoring hunger won’t fix a want of food, pretending not to hear a leak won’t prevent the damage.

And they know what they’re yearning for, or rather- who. But it’s- surely it’s nothing. Nothing more than a chemical reaction, serotonin and oxytocin playing tricks on her. It’d be easier if she could suppress it. She doesn’t know if it’s real, and so what if it is? Confessing, taking a chance… There’s a cost. The foundations she’d build could all crumble to ashes.

That is if the hole in their chest doesn’t collapse it all first, the time lost to routine is getting longer, time speeding by even faster, with whole weeks passing in an indistinct mass.

So she goes to confront it head on, driving to confess on the doorstep. But then she stops. What happens next. What happens if it all goes wrong? What if they lose them forever? What if they don’t feel the same? How could they feel the same. The singer doesn’t believe in a happy ending, frankly. Why would any dream of theirs have one? Even in the best case there’s so much that could go wrong that it’d be safer to leave the car running. To leave. Retreat back into themselves where they won’t get hurt.

But the world keeps crumbling in around them, their room is suffocating, as they’re consumed by the limitations they’ve put in place. Months, years, what does any of it even mean? None of it means anything… and the temptation to look into the black hole finally wins out.

Instead of a small, enclosed world, there’s more on the other side. She catches a glimpse of herself and there’s light in her eyes, laughter on her lips, and- is she even capable of that? Could she be? Can she find what could bring that life, that joy, that love-

No, she does know.

Stars shining above, the singer returns to the dream she shows away from once. But this time she’s turning off the car. This is what she wants. Throwing away the keys and the fear and running up to the door. And it opens. Their love is there and every doubt is gone as arms reach out for her.

Wrapped in an embrace, the singer can finally catch her breath, and when she pulls back, she smiles. Laughing at how complicated she made this simple moment. Maybe she wasn’t alone in that, as her love joins her. They were waiting on the other side of the door, after all. Twin stars pulled into each other’s gravity, destroying what was before and starting something new.

Gentle guitar replaces the singer as she walks towards her new life, no longer bound to what was. Closing the scene, rolling credits.

Red Clay

Work harder, just put more effort into it, the struggle makes it worth it, nose to the grindstone, phrases that are ingrained into the zeitgeist. The more pain experienced, the better the outcome.

Right?

An endless climb up a clay mountain, never fully able to get a grip, a Sisyphean struggle that feels like reality. With the Sun beating down, the top never coming closer, the question occurs: what is this for? Why keep pursuing this path that’s only lead to more suffering? Suffering that’s self inflicted no less.

That one pause is all it takes to break through the tunnel vision, for the singer to take in all of their surroundings. Another path, shaded and just within reach was there all along. They don’t need to do this “the hard way”. It may be all they’d known, but they can see beyond that mound now.

Their struggle wasn’t for naught, they were afraid for many years, yes. But they understand their fear now, they can be brave, even with that fear. They don’t have to keep on this path.

The shaded trees beacon.

River Rushing

Something finally gave. The frustration mounting day by day, it’s too much. Dammed up and now the singer’s had enough. They’re breaking down the walls, the barriers, everything that keeps them crushed under the weight of their regrets. They’re going to change. To let loose their desires and follow the river.

The singer craves freedom, the person they once were buried under layers of concrete and expectations. If they hold onto these regrets, all the grief of time wasted, then they’ll never grow. Beneath every thought is the phrase they know is true: that there’s no shortcuts here. The only way out is through, charging ahead no matter what.

Maybe they hesitated before, waited too long and lost something. Someone. But a voice reassures them to hold themselves steady. To go when they’re ready. Because they are ready now.

Just believing that everything will work out kept them in place, they’re full of defiance, they have bite, a voice that demands to be heard. They’re going to pry the hand around their throat off once and for all. They’ve set their mind to it.

They’re ready to go beyond.

#my writing #the crane wives #so some final stats #final word count: 24801 #BBB page count: 10 #word count: 4551 #I started this little project back on Jan 27 2023 #Completed* on Jan 15 2025 #wild times #thank you for following along with this!#I might go back and touch up SSH or I might not #but I'm really happy with how these turned out

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pineapplefulfillseveryneed · 10 months ago

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The Revenge Of Two Hands One Mouth - O2 Academy Bristol (November 27, 2013) by Adam Gasson

After 11 years of not finding a single photo from this show, I found these yesterday! I can not begin to express what this means to me, I nearly cried and I couldn't sleep last night. I was still a rather new fan and this was my first time going to a show in the UK, the first show I went to see with a friend, and my first time meeting that friend, too. And these above photos are SO GOOD! Not much was preserved from this show at all, there was no recording allowed (no charcoal drawings either), and to my knowledge not even the full setlist for this specific show was preserved anywhere. So better late than never, but here's what I remember (with some help from these photos!) and the things I've puzzled back together:

If there was opening music or an opening act, i don't recall, but Russell entered the stage alone. It was dramatic and impactful, and it went quiet as he gave an intense stare into the audience and did a drawn out "ahhh" into the microphone. After a little moment of quiet, it turned out the microphone had been connected to a sequencer which now started repeating "ah ah ah ah ah ah". Suspense, excitement. Russell added: "Hold, hold, hold, hold". (...I was definitely freaking out.) While that started looping on top of the ah ah ah sequence, he made stop signs with his hand as we all listened. A few repeats passed. "I'm getting mixed signals, mixed signals - mixed, mixed, mixed signals".

^ the only seconds of this show I recorded as I didn't yet know it wasn't allowed - security signed at me and I put the camera away. It was fine. (Here's a recording of it made during the US tour.)

I don't recall when Ron entered the stage at this show, whether it was during the song or after, but what a way to open! And what an amazing song choice!

The performance that left the biggest impression on me at this show though was Nicotina. It was a choice I didn't see coming, but also the way Russell sang it! Falsetto heaven. (Sadly not a single video is to be found of Nicotina from this tour. But for your falsetto heaven needs, I hope you can find a video of Here In Heaven that they also performed on this tour, because that will also kill you.)

As everyone here probably knows I am quite big on Bergman, which at the time was heavily promoted during the tours, and, the excerpts they played on this tour were different from what they played during Two Hands One Mouth! They played "I Am Ingmar Bergman", The Studio Commissary (my favourite song on Bergman), Limo Driver (but sang by Russell, and HOW!) and "Oh My God". (Here's a video of it from one of the American shows. It's extremely good. People who've been around for a while have seen me lose it over this video many times.)

The most unexpected song choice was probably Katherine Hepburn. Me and my friend had been joking for absolute months that we were going to see Sparks and they'd play Katherine Hepburn (as if that would ever happen, we were obsessed with that song though!). And here we were, and they were playing Katherine Hepburn right in front of our eyes. (What is reality.)

Falling In Love With Myself Again had me losing it over the organ sounds, always a fan of Ron on organ, and I LOVE that song. Russell sang a line in my direction (I died), and he managed to throw another line at me during Those Mysteries ...I died a few times that night. As you might expect. That was kind of the whole THOM/TROTHOM experience anyway. Lots of dying. But the variety of dying where you end up in heaven. (You're at a Sparks show after all.)

They wrote a song especially for this tour, which was not released but only ever played live: Revenge Of Two Hands One Mouth. What a thing to experience! A very dark song, but wonderful. (REVENGE! REVENGE REVENGE!)

At the end of the show Ron took a photo of Russell with the audience. I don't really remember that happening, but the photo exists and it really was not a thing they did often back then. We had been a good audience :)

Here's all the songs that were probably played that night in random order:

Your Call's Very Important To Us. Please Hold., B.C., Good Morning, Here In Heaven, Academy Award Performance, Those Mysteries, Falling In Love With Myself Again, Big Boy, Nicotina, Popularity, This Town Ain't Big Enough For Both Of Us, excerpts from The Seduction Of Ingmar Bergman, Tryouts For The Human Race, Katherine Hepburn, Revenge Of Two Hands One Mouth. They likely also played The Number One Song in Heaven, When Do I Get To Sing 'My Way' and Suburban Homeboy. (I see mentions of How Are You Getting Home? and How Do I Get To Carnegie Hall? in setlists for this tour as well, which they very well might have played but I very sadly have zero memory of ever hearing those songs live.)

This tour had a real air of mystery, possibly even more so than Two Hands One Mouth, as the lack of existing footage definitely adds to it. But luckily some of it *is* out there, and I am so grateful for these photos :) On top of the songs I especially mentioned above, I would also advise people to look for recordings of Tryouts For The Human Race and Popularity from this tour, because the arrangements are probably not going to be the way you expect them to be. And as you might expect: B.C. is stunning live. (I could start a whole rant about Good Morning and Suburban Homeboy live but I think I sufficiently screamed about both in my personal notes on THOM the year prior.) Final note: I know Russell had some sort of dance move for Big Boy because me and another friend couldn't stop talking about it for months. I don't remember what he did, but both THOM and TROTHOM were wonderful for Russell dances <3

#I really needed to get that out of my system and onto the blog :)#I may do one of these posts for all shows I've seen at some point.#(I know I've yet to put my notes from 2023 on here and I've been working on them!)#sparks #sparks (band)#russell mael #ron mael #the revenge of two hands one mouth #trothom #bristol #november 27 2013 #2013 #10's #i was there #I put the whole story under a read more so that you don't have to deal with that if you just want to look at photos :)#tour notes

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