#...and thus concludes the comic

[skrunksthatwunk]

majima everywhere: future encounter pt 5/5

pt 1 / pt 4

[hollymacycomic]

Holly & Macy and Everyone Else

Chapter 4: Page 6

Start at the Beginning | About the comic | Tip-jar 

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[zuzuzuko]

Honestly zdarsky’s run just upsets me because I see glimpses of things that could be good if they were just done a bit differently

[befuddled-calico-whump]

Riot Kings, page 8D

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[ozzgin]

Yandere! Yokai Harem x Reader (III)

On your travels with the two demon companions, you stumble upon a fortified village plagued by monster attacks. It would be quite unlucky if the grand finale happened just as you step foot inside, right? Worry not, you're saved by a third mysterious yokai that you immediately recognize. The harem grows!

Content: female reader, monsters, violence

[Part 1] [Part 2] [Part 3] [Character Guide]

“Alright, how’s this?”

You do a clumsy pirouette before the two yokai men.

“That’s...are you sure?” Kiritsubo eyes you, mildly confused. “It’s usually what men wear.”

Of course, you already know. After weeks of walking through feudal Japan, you’ve reached the conclusion that modern clothing isn’t the most practical choice. Not to mention the strange looks you always get from other people upon your arrival in any village. You needed something to blend in, and the typical fashion for your gender might not be compatible with your training. You’d rather not swing a sword while covered in multiple layers of kimono.

Thus, you opted for the hakama pants typically worn by men. With your hair tied up and in this baggy attire, one could think you’re a young samurai. If they squint enough. You chuckle at the thought.

“She’ll wear whatever allows her to not be a burden.” Murasaki concludes with crossed arms.

One way to put it, you tell yourself.

“If you’re done discussing fashion, we can leave.” The dark-haired man continues with indifference, standing up and adjusting the swords in the folds of his sash.

Both you and Kiritsubo hurry and follow behind obediently.

“Where are we going this time?” You ask sheepishly.

“South-west. An old residence of his, although we will have to pass through a fortified settlement first. We should reach it before sunset.”

It’s hard to imagine you’re the supposed savior in this equation. Murasaki has been leading you by the hand each step, carefully considering every detail on the map, and extensively planning your travels every evening. All this on top of your daily training. You’ve now mastered the basics with the katana he’s provided you, as well as some common prayers for exorcising small-class demons.

You glance at the daisho pair of swords under his belt. A long, thin blade, and a shorter backup version, both in elaborate matching scabbards meant to showcase the status and wealth of the samurai wearing them. In this case, meant to express his rank as the advisor and right hand of the famed onmyōji. You certainly don’t doubt Nakamaro’s decision to rely on Murasaki.

In comparison, Kiritsubo carries a nagamaki at his waist. A comically long blade in your opinion, used mostly to bring down horses during battle. Any regular sword would’ve been too small for him. Despite his imposing appearance, you’ve learned rather quickly just how different Kiritsubo is from the other yokai. He’s quite clumsy in combat, often anxious about making mistakes, terribly apologetic, and overall has a heart too kind for his own good. If there’s hesitation coming from his side, Murasaki immediately follows with his ruthless, ending blows. As a matter of fact, even you’ve had to do the occasional killing to spare the man of such choices.

The silver-haired demon notices your eyes on him and smiles, excited. He reminds you of a large dog. A horned, fanged dog of monstrous strength, nonetheless the innocence is there. And he does make a great travel companion.

“How much longer?” You grunt, looking up.

“Are you tired? I can carry you for the rest of the way-” Kiritsubo instantly offers but is interrupted by Murasaki’s barked orders.

“She can walk. Don’t spoil her.” He glares at you, then nods ahead. “We’re almost there, so quit your whining.”

True to his word, you can finally discern the outline of a wall at the top of the hill. A few more steps, and you can even spot two guards standing beside the great gate.

“Stop there!”

The soldiers lift their spears threateningly. Before you can react, Murasaki steps in front of you with a hand placed on his sword.

“We’re just passing through.” He states factually.

“We’re no longer allowing visitors.” One of the guards exclaims. “The village has been raided by monsters recently and our Lord has closed all gates until the matter is solved.”

“That means no filthy demons go in.” The other adds in a mocking tone, his gaze lingering on the horns of your companions. His mouth curls in disgust.

You can tell Murasaki is angered by the disrespectful approach. He is not one to let such insults slide and you’d rather avoid him claiming unnecessary victims; therefore, you push past his arm and plant yourself ahead with a polite greeting bow.

“These yokai are with me. I vouch for their good behavior, so please consider letting us through. Perhaps we can even help you with these monsters.”

“You? How would you…”

The man stops abruptly, switching between you and the yokai. Eventually he inspects your scabbard, and he gasps, confusion twisting his features.

“Could it be? No…He’d be dead by now.”

“What are you talking about?” His partner inquires impatiently.

“That’s the family seal belonging to Abe no Nakamaro.” He explains, pointing to the golden finish at the end of your katana handle. “I’ve heard about him from my grandparents. But it’s been decades!”

“Don’t be ridiculous. You’re saying this kid is a legendary onmyōji?”

“Who else would show up with demons as servants? Everything matches. Perhaps his powers have finally reached immortality”, he concludes solemnly.

The men continue their argument, and you clear your throat, embarrassed. What the hell? You can’t possibly look that manly. Sure, you’ve been skipping the makeup, and the clothes aren’t exactly curve shaping, but to be mistaken for an old man is like a slap to the face.

You’re about to deny their claims, but Murasaki swiftly pinches the back of your neck, and you wince. He lowers himself to your ear and whispers:

“This will be to our advantage. Just go along with it.” “Fine!” You mumble angrily. Then you turn back to the guards.

“V-very well, I see I haven’t been forgotten.” You admit, theatrically. “Lead me to your Lord and we shall discuss the details of your monster attack.”

Thus, you sip on your tea, kneeling at the luxurious table and awaiting the arrival of the feudal Lord. The servants are exchanging words, gossiping fervently next to the wall. “I wonder if he can cure my daughter!” one woman mumbles, visibly emotional.

“Do you think we can finally be saved? He’ll truly exorcise the beasts tormenting our village?” another whispers.

You wipe the sweat from your forehead and glare at Murasaki. You had no idea he’d given you Nakamaro’s old sword. Now you’re stuck pretending to be a pompous, long-dead asshat.

“What if they catch us?” You hiss between your teeth. “I don’t know shit about onmyōdō.”

“Then I’ll just kill them all. Simple as that.” The crimson-eyed man retorts, unconcerned. “Have a little fun, won’t you?”

“W-we’ll help you come up with answers, (Y/N). Don’t worry.” Kiritsubo chimes in, trying to reassure you.

You sigh in frustration and look out the window. The sun must’ve set a long time ago and has since been replaced by a pitch-black sky. What’s keeping the Lord? Surely, he can’t be having important business meetings late at night.

Almost as if your thoughts were read, the door slides open and a servant wobbles in. The rest of the household workers are silent, expecting the entrance of their master, but no one is following behind. You observe the bizarre limp of the woman. Suddenly, she collapses to the floor, revealing her bloodied back torn by deep wounds, caused by some sort of claw. Her body is stiff.

Panic settles in right away, and the servants topple over each other to get away from the fresh cadaver. You struggle to get up among the terrified crowd, but thankfully Murasaki grabs your wrist and pulls you out into a quieter hallway.

“What the hell?” is all you manage to say.

“Rotten.” Kiritsubo furrows his brows, sniffing the air. “Someone in here must be possessed. Could be more of them.”

Murasaki surveys the surroundings and gestures towards his partner.

“We have to see if the Lord is still alive. You go that way. I’ll take the front. Kill everyone suspicious.”

“What about me?” You demand, holding your breath.

“Get out and wait for us. You know how to draw a protection circle, don’t you? I won’t take long.” The dark-haired yokai answers before vanishing.

Judging by the screams and wails coming from all directions, you suspect Kiritsubo is right about multiple attackers. You sprint across the hall, looking for an opening. The self-defense lessons didn’t cover cursed humans with demonic powers. You’ll stay out of this one.

What an absolute mess. You have encountered some demons in your weeks spent here, but nothing to this degree. When the guards mentioned a monster attack, you imagined a ghost with a grudge, or some small fry yokai scaring the workers at night, not a mass curse that ends in a massacre. Of course, it had to happen the moment you arrived at the main house.

You find a room with a door leading to the inner courtyard. Seems isolated enough and it should provide a bit of shelter while you wait for the pair to finish the business. As you rush past the dead bodies, you notice a woman hiding behind a screen divider.

“Ah! It’s you!” she yells, aware of your presence.

From the shadow of her secret spot emerges the small frame of a child. The woman pushes the little human towards you, blocking your path.

“Don’t worry, he’ll protect us.” she gives her child another nudge. “Go on, hold onto him. You’ll be safe.”

What? No, no, no, no, no. Not happening. You’re getting out.

“Ma’am, sorry to break it to you under such circumstances, but I’m not-”

You’re interrupted by a loud growl. One of the possessed creatures must’ve followed your scent, and it’s now sliding into the room on all fours with the bones of the limbs twisting and creaking in unnatural pounces. You purse your lips in a frightened grimace. One advantage of the wide hakama pants – useful to know – is that no one can see your knees shaking cowardly.

Theoretically, you could use the brat as bait and run for your life. It’d make a decent obstacle. Unfortunately for your life span, you’ve been gifted with an idiotic sense of duty instead of survival instincts.

“Keep your distance. If I can’t kill it, get out and don’t look back” you advise, positioning yourself in the learned stance and sliding the sword out of its sheath.

Damn it! Then again, it should be like fighting a zombie, right? Given the pathetic way it drags itself around, it can’t be too difficult to hit. Aim for the head, you repeat in your mind. Your fingers grip around the handle.

The ghoulish beast lowers itself, like a spring about to recoil, and leaps across the room with an ease you did not anticipate. Despite your iron hold, it slaps the blade out of your hands with enormous force. The impact breaks your skin, and you wince. There’s no time to weep, within seconds it could go for your vitals next. While Murasaki hasn’t gotten around to teaching you much hand-to-hand combat, you’ve read your fair share of shounen manga. The first idea that comes to mind is to put the beast in a sumo lock. You bend your knees smoothly and wrap your arms around the monster, feeling for something to hold onto. You grit your teeth and attempt to lift the creature.

A thundering laugh resonates within the walls, and you jolt, startled.

“I never thought I’d see the mighty Abe no Nakamaro wrestling with ankle biters like this. What are you going to do, throw it out of the ring?”

The voice is deep, loud, and unfamiliar. You can’t afford to look back to see the source, but it’s not hard to figure out the possibilities. So far, you’ve only been called by that cursed name by the yokai accomplices. Although now is not the best time to seek revenge.

“Shut up, I panicked”, you snap in frustration. “If you can’t help, keep that trap closed!”

The sudden burst of anger seems to have triggered something within your body, a power you don’t recognize. You watch as your arms effortlessly pick up the monster and swing it across the room, its body demolishing the opposing wall and causing thick clouds of dust to rise and spread everywhere.

The impact must’ve alerted the nearby ghouls, as you can now hear the agitated trample and screeching rapidly approaching. You’re not confident you can pull the same lucky move a second time.

You turn to search for your sword, but it’s already being handed to you by the mysterious yokai who’s been observing your little fight. You have to step aside and tilt your head all the way back in order to fully view the gigantic frame of the man.

Ah, you recognize the features immediately. The same kind of fear you felt when you stumbled upon that old shrine statue is now tugging at your chest.

“You’re Suma, right?”

A proud, wide grin forms on his face, revealing a pair of glistening fangs. His expression is unexpectedly soft and friendly.

“We’re halfway through our introductions then, eh?” You pick up the sword and his fingers stretch out for a handshake. “What is your given name? I’m guessing you don’t willingly go by that…title.”

“I very much prefer (Y/N), yes.” You marvel at the significant difference in size, placing your small hand in his. “Was that your power I just used?”

“Mhhm. You sure surprised me there! It’s not something I did intentionally, but I s’ppose we just resonate that well, huh?”

He laughs again, completely unbothered by the impending danger.

“Alright, you can leave the rest to me. Take the lady outside, it will get a little messy.”

And with that, he casually walks towards the gathering of ghouls. You guide the family to the courtyard and wait for the battle to end.

“Do you think she’ll be fine by herself?” Kiritsubo is resting against the fence, keeping you under a watchful gaze.

“Let the humans sort it out among themselves.” Murasaki responds, somewhat bored.

The morning after the attack, you offered to deal with the survivors: ask them how everything started, if they’d noticed anything suspicious days prior to the event, and if the route to Nakamaro’s old residence was still open. The yokai men had found the feudal Lord in the jaws of a possessed creature and he quickly succumbed to his wounds. Consequently, only the remaining servants could provide them with clues.

A village being targeted like this is highly unusual, and Murasaki can’t shake the feeling it could be related to their master.

“Oh, where are you heading after this?” The silver-haired yokai glances at Suma, sitting lazily next to them.

“Where? After you just told me the whole story? I’m way too invested in this modern reincarnation that just popped out of nowhere, so I’m tagging along!” He announces with a chuckle.

Murasaki frowns.

“We don’t need your help.”

“Don’t be like that.” The giant man pouts dramatically. “Are you upset I saved (Y/N) before you?”

“W-we were on our way!” Kiritsubo retorts, visibly bothered.

“It’s a done deal!” Suma rests his hands under his head and yawns. “Besides, the little human already said he doesn’t mind.”

“He? (Y/N) is a woman.”

The redhead abruptly sits up and gasps.  

“Wait, what?”

“Don’t get funny ideas, man”, the silver-haired demon warns.

[unicornpopcorn14]

inspired by @sensitiveheartless comic

Thinking abt Dazai being infatuated with Chuuya's resting face after corruption.

Thinking about how he progressively ventured with how much he provided caring touches each time Chuuya is out cold.

These are the only moments he sees Chuuya completely resting, without anger or stress drawn onto his features. These are the only times Soukoku can even have silent moments between them, free of exclaims and insults.

The first few instances Dazai would just sit beside him, observe from afar the way his chest heaves and the blood trickles from his skin. The way he's completely vulnerable without a care in the world, like Dazai's presence is somehow grounding for him, safe. And isn't that the dumbest thing he'd ever concluded?

Then the Dragon Head conflict happens, and Dazai can't help but carress his hair, give him a sense of comfort after Chuuya just told him to never stop him. He doesn't hate it as much as he thought it would.

But then, as they resort to corruption more and more, he'd take a risk and hold his hand, maneuvering him to be more comfortable. It would be a pain to have Chuuya develop essential tremors for how his hands shake at these times, wouldn't it? So he'll keep them steady, never letting the blood stain the bandages, else Chuuya would figure him out.

The next time he'd hold Chuuya completely in his arms, because surely the ground can't be that comfortable, and he'd hate for his dog to get sclerosis or something.

And rarely, when they are truly alone, when Dazai is sure they're in the clear, he'd even lean forward so he's resting on Chuuya's shoulder, almost falling asleep himself. His coat is black, so it'd never show the blood smearing him everywhere. And Chuuya isn't that smart to reckon what happens when he falls asleep. It's fine.

Chuuya would be hurled the moment he conveys the smallest signs of waking up, even if he isn't waking up at all, and Dazai would collect himself with an inhale, struggling to fully accept his indulgence in these quiet moments, and knowing he'd miss them for how gradually shorter they're becoming.

And, in fact, Chuuya had already made the connection, seeing how he wakes up with blood smearing Dazai's white shirt, despite getting nullified solely by the wrist, and being wildely far away from Dazai every time at the result of being thrown, despite feeling like he was cozily held not a second earlier.

Though for how hard Dazai is trying to keep this from him, he doesn't find it in himself to be obnoxious about it. And really, he isn't awake for it anyways, so there isn't a risk of him gagging from how sappy this all is. He'll be lenient this once and grant the bastard what he guesses is some sort of comfort for him.

Thus he never brings it up.

[gelatinous-globster]

BANGING POTS AND PANS 🗣🗣🗣🗣

guys you should read this. ily Noodle Burger Boy

hey spsps hey

[nights-at-crystarium]

Fragments - episodes 47-52 author notes

You can find similar breakdown posts on older episodes in my pinned!

Time to recap the first proper wolgraha miniarc. See what you might’ve missed, or simply enjoy the extra content in form of my rambling.

47 stands out as a bit disconnected, floaty, introspective episode fully focusing on Exarch’s pov. I’ve scattered some breadcrumbs for him throughout the entire comic, time to pick those up. He may be an oblivious fool in certain moments, but I believe he wouldn’t keep insisting on staying deaf and blind when evidence’s shoved in his face. So, this moment of recollection and rethinking marks the start of the canon divergence, all of his future actions are colored by this.

Vivi has a dire effect on some people even without trying to manipulate them.

The composition forms a star here :3c

This panel should make their likeness even more obvious, they’re mirror reflections, albeit deliciously twisted ones. Also, the V sign is literally something that Vivi. Just. Does.

Exarch's heard from Vivi himself that they might be the same, Urianger literally tells him to go to a mirror and ponder, but when he does, and tries to look a bit more like he imagines Vivi, he can't stand what he sees in the mirror. They still aren't the same in his heart of hearts, even if reality itself tries to prove otherwise.

Hidden Angst Time! I can only hope that most readers are familiar with the flashback bubbles by now, and that this panel reads as it should: Feo Ul embraces Exarch while pointing out that they’re also being ostracized by their kind. Though the ultimate fae wisdom lies in accepting something the way it is, and just not caring too much.

More under the cut~ 

*rewinds all the way back to episode 1* hehe

“Does a hero have to be happy about his job” is one of my personal fav lines so far, I think it hits hard, pointing not only at Vivi, but at Exarch as well, and the visual supports it. I think this encapsulates Exarch’s ideology.

Exarch’s GASP could be interpreted as saying GASP out loud, which only makes it funnier.

Vivi carefully plans his entrance in order to make the atmosphere less formal. Approaching normally just wouldn’t do it. Also he just feels relaxed and safe to be silly. Remember how lowkey he was since his arrival to the First? His behavior all but contradicted what I said and showed about him in the ARR arc and outside of the comic.

Well, that’s in the past now. He’s finished assessing the situation and concluded that it’s okay to be more himself.

Feo Ul's upset that Exarch used his “radar” to detect Vivi’s ambush while they’d just used a similar ability to make sure that no emet-selchs are around.

If you catch a flirty vibe from Vivi in this episode, you're correct.

Vivi when he's remotely interested in a man:

My flavor of lampshading the obvious exposition dump. Oh Exarch, you asked for this, no take-backsies.

Another few hard-hitting questions from Exarch. It's easy to gloss over these, but if you slow down and think, it's decent angst material. Has anyone ever been concerned about Vivi's feelings, or was it more convenient to look away, even if intently, even if both sides knew they're better off not talking about that, for there's indeed no wol replacement. What good does acknowledging the situation if you can’t change it.

This's Vivi's memory, thus he appears small against the looming forms of the world leaders. Rigid, formal, impersonal. Raha's memories of the Ironworks seem to have a different vibe, despite all the parallels of the duty imposed by the world on one special guy. Also yeah I do wanna make my own version of the 8UC timeline and characters someday, for now these are just random characters that I consider as placeholders. And the dunmeshi cameo x’D

Yes, he mocks the people that he's saved. He's VERY frustrated with his job.

I offer you a fun game: spot all the mannerisms that make Vivi and Emet so alike. I genuinely never thought about this until this year, while this scene's pretty damn old, i.e. Vivi's always been like this, it precedes my Emet brainrot.

I swear that this line also was there before my Emet brainrot, but now it makes for a hilarious kind of foreshadowing.

You could already tell how "fit" he is for solving trolley problems.

This’s his “oops I talked too much shit” face.

The way Exarch just quietly TURNS and LOOKS at Vivi cracks me up. Don't undermine the tone with random jokes, dammit. But is this random? I’ve already analyzed this moment somewhere but for the sake of keeping important things in one place: they wrestle for control here. Exarch winds up for something serious, while Vivi wants to steer the convo towards more casual. It does somewhat lower the tension, though Exarch doesn’t relinquish his lead in the convo.

This doesn’t save him from becoming Frank forever from here on.

This miniarc’s rich with raw, hard-hitting words, so I’ll bring this up again.

We’re finally getting the explanation and context for a lot of previous episodes:

And the following episodes only help driving this point home. Vivi already sees the First as a viable escape from the Source with all of its shitty people and endless problems.

"This's why I... enjoy my time away from the Source": even at this seemingly high level of trust between them Vivi won't openly tell Exarch about his plans to stay here, a variable he doesn't want to become a risk.

Yes, he does an entirely calculated and strategic flop. A literal thirst trap.

Meme provided by my discord server:

Vivi casts provoke, it's..... not effective

^ This’s one of my personal fav exarchs I’ve ever drawn DADDY PLS

A panel that everyone loved to bits :>

I pair angst with other flavors to make it fun and non-repetitive. It's not "boohoo I can never kiss my hero, the world will end if I do, I'm so aggravated with myself", it's the hooded Exarch (duty) being mad at the unhooded Exarch (human), and delivering the same notion in a fun exchange. You can't help but laugh at the comical chibi violence, at the same time you acknowledge that it's a pretty fucked up act of suppressing one's innate human desires.

It's not a date, they just sit and talk <- the water in which Exarch is being slowly boiled.

I rarely talk about the visuals, but here I intended to make it look like a magical moment frozen in time. It's immersive, whimsical, full of color and movement. Despite the perceived warmth, the composition splits them apart, they're alone together. It’s still Raha’s pov, Vivi doesn’t seem to have any fond memories of the Source at all, we only hear about the past from his current jaded self.

An in-universe acknowledgment of the ARR arc lasting only 11 episodes x’D Though it’s all by design, it was meaningful only to Raha, while being a forgettable blip in time for Vivi.

Episode 52 opens with.... *drumroll*

NIP SLIP

I lovingly rendered that nip and I’ll make you look at it.

Ibuprofen meme would be the first thing that comes to mind, but consider the better/worse caption: "come to daddy". In all seriousness though, it’s a cool panel that I wanted to appreciate again. This IS Vivi’s pov.

The grimy beaten up Vivi creates questions that are answered in episode 53, which is yet to be released publicly at the moment of writing this. Some episodes, like 52-53 and 42-43, come in pairs that only make sense together due to the non-linear storytelling.

Yes this’s Aymeric, no I won’t say anything else :’> One thing that’s worth noting is the face Vivi makes here. And the distant, emotionless tone with which he recalls the moment of his own near-death.

Lemme spell it out even more plainly: Vivi romanticizes the moment he almost died. Exarch just happened to be present in that moment, and Vivi latched on to him as someone who would grant him escape, freedom, peace.

“A kindly wizard from fairytales”. I regret to inform you that we have two delusional fucks on our hands. Both see each other as some kinda dreamt up, idealized, mythical figures.

This miniarc isn’t over yet, but I’m wrapping up the recap here. Thanks for reading till the end~

[rei-ismyname]

Let's talk R-LDS

R-LDS or Resurrection-Linked Degenerative Sickness was alluded to in X-Men #4 and the Infinity Comics before being named in X-Men #7. We're told that Magneto has it and it's directly caused by Krakoan resurrection/The Five, kinda.

Here's Beast doing some alluding.

In the panels above, we learn that Hank McCoy is the only one working on the problem - the problem being Magneto's loss of his powers and his body breaking down rapidly - his very chromosomes unraveling. He seems quite sure that it could happen to 'any of us' though the lack of quarantine suggests it's not contagious.

The next bit of information we receive is from Magneto and Scott in conversation, reflecting on The Iron Night. They took down a wild sentinel that was attacking the town and Mags lost control over his powers immediately after, requiring Scott to knock him out for safety's sake. Scott is no scientist, and while Magneto is a genius polymath autodidact (with plenty of experience in genetics) it's not a character trait that's seen focus lately. Thus, I'm assuming they're discussing it as amateurs and as patient zero in Magneto's case.

Magneto confidently names the condition for the first time as well as using an acronym for it, suggesting it's confirmed to exist, he's had a positive diagnosis, and they're using the term enough to require shorthand. He even spells out the subtext for us - it was a hidden flaw in Krakoan resurrection. I'll come back to that notion. Scott says 'we don't know that for sure,' implying that R-LDS is just a theory or speculation, which Mags doesn't directly refute. Instead he lays out the worst case scenario. They can't both be right here, so what's the deal? Magneto's symptoms are obviously confirmed, but how did they get from there to here?

If Magneto is the first and only person affected by his condition, why are he and Beast so sure about its providence and everyone being in danger? How could they possibly link it to Krakoan resurrection? I'm no scientist but I do know that there's only so much you can conclude from a single data point. Magneto was indeed only resurrected by the Five once, but he died again after that on Arakko (X-Men Red #7). The body he's in came out of a portal from Overspace in Adam Brashear's underwater base (Resurrection of Magneto #3.) His body suffering a condition borne of something that happened to a different body doesn't make sense. Considering he's the only person to return to life that way AND the only one allegedly with R-LDS, that would be the place to start for Beast's sciencing.

There he is, good as new.

Word of God

In a recent AIPT interview, Tom Brevoort removed any ambiguity and just straight up confirmed it. With the caveat that his recent X-history knowledge seems pretty poor, he is the de jure ultimate authority on the matter. I don't agree with that, and not just because I don't respect him as a creator. This habit of on-panel ambiguity and editorialising in interviews is vexing.

It's especially vexing when he contradicts himself. He counterpoints his own information with some of what I just pointed out, but the fact that they've made a list of who was and wasn't resurrected suggests R-LDS is a plot point they're committed to. I have to wonder why he bothered giving a detailed answer to this question if it's 'yes,' then 'maybe', then 'it will definitely be a thing you'll see as we progress.' Saying all of that and then ending with 'we know very little so far' really makes me wonder what he's thinking. Tom Brevoort could have given his usual cagey answer about not wanting to spoil anything, but he didn't here. I'm saving most of my Brevoort-specific criticism for a separate piece, but this glib and irreverent tone is typical of his commentary - even managing a light jab at Jordan D White.

Frankly, I think it's a graceless and cynical development. There are so many character beats, mistakes, and conflicts to use from the First Krakoan Age that choosing to create R-LDS feels like a shot at the core of hopefulness and creativity that blew our socks off in 2019.

HoxPoX

House of X/Powers of X was hopeful and magical. After a decade plus of endless misery and genocides, dull stories and bizarre characterisation, for once mutants got a W. The ability to use mutants working together to right the horrendous wrongs they'd suffered was central to that - the power of community and cooperation. What they built wasn't perfect but The Five was something they got right.

What would possess someone to take the cornerstone of the greatest X-Men story of all time (don't @ me) and try to tear it down? Remember, when the dust settled we ended up in Moira X life 10E. In 10A, the original Krakoan experiment, the mutants won! They thrived and protected what was theirs against Dominions. It took a literal apex AI God existing outside of space and time directly opposing them to fail. Enigma, on the back foot, sent Omega Sentinel through time to start ORCHIS years early and ensure Krakoa's collapse. Am I to believe 'no, sorry. That was a dead end?'

Haven't we been here before?

We've had mutants suffer from the Legacy Virus and M-Pox already, and I might even be missing other examples of nebulous diseases that threatened to wipe out all mutants. Obviously it's the prerogative of the X-Office to use whatever plot points they want, but do we really have to do this again? There are plenty of ways to sideline Magneto as a combatant that don't require repackaging old storylines. We've even had Hank McCoy decades behind the curve desperately trying to catch up before - in All-New All-Different X-Men.

Small World

Defenders-era Hank McCoy might be the worst possible 616 scientist to tackle this problem. He's literally decades behind the science curve and doesn't have the experience in dealing with anything like this. He's not the same guy that worked on M-Pox or the Legacy Virus. He never set foot on Krakoa and has never met any of the Five. We don't know how much data was recorded or kept from The Five but Beast may not have access to it.

Why isn't he talking to Cecilia Reyes, Forge, Jean Grey, Reed Richards, Doctor Strange, Adam Brashear, Healer, Doctor Nemesis? Even doctor dickhead that extorted Storm has the ability to instantly diagnose anyone. It makes the world feel tiny, and when you're following an era of interconnectedness that's just so disappointing. Portraying him as supremely concerned about 'all of us being ticking time bombs' rings hollow if he's working on it solo. Hank McCoy has always had a sense of arrogance where his scientific ability is concerned but not to this degree. Look at the guy! He's hating the stress he's under.

Sins of Sinister and the White Hot Room

I have to wonder if the implications of linking Magneto's illness to The Five's resurrection have been fully considered. The Sins of Sinister timeline ran for a millennium with the Five resurrecting on an industrial scale. Rasputin IV would have noticed, or the Quiet Council. The mutants left behind in the White Hot Room in RotPox spent 15 years bringing back ALL the dead mutants. That's 16 million, minimum. 15 years is less than a thousand but it's still longer than the First Krakoan Age, several times over. Nobody noticed anything? Elixir, member of the Five and Omega biokinetic, with his unlimited mastery of DNA didn't notice anything? Destiny didn't see mutants falling apart? Sounds dubious as hell to me.

Towards the end of the era many humans were resurrected too. 5% of the Five's work was set aside for bringing back poor children etc through the Phoenix Foundation. Steve Rogers was resurrected into his current body on Judgement Day. I am extremely skeptical that this has been considered, and in Steve's case whether the X-Office can even use him.

Conclusion

Magneto's physical degradation has been swift. Here he is in Uncanny X-Men #700, implied to be at most 6 months before X-Men #1. I think I've demonstrated that the concept is nonsensical and to reiterate, I think it's a terrible narrative choice. If I'm being generous, it'll be interesting to see if they can explain R-LDS in a way that makes sense - if they can do something new and interesting with a tired concept. There's only been one issue since it was introduced, so perhaps I'm jumping the gun on breaking it down. Let's check back in 6 months.

What do you think of R-LDS? Do you think my reasoning is sound? As always, I'd love to hear what other fans think.

[chaos-potat]

8/8

Mikey always goes to their twin when in distress, Donnie's not good with emotions but they always know what to do with Mikey. Raph had warned Mikey and Donnie told him to trust Mikey, Mikey walked out with pain but Raph cares too much to say he told her so, being petty has no business being present when Mikey is in tears

Leo watches what he's done, knowing the extent of his damage, he's not a complete monster, he's just a kid making really big mistakes. Leo doesn't mean to be mean like this, he wants things to be done his way, he sees it as right, but they can't read his mind and he doesn't communicate properly to them. Leo feels immense guilt all the time, seeing Mikey makes him feel worse thus making him act out more and making the guilt stronger, he's made an endless cycle only he can figure out how to break. Leo thinks his family hates him, he thinks he deserves it, he can only talk to Splinter about this but he's not all there right now, he's losing himself very slowly as his mutation takes over.....

And that concludes this comic! I know I'll make more, but maybe not a real chapter like this just a bunch of tidbits here and there and some info dumps. I hope you guys enjoyed and would like to learn more about this crew of misfits trying to figure out how to function and care properly

First | Last

[my-rose-tinted-glasses]

BL Premiering in April

01/04 | 🇰🇷🇹🇭 Love is Like a Cat MDL When global superstar Piuno is threatened by those who wish to see him brought low, there’s only one thing he can do to save his reputation and his career: work at a pet daycare. Pushing aside his severe dislike for animals, Piuno begins working alongside the daycare’s director, Dae Byeol, who helps him find ways to overcome the trauma that first inspired his hatred of animals. As his heart begins to soften, unexpected feelings for Dae Byeol begin to arise. Could their current working relationship grow into something more?

03/04 | 🇹🇭 We Are MDL For this friend group, no matter how hard their university studies are, there's always something more to do their head in; the chaos of life and love won't let anyone rest. We are... friends, but we fight each other and like each other so much we might hit on each other.

11/4 | 🇯🇵 Living with Him MDL With his parents frequently away for work, Natsukawa Ryota had been the main caretaker for his younger sisters and the housework, but now he’s finally about to go to University, he’s looking forward to being able to live freely on his own! However, in a surprising turn of events, he’s surprised to discover his roommate will be his childhood friend Tanaka Kazuhito. Despite his picture-perfect looks and pleasant personality, Kazuhito doesn’t have a girlfriend. Curious, Ryota accompanies him in searching for the reason why, but is unable to find any flaws and finds his heart fluttering over Kazuhito’s kind words and actions. As he gets to know more about Kazuhito, their relationship develops. Thus begins their cohabitation life where they’re mutually self-aware of each others presence! 11/4 | 🇰🇷 Gray Shelter MDL With no dream aside from to survive, Soohyuk reunites with his friend, Yoondae, who has no place to go. The two end up sharing space together; will this cohabitation spark something?

18/4 🇯🇵 At 25:00, in Akasaka MDL Shirasaki Yuki, a rookie actor, finally lands an audition and is chosen to star in a BL drama alongside current superstar Hayama Asami, who was also his senior at university. Feeling anxious and troubled before his first major role, Shirasaki is approached by Hayama with the proposal to form a “romantic relationship for the sake of character development” until the filming concludes. Their pseudo-romantic involvement off-screen leads to a moving and beautifully crafted love story exploring the intricacies of relationships within the entertainment industry and among actors. 26/4 🇹🇭 My Stand-In MDL Joe, the stunt man of famous actor Tong, happened to meet Ming. Having developed a deep relationship, Joe didn't realise that Ming had always seen him as Tong's replacement. When the truth is revealed, Joe has to take work on a foreign set where an accident takes his life. When he wakes, Joe's in the body of a young man likewise named Joe who'd met with an accident on the same day. With help, he's soon living the same life as he was before—with the same people—and he meets Ming once more. In this life, Ming wants Joe back at his side as before and Joe doesn't know why. Ming, who's kept all memories of the old Joe, tries to find the truth about Joe's continued life in order to return Joe to his side and give him the explanation he never had the chance to.

?/4 | 🇰🇷 Boys Be Brave! MDL Jung Ki Sub is Kim Jin Woo's slacker friend - and secret crush. So when Ki Sub asks to crash at his place, his heart tingles to be near him everyday. But as the short stay turns into permanent mooch, how long can Jin Woo keep his true feelings under wraps and hold back from confessing? ?/4 | 🇯🇵 A Man Who Defies the World of BL 3 MDL Mob realizes he’s trapped in a world straight out of a boys’ love comic, complete with typical love story scenes. Determined to remain a background character and avoid becoming the main focus, Mob tries to keep a low profile. However, in this sequel, the love and comedy intensify! In an ultimate BL world surrounded by extremely handsome men, will Mobu be able to avoid the situation where B becomes L? The main cast will return, with Inukai playing Mob, who fends off advances from handsome men tossing out “BL love flags.” Yutaro will return as his younger brother, Ayato, while Akihisa Shiono will be Tojo, Ayato’s lover. Asahi Ito will come back as Kikuchi, a college student who has a crush on Mob. Also couldn't find definite info on 🇹🇭 Knock Knock, Boys! to be sure it will premiere this month or not.

[comicaurora]

Non comic related ask,

A while ago you were asked about Jujutsu Kaisen and said something to the effect of you didn't like the direction it seemed to be headed in. At the time only the first season of the anime was around and I thought it was pretty nifty at the time.

Now that the second season is concluded and it's at least as far as I'm concerned it's suffering in tone plot and pacing your words have come back as best I can remember them anyway.

So the question as it were, what were the clues that tipped you off to this? I respect your well earned media literacy skills, but even with your statement I would not have thought it was going to turn out this way.

Huh, interesting!

Since I haven't been keeping up with it I don't know what the recent developments are, and it has been a hot minute since I watched the first season, but from what I recall I just realized pretty quickly that JJK was aiming to purposefully subvert a lot of shonen action anime tropes, starting with the Superpowered Evil Side and going from there. Vibes-wise, the power and combat system was pretty visceral - most of the characters had to do pretty gross or unpleasant things to get their powers working, which wasn't really my speed from the outset, so I was already wibbling a little on how invested I wanted to get.

And when the darkness ramped up with that one major character death - the one who was in the anime intro having lovely downtime with all the heroes in a peace he never actually got to experience because instead he died horribly - I got the impression that the underlying theme that was playing out was "our hero thought being a shonen action protagonist would mean the world around him played along to the classical narrative beats, and he has just learned that this is not true." It essentially ties in with my thoughts on Tone Armor: the story was playing with a familiar space of shonen anime tropes in such a way as to make the audience and characters expect one thing, suddenly experience something much worse than anticipated, and thus feel unsafe in the world it was establishing. Kind of similar energy to Madoka's sudden reveal of What The Story Actually Is the first time a magical girl gets her head bitten off.

I didn't think this was bad, it was pulling off everything it wanted to accomplish very effectively - it just didn't really play to my tastes at the time, so I fell off of it and haven't heard anything to get me reinvested.

[jaudraws]

noddleverse / On AO3

thus conclude the second arc of this silly comic!

I'm going to take a short break from posting so I can rebuild my buffer, but the third and final act is already all planned out. I'm hoping to resume posting in January if all goes well, February at the very worst (everything is mostly planned out unless someone make a very funny comment that inspires me, and I've started sketching future episodes, it's really just a matter of getting things done)

Anyway, happy christmas if that's your thing, happy mandatory day off you didn't ask for but are getting anyway otherwise!

[goldenslumbersketchbook]

Sketchbook Log: Oh what now? Can’t they ever catch a break!?

Previous

Beginning

Thus concludes part 3 of the Overland Witch Comic!

Full Chapter 3: Here

To Be Continued in part 4! Coming August!

[sarahmackattack]

Presented my annual Christmas Man-Thing to the world’s biggest Fan-Thing, my friend Adam today.

Last year’s was a pin-up-girl beach babe version of man-thing which makes no sense, and this year’s is Man-thing in his Mean Girls “Jingle Bell Rock” geddup, which also makes no sense 👍

The Man-Thing is beloved* character Marvel comics who debuted in the 1970s. Man-thing was once a scientist, who, due to an unfortunate series of events, injected himself with his experimental serum, which mixed with Everglades swamp water, and turned him into the Man-Thing. Man-Thing is highly sensitive to emotions – he can feel the emotions of those around him but cannot express feelings himself! He can't even talk. He often fights with alligators. If you are afraid of him & he touches you, you will burst into flame (whoever knows fear burns at the touch of the Man-Thing).

Now that you’ve had your history lesson, let us deviate from cannon, and venture into my approach to the Man-Thing. You see, I love a monster. Especially a swamp monster. Especially a swamp monster with glowing red eyes. In the reality of my sketchbook, Man-thing is a heart throb (obviously). Something else to know about Adam is that he emcees burlesque shows, so really it only makes SENSE that my expressions of friendship blend the two things he loves: hot babes and man-thing. Trying to get good at drawing Man-Thing meant I started drawing him often, so he’s become a sketchbook regular.

The other red-eyed sketchbook regular is, of course, Sexy Mothman.

So it only follows that Mothman and Man-Thing are boyfriends.

Thus concludes your cannon-according-to-sarah lesson for the evening.

Goodnight.

*by Adam, and now also me

[thorias]

Every time I read a post about how all the deaths in ep5 won't be reversed because they weren't reversed in the comics (they actually were during the Krakoa era, but that's beside the point) and in the comics it was a horrific tragedy that nearly wiped out the mutant race and blah blah blah, I just get so frustrated.

The two things are not the same. In the comics, it was easy to stick to this and not reverse the attack somehow because no one important actually died. The only notable characters who were present for it were Magneto and Emma Frost, who both survived. So, yeah, it was an unthinkable mass casualty event, but the casualties were 16,000,000 background extras who nobody gave a shit about anyway.

That is not what happened in X-MEN 97. In ep5, they were killing off named characters, important characters, characters the writers will want to use in the future, characters it would simply be a giant waste to get rid of like this.

And it didn't stop there. They were killing off characters whose storylines hadn't even finished yet, (ex. Gambit, Madelyne) which, to me, is the biggest sign that these events are going to be, if not reversed, then at least changed somehow. I mean, how do you kill a character without concluding their arc first, thus leaving the audience without any kind of closure?

'Oh, you thought the Madelyne/Scott psychic affair storyline was super interesting and couldn't wait to see what happened with it? Too bad, she's dead! That story will just never be finished now, so suck it!'

'Oh, you felt bad for Gambit who didn't think he was a hero or deserved to have a happy ending and got his heart ripped out thinking Rogue chose Magneto over him? Too bad, 'cuz he died believing all that stuff and now Rogue will just be left to drown in her grief/guilt and be consumed with rage forever! *womp womp*'

Fuck. That. Shit.

That's not tragedy, that's not tugging on heartstrings and it's certainly not "Making a Point" or "Sending a Message About How Much the World Sucks." It's just fucking lazy, shitty writing. There's nothing narratively satisfying about it whatsoever, even in a sad way; it's the complete opposite! The only thing that does is frustrate the fuck out of everyone who's watching. That's the kind of slap-in-the-face garbage that makes fans want to ragequit a show, not support it.

So, no, I don't believe that the attack will be completely prevented. No, I don't believe that every death will be undone. But SOMETHING about that event is going to be changed (via time travel, resurrection, etc.) by the time we get to the end of this story. Because if it's not, if all those deaths are permanent and can't be reversed, then this isn't a story... it's just a bunch of bullshit.