#. would have been so sexi

[the-mpreg-guy]

the hill that i will die on is that cas would have never said he loved dean if he had to deal with the consequences of it afterwards, meanwhile dean (who was SUPPOSED to tell cas he loved him in the original crypt scene script) would have eventually worked up to saying it without external pressure

[poorly-drawn-mdzs]

Bonus 13: Beware the Grapes of Wrath.

[First] Prev <–-> Next

[puppyeared]

beep beep im a sheep

speeddraw below the cut (audio warning)

song: "Cult of Dionysis" by The Orion Experience

[sciderman]

Yk, I hate that adaptations keep making Peter a high schooler, and not just because it means he never evolves, but because the adaptations now also include wider Marvel, whitch usually (thanks to the MCU) is at the modern day stage with legacy characters and new age teen heroes, meaning that Peter is taking up Miles' spot and you can really tell when they put him next to someone like Kamala Khan or Sam Alexander who are Miles' pals. Tho Peter taking Miles' stuff is just a modern issue overall, just look at MCU whitch just stole and re-skinned Miles' personality, characters, story-beats, even the costume to an extent and then made it worse.

agree 👏

[whos-hotter-jjba]

Hottest Stand Battle - GRAND FINAL!

Stand abilities under the cut:

Star Platinum: Star Platinum is a close-range Stand with exceptional strength and speed, as well as gaining the ability to stop time during the fight against DIO.

Moody Blues: It possesses the ability to imitate the form of individuals and reenact past events with precision.

Sticky Fingers: It possesses a very versatile ability in the form of its zippers. The zippers have various applications, such as using them to travel through walls or floors, detaching and attaching limbs, and storing objects inside something. Bucciarati is also free to attach several things together with his zippers.

[geodesick]

[ID: a drawing of pye from outer wilds, standing with her writing staff. she's wearing an orange nomai space suit without the helmet, and she has a light brown face with curly darker brown fur. end ID]

figuring out how i want to draw the nomai, so here's a pye since i am obsessed with her !!!

[dykedvonte]

Benny x Courier but the Courier is increasingly in denial for their feelings for Benny cause they see him as this loser pretty city boy Vegas type and they slowly (or rather quickly) realize that there were in fact reasons why Benny was able to manipulate so many people, infiltrate the Fort and avoid serious injury for all of it.

Like surprise the corniest loser you know is actually pretty badass and you kinda find that infuriatingly attractive.

[forgotmysword]

Sorry to all the girlies mad about the possibility of alicent going to oldtown instead of dragonstone in the finale but im here for the long haul. I want alicent exhausting every last option before going to rhaenyra. I want her as desperate as possible, begging for forgiveness after fully coming to terms with her life and her sacrifices truly being all for nothing. The day her life ended was the day otto had her go comfort viserys. Her and rhaenyra being torn apart was where it all went wrong. But maybe her youngest son, who she didn’t raise, who wasn’t poisoned by her or life in king’s landing, could be the one who saves her.

But he won’t be.

Bc in the end, even in chains, it will be rhaenyra who sets alicent free. It was always going to be rhaenyra.

[septimusmoonlight]

You doing ok?

hi

[poorly-drawn-mdzs]

The Quest Continues...

(part 1- part 2)

[silver-horse]

unfortunately I have opinions about the ascendant astarion ending and I have been holding back from saying it. but it's a problem that applies to the whole game and it's been annoying me

what's actually weird about the ascendant "romance" scene is that the writer considers it a tempting option for the player. They wrote it to be bad, but they also think it's a fun and sexy option. Same goes for the haarlep scene which they also wrote that way because they find it sexy. Except finding this sexually appealing entirely hinges on the idea that the player is a submissive. So RIP to a scene that the rest of us could have found sexy because the lead narrative designer was a submissive. lmao

In this game you can have a scene where you have to kneel for a male character. But you can never have a male character do the same for you. (Halsin doesn't count. It's a vanilla scene, he is not submissive there and we are not even asking/telling him to kneel down) You don't get such options, not even if you play a drow female! RIP the number one reason for playing drow female to be honest. lol You can kneel and fully submit to ascendant astarion or fully submit to mizora or fully submit to haarlep or submit to lae'zel or submit to minthara. you can get whipped by abdirak or you can tell him "touch me and lose a hand" he even responds positively to this remark and yet the possibility to flip the dynamic doesn't exist. There is never an option where a male character truly submits to the player. RIP to a scene that would have been the opposite of the traditional dynamic. the potential that existed but they never used the opportunity

By the way, how interesting that Lae'zel is dominant but she is a woman so ofc you get the option to tell her “no you will submit to me”. You never get such switch options with any of the male characters... Obviously it's not ascendant where they could have made that an option. My point is that it's NEVER an option among so many male characters.

It's a cool idea that the bad ending in a romance means "I saw this character as a sex object" except it falls apart when the scene is very sexually unappealing to anyone who is more dominant leaning. If I see a character as a sex object then I would place them in sexual situations which are appealing to me. so the message doesn't quite work. because there isn't anything that I can selfishly choose for myself just because I like it and I find it sexy.

[obikinetic]

A shoulder to pass tf out lean on 💟

[sesamestreep]

“requiem for methuselah” crazy ass episode for many reasons. Kirk is being fully insane, like I don’t actually think, even controlling for how quickly and easily and readily he seems to fall in love with anybody at the slightest encouragement, that he’d go that bonkers for that android woman he just met while everyone on the ship was this close to dying, but that’s neither here nor there, because in the background you’ve got an equally but much more subtly insane episode for Spock, who extremely uncharacteristically admits to experiencing an emotion (or nearly experiencing, whatever) and that emotion is ENVY of all things. And then spends the rest of the episode warning Kirk away from this new love interest (something that doesn’t usually happen, even when Kirk has very inadvisable love interests) and is, in the end, the person who accurately identifies that Rayna’s competing love for Kirk and Flint is ultimately what overwhelms and destroys her with the most killer line in maybe history???

And then to wrap it up we get an equally uncharacteristic sort of denouement scene (TOS loooves to cut an episode off right after the actual climax, leaving little time for falling action or character reflection, or to stick a sitcom-y button on the end where the gang all smiles and laughs at their misadventures and everything resets to zero, which is not a criticism, it’s just the style of that era of tv, honestly) where Kirk is literally miserable over Rayna’s death (again, kind of unusual for a lot of his love interests, he tends to be able to move on pretty quickly) and Spock goes to see him and he falls asleep right in front of Spock (also odd) and then when Bones comes in to give the final word on Flint, Spock waves him off from waking the Captain (tender) and Bones gives him that awful speech about how it’s sadder that Spock can’t even imagine the love Kirk felt for this random android woman than it is that Kirk lost her in the first place (debatable but also rude) and how his great tragedy is that he can’t love at all like they can and how all he wishes is that Kirk could forget about all of this and move on. AND THEN, to have Bones leave and Spock go over to Kirk and very gently, tenderly, reluctantly touch him and put his hand to his forehead and tell him to forget and HAVE THAT BE THE END OF THE EPISODE??? What am I supposed to do with that??

[mulders-too-large-shirt]

s2 episode 7 thoughts

hmm. hmm. that is the sound if me pondering what i just watched.

(i understand that this episode was an analysis into mulder's self-destructive behaviors when faced with overwhelming grief, but. that does not mean i enjoyed vampire hookup time)

well. we shall start from the top!

i read that it was an episode about vampires which i thought was a weird narrative choice because. hello. scully still gone??? but then i remembered that i too ignored the main quest in skyrim to hunt some vampires and that i had no place to judge

(granted, my main quest wasn't finding scully though. might have given that a bit more priority than saving the whole world. because she IS my whole world)

we open with a guy that looks like joe biden meeting with an attractive young woman. they're making out in a hot tub and we just know someone is gonna get slurped upon. and woe, it be upon us! double vampire attack.

back in DC, mulder gets his old office back! it's covered in plastic. he takes some of it off. he adjusts his calendar from may to november, so we see how much time he and scully had been assigned to other tasks, which also has me wondering how she managed to get a new house that quick.

(also, this calendar is... scantily clad women posing next to tools such as hammers and saws. was this allowed? was this acceptable? was it normal? were the 90's a lawless wasteland and mulder an irreparable freak?)

well. scully is an x file now, and he puts her glasses and id into an evidence bag and closes the filing cabinet which was sooooo evil. but he can't bring himself to put her necklace away. oh man. oh he's gotta have it in case he finds her. he has to hold her close. i'm Fine this is Fine.

so. he goes out to california to deal with the joe biden looking fellow being murdered. and he is not wanted on the crime scene. we know this because someone greets him by saying "nobody called the bureau" and he says "well, they should have" and lifts up the tape to let himself in. because one thing about him is that he's gonna let himself into a place he isn't wanted.

he sees the writing of a bible verse in blood on the wall and says something about their grasp of biblical knowledge being "feeble and literal" and i was like okayyy need to have a theological discussion with him

he then scares the other guy who originally wanted to kick him out by reciting a LARGE amount of facts related to similar cases and it's very much giving photographic memory. got me thinking, have we ever seen this man forget something? (directions don't count. they're confusing. but everything else sticks in that man's brain)

he just needs one thing: a phone book. which he uses to call a blood bank and ask about a new guy. who must be the vampire who did this!

so he rolls up to the blood bank and i'm over here struggling because i do Not Do Blood, and i knew at this point this was gonna be a tough watch, but i didn't anticipate the non-blood related reasons why this would be true

anyway he's sniffing around the blood bank and he hears some slurping and wouldn't you know, this dude is tearing into a bag of the red stuff like it's a capri sun. somehow he gets him into custody, where the dude refuses to talk because the lights are on, and mulder comes in with a lamp he put a red filter over, because he was prepared for vampire interrogation.

the vampire is going on about how what he did isn't murder because it's not like animals hunting prey is murder which is. not the greatest approach in terms of legal defense. mulder tells the guard that the guy is delusional and it's best to play along, and he believed this to be true... until he, quite literally, burned to a crisp in the sunlight. and died.

he's talking to the coroner and rattling off a bunch of vampire facts and says he didn't believe in vampires which is so funny to me because like. why is that where you draw the line, my friend. not at bigfoot and definitely not at aliens. but man. vampires are just too out there for spooky mulder. until now!

the coroner has a very funny line: "you are really upsetting me... on several levels" which seems to be the general effect fox mulder has on people. and also because i felt the same way about his dumbass actions during this episode.

coroner finds a stamp on the dead body's hand, which seems to come from a nightclub. so naturally our fbi agent ends up there.

you often see posts saying that "(insert character here) should be at the club". i fear that this is not the case for fox mulder, but it's possible that it's his suit and tie that are throwing me off. he just doesn't seem like he belongs there. i ask myself, where should he be instead? perhaps some sort of star wars convention would suit him better. a book signing with some author he likes. idk, an interior decorating festival. not here.

i shall use my verbatim words to walk you through the next scene:

"pause. he's talking to a woman who was looking into a compact without a mirror. so. vampire suspect. and now why are they getting so close together. and getting a drink. okay now they're leaving to a new spot together? AFTER she admits to vampirism"

(here she did some stuff that required me to look away from my screen due to my Weak Constitution. but also it would have felt necessary to look away anyway because it was getting... charged)

she tries to get him to... suck on her finger... but he won't do it because aids. which is fair. i think that's a smart move, actually. it's just that getting flirty with a vampire he knows was involved with a ton of killings was such a stupid move, i don't know why it's now the braincells start to kick in.

that kills the vibe, though, so she gets another guy to take his place and things escalate.

mulder pulls in at a restaurant called ra. nice! the sun god! and he is... through a window, witnessing some more slurping action. he seems to want to intervene and save this poor soul being feasted upon...

but the poor soul is no poor soul at all! he comes out and decks mulder, and delivers this line with stunning conviction: "i don't know who you are, freak, but we're two consenting adults" and with this, he is forced to flee.

and yeah. it made me laugh. my expectations for the genre were subverted. he signed up for that shit! what he did not sign up for, however, was the next part, where he was killed by the other vampires.

cut to investigating the crime scene. mulder has brought along a forensic dentist, which is a job i had no idea you could go into. he needs to see about those bites, which are very human.

next they go to vampire woman's house. it's a very nice place. mulder... opens her oven. and sees a loaf of bread in there. and i'm thinking, man, i hope this doesn't go where i think it's going. baked goods... ovens... i never want a vampire pregnancy arc. but he cracks open the loaf and something red spills out and somehow, this to him means that she is gone and isn't coming back. he can read the signs of the bread. so add that to his resume. what did the bread tell you, my liege?

he seems to have stayed in her house, however, because he's there when she's back, and says he knows she was using the bread as a charm to ward off evil. because apparently that's an eastern european thing, blood bread to warn off evil. sound off if any eastern europeans in the chat wanna confirm or deny.

anyway. he's IN this woman he thinks is a vampire's HOUSE? what the hell. mulder seriously i need you to stop and think. like you should have stopped and done some thinking a while ago. honestly i'm not mad i'm just disappointed. and he's like "i want to save you come with me before they kill you" ohhh big tough man needs to save her huh. make him feel good inside. huh. certainly no ulterior motive here...

she's monologing about her horrible childhood and how sweet blood tastes. um girl. don't lie to him like that. i have busted my lip open before that stuff does NOT taste sweet and dangerous. it's like a penny with rust that you found in a parking lot.

it seems her vampiric origin story, if to be believed, is that things simply got too kinky. which is a new take on the genre.

(it's also about being caught in an abusive relationship and the damage that inflicts, but it seems abusive boyfriend came into vampirism at his kinky parties and things escalated from there. which. well. it blew the eyebrows clean off my head, to be fair)

at this point we see that he is WEARING SCULLY'S NECKLACE? he says something like "it's from someone i lost" and she says that she "hopes he finds her"

i did not like the undertones here and certainly not the overtones. because i knew where this was going. he was shaving in her bathroom. and let me tell you something: there is only ever a shaving scene in media because the writer needs a way to get some blood out of someone's body and into the real world. and man. i knew it was coming.

but what i didn't see coming was her SHAVING HIM??? girl. i am uncomfy. and she does, of course, cut him, and then they kiss. aggressively. terribly aggressively. can anyone answer what was going on in a satisfactory manner?

but the gag is: the original vampire- who burnt to a crisp in the jail cell, and was the abusive ex she spoke of- HE'S WATCHING THEM THROUGH THE WINDOW!

he breaks in and taunts the vampire woman about how he had to "wait for her to finish" and i was like cool. thank you SO much for that mental image i'm super happy with it. i definitely don't feel like i need a shower. but then he's going on about how he can't be killed.

here, at the tail end of the episode, we learn the rules of vampirism in this world: a vampire cannot be killed by a non-vampire. and a non-vampire BECOMES a vampire by consuming the blood of a believer and also taking a life. it is only here we realize that this woman is not an actual vampire yet, she just appropriates their culture by drinking blood unnecessarily.

mulder's still sleeping in her bed and she's like "you need to leave" and she stabs the wall to make her evil ex think she's killing him. but when they go to break out, mulder ties him up quite handily and he gets in the car to escape with vampire woman. until ANOTHER vampire woman jumps on the hood of their car. and main vampire woman knocks her out for a bit by running into her with said car, which is super effective.

mulder's leaving the place in shambles, his shirt still unbuttoned, wandering down the side of the hill. back at the house, now that we know the vampire rules, main vampire woman says she can finally kill the evil vampire ex. and he's like how!! you haven't had the blood of a believer or taken a life. so. she licks the blood off her hands (unclear if it's hers or mulders tbh) and says she'll take her own life. and drops a match after pouring gasoline.

so. that brings that to an end. and shabby looking mulder sits on a hill as he learns all four in the house died.

the episode ends with him playing with scully's necklace. which i don't even sort of feel like unpacking right now but maybe another time.

probably not, though, because i just didn't like this episode. and yeah, a lot of it comes down to me not wanting to see mulder hook up with people who aren't scully. can you blame me? is it so wrong to have preferences in this world?

but also, narrative wise- do you honestly see the guy fucking off to cali while scully's still missing to deal with an unrelated problem instead of devoting every hour of his life to finding her, like we saw him do in the last episode? you expect me to think he just puts it off for a lil while? the guy who, just last episode, pulled his gun on the ski lift operator to get to the top where she might be a little faster, and then choked his one and only suspect out of fury? you're thinking this is the guy that's gonna go soak up some west coast rays?

and yeah, he was obviously not himself through the episode- very cold and analytical- but c'mon. we all want to bang a vampire. he's not special. i just personally wouldn't do that if my friend were gone. like how is that gonna help the situation. be so for real. time and place!

and also the whole only learning the rules of being a vampire about 5 minutes before they need it to be plot relevant. that annoyed me too.

overall, mulder, like i said, i'm not mad, just disappointed.

let me know what you thought on this episode- i try to not be a hater, but i also understand that hating in small doses can be good for the soul. if it's a widely beloathed episode i'll feel better in my judgement as i join a long tradition of haters who have come before me.

[hythlodaes]

the gold and the rust

emile/avi'li (belongs to @lilas) 947 words PLD AU: as knights, emile and avi'li are sworn to the same lord, and in their service they realize the depth of their feelings for each other. in an attempt to exert control over their shifting loyalties, avi'li is sent away for a mission on his own, but their love is not so easily parted.

ty azia @coldshrugs for the gpose!!

Emile stares at the ground. 

It is the only safe place to look. He has been taught to keep his gaze low out of respect, but today it is for control, his nerves beating the blood through his chest too fast, and he knows himself—knows the way he cannot keep his expression calm, each emotion transparent for all to see. 

I never have to ask how you feel, Avi'li teased once, finger poking at his cheek. It's all right here. 

But for him, Emile would try. 

He stands beside the Archbishop, the man to whom he has sworn his service, his protection. Stand and serve like a good knight, like a good man, like someone who doesn't dream of leaving this all behind, bound only by honor, bound only by the ties that have turned to another. 

There's the sound of horses outside—Emile's heart thunders in his chest. Steady, he tells himself, taking one deep breath that he hopes will go unnoticed by the man beside him. Steady, he tells himself as the door creaks open, the sound of boots striding a confident rhythm across the floor. 

Emile will not look. 

Is there blood? 

Stone floors, grey and worn smooth. He memorizes each mark and scuff that lead to the edge of his boots. 

Is he hurt?

And then there's Avi'li's voice. He was sent with a small squadron to scout a crevasse in the Highlands, where there's been multiple reports of disappearances as of late. He sounds steady—no sign of weariness from his voice alone, but it does not quell the worry in Emile's heart. You were not there to protect him. 

Avi's words linger in the back of his mind, just like the smirk he gave him before he left a fortnight ago: By staying behind, I'm protecting you.  

Devotion is a wavering mask these days. 

No sign of threat, Avi'li reports. Locals spoke of myths drummed up to sow fear, when the truth is more likely the foolish draw of the slippery depths. He’s dismissed not long after, and only then does Emile let his gaze rise to meet him, catching his profile as he turns to leave. 

There is slight relief that there is no obvious sign of injury: he walks as usual, his armor is intact, and the sharp white of his hair still sticks out beneath his helmet. Emile can feel the trace of a grin on his lips at the sight, and he curses his own foolish heart, the thing that always gives him away. 

He averts his gaze, settled by the fact that at least he's home, and he waits until it is safe to leave the Archbishop’s side to track him down, taking the stone steps of the fortress by two, each long stride filled with purpose. 

He finds him in the infirmary. The healer looks up as he enters, stepping aside to reveal Avi'li still in his armor sitting at the edge of the cot. He’s taken his helmet off, and his bright eyes turn to him immediately. There is a different kind of relief in his gaze as he speaks softly. "A moment, please." 

The healer casts a knowing glance at Emile before leaving the room, and Emile takes a single step closer, then another, his gaze never leaving him. 

"Worried about me?" Avi'li asks, his voice light, teasing. "I should think that you'd know better." 

"Says the man in the infirmary." 

Avi'li waves him off, the hint of a smile at his lips. "'Tis merely routine."

But it isn't. Because they're always in this together, always sent out together. They’ve fought side by side for so long that his absence has formed its own presence. Emile has grown too used to the comfort, the reassurance of Avi’li beside him, to his warmth along his back as he falls asleep at night, even if he’s gone by the morning. 

Emile is uncertain about love, but he knows love's loyalty. He knows the strength of his conviction. 

"Lia," he breathes out, cursing himself. They started this because it was supposed to be simple, it wasn’t supposed to mean anything. Emile liked his confidence, his sharp tongue, the ease with which he flirts. A little touch, a little relief—and yet here they are. 

Emile takes the last step to close the distance between them, kneeling before him at the edge of the bed. He keeps his hands on either side of his thighs as he looks up, the distance not so far between them as he gazes into those green eyes. 

"Was he watching you?" Avi'li asks quietly. He lifts a cool hand to Emile's face, sweeping his thumb along his cheekbone. 

Emile leans into his touch, nodding. "We have much to discuss." 

"Tonight." 

"You should rest."  

"After a fortnight apart?" Avi'li asks with a raised brow, leaning in close. "Would it not ease your mind to strip me of my armor and search me for injury?" 

Emile's face grows warm as he bites down on a smile. Oh, how he wants to say, I've missed you. 

Instead he leans in closer, just a breath apart. “Tonight, then.”

They may be bound by their oaths to another, but they forge new ones between themselves as they discover who they truly serve. If you asked Emile now, he would speak of the throne, but in his mind he would see the way Avi'li winds a hand through his hair and pulls him in, the way he kisses him with a hunger fueled by distance. 

It's what will undo him in the end, but as Avi'li's lips part against his—warm, comforting, and safe—he knows, undoubtedly, that he’s making the right choice. 

[manglam-marfach]

dyke!Chilaios has me understanding breeding kink all of a sudden