#- to me. it just is. like… this is the niche the US has created by eradicating wolves it’s not their fault.

[realcleverscience]

Thanks for the thoughtful reply. I see things a bit differently. allow me to share what I hope to be a thoughtful reply as well:

In terms of plagiarism, I think there are two different issues at play: firstly, training on data one doesn't own, and secondly, reproducing that data and presenting it as original data.

I agree that these are both issues but I don't think they're of equal concern or frequency. In particular, I see "plagiarism" as representing the second issue more than the first. Reproducing other people's works is not ok. That is plagiarism. That has occasionally happened with AI and must be sorted out. No questions there. However, that represents a fraction of a fraction of results. It is a very small and niche issue which is already being addressed.

That said, the first problem - using unowned data - is more nebulous, legally and ethically speaking. On one hand, AI is doing basically the same thing that humans do, which is learn and imitate from others. On the other hand, AI can do this with a level of detail and speed which humans can't. Then there's also issues with the data. For instance, if google uses youtube to train their AI, they probably have some legal right to that as a result of hosting the video. Whenever people use "free" websites, there are usually "costs" which we agree to. (Is that fair? idk. personally, it's ok with me. I think it's a fair trade.) That said, I also expect legal frameworks to develop which make it easier for people to opt-in or opt-out or get compensation as these systems grow. Lastly, it's not clear to me that it's bad for AI to learn from these sources in general - again, much like how humans do. I only really see a problem when it starts to produce actual plagiarism, as discussed above.

Also, in terms of data, I agree with some of your points. I do want to point out, though, that data isn't a finite resource. Just the opposite. We put more and more data on the web each year. in 2010, it got around 2 zetabytes; in 2015 it was 15 zetabytes, in 2020, 64 zetabytes, in 2024, we're expected to have put online nearly 150 zetabytes. And with the growth of things like smartphones, video apps (youtube, tiktok, etc), augmented reality glasses, autonomous robots, self-driving cars, and people engaging with their AIs - these companies are going to get ever growing amounts of rich data, about the world, environments, movement, conversation, and more.

"And that gets to the part of your closer that I wanted to talk about. With "AI" as it is, we are not going to get to a post-labor world like you want. Replacing artists and writers and other creatives will instead create a post-art world... But in such a world, humans aren't just sitting on their asses doing nothing - a lot of people will be creating, not because they have to, but because they want to. Art should be the last job replaced in the process of creating such a world, but the people in charge are trying to make it the first, because their ideal world is nowhere near in line with yours."

To be clear, I'm not interested in replacing artists more or less than any other profession bc I see all professions as valuable. I want to see *all* jobs get automated as much as is possible to get us all to a post-labor society. And yes, it is my hope and expectation that everyone will pursue their hobbies and interests once we no longer have to work. I also know that there's a lot of public focus on AI-Art since a lot of the semi-decent AI products right now are art generators. however, that's only bc art has more wiggle room in its results. But AI is coming for ALL jobs. And I think that's good.

That said, I agree that the rich see AI as a way to get even richer and not necessarily to benefit society. However, I also think that massive unemployment will steer the country (and all countries) toward post-labor systems, such as increasingly shortened work-weeks, UBI, and other changes. I am concerned about how difficult that transition period will be. But that's largely on us and how we vote. (literally one of the reasons I told people not to vote for trump. he dgaf about anyone.)

AI is not a bad technology. It is a major boon for the world. The fight is with capitalism.

'People are panicking about AI tools the same way they did when the calculator was invented, stop worrying' cannot stress enough the calculator did not forcibly pervade every aspect of our lives, has such a low error rate it's a statistical anomaly when it does happen, isn't built on mass plagiarism, and does not obliterate the fucking environment when you use it. Be so fucking serious right now

[fissions-chips]

Mundane sort of ‘magical creature AU’ thought but- a sad notion.

Y’know how urban wildlife is typically viewed? Like… seagulls. “Trash birds”, heavily loathed, often chased away despite the fact that they are only trying to adapt to a human, urban world. Or coyotes, widely hated and hunted when they encroach upon human settlements for the risks they pose- despite the fact that they were there first.

Idk. That happening with mythical creatures- again, it falls back into that idea of something that was once respected or revered (moreso in the case of magical creatures than true wildlife, but still) now being reviled and ‘common’ for the crime of being simply inconvenient.

[tiercel]

Tumblr talking about making its site the same algorithmic slop pile as every other social media bc the users migrating here are too soft brained to curate their own feeds

[emotional-piece-of-meat]

Let me introduce you to this concept: batkids pick a silly t-shirt of the week, in which Brucie will be “accidentally” caught by the paparazzi.

Dick, as a millennial he is, chooses something with mottos like yolo or jokes about coffee. He also has a special love for quotes and puns, which nobody but him finds funny.

Jason does not participate, because he refuses to think about Bruce more than it’s absolutely necessary. And if some t-shirt reminds him of his dad Bruce, well, he just passes by.

Barbara, although she has a wonderful sense of humour, uses her power to spread awareness instead. When an important social or political event takes place in Gotham and beyond its chapels, the choice is hers.

Cass loves matching t-shirts, because it makes her feel that she belongs. Every time it's her turn to pick, newspapers spread out the touching headlines like “Bruce Wayne was caught with his daughter in I'm with stupid t-shirts”.

Steph simply goes to the women's department and chooses one of those ugly Eiffel Tower or a rhinestone “princess” t-shirt. They're also usually pretty tight, and, trust me, the press just loves it.

Tim wake up and choose violence Drake prints t-shirts himself, always putting some brainrot words on them. That's how “what a sigma” and “skibidi toilet rizzler” appeared in Bruce's wardrobe.

Damian takes great pride in his t-shirts, because he draws pictures on them by hand. Nobody could convince him that it's not, in fact, a competition, and he has to make sure that he is winning.

Duke always gives Bruce some niche band t-shirts. Plot twist? These bands do not exist. He just creates them himself and then proceeds to gaslight people, because “what do you mean you don't know batshit on the rooftop? You, uncultured pig! Their music literally changed my life!”.

[fishnapple]

People's assumptions about you

This reading is about the assumptions people in general have about you. Which might not be true to how you really are.

This is a general reading meant for multiple people. Take only what resonates and leave out the rest.

Your feedback is much appreciated. If you find the reading resonated with you, leave a comment, I’d love to know 🎐

About me | Masterpost

Book a reading with me - KO-FI (→ personal reading)

LILAC

• You have a quiet, mysterious vibe that makes people think you have been through a lot. This kind of being experienced creates a sense of knowing, like nothing can faze you, you have seen enough, the good, the bad, everything in between about life.

• They also assume you wield your power well, you're used to it and you can use it to seduce people or to deter them from getting closer. There's a contradictory feeling about you, on one hand, you seem intense and seductive, on another, you're aloof and impartial. So people think that you just like to appear attractive for the sake of being attractive, not to attract anything or anyone in particular.

• Those who are lucky enough to get into your inner circle will be treated differently, with generous care and intuitive understanding.

• They could think you're from a religious background. Or someone with mixed races and have a diverse religious background.

• They could assume you come from money or are well taken care of.

• You seem to be good at learning, fast thinker, intelligent. No matter how you actually think about your intelligence, people will assume you're smart and don't have trouble solving problems. Maybe you talk fast, have knowledge about a wide variety of subjects or people usually see you learning, researching something, especially about some niche or taboo subjects. This also contributes to your mysterious aura.

• Some could assume you like casual relationships. You revel in social interactions, you can chat anyone up and have some friendly banters with them. You enjoy hanging out with people but you don't want to be involved too deeply with anyone. Your goal in interactions with people is usually to learn something new, to satiate your curiosity. Again, the thought of getting close to you, being considered more special than the rest by you, is a great ego boost to some people.

• You're good at hiding your more unsavoury side. People generally think you're calm and worry-free but some will have a little suspicion that you're hiding your negativity, it's like they can't believe there's actually anyone who has no worry or problem. Especially if you're being anxious about the future, feeling lonely or lost, you won't show it. The people who suspect about this will likely want to dig deep to get to see your problems.

GRAPEFRUIT

• You have a brilliant aura that makes people automatically assume you have it easy in life. Like someone who has been treated so well by life that they are so positive and lighthearted.

• Enthusiastic and mischievous, people will assume you're younger than your actual age.

• You have no problem convincing someone, pulling someone to your side purely by talking and debating. People can see your cleverness and humour clearly.

• People think you have a fast lifestyle, always on the move, rarely at home, never sitting still, don't settle down. They assume you have an extensive travel backlog. Some will want to give you advice about settling down, having a stable family life. Maybe they think you're too young or have too many things going on for you to consider those topics seriously, but you will, in the future.

• Based on your cheerful or carefree demeanour, some will guess you are not well disciplined or are spoiled. They think your upbringing was a little loose and lacked proper guidance, resulting in a freestyle way of living.

• Maybe the way you dress or the things you use will make people think you're careless about money or have a lot to spare. You like shopping, hoarding material possessions and are just generous with your money in general.

• Some could assume you're too easy-going and simple-minded, despite your expression of cleverness, like someone who is easy to be taken advantage of, gullible. Some would want to protect you because of that, others would want to take advantage of that.

• You seem to be well liked and have no trouble getting a date. If you're single, they will just assume that you probably don't want to commit, prefer to stay single by choice, if you want to, people would jump at the chance to date you.

• Some would think you prefer older people for friendship and connections in general, you like to be spoiled and taken care of. But they also can sense that you treasure your friendships greatly, those who can stick to you through thick and thin will be revered and respected by you.

• Some can see you easily getting stressed, over exerting or are afflicted with some illness frequently. They might think to themselves that's the consequences of living a fast life, or you're going through some stressful situations that you don't want to talk about.

PEAR

• Maybe your reputation precedes you. People could form assumptions of you based on what they heard about you, not necessarily from interactions with you. They think that you're really a go-getter, ambitious, if not sometimes ruthless. You act on your impulses and zero in your targets, you get what you want, one way or another. They could feel that being the target of your gaze would equal to being a prey. You could give off a no-nonsense and efficient vibe that won't tolerate misbehaviour and disrespect.

• But they also feel that you put great value on friendship and community bonds. You would be a great leader, a pioneer, a protector of your group.

• The thing is, not many assumptions about your are correct. People could hear or see one aspect of you and proceed to make up a whole story about you. You could be a favourite topic in gossip. Some would put you on a pedestal and can't see you do anything wrong, while some would be so ready to find any dirt about you to make you seem less than ideal.

• Some would assume you have unique dreams that you want to achieve. Those that normal people won't understand or sympathise with. You're on your own road, doing your own things. People think you're really daring, you won't sit contentedly with what you're having, you're not afraid to upset the status quo. If you find a new inspiration, a new objective, you will be ready to pack your bag and get up and go, leaving behind everything you have achieved. In a less dramatic sense, people sense that you have the ability to let go, to search for a new horizon without attachment to the past.

• Speaking of the past, some would think that you're a nostalgic person. Some hobbies and favourite things of yours are those of the past. You might still keep doing or enjoying something that you had done when you were a child. Childhood could be your soft spot, the one thing that you guard so fiercely.

• They feel that you come from a traditional family with parents in their traditional roles. And somehow, you don't want to follow their footsteps, you want to rebel, to challenge that system. You might want to stay single and independent, focusing on yourself rather than family and partnership.

• If you ever get into a partnership, people think that would involve some deals and terms, something beneficial that is worthwhile of your effort. You approach every partnership like a business one, negotiating the terms, striking a deal, exchanging of values.

CHERRY

• People think you're in a purging period. You're not satisfied with your current life and the direction it's going. It's like you've reached a plateau, you need to find a new direction, a new way of living your life. And people think you're really brave for that intention, you're not afraid to discard unnecessary things, old thinking patterns, limited beliefs. You're willing to give yourself a makeover. Fears seem to not faze you at all, there seem to be no emotional turmoil. You act with your instincts and your heart's desire, charging forward.

• But people don't think you're a flaky, changeable person. You only change when your life demands it, your ultimate goal is stability and a stronger foundation.

• On the topic of instincts, some people feel you're really spontaneous in love. You fall in love easily, suddenly, with the naivete of a child. You love being in love, you don't take into consideration other practical matters surrounding a relationship, you just jump in for the pure bliss of romance.

• They would guess that you're usually the one doing the pursuing and confessing first. There could be a pattern in the people you're attracted to or a pattern in your relationships. Some would think, quietly, that you might be not aware of some deeper aspects within yourself, manifesting as these patterns. Like a certain part of you is repressed or neglected, so you seek that part in the other person.

• But in general, people think you have a lot of love to give. Your brave heart is undeniable.

• Other than romance, people also think that you're artistic and creative. Your ideas are unique and refreshing, some could be a little too grand, too far reaching. Some could guess that your job involves this kind of artistic talent.

• The way you act makes some feel that you're being sheltered by the people around you, like a precious child being protected by the community. But there's no envy or negative emotion here, they just observe that and can understand by themselves why you're like that. There's a honesty, a purity of thoughts in the way you express yourself and the way you share with people. They think you deserve that kind of good treatment.

• Also, due to that perceived honesty, some would feel comfortable confiding in you, they trust that you would keep their secrets for them.

GOLD

• The first thing people would assume about you is that you love hanging out with people, socialising, and having superficial fun with anyone you come across. You seem lighthearted like an excited kid in the middle of a carnival, wanting to see everything, to taste everything.

• People also think you like to shine, to feel seen and applauded. You're gregarious and seem to have no difficulty being yourself in front of a crowd. A bright confidence. Some would assume you like to be in a crowd because you like the attention. But most just assume you're friendly and have an extrovert nature.

• A few would try to guess the base of your desire to mingle with people. They think you're lonely or are sad about something, and you want to soothe that feeling by being with people, seeking the warmth of others. But most people don't seem to think too deeply about your nature, some would even find it hard to believe you're having some emotional turmoil inside.

• Some with a more suspicious nature might think you like to use joke and sarcasm to mask your insecurities and the difficulties you're having in your life. They think you're running away from the problems, trying to stay positive while a future disaster is pressing on your nerves. They think you need to change something or to be more brave in taking a new endeavour. It's not malicious though, they want to help and support you because they think you have potential.

• Right now, you seem to be pretty settled down with your life, doing things routinely, repeating days after days, like a drill. Some think that you're running in circles, wasting your time by immersing in the mundane details of other people's lives while refusing to look further for your own life. Or they assume your work requires that kind of lifestyle. You seem like a busybee, moving, talking constantly.

• People would assume based on your outgoing nature and the carefree way you show yourself, you have an active and passionate sex life. Your sexuality might be the question lots of people have in mind. Some would assume you can be quite dominant and aggressive in bed.

HONEY

• The assumptions about you would change a lot with time. Each period of your life will be accompanied by different assumptions from people. Could be that with each period, you are in a different environment with different types of people. So their values and beliefs would be different. Consequently, their assumptions about you and everything around them in general would be different. But the common point between these assumptions is that, they usually don't reflect your true self very well, people would likely be surprised when they get closer to you.

• At first glance, they assume that you're very passionate and full of ardour. You're optimistic and like to believe in a bright future, regardless of your current situation.

• People would think that you're a relationship person. Another group also has a passionate and confident air about them when it comes to love and romance, but yours is softer and feels more mature. People think you don't chase love, but by being so intensely you, you attract love wherever you go.

• They would assume that being love by you would be an unforgettable experience, the kind of love that is so pure and nurturing, where you can put your heart out into the open. Some people would fall for your perceived ability to love. Your potential of being a lover.

• Right now, you seem to focus more on securing material comfort and building a foundation for yourself rather than focusing on relationships. You can be perceived as a very hardworking person, to the point of being a workaholic. The people who want to approach you think you don't have time for them. You completely committed yourself to your work and study. Determined to be stable and thriving.

• Money and material possessions might be a source of comfort for you. They think you would try everything to achieve that, even using some tricks or personal talents to help you get ahead. Nothing too serious or negative though, they just feel that you have a knack for completing tasks faster, skillful and flexible.

• If someone knows more about your upbringing and the traditional values surrounding it, they would assume that the you right now is rebelling against those values. It's like you've reinvented yourself anew, away from the old values that no longer resonate with you. You could have been disillusioned by them, a naive believer. But now you stand on your own, find and build your own set of values. You could change your jobs, your studies, your living places because of that.

[euniexenoblade]

Anyways, baeddel is a slur against trans women.

Yes, there once was a weird group of girls who ressurected this long dead word for representing an ideology (I'm not getting into it but it did suck, just not cuz they "hated" men). This group self destructed before ever getting that many people. It was small. A tiny group. Their ideology wasn't popular either.

But, truscum, anti-sjws (conservatives by another name) and hate sites like kf would start to use the term to refer to any trans woman that they decided wasn't "trans enough" or "woman enough" or more importantly, was "too political" (ie talks about transmisogyny, talks about feminism, talks about leftism, etc.). Baeddel became a stand in for "tranny" "faggot," it's the trans woman stand in for the "nasty man hating dyke" sentiment.

Now, a small niche group of trans mascs on Tumblr dot com have created this concept that the baeddels didn't self destruct, apparently they actually are this insanely popular group whose ideology has spread into modern LGBT politics and has "poisoned" everything. This is just a lie. The baeddels group never had enough members to spread that much, the group didn't last long enough, and it was almost entirely located on Tumblr. The people with "baeddel" in their url or bio or whatever these days have no connection to the political group of old, it's a reclaiming of a word used against them, as explained in the third paragraph.

If someone is calling trans women "baeddels" or talking about baeddels in their posts or whatever, they're just calling trans women faggots. It's "gay agenda," but for the transmisogynists. This is a small bit of why I can't take the "transandrophobia is real" crowd seriously. I knew actual baeddels, the ideological ones, they are not the women they're referring to. They are using a slur to refer to trans women they don't like and are trying to hide it behind some dead ideology that most of them don't even know.

Baeddel is meant to be a scary word, it's meant to silence women. Just like, 5 or 6 years ago, claiming a trans woman was a baeddel was enough to effectively get her "canceled," no matter what she said. But, that doesn't work as easily now. And now these trans masc people are getting information from terfs and lesbophobes and violent transmisogynists about how violent trans women are, about how privileged trans women are, about how transmisogyny is actually fake ("we all experience transmisogyny!") and they did this by lacing it with actual trans masc issues. They present an issue trans mascs do actually face, that could use discussion, and then in the very next post talk about the scary baeddels, the mean baeddels, trans women are so terrible. And these people assume this person can't have an ulterior motive, reblog it, file it away in their brain, so when trans women come in and are like "hey no that's bigotry" these trans mascs froth at the mouth to eviscerate her. It's the dreaded baeddel. Here to oppress me.

I'm going off topic but I digress, if you're calling trans women "baeddel," stop it. You don't know what that word means.

[alllgator-blood]

Disappeared for a bit but I'm still here, I just got overwhelmed and learned I should probably take this blog less seriously

I'm using the new year as an excuse to come back on here and try to not ditch my account for another 6 months-- I'm NOT good at posting stuff online to a crowd of more than like 5-20 followers, I originally wrote a huge long-winded draft describing all of my thoughts in great detail. It was too long. I guess all I want people to know is I'm somebody who's spent years making art that I knew nobody will ever see, so it's incredible and overwhelming to have thousands of eyes on my art all of a sudden? It's both the coolest thing and the scariest thing ever to me simultaneously, I'm by no means a Popular Artist but I went from virtually no interaction for years to suddenly tens of thousands of cumulative notes on my posts so it's huge for me. And I haven't adjusted super well to it, entirely due to my own shitty brain chemistry.

I don't want anyone to feel like I'm ignoring their messages or like I don't appreciate the fact they go out of their way to give me their thoughts/send me ideas, genuinely this is the most support I've *ever* had for my art and it's so so fucking cool. It's led me to create so much more than I thought possible! I used to run ask blogs for a couple very niche video game fandoms, and I prided myself on being able to draw full comics for EVERY ask I got, answer EVERY message and went into this blog assuming I could still do that. Um....safe to say I cannot....I have like 200+ asks and I think I drafted a dozen or more that I answered but felt my art was too low effort. I felt so bad I couldn't put maximum effort into everything, and I've been beating myself up over it to a point where *no* asks are getting answered, and this blog went from a really fun thing I actually woke up early just to check on, to something I wanted to avoid like the plague for the past week out of guilt. DUE TO NOBODY'S FAULT BUT MY OWN, everyone has been so chill when I've had to take breaks so idk why I feel the need to hold myself hostage.

So I'm gonna try and take it easier, give myself a break when my personal life goes horribly, close my ask box periodically if I feel overwhelmed, maybe hop on here like once or twice a day rather than compulsively refreshing every 5 minutes...I hope that makes things better. I realize I should probably just *do* that without announcing it, but I have no self discipline and unless I announce I'm gonna do something, it's not gonna fuckin happen lmao.

Anyway if you read this far, here's the first panel of a sequel comic I made to the christmas one I posted last time I was on here, this one is *very* representative of my mindset the last week and will hopefully not reflect how I feel now that I survived december. I know for a fact there's mentions I haven't gotten to check yet so I'm gonna do that after laying down for a bit, here's to a chill 2025 where my social anxiety doesn't eat me alive

[orfisheus]

The Problem With the Eddsworld Fandom's Depictions of Red Leader/Future Tord, A Disabled Perspective

Disability is a contentious concept for most of society, with most either treating us with disgust, confusion, refusing to treat us as human, or to see our struggles as what they are. Ableism affects all people in many different ways, but as someone who focuses a lot of my energy in fandom spaces, the pervasiveness of ableism with how media and their fans interpet and react to disabled characters is a very personal situation for me. While many may argue that an ignorance to these topics in fiction has little bearing on real life, the prevalance of these tropes have echoed and led to feelings of othering for many disabled people, and oftentimes support the same notions that lead to the day-to-day ableism in our own personal lives.

In recent years, I have experienced this most often with the prevalance of negative disability tropes perpetrated by fanfiction surrounding the character of Tord, also known under the alias of Red Leader in some fanworks. It is a problem not just common in the Eddsworld fandom. A more recent, and much larger fandom in Mouthwashing also shares a common trend of repeated ableism in fan depictions and interpretarions of disabled characters. Most fan creators are unaware of these tropes and the harm that they cause, but as a disabled person, I am unable to ignore it.

For context on myself, you can call me Fish. Get it? Or"fish"eus? I like to think I'm funny. I am a mentally ill, disabled, and neurodivergent creative who has niche interests in representation in media and the intersection of intersectionality and fandom spaces. I experience chronic pain due to a multitude of conditions, all of which are invisible disabilities. I am NOT an amputee or have a facial difference, like the character I am analyzing. I can only speak based on my own research in my attempts to portray him positively, but I want to mainly focus on the ableist tropes I see and the real life effects they have. That is something I CAN focus on, because I've been dealing with it for years from conditions that came onset later in my life. I will be speaking from that perspective, but will be doing my best to try to educate on what I do know from my research to help authors, artists, and creatives create a better portrayal of him in fanworks.

The most common tropes I see with him are what I will call "The Disabled Villain", "The Innacurate Disability", and "The Ignored Disability". There are a few tropes in each, but for ease of organization (and the sake of your (and my) time), I will be talking about them together in these sections. There are also overlaps in many, but I will define the main issues with them.

The Disabled Villain

James Bond, Wonder Woman, The Witches. You name it. You have most likely seen this trope at work in cinema. A malicious evil-doer is revealed to have a "horrid" face symbolic of the true evil within their soul, while the beautiful, able-bodied hero is meant to stop them. It's a trope as old as time, one that goes back to even Plato. Tropes are tropes, people subvert them, so a few cases down the line may be excusable. But that has not been the case For many years, the most prevalent form of representation for disabled people was in these villains. Imagine if the only representation you had for yourself was narratives surrounding how the way you look or what your disability is and have it only be equated to evil people. It leads to a villainization of disabled people. People react to facial differences with disgust, because they are "shown" that it is "evil", or "ugly", or equal to being a horrible person. As stated by The Nora Project, "According to the book Disabilities: Insights from Across Fields and Around the World, disabled students are two to three times more likely to be bullied in comparison to their nondisabled classmates. The disabled villain trope contributes to this phenomenon in overt and subtle ways. For example, the trope implicitly encourages fear of disability and difference, while validating, and even elevating, those who fight against the evil, Disabled Villain. Bullying based on fear and disdain is almost a natural consequence of the trope when viewed in this light". Another big issue is that disabled characters have not been given space to exist outside of villainy. There are not many complex narratives surrounding them. This leads to our disabilities being downplayed, us being dehumanised, and we are seen more like props in real life, or simply tools to achieve a message in a narrative.

Tord's disability is never explicitly shown in the show. It is something more prevalent in Fanon, specifically in fanworks that focus on the "Future" era of the show's timeline, where the narrative and outside discussions on the show implies a high tech society, potentially dystopian, potentially a consequence of his actions. These ideas have taken a life of their own in the fandom, with many creators fully expressing these ideas. The problem arises when Red Leader falls in line with this trope. In many works, he is the sole disabled character, a figure of pure evil, or given little nuance in the narrative. Artists illustrate his scars as bright red, crimson, or, in TBATF, green. For some reason. In this way, they attempt to highlight the villainy by equating him with common symbols of evil: facial differences and disabilities. Unfortunately, these are not just symbols. These are conditions and scars that real people have, which the fandom tends to ignore in favor of dramatization.

This was a trope I most commonly saw explored in fanfiction when I first joined in 2016/17. The show, unfortunately, subtly and accidentally perpetrated it by having the only character visibly and irreparably "damaged" by the giant robot fight be Tord, despite the fact that Tom, who had a whole missile directed at him and got buried under a house, was fine with at most a leg injury and a cut on his arm. Luckily, we have grown past the need for ableist tropes, and the faults of the show can be left in the past!

... Not.

Disability tropes have simply evolved in how the fandom treats Tord. Even if it is now done with more consciousness and sympathy towards his character, ignorance still prevails. Let's talk about common pitfalls people fall into when writing him.

The Inaccurate Disability

In fanon perception, Red Leader is an amputee with a high tech prosthesis and a facial difference resulting from burn scars. Like many disabled characters, he suffers from a collective fandom lack of research. But never fret! That is what I have subjected myself to for the past four years, so your friendly neighborhood disabled Fish can tell you how to right your fandom wrongs! Just kidding! Take this as a pointer, and do your own research.

As is common with fictional prosthetics, his arm prosthetic is treated as a perfect fix for his amputation. It acts just like, if not better than an actual arm. The issue with this is that is isn't realistic. Yes, I know, I'm criticising Eddsworld fanfiction for not being realistic. STAY WITH ME HERE. Once again, if it was one instance, or a few, that explored prosthetics being incredibly functional in science-fiction, then it could be a cool concept. But when every sci-fi work has it, then that is no longer a concept. That is a misconception. And I have interacted with people who believed that prosthetics were 100% functional! The thing is, like all disability aids, it does not suddenly make us able-bodied. For example, I have ear defenders that I wear when I experience pain within my ears. But that does not mean my hearing will now become normal, and I will no longer experience pain from the sound I'm hearing. What WILL happen is that I will straight up not hear you. Like, literally. Can you repeat that? I had my ear defenders on. Oh, you're saying that my ear defenders aren't prosthetics and are not a fair comparison? Well, that's fair, but take this as an illustration of a disability aid and how they differ from able-bodied experiences. Also, many prosthetic users do many things without their prostheses, and some even prefer NOT to wear them. Blogs that explicitly cover disabled representation, such as @/cripplecharacters, have posts that cover WHY many amputees are not fans of this trope. The problem comes with that it erases disability, and yet also treats us like we are given a space at the table of representation. It's just another way that authors avoid actually doing research.

Other things that people tend to ignore are how burn scars, or any scars, would not only appear on a character, but also affect them. I have seen, aside from skin tones that looked like they were picked out of a crayon box instead of what would appear on a person, teeth exposed, wounds that look as if they are fresh from the explosion YEARS after they occurred, and what I like to call "paper shredder" scars. Because instead of them looking like burn or shrapnel scars, it appears as if his skin was put through a shredder. Once again, another consequence of the show's at most-30 second scene with questionable decisions that made massive ripples in the fandom. With the injuries Tord received, it is most likely that he would have two kinds of injuries: a burn on 18% of his body (minimum, based on rule of 9s), and/or shrapnel scars from debris. While shrapnel scars would manifest as darker scars, the burn scar would likely be a hypertrophic scar, as "70% of patients develop hypertrophic scars following burns" (Finnerty et. al). The scars, when healed, are warm toned on the boundaries of their areas and cool in between. When on a pale skintone, they are not too dissimilar, and would therefore not have such a drastic color difference as seen on skin. They would also not go down to the bone or skin, as that would be a completely different kind of injury, and are also commonly done to make him look "scarier", which then aids the Disabled Villain trope. It also treats these scars and injuries more like a work of fiction, rather than something that many real people have experienced, adding to continuous misinterpretations of real life disabilities and facial differences.

For writers wanting to include consequences of burns, what would be more likely to be affected are his hearing, vision, and nerves on the right side of his face, as burn scars can go as deep as nerve endings. Also, burn scars, especially third degree burns, require treatments, such as burn-specific skincare. Scars, especially burn scars, can affect you and become disabling. For artists, the main thing I don't see artists do is draw him with damaged hair follicles. Burn scars damage the scalp and eyebrows, preventing hair growth. I am sorry, but he would not still have fluffy, luscious hair. Do not kill me. He just wouldn't. And if you are saying that he had it in the show, I can't hear you because my ear defenders are on, but I hope you heard me, as we've gone over that the show is inaccurate and we should do our own research.

Even well intentioned authors and artists ignore many aspects of the disabilities he would likely have!

Which brings us to the last trope...

The Ignored Disability

Many well meaning people intend to give him nuance by trying to avoid the Disabled Villain trope. Accidentally, however, they end up completely ignoring his disabilities instead.

Just like the high-tech prosthetic, the real disabling aspects of having a disability are at best rarely mentioned. I have seen, in some fanworks, that he goes straight from amputation to having a prosthetic. And that is where his disability ends. Because the prosthetic ends up being a fix-all situation. Authors refuse, or forget, to include aspects of amputation, such as the healing process, stump or phantom pain. Artists will cover up his scars with a helmet or a mask, another trope that undermines his disabilities and attempts to brush it under the rug. I understand that there is a discomfort for able-bodied authors in thoroughly exploring how a character feels about their disability. That is something I think we should. Avoid. If you're not familiar with the experience of being that minority, you do not need to add commentary on it. And if you do, and it just falls into more negative tropes, I will send a salmon cannon at you (/j). However, I do not agree with brushing every disabling aspect of his life under the rug.

People can assume it's not a problem, like it isn't something blatantly apparent. But, if you assume that disability and being disabled is not a "big thing", you end up where your medication is denied because your insurance refuses to see your common procedure as not a necessary medical intervention because you're "too young". And that is not fiction. That is what inspired me to write this essay, because the day that I got that news was the same day I sat down and told myself that I needed to share my perspective on the perception of disabled characters by honing in on one of my favorite characters and how the fandom treated him.

Disabled characters deserve to be included in media, disability and all, with care given to how their life would operate as a result and what they would experience with their specific disability. That's why many people recommend sensitivity readers who can give proper insight upon that disability and can advise people to properly portray it.

But if you cannot afford or access that resource, what can you do?

Fish's Non-Cohesive List of Ways I Tried to Write Tord as a Non-Amputee Without a Facial Difference

Do research!! The more you are to try to understand what you are writing about, the less you are to misinterpret or misrepresent it.

Look into resources that focus on portraying disabled characters, especially with those you wish to write about. Read blogs, research tropes that are common in disabled characters, and hell, read medical journals. They can provide great insight (<< nerd who likes reading medical journals)

Include more disabled characters. Make the other boys be disabled! Want to be canon compliant? Create OCs who have disabilities! I have a bunch! It's 2024! Be cringe and be free! The character's disability would go against the traditional narrative form of "usefulness"? I'm an animator who can't wear headphones and a theatre performer who can't physically handle the volume of a band. And yet, we find ways to persist, to exist. We will always find our way to live in the way we want to, in whatever way we can.

Look into disability activism. Learn the difference between the Medical Model and Social Model of disability. Know what an invisible disability is. Listen to us when we say that we don't want to be treated as special or an inspiration for simply living (inspiration porn). The more you are aware of what we struggle in real life, the more aware you will be to not repeat those mistakes in your fiction.

Write what you can. Highlight little talked about aspects of having a burn scar or being an amputee, such as the recovery, or treatment for the chronic pain, or how different he would be in battle due to decreased depth perception. As a disabled author, I have personally touched on the experience of gaining a disability later in life, and how he copes with it. Now, not all of y'all can do that. But that is a personal experience I do have, and it is something I have highlighted in my own work. So, while I couldn't tell you the ins and outs of having a burn scar or a prosthetic arm, I could describe the shock and frustration that comes with suddenly experiencing difficulties, or even being unable to do what you had done before.

I ask that, if you are willing to do better, or to start on the right foot, you take what I have written, reflect on it, and treat disabled characters, and in turn, disabled people, better from here on out.

Fiction is not reality, but the way we deal with it is reflective of who we are and what we believe. The boundary for our own personal being does not suddenly stop within fiction. When we interact and interpret it and create for it, it is integral that we remain conscious that bigotry runs rampant, albeit often as an unseen force, within fandom spaces, and do our best to counteract that.

I have doubts that the new eddisode will treat this topic with the same respect. I hope you can all go forward with what you have read in this WAY LONGER than I expected essay, and do what those grown British men cannot. Even if they erase it, retconn it, or do not treat it with respect, let's all go forward and do better!

As for always, you can discuss more in the tags or my inbox!

I hope you have a wonderful life,

Fish

[tokutaiseichan]

List of Tokyo Debunker Fandom Tags & Yume/MC Ships Guides to Help You Navigate Twitter

Since the fandom is growing, I feel like it'd be handy to have a list like this. Please note that some of the tags below don't actually exist yet! I just compiled it using my knowledge from previous fandoms.

#東ディバ絵札 (toudiba efuda) - General fanart tag. It's usually frowned upon to upload shippy art on the main tag (no matter what kind. Yes, yume included) so please be careful!

#tkdb夢 (tkdb yume) / #東ディバ夢 (toudiba yume) - General yume tag. Scopes including both Character x default MC and OC x Canon.

#tkdbプラス (tkdb plus) - Often used interchangeably with #tkdb夢. Yume works posted with this tag have the general "sweet romance" feel.

#病みのtkdbプラス (yami no tkdb plus) - For yume works where the canon character is depicted as a yandere / harboring some kind of twisted love for the yume MC. Sometimes used together with #tkdbマイナス tag if the scenario fits.

#tkdbマイナス (tkdb minus) - For yume works that deal with more niche, darker themes generally unsuitable with the positive vibes of plus yume works. Themes vary including but not limited to: forever one-sided feelings, angst, character death, break up, domestic violence, cheating, bad / merry bad endings, gore, etc. Basically if you see works tagged as this, that'd be your Dead Dove: Do Not Eat warning.

#夜のtkdbプラス (yoru no tkdb plus) - General R-18 yume works.

特待生ちゃん (tokutaisei-chan) - Honor Student / The MC. Since Tokyo Debunker MC doesn't have a default name, this is usually how the fans refer to her when talking about her. The canon MC, if you will.

創作特待生 (sousaku tokutaisei) - Original rendition of the Honor Student. Visual design, personality, gender, and backstory may be different to the canon MC.

創作寮生 (sousaku ryousei) - Original (Darkwick) Student that's completely separate from the Honor Student. This term isn't exclusive to Tokyo Debunker so if you only put "創作寮生" on the search bar you'll get OCs from other franchises too (Twisted Wonderland & Harry Potter, to name a few).

Some character x canon MC ship names

冠特 (kamutoku) - Jin x Honor Student

伯特 (hatoku / hakutoku) - Haku x Honor Student

翔特 (shoutoku) - Sho x Honor Student

Those three are currently the only ones popular enough to have people using a dedicated ship names when making works about them. If you want to see the other characters x canon MC ship works, you'll have better luck searching "#tkdb夢 / #tkdbプラス + (character's name)" instead.

As for canon x canon character ships, usually a fandom would create specific ��� tag for it (like #ツイ腐テ for twst) but since the fandom is still pretty small, I don't think anyone has came up with a proper 腐 tag for Tokyo Debunker. I could've just missed it tho, since I only follow people who post yume and general non-shippy works so feel free to let me know!

For now, you can try your luck by combining the first kanji of two characters' given name. Keep in mind that Japanese fandom is usually much more strict about ship naming tho. AB ≠ BA!

I think that's all of it for now. Thank you for reading! I'll leave a kitty Rui here so you can stare at how cute he is~ ;3c

[queeraang]

sometimes, you dislike a piece of media that is very popular and objectively well made. the popularity of it will only make it more annoying to you. now, the solution is not to then comb through a thing you don’t like to see if you can find something problematic to harp on to prove it's actually bad (you will find it, no human being has ever created perfectly inclusive perfectly inoffensive art) that just tanks the vibe and discourages new art because what's the point if it can never be perfect, also sometimes you spin out of control and start accusing people of real life crimes over like... a niche webseries

as someone with over three decades of 'bad taste' under their belt, allow me to guide you on best responses using a real life example of a popular film series, i couldn't give less of a fuck about. the nolan batman trilogy

block, mute, blacklist, whatever you have to do to avoid seeing this thing on your preferred webbed sites

allow yourself a quiet “ugh this shit” when things slip through the cracks

pick a neutral element of the thing to dislike when people ask “i’m not really a batman fan" "i like more lighthearted superhero movies"

when inevitably someone can't BELIEVE you don't LOVE the best thing EVER MADE, you make it boring to talk about "yeah couldn't get into it" "it's just not my thing"

it also helps if you admit that it is good (i'm so sorry) just not good to you. the metaphor i use is gordon ramsey could make the most immaculate mushroom risotto ever made, but it's still not going to taste good if you don't like mushrooms

change the subject/leave the convo. i don't sit around listening to ppl talk about the dark knight, i ignore the gc for a few minutes, i go get a drink irl, if it's one on one i go "no, but you know i did like birds of prey, have you seen that?"

if someone really won't let up, stop talking to them! a guy who always wants to talk about how i should watch batman is a fucking weird guy to know

vent about this with like minded people SPARINGLY, too much and you'll fall down the "and everyone who does like it is morally bankrupt" hole

crucially, don't do this to other people for stuff you like. you're not the arbiter of taste, your "best movie ever" could be someone else's "if i have to hear about that shit again i'll scream"

like i'm sure i could figure out ways the dark knight trilogy is racist/ableist/etc if i really examined it, but like... i would so much rather just NOT WATCH THREE MOVIES I DON'T FUCKING LIKE

[lets-try-some-writing]

I have observed several types of fic writers, and so for kicks and giggles, here they all are. Each of them scares me for different reasons.

The Prepared And Ready To Publish™:

Several documents dedicated to worldbuilding, planning, cross referencing, character lists & traits, plot twists, and then the actual fic document.

Dedicated to the max to creating a rich world. Probably knows more about the niche thing than you ever will. 100% could have written a thesis and chose to do fic instead (or did both at the same time).

Created a masterpiece and promptly vanished off the face of creation before coming back in with another banger to crush souls and save fandoms.

Their arrival is akin to the birth of a new era because they never fail to somehow make a niche ship popular, make a headcanon fanon, or otherwise give so much depth and interest to a character or setting that whatever they have devised is largely accepted as gospel by their readers.

They either use a high end writing program or wordpad. There is no in-between.

Mysterious. Very mysterious. Reasons for this mysteriousness vary between fics and authors.

100000/10 would be friends with them if I could. Legendary writers. But also they scare me because ??? What void offered you such power ?????

The Baby Writer:

All vibes and loosely strung plots.

It may not make the most sense, but good gracious the dedication is there.

Notable lack of comprehension when it comes to characters and places, but it's bad form to not leave a kudo because it takes guts to post anything in fandom.

They are still figuring things out and their grammar or formatting (possibly both) is probably a mess, but they've put heart into their work.

Sweetest rays of sunshine who want to be involved and are eager to learn the ropes.

The fandom's young ward or despised new arrival (depends entirely on fandom popularity and age).

8/10 would happily offer advice to them. Just can't read their work for too long without wanting to throw it into grammarly. The fear factor comes in the form of the miraculous misuse of fandom terminology. (Yeah it's tough bud, the fanon is wild. But goodness that term/canon word does NOT mean what you think it does.)

The Smut For Your Soul:

Meticulously plans the smut with all the loving care of a sculptor.

Somehow plot got involved.

Miraculously, they managed to not include an iota of plot and it has somehow managed to work.

Headcanons abound and cuteness and or angst lurks merrily behind every corner.

The tags mean everything and nothing at the same time. They are but faint guides to the fae wilds ahead. Tread lightly.

Has a mountain of unfinished WIPs that will follow them to the grave or emerge ten years after conception to grace whatever fandom spawned the idea.

The fandom thanks them for their service, although often that praise is late or hits like a freight train.

???/10 I personally avoid smut but I have friends who write it so it really depends. Terrifying because you never know who falls into this role of writer. It could be anyone. Normalcy is a mask poorly adorned for the sake of conforming to The Great Machine.

The Angst Lord:

Has a million slightly different ways to hurt their blorbo. Each are somehow more horrifying than the next.

The embodiment of the iceburg videos seen all over the net. Ask one question and you shall unravel and scheme of torment so great you shall regret having dared to speak up.

Has dozens of WIPs or unwritten ideas that they claim they will return to.

They are controlled by passion and emotion and can and will insert their own complicated situation into a fic.

Almost nothing is off limits.

Arrives to the fandom ready to brawl and somehow ends up respected or feared. They often stare in bafflement as they end up unscathed and watch angry comments fly toward the arguably innocent shippers.

Generally some of the nicest people who happen to enjoy inflicting The Horrors upon someone fictional.

'10/10 would befriend and promptly regard like a wild racoon. Offerings of angsty ideas yield delightful commentary. But also I need to prepare myself for anything they say because O U C H my SOUL.

The General Writer:

Fluff, cuteness, possibly a delightful touch of angst and pure unbridled creative simplicity.

They may not have the most brutal or soul wrenching tale, but they always manage to write something that someone, somewhere, desperately needs.

Devastatingly underrated and deserves far more praise for their contributions to the fandom.

Produces some of the softest of scenes and the most touching of interactions between characters in a contained, careful crafted, tale.

Introducing new ships or family dynamics in such a tasteful manner that brain chemistry can easily be altered.

Arrives to the fandom as a lurker and shows their appreciation through their work. Oftentimes, they are very quiet and go unnoticed.

INFINITE/10 Love these writers, honestly a gift to fandom. The sheer level of dedication to producing fluff is astounding and scary all at once.

The OC X Canon:

Has so many ships and headcanons that it's astounding.

The lore development rivals IDW and Lost Light combined. All the kudos to them for putting their souls into their characters.

The dedication is mind boggling.

They put up with so much crap they could be in MMA Wrestling if the verbal assaults translated into physical strength.

Has so many adjustments to lore and whole AUs devoted specifically to creating a perfect world.

Skilled in the extreme (or not) at integrating their ocs into canon.

Arrives to the fandom not intending to make ocs. Leaves with seventeen leashes for their new abominable creations. Is loved or hated by literally everyone, sometimes for no reason.

6/10 perfectly lovely people but very niche in their interest and thus not everyone's cup of tea. Scary because that level of sheer willpower is meant for demi-gods.

There are more types of writers, but these feel like the big overarching ones. Which kind of writer are you? :D

[withleeknow]

cats and soup.

note: i have a newfound obsession and it's cats and soup so this might be a little niche but it's meant for me and i just wanted to word vomit lmfao

cats and soup, that's your latest obsession. all it took was five minutes of your friend introducing you to the game before you were completely captivated by the world of cute little animated cats making soup on your phone.

so much so that you had to show your boyfriend.

obviously. it's a game about cats. who else would you rather squeal about it with?

though, much to your disappointment, minho doesn't seem very impressed as you try to get him to look at your phone screen for more than ten seconds.

okay. little meanie.

"why would you need to play a game like this when you have our actual babies right over there?"

"i have them in here too!" you'd argue. "look! i named them soonie, doongie and dori. aren't they so cute? soonie is on soup duty, doongie is chopping carrots, and dori is grating cabbages. i even got them cute little hats!"

the mention of his cats featured in the game gets minho to spare you a glance, intrigued for a fleeting moment before he's turning away again.

you'd scowl at his refusal to entertain you but then you'd admit defeat pretty quickly in favor of immersing in your phone once more. it's cats !! making soups !!

it's not unusual for you two to be in separate bubbles while sitting side by side. you're not one of those couples who has to do everything with each other, but you did kinda hope that this would be something for you to have fun with together.

but oh well, if minho isn't interested, then you can't force him. the game is still fun though. even though you go to bed that night a little bummed out, you still fall asleep thinking about getting a black kitten and naming it mimo. it'd be cute, maybe you'd even put him on lemon squeezing duty.

fast forward to the next morning, when he literally shakes you awake at the ass crack of dawn, calling your name frantically.

your first thought is the house must be burning down, because lee minho never acts like this.

"i finally got you!"

"you got me what?"

"i got your cat!"

"what?"

actually, on second thought, the only time that you've seen him this hyped up was when you'd gotten you two matching pjs with soonie, doongie and dori printed on them.

"see?!" then the guy is full on shoving his phone in your face, the sudden brightness of his screen almost taking your eyes out that you have to push his hand away.

"min!"

"sorry. here."

he'd lower the brightness and hold the device a safe distance from your face, impatiently waiting for your eyes to adjust to whatever it is that he's trying to show you.

it's a cat.

an animated cat.

specifically, a cats and soup animated cat, named after you.

"you named a cat after me?"

"yeah i was waiting for ages to get another black cat. i got one first and named it after me. now we can be a black cat couple. look at the cat tower i got us-"

"minho, what the fuck? when did you even start playing?"

"i downloaded it after you fell asleep."

"have you been playing all night? did you even sleep?"

"no, but that's beside the point. look, i'm trying to show you!"

you love him, you do. truly. completely. most ardently. you recognize that this is one of the cutest things that he's done. but jesus christ...

"it's sunday. it's 6 in the morning."

"yeah i know, but-"

"i'll look at it later."

"you're up, you can look now. i got you a potted plant that grows from your head and-"

"lee minho, let me fucking go back to sleep!"

you may have unintentionally created a monster.

permanent taglist: @onlyycb97wife @starsandrqindrops @borahae-reads @abbiestearsricochet @cutiespaghetti @anthropologykpopmultistan @moonlinos @mjnhoz @caitlyn98s @piercidh34rts  @stayceebs97 @linocz @yaorzu-blog @biribarabiribbaem @kayleefriedchicken @extrhotjne

[feverdreamjohnny]

The Epitaph of Anything Goes

I decided that this morning I would talk about The Museum of Anything Goes and the subject of lost media.

For the uninitiated, The Museum of Anything Goes is an obscure "game" released in 1995 by Wayzata Technologies, a company that is so far under the radar that I was unable to find any useful information about it outside of TMoAG.

All I could uncover is that they published a few multimedia projects (which are essentially lost now) alongside some asset discs (clipart, SFX, etc.). That's it.

The brains behind Wayzata are even more difficult to locate these days: there are only two main names credited inside of TMoAG - Michael Markowski and Maxwell S. Robertson.

The game alleges that Michael and Maxwell are well known in the art world, but any additional information about the duo is scarce beyond the confines of the museum. Attempting to search for either name online turns up plenty of rabbit holes - but none of them have anything to do with the Michael and Maxwell responsible for TMoAG.

This is particularly fascinating because it essentially means that TMoAG is the only accessible record of their lives. Before we dig any deeper into that statement, let me step back and actually address what this game is.

The Museum of Anything Goes is, by definition, a virtual art museum. Functionally it's a prerendered point-and-click adventure game where you can explore a bunch of multimedia exhibits that give the surface-level impression of a children's edutainment game, but once you start exploring further it reveals a side that firmly plants the game's feet into a haze of substance abuse and surreal humor.

Many exhibits are essentially just toying around with the astonishing new powers of CD-ROM. Everything has to make noise. Everything has to spin and flitter around. There's an air of genuine excitement for the medium, and I can't help but find it extremely charming.

The game also functions as a scrapbook, filled to the brim with photos of random trips to the zoo and snow-mobile rides with friends. At one point we even get insight into something as specific as Michael's one-year job as a tutor at a Chicago middle school, where he talks about how it opened his eyes to how poorly funded and mismanaged the school system is.

It's simultaneously quaint and chilling to see so much personal history packed into a world doomed to obscurity. As I explore the deeper parts of the museum, I contemplate if the creators are still alive today. It's a bit morbid, but imagine that - you create a single obscure game with your friend and it's all the world can see. TMoAG is currently the only surviving piece that gives any insight into who these two men were.

While many exhibits are lighthearted or nonsensical, there are occasional moments where the game dips into the eerie.

One exhibit has the player kill a man by dropping him from the sky, and after burying him you open the coffin to a video of a rotting pig carcass being put into an incinerator.

Other exhibits just feature simple 3D renders shifting around a dark screen while haunting groans play in the background.

While I would never refer to the game as "scary," its darker moments combined with the occasional mature subject matter definitely begs the question: Who is this game for?

You have to remember that this game came out long before the concept of "alt-games" had become codified in the digital space. Sure, unconventional digital art had been around before the advent of 256 colors, but TMoAG was being sold on disk as a game! It came out 2 years after DOOM hit shelves!

The trend of using the PC for entertainment was certainly on the upswing around that time, but It's not like TMoAG had a massive audience to find a niche in. With its mature themes it certainly wasn't suited for the kids market either, so who was it for?

At the end of the day, it's a moot question. We already know the target audience for The Museum of Anything Goes: Nobody. It doesn't have an audience because by its nature, TMoAG wasn't being made FOR someone, it was being made BY someone. It's a raw, unfiltered form of personal expression.

I think games like these are pivotal, because they question why people assume a game has to exist for the sake of being a consumable product. TMoAG certainly has the shape of a product: it features an intro cutscene, it has a tutorial, it features intuitive UX, it even has a map! These are all features that are solely integrated to provide comfort to an end-user. But once you actually wander around the museum for a bit, you realize how bizarrely its packaging fits its contents.

I think TMoAG is criminally underrated. It's not because its core content contains some earth-shaking truth, it's because the game defied all odds and cheated death.

How many thousands of other personal projects were deemed a little "too exotic" to be archived? How much history was lost these past 40 years as the digital space evolved and ate its old skin?

God knows how many other TMoAGs we'll never learn about because they weren't lucky enough to be preserved.

The Museum of Anything Goes isn't just some nonsensical art piece, it's a grave marker for so much lost media. Its existence is a reminder that some people's lives were fossilized, then macerated into nothing because a construction company built a skyscraper over them. The only evidence we have of those other games existing is this little fossil that somehow slipped out from under the skyscraper unscathed.

Even though so much has been lost, TMoAG survives as an epitaph.

[frudoo]

If we get Bo hcs, can we also get Vincent hcs👀

YES!!! YOU CAN!! God these men make me not hate my home state so much (Louisiana babeyy)

Warnings: Vinnie uses ASL of course! NSFW below the cut. GN reader!

• Vincent is super touchy, but not really in a possessive way, more like a ‘making sure you really exist’ kind of way. Sweet boy finds it hard to believe that someone like you can really love him.

• He rarely wears his mask around you anymore, if he can help it. He hadn’t realized how miserable it was to constantly cover his face until you tried it on, and suddenly it seemed more like a burden than a tool.

• If you thought this man did a ton of art before, you wouldn’t believe the amount he does now that the two of you are in a relationship. He’s constantly working on something—whether it’s something modeled off of you that he displays in the museum, or a little figurine of your favorite animal he gifts to you, he’s always keeping busy, and he makes sure you’re by his side for most of it.

• Vincent is a music lover through and through. Classic rock, opera, orchestral, nu-metal, grunge, he adores it all. He taught himself how to play viola and even composes pieces when he’s not focusing on his art.

• He LOVES Halloween. He makes his own costumes (and yours, if you let him) and decorates the entire house + museum with orange, green, black and purple items, whether he creates them or steals niche things from his victims. Also the #1 Best Pumpkin Carver on the planet.

• Vincent is a super fast talker—or, signer, if you will. Sometimes you have to grab his wrists to get him to slow down in order for you to understand what he’s trying to say, otherwise all you see is a flurry of hands. He’s just such a passionate, expressive person, and when he can’t show it on his face, he explains with his words.

• I can see Vincent as a switch, really. Typically, he loves when you’re in control, but sometimes he likes to be the one taking charge, maybe after a particularly difficult victim pisses him off and he needs to let off some steam.

• 100%, most definitely, absolutely has a praise kink. He loves to be told that he’s doing something right, adores when you call him your good boy, damn near cums in his pants when you cup his face in your hands and tell him what a good job he did.

• This is probably a given, but wax play—giving or receiving. He’ll specifically ask you to drip the hot wax over his sensitive nipples or around his navel, down to his v-line but never quite reaching his cock. On you, he prefers to pour it onto your lower back and watch it drip down the curve of your spine as you arch, or he’ll pour some onto your neck to let it dribble down your chest and onto your own nipples.

• Vincent is a lot more vocal in bed than in everyday life. He constantly whimpers when you’re on top, gentle rasps of please or more escaping from his raw throat. He’s more of a grunter when he’s the one in control, but in either scenario, he always cums with a croak of your name followed by a prolonged whine.

• He loves to be cared for after sex. He’ll rest his head on your cushy chest while you run your fingers through his hair, talking to him about random things or telling him how amazing he was for you. He just finds your voice so soothing.

• Usually a second or third round commences if he’s up to it! He’ll more than likely make you do all the work, though.

[patricia-taxxon]

I want to address what’s being said about me regarding my behavior as a teenager, because some of it is true. However, more of it is greatly distorted, and some of it is false. I won’t be reproducing the video that was made about me, the creator has acknowledged the misinformation present in it & has unlisted it, willingly ceding ground for me to give my own testimony. Some of it will require me to admit to things I am still ashamed of, some of it will require me to revisit a traumatic time in my life that I have mostly blocked out. The short version is that I believe I was being groomed at the same time and in the same place as many of the people who came out against me, and my ultimate goal is to find solidarity with those people and begin the healing process. 

When I was 18, and just beginning to accrue an audience, I created a discord server. For a lot of external reasons, mainly spending my entire life up until this point being shuttled around different special ed schools, this ended up being the first real social circle I ever had. It represented the first positive attention I ever received from strangers. It’s a time where I made a lot of mistakes, it’s a time where I was gravely vulnerable. In all honesty, I was too young to manage a community of any kind, I was hot off the back of being desensitized in my adolescence by unrestricted access to early 2010s internet. I knew well enough to create special NSFW rooms, and was advised later to create further division by requiring users to self-apply for a special NSFW role to access those rooms This extra layer meant that the rooms wouldn’t even show up for people who didn’t have the role, which led to some believing they didn’t exist. 

However, I did not intuitively understand the “meaning” of sexual content, I didn’t understand the baggage that came with it. I used cropped fetish porn as emotes and indiscriminately showed the source to anyone who asked, sometimes outside of the NSFW rooms, because I found niche fetishes to be amusing, and since it was “funny” and not “sexy” it didn’t have to mean anything. The worst consequence of this happened when I was first formulating the ideas for my video about youtuber Rags, and I discovered that his youtube avatar was cropped from a NSFW image he had commissioned of his feral dog fursona. I sent this image to just about anyone who seemed interested, and this included a then 13 year old. I’m going to apologize just like I did when this first came out, but I will not be pressured as I was then into assuming predatory intent in myself. I’m not making excuses when I say that I had been a legal adult for under a year and thought of it as just an interaction between two teenagers, a kind of interaction I had with many of my friends (and some adults) before I turned 18. It was a misunderstanding, *and* I hurt you, and I’m deeply deeply sorry. 

There were some moderators besides myself, two were teenagers around my age, early adopters of the server who I felt I’d become friends with. One was a woman in her late twenties, who I won’t name simply because I’m not in the business of offloading my misery onto other people, but she knows who she is. She contacted me with a shower of attention & adoration, she left positive reviews for my albums when she noticed I was upset at their critical reception, she oversaw me as I posted my nudes in that server and later on my main twitter account. She encouraged this behavior in myself and others and participated in it too.

I want to make this clear, the bulk of the allegations against me boil down to punishing me for failing to surmise I was being exploited by the first social group I ever had. I jerked off in voice chats. I remember the day I started, I was surrounded by people older than me who were encouraging me to post my first nude pic in the self-nsfw channel, and I had to get hard for them first. I then considered this normal and did it often. At one point a 15 year old entered the room while I was doing it, and I went quiet until she left. I reconvened with this 15 year old recently, and she told me she only remembers being promptly told to leave. The claim that I “regularly jerked off in voice chat with minors” as if it were an orchestrated and habitual activity is an outright falsehood.  

I remember posting my nudes on twitter in a fevered haze of dissociation and dysphoria after being goaded by other users in my discord server. I remember doing it again and again, so that it could maybe eventually feel normal. I was 18, going on 19. I had twenty to thirty thousand subscribers, I was hot off the heels of being given 150 bucks for making thirty minutes of music for a much bigger youtuber. There are others who were in that server who were similarly exploited, and I am not here to contradict those testimonies, but I was uniquely denied the ability to understand what had happened to me as grooming, because I was technically of age and I had the very beginnings of a youtube audience. However, 20k subs didn’t give me more power than someone over ten years my senior. 

I was groomed, and just as I was beginning to understand what happened to me, the shame threatening to overtake me completely, I was slapped with the supposed news that I was the sole perpetrator of the entire situation that traumatized me so, that what I thought of as my first friend group all remembered me as a loathsome creep. The apology I wrote in abject panic was dissected and used as a cudgel against me in police-interrogation fashion, so I became afraid to say anything. A year and a half later, I made a post saying that I had been “groomed by a portion of my audience” and this immediately provoked a youtube video callout. I feel as if I have been beaten into silence and complicity, unable to form thoughts of my own regarding my experience. I am terrified, right now, writing this story that I firmly believe no one on earth will buy, because I have come to routinely doubt my own testimony.

Some accusations being made of me are so foreign that I have trouble piecing together what it could be referring to. I commissioned a NSFW size difference piece from dramamine, one where my lover is 11 feet tall, and I was pre transition at the time so I wanted a flat chest to help me feel feminine in my current body. It was wrongly tagged as “cub” (furry child porn) on E621, which I vocally protested at the time. This is the only thing I could point to as evidence for the claim that I commissioned cub porn of myself. I do not know how to convey the feeling of being flooded by accusations that require me to ponder what it could even be referring to, or to see my accuser insist that she’s receiving dozens of new horrible scoops on me without being able to see exactly what it is or what happened. I’m open to apologizing personally to anyone I ended up hurting in my adolescence who reaches out to me, I was a victim of grooming let off into a public space with a few thousand followers after all, but I’m not apologizing on behalf of people who might have heard something bad about me.

I am going to restate, my accuser has *of her own volition* unlisted the offending video & understands the misinformation she spread, there is nothing to gain from seeking her out and letting her know your opinion on the situation. I waited until this agreement was reached to make any statement at all for this exact reason. 

I am staying offline for about a day after posting this, I am under a lot of pressure, I am very tired.

[coochiequeens]

An update to an older story that’s goods news!

When Jenny Nguyen signed the lease to create her dream bar, she wasn’t sure it would stay open for more than a few months.

But earlier this month, 43-year-old Nguyen’s first-of-its-kind establishment in Portland, Oregon, celebrated its one-year anniversary. Aptly named The Sports Bra, it’s a sports bar where only women athletes appear on the TVs.

Business has been good, despite the niche business model and record inflation sending food and beverage prices soaring. The Sports Bra brought in $944,000 in revenue in the eight months it was open in 2022, according to documents reviewed by CNBC Make It.

It was profitable in that first year of business, Nguyen adds.

“It turns out, it’s pretty universal — that feeling of being a women’s sports fan and going into a public place, like a sports bar, and having a difficult time finding a place to show a [women’s] game, especially when there are other men’s sports playing,” Nguyen says.

Initially, she wasn’t sure the idea would work at all. The vast majority of money and attention historically goes to men’s sports only — a big reason why The Sports Bra was reportedly the country’s first bar to only play women’s sports on TV.

It’s also not the kind of thing Nguyen would ordinarily do: She describes herself as “very cautious, risk averse.” But her obsession with women’s sports and frustration with its lack of representation on television screens drove her to empty her life savings — about $27,000 — and give it a try.

“Me, personally, I thought the idea was brilliant and that [it was] what the world needs,” Nguyen says. “But I had no idea that the world would want it. I just wanted to give it a shot.”

How The Sports Bra went from running joke to reality

Nguyen is a lifelong basketball fan who played the sport at Clark College in Vancouver, Washington, before tearing her ACL. She’s also a longtime restaurant worker who spent three years as Reed College’s executive chef.

In 2018, Nguyen and a group of friends wanted to watch the NCAA women’s basketball championship game. They went to a mostly empty sports bar and still had to plead with a bartender to switch one of the smallest TVs — which played without sound — from a men’s sport to the women’s championship game, she recalls.

Together, they jumped up and down celebrating “one of the best games I’ve ever seen,” Nguyen says, as a buzzer-beating three-point shot sealed the championship title for Notre Dame. Afterward, she was struck by the normalcy of her situation.

″[We’d] gotten so used to watching a game like that in the way that we did,” she says, adding that they’d only find better viewing conditions “if we had our own place.”

Days later, she channeled her disappointment into a hypothetical: What would she name her bar? “The very first thing that came into my mind was The Sports Bra,” Nguyen says. “And once I thought it, I couldn’t un-think it, you know? It was catchy. I thought it was hilarious.”

For years, she joked about it. Then, the fallout from social justice movements like #MeToo and the country’s racial reckoning after George Floyd’s murder left her wanting to make a meaningful impact on the world and her community.

Nguyen, who came out as a lesbian at age 17, says she doesn’t always feel welcome at most traditional sports bars. The Sports Bra could help her, and anyone else who’d rarely felt accepted in other sports establishments, feel like she belonged.

“I thought about, if we can even get one kid in here and have them feel like they belong in sports, it’d be worth it,” she says.

Helping other women’s sports bars get started

At first, Nguyen had her savings, and $40,000 in loans cobbled together from friends and family. That would keep The Sports Bra afloat for three months, based on her cost estimates for labor, inventory and other overhead.

In February 2022, she launched a Kickstarter to raise $48,000 — enough money for an extra six-month financial cushion, to build up the sort of regular clientele any bar or restaurant needs to survive long-term.

To Nguyen’s surprise, the campaign raised more than $105,000 in just 30 days, thanks to a viral article in online food publication Eater. “At that moment, when I was looking at that Kickstarter graph, I thought to myself, ‘This might work,’” she says.

But the money, which came from around the country and world, was no guarantee of success. Actual people in Portland still needed to frequent the bar.

Today, there’s often a line out the door. Women’s basketball icons like Sue Bird and Diana Taurasi showed up, for an event sponsored by Buick, earlier this month. Ginny Gilder, co-owner of the WNBA’s Seattle Storm, has even waited in line to watch her team play on The Sports Bra’s TVs, Nguyen says.

That’s a far cry from the Kickstarter days, which Nguyen says only happened after she was denied business loans by multiple banks and small business associations. The denials commonly cited the high risk of a unique concept run by a first-time entrepreneur during a pandemic, she adds.

Even the bar’s core concept is a struggle: It’s hard to find enough women’s sporting events to fill up the televisions. Only about 5% of all TV sports coverage focuses on female athletes, according to a 2021 University of Southern California study.

Nguyen says she’s taken to reaching out directly to sports networks and streaming services, some of which have hooked her up with access to more women’s sports content. She also spends an inordinate amount of time “scouring” TV listings, a process she likens to “taking a machete and chopping through a jungle.”

But she’s no longer alone. Another bar specializing in women’s sports has opened in nearby Seattle, and Nguyen says she’s in touch with a handful of other prospective entrepreneurs asking her for advice on opening similar visions in other cities.

“I would love to have as many people experience the feeling people experience when they walk through these doors,” she says. “It feels very selfish to keep it to this one building that holds 40 people at a time.”