#*disagrees i mean
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#dude.#finally got to talk with him#and we were good all night#and then we get in bed and he's like groping me n stuff. i am literally About To Get Naked.#and he asks me if trans men experience misogyny or misandry??#so i was like uhhh. complicated subjet a lotta people fight about it. so he asked what do u think.#and i said it could go either way but i dont consider misandry a serious problemm#there is an issue in some spaces with people being treated poorly for masculine traits absolutely but it is far from oppression.#if someone says 'youre a man so you're gross' thats a dick move but its not oppressive. ig#and he completely shut down. stopped touching me and moved away#wouldnt say anything when i tried to ask him what was up except he kept saying its fine its fine#and then finally i got him to say 'i just didnt expect that answer'#and now hes all mopey and doesnt want anything to do with me#i feel crazy lmfao. is it not common sense that bigotry toward men is generally Not Serious like sure it's shitty but it is not oppression.#(on the basis of them being men. obvs men can experience other kinds of bigotry based on race/class/etcetcetc)#idek what to say.#im physically frustrated and emotionally frustrated and im hurt that he just shut down on me like that#like if he agrees that bothers me a little cuz feminism is something im passionate about and saying men are oppressed feels like its#belittling that#*disagrees i mean#but ultimately its fine. he can have his own opinions. but the fact that me having a different opinion from him made him totally shut down#on me is so shitty. and this is the second night in a ROW hes done this. i dont know what to do.
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there's an interesting thing rtd said from the commentary about the "real mom" line:
i get not liking the line but like. it's an intentional mistake and an intentional character choice, and something we'll return to in the future, and that seems like important context to have when talking about the episode.
#ruby's life just massively changed and it's not like she's rehearsing this conversation; she messed up/said something she didn't mean#AGAIN i'm not saying you can't criticize this decision or disagree with it but i think it's important to have this context#that it's an intentional choice on the writer's part#and not a reflection of the character's or writers' real beliefs about adoption.#doctor who#ruby sunday#fifteenth doctor#delia.txt
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interspecies awkwardness for breakfast a.k.a. 'I can't believe I made a comic'
#mass effect#mass effect fanart#shakarian#femshep#femshep x garrus#commander shepard#garrus vakarian#mass effect comic#mass effect trilogy#art#artists on tumblr#digital art#alien#video games#bioware#milkyart#I had a blast. it took forever though. I might have gone overboard#channelled junji ito for some of these panels#ah. the horrors of milk#yes. of course my first comic is about milk that's the brand#disclaimer: no one and I mean No one come at me about 'dextro cheese' as mentioned by tali in citadel dlc#I don't consider that canon its a joak. that is the joak dlc#feel free to disagree but please don't @ me about the cheese. I stand by this 100%. psa over thank you for your time
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sorry but the whole "jason fans are delulu if they think he's a feminist" thing is hilarious. no, he's not a feminist, in the sense that he's not primarily focused on politically fighting for women's liberation. sorry to break this to you, but neither are any of your favourite male superheroes. nor your favourite female superheroes, for that matter. dc sure isn't writing stories through genuine feminist lenses anymore, come the fuck on.
#i do disagree on the idea that he's a misogynist (eta: beyond u know. ''everyone is when they live under a misogynistic society'' etc)#especially when the arguments given are onyx or mia lmao (u mean female superheroes that he fought as equals??)#or that he's killed women (u mean his trainer that was planning to kill her kid??)#but starlin (though he didn't intend to) baked in extreme empathy for women in him in contrast to a temperate and borderline uncaring bruce#(or gordon or men in general)#and also adult jason is a man-hating man who only has female friends xDD#but anyway. that all is a whole other post#talking to the void#my thoughts#dc#dc comics#dc thoughts#jason todd#fandom nonsense#bitter lau tag
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I find the fact that the confrontation at the end of UTRH is often summarized as Jason asking Bruce to kill the Joker for him fascinating.
Because that's not what happened.
Jason holds a gun up to Joker's head, gives Bruce another, and tells him that if Bruce doesn't do something (shoot Jason), he will kill Joker.
Jason doesn't give the gun to Bruce so that he would shoot Joker. He isn't expecting Bruce to pull the trigger on the clown. He's asking Bruce to do nothing. To be inactive. Because that will still be a choice, and despite having done nothing, everybody clearly agrees that Bruce would still, at least in part, be responsible for Joker's death.
...And to me, this moment is a kind of- microcosm, of the rest of Jason's point. Because after being captured and carted off to Arkham, the villain will escape again, and will kill more people. The only way to truly prevent that from happening would be to kill them; Bruce refuses to do so, and I respect his right to choose such a thing for himself, but it is still a choice, and if we agree that Bruce's inaction during the confrontation would leave him at least partly responsible for the Joker's death, then we must also agree that his inaction in permanently preventing the Rogues from killing more people means he is also, partly, responsible for all of those deaths.
#my dc posting#batman#dc#bruce wayne#jason todd#joker#uhh is this like analysis or meta#anyway. to me this is the message that scene sends#if we say bruce doing nothing would mean he assisted in the murder of joker then bruce doing nothing about the villains means he is also#responsible for those deaths#ANYWAY yes b4 you come at me;;#bruce's belief in rehabilitation and that everyone can get better is central to his character#and i love it and no i dont actually think he should kill the rogues or whatever#but the question there is. Are you fine with the future victims your decisions will cause?#Are their lives worth the slim chance any of these people will get better?#batman says yes theyre worth it. red hood says no theyre not.#thats the fundamental moral difference there#its why jason challenges the batman status quo#which is why he cant be harnessed well after his initial return bc comics can never truly escape that status quo#anyway i sure am having some thoughts for someone not that smart so if you disagree please tell me!!! just be civil or ill just block you <#...anyway this is another thing BTAS succeeds in bc i always feel like yes these villains do deserve yet another chance#despite what theyve done. bruce's belief in them doesnt feel stupid and naive#its abt what you yourself can live with. bruce can live w the deaths of the ppl the criminals he doesnt get rid of kill#and jason can live with killing those criminals and preventing further victims
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adding to the "there should have been more genuine tension within the seven" train of thought, it would have been funny if the Argo II, technically being a ship, meant it fell under Percy's power domain and he could control it all at whim, rendering all the carefully crafted controls Leo built useless if Percy felt like being an asshole
#Leo “this ship is my destiny” Valdez vs Percy “ships fall under my daddy's domain which means Im the captain now ” Jackson#real talk we could have gotten a part where the seven disagreed on where they should be going next#maybe its a 4-3 split#and its just getting more and more heated (with Leo and Percy on opposing sides)#and it turns into this thing where they're both trying to direct the ship#which only gets the others involved and pissed#(actually its been so long since I read hoo I can't remember if the argo 2 was self-flying or if Leo had to actively guide it)#mine
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Wars and Wild as knights in Lu
They have issues.
I have a lot of thoughts on Wild and Wars and their relationship (Order of this post is talking about saluting, Wild and Wars' different perspectives, memory issues, and fire) Rant time.
No saluting!!
So Wild took a formal- almost/awkwardly saluting pose when Wars confronted him in 'Entrance pt.2'
It's similar to the first time Wild addressed Wars as 'captain'. His left hand is up from where a salute should be, and his overall posture is awkward, with his shoulders and right hand raised, but it's clear he's trying to do a salute in the presence of a fellow knight.
In the second example his hand is behind his head, but his posture is very straight and his right arm stiff- he's again attempting a formal saluting position. Which is still awkward
It is less clear but his changes in posture clued me in. He goes from like a deer in the headlights to visibly sweating to straight backed and looking up at Wars- looking at the changes in his body language
Side note but I literally love how Jojo draws the champions tunic so much-
We can't see the action of Wild's body language in a comic, just the positions he went to. But he visibly leaned away from Wars before switching to a straight backed saluting-like posture. He's clearly freaked out, hence Twilight's face: >:(
I think that Wild taking somewhat military poses around Wars is important to their relationship issues because it comes from his struggle with memory and identity
.
So like. All of them have different perspectives
Wars
I adore Wars. He is baby and I love him. I think it is also important to acknowledge that he would not speak to any of the others this way.
And the scarf man cmon it's so pretty they are so cute-
Why is Wars talking to Wild like this? He's called him out and reprimanded him multiple times in front of the others. Wild has taken it well but tbh if it was Legend I think he would be on fire.
To some extent I think he is in captain mode. I think that he has trouble seeing Wild as not a knight. Wars gives Wild respect as a knight who sacrificed for his kingdom, but now it seems he's taking it away as a knight who's not doing well enough since he 'disregarded the plan'
At least I think that's the outside (or Wild's) view of it. But Wars internally really cares about Wild and he saw him run up to a giant and lose it. Different ways of showing concern perhaps?
Who wouldn't want to keep Wild from getting more scars?
I just. Don't doubt for a second Wars really cares about Wild- even if the way he's acting still isn't cool. He has no right to treat him like a soldier any more than the rest of the chain, and right now I think Wild is acting as the more mature person.
Wild
I adore Wild. He is baby and I love him. I think it is also important to acknowledge that although he is clearly making efforts after Twilight's injury, Wild has ignored Wars for the majority of Lu, by not speaking to him much, and not thanking or acknowledging Wars when he directly helped him. (Small example being walking with Hyrule not Wars when injured and not directly responding to Wars)
Wars cares about and respects Wild, but it seems Wild wants nothing to do with him, and he's been cold towards Wars for the majority of Lu. To Wild, Wars reminds him of his perceived failure. Which is valid feelings, but still not fair. And I think that ask is talking about these two.
The thing I love about this is each of them are right and wrong in some ways, leading to the tension between them. So fully blaming either of them is not logical
The rest of the chain is just vibing. Except twilight who's mad and wants them to just grow up, but. Heros of courage not wisdom @uniquevoidflowers ;)
And that ask- '''Are any of the Links ever jealous of another Link for adventures that were less difficult/life threatening?'' ''When you hear Wild say he 'hates' someone you'll have your answer.''' somewhat leads to my next point-
Wild's identity and memory issues exacerbate all of this
In Entrance, Twilight is being stressed and defensive, that's ok. What concerns me most is that Twilight has talked with Wild through stuff like this in his rough moments
Wild has tried to be formal several times- he is not very good at it
Four's face I can't didnwidkekfjej
Wild isn't and can't be 'him'- the same 'perfect' (<actually has crippling anxiety) knight he was before, and Twilight knows this. And I agree with him a bit, I think, that Wars is making things worse in Wild's mind by being that perfect soldier, and seemingly holding Wild to a standard he isn't
Wild's attempts at saluting is symbolic of that- Wars makes him feel like a failure trying to be the person he should be. But Wild shouldn't be anyone but himself.
Anyways. Fire.
Wars and Wild have issues, and I want them to work through all their relationship drama so they can reach their PEAK dynamic, which is obviously this
I mean like. We need these two to be friends
Anyways. Wild is in this constant state of identity crisis, and being around Wars has not been beneficial- neither of them is or has been showing the other the respect they deserve. Not as knights, but as people and brothers. They need a get along shirt.
All this Art is by Jojo @linkeduniverse au!
:)
#that's it that's my argument. they need a get along shirt#I think times armor would work. they are small enough to be the kids shoved in dads clothes to get along#it could hold up when wars starts breathing fire and wild blowing stuff up#linked universe#linkeduniverse#hiii Jesse#Lu wild#lu wars#let's talk about it! I know some of yall will disagree with me probably on some of this#open communication and whatnot#but. do not take this post to hate on wild or wars bc they are both baby <3 fire babies#this post took like three days. like it.#<wait that's unclear. I don't mean literally like it lol I just want you to like as because I made it for you and want it to make you happy#':D if I've said anything like mean or offensive accidentally sorry let me know. we all care so much about these little arsonists <33#remember you are loved yall matter so much and I care about you#:)#if I have type the word 'wars' or 'wild' one more time I'm gonna lose it
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i am really so sorry to continue harping on about the watcher entertainment streaming service. but this kind of stuff (internet content as a business & marketing it as such) is truly my obsession, and i think i will implode if i don't talk about some of the takes i'm seeing.
i'd like to emphasize again i don't have strong feelings about watcher either way. i like ghost files, i watch mystery files sometimes, i watched worth it back in the buzzfeed days. i don't watch any of their shows religiously.
anyway, here's the main things i keep seeing crop up and my thoughts on each:
"watcher has 25 employees they have to pay, and employing people in this economy is good, so we should be banding together to pay them."
employing people is good if you currently have the capacity to pay them. i checked watcher's linkedin page, and many of their employees were hired within the last year or two. if they hired people they cannot pay with the business model they had before, something is seriously wrong with their internal bookkeeping/decision making. it means they either didn't know they couldn't pay these people long term, or they did know and were content with risking newly hired employees' livelihoods on a huge content pivot in the next year.
of note is that none of their employees' titles have anything to do with managing the finances of the company. they are the size of a small business but have no one aside from the figureheads of the company in charge of their finances.
this is the kind of company decision making that leads to downsizing and layoffs, which can be devastating. but you know what's worse than laying off a portion of your staff? laying off everyone because your business is going under.
"not everyone can afford the subscription, but those who can should pay it to support the watcher team."
no. $6/month for a couple hours of content (depending on what shows you actively watch and the natural fluctuation of their release schedule) is a fundamentally bad value. i can pay that much for a few movies on amazon. i can pay that much for dropout, if i want to support a smaller business instead.
and to be totally frank, even if people do sign up, i don't think they'd get enough to compete with the amount they get through patreon/sponsorships. and the fact that they didn't know how many of their subscribers would realistically sign up is a bad sign.
a pretty good conversion rate of free to paid subscribers of a service or content is 3% (usually accomplished through a free trial). given the very poor reception of the announcement, let's say about 1% of their 3 mil youtube subs pay for their service. that's 30k people paying for their new platform. that's $180k a month in their pocket.
(they currently only have 12k subs on patreon so we are being generous here.)
a sponsorship deal (based on my googling, i have less direct experience with this) is anywhere from $10-50 per 1000 views. they've gotten about 1 mil views on their last few videos. 3 mil subs is nothing to shake a stick at, but let's say they're on the lower end of the payscale at $25 per 1000 views. that's $25k a video, $100k a month if they release 1 video a week. their lowest patreon tier is 5 bucks, so even if all their subs are at that tier, that's another $60k, so $160k total. it's entirely likely they're bringing in much more than that when you factor in merch, adsence, etc.
did anyone on their team crunch numbers on how many people would need to sub to make the switch worth it? did anyone do market research on how many people they could convert to paid users? because if not, if they really didn't have a game plan for this, the subscription service was always doomed to fail.
"this was their only option to continue making the content they want to make, with the production value they want."
i watched their announcement video. a key point in that video is that they have done sponsored videos and that's what used to pay for their content, but they did not like the amount of creative control the sponsor had over the content.
look, i get that's no fun. we'd all love creatives to be able to make whatever they want. but when you are a small business with a team of employees relying on you, you have to think about making money, sometimes at the cost of creative liberties.
and they had so many other options to make money for the projects they want to make without jumping to a subscription platform.
they could have started actually promoting their patreon, and maybe done some restructuring of the tiers. why not a highly produced, special series just for patreon members? or a special high-budget episode of each series, while the main series is lower budget?
bite the bullet and continue taking sponsorship deals on some less-produced shows, while axing sponsorships from the ones the crew feels more passionate about.
schedule larger, blowout-production shows only when they can be afforded. this is what Notorious Amongus Guy streamer jerma does. he saves up for big productions like his baseball or dollhouse streams, so he can really get creative with them.
they had other options and they've tried very little, especially when you compare them to other content house business at similar scales. try guys and good mythical morning both put out significant content with significant staff, and have had to diversify their income streams with auxiliary products, shows with widely varied levels of production, etc. but it seems to be working for them. watcher has merch and that's about it, and seems to only want to increase the production quality of ALL their shows.
really, all this just boils down to a terrible business decision. it's hard to say if the watcher team is working with a consultant or anyone outside of their team, but they certainly don't have anyone internally who is experienced with running a business like this. to me, it seems very much like they got in a room together and did some extremely optimistic income ballparking with no research behind it.
and that might have been fine for three dudes running a channel alone, but if they're a business, they have to start making decisions like one.
#i encourage discussion on this in my notes btw!#you can even be mean to me if you disagree. i dont actually care#watcher
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
#blue eye samurai#mizu blue eye samurai#akemi blue eye samurai#blue eye samurai meta#just in case... im gonna tag this as#mizukemicritical#akemizucritical#though this post isnt actually criticising the ship itself but rather fanon's portrayal of the ship and the characters#for that reason lemme also tag this as#wank.mp3#feel free to disagree of course but please be civil#and if you need to rant about how wrong i am without any convincing evidence kindly feel free to make your own post. peace and love <3#fandom.rtf#meta dissertations.pdf#shut up haydar#edit: for full disclosure. i do rather dislike this ship. but obviously it's fine for anyone to enjoy it. please do! have your fun!#it's just that as usual! popular fanon and fandom around a ship is what has completely deterred me from any sense of enjoyment of it#it's a shame too because i was very open and even eager for some mizu/akemi romance in the future#but out-of-character fanon + the rudeness of certain fans has definitely soured it for me#but that doesn't mean people can't enjoy it obviously! ship and let ship!!!#plus it has its appeal which i DO STILL see and enjoy!!!!#i would even go as far as to call them soulmates because their narratives and characters are LITERALLY intertwined!!!#but. yeah. my gradual distaste for this ship is indeed very unfortunate.
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I actually think Dorian and Orym should fight more.
Remember when their slowly building tension over and entire episode (full of passive aggressive remarks and blame throwing) led to threats? And how after, Orym thanked Dorian for handing over the crown sadly because he knew Dorian would be mad at him? And Dorian couldn't even look at him because he was legitimately hurt, thinking Orym was disappointed in him for doing what he thought was right? That was peak.
The fact they went from that to their current closeness and trust is the best part of their entire dynamic. Their relationship was hard fought and still will be. They will fight for it because they respect and care for one another deeply, and their disagreements don't change that, only improve it.
#critical role#cr3#orym#dorian#dorym#text post#cr discourse#'dorian deserved that actually and is being stupid by agreeing with ludinus'#'orym was too mean and needs to be quiet about his trauma'#just say you don't understand their characters#or that they are characters#you don't have to agree with them. they can make decisions you wouldn't make and disagree with#its good tv regardless#dorian didnt deserve that and orym was too harsh#dorian needed to be reminded of the consequences of indulging those ideas and viewpoints and orym is tired of this discussion happening#these things can coexist#neither of them have the whole picture here. we can't judge them based off of what we as viewers know#dorian didn't see first hand what the ruby vanguard has done. only what the spider queen did so thats on his mind more than anything#orym didnt see first hand (nor hear many details) about opal and cyrus. only what the vanguard has been doing to them for months#let them bicker and argue#its the best part#only going near the discourse because i have been waiting years for more of this and bitches on twitter are complaining about it#and often from people who don't even like orym (or sometimes dorian). go back to ignoring them and let me enjoy this moment in peace#i know i am adding to the discourse but i needed to find other people who want more dorym relationship drama before we get more fluff
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The fandom's bias and tendency to wanting to agressively associate EVERYTHING with Percy and getting upset when a character isn't associated with him really taints their view on actually significant relationships, and it ruins Percy's canon character tbh.
I came across a video edit appreciating Jason and Nico's friendship, and the comments were just filled with people raging on how Percy should've been included instead of Jason because he was "much closer friends" to Nico than Jason was. It's appalling how much ppl can turn to a blind eye when it comes to Jason.
People hate Jason SO much in this fandom that they literally refuse to admit that Nico canonically considered Jason as his first ever friend, not Percy (this is literally said in Tower of Nero, by the way)
You guys are seriously so hell bent on wanting to take away every little thing jason had that makes his character meaningful, simple to give it to percy when it isn't even necessary. Doesn't percy have enough good characterization already? Why deprive Nico of a genuinely good friendship? Jason spent time and effort to make Nico comfortable and succeeded in earning nicos trust. He taught nico to never push people away and not to be ashamed of being himself, Isn't that beautiful? Why do people get salty abt that so much? Because of course, it's about appreciating Jason for once, and not Percy, isn't that it?
My perspective on Percy and Nico is that, they were never really "close" to begin with and never ended up being close either, and that's okay. Percy tried his very best to be a brother to Nico, but they somehow always had tension with eachother because of Nico's internal turmoil of idolizing and crushing on Percy whilst simultaneously associating him with Bianca.
Sure, they talked it out a little in the end, but I'd like to think that some tension would always be there, because they started off at the wrong foot, and there was too much bitterness and resentment to come in their dynamic. And them never actually being close "brothers" makes their dynamic very significant and authentic. In the end, Nico acknowledged that Percy was a good person, and I like to think that's the farthest they've ever gone in their dynamic. They both are on amicable terms but the awkwardness still being there is very realistic, the weight of Bianca's death would always be associated with Percy to Nico, and it's neither of their faults. That adds SO much to their angsty dynamic, why get so upset about it when it's such an integral, and meaningful part of the story? Nico and Percy not being close friends shows how complex character relationships can be.
Percy doesn't have to be close with everyone just because he's the main character, it really deprives him of actually meaningful connections. The fandom forcing him to be buddy buddy with everyone simply because they HAVE to associate Percy with anyone and everyone, and getting angry that Jason is closer to Nico than Percy is, is just really weird.
Why do people feel SO threatened about Jason all the time that they have to get all defensive and suppress his connections by dragging Percy into videos that doesn't even have to do anything with him? I swear y'all are creating this whole Jason/Percy rivalry thing because you cannot bear to see someone rival Percy, and you want Percy to be the only powerful/good person in the books.
Let other characters befriend eachother without trying to insert Percy in there all the time.
Percy and Nico would never be like Reyna and Nico, or Jason and Nico, and that's completely fine. I like them better that way. You can't be best friends with everyone. That's just how life works.
#I hope people don't come at me for this#Some parts of the Percy fanbase can be scarily defensive and aggressive so I won't be surprised if I get mean comments abt this lol#but I said what I said idc. Jason is canonically Nico's closest friend. You hating jason isn't going to change the fact that it's canon.#There's literally nothing wrong with Percy not being best friends with Nico why do ppl act like it's a bad thing.#You can agree or disagree with me but pls be respectful#pjo#pjo fandom#percy jackson#jason grace#pjo hoo#pjo series#pjo hoo toa#annabeth chase#piper mclean#leo valdez#frank zhang#hazel levesque#nico di angelo#reyna avila ramirez arellano#reyna ramirez arellano#heroes of olympus
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I have thoughts!
I doubt Izuku went eight years being Quirkless.
For one thing, after the Final War, he still had two years of high school left. I doubt all that time he used One For All continously when he have to focus on schoolwork and had more time to actually wind down since the major villains of the story have been dealt with. So there would be times he wouldn't have to use OFA like that.
Last chapter, we can see he still has OFA.
I would say it would be more recently that he lost OFA.
Note that here, Izuku says "recent times". This is just happening now that his class has reached their goals of what they wanted to accomplished. From Ochako and the others creating a program to help people to Mezo getting an award.
When this came...
I figure this can interpreted as Aizawa asking about his Quirk and being a Hero on the field or just his time in school when everything was happening.
Why some of the fandom took this as abandonment is beyond me. "We started working..."
Folks, Class A would be 24 - 25 years old... they would have just started to be Pro Heroes probably three years or later if you consider their "college years" would be the time they would be sidekicks and working to having their own agencies. Probably some of then even living together to save money and whatnot.
A teacher is fitting for Izuku as he is still encouraging others and it reflects even how All Might, his mentor, was one. He knows he'll be Quirkless again, a job as a teacher is ideal for him.
You need a bachelor's degree to be a teacher, which takes four years. So from probably age 18 to 22, Izuku worked for that degree to be a teacher. Meaning that time, he necessarily didn't have to use OFA, if he still had it. And he could have also been doing the sidekick thing on the side.
Present Mic is an example of a character who has multiple occupations, so I don't doubt that Izuku couldn't have done sidekick work and studies at the same time.
Therefore, he would have been a teacher for 3 years at the moment at this point.
Now, given that a school like UA exists, where they taught Heroics, business, engineering, etc. There could have been colleges like that. So class A could have went to the same college and still hung out, including Izuku.
Point is what I'm saying is, because of what Izuku's schedule may have looked like, I doubt he lost the embers of OFA that fast. Yes, he most definitely lost them, but like overnight? Yeah, no.
And him being abandoned? Some of you took a hold of the steering wheel and whipped it way too hard to the left. They definitely still talked. They just got busy with their jobs and hectic schedules.
"How dare they not tell Izuku about the project?!"
... IT WAS A PLEASANT SURPRISE, HELLO?! Have none of you gotten something nice as a surprise before???
#now if you disagree i don't care like at all#the ending could have been a lot worse it was not that bad stop it#honestly at this point i could care less about anything some of you have to say#like if i had to look for the fucks to give it would take forever to find them and i would still never find them#sounds mean but my tolerance level has decreased tremendously over the weeks#just kiya's thoughts#bnha#mha#boku no hero academia#my hero academia#bnha spoilers#bnha manga spoilers#bnha 430#mha 430#midoriya izuku#izuku midoriya#deku
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created by love & unmade by it
#id in alt text#my art#dw#doctor who#tenth doctor#dr who hanahaki#this is barely hanahaki-like anymore but i dont care. it is to me. in spirit. god FUCKING bless.#tenth doctor platonic hanahaki concept has me in a chokehold btw. dont ask me about it i couldnt explain if i tried#u see the vision though. right.#i consulted one (1) flower meanings site and decided that was enough sorry if somebody disagrees lol#cw blood#<- tiiny bit#flower list is in reblogs now!! if anybody is curious :D
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#its been 10 years since my dad passed away#and I'm always thinking about him but these days I think about him so much more#its always like this#and I've been thinking about how people say that as time goes by it gets better and you miss them a little less#I disagree#I think you definitely find ways to cope a bit better#but never miss them less#it's been so long and I still miss him like only a few months have passed#I mean it does get better. I disagree about the missing them part
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"orange peel theory" on the main 6 bg3 companions according to me
#orange peel theory is just if your partner would peel an orange for you if you asked knowing you were fully capable#wyll ravengard#wyll#gale dekario#gale#karlach#shadowheart#shart#astarion#laezel#lae'zel#sketch#comic#oranges#food#please don't argue about these#if you disagree just draw your own and don't tag me#thanks#i mean joking around is fine but#i don't need this turn into some flame war about if so and so would do this and you're a hater if you disagree or w/e#i don't care#baldur's gate 3#bg3#baldur's gate
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I think it's fascinating how Meng Yao is one of the most cynical characters in mdzs and yet, at the same time, I'd argue, one of the most idealistic.
There are goals jgy has not just for himself but for the world at large and he is very determined to accomplish them. I guess in that way idealism isn't all that far from ambition, and he certainly has ambition in spades. We often view "idealist" characters as those unwilling to compromise morally, and jgy will compromise a lot. But if you look closer, it becomes clear that that is because that underlying goal is so important he is willing to compromise anything but that.
Which makes him a very very interesting character, especially as a major foil to much more classically idealist characters like Nie Mingjue and Wei Wuxian.
#mdzs#mdzs meta#meng yao#jin guangyao#i mean what is the stairs scene but nieyao arguing on what can be compromised for The Greater Good.#many people I think see jgy as someone who doesn't care. and i disagree. he cares a lot. so much that everything else pales in comparison#the ppl who have him beat on idealism are... xxc and sl for sure. nmj. wwx. lwj. That's not a lot of people!!#(the reason I don't say lxc is that i'd argue a lot of xichen's positivity is interpersonal)#(he wants to do good but he's not walking around with lofty ideas on how to change the world. he wants to help the people he loves do that.
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