#but anyway. that all is a whole other post

[djotime-allthetime]

Freaky Redheads

synopsis: interactions between you and fred hechinger at a red carpet event for gladiator ii.

wc: 2.5+

rpf!!! don't like, don't read!!!

a/n: i love that soft, sweet, adorable man with all of my heart. my inspiration is how fred talks about sherry. the monkey. i'm down bad bro.

italics are supposed to be comments under tiktok clips of these interviews. i definitely have more in mind for these two, but we'll see how this goes. feedback is writer's fuel!

cross posted on AO3

The flashing cameras and yelling reporters have started to become the new normal, which was so not normal for you. You couldn't believe how far you'd come.

Granted, your role in the movie was definitely more in the supporting cast territory, but you couldn't deny how massive the production was. But even as a supporting actress, you still had quite a bit of screen time as the unnamed favorite concubine to Emperor Caracalla.

The fans who knew you called out your name from behind the velvet ropes and you smiled and waved as you walked by.

"y/n! y/n! Over here!" A reporter called out. You nodded and smiled as you approached, indicating your acceptance of the carpet-side interview. Your agent had warned you that not every journalist might want to speak with you and that you should accept any interview you came by. Thankfully, as the start of your night would show, that wasn't the case.

"Hello!" You beamed, coming to a stop in front of the camera. The reporter greeted you back and handed you a microphone glued to a mini Romanesque column. "Oh, wow. I love the microphone!"

"Thank you," She smiled. With a quick glance at her blouse, you saw a name tag that said 'MTV UK: Claire'. "It was my idea, actually."

"Incredibly creative! They should give you a raise, Claire."

"If you wouldn't mind saying that directly into the camera..." Claire trailed off with a chuckle and a mischievous glint to her eye.

You shot the camera as serious a look as you could muster. "MTV, if you do not give this woman a raise, I will riot in the streets."

"Alright alright, enough of that." Claire laughed out loud with a few shakes of her head. "You look absolutely stunning!"

"Oh, this old thing?" You smiled bashfully, grabbing at your skirt to twirl it around. The styling department had made sure that all the gowns worn during press had some Roman inspiration behind them. The piece you were wearing was off white in color, representing your character's position in society. Even with your character in mind, your dress was still breathtaking. The gown was composed of yards and yards of fabric, giving it this dreamy, flowy silhouette. The neckline was so beautiful, in the cowl style and draped ever so slightly off your shoulders. To say that you loved it would be an understatement. "Thank you very much, you look amazing yourself."

"But you are on a different level!" Claire gasped, no doubt to return the topic to you. Just like you were media trained, the reporters were too. "What was the thought process behind your look tonight?"

Your eyes lit up as this was something you had wanted to talk about. "Well, the styling department and I actually workshopped this look together. Of course we wanted it to be glamorous, this is the red carpet after all. But we also wanted to show the character through the outfits, you know?" She nodded along.

"Right, your character was quite impactful even with the few lines you had." Claire added, and you smiled in thanks.

"Yeah, thank you." You felt your face heat up at the compliment. "We wanted to still be true to her, under all the glitz and glamour. So that's why we went with the understated color, to not only show her position in society but also her demeanor throughout the film."

"But your jewellery is anything but understated." She laughed.

"Yeah, I couldn't help myself." You laughed with her.

"Give us a quick tour."

You were almost dripping in gold, from your head to your toes. "We've got the hair piece." You brought a hand up to show the gold pins connected with chains littering your up-do. "Earrings upon earrings, all hoops." You pulled a strand back to show off your right ear clearly. Some were clip on earrings as you didn't have quite enough piercings to get them all. "The necklaces, of course. Some bracelets, some rings. But I think this cuff on my upper arm is my favorite."

"And these are all borrowed pieces from different brands?"

"Most of them are, yes." You confirmed with a nod. "But some are from my private collection. And some I might steal." You joked, getting a laugh out of Claire.

"Well, you really knocked it out of the park." Claire smiled, a tone of finality in her voice that showed you the interview was coming to a close. "And before we let you go, we've got one question we're asking everyone tonight. I think we can all agree that the cast of this movie is full of beautiful men." You giggled, a bit surprised at the turn in topic. "But people on the internet have separated them into two categories."

"Oh, have they now?" You asked, unaware of what she was talking about.

"Yes, they have. Gen Z has divided them into the brooding brunets and the freaky redheads." She explained, pulling up two little hand held signs. One with Paul Mescal and Pedro Pascal, the brooding brunets, and the other with Joseph Quinn and Fred Hechinger, the freaky redheads.

You couldn't contain the surprised laugh that escaped you at the sight of their little printed faces. "Oh my goodness!"

"So, as the resident Gen Z-er on the cast, who is your pick?"

"Well, I wouldn't say I'm the only representation of Gen Z here." You mused as you grabbed both the signs from Claire. You lifted up the 'freaky redheads' sign and pointed to Fred. "My friend is right there with me in the Gen Z territory."

"Alright, as the representation of Gen Z women, which team is more your style?" Claire asked as you studied the signs. "People are saying they went into the movie for the brunets and came out converted to team redheads."

"That's actually really funny," You chuckled as you looked down at both signs. "This is hard." You mumbled. A small smirk found itself on your lips as you thought of Fred seeing this clip later. Someone no doubt showing it to him, as he wouldn't find it on his own. "I feel like- yeah." You nodded with determination. "I'm gonna have to go with Fred- I'm going with team freaky redheads." You nodded. "I think it would be treacherous otherwise."

"Good choice. You'd break Emperor Caracalla's heart."

"And then he'd have my head." You laughed, stepping back. "Thank you for your great questions."

"Thank you for your time." Claire waved as you walked away. "We're gonna have a tally going throughout the night, and we'll see who wins. Team brooding brunets, or team freaky redheads." You heard her say to the camera as you moved further down the carpet.

'She looks so pretty!!'

'i love the thought process behind the outfit, you can tell she really loved her character'

'the reporter asked y/n if she prefers lucius and acacius or geta and caracalla and this girl really said FRED 💀'

'i love seeing new faces in hollywood, give young new actors a chance!!' ↳ 'right?? im so sick of them recycling the same actors for every big budget movie'

'she mentioned fred, not caracalla, twice, unprompted. i see you, y/n. you're just like us.' ↳ 'have you seen his interviews? he's literally the cutest i cant blame her 🥺'

A few steps down, another reporter flagged you down. This time, the questions were more centered around the acting itself.

"And was it difficult? In a previous interview, you've said that your character's growth was significant, but she had almost no lines in the movie."

"Yeah, I think in the final cut she only has... three lines?" You winced, looking upwards as you tried to recall what was and wasn't cut. "Though I'm not sure."

"So there were scenes where she could've said more?"

"Oh yeah, for sure! There was a lot of experimentation with my character throughout filming. Ridley's a genius and he was kind enough to truly take in my suggestions. There were times where I felt like she would actually stay quiet during a scene, whereas other times I felt like she would speak up. But yeah," You breathed in and furrowed your brows in thought as you tried to focus your answer back to the original question. "It was definitely a challenge. I had to really work on my micro-expressions. Lots of research, lots of practice. And lots of trust, too. With a character like mine, I really relied on Fr- on my fellow actors in those scenes. So yeah, definitely challenging. But who doesn’t love a good challenge?"

"And did you take any inspiration from other people's work? Any source material that helped you out as you built your character?"

"Of course!" You smiled, a hint of humor in your tone as you thought of your response. "Yeah, I did. Actually, one of the biggest inspirations for my role, believe it or not, was Ferb. From 'Phineas and Ferb'."

"The- The children's show?" The interviewer questioned with a grin.

"Yeah, Ridley thought it was brilliant!" You laughed. "We watched compilations of Ferb scenes on youtube together. And I know that Fred- Fred Hechinger, who plays Emperor Caracalla-, he also brought up Sid Vicious with Ridley, as well as other sources like that. Sir Ridley Scott has great taste, there's no denying that."

'ferb as inspiration for a movie like this,,, gen z in the film industry really are the gift that keeps on giving'

'im just imagining y/n and ridley scott curled up on the couch watching phineas and ferb reruns. that man is 86 years old. this is brilliant.'

'bro didn't even have to say anything and y/n still brought up fred 💀'

'the gen z cast members making ridley scott watch cartoons is sending me'

'not her pretending she didn't mean to say fred when she talked about trust, we all heard you y/n'

Unbeknownst to you, Fred's interviews were going much like yours, only a few feet behind you on the carpet.

"You look amazing today!" Claire, the same reporter you spoke to, told Fred during his first interview on the carpet.

"Thank you, thank you." He replied bashfully as he tried to subtly look around for you, but he couldn't see you just yet. "Everyone looks so great, everyone."

She asked him a few questions and then came time for her ending segment.

"Alright, to close off, we've got a little game here."

"A game?" Fred smiled with raised brows. "I love games." He said softly, not realizing that the microphone would pick it up.

"Yes, a quick one. You just have to choose between team brooding brunets and team freaky redheads. We've asking everyone to join."

"Woah!" Fred exclaimed as he received the signs. "That's me." He pointed out his own face in the picture of him and Joseph. "What are we basing our choice on here?"

"Well, the internet is battling on who is more attractive."

"Oh my god." Fred chortled, not expecting that answer. "Who's played the game?" He asked, still examining the hand held signs.

"As of now, we've spoken to Joseph Quinn, Connie Nielsen, and y/n l/n." Claire recounted.

Fred's eyes lit up and his cheeks reddened at the mention of your name. "And what's the- what's the consensus so far?"

"It's two to one. Can you guess who's in the lead?" Claire asked.

"Let me think... Well, Joseph -my brother-, he definitely voted for us." He pondered aloud as he counted the votes off on his fingers. "Connie... I think Connie went for team brunets. I mean, it's her husband. She's gotta." He grinned when it came to you. "y/n chose me, right? We're in the lead?"

"Yeah, you're right on all counts! You really know your cast members." Claire laughed. "y/n didn't want to anger Emperor Caracalla."

"Oh, she couldn't. I’ve got too much of a soft spot for her." Fred shook his head emphatically.

"So, are you keeping team redheads in the lead? Or will you give us a tie?"

"No, I'm going team redheads!" Fred exclaimed. "I'm not helping out my competition, no way!"

'this man has bewitched me with his beautiful eyes and calming demeanor'

'he always calls joe his brother im CRYINGGG'

'did you see his face when they mention y/n, this man can't hide his crush for the life of him 🥺' ↳ 'neither can she lol'

'what do yall know about fred hechinger 🗣️🗣️🗣️'

'fred immediately knowing that y/n chose him, kill me right now.' ↳ 'mind you the choice was caracalla. she still said 'fred' and he said 'me'. can they be more obvious?'

'the way this man said 'i love games' protect him at all costs'

‘he said ‘i’ve got a soft spot for her’ is this the year of men yearning?’ ↳ ‘it’s just the paul mescal effect’

It was during his next interview that he saw you. He was talking about his experience building the character of Emperor Caracalla with Sir Ridley Scott as well as Joseph Quinn when he finally caught sight of you. You had spent a bit longer with a specific reporter down the carpet, causing Fred to catch up to you. 

“Of course, y/n was a great help as well.” He smiled, reaching over to brush against your elbow to catch your attention. At the perfect time, too, because you had just finished talking to the reporter in front of you.

“Oh, Fred!” You beamed, coming over to give him a hug. 

“Look at you.” Fred spoke against your shoulder. He pulled away from the hug and brought you into his side in front of the camera, almost like he was showing you off. “Look at her, isn’t she stunning.”

“Stop it,” you rolled your eyes as you tried your best not to show how his compliment affected you. “I’m sorry for interrupting, I just had to say hello.”

“No worries,” the reporter reassured you. “Fred was actually saying how you helped with the building of his character.”

“Yeah, we worked really closely during pre-production actually.” You nodded, acutely aware of Fred’s hands on you. He had one hand casually tucked into his pocket while his other arm draped across your waist, his hand resting against your hip. “My character was almost like Caracalla’s sidekick, so the motives for all her actions are really based around him.”

“I’d argue that she was more of a mirror, actually.” You turned to look at Fred, never passing up an opportunity to hear his view on these things. “She’s the complete opposite of Caracalla, but in a way she represents who he truly is under all the pressure of being in Geta’s shadow.”

“And under all the syphilis, of course.” You added, causing Fred to giggle.

“Yeah, and under the syphilis.”

‘he seems like such a sweet guy 🥺’

‘did you see his face when he saw her???  😫😫😫 theyre in love, your honor’

‘him showing her off like that is peak soft boyfriend behavior’

‘they just called me single in seven different languages’

‘his laugh is actually so cute, who is this man and why am i in love with him? 😍’ ↳ 'get in line' ↳'behind y/n, you mean?'

‘the way he’s touching her???? im just gonna go take a nap in front of an oncoming train’

‘im calling it, new hollywood it couple’

‘look at how he looks at her!!! may this love find me 🙏’

[meglosthegreat]

I see a lot of posts on here talking about the Solas/Elgar'nan segment in Blood of Arlathan and how it's one of the best scenes in the game, and they'd be right, but I don't see enough people talking about how comically the whole thing is undercut by quite possibly the most poorly-conceived, terribly-implemented looney-tunes-ass sequence in gaming history that surrounds it.

Like you show up with your friends to this Venatori party, and you're like great, we're sneaking in! Time for disguises. How convenient that these Venatori guys all wear hoods, right? Should be a piece of cake if we're all, you know, wearing hoods that would helpfully hide our identities. But no. We all go waltzing in with our whole-ass faces exposed, you know, the group of guys that have been murdering Venatori left and right and who Elgar'nan and Ghilan'nain have definitely all seen in person before. Oh, and don't worry about walking into this notoriously racist elf-sacrificing cult if you happen to be an elf! You're only here in disguise so that you can rescue a GROUP OF ELVES THEY'RE GOING TO SACRIFICE but it's ok because you're dressed as a mercenary and not a dalish so it's all good don't worry about it :) :)

Then you get into this fucking party and oh my fucking god it's like they decided to take all of the most comically over-the-top stereotypes of villainy and put them on display. Because why not! The Venatori are all sickos anyway so of course they'd be out here doing sicko things! There's some guys pulling a halla apart with blood magic! There's other guys using slaves as benches! They're all laughing and joking about how EVIL they are, hahaha, how cool is that? The fucking guy from D'Meta's Crossing is here if you don't let him die, because he's a fucked up evil sicko too! You're supposed to be shocked at this hideous display; recoil in horror, even!

And who do you bring with you to help get through this crowd of absolute lunatics? NEVE FUCKING GALLUS. You know, the person so well-known in Minrathous that a Dalish elf living in Arlathan KNEW HER BY REPUTATION. Yup, Neve Gallus with her INTENSELY RECOGNIZABLE PROSTHETIC just waltzes up to some guy and he just lets her in. Because being EVIL also makes you incapable of coherent thought, apparently.

And then. AND THEN. You walk across the bridge where Elgar'nan makes his thought-sounds at you, and YOUR ENTIRE FUCKING PARTY is already there, just hanging out nbd. Also not wearing hoods or any kind of disguises that couldn't instantly be seen through by a five-year-old with amnesia but ok, cool. Why did we bother walking through all those sickos then when we could've just taken the secret back entrance like the rest of them, idk.

But just when you think you've reached peak stupidity, it keeps going. You're now standing there, at the front of a crowd of about twelve people, approximately five feet away from Elgar'nan himself, inexplicably blending in, when the big guy puts the mind control whammy on everyone. Oh no, you think. We've been found out! Here's the part in the plan where things begin to go wrong! NO. Your mage friends SECRETLY PERFORM MAGICAL GESTURES to block the mind control, and then you LITERALLY FUCKING SIDLE OFF STAGE LEFT without ANYONE NOTICING. I should reiterate that at this point, you are still about FIVE FEET AWAY FROM ELGAR'NAN and his fucking ARCHDEMON.

And to conclude this absolute comedy of idiocy, as soon as you enter back into combat mode, you immediately ditch all of your disguises. And of course then, ONLY THEN, Elgar'nan notices you've been there. Cut to the end of the actual good sequence, this dramatic conversation performed by excellent voice actors and written miles better than most other things in this game, and you reach your final prize: about six guys trapped in a little cube. Cool, you tell yourself. This was definitely worth it. You take your fade-to-black teleporter back to the Lighthouse and they're never heard from again.

This was the quest that broke me. This was the moment that all hope for Veilguard finally snapped. I consider myself to be a very resilient person in the face of camp and goofy writing, but this was too much disbelief for my brain to suspend. The mental gymnastics necessary to make this whole sequence make any kind of sense were simply beyond me. Even Solas's dulcet tones could not salvage it for me after that.

[moltenapian]

> assuming the dom is a man

> assuming the dom is doing it because they like to see the sub suffer instead of doing it purely as an exercise in making their sub feel good in the ways that best work for them

Like fr

Not to get too personal on main but I've been pretty seriously SAd fairly continuously over a period of about five years of my life. Without going into details, it's led to pretty serious drives to self-harm. More beneath the cutoff of you want to read, I guess. It's late so I'm going to be very personal.

Drives that have been rewarded by society at large, in fact. Exercising 25 hours a week on less than 1800 calories a day, while it absolutely ruined my body in the long, made me one of the best rowers in my state in the short term. Nobody pulled me aside and told me that it was unhealthy, that I'd hurt myself, that in four years I'd hardly be able to function and certainly not in any high level athletics. No, they just cared I was faster at racing boats than the others.

I sought self harm in a lot of ways, none of which were controlled. Staying up far too late and working much longer hours than I should have. Not eating anywhere near enough in order to maintain my thin figure. All of it, rewarded and encouraged.

Only after some very severe health scares and deep reexamination of my situation did I really truly identify these drives and how they affected me in such an unhealthy manner. I can't get rid of them. After five years of consistent sexual trauma (and otherwise but we don't need to worry about that) those things are rooted too deep to excise.

But now that I'm in a healthy relationship with a partner who is accepting and understanding of my hangups, trauma triggers, and the things which I need to be able to function in a relationship, I've been able to deal with these impulses in a healthy way.

Better to handle that stuff in a scene where absolutely everything is agreed upon by both parties beforehand, safewords are strictly enforced, and nothing gets pushed too too far. Just enough to stop the part of my brain that wants me to hurt to be satiated for a while. My instincts for self harm are almost entirely abated with occasional "rough" sex and bitter drinks (ngl in my experience a very good way to alleviate those feelings).

Anyways, these days I've been sleeping enough, eating enough, and the healthiest and happiest I've ever been in my life. A productive environment to be able to work out those feelings is really invaluable, and I'm glad to have it.

All this goes to say... it sounds like OP either hasn't practiced safe BDSM (which is a very real risk, don't get me wrong) or is simply judging something based on an emotional/moral reaction. Anyways the criticisms really don't hold up, and tbh in 98% of cases competitive sports teams rely on the same dynamics and are wayyyy more unhealthy. I could write a whole essay on this but now is not the time.

This post is stupid as hell and I'm certainly sorry I (and you all) had to see it

not me printing and framing this shit

[cherrysurf]

winning you back pt.2

-where haikyu boys try to win back you their ex gf

-this is lwk depressing but maybe it’s bc of the music im listening to rn LMAO

contains; atsumu, tsukishima, kita, sakusa, oikawa, iwaizumi

pt.1 of winning you back here!

atsumu; He still very much has all your pictures on his feed that he never deleted and never will you had to go minimal contact with him because he kept texting you every other day to try to get back together, he still loves you and thinks your gonna be his wife and that this is just a rough patch, so when you post that you’re going to be volunteering at osamu’s restaurant for a charity that osamu is doing for young kids to get into volleyball he takes it upon himself to cancel his practice for that day and go and join you two and begged and forced osamu to make you too work together so he can talk to you, and those dam miya’s being so good and weaseling there way back into life’s, it worked. You two are now talking again. You told him that you wanted to take this slow, but atsumu later that week posted a soft launch of you two at dinner.

tsukishima; tsukishima acts like he’s so nonchalant but no one’s seen him cry over how bad it’s killing him that you can fully ignore him when he’s usually the one doing that. He hates how bad he fucked up so he decided to make a plan to win you back, what does that mean he had to do? work at the same cat cafe as you, at first you weren’t on the same shifts and maybe hanging out with cats was a plus but getting crushed on by other girls wasn’t. Anyways as soon and he saw you two were on the same shift he couldn’t be more happy, it was a slow shift so he used this time to catch up and be very soft and respectful he saw you weren’t fighting back so he was thinking that was a step forward, until later on when a girl came by to order a drink and was clearly flirting with him so tsukishima ignored her, as she said “can i get your number?” you turned to see what he would do all he said was “no i have a girlfriend she’s right there actually, i don’t what gave you the confidence to think you could ask me” he said laughing which left the girl embarrassed and you flustered.

kita; Kita is forever my yearning man. He writes letters for you and sends them, you kept them all because you still didn’t get over him. He thought it was the right choice to let you go but he couldn’t have been more wrong, and I fear kita is the type to have a romantic scene like the movies. So what? anyways he comes by your hour IN THE POURING RAIN. to apologize “i’m sorry im selfish for breaking up with you yn, i just clean up well i forget myself” OOOO YOU END UP SOBBING BC WHO WOULDN'T?! anyways safe to say you kissed in the rain and he won you back

sakusa; stubborn ass ho. He was shocked when you broke things off even more when you actually stood on business, sakusa was one to keep his composure and not crashout but he couldn’t understand why he was so affected by the breakup it’s like his whole life flipped upside down. He even stopped keeping up with himself for a bit which was totally out of the norm. So when you saw him at your apartment in the lates of the night messy hair, wrinkles in his clothes looking dead you knew something was wrong, he almost felt like he could breathe again once you embraced him, disgusting and all and he didn’t let go since and tried to change for the better

oikawa; He acted happy at first like it didn’t matter because he thought you needed him more than he needed you. Oh how wrong he was, the fan girls didn’t support him the way you did, didn’t cheer for him the way you did, no one could cook as good as you, no one could get him out his depression like you could, so one night around 4am he gave you a call wanting to quit volleyball because he felt like he couldn’t do anymore without you there, which broke your heart because you saw how bad he was struggling without you there and that’s when he finally admits “I needed you more than you needed me. Come back yn, i’m sorry” and you did because you needed him just as much as he needed you.

iwaizumi; it was mutual breakup but not really he just did whatever he could to make you happy he hated fighting with you, he never deleted your pictures, he still kept all your stuff that you didn’t take at his house, he was still loyal even if you weren’t together, He blamed himself for not fighting back. he became very very career oriented that’s when he saw you at a job interview, you had just finished interviewing for the place he works at as a sports medical assistant. you weren’t aware he was working there so he stopped you and asked to get lunch since you were leaving and he was on his lunch break. That's where he apologized for not doing more and still thought about you and asked for a redo and would do anything for a second chance, and you agreed because you felt the same.

tags; @solarvrse (for the atsumu one) @sahrii (for the iwaizumi one)

[ria-starstruck]

and also "putting everyone in a simulation will make it all ok 👍" and also "let's park next to this random system's sun" and also "we can't live on our own planet because of our own folly" and so on

[yanderenightmare]

this might be a stupid question but what are the rules of omegaverse? or like idk how to phrase it but what's the set up?

On Omegaverse

Not a stupid question! In fact, a really good question because the answer is anything but straightforward!

♡ Consensus still pending...

There aren't really any set rules in the Omegaverse, which is why, when reading an Omegaverse fic, there will often be a paragraph or two at the beginning of the story explaining the setting, rules, culture, and dynamics specific to that Omegaverse alone.

Even so, I'll try to explain the overall concept, as well as divulge some of the common tropes different writers use.

And so, first off! Plainly put, the Omegaverse is an alternate universe in which human beings can have an additional gender, referred to as the second gender—most commonly but not restricted to Alpha, Beta, and Omega. Across different Omegaverses, these second genders act as defining factors, often deciding social rank as well as playing a part in determining other physical, physiological, and psychological attributes of a character.

♡ Alpha, Beta, Omega, Whatnow?

Alpha, Beta, and Omega are ranks typically used within the hierarchy of a wolf pack. The general idea is that Alphas are the pack's leaders, with Betas as their second in command, while Omegas exist at the bottom as the lowest-ranking members.

I want to note really quickly that this view of wild wolves is an old conception and has since been criticized and debunked—something I'll write more in length near the bottom of the post.

But anyway, regarding the Omegaverse, this is still the general dynamic, wherein the Alpha, Beta, and Omega titles aren't only used to identify rank but exist as actual bodily differences as well—referred to as second genders.

And, while Alpha, Beta, and Omega are the token types in most Omegaverse settings, they aren't standardized. For example, Betas can sometimes be ruled out entirely to focus purely on Alpha x Omega pairings—while other writers might add even more types into the mix, such as Delta, Gamma, Sigma, etc...

There aren't any rules to this.

♡ Werewolves or nah?

Since the ranking system was originally taken from the wolf hierarchy, it's natural to think that the Omegaverse has to have something to do with werewolves, hybrids, or some other type of bestiality.

The answer to this is both yes and no.

In some Omegaverses, it's true that characters will be some or other version of werewolves. Hybrids with tails, fluffy ears, claws, etc—or shapeshifters who can fully transform themselves into four-legged canines—or any other type of werewolf you can think of.

This is all a creator's choice and up to them to implement or not!

As for other Omegaverses, characters will be described as regular human beings but with added instincts and characteristics in line with what second gender they have: Alpha, Beta, Omega, etc... Here, the whole wolf aspect of things isn't highlighted, though might still be used somewhat metaphorically.

There are no rules to this either. Only options.

Additionally, not all Omegaverse hybrids need to take after wolves alone. The range can be broadened to include any type of dog breed—Huskies, Labradors, Chihuahuas, etc. Here, apart from physical attributes, what type of dog a character is can also play a part in what type of personality they have. For example, Huskies are diligent characters, Labradors are fun-loving and playful, while Chihuahuas are uncharacteristically combative for their size.

I've even come across some writers whose Omegaverse includes any and all types of hybrids, having Alpha horses, Beta oxen, and Omega bunnies. However, I'd say this is less common and will more likely be referred to as hybrid au or something of the like.

♡ Characteristics!

Though there are no rules, there are some common understandings of how the different types of second genders tend to look and act.

Starting off with Alphas. They're usually described as big and strong and come forth as the designated leaders in society.

Personality-wise, they can be loud and oppressive but can also be shown as silent, stoic types who command the room simply with their presence. In any case, they're often very masculine and dominating, always marking their territory and striving to be the ones in charge, with a tendency to be very protective of what's theirs and rather aggressive when challenged.

More physical attributes other than strength and size may be added, such as an array of muscles and a gifted nether region, including the knot.

The knot is most common in Omegaverses that have a hybrid spin. In simple terms, the knot is a group of muscles found at the base of an Alpha's manhood, which swells up when they're close to climaxing to keep their partner from pulling away and so ensuring that their spend doesn't escape.

More traits common for Alphas in the hybrid Omegaverse are bigger and stronger fangs than their other counterparts, as well as larger and longer claws, better hearing, optics, and sense of smell—they're also faster, stronger, and often smarter than the rest. All reasons as to why they're considered the leaders in society.

But all in all, whether you include all of this or not, Alphas are considered the ones at the top of the food chain.

And at the bottom of that food chain, we find Omegas.

Often portrayed as small, weak, and meek by nature—Omegas are the opposite of Alphas. And yet, despite this, Omegas are also highly desired by Alphas for mating reasons. Although this isn't really taken from our understanding of how actual wolf packs work, it is often the case in the Omegaverse.

You see, in the Omegaverse, Omegas are considered highly fertile and domestic, making them objects of desire for Alphas. In turn, Omegas will usually want an Alpha—the bigger and stronger, the better—to provide, protect, and keep them safe from other Alphas.

Furthermore, Omegas are said to be very pretty, sometimes to an irresistible degree, and will often be described as cute and doe-eyed.

Hybrid Omegas have all the same physical attributes as Alphas, but smaller—so tiny teeth, short and sometimes dull claws, soft bodies without much muscle, etc...

Simply put, Alphas are large and dominant, while Omegas are small and submissive.

Now Betas, on the other hand, are a little more ambiguous...

Some choose to make them the odd men out, characters without Omega/Alpha instincts and needs—making them the normal humans in an Omegaverse society. Here, Alphas and Omegas are more or less an altogether different species than Betas.

Others choose to treat the second gender as a spectrum going from Alpha to Omega with Beta in the middle—here, Betas might vary from being recessive Alphas to recessive Omegas.

Others, again, portray Betas only as just below Alphas—so, still big and strong but falling just short of being the biggest and strongest.

Hybrid Betas will be described as something in between Alphas and Omegas, or simply as smaller Alphas—so moderately sized teeth, claws, muscle mass, etc.

There are no rules to this, but all in all, Betas are usually portrayed as being less desirable to both Alphas and Omegas—for these mentioned reasons and for further reasons we'll divulge now.

♡ Scents, Ruts, Heats and Suppressants

This is what makes up the charm in the Omegaverse.

Scent is basically the Omegaverse word for pheromones.

It's often the difference in scent that allows characters to identify and determine whether someone is an Alpha, Omega, Beta, etc. Moreover, scents are used to arouse and are often what induce heats and ruts, which we'll talk about shortly.

But first! Alpha scents are usually described as spicy and musky, whereas Omega scents tend to be described as sweet. Both, respectfully, are designed to attract the other.

Betas, on the other hand, are either described as not having scent glands the same way Alphas and Omegas do or have them but exude a very weak scent, which in some Omegaverses might be the very reason they're deemed as Betas—labeled as defective Alphas or Omegas.

This is all up to the writer. There can be many other descriptions defining the Beta type, each different from the first—too many to explain here. A writer can more or less make their own definition of what makes someone a Beta.

But in any case, Alphas and Omegas are often said to be indifferent to a Beta's scent. Likewise, Betas aren't affected by Alpha and Omega scents—either because they can't really detect them or because it doesn't affect them the same way, usually because Betas don't experience heats or ruts such as Alphas and Omegas do—though this can also be decided by the author.

Again, no rigorous set of rules applies here. It all depends on whether the Betas are portrayed as being normal humans in an Omegaverse society or something more like recessive or defective Alphas/Omegas.

But onto heats and ruts!

Omegas go into heat, whereas Alphas go into ruts. Betas, as I already mentioned, are often said to go into neither—but that's a choice the writer makes.

And, as you've probably guessed by now, there are a lot of different choices a writer can make here...

Omegas often have a heat cycle—meaning they experience regular and scheduled heats. You can think of it like the menstrual cycle. It doesn't have to be once a month or every full moon—it can be twice a year before winter and spring or once a year between January and April like female wolves have. Like many things, it's up to the writer to decide. But in any case, Omegas tend to go into heat on a regular basis.

Additionally, the scent of an Alpha can sometimes induce spontaneous heat in an Omega outside their heat cycle.

But what is heat exactly?

Well, heat is the time when an Omega is most fertile. When Omegas go into this heat, they're often said to feel horny for no apparent reason, often to the point of feeling frustrated and feverish, while exuding copious amounts of slick and scent in order to attract a mate.

The degree of these symptoms varies from writer to writer. Some like to portray heats almost like a sickness, describing a burning ache in the lower belly making the Omegas bedridden and damn-near delirious, whereas other writers make their Omegas fully functional, only feeling slight discomfort—while other writers incorporate both for different types of Omegas, some highly sensitive and others not so much. Again, same as with menstruation, some women feel high levels of pain, and others don't feel anything at all.

Ruts are a bit different...

Most writers treat ruts like the Alpha equivalent of heat—meaning it's when their libido is at its highest and their need-to-mate through the roof. But whether this is also based on a cycle or is simply triggered when encountering an attractive mate varies from writer to writer.

The symptoms of an Alpha's rut are also a matter of debate. Some writers make their Alphas go completely berserk, all manners of rationale gone, blacked out with only one goal left in their head: to mate until their ball's empty. Other writers make them simply become hot and bothered and a little more aggressive than normal. And some writers choose both, making their Alphas lose control over specific Omega scents while having less of a reaction to others.

But onto suppressants!

Sometimes called heat/rut suppressants or inhibitors, these usually exist in the Omegaverse and are sort of their version of the pill, only different and with more effects.

Heat suppressants or Omega inhibitors are often explained to minimize the effects of a heat or to prevent it completely, making them highly useful for sensitive Omegas that experience tough heats regularly.

Rut suppressants or Alpha inhibitors are, similarly, for Alphas who experience rough ruts or who are sensitive to Omega scents.

All in all, suppressants and inhibitors are taken to avoid the effects of ruts and heats.

You also have something called scent blockers, which, as the name suggests, makes the person who takes them dull their scent glands, making it so that they don't emit too much of a scent or cancel out their scent completely. This is useful for Omegas and Alphas who don't want to attract attention—and can be used, for example, to keep their second gender hidden from others.

♡ Pairing, Mating, Marking, Biting, and Bonding!

So, as we've already gone over, the most common pairing is Alpha x Omega. But it doesn't have to be that way! Anyone can, of course, be with anyone, even in the Omegaverse. Omega x Omega, Alpha x Alpha, Beta x Omega, Alpha x Beta, and Beta x Beta are all still valid pairs, as well as all other variations with the other additional second genders.

However, there are some things that will work differently or, in some cases, won't work at all.

First on that list are, as we just covered, scents, ruts, and heats.

As I said, Betas aren't usually affected by Alpha/Omega scents, but they can still feel attraction for them anyway! The same goes for same-second-sex relationships. Omegas won't affect each other with their scents, but they can still like each other despite that. Alphas, too, can fall for other Alphas even without them necessarily being affected by one another's scent.

The matter, then, of course, is whether they can satisfy each other when their heats and ruts come along. Generally, an Alpha and Omega are made to please the other, and so it's common to see writers make their Beta x Omega/Alpha pairs and same-second-sex pairs struggle with this—which is where using suppressants and inhibitors may come in handy.

Another thing that will work differently is bonding.

Bonding or marking happens when one or both in a pair mark each other with their bite, thus solidifying them as mates.

This, however, is commonly agreed that only works and happens between Alphas and Omegas, where Alphas will deal the bite to the Omega or both unto each other. This is often described as an irreversible act, forever binding them together as a mated pair.

Depending on the writer's choices, there may or may not be any merit in an Alpha biting a Beta or of a Beta biting an Omega—and even less in two Alphas or two Omegas biting each other.

And so, as you can tell, a lot of the Omegaverse rests on the idea that Alphas and Omegas are meant for each other and only each other—and therein lies the potential juicy conflict, which we'll discuss a little later, but first...

♡ Soulmates!

This is another common facet in the Omegaverse.

The soulmate idea typically rests on two concepts. We went over the first one: the bite that seals the bond between an Alpha and Omega for life. Here, Alphas and Omegas can more or less choose their soulmate.

Additionally, it's often a factor that after the bite is dealt, the Alpha and Omega in that bond will only affect each other with their scents and will only be able to reach satisfaction with each other when experiencing ruts and heats—basically making them fully dependent on one another forever.

The other soulmate concept is based on the idea that an Alpha or Omega will recognize the scent of their mate—at first sniff! Here, soulmates are predetermined and not chosen.

Both of these concepts can exist in one Omegaverse. Sometimes, the scent will be used to identify a soulmate but will still need to be confirmed and sealed through a bite or rejected by not biting.

♡ Culture, Society, and Politics

This is where you can really have fun!

When you have characters in ranks like Alpha, Beta, and Omega, who are supposed to be one thing, it can be interesting to suddenly make them the opposite.

For example, Alphas are supposed to be successful winners—but as we see in real life, not all those who have everything going for them end up with it all. So it could be fun to take the angle of a loser Alpha who hasn't got what he feels entitled to.

Or to have a really successful and independent Omega, who is generally only supposed to be a housewife for Alphas.

Betas can be a fun role to play with too. You can make them salty for not being Alphas, desperate to do anything in order to prove themselves—or you can make them happy outsiders who're relieved they don't have to participate in any of the Alpha-Omega nonsense.

Additionally, as we covered earlier, you can break the normal pairings. You can make Alphas who are sickeningly interested in courting only Betas—who almost seem to think of them as a conquest. Or Omegas, who're frightened of Alphas and end up only courting each other. Or Alphas who think everyone is beneath them and also decide that only those of their own rank are worth their time. Or Omegas who, instead of settling for just one Alpha, goes for two Betas, like in this fic:

♡ TWO BETAS, ONE OMEGA

And that's only breaking gender and social norms! We can also break the body norms! Such as suddenly making a really big and strong Omega and a small and cute Alpha. A dynamic I explore in this fic:

♡ UNNATURAL

♡ World Structure

There are many different types of Omegaverses. Still, I'd say we can categorize the Omegaverse by three different types of world structures: modern, primal, and dystopian.

Modern Omegaverses are reminiscent of the real world but with the added Alpha, Beta, and Omega dynamics.

Primal Omegaverse is where society is set out in the wild—this is also the type of Omegverse that usually features hybrids.

Examples of primal Omegaverse:

♡ SILLY LITTLE MATE

Dystopian is modern Omegaverse, but with laws and politics that support segregation between the second genders where Omegas are usually being oppressed and treated as lesser humans—this is the one I play around with most.

Examples of dystopian Omegaverse:

♡ TWIST OF FATE ♡ THE OMEGA INSTITUTION ♡ HARD-LEARNED LESSON

♡ Second gender and male pregnancy!?

I'm not an expert when it comes to this type of Omegaverse, but yes, male pregnancy is possible in some Omegaverses due to the existence of second genders.

This type of Omegaverse is popular in the Boy Love genre.

Here, Omega males can be impregnated by Alphas.

Male Betas, however, can neither impregnate male Omegas nor be impregnated by Alphas. They can, on the other hand, still impregnate any type of female.

Additionally, Alpha females can also impregnate Omegas. In this type of Omegaverse, Alpha females are often portrayed as futanari—meaning they have both sets of genitalia.

Rules to this vary, though I'm unfortunately not well-versed enough to explain it all. And so I'll leave it at that.

♡ Other Animalistic Elements May Be Included!

Impregnation may be referred to as catching, and babies as pups. Additionally, Omegas will often be said to carry litters, meaning more than just one pup—sometimes a lot more.

Scent glands exist on the wrists and in the juncture between the neck and shoulder—which is also where the bite is dealt.

Imprinting can be another aspect of things. This is something that happens as you grow up, often between childhood friends and siblings and with parents. Imprinting simply means that you recognize the scent of someone else as kin, trustworthy, or a source of comfort. Pets do this with their owners, for example.

A home, bedroom, or simply a bed might be called a nest or den. Nesting is when a character spends time in the nest, typically for Omegas during heat or pregnancy.

Other than that, I'd say there's a lot more one can implement in the Omegaverse. But this concludes the general idea of things as well as some further inspiration for those who might want it.

♡ Wolf Pack Hierarchy: Debunked!

Lastly, I want to clarify that the Alpha, Beta, and Omega ranks aren't really as relevant out in the wild as many would believe.

Wolf packs out in the wild are usually only made up of two parents and their children and, therefore, actually have a similar type of hierarchy to that of human families. Wolf cubs come of age before they turn three, at which point they'll leave their family pack, find a mate, and start their own pack. Leaving no need for ranks, just the simplicity of mother, father, and offspring.

However, wolf packs kept in reservoirs and captivity are different because they're usually much bigger, including not only relatives but random non-relatives, at which point a hierarchy is needed, which is where the idea of the Alpha, Beta, and Omega dynamic originally comes from—from humans studying a large group of mostly unfamiliar wolves held strictly in captivity.

This would be the same as locking a number of random humans together in a house and deeming the outcome a solid case study for what happens naturally when, in reality, it's the farthest thing from natural occurrence possible.

Of course, wolf packs of a larger number do exist out in the wild as well, though they are uncommon. But even then, the simple dynamics of Alpha, Beta, and Omega don't apply as straightforwardly as it sounds.

But anyway, here's a last fun fact about wolves: they mate for life!

♡ For more Omegaverse fics of mine: ♡ FEM x M INSERT ♡ GN x M INSERT

[descendant-of-truth]

Interesting addendum to this that I wasn't expecting: in the English version of Days, whenever Roxas talks about Sora, he's always clearly framed as a person. "Who is Sora," "I don't even know a Sora," etc.

In Japanese, he initially asks about who Sora is, but then switches to asking what Sora is. And it seems to happen not too long after Xemnas describes Sora as "the connection" between him and Xion.

He proceeds to wonder to himself what Sora is, and who exactly that makes him, before going to ask Axel about it. And during that conversation with Axel, he doesn't say "I don't even know a Sora," he instead just repeats the question of "but what even is Sora?"

Which I think adds an extra nuance to the narrative that gets lost in the official translation. Roxas instinctively thinks of Sora as a person, because why wouldn't he, but none of the answers he gets about him frames him as such. So, perhaps subconsciously, he starts seeing Sora less as a person and more of a mystery, this obstacle to his and Xion's lives that he can't seem to get answers about.

And normally, you'd think Roxas wouldn't fall into this trap, right? He's always been the most adamant about defending Xion's personhood, shouting at people when she's referred to as a puppet or an "it." His whole storyline is about asserting himself in the face of nearly everyone he knows dehumanizing him and trying to take away his autonomy.

Plus, he has Sora's memories! If he remembers things that Sora's done, and things that Sora's felt, how could he not see him as a person?

But I think that's a testament to how insidious the Organization's manipulation is. Roxas and his best friend are discriminated against, they're "othered" in a way that's unfair and it makes him justifiably ticked off. But that's the thing: he knows Xion, he cares about her, and of course he knows himself. He remembers things about Sora, but he doesn't really understand him - we never see him processing the memories he has very well.

So it becomes very easy for Sora to be presented as the "other." He doesn't stand up for Sora's personhood because he hasn't seen it, and frankly, he has bigger things in his home life to care about than whether some random guy he knows random things about is being treated well. Sora, reportedly, is half the reason he has so many problems anyway, and at this point in his life he just wants someone to blame.

It doesn't matter that Sora wasn't personally responsible for anything that happened to Roxas. He doesn't know what Sora did or didn't do when it comes to him and Xion, but everyone's telling him he's responsible, he's the connection, he's the reason everything is happening to him. And so, Roxas's anger is directed at an innocent person, someone who's really not much more privileged than he is, instead of solely at his oppressors.

Honestly, the way Roxas views Sora over time deserves a post all on its own, because it's not even necessarily as straightforward as "and then he saw Sora exactly for who he is once they joined together for a while and he got over his resentment." It's more like, his resentment turned into genuine respect, and then into this weird, resigned hero-worship for a bit, before they seemed to get on equal terms towards the end of KH3.

But my point is, Roxas plays a very interesting role in this pattern of Sora being dehumanized, because he ends up contributing to it for completely different reasons than everyone else, and it's not even on purpose. DiZ and the Organization see Sora as a tool, Namine and especially Riku care more about waking him up than how he'd feel about their methods.

To Roxas, Sora is the reason he lost everything. Sora is "what it was all for," which starts as something he hates, and becomes something that gives him a certain degree of comfort.

Because Sora will be the one to figure it all out, right? He can depend on Sora, just like everybody else, because that's what Sora's here for. He's a good guy, he'll find a way to make things right again.

He ends up being correct, but man. At what cost

Anyone else find it fascinating that whenever we're shown Roxas's feelings through Sora, it's just kind of melancholic and wistful, but the reverse scenario always feels like you just walked into a psychological horror?

Seriously, the way it's presented, it's like we're meant to see Roxas as an old friend that we miss talking to, but Sora - our original "old friend" that we would have reasons to miss - is hardly even shown as a person. The contents of his memories feel less important than the effect they're having on Roxas, which is usually Extreme Distress and/or physical pain.

And it's insane to me because KH1 was so whimsical! The memories that Roxas and Xion are experiencing are literal Disney magic! But the way they're shown, with the fuzzy filters and the glitch effects, sort of removes the emotions you associate with them and makes them come across as eerie and unsettling.

Not to mention, Sora's memories rarely prompt any feelings of happiness, the way Roxas's might make Sora extra fond of the Twilight Town crew... which might say more about how KH1 affected Sora's mental health than anything.

(I personally stand by the idea that the story revisits it so much as an analogy for how repeating events in your head over and over can alter your perception of them)

But like. how wild is it that this series found a way to take its cheerful protagonist, and without changing anything about him, turned him into this constant, unnerving presence that haunts the lives of two other characters?

And I think another reason Roxas doesn't feel like he haunts Sora in the same way is because no one really... treats Sora like a person while he's asleep. He's either a tool or an object of affection, and regardless of which you pick, his feelings are seen as secondary to the goal of waking him up. As a result, the narrative focuses entirely on Roxas and Xion's personhood, and unlike Sora, they never stop being treated like people once they're made inaccessible due to the plot.

It's probably a bit late in the story to bring it up by now, but I still wonder if we'll ever see Sora be upset with Riku for sacrificing people in his name. Sure, it worked out in the end, and I'm not sure if Sora's even aware of what happened (how likely is it that he's properly sifted through all of Roxas's memories at this point?) but there's a list of things he could still conceivably be mad at Riku about that he hasn't processed, and I want this to be one of them

[wavesoutbeingtossed]

You don't really read into my melancholia / When my depression works the graveyard shift all of the people I've ghosted stand there in the room / Sapphire tears on my face, sadness became my whole sky / It only hurts this much right now was what I was thinking the whole time / Ask me what I earned from all those tears / My sadness is contagious / I vowed not to cry anymore if wе survived the Great War / Every single thing I touch becomes sick with sadness / You know there's many different ways that you can kill the one you love, the slowest way is never loving them enough / The wound won't close, I keep on waiting for a sign / All I did was bleed as I tried to be the bravest soldier / Never take advice from someone who's falling apart

[epicmarrowbonesoup]

Headcannon that postcannon Charles doesnt like leaving Edwin alone for long streches of time.

You know the way he did in the beggining of the show, leaving Edwin alone so that Charles could be with Crystal or just giving Edwin space to be with other people(Monty or Niko). I think post-Hell Charles Rowland would feel uneasy about not having Edwin in his line of sight while at the same time not wanting to make a big deal out of it.

Like how in the last episode Edwin is alone and Charles leaves others to pack so he could check up on Edwin, that sort of thing. Or how he was hessitent to follow Crystals plan at first becouse he has to rescue(see) Edwin ( to me it also looks like Charles was so busy rushing to Edwin he didnt noitice Nikos body but that might just be me)

Anyways i think it would be a fun direction to take Charles's characther in. Considering in s1 he is already weary of Edwin spending time with the Cat King, youd get that whole jealousy thing but doubled and mixed in with his feeling of inadequacy as the brawn. But also s1 establishes Charles as being at least partially insecure about their bond: having to correct Edwin whenever Edwin says how Charles would move on quickly and constanty seeking reassurment from edwin about their friendship (ep 1 when he asks what would happen if death came, ep 4 with his fight with the night nurse, seeing Brad and Hunter the best friends as him and Edwin)

And then you also have the reversal of how Edwin was jealous of Charles spending lots of times with Crystal and now Charles is protesting every second Edwin isnt with him. And ofcourse Charles does it from a place of fear and love but Edwin would maybe interpret it the wrong way, who knows?

And, from what the writers have told us, Edwin in s2 spent at least some amount of time flirting with other men (hopefully without Charles lurking in the background) and from what we know from that one cameo Jayden and George did, there was a lot of tension between the boys...

Now im not a writer i didnt write the s2 script or anything, im not saying this is what would have happened in s2 but.... i think the tension might have come from that. From Charles seeing Hell as a traumatic expirience and his PTSD manifesting as his insistence on Edwin not leaving his side, Charles's insecurities and his fear of losing Edwin being at an all time high. While Edwin, who has learnd how to forget Hell, is acting as if nothing happened at all, exploring his sexuality and making new friends in the process.

It would make Charles confront all of the skeletons he's been hiding in the closet but also it would ask the simple question of why is Charles so insecure in their friendship? Why is he constantly mentioning them being best mates? Why does he need it so much? Why is he constantly searching from reassurences that they are best friends?

And for more angst, from Edwins point of view he is doing everything Charles wanted him to do in s1. Hes accepting and letting the dead boy detectives workplace to grow and change, he is being more open and friendlier, he is encouraging Charles friendship/relationship with Crystal and he is no longer playing trauma Olympics at the drop of a hat. So why is Charles so mad? Hes working through his shame and his supiriority complex, hes growing as a person and Charles is still stuck at the staircase.

[wisteria-lodge]

About the gender in hp thing: I know JKR wrote the books wanting the patriarchy to have minimal impact on the world but even through a couple of the metas you wrote you can see that that’s not the case. In your character crying post there’s a clear implication that showing that kind of emotion is a weakness but also that it is not masculine. Equating strength with masculinity is foundational for cultures with strong patriarchies, and this idea infests every other aspect of their lives. Idk because of that and many other reasons I have a very hard time of writing the wizarding world as anything other than a patriarchy

This is a watsonian analysis vs doylist analysis issue.

I 100% do think that JKR went out of her way to really, really downplay the importance of gender in her worldbuilding - and this contributes a lot to the specific feel of the world. You could genderflip, idk. Neville. Snape. Draco. Hermione. McGonagall. and almost no plot elements or character dynamics would change. (Maybe James would bully Severus slightly differently? Idk. He honestly might not.)

Compare HP to something like His Dark Materials, another British fantasy series released at the same time, marketed to the same demographic... in which gender politics are REALLY important. Lyra conforming or not conforming to specific gender norms hugely impacts the way a lot of other characters treat her. So much of Mrs. Coulter's character has to do with how she's navigated the back ways and side avenues into power, because the patriarchy that runs *that* world is extremely explicit and plot relevant, and there's a lot she just can't do.

Now is JKR *good* at writing a gender-blind world? Not really no. So she's stripped out the importance of gender in a fairly surface way, while leaving evidence of the foundations intact. Everyone's a het couple, women take the husband's last name, Molly and Petunia are at home while their husbands work and there's no inverse of that situation, Fleur's father walks her down the aisle at her wedding, it's important that Hermione be able to tame her hair when she wants to, but for Harry it doesn't matter...

There is ALSO the narrative voice poking through and putting its own spin on everything. This is where we start getting judgment (for example) directed both at girls who are too feminine, and at girls who aren't feminine enough. Or sexual assault not really "sticking" if it's directed at boys. We don't have a character talking, in-universe, about how it's wrong for a woman not to want children. We just have a book where the only women who don't have kids (or take care of kids) are villains. Same thing with masculinity = strength = no crying. That's something the narrative framing / bias of the author brings to the table, but it's kept out of the mechanics of the magical world. I guess you could say Harry and Draco equate crying/fainting with weakness (but not explicitly anti-masculinity)... but then Lupin goes out of his way to separate 'fainting' from 'weakness' anyway.

Interestingly, gender is much more baked into the muggle worldbuilding. (Part of why I think leaving that aspect out of the wizarding world was a deliberate choice.) Smeltings is an all-boys school, so is St Brutus.' Dudley teases Harry about his "boyfriend" Cedric, Vernon sizes up Arthur and Mad-Eye by how masculine they are. At the beginning of Book 4, Dudley's diet is this very gendered conflict between Vernon and Petunia, where Vernon doesn't want a "little nancy boy for a son" - and that is one of the only truly gendered insults in the whole series. "Crybaby" almost counts... but the Slytherins tease Hermione for crying too, so idk. They tend to go for pretty gender-neutral insults, like "poor" "unimportant parents" "looks like a chipmunk" ... etc.

Like... I'm trying to imagine a scene were Lucius lays into Draco for not being masculine enough, and I can't. I think that in a canon-compliant fic, a scene like that would feel odd. The conflict would need to be framed more like a "you disgrace the name of Malfoy with your weakness" or "never tell anyone outside the family what you're thinking" or "your believe yourself to be more intelligent than you truly are." Not "you need to man up."

[its-your-mind]

Something something timkon and hair and how lex lichrally programmed Kon to shave his head before he went all luthor and was forced to attack his team, his best friends, his family. and then how most of the hair on the back of Tim’s head got burned off when he got blowed up (thx Steph) and he had to cut or shave the rest of it off so it could grow back semi-evenly. and how kon was a #rebel esp compared to all-American Boy Scout Superman; Kon’s rockin around with the side cut and the leather jacket and the buckles and the spikes or the (ill-advised and made me sad) black t-shirt and jeans but even the “I am a totally normal bro” getup made him distinct and different from Kal and that is really important to Kon because he wants to be his own person, not a Superman-stand-in. and THEN fucking LEX made it so Kon would look more like Lex! his other DNA donor!!! And Tim!! He kept his hair short — just long enough to spike it up as Robin — until both of his parents were gone. which suggests to me that he kinda always wanted it long (hello Tim Drake, #1 Dick Grayson stan) but that just wasn’t an option allowed to him (not uncommon for parents who care Very Much about Appearances — my own parents were the same about my brothers’ hair growing up, not least because the private all-boys school they went to dictated that their hair couldn’t be long enough to touch the collar of their shirt (with exceptions for [insert kinda racist and vaguely xenophobic language here] hair styles). As soon as he turned 18 my baby brother got a rocker-style mane. But I digress. Anyway). Then, post-tragedy, Tim’s hair got long enough to flip down over his forehead and stream behind him when he swung through the city (perhaps one of his ways of clinging to control and his sense of self in the whole awful situation). But then… Tim got fucking exploded, betrayed by his ex-girlfriend who had only just returned after letting him grieve her death for a year, and now she’s following Tim’s dead father mentor’s instructions to challenge him or whatever the fuck bullshit Batman told her, (a young girl whose own father was an asshole criminal, who so desperately wanted Bruce to be proud of her) and now Tim has to cut his hair all the way down to the scalp again and listen. I’m sorry dc tim looks fucking amazing in adventure comics and I’m in love with how he is arted but hair cannot and does not grow back that quick!! Mf had to wait!! I bet it grew in fucking patchy!! I bet kon’s did too!! (prolly not as bad as Tim’s cuz Tim’s got scar tissue and shit.)

but I just think tim and kon deserve a chance to sit down and just commiserate with each other about growing their hair back out (growing back out a sidecut is a BITCH I speak from experience) and Tim’s prolly having to trim his own hair super often to keep it nice-ish while it comes back in, and Kon’s curls are just a fucking MESS until they grow out enough to like. Curl. (Again, speaking from experience) And they’re just shooting the shit (“well MINE was worse bc I looked like fucking LEX. LUTHOR.” / “well you didn’t have to wait to figure out which parts of your scalp we actually gonna bother growing hair again”) until it gets quiet for a minute. And then one of them asks if the hair also reminds the other one of The Shitty Thing That Happened. And then they fucking talk about it. About how they can’t look in the mirror without having a flashback of pain or rage. How it makes them feel like they don’t even get to control their own bodies, their own appearances, and how much that fucking sucks. How they go to run their hand through their hair and there’s just. Not enough of it to do that. How Kon is terrified that somehow looking like Lex means Lex will use him to hurt the people he loves again. How every time Tim sees another Bat or Bird looking at the back of his head, all he can think about is how they might be planning to lure him into another Bat-mandated trap test. How both Tim and Kon kinda really miss the feeling of people playing with their hair. How they miss playing with each others’ hair.

And maybe then one of them extends an offer and the other does the same and they agree to do each others’ hair. Maybe it’ll help paint a new layer over those awful memories.

So Kon finds Tim once a week (he’s never in the same place, he’s rarely even in the same country) and he trims the hair until it looks even, gives Tim the #sitch on how much hair is growing back in. After the second or third week he realizes that Tim’s not keeping up with his burn-care routine, so he starts bringing burn and scar cream with him too. Then he remembers Tim’s lack of a hair care routine and starts trying out different products on Tim’s hair to see what works best. Tim doesn’t say anything, but he thinks all of this feels even better than when Kon and Cassie used to twist little braids into his hair.

Kon insists that Tim doesn’t have to help until his hair’s grown out more, (that he doesn’t want Tim nearby and distracted while Kon still looks like Lex) but Tim outright refuses to let Kon push him away and he will NOT be outdone in the caretaking game. He waits until Kon’s busy fighting some giant alien robot in metropolis and sneaks in to the Kents’ house to scope out what products Kon uses. When he leaves the bathroom, Ma Kent is there, eyebrow raised. She tells him he “could have just knocked on the front door, sweetheart, we know how’ta keep secrets in this house. Now, let’s get some food in you before Conner comes home. You’re all skin and bones, hun.” So Tim goes downstairs and takes some mini meat pies for the road, and then researches the products Kon uses, what they do, what the ingredients do, if there are other (more expensive) options that people have sworn up and down are better. He amasses a collection, and the next time Kon shows up with clippers and healing creams and a new shampoo to try, Tim’s already got ten different products lined up on the sink — everything from shampoos and conditioners to serums and masks. Kon asks if these are things Tim wants Kon to use in Tim’s hair. Tim tells him that no, all of these are for Tim to try on Kon. Kon almost cries. (He does cry, he just doesn’t let the tears fall until Tim isn’t looking.) (Tim notices anyway ofc.) And Tim’s made a spreadsheet to track the effectiveness of different products, different ingredients, different combinations, so he tells Kon to start coming every 2-3 days instead, so he can establish results using a realistic timeframe. Sometimes, if Tim’s gonna be in one place for a few days, Kon just crashes with him. (Neither of them say it, but they both fucking CRAVE the old Core Four cuddle piles.) Eventually, when Kon’s hair is long enough that he’s ready to switch back to his side-cut again, Tim surprises him by not only shaving the hair down, but shaving a few racing stripes (“they’re flight patterns!” / “rob, I dunno what to tell you. everyone’s gonna think they’re racing stripes. doesn’t mean they aren’t dope as fuck, though.”) into Kon’s hair. Every time Kon’s hair grows out enough, Tim shaves it back and stencils in a new design. Kon starts making requests (“gimme the Super ‘S’!” / “It’s the House of El crest, Kon. You know that. Also, you have a secret identity to maintain.” / “C’mon, I’ll just say I’m a fan!” / “With the same El family crest shaved onto your scalp as Superboy?” / “No one’s noticed the identical head decor yet!”) but it’s the day Kon asks (with the same confident and mischievous tone as always) for Tim to shave in the Red Robin crest that something in Tim’s chest, something formless and warm that he hadn’t really paid attention to before, seers a burning path through his heart, takes root, and solidifies.

“Kon. I love you.”

Kon’s distracted, rifling through their hair-care bags for Tim’s razors. “Love you too, Robbie. Duh. That’s why I’m askin’ you to shave your cre–”

“No,” Tim shakes his head, mildly frustrated with himself for the lack of clarity. “I’m in love with you. I think I have been for a while.”

Kon is seated in the chair they’d pulled into the bathroom from the hotel room’s desk, so he has to look up to meet Tim’s eyes. The hand digging beneath sample bottles of leave-in conditioner freezes, still wrist-deep in hair products. Kon’s expression looks to Tim like one of his video games’ character builders froze between the settings for ‘bright smile’ and ‘shock and awe.’

So Tim just looks down at him. Waits. If this was anyone else, Tim would probably be losing his mind right now, but… it’s Kon. Tim’s safe. Kon would never do anything to hurt him.

Kon unfreezes, blinks a few times. “Could you–” he coughs. “Could you say that again? I think my brain maybe like, malfunctioned for a second.”

Tim takes a step closer, reaches out one hand to cup Kon’s cheek, scratches his fingertips through the stubble on the side of Kon’s head. “I’m in love with you, Conner Kent.”

Tears fill Kon’s eyes, and he blinks them away. “That’s– that’s what I thought you said.” His hand (the one not trapped beneath a sea of shampoos, some detached and unhelpful part of Tim’s mind remarks) comes up to gently rest on Tim’s hip. “Robbie, Tim, I– of course I’m in love with you. You– you’re– you’re amazing, you know that? You’re so kind and strong and you’re a genius and you’re a gift to everyone around you; I dunno how everyone else doesn’t see you like I do.”

Tim can’t help but reach out his other hand to wrap around the back of Kon’s head, to feel where the curls carve a path down through the shorter hair and come to a sharp point.

“I mean, damn Wonder Boy,” Kon tries to muster up his Superboy smirk, but the look in his eyes is full of too much genuine affection for him to pull it off. “I think I’ve been in love with you since Kauai, since you grabbed me outta free-fall and swung me to safety. You caught me. No one’d ever done that before. And then you just… kept doing it. You’re still saving me, still taking care of me.”

Kon reaches his other hand (no eruption of hairspray, thank you TTK, that same unhelpful part of Tim’s mind comments. Read the room! the rest of Tim yells at it.) around the back of Tim’s neck, avoiding the tender and scarred areas with practiced ease, and pulls Tim down until their foreheads touch.

“I love you, Wonder. I love you, Robbie.” Kon tilts his head up, waits until their eyes meet. He’s got the biggest smile on his face that Tim’s ever seen.

Tim smiles back, and Kon’s eyes soften. “I love you, Tim.”

Tim leans down and uses his hands on either side of Kon’s head to guide Kon’s lips up to his own.

This is what I want to remember, Tim thinks as he feels Kon’s fingers gliding softly against the sensitive skin of his burn, feels Kon’s TTK covering and protecting the parts still too tender to touch. Tim runs his own fingertips back and forth over the stubble on the sides of Kon’s head, before pushing them up until they’re tangled in Kon’s curls.

I don’t want to care anymore whether or not the people around me look at the back of my head and see weakness or failure. They don’t get to decide whether this mark on my body matters or what it means. I do. And I decide that these scars are important because they brought me here, to this moment. They brought me to Kon.

Kon tilts his head down to break the kiss. He stands up, and before Tim gets a chance to move away and give him space, Kon wraps his arms and TTK around him. He plants a kiss in Tim’s hair. “Damn, Wonder Boy. Having to grow all my hair back almost feels worth it if it got me here.”

Tim smiles and wraps his arms around Kon’s waist, nestles into Kon’s chest. “You know what, Clone Boy? I was just thinking the same thing.”

[fromkenari]

Hello, y'all! I just wanted to let you know that creator sign-ups for @fandomtrumpshate in 2025 start on January 20th. If you're not familiar with FTH, let me break it down: in response to our 45th President of the United States being as hateful as he still is, fans came together to auction off their time (fan labor) to do fan works for people who donate to a cause supporting the ending of hate against marginalized people around the world. Each year, thousands of dollars are raised through donations, and as a sweet deal, the winner of each auction gets a fan work of their choosing.

Creators can be of any type and choose which fandoms, characters, and ships they want to create. They get to say what they will and won't create. They usually list a quantity, say a fan fiction of at least 5k words, for their fanwork. Creators can also offer multiple things in multiple fandoms. It's up to them.

If you win the auction, you must provide proof of your donation, and then the creator will make your gift out of gratitude. Reminder: at no point in this process should you refer to this as buying, selling, or commissioning fan works because sites like AO3 will nuke the whole thing if you do that. So don't be that person.

If this sounds like something you would like to participate in, I encourage you to reblog the posts from the FTH blog with more details about the auctions and encourage fan creators to participate. However, don't be an ass and harass them to do so. All of this is done by volunteers for a good cause. Please, don't forget that.

Anyway, I'm still crying about us raising $10k in just a few days for @alliwantforchristmasislou, and I hope you'll take this opportunity to help others around the world, too.

[thydungeongal]

Hi do you have recommendations for someone wanting to play a fallout tabletop? Are there systems you’d recommend? If it makes any difference i’d be setting it in my hometown, not in an established location that the series has covered.

I've answered a similar ask a few times but as always Tumblr's search function is dogshit. Anyway, there is an official Fallout RPG based on Modiphius's 2d20 system which is a good workhorse system, but I am not otherwise familiar with it. But here's some alternatives:

After the Bomb by @aaronsrpgs is a rules light post-apocalyptic RPG that takes heavy inspiration from Fallout. If you want to get playing with minimal fuss, I highly recommend this one!

Other Dust is another good one, but it lacks some of the weirdness of Fallout. The system is a very serviceable old-school D&D based hack, but the real selling point here is the multitude of tables and procedures for generating content to populate the world with. However, the D&D DNA is a bit strong, and I feel the D&Dness of the system might not exactly service the goals of a Fallout inspired game.

Atomic Highway is not a bad one. It's free and I have played in a game of it that was modeled after Fallout, set in our hometown. As far as the system goes it's not my favorite one, but there's a lot of worse games out there and as stated it's entirely free.

Now, all of those are pretty traditional adventure type of games, where you can expect a party of post-apocalyptic freaks doing quests and stuff. If that's what you want, then those are some good options. But if you want something like. A prestige TV drama with an ensemble cast set in a post-apocalyptic world, I would recommend checking out Apocalypse World. It's what spawned the whole "Powered by the Apocalypse" framework and I feel the original still does a lot of things right in a way most games that utilize the framework just fail to capture. This one will require some readjustment from players if you're coming from a trad adventure game direction where games are expected to be like "a party" doing quests and so on. Apocalypse World is good if you want to basically play out a character-driven drama set in a post-apocalyptic setting. And it's quite good. The implied setting of AW is however quite different from Fallout's, so if you want to play something that is explicitly set in the Fallout universe then this one's not a great fit.

[kiera-raelyn]

Yessssss! THIS. PART!

Katara may have mellowed as she aged, but I've found that tolerance for stupidity and bullshit only goes down as I get older, not up. Older women just do not give. a. single. fuck. about society's bullshit anymore. Like, if you don't think Elder!Katara wouldn't subtlely ice over the ground someone was walking on to make them fall on their ass while they were spouting sexist shit to teach them a lesson and make them look a fool, you're wrong.

And no way in hell is she leaving the fighting to a younger generation. That doesn't even match the watered-down healer persona they tried to give her in LoK! What tf good does a medic do half a world away?!

I stg these man-children just could not stand to put Katara and Zuko in the same scene together in LoK for fear of giving Zutarans more canon material to work with. They would rather spite a sizeable portion of their fan base and butcher their own character than acknowledge that Zuko was in any way important to Katara, even platonically. Honestly, it's amazing they didn't have her die of heartbreak after Aang was gone just to preclude the possibility that she ever thought about any other man.

And none of that's even getting into @sokkastyles point about Toph, which I feel is also really important*. Toph is a badass bitch, but she too ends up bitter and alone in a fucking swamp of all places. Desirable enough to have sex with, apparently (see her two kids), but not to have a fulfilling longterm relationship, romantic or otherwise. Not to do that whole compulsory marriage thing. She didn't need no man. But why was she not with her family? Her friends? And we don't hear a damn thing about Suki. It's like... Bryke paid lip service to the whole Girl Power movement, but you can tell it's lip service because none of these girls/women ended up old and happy. The narrative punishes all of them for not being the epitome of the giving, feminine woman. Even Katara, who arguably got closest to that ideal by subsuming literally everything that made her who she was, ended up alone. I just. Gosh, it's like Bryke has a misogyny problem or something.

*I really feel like I did not actually delve into this point enough, honestly. Kind of touched on it then swerved around. But I feel like you could do a deep dive type of post comparing and contrasting how the other female characters are portrayed as desirable but Toph is not. And it's not that she's portrayed without desires/crushes, either. She blushes (which in this show is used to indicate romantic feelings) at least twice because of Sokka. He's stuck on Suki, so we get it, but no one ever shows any romantic interest in Toph, arguably the least feminine girl in the show. Which wouldn't have been a problem (again, romance is not a requirement to be happy), were it not for her portrayal in LoK. Anyway, maybe a post for a different time.

People defend Katara being reduced to only a healer in LoK by saying that fighting was too traumatic for her but Katara's most traumatic moments often involved healing, like having to bring her friends back from the brink of death more than once, or discovering she could heal through experiencing intense pain and being hurt by someone she loved, or being told that healing was all she was good for. Meanwhile she looked like she was having the time of her life beating some dude's ass.

[blessphemy]

Heehee, I'm really enjoying the mystery of all the seemingly disconnected things you tag as 'translation state.' You're making me want to read it <3

i'm hoping to create my translation state quotes hall of fame post soon, this book is actually a situational comedy masquerading as a political thriller star crossed romance with alien cannibalism garnish. you know, normal stuff.

i would recommend reading Ancillary Justice first though! first book in the Imperial Radch trilogy. then the rest of the trilogy, Ancillary Sword and Ancillary Mercy. i am dead serious i think the Imperial Radch trilogy is a modern sci fi classic, building on the sci fi canon that comes before it in such a fantastic way. Ancillary Justice is an absolutely beautifully put together work, master craft shit. no notes. (I do have notes on the structure of Translation State.) i have literally studied AJ's structure like I'm trying to dissect it and it's insanely clean. I can only think of like, maybe 1 thing I'd like to ask the author about regarding her choice of how she executed the ending. Leckie did you have Breq shoot the gun without public witnesses because it would've fucked up the logistics of the rest of a trilogy? part of me can't help but think the ending of AJ would've worked better as a final public showdown and it highkey felt like that's what it was building toward until—but on the other hand the ending as written mirrors the hidden situation with Awn so perfectly—anyway it makes me rabid.

GOD oh my god that scene with Lieutenant Awn (iykyk) when Awn dropped her mic on Anaander and then Anaander dropped her mic on Awn and I knew what was coming next and the whole arc of the book all clicked together right in the beating heart of the story I about screamed I had to put the book down and pace it out for a while before picking it back up.

the Imperial Radch trilogy punched its entire fist through my brain and i never truly recovered. it was everything i wanted. if you let me start talking about it i won't shut up for about 30-45 minutes minimum. it can be a little dense and I gather the tone/style is not for everyone but boy fuckin' howdy does it hit for the people it hits. every single character is my problematic fave. every single character is fucking unhinged in their own special way. <3 (except Queter. who may have built a bomb but she did nothing wrong ever in her life.)

Provenance and Translation State are in the same universe as the trilogy, but follow (mostly) different casts of characters. i suppose you could read Translation State first if you feel like a rebel, and I'd be fascinated to hear how it reads without the prior context. but also I really think it would land better if you read the trilogy first.

[valjeancrazylover2]

Javert's Inspirations

So, neither option won that poll, so I'm making this post first. This is probably going to be me ranting more about Javerts I like than actually talking about my own Javert.

The characterisations of other characters have been taken from either one primary source, musical actor, or my own personal take. For example, Cosette is mainly inspired by the 1982 film, but has some influence from musical actresses such as Beatrice Penny-Touré.

Exeptions to this is the versions of the characters post-barricade, as from there is where my story mainly diverges, as most Javert & Valjean Live AUs do. Most of that is my own interpretation, since they are no longer in "normal" circumstances.

As such, Javert has been very fun to work on, because there have been many different characterisations that I find VERY entertaining. They all seem to lean into one aspect of his character more than the others, which makes him... strangely versatile, for such a rigid character?

So... what does this mean for my favourite baldie?

-

Let's start with the guy who started it all, and my blog icon: Todd Alan Johnson. There will be several musical Javerts listed here, but nobody was doing it like TAJavert. I blame him in part for getting me into Les Mis, as I had been a fan of TAJ for a while, when I stumbled across him in 2021 in Little Shop of Horrors as Orin Scrivello (my favourite character - can you tell I like villains). After being introduced to Les Mis through the work experience I was doing in Feb 2024, i revisited TAJ, finding out he had in fact played Javert - first in the third national US tour, and a few other times in smaller productions.

Thats when I found the pictures from Surflight's 2013 production.

And thus Chauvert was cemented in the brain. simply couldnt have it any other way. he just HAD to be bald. Because of this, and at the time I began designing him I didn't know anybody else who played Javert (this would later be changed when I saw stewart clarke live, but nothing really changed after that except for the javert bug eye truth to be solidified)

I really wish there was more footage of this production past these photos, because I NEED more of his bald head as Javert. And look at those sideburns! They're all-natural! Plus, i thought his face was a good fit in general for Javert. It's less obvious with his sideburns, but he's got that big jaw, talks with his bottom teeth showing, intense eyebrows, big buggy eyes when he wants them to be.

Pic from him as Sweeney Todd. My Javert's face is just a heavily cariacaturised version of his.

Additionally, I'm sure you're all familiar with jadenvargen/melancholyarchivist's art. I was a fan before, so finding out there was les mis art too was huge. My Javert was always a bit on the larger side, but that one drawing with Javert and Valjean labelled something like "tremendously large man" and "bigger even huger man" or whatever, cant find the piece right now. anyway that definitely confirmed for me that they were BOTH gonna be built and fat, rather than the lanky javert that I see most people draw.

So, that was the foundation.

From here I'm not really sure in what order inspirations came, but next was probably Anthony Perkins in LM1978, because you just dont get more diva that that. We all know how much of a drama queen Javert is, and in fact Perkins was so good at this that the first thing I did after watching this film was go downstairs and ask my mother if Perkins was gay (to which she replied "Oh, absolutely flaming")

My inspiration for Javert usually comes from small, inconsequential little actions or demeanour that catch my eye... Perkins had plenty, as well as a ring on his finger, which I always forget to draw, but my Javert is supposed to have.

Here's a select few bits I like of his, that have directly influenced my Javert. There's probably more, but I can't remember off the top of my head.

1) the walk. 2) the way he hold's the cane??

3) this whole scene, but specifically the there is no monsieur in this room! there is only a scoundrel! line. 4) the way he reacts to finding out valjean is still alive. VERY similar to how it goes down in my canon, just in a different setting/scenario.

outside of 1978, there havent really been any non-musical adaptation Javerts that have particularly stood out to me. I havent watched 1998 but he doesnt look like he'd be like my Javert, and 1982 despite being my favourite adaptation ... did not have the most memorable Javert.

Even in the radio dramas, which i love to death, don't really have much influence over my Javert, since I already have a very clear idea in my head of his speech, and most inspiration comes from visuals. the CBS radio drama probably comes the closest to the way he speaks, though. (his voiceclaims are either roger allam, todd alan johnson, or some random french guy with a really deep voice who came up on my instagram feed once. yes, I'm serious, my javert sounds like that.)

My javert is not exactly expressive, or outwardly "sassy", per se? I think he's more subtly camp, perhaps with the way he stands sometimes. Don't worry, he's still the absolute drama queen he is in the brick, with "would you like my hat?" and all, but he delivers it in a much more flat way. that's why I don't exactly look at the way perkins delivers "monsieur, monsieur le inspector now!" for my javert. yes, he'd say that, but with a little less visible sass, if that makes sense.

Pre-seine, he's expressive in his own way. whenever he loses control a little he's prone to getting visibly angry; distressed (see: losing valjean when chasing him through paris); when you can see him setting his jaw with a visible vein in his head, short-tempered and curt; or that sort of sinister glee with his "bark" of a laugh or patronising sneer. But other than that... you've gotta hear it in his voice. Sorry to all the cuntvert fans out there, my Javert tries to keep it professional when he can, but he's still trying to out-diva everyone at any given opportunity!

So we return to musical Javerts, then.

I've seen a few, so it's hard to gauge who's had an actual effect and who hasn't. There are a few I do know for a fact I have taken little bits from:

Terrence Mann is familiar to everyone I'm sure. sass-central, which contradicts the above paragraph, but he does it in a wonderfully weird and kind of menacing way which i LOVE. My javert leans more into that menacing side of things. He's always JUST in the shadows, just so that you might not notice him, but if you were wary of authority, you'd see him lurking. his stature, you might think would make him a bit lumbering, but he's shockingly agile and snakelike. Think of a tiger. (oh yeah, shere khan from the jungle book is another inspiration i guess, but I won't include him here - we know.) Terrence Mann is delightfully snide and insane and I love it.

Gifs of small bits of his performance I like.

And his soliloquy? oof.. believably absolutely losing his mind.

The Javert who has probably influenced mine the most is Hartwig Rudolz, from the german Duisburg production in the 90s. He's commanding, he's dignified and haughty, he's even got the sinister chipperness about him from time to time (he's chummy with Madeleine in the cart scene, even laughing and smiling with him. While not really my Javert, it's worth a mention. Also does a condescending chuckle when Thenardier asks to be let go before Stars.)

More gifs of bits I like!

Bonus gif, cus that wig is loooong!

Three more would be Nic Greenshields, Jordan Simon Pollard and Michael Ball. They are all great Javerts (which might be a hot take, I'm not sure if ballvert is popular but I've been a fan of his for 5 years so maybe i'm biased.) I can't say TOO much on Nic and Michael acting-wise, because Michael Ball has only been in the arena tours, and the footage ive seen of Nic Greenshields is not the GREATEST quality - but they all have an air of haughty dignity about them, which obviously i try to give my Javert.

Jordan I've had the pleasure of seeing in person, twice, as well as meeting the guy. He's been the understudy for a while. He takes quite an expressive approach to Javert, using mainly his eyebrows, which i definitely think makes up most of my Javert's expressiveness. He really knows how to use his face to act - seriously, I can barely believe it's the same guy ! He usually has quite a furrowed brow, with his chin jutting out a little, standing with his chest puffed out. He's 6'3, and quite broad-chested (seeing as he works out) so you can imagine what kind of a presence that creates.

Both Nic and Jordan, being in the same production (Jordan was Nic's u/s in the UK tour, is now Stewart Clarke's on the West End) had this moment, but after Thenardier asks to be let go, on "it was me what told you so!", they turn and step forward so that Javert is basically chest-to-face with Thenardier (and the guy playing him at the time was like, a foot shorter than the both of them). I liked that a lot. Absolutely something my Javert is doing. He's got the height and the tits for it, there's no way he isn't, cmon

Also, both Nic and Michael also have the benefit of being broader than most Javerts, Nic especially, as he stands at a whopping 6'6, so he's a SERIOUS presence onstage. My javert is around that margin at 6'6-6'7, so that checks.

I know a lot of people say Ballvert is "too cute" or whatever, and i'd totally agree as a michael ball fan, but if you ignore the fact it's Michael Ball, i think he seems a bit more "unsuspectingly cruel" than outwardly intimidating. While this doesn't exactly reflect my Javert, he DOES have some good bits. From my notes when I saw him in the arena tour:

the wway he takes off his gloves in the confrontation was not only kinda sexy (sorry) but a bit foreboding. he has a nice amount of sass, which of course is always appreciated. his general attitude in Stars, too, like he's truly earnest, and someone mentioned how he sings it like a love song - yuuup. His soliloquy is also amazing, the way he portrays Javert as being just so scared of what's happening, but lapsing into anger... ouuh.

I have not fully planned out my Javert's suicide (attempt) yet, how he would be responding, but I've been leaning into the more fearful approach. I mean, his entire worldview has been shattered like that, the entire structure of which he built his life on has just crumbled in front of him, i'd be frightened too.

Anyway, random detail - if you were interested in the origin of Javert's scar, like, from a meta perspective:

Adam Robert Lewis, of course, with his cool nose scar.

My javert had a scar anyway, just a small cut on the lip, probably from a nasty hit to the face which never quite healed right and scarred, but something about ARL's scar really worked... so the scar extended a few inches up the face. It's changed places since then, originally going from the lip to the nose, then from the lip to below the eye, but now it's branched off to both. I still don't have a specific origin for the scar in canon, so you can make one up yourself.

Linking to that scar, and also linking back to Michael Ball - i mistook a shadow on his eye for a burst blood vessel, and thought it would be an interesting look for my Javert. I'm a sucker for temporary details (Javert's moustache post-msurm, for one), so I've given him a bad eye for early M-sur-M. Very recent development.

HONORABLE JAVERT MENTIONS, THAT INSPIRED ME SLIGHTLY OR CEMENTED A SPECIFIC IDEA:

Stewart Clarke. He was the first I physically SAW, and also the one I've seen the most, since he's the current West End Javert. Very good javert, unsettling with those eyeballs, very spitty, which I totally forgot to mention is also an integral part to my Javert. So, thanks Stew! His soliloquy is also just out-of-this-world, seriously. Seek out a recent audio of his if you haven't heard him. He's nuts.

Jeremy Secomb. Sir Eyeballs Supreme. If you want a Javert with an unsettling stare, he's your guy. And he's currently the Bishop in the arena tour! What a way to convince Valjean to be a good guy, just staring him down with your evil fucking peepers. When partnered with Peter Lockyer, they form THE valvert duo, they kissed on video in costume, so many cute photos of them together, and they LOOK the parts. Jeremy looking like those toys you sqeeze and their eyes pop out vs Peter's soft face and kind smile like a golden retriever or something. Seriously perfect.

Nick Rehberger. Current US Javert. Great at really minor acting choices, sassy man apocalypse. Very dignified. VERY handsome. Bit gay. Amazing voice. What more could you want?

Roger Allam. Now, I'm getting a bit ahead of myself here. I've already mentioned he's one of the 3 people I cycle through for my Javert's voiceclaim, and there's like NO (publically available) footage of him. I am planning on viewing the footage they do have, but that's some time in the future. The OLCR is my personal listening choice when I'm listening to the musical soundtrack, so Allam is kind of burned into my brain. I know it probably sounds crazy but the way his voice sounds really influenced the way I have Javert physically speak, with his heavy jaw. Anything about his specific physicality is completely imagined - but hopefully not for long.

Chris Murray. Another german Javert I really like, from a 2007 nonrep production. If you like unhinged Javerts with eyeballs for days, he's your man. He's also just greatly unsettling. He almost made the cut with gifs, but unfortunately Terrence Mann won out. He was just a little TOO chipper about things. But i do love how his amiability is very obviously a ruse, with the way he holds a stiff smile in The Robbery on "But where's the gentleman gone / And why on Earth did he run?" (or, the German lyrics, whatever. It's that part of the song.)

Preston Truman Boyd. One part only. He's the reason I gave Javert a moustache and weird little chin beard thing post-msurm. I just thought that was important enough to get a mention, other than that I haven't really seen much of him enough to say.

ANYWAY, that's about it !!

There's probably more i've missed, but it's 5.30am right now, and I'm flagging. Plus, the post is long enough as is.

If you've read this far, I gotta know - who's your favourite Javert, or at least top 5? Have they influenced the way you view Javert in any way?

If you're like me and like taking tidbits from different sources, what are yours? Im curious to know !!! PLEASE tell me!!!!!!

Much love to my favourite bald freak <3