#*cries in fear*

[elliothadeyes]

WHAT WAS THAT.

COLIN??

[lotus-pear]

do you finally see me?

[liesmultixxx]

“Why did you leave me?”

can you hear me crying?

the way annabeth thought percy had abandoned her like everyone else

… girl he fell into tartarus for you, he would never leave you

NEVER

rick was evil for that

[0bir]

Can We Start Over?

[ceaselessims]

the fact that martin blackwood haters exist is so confusing to me like he's a bitch who moans and complains but also sets fire to things for fun and successfully manipulates avatars and gets jealous about the avatar of death waking up his boyfriend up from a coma and is both jon's staunchest defender and not afraid to call out jon's bullshit

[reallybadblackoutpoems]

a treatise on government (c. 350 bc) - aristotle

"there are some persons who think, eurgh"

[meloooooonade]

Dadhara being a good Dad

[my-fancy-hat]

The process of creating is the active, constant question of the self, to question the extent of my capacities to convey a message worth of people's respect and admiration. To me, Look Back is a tale of self-reafirmation for Tatsuki Fujimoto. I'm aware it came out in the gap between part 1 and part 2 of the author's best seller, Chainsaw man, which makes this oneshot such an intimate soul-shaking story after what may be the pinnacle of his career. This made me question, why would he write this kind of story after CSM (and Fire Punch) anyways?

Through Fujino and Kyomoto's journey (which funnily, their names convined are Fuji-moto) we are put in the shoes of the stirring yet self-doubting mind of the creator: "why do you draw manga? why do you create?" is the question the protagonist has to find the answer for. Fujino navigate her life for her passion and pride as a talented story-teller artist, while Kyomoto does so for her love for art itself in a more reserved and personal way. Combined, I think they are the rope that pushes Fujimoto back and forth in his mind, the fear of the creator to tell a story worth of people's respect (Fujino) while being faithful to oneself (Kyomoto). Fujimoto knows there always will be an expectation, a mark above his head everytime someone is aware a new story has his signature, so it's understandable for anxiety to take the worst of you, the fear to be openly judged by the masses. So why do you even bother to get through that unpleasant thing? will I ever surpass what I made in my past projects? why do I keep creating? is this all I will ever be? the entire process is tiresome, boring, a never-ending task, I enjoy art better as a consumer anyways, so why?

If there's only one person who my art made their day better, made them smile or excited for what is coming next, then it was worth every single second I spend working on it.

It's a reafirmation to keep going. That I was born to live into this world for this sake, and I'm worthy to connect and receive this love. This is my place.

I deeply respect you for it, Tatsuki Fujimoto.

[larsnicklas]

panthers goalie sergei bobrovsky searches for his wife and daughter then salutes the raucous home crowd after clinching a stanley cup final berth with a 23-save victory on the evening (x)

[inamindfarfaraway]

Batman fun fact! Did you know that Scarecrow’s toxin doesn’t always cause fear? Sometimes it does the opposite! In Detective Comics #571, he wields a variant that completely inhibits the biochemical fear response, preventing people from feeling any concern for themselves or using basic common sense. He runs a racket administering it to star athletes, who take huge risks and get badly injured. Then they’re willing to cough up a lot for an antidote. Batman and Robin - here Jason Todd - catch on, but Bruce is dosed with the reverse fear toxin; since his intelligence is his greatest strength, being too overconfident and reckless to think twice about anything makes him his own worst enemy.

This premise was adapted in the Batman: The Animated Series episode “Never Fear”. There we see that with no fear of losing his moral integrity, Bruce becomes cold and merciless to criminals. Robin - here Tim Drake - has to catch somebody he leaves to fall off a building, tie him up to stop him endangering himself and others and give him the antidote to prevent him murdering Scarecrow.

But in the comic book, Jason is kidnapped by Scarecrow. He gets gassed and hallucinates Bruce dying and telling him that it’s his fault. He isn’t around to keep Bruce in check as he goes to rescue him through a series of death traps that he can’t resist cutting it as close as possible in. So how does Bruce not go off the deep end? How does he not lose sight of what’s important? Not lose himself?

Because even a drug designed to shut down stress at the most fundamental level can’t overpower his true worst fear. The Dark Knight might feel fearless…

but a parent never is.

[crismakesstuff]

what if instead of the viltrum empire they were the viltrum cuntpire and instead of conquering the galaxy they served cunt

[mrhunnynuts]

logged in to post this cameo i got late last year . have fun dadviders i like them a lot .. bye

[nonranghaes]

warnings: spider mentions bc writer is terrified and needs to write comfort. this is idol au, btw. (also readers in a polyamorous relationship with both chris and felix, just a heads up)

chris jolts awake when he feels you tugging at his sleeve, barely opening his eyes by the time you speak up.

“christheresahugespidercanyoupleasegogetridofit--”

it’s... a lot. it’s clear that you’re terrified (although his brain hasn’t deciphered what you said yet), and he sits up, reaching out to pull you in. on the other side of the bed, he can feel felix stir from his own slumber--and he hears him stifle a yawn. chris just focuses on you, though, “honey--”

you sniffle, fingers dinging into his arm as you hold him by the forearms, “please go get it before it moves--”

he doesn’t even have to decipher what you said anymore. he knows only one thing gets you this scared, and he gently pulls you in further until you’re actually sitting on the bed. “it’s okay,” he says, “i’ll go catch it. don’t worry,” he presses a kiss onto the crown of your head, getting out of bed. “i won’t come back until it’s gone, okay?”

you nod frantically, and chris mumbles felix’s name to rouse him further. felix turns over, gaze meeting chris’s--although he quickly nods toward you, redirecting the attention--and he understands. he kicks off the blankets, crawling over to you as chris takes his leave as designated-spider-getter.

“it’s okay,” he murmurs softly, drawing you in for a hug. “chris will get it.”

your breath hitches, and felix can feel as you start to cry. it’s a frustrating fear to have--felix knows, as does chris, because you’ve cried to them before about how you wish you could just be normal about those eight-legged little things--and you know that they’re far more afraid of you than you are of them. or, well, that’s what everyone tells you. you haven’t seen a spider have a breakdown because of you, but what do you know?

he holds you, gently tracing hearts on your back as he lets you cry your fears out. felix’s lips press against your softly, just for a second, before he pulls you in again. he draws your face into his shoulder, gently talking you through it. when he finally draws back, once your cries have stifled, he begins searching around.

“where’s bbokari...?” he mumbles. when he and chris are away, the plushies they gave you take their place (... alongside the others, sometimes, but you don’t tell them about that since you’ll never live it down). he moves, patting around until he hears chris come back. “hey,” he calls out, voice raspy with sleep, “do you see bbokari?”

chris stops for a moment with a “hm?” but looks over to your dresser where the group was last assembled. he reaches for the little chick, tossing him over to felix. he returns to bed soon enough after felix moves out of the way, gently guiding you back to the middle of the bed by the arm. he’s pushed bbokari into your arms, and already snuggled in next to you as chris pulls the blankets back over you all.

“it’s okay,” chris presses a kiss against your shoulder. “it’s gone. i took it outside. we’ll protect you, baby.” there’s a teasing lift to his voice, but you know he genuinely means it. 

“mmhm,” felix sounds, planting a soft kiss against your lips. “we’ve got you,” he promises. “alright?”

you snuggle in, both of your boyfriends cuddling in to keep you as safe as they can. it takes you a while to get back to sleep... but it helps to have your silly saviors nearby, always happy to catch and release the spiders and soothe you with as many kisses as it takes.

[kyrup]

brennan. hey. brennan i

[thorough-witness-enjoyer]

The Witness and Why It (and its demise) Means Everything to Me (A POC Perspective)

Hey everyone!! The Final Shape has ruined me and has brought me to levels of not only grief, but hope, that I did not think possible, so I decided to give my thoughts on the different aspects of it that moved me to a place where I can be at peace with many things in my life and look forward to paving a better future!!! I think I’ll be making many posts pertaining to the Final Shape as a way to help me express my thoughts on how important this DLC was to me, but we will see!

Please note that these are just my loose, not fully structured thoughts and I’m yapping. My opinions are subject to change and I’d love to hear the input of others! We will be talking about subjects such as slavery, religion, black experiences, and personal experiences of mine!!! It’s very long too, so I’m sorry about that and any writing errors!!

Though I do not believe what I speak of was fully Bungie’s intentions when making the character, the implications and views you can take on the Witness do relate to what I will discuss.

I wanted to start off my return to tumblr with one of the many, many reasons why I have such a deep attachment to the Witness (Precursors and Dissenters will get a different post bc they mean the world to me too!!) , because truly, this entity owns my whole life. I think of it all the time, it lingers in my thoughts, my art, my writing, all of it. It has been so deeply intertwined with my enjoyment of Destiny since it appeared and has offered so much to my perception of the world. I do not think I will truly get over it and I’d be lying if I said I didn’t draw it every chance I get. It appears in every single thought of mine, it’s bad you guys.

I love the Witness so deeply because I have never harbored such a personal level of DISGUST for a character before. As much as I joke about it being silly and the love of my life, the very existence of the Witness revolts me to the core and the tragedies it has directly or indirectly caused squeeze my heart empty. This festering rot of an egregore SICKENS me as it is the beliefs that has robbed me and many others of family, culture, and livelihoods given form. My love for the Witness comes from how it instills in me such HATRED, and truly, we were far too kind to it in game.

For context, I am Caribbean American and have a tumultuous relationship with my heritage for many reasons, but it wasn’t until the Witness and its many victims that I felt like the religious imperialism that has affected my heritage was represented in a way that crept into my spirit.

My Caribbean mother always said to me that we are of this world, not in it. That the hearts of men are wicked and sin (cruelty) was embedded in existence itself. It is only when we give ourselves to a higher purpose that we will be free in the end from all suffering. To her, this life and everything in it did not truly matter for it was a temporary challenge to overcome in order to earn an eternity of salvation. A perfect paradise was awaiting us all if we just gave into the way and left everything else behind.

These were all convictions she held to her very core as she tried to shed away all other aspects of herself to give into this “truth”, especially her Caribbean culture.

She did not always believe this way, but to her, the island she came from did not truly matter at all. Those “wayward people” she grew up with were not worth anything and would die as nobodies on that nowhere island for their lives were not saved, even if they knew of the “truth”. In her adopted views, those people believed in false gods and practices (such as Vodou and beliefs that belonged to those taken from Africa and indigenous populations), they invited in frivolous wants of the flesh such as lust (with „improper“ attire and certain dances), and committed crimes that proved to her that they could never be anything more than what they already were (though she would be blinded to the fact that these behaviors are a result of hostile environments created by the systems established for slavery and racial subjugation). If she wanted to be fit for “walking the right path”, those people had to be left behind for they were lost causes who could not be saved unless they were delivered by the “respectable” ways of life. She had to discard her black mannerisms, hair, speech, and more to have a place amongst the truly chosen.

Religious imperialism has a long history of being heavily tied to discussions of race and colonialism as those who participated in subjugation believed themselves to be more enlightened than the people they brought devastation to, giving them an entitlement that drove them to force their way of viewing religion onto populations. After all, in their minds, they were doing the greatest good for they were setting the people they subjugated on a path for eternal paradise. There was no cost too high in this finite life for infinite salvation to colonizers and all efforts to convert populations who did not see this truth would be “necessary”. People would die or be forced into servitude in mass to support the ambitions of the “enlightened” ones, whole cultures and populations being scrubbed from the face of this Earth in an attempt to “heal what is sick”, to “break broken bones again to heal them right”. I think of all the generations lost to war, slavery, colonialism, and every other act done to deliver “purpose” onto others, all the people whose names will never be known because others used the breath needed to utter it on preaching of their own virtue, and I am left in ruin.

I think of how my mother speaks of those lost to destitute lives because of the social pillaging of the island as an unfortunate side effect of guiding them to the truth and I look at how her world view has been ruined.

My mother thought she was saving me by keeping me from my culture, my people, my family. I did not get to know the language, the customs, the land, but I did get to know how much my mother thought those were distractions. She spent my whole life trying to cement the truths given to her by the same people who left her island in such as state that she felt like she had to run from it, to ensure I would not grow into a person, but a vessel of the righteous message. After all, to be a person is to be complex, nuanced, and flawed and there was no room for that in the visions given to her. The complexities and human flaws that came with our culture would only distract us from giving our whole lives to freeing ourselves from the curse of existence.

The cruelty the Witness delivers with such gentleness as it razes civilizations, its unwavering belief that it is the objective truth and other perspectives are blind to this truth, the means it will use to get that “justified” end, its gut wrenching to me and all that has been lost throughout human history to ideologies that bear the same qualities. Its zealous, static nature that relies on circular reasoning keeps me up at night and makes me mourn what could have been if the unfamiliar and hard to understand parts of human expression were allowed to flourish instead of being eradicated for diverging from someone’s vision of what makes a life worth living. I see this big eyed vessel, incapable of growth and convinced of its own righteousness and my chest feels like it is going to cave in. I see its disciples and pawns in the faces of too many people I know and recall their stories in moments that remind me how poisonous what the Witness represents is.

The Witness is an evil that has hollowed out lives, homes, land, and futures, especially for those who come from heritages that have persevered against attempts to “rectify” them. I still grieve the empty life my mother lives and the people left to suffer the consequences of daring to create their own meaning. I look at the face of the Witness and think of the “burdens lifted off my mother’s shoulders” by those who thought themselves as witnesses of a truth that could not be contested with interpretations that could not be questioned. She prides herself on being a weapon wielded to correct the sinful hearts of men, but I just wish she prided herself on being a person because those who “delivered” her robbed people of color of personhood entirely.

The Witness is not a person, but the embodiment of these deeply rooted ideologies and concepts that affect so many. It’s horror, both in game and the parallels it has in reality, is far too grand and unfathomable for me to bear its weight on my soul and not agonize. Its very existence is monstrous, despite the understandable intentions that went into its making, and my stomach churns at the mere thought of it.

How many species in the Destiny universe will we never know about because their whole galaxy was used to get closer to the Final Shape? How many star systems were left barren because of the Witness’ ambitions? How many children, spouses, artists, philosophers, siblings, neighbors, and more, people who were something, became nothing because of eons of the Witness‘ justifications? Bile boils just thinking of it.

What the Witness represents has hung over my head my whole life and its perverse touch lingers on the whole Destiny universe, tracing many of the depraved atrocities in the game back to itself. It’s death in the Final Shape, at the hands of those it had turned into victims and left to deal with the repercussions of its influence united together, moved me in ways I do not think I could ever properly articulate. To see beloved characters I had given a decade of my life to come together from different backgrounds with different reasons to defeat such a heinous entity, I felt like I could do my part to bring others together, despite our struggles and differences, to rebuild what had been taken from us.

As a person of color from a group of people many still think are undeserving of life, seeing so many characters I have related to over the years say “I matter because I decided to and you can’t take that away from me” to an entity who thought itself so refined that it got to determine everyone’s worth strengthened my entire being. Existing as a person of color is bold in and of itself, but the defeat of the Witness at the hands of people who wanted to exist so bad they risked everything for it ignited in me a flame to be audacious. My existence and culture as a poc is unsightly and heretical, but TFS encouraged me to take on the prejudices of others by saying “Here, despite generations being molded into a “perfect” image and so many lives lost in the struggle to live personal truths, ergo sum. Ergo sum and there is nothing wrong with that”.

To me, the Witness’ death showed me that the stains left behind by social structures such as religious imperialism and colonialism can be overcome by people banding together to make the future different from the past. When we embrace the subjectivity of existence, we can create spaces for different views on life to flourish and reconnect with the nuances of this world. We can better the lives of our people, no matter who they are, not by abandoning all cultural practices and ways of life that were deemed meaningless, but by rebuilding our societies to allow for fulfilling lives and self efficacy for all.

My people no longer have to let imperial powers decide our fate for us or decide that we can be nothing other than the „nature of our race“ that they believe is inferior. Instead of looking up at others who asserted themselves as more enlightened for salvation, we can look at each other and realize there is no one truth to life, especially one worth all the devastation and cruelty placed against those who lived differently. The intricacies of life often lead people to belief systems that allow for comfort and understanding, alleviating the anxiety of possibly living an improper life that will forfeit a desirable afterlife. It is up to individuals to decide what makes their life fulfilling and what beliefs will guide their actions, for no one can make your fate but you.

My mother still likes to wear the patterns of the island and keeps paintings of island scenery in her room. She talks on the phone in patois when she doesn’t feel the pressure to be “proper”. She misses her mother because she used to make dishes from home. To relate it to Destiny, she still has the coordinates to her Lubrae in her pyramid despite convincing herself abandoning it all was for the best and there was nothing there worth keeping. I once thought reconnecting with our heritage alongside her would be a frivolous endeavor, but I hope that with time and understanding, the Witness may not have power over her anymore and she won’t look back on her disassociation with relief. Time and understanding will make our island grow and flourish, free to decide what it wants to be, not held back by preconceived notions of the worth of its existence.

Despite all the Witnesses in the world, I will persist on and try to acquaint myself with my culture without shame. The Witness is everything to me because I hope one day it desecrates nothing ever again. I hope the Witness becomes nothing at all and the cultures it has corrupted make themselves something audacious.

Thank you guys so much for reading!! I hope you guys don’t mind the vague language, I chose to spare some details for my own sake and to make the message more applicable!! I’d love to hear the takes of other people about this bc I love hearing people’s perspectives!! And always remember, no one makes your fate but you!!! Go be audacious!!!!

[condraws]

love it when he suffers

(elias inspired by applea's fic The Timeline Of Theseus)