#* ∘ ∙ —— inquiries.
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frownyalfred · 6 months ago
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the “We should get married so we can’t ever be forced to testify against each other” trope except it’s Bruce and Clark as a catch all for any/all crimes committed by Bruce (as a vigilante) Clark (usually as a party to vigilantism, but also all the lies/forgery to look human) and both of them (money laundering, fraud, etc committed to create and fund the Watchtower).
Because if one identity gets found out, it’s not hard to connect the dots. And if it ever came to a trial, or a military tribunal, no one would see spousal privilege being invoked by Batman & Superman coming. Not from a mile away.
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poorly-drawn-mdzs · 7 months ago
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The girls are back (from the grave)
[First] Prev <–-> Next
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thatonekimgirl · 6 months ago
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Jordan Chiles finding out she won the Bronze medal on Floor || Olympics 2024
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dulioon · 2 months ago
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Complex Inquiries
fanart for fic by MeaslyFurball! ( @generic-sonic-fan )
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aaaand a bonus piece
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localbloodmage · 18 days ago
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This may be a weird question. But are you my coworker? Furthermore, have you placed a curse on me?
i am your coworker, but i'm not a witch and i didn't curse you!
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dreamsicle262 · 3 days ago
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Dead Plate AU Information
This is a masterpost detailing my AUs for Dead Plate, which may soon become their own fanfics—if given enough time—since I plan on trying to write out a few. There's a lot of text so be warned: there's a long post underneath the cut. I tried to describe character designs when necessary because there's currently no images like character sheets/references yet. Hopefully I'll get there. This post might be edited if I have more AU ideas, or if I add pictures.
As a note beforehand, I do have a headcanon involving Vincent not having a sense of smell, since being able to taste goes hand in hand with being able to pick up on scents. If he can’t taste things, then he likely cannot smell anything either. This headcanon remains consistent with him in these universes, unless stated otherwise.
Vampire AU
Dead Plate, but Vincent is a vampire. That’s pretty much what this AU is.
At some point prior to the events of Dead Plate, Vincent got turned into a vampire. He has only been dealing with it for a short amount of time, and his fangs have been taking quite a while to grow in. He didn’t really think anything of it at first. He still couldn’t taste foods, his appetite generally remained low, and he usually didn’t experience hunger very strongly.
He does murder Manon still. It’s during this time that Vincent is suddenly aware that he’s able to smell blood. Naturally, he figures that if he can smell blood, then he might be able to taste it. However, he doesn’t drink any of Manon’s blood to test this; whatever she has to offer he’s not interested in. It’s at this point that his plans have changed, and figuring out if he can actually taste something aside from nothing at all becomes his main priority. The whole ‘cooking with love’ thing is put off to the side for the time being. This could be attributed to him being selfishly inclined.
It's only when Rody accidentally cuts open his finger the next day that things change, and he actually does take the opportunity he’s been given to taste test his blood. As expected, this is an awkward situation for the both of them afterwards.
I haven’t fully decided on where I’d like to go with this AU to make it any different from the main plot of Dead Plate, but maybe an incident happens during the dinner party or something. I’ll figure it out when I actually get to writing the potential fanfic for this one.
There are no design changes for this AU aside from me giving Vincent fangs. He looks normal otherwise, and his fangs aren’t visible when his mouth is closed. There’s general vampire lore that I use that’s different from what’s usually expected of vampires but that probably doesn’t need to be elaborated here. I’m always open to questions on my AUs for further clarification though.
Florist + butcher AU
Rody is a florist, and Vincent is a butcher.
Vincent wasn’t able to open up a restaurant in this AU, but was content with opening up a butcher shop instead, still providing quality service to his customers in the process. Despite his shop being popular, it isn’t as large as it could be. In order to not put as much pressure on himself, he does have a few employees managing the shop’s orders, which mostly consists of providing custom cuts of meat or preparing special deliveries since his business is still a fairly big deal. Vincent himself mostly deals with the actual butchering in the back, instead of serving customers directly. He’s very picky about where he sources his products from, only accepting offers from places with a track record of animals raised to be high quality. Sometimes, this makes his store’s selections limited, and because it takes time to get new shipments in occasionally due to the distance, the products rotate every two days. Vincent lives above his business.
Rody is a florist, having managed to open up a store by saving up enough money to rent out an available building right next to Vincent’s butcher shop. He did this in order to cope with his break up, and to hopefully impress Manon and get her back. Since he’s managed to start his own business, it’s working out for him, surprisingly. Even if his business is for her sake and not his, at least he’s making progress with some personal growth and success. Rody still has a few issues with sourcing his products if he can’t grow them himself, but is otherwise doing okay. It is due to this reason that he is unable to deliver flowers, and majority of his customers are walk-ins instead. The only exception is if they happen to live nearby and he can reach them that way with his bike. Some of the flowers he sells come from his rooftop garden, which is contained within a greenhouse so he doesn’t go out of business every winter. His new apartment is below this garden, but above his flower shop. It is still considerably messy, but he tries to make improvements where he can.
Manon never had a rebound with Vincent, and was only aware that Rody had opened up a flower shop when he happened to get an advertisement in the newspaper and she saw it. Since then, she has opted to stay in contact with him, and occasionally visits like she used to. She lives somewhat nearby both stores. Given how Rody is making personal progress instead of being too self-sacrificing for her, she’s been trying to encourage him to invest more into his business instead of worrying about her all the time. It’s worked a little bit so far. Sometimes, Rody gives her nice bouquets of flowers that have meanings behind them since he knows quite a lot about flower language now.
Plot-wise, Rody will be staying in his chosen location near Vincent's butcher shop until he has enough money to relocate, but during that time he will get to know Vincent more due to their close proximity to each other constantly. Vincent, while originally annoyed by Rody's presence, starts to become intrigued by him and wants him to stay just so he can observe him some more. Of course, this leads to problems when he catches wind that Rody will be leaving soon, and is later told by Rody himself that he'll soon be 'out of his hair' in another month or so.
In response to this, Vincent starts sabotaging Rody's business by messing with stuff regarding the building (electrical cables, etc etc) and killing off his most frequent customers in order to cook into meals for him as potential bribery to stay. All of this negatively impacts Rody's business, especially financially, so he has to remain where he is longer than expected. He doesn't even know that Vincent is killing his business (quite literally) right next to him.
Design-wise, Rody wears an outfit similar to his casual clothes, but with his shirt buttoned up. His undershirt is a faded mossy green. Over his shirt, he has a dark brown apron with small, white floral patterns embroidered at the bottom to make it more noticeable. He also has an upper left pocket in the apron that he uses to tuck one flower in every day. It is usually roses of varying colors, but can be other flowers that mean love as well. Sometimes, his hair is tied back in a small low ponytail.
Vincent's design remains relatively the same, save for a kind of yellowish apron that goes over his outfit as well, and a pair of black gloves. His apron used to be white, but, given the nature of his work, it ended up giving it a look similar to old and yellowed book pages. It definitely has a few stains on it, but that comes with the job.
Manon retains her usual design. Can't improve perfection.
Zombie apocalypse AU
I had the vague idea for this AU, and @dollsteaparty helped me out with some other bits.
This AU is after the Table for One ending.
The zombie apocalypse happens and Rody primarily remains in his apartment during the beginning of it. He doesn't dare leave, and he doesn't even bother to look outside. The prospect of it scares him shitless, and for good reason. However, at some point he starts running out of food, and he can really only think of one good place in order to stock up. This forces him to finally venture out of his safe haven of his apartment and go back to Vincent's restaurant.
Unfortunately, Vincent is undead by this time, and isn't in a very good shape. His mouth is all fucked up and generally looks kinda like that one doodle in the upper left corner of a page by one of the devs that looked like it was based on a game or something. To make matters worse, he regained his ability to taste when he got turned in the first place, but his jaw is weakened and he can't bite down as well as he'd like or move it as much as he wants to most of the time. He can taste just fine but can't eat well, which has the expected side effect of pissing him off greatly with how ironic it is. Other than that, he's pretty well put together as a zombie, aside from the obvious ravenous behavior and poor muscle control that comes with being one in general.
When Rody does find Vincent, he's in the freezer room, and while Rody is strong enough to hold him off, it quickly becomes annoying to have to do. Eventually he's able to come to a compromise with Vincent, since apparently he's able to be reasoned with even in his current condition. Rody stitches up the sides of Vincent's jaw to the best of his ability to make it look more normal, but his handiwork isn't the best since his hands were so shaky. He was just nervous about them being near Vincent's mouth and the possibility of being bitten that comes with that.
The two then enter a relationship of forced codependency due to Vincent wanting to reopen his bistro even though it's the apocalypse since he's dead set on continuing business as usual and he can finally taste food, and Rody needing a safer place to stay where there's a food supply available, not to mention weapons. In fact, Rody's return helps the restaurant reopen, since beforehand people were too scared to enter the place, and they didn't even know it was technically still functional. It's still clean and everything too, because there was no way in hell Vincent would let his bistro fall into ruin.
The place becomes tense neutral ground where no violence is permitted in the dining area, and people are advised to use their best manners. It's a fine dining establishment and they will act accordingly. Both alive and undead customers show up, but now there's a sign outside the bistro that has a set of rules that everyone has to abide by if they wish to live. Besides, Vincent is capable of either reasoning with or even outright threatening other undead people if they don't act nice to their living counterparts while inside or around his esteemed establishment.
No one can have their weapons out or in view, customers cannot fight amongst themselves, no one except for staff are allowed in the kitchen, don't ask about the screams coming from the freezer, no one is advised to make sudden movements like running (something about predator drive and sudden movements making even valued customers look like prey), no one is advised to send the meals back to the kitchen since they most likely don't want their scent on it (they'll be associated with the food and have to be killed anyways), and if anyone has a problem, they can take it up with Vincent personally in the freezer. True to his word, Vincent still doesn't serve human meat... to his human customers. Any undead customers will usually be consuming human meat in their dishes because they can actually appreciate it.
Rody is the only one allowed to serve the customers in the dining area because all of the cooks working for Vincent are also undead, with the exception of the one cook that was fired since they got rehired. They help to desensitize their undead coworkers to a human in their midst, and also are a familiar face, so they have a lower risk of getting attacked. The zombified cooks and their fear of Vincent overrides any instincts that they might have as zombies, so he's capable of keeping them in line and certainly isn't afraid to enforce his rules in the kitchen. Both Vincent and his employees are in a much better preserved condition than any zombies outside the establishment due to them having access to a functional freezer. Also, Vincent does still pay whoever works for him. Vincent's apartment just upstairs has largely not been used in awhile, so that is where Rody stays, along with people who are looking for a safe place to stay for only one night. Vincent gets oddly upset when there's guests and Rody has to stay with them, but he does know it's for the better. Rody is also responsible for going on resource runs for cleaning supplies or ingredients, and for also stitching up the cooks when necessary.
Speaking of the cooks, sometimes they are put in the freezer on meat hooks as a form of solitary confinement for messing up very badly. They look miserable through that window in the freezer room door and Rody can very clearly see them when this does occur. That one human cook isn't stabbed with the meat hook and is usually just tied to it instead. If Rody gets the same treatment, he is usually tied up and left to sit on the floor for awhile, but typically doesn't remain in there for long since he either has to serve customers or Vincent deems his expression too 'unpleasant to look at' and lets him go anyways.
Character designs aren't too different aside from Vincent looking a little messed up in regards to his jaw, and Rody looking a lot more unkempt.
I also don't know where I'm going with this AU and if I particularly want Rody to be zombified or not... but I did think about a scenario where that would happen, as a treat. He would be turned by Vincent personally if he was dying somehow, and he'd probably try to get to his heart to eat it first before Rody turns completely. Something about wanting to taste what love really tastes like since it's his heart... and for Rody, laying his heart bare (literally in this case) and being able to love in such a way that it practically seems like he's serving his heart on a platter. Very big fan of the character design and what it could mean or show about him. Also I think Rody should lose the ear he lost in the actual game too. Just because.
As for that one human cook, Vincent would probably just get another cook to make them into a zombie if they were on the verge of death. They're not worth his time.
Plushie platonic soulmate AU
(Disclaimer: I actually am not fond of soulmate AUs in the traditional sense (aka almost exclusively romantic in nature) so this is platonic. Vincent is aspec to me in some way to begin with, so there's that too.)
During his emotional turmoil following his break up, Rody receives a mysterious plushie at his doorstep that looks like someone he’s never met before. He doesn’t know who sent it. This plushie is Vincent, but Rody doesn’t really know that yet. He’s heard of him since he’s a world renowned chef, but he’s not very familiar with his appearance. Either way, he reluctantly decides to keep the plushie, before eventually discarding it after it keeps showing up in his kitchen despite him putting it on a shelf somewhere. Also, his utensils seem to move in different places every day, so it’s creeping him out. It’s during this time that he’s looking for a job, but doesn’t take up the opportunity to work for Vincent, and instead opts for a simple fast food job. The Vincent plushie keeps showing up despite Rody’s attempts to get rid of it, so he just gives up and lets it remain in his apartment. One day, he wakes up to a fresh lemon tart, but no evidence that it was baked using his kitchen, especially since he doesn’t even have the ingredients to make that dessert. Beside it is the plushie, sitting there innocently.
On the other side of things, Vincent also receives a plushie of Rody that appears in his apartment one day on his living room table. He simply discards it, uncaring of where it came from. However, it keeps appearing again and again and it’s frustrating him to no end. At some point, he mutilates it with one of his knives, then trashes it again. When it comes back just as new, he puts it in plastic packaging and tosses it out of his window into the alley. When it returns yet again, he finally gets so fed up that he shoves it into the oven and sets it on fire that way. The plushie ends up coming back again and Vincent just puts it on his desk in his room, unwilling to mess with it anymore. He has no idea who the plushie was supposed to be because he’s never seen anyone like that before in his bistro. On top of this being strange, he also feels the strange urge to hide this plushie from Manon, since he doesn’t want her knowing that he has this. It’s unnatural and out of character for him to have something like that when it doesn’t serve any real purpose.
At some point, Rody and Vincent get to find the other person with their plushie counterpart and are both left thoroughly confused as to what it could mean.
Character designs for this AU do not vary.
Vincent forced therapy AU
Funnily enough, this AU came to me in a dream with one vague scene, and then it just went from there after discussing it with @vinylbiohazard. It's also exactly what it sounds like.
This AU is set after the Best Served Hot ending.
Vincent somehow survives after his restaurant was set on fire, but does have severe burns and some blood loss. The only reason why he doesn’t have severe blood loss is because the wound on his neck was cauterized by the flames, so it ended up not bleeding as much anymore. There’s still the glass shards that needed to be dealt with, though, so he does still need medical attention. One of the luckiest factors in this is how his restaurant was running out of cooking oil anyways, which is one of the reasons why he was even able to get out in the first place before his exits were blocked off.
Whenever the information of his bistro burning down becomes public, the general assumption of what happened is that he had been drunk, suddenly ‘snapped,’ and then tried to commit suicide while also taking his business with him. Essentially, his life is ruined, because he doesn’t seem too stable to the general population, and the media is having a field day with headlines. He does end up in the hospital trying to recover, and he’s not permitted to speak much for a while so his neck can heal. He technically still can since his vocal cords weren’t damaged, but it’s best that he doesn’t talk for some time. His neck is still in bad shape, but it could have been worse; the wine bottle that he was stabbed with narrowly missed the major veins and arteries in that area. By the end of everything, he does heal enough to look relatively normal, aside from the burns and scar tissue.
During this time, Rody is laying low at his apartment. He never comes out with the truth regarding his missing ear, and everyone just assumes that he lost it in an unrelated accident for being clumsy. While he would ideally like to stay away from the food industry, he does end up finding another job at a fast food place. When he learns that Vincent is still alive, he’s initially still upset, but since he’s had some time to cool down following the incident, he mostly just feels horrible. After all, he had expressed some concern about Vincent losing everything if something were to happen to his business. While not ready to approach him about it in the direct aftermath, Rody decides that he will try to talk it out with him at a later date.
As it gets closer to the day where Vincent can be released from the hospital, Rody shows up to talk to him, or, more accurately, speak his mind. He can talk to him without being interrupted, so he’s taking his opportunity to explain why he was so upset and why he acted the way he did. Adrenaline and trying to make rational decisions don’t mix well. Vincent has to sit there and listen to Rody rant for a little bit, all while he’s still not supposed to speak. At some point a nurse asks if the two were friends or something, and Rody has to awkwardly go along with it and say yes. Vincent is probably grumbling to himself mentally as this occurs.
Unfortunately, since Vincent’s apartment was above his restaurant, he doesn’t have anywhere else to go but Rody’s apartment following being released from the hospital. Rody’s not too happy with it either, but he’ll manage. In fact, he’s the reason why Vincent even gets to go to therapy in the first place. He’s the one to suggest it.
Vincent keeps taking Rody’s knives in his apartment because he doesn’t use them, they’re sharp, and he’s been considering killing Rody off anyways from being forced to live with him for so long. He has to keep getting them confiscated by Rody due to this. Whenever he’s scheduled to have therapy, however, he brings at least three knives with him and keeps them hidden. He doesn’t actually get to take them into the room where he’s supposed to have a therapy session and he has to begrudgingly give them all back to Rody beforehand. He may have been fully intending on using them to murder the therapist. It doesn’t look good for him, but he essentially has a mentality similar to ‘I’ve lost everything so why does it matter what I do now?’, so he doesn’t care.
There are no design changes for Rody in this AU, but Vincent has a few. There’s scar tissue on the right side of his neck from being stabbed there, as well as burn scars. There’s additional burns on most of his upper torso and arms. Any other burns aren’t as major, and most of them on his body healed over. In the hospital, he had bandages on over these while they were still healing.
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letterfromromeo · 2 months ago
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"omg mr crawling is so hot!!"
"omg mr scarletella is so hot!!"
MOTHERFUCKER I WANT THE MC
not the mc with bandages, not the mc where they draw her full face and give her an actual body
THIS MC
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OHHHH MY GODDDD
oh my god can i please have her guys come on come on
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baizhu-big-naturals · 2 months ago
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sweet divinity
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kuradex · 1 year ago
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day 260 Swampert
buy stickers, commission a pokemon, or support me on kofi!
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kiwinatorwaffles · 10 months ago
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maya fey goes to steel samurai con and finds miles edgeworth there in the world's least convincing disguise
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couldve at least taken that cravat off
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know-the-self · 1 year ago
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valverii · 1 year ago
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took a wrong turn and ended up at the university of stray dogs, why is my physics professor beefing with our forensics PhD 🤕
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comicaurora · 1 year ago
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19silvermirrors · 2 months ago
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The Song of Inquiry 🎐💛
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lasttrueheroine · 2 months ago
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it’s self titled season yet again
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007reid · 1 year ago
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hi aine! i love how you write spencer sooo much so i have a short request
i would looove sub/virgin spence where he’s been touch starved so he’s really sensitive and whiny but reader praises him and guides him through it
-🌹
hi rose 🌹 for one of my favorite asks ive ever gotten, i did a horrible job on this one so im so sorry ml 💔and sorry for the wait too...hope this is somewhat worth it😭enjoooyy!!
virgin. spencer reid
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pairing: sub virgin!spencer reid x experienced fem!reader. 1k
summary: exactly what the req says
warnings: whining, loss of virginity, riding, creampie, nun too extravagant. yu like the picture?😏😏
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"y/n...y/n!" spencer's crying, tears prickling at the corners of his eyes but he's moaning, humming his whines into your neck.
"easy, baby boy," you croon, slipping out of him and slowly lowering yourself on his cock again. spencer's pawing at you desperately, like he's never felt such a thing before.
it's because he hasn't. it’s exciting, being in a relationship with spencer; it’s exciting touching him and seeing him jump or freeze and then melt into your touch. he’s pristine, like a shiny trophy, untouched—touch starved and so unfamiliar to the idea of physical touch or intimacy.
"'s too much," he whimpers pathetically, voice halfway stuck in his throat. "can't, can't--"
"relax, spence," you murmur, pushing back the pieces of hair, damp with sweat from his face. spencer's eyes are squeezed shut, eyebrows furrowed like he's in pain or he's deep thought. you're not to sure which one. your hips continue snapping into his. "look at me baby." it takes a while, but spencer slowly peels his eyes open. they're glossy and his eyelashes are wet, and you're listening out for the word from him to stop but it never comes.
"y/n--" he gasps, right as your pussy clenches tightly around him. his eyes close again. spencer's breathing heavily, little hng, hng, hng's falling out his puffy lips. the sloppy sound of skin slapping against skin and spencer's whines and your quiet moans and the smell of sex clouds the room.
"you're okay," you reassure him, voice shaky trying to soothe spencer's nerves while trying to soothe your own. spencer's big and he practically splits you in half, the tip hitting the little button inside you that makes you want to scream without any maneuvering. he's not even trying, propped up against the bedpost as you ride him, hands pliant at your hips, the little slick of your wetness every time you lift yourself from him absolutely filthy. you lift his chin and he falls forward, planting a miss-aimed kiss at your jaw.
"you feel so good," he bambles. "so warm. i love you. feels so good but so much y/n, i--" he moans, cock pulsating inside you. his thumb flicks at your perky nipples.
"'m so full of you," you say, burying your face in his hair and wrapping your arms around him, trying to get as close as possible. "fuck. make me feel so good. my best boy,"
"best boy," spencer repeats eagerly with a soft little hitch of his voice. the tears resume. "y/n i can't it hurts, stomach hurts y/n please--"
you immediately know what he meant, and fasten your pace, hands on the base of his cock to make sure he won't slip out of you. spencer slides into you easily, your pussy stretched and wet for him and his fingers dig deep into both sides of your waist. spencer's moans cease and his hips starts bucking up to you, arms wrapping around your torso and he wouldn't stop talking. "gonna, think im gonna cum, yn please dont stop it feels so good, fuck!"
"cum in me," you coo, feeling that familiar buzz at the pit of your stomach too. "you got it. cum in me spence, so good for me, such a good boy,"
spencer's sobbing as he cums, warmness blooming at your core as he unloads his cum inside you. you follow suit, pressing at the sensitive nerves bundles at your clit, thighs shaking from the weight of your orgasm. spencer's shaking too, tears shiny on his rosy cheeks and you ride the both of you off your orgasms, the sweat on your skin cooling.
spencer's cum leaks outside the puffy walls of your pussy and down your ass when you pull off of him, pressing yourself at spencer's side and curling your body towards him. his chest is rising and his lips are parted. you watch your boy carefully, how his eyelids starts drooping as his breathing mellowed out. you should've saw it coming that spencer reid is the kind of man to get sleepy after sex.
but you've known him for long enough to know that spencer's mind never stops running, not when he's sleepy, not when he's asleep, not ever. "penny for your thoughts?"
he turn to you, smile debauched and eyes like marbles. he throws the sheets over the both of you and find your hand underneath the blanket, bringing it to his lips. "'m so grateful for you yn," he whispers like he's telling a secret. you strain your ear to listen. "so grateful. luckiest man alive. i love you. love you," spencer takes a long blink, and you know he's drifting off. you smile widely, so endeared. he weaves your fingers together. "i'll make it up to you. swear. after this. i swear."
spencer never speaks in choppy sentences, never speaks unless he's got the entire sentence planned out in his head and now he's babbling on like someone whose speech he would correct. amused, you reach out, smoothing down his hair with gentle fingers. "sleep, spencer," you say affectionately. he never needs to be told twice either, apparently, because his eyes flutter shut and he's out like a light, but fingers still tightly intertwined in yours underneath your blanket.
you'll just have to wash the sheets tomorrow.
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