#(while it was probably his choice to do so it still can affect him especially since Frak's gi would have to be tailor-made)

[riptidesblog]

Seeing Frak in a gi really similar to Lloyd's while also being actively mentored by him should affect Arin way more than he wants it to

[foreveia]

director’s cut ⤨ tsukishima kei

⨭ genre; college!au, childhood best friends to lovers, fluff, minor angst like its there if u squint

⨭ pairing; tsukishima kei x fem!reader

⨭ word count; 17.3k

⨭ description; when you convince your best friend into being the male lead of your film project, you don't expect for it to make you question your whole relationship.

⨭ warnings; profanity, alcohol, smoking

⨭ a/n; this has been in the works for quite a while now and it is defff the longest fic ive ever written (not saying will ever write yet bc who knows), but i think i like it. i am a sucker for best friends to lovers, ESPECIALLY childhood best friends to lovers, so i hope u guys like it :)

one. 

The universe has a top-tier sadism kink, and its living proof is Tsukishima Kei. 

You know this to be a fact because 1) aside from his bachelor of science in anthropology, he’s pursuing a PhD in sarcasm and uses his learnings primarily to eviscerate your self-esteem, 2) The Umbrella Academy doesn’t come out with another season for another few months so your life choices have become the pinnacle of his entertainment, and 3) despite being your Bestie™ of twelve years, he still makes you beg for his benevolence, even if he does have the annoying habit of showing up when you need him most.

It’s deeply unfortunate that he’s all you’ve got, universe be damned. 

“Name your price. Cake? Head? Money? C’mon, just tell me what you want!”

Tsukishima peers at you over his laptop with disdain, the blue glow of his pirated PDF of The Communist Manifesto reflected in his glasses as he squints at you. His lips are pursed in annoyance, face scrunched up as he seemingly contemplates whether to put himself out of his misery or squash you to little smithereens. “What I want is for you to go away.”

True love, honestly. The golden standard for kindness and affection. A picturesque image of camaraderie. Lo and behold, everyone, your best friend.

“Oh my god, Kei, please,” you whine, hands clasped together as you look up at him through batted lashes. He doesn’t even flinch, looking completely unimpressed—how pretentious of him. “I’ll literally pay you whatever you want.”

The blond rolls his eyes, looking back down at his laptop screen as he briskly retorts, “I’m not a prostitute, idiot. You can’t pay me to star in your stupid movie.”

He ignores the several judgmental stares that turn in your direction at his response. You, on the other hand, are praying the library’s studious occupants don’t assume you’re a pimp preying on broke college students. 

In all honesty, you probably should’ve chosen a less populated spot than the library’s first floor seats in front of Crow’s Coffee, especially if you actually had any intentions to get work done. But with just a few months left until the end of second semester, you have way too many dining dollars left and not enough places to spend them; in this capitalist world, you refuse to let more money simply be pocketed by the greedy hands of the school. It’s how you managed to tempt Tsukishima out of the comfort of his apartment in the first place—with promises of free coffee and shortcake, courtesy of your four-star meal plan. 

“Technically, that’s a pornstar,” Yamaguchi supplies unhelpfully from his spot buried amongst stacks of math and science textbooks. He’s the only one of you who’s effectively completing his assignments because he won’t pass his classes unless he’s in constant fight-or-flight mode (you thank every deity you can think of that you weren’t born to be a STEM girlie). “You know you’ve got the time to, Tsukki.”

“Yeah, but I don’t want to,” he shrugs. You promptly deliver a swift kick to his shins. “Ow—well, now I really don’t want to.”

“Be honest, do you hate me?” you sniff dramatically, letting your head hit the table with a soft thud; Yamaguchi pats your head tantalizingly, as if you’re a fuckin’ child, and you want to scream at them both.

“Yes,” Tsukishima snorts, not even bothering to glance up. “It’s your own fault for being a film major.”

You shoot him a glare, but no threats come to mind because he’s sadly right.

Being a film major is basically being in a perpetual state of begging: begging your friends to star in your work, begging your professors for an extension because your lead decided to quit the night before shooting, and begging your parents for forgiveness because they didn’t send you to college to become a “professional movie watcher.” 

Sure, you get to watch artsy film-bro movies for homework, but you also spend half your time pulling all-nighters to finish scripts and survive solely off a diet of Shin Ramyun and its complimentary mushroom flakes. Tsukishima likes to tell you how you reek of constant desperation; you concur because no one has a real penchant for the arts these days. In a world where everyone dreams of being the next Spielberg, nothing is truly original, and you’re just barely holding on with the kind of boundless optimism that can only be fueled by sheer willpower. 

So here you are, offering bribes of cake, coffee, and cold hard cash, trying to convince your best friend—who has the emotional range of a teaspoon and the patience of a sleep-deprived toddler—to star in your magnum opus so you can pass the semester. You’d ask Yamaguchi, but he’s got civil engineering exams and an actual promising future to worry about. Meanwhile, your future, desperation and all, hinges on whether Tsukishima will stop being a pain in the ass for ten minutes and agree to be your leading man.

Luckily, because you’ve been #pairbonded for twelve years, you know exactly what buttons to push. You let out a sorrowful sigh, before loudly declaring, “Fine. I’ll just ask Shoyo then.”

That does it. Tsukishima’s jaw twitches, his fingers pausing over the keyboard; you know him too well because the mere thought of the red-head starring in your movie is enough to make Tsukishima reconsider his stance. You never did understand their beef, but Yamaguchi tells you that they’re just inverse idiots, which seems pretty likely considering they’re actually both easily provoked and highly competitive. He looks up from his laptop, irritation flashing in his eyes. “Absolutely not,” he says flatly, closing the lid of his computer with a decisive click.

Yamaguchi snickers, clearly sensing victory in the air. You, on the other hand, suppress your triumphant smile and put on your best wounded-puppy look. “But he’s so eager to help,” you say, your voice dripping with faux innocence. “He’ll do anything for me.”

There’s a moment of silence as Tsukishima contemplates this. His fingers drum lightly on the table, a sign that he’s weighing his options. And then finally, he lets out a long, suffering exhale, head rolled back in exasperation. “Fine. I’ll do it. But I swear to God, if this film ruins my life, I’m holding you personally responsible.”

“You already hold me personally responsible for most things,” you chirp, practically beaming with delight. “But thank you, Kei! You’re the best.”

Yamaguchi looks up from his mountain of textbooks with a bemused smile. “That was a quick turnaround. You’re like a married couple.”

“Only in spirit, ‘Dashi,” you purr, blowing him a playful kiss. The freckled boy pretends to catch your kiss and presses it to his cheek in a dramatic gesture; no wonder he’s your favorite. He really is such a sweetie.

“Stop encouraging her,” Tsukishima groans, pushing himself up from the table. “And stop saying things like that. People might believe you.”

“Wow, not you denying our love,” you scoff, sticking your tongue out at him. “I want a divorce.”

The blond ignores your threat. “I need air. Bye, Tadashi.”

He gives you an unimpressed but telling look, so you roll your eyes and promptly start packing up your things, shoving notebooks and pens into your bag haphazardly. The last things you do are run over to give your beloved ‘Dashi a light squeeze goodbye, swipe your laptop and Owala into your arms (because you are a broke college student who cannot afford to get a new laptop and your New Years’ Resolution is to be more hydrated), and skip to catch up with your friend, already halfway out the door. The evening air is a refreshing change from the stuffy library you’ve been in for hours; you’re sure if you had any free hands right now you’d bend over and grab a handful of grass, just for the sake of it. 

‘Tis is the life of a film major, you guess. You’re bitchless with a capital ‘B’ and spend the other half of your time with your equally bitchless friends. And all they do is abuse your dining dollars and mock your miseries in life, so honestly, it’s a good thing you’re in school to write and produce rom coms. You can live vicariously through them, at least.

But whatever. Pathetic love life aside, right now, Kei has agreed, and you’re already one step closer to a successful final project. 

two. 

The walk home with Tsukishima is as comfortable as ever, the silence between you two punctuated by the soft crunch of gravel under your shoes and the distant hum of campus life winding down for the night. He doesn’t pull his headphones on, but he also doesn’t start up a conversation; being alone with him is simply being able to exist. 

He’s walked you home everyday since the beginning of middle school, when his mom found out he hadn’t waited that day and you had walked home alone in the dark. From your bedroom window in the house next door, directly mirroring his, you had overhead her lecturing both him and Akiteru about the importance of manners—and to Kei’s credit, he’s dutifully picked you up after your classes and chores ever since, even if he grumbles the whole way home. For some reason, this habit carried over when you, him, and Tadashi committed to the same university, even if it meant standing outside a frat house at two in the morning because you got too fucked up to walk home on your own. You puked out half your stomach on his sweatpants, and he’d made you do his laundry for a month as punishment, but he still waits patiently at the café by frat row every time you get coerced to go out by your roommates. 

As you reach your dorm building, Tsukishima steps aside, holding the door open for you; you roll your eyes, but a smile tugs at your lips. “Such a gentleman, Kei. What would I do without you?”

He smirks, letting the door swing closed behind him as you head towards the elevator. “Probably get kidnapped or something. You’re too trusting.”

“The only person I’d let kidnap me,” you say dreamily, pressing the button for your floor with a dramatic swoop. “is Oikawa.”

You’re only half joking because Oikawa Tooru, the president of Sigma Epsilon Iota (SEI), is in fact extremely pretty and volunteered to be in your film last semester. You later found out that it was because he’s an astronomy major and thus felt compelled to star in your movie (which, yes, was titled Stars); he convinced you to spend many extra weeks in After Effects making sure the sky imagery looked ‘as perfect as him.’ He’d actually been a really good sport about learning his lines and cues, but you’re pretty sure neither you nor your 2014 Macbook Air would survive that experience again. 

“Right, fall for the guy who does keg stands at every party,” he drawls, his tone laced with sarcasm. “Smart.”

You huff and stick your tongue out at him, earning yourself a half-shrug and an amused snort. The elevator ride is brief, and soon you’re at your door, fumbling with your keys; as always, Tsukishima stops and stands to the side, waiting for you to invite him in, because again, manners. You turn to him with a playful grin. “You know, you don’t have to stand there like a sentinel every time. You can come in.”

He raises an eyebrow. “Is that an invitation?”

You laugh, pushing the door open and gesturing dramatically. “Oh, please, come in. Make yourself at home.”

Not that you had to tell him that. He slouched past you and kicked off his shoes as soon as you gave him the cue. He’s honestly just as relaxed here as in his own studio, already stretching and making himself comfortable on the couch with your favorite decorative pillow tucked under his head. 

You two have settled into a pretty comfortable routine. It’s a Friday night, so chances are that he’ll yank out his phone, scroll through his email. You’ll put something on the TV and he’ll critique it through mouthfuls of popcorn, only to have it ruin his appetite for whatever you end up ordering for dinner; later, if he’s tired enough, he’ll give up on the thirty minute drive home and collapse next to you in your Twin XL. It’s a mess of limbs and limited space, but you two manage—you always have. Your suitemates, Yukie and Kaori, have already texted that they’re bringing home Chinese takeout for four, so you decide against your usual snacks because your twig of a best friend needs actual sustenance.

Swinging by your room to drop off your bag and laptop, you take a pit stop in the kitchen on the way back to pluck two bottles of soju from the fridge. You toss him one; he catches it neatly and observes the flavor with scrutiny. 

“You hate strawberry,” he points out. “Why are you drinking this?”

You shrug, walking over to plop down on the couch by him. “Because it’s your favorite.”

His head is right up against your thigh because he’s too tall to fit on your shitty university furniture, even with his legs half-dangling off the armrest. You click through Netflix, nursing your drink with a slight pout until you make the executive decision to put on The Bachelor.

“Trying to prove you can love both me and Oikawa at the same time?” Tsukishima comments, watching the screen as he pops open the cap of his bottle. He’s referring to Ben telling both Lauren and JoJo he loved them in season 20; you lowkey love the series and he highkey loves the drama. There’s just something about people finding their supposed soulmates after knowing each other for like a month that really makes life entertaining.

“Don’t ever compare me to Ben,” you frown, because you think he was a massive asshole for doing that to JoJo and then not even picking her in the end. These bitches really be throwing each other under the bus. “You’re so mean to me.”

“You just bribed me with strawberry soju.”

“It’s not bribery if it’s out of love. Plus, I can tolerate it for one night,” you roll your eyes, taking a sip of the drink. “So, you wanna know what the film’s about or not?”

He looks at you over the rim of his bottle, eyebrow raised. “Do I have a choice?”

“Not really,” you grin, patting his head affectionately. “Okay, so, the film. It’s a romantic short about the progression of a college relationship. Like, from the first meeting to the final stages of being together. It’s dreamy, very aesthetic—y’know, all those soft hues and hazy shots. A smoking scene thrown in there somewhere.”

“Sounds like every other indie film ever made.”

“Shut up. This one’s different,” you insist, lightly tugging on a strand of his hair. “It’s got a great cast—Yachi’s playing the female lead.”

He nods, seemingly interested. “Yachi, huh? What’s my role, then?”

“The male lead, obviously,” you say, not even bothering to look away from the screen. The opening credits have just finished and you’re instantly sucked into the magical world of Malta; God, what you would do to be there right now instead of in your overpriced residence complex.

“Oh, great. Falling in love. My specialty,” he deadpans, taking another swig of his drink. “What do I have to do?”

You hum absentmindedly. “Learn the lines, cues, whatever. Yachi said she’s free tomorrow, so maybe we can get coffee with her in the afternoon and run through the working script?”

Tsukishima groans. “We already have to get started?”

“Yeah, there’s a lot to do,” you retort, giving him a gentle punch on the shoulder. He frowns up at you disapprovingly, and you mockingly frown back. “Get over it. You’re my main star.”

He shakes his head as you both watch the girls line up in knight costumes to compete in the episode’s extra-time competition. Modern television is truly unreal. “Why did I agree to this?”

“Because you love me.”

You flick your eyes from the TV to him, gauging his reaction. He’s rolling his eyes, of course, but the small smile and faint blush creeping up his cheeks tells you everything you need to know.

three. 

The prior night, your suitemates eventually came home with the promised takeout; Kaori even brought home boba orders courtesy of her friend Bokuto closing shift at the campus Broba Tea, so it’s safe to say you have the best roommates ever. 

Turnabout is fair play, so you and Tsukishima agreed to clean up—therefore, even after your suitemates retreated to their rooms, you two lingered behind in the living room, sorting away recyclables and compost into their respective places and watching your favorites get eliminated. Friday nights like this are nice: just you and your best friend, making three-pointers with empty soju bottles into the blue plastic bin. Even after you finished the season’s finale, you put on some nature documentary (courtesy of his Disney+ subscription, which he exclusively uses for National Geographic like a fuckin’ weirdo) and argued about which ugly fish looked more like each other the whole hour and forty minutes. You must’ve crashed no earlier than one A.M., but the specifics are hazy: you don’t actually remember falling asleep.

So the miserable blaring from your phone right now is truly, in short, cruel. Apparently, you forgot to turn off your alarm for your usual Friday 11 A.M. lecture last night, because you’re currently being rudely awoken at a completely unnecessary time on a Saturday morning. Groaning, you slap around the bed until your fingers find your phone, silencing the alarm. As you roll over, you find yourself face-to-face with Tsukishima, who’s occupying the other half of your twin XL bed, looking every bit as disgruntled as you feel. His hair is a mess, and there’s a faint crease on his cheek from your pillowcase; his arm is slung loosely over your waist as he grumbles and tries to hide his face from the light. He must’ve carried you to your bed after you dozed off on the couch.

“You’ve got to be kidding me,” he mutters. His voice is hoarse with sleep. “Why do you set alarms on days you don’t have class?”

“I forgot to turn it off,” you mumble back, burying your face in your pillow. “Sorry for waking you up.”

He sighs, rolling over onto his side and squinting at you as he makes out the hazy figure of your silhouette through his shitty impaired vision. “Move over. Your greedy ass is hogging all the space.”

Ah yes. Truly, a dreamboat. You roll your eyes, but scooch closer to the wall nonetheless; his grip tightens slightly around the curve of your back as you make space, and you can’t help but smile into your pillowcase. Despite his grumpy demeanor, there’s a warmth to his presence that you’ve grown to appreciate over time. 

“Better?” you ask, your voice muffled by your cotton pillow.

“A little,” he grumbles. He shifts closer, his body warmth seeping through the thin fabric of your pajamas.

You lay there in comfortable silence for a few moments, listening to the quiet sounds of the morning outside and the soft rhythm of his breathing. Your head kinda hurts; you haven’t woken up this early on a Saturday in forever. Maybe in another life, you’re born as one of those matcha latte girls who get up at 6A.M. for a run and have their lives sorted out by noon, but in this one, you love procrastinating and Netflix far too much to have yourself in order like that. Truly, you run off caffeine and spite and Google Calendar reminders—and as if on cue, your phone buzzes with a reminder about the meeting with Yachi. 

Tsukishima, recognizing the sound of the notification, leans over and hands you the device to read, giving you a minute before he asks, his voice soft to match the stillness of the room, “So, what’s on the agenda for today?”

“Crow’s with Yachi at one,” you murmur back. Normally, you’d be giddy to meet with your beloved angel of a friend (you would literally give Yachi your whole life), but truthfully, you don’t really want to get out of bed. Kei’s fingers, lightly tracing patterns on your back as he processes the information, feel so comforting and warm. You’re tempted to cancel and spend the day here, in bed, with him, but you know just as well as he does that you can’t.

“Right,” Tsukishima sighs. “Guess we should get up soon, then.”

“Mmm, in a bit,” you reply, savoring the warmth of the moment. “Just a few more minutes.”

He doesn’t argue, instead allowing the silence to stretch on comfortably. But eventually, it does slow. “We should get going, or we’ll end up being late,” he says, though he makes no move to get up.

You groan in response, but you know he’s right. 

“Fine,” you mumble, reluctantly sitting up. The room is still dim, the curtains drawn, and you glance over at Tsukishima, who’s also making an effort to get up; he grabs his glasses, neatly folded on your nightstand, and puts them on, blinking back into consciousness. He looks far too composed for someone who’s just gotten up, but of course he would be.

What a lovely, familiar sight. You hope this, these Saturday mornings with him, never end.

***

The campus is slowly waking up, students milling about, heading to the library or the better of the two dining halls, the one that serves freshly-made waffles on Saturdays. The other one only serves the world’s runniest scrambled eggs that’s held together with the most plasticky cheese, so even if it’s a ten minute walk further, it’s worth it.

You secure a table near the window; the dining hall overlooks the square and you like watching the way people narrowly dodge the campus seal. It’s a superstition that you won’t graduate if you step on it—and especially now, in the second semester when everyone gets pretty desperate, you gotta respect the grind. Tsukishima has already gone to order at the counter with your dining card, so you’re left alone to ponder about your impending project; you go over the working script in your head, running the lines and dialogue over and over. 

Your thoughts are interrupted when he returns with a tray loaded with waffles, two matching cups of coffee, and an extra serving of fruit for you—because he claims you need to eat healthier. You think he should eat more, period, but whatever.

“Wow, I’m impressed. Fruit? Did you find it hard to carry all this food without your arms falling off?” you tease, as he takes his seat across from you.

He rolls his eyes, picking up his fork. “Someone has to make sure you get at least one vitamin today.”

You stick your tongue out at him and dig into your waffles because you never wake up early enough on a Saturday to actually have them often. 

“When we finish eating, I need to go back and get my laptop,” you announce over a mouthful of waffle, ignoring the disgusted look Tsukishima gives you. “And then we’ll head to the library.”

“I am begging you to chew with your mouth shut,” he groans, throwing a well-aimed napkin at your face. You catch it with a dramatic flourish and quickly dab at your mouth, before you ball it and toss the napkin back at him; he ducks violently, almost knocking over his cup of coffee. You fight the urge to laugh at him and instead stab your fork into a piece of cantaloupe. 

“You need to eat,” you declare, promptly sticking the fruit in his direction. 

His eyebrows arch slightly as he glares at the fork held out toward him, but after a beat of silence, he leans forward and bites off the melon with a grumble. “Happy now?”

“Ecstatic,” you beam, popping a grape into your own mouth. “So, Crow’s at one. We can read for like, an hour? And then you’re free to go home and do whatever you do.”

“Study.”

“So boring,” you sigh. “Don’t you have any friends, Kei?”

He scoffs, sawing off another meticulous square of waffle. “I have you. That’s enough socializing for a lifetime.”

“Lucky me, I guess,” you roll your eyes. 

He smirks in response, taking a sip of his coffee. “Yeah, lucky you.”

four. 

After breakfast, you head back to your dorm to grab your things. Tsukishima scrolls through his phone, making an occasional snide comment about whatever nonsense he comes across on Twitter. You pack your bag with your notebook, laptop, and a few pens—desperation fuels organization, and you can’t afford to leave anything behind.

The walk to the library is filled with light-hearted banter, and soon enough, you spot Yachi waving at you from a corner table. She’s already got her laptop out, a notebook filled with neat handwriting open next to her, and you skip up to the table. 

“Hi baby girl,” you coo lovingly as you give your friend a hug. Tsukishima gives Yachi a polite nod before sliding into the seat across from her, leaving you to fill the middle one. “Thanks for meeting us before your shift.”

“Of course! I’m really excited about this project,” Yachi beams, her cheeks slightly pink from your affectionate greeting. “I’ve been reading over the script and it’s just so lovely. I can’t wait to get started.”

And this, everyone, is why you adore Yachi Hitoka with your whole heart. You would actually dropkick your best friend off the face of the earth for her, and that is not an exaggeration.

Tsukishima sighs, reaching into your bag to pull out your laptop; he settles it on the desk and pries it open for you. “Let’s get started.”

His impatience makes you roll your eyes, but nonetheless, you click to the latest draft of the script and slide it over for your Blondes™ to see. “Here’s what I’ve got so far,” you say, pointing at the section still titled SCENE 1 DARFGT :P from when you wrote the first six pages over the course of an all-nighter. “The first scene sets the tone for our whole film, and I’m thinking of having it outside the library, so get used to this café.”

“As if we don’t already spend half our time here,” Tsukishima deadpans, but he leans closer to the screen anyway. You watch the way both of them take in the script, their gazes fixed on the document as they read through the lines. 

He looks visibly relieved as he scrolls through the very short document; it’s a mess of director and action notes because you have a very specific vision in your head that you want to execute. “It doesn’t have much dialogue because I want it to be focused on the little details that show your initial connection,” you say as they near the end of the script. “Y’know, body language. The way you look at each other. Your expressions.”

Momentarily, you pause to read their reactions; you’re minorly concerned because acting is actually the hardest part of the job, even if memorizing dialogue does suck. Thankfully, Yachi’s eyes visibly light up, and she chirps cheerily, “I love that! It feels very natural and genuine; I think that’s beautiful.”

Her reassurance makes you kick your feet like Sofia the First because she says it in a way that feels completely real. 

Tsukishima, on the other hand, does not acknowledge this statement: he’s too busy raising his stupid eyebrow and smirking as he reads scene four. He drags his finger over the screen, where the line reads Interior - Dorm Room - Night. “Okay, first of all, very original,” he snorts. “But second, you volunteered my place without asking me? How very presumptuous of you.”

“Well, I have roommates,” you say, really emphasizing that last word because you want him to feel as stupid as he looks smirking like that (he looks very annoyingly pretty with his cat-like simper). You know he doesn’t actually care about the usage of his studio: he just loves seizing the opportunity to mock you.

Your internal irritation clearly goes ignored by him, because he just grins as he continues to blissfully dissect your script. “And ‘they kiss passionately’? Really going for the heartstrings, aren’t you?”

“It’s called intimacy, Kei. It’s a crucial part of developing the relationship on screen.”

Yachi, ever the peacekeeper, nods eagerly. “I think it’s really sweet. It’s important to show the depth of their connection. The close-ups will make it feel very personal.”

“Sure, whatever you say,” Tsukishima says, raising an eyebrow, his expression still amused. He gestures to the next few pages—blank sans the text DJEJSJSJDJ PAIN, because again, you spend a lot of time writing during deranged all-nighters. “But what’s with the cut to black right after? Did you run out of ideas?”

You bite your lip. “I haven’t finished the ending yet. I want to see how you two portray the characters and their chemistry before I decide how it concludes. It’s not just about the script; it’s about the emotions you both bring to the roles.”

“You mean you’re winging it.”

“Creatively winging it, yes,” you roll your eyes. “It’s a work in progress, and I trust you two to help bring it to life.” 

Tsukishima rolls his eyes, but there’s a hint of a smile tugging at the corners of his mouth. “Alright, I’ll give you that. But if I have to make out with Yachi and you cut it short, I’m going to hold it against you.”

Yachi blushes, but she’s smiling too. “I’m sure it’ll be great. We can practice and make sure it looks natural.”

“Thanks, guys,” you beam at them both, grateful for their willingness to dive into your project. 

As antsy as you were, the film’s got a lot going for it—Yachi is a sweet, earnest cutie pie and Tsukishima is… well, him, so their contrast will hopefully make for compelling cinema. And the word compelling is honestly enough—those three syllables are truly music to a film major’s ears.

***

By the time you finish at Crow’s, the sun has already dipped below the horizon, casting a dusky glow over the campus. Tsukishima predictably gets ready to walk you home; he shoves his hand in his jacket’s pocket and tries to look nonchalant, so obviously you tell him he looks stupid, to which he promptly flips you off. Rude. Some people just don’t know how to appreciate honesty.

Yachi’s already headed off to her shift at the café, so you two are left alone, navigating past other tables to the library doors. The evening air is cool, a welcome contrast to the warmth of the crowded café; you walk in companionable silence for a while, the only sounds being the rustling leaves and the distant chatter of other students.

He walks you to your gate, and you’re honestly about to just head inside, but you pause in your tracks because he deserves to hear it twice. 

“Kei,” you say softly, breaking the silence. “Thanks again. It really means a lot to me.”

He looks at you, his expression unreadable. “I know. That’s why I’m doing it.”

You blink up at him, momentarily thrown off by his directness. Tsukishima isn’t the type to say things he doesn’t mean—he’s never been one for flattery or unnecessary kindness. And yet, there’s something about the way he says it, the quiet certainty in his voice, that makes your heart do something stupid in your chest.

Tsukishima Kei cares about you. No matter how much he pretends otherwise, you know he’ll be there for you when you need it most. If twelve years have taught you anything, it’s that he’ll do it reluctantly, begrudgingly, but he’ll be there for you. 

He always has.

five. 

The first day of filming is, somehow, going smoothly.

You’re not sure if you should be suspicious of this. Typically, film shoots involve at least three things going horribly wrong within the first twenty minutes. A mic cutting out. A location suddenly getting overrun with people. A key actor arriving late because they forgot their costume at home.

But today? Today, things are working. The morning light is perfect, the sound equipment is cooperating, and most importantly, Tsukishima and Yachi are actually… really good together.

Which is a huge relief, because you were honestly half-convinced you’d have to wrangle the emotional chemistry out of Tsukishima with sheer force. But watching them run through the first scene on the bench outside the library, you realize you don’t have to do much at all.

He’s relaxed, leaning back with an elbow draped over the back of the bench, his eyes sharp and calculating as Yachi speaks; she’s perfect for the blushing, hesitant-but-artistic old soul character you want to portray and he takes to his role just as quickly. There’s something natural about the way they interact—the slight hesitations, the way he looks at her before speaking, the subtle smirk that plays at his lips when she nervously tucks her hair behind her ear.

It’s not forced. It’s not awkward. It’s just real.

You bite your lip, watching through the camera screen as Yachi delivers her next line, her voice soft, a little unsure. Tsukishima’s response is barely above a murmur, but it carries, even in the open air. The way he’s looking at her—that’s what makes it work. It’s the kind of gaze that makes people believe in love stories. 

Holy shit. This might actually be good.

“Cut!” you call, your voice a little breathless as you lower the camera. Yachi blinks up at you, a little startled, before breaking into a smile.

“Was that okay?” she asks, a hint of uncertainty in her tone.

“More than okay,” you say, grinning as you step over to them. “You guys are killing it.”

Yachi lets out a relieved laugh, cheeks pink. “Oh, thank god. I was worried I looked weird.”

“Nope. You look like the perfect indie film love interest.” You pat her on the shoulder before glancing at Tsukishima, who raises an eyebrow at you.

“What?” he drawls.

“You’re actually trying.”

He scoffs. “Yeah, because I’m not going to embarrass myself on camera.”

“Right,” you deadpan, smirking. “Nothing to do with the fact that you two have, like, the easiest natural chemistry I’ve ever seen.”

Tsukishima rolls his eyes, but you catch the way his jaw ticks slightly before he stands up, stretching. “Are we done here? Or are you going to keep talking?”

Impatient idiot. You snort and go to collect your camera and sound system, and together, you all head off to film scene two.

***

The second scene of the day takes place in the small, naturally-lit art studio on campus. It’s not often used, especially not on the weekends, now that the university’s built the big fancy modern art building in the north campus, but it’s perfect for this scene. You wanted something intimate, somewhere that made the world feel smaller, quieter, to parallel the deep intimacy of a relationship (wow, look at you talking like a true film bro). A space where the characters could be alone, even if they weren’t saying much.

Tsukishima sits at the table, his hands idly flipping through a sketchbook that’s just a prop, though you think it suits him weirdly well. Yachi’s holding a paintbrush, standing near the window, looking at a half-finished canvas, the soft glow from outside catching the strands of her blonde hair just right.

“Alright,” you say, stepping back behind the camera. “Tsukishima, this scene is mostly you watching her. Yachi, I want you to look like you’re lost in thought. You’re thinking about something big, but you’re not sure if you want to say it.”

Yachi nods, exhaling as she settles into place. Tsukishima just leans on his elbow, glancing at her through his glasses, waiting.

You call action. And for a moment, the room changes. It’s not just a studio anymore. It’s a quiet, suspended moment in time.

Tsukishima watches Yachi, and you can’t look away. The way his gaze lingers, not quite analyzing, not quite soft, but something in between. The way Yachi’s fingers trace the edge of the painting, distracted, unaware of the way he’s looking at her. The way they look so perfectly together, like halves of a whole, like something that’s meant to be.

It’s... breathtaking.

You swallow, suddenly feeling warm.

They’re good. Too good.

“Cut,” you say softly, your own voice sounding a little distant.

Tsukishima looks up at you immediately, brows slightly furrowed, like he’s searching for something in your expression. Yachi, however, simply exhales a breath of relief, breaking into a small laugh. “That felt really real,” she says, beaming.

“It was really real,” you admit, trying to shake the weird feeling creeping up your spine.

Wow, honestly. They must be some of the best actors you’ve ever met. If you didn’t know better, you would think they were actually in love.

six. 

The blinking cursor on your laptop is mocking you. 

It’s a tiny, relentless metronome ticking away the seconds, reminding you of your failure to move forward. You glare at the half-finished sentence on the screen, fingers hovering over the keyboard, willing your brain to conjure anything—literally anything—that makes sense.

You had an ending in mind—of course you did. The perfect, soft, cinematic conclusion to your film. A final shot drenched in golden light, delicate and lingering, like a whisper against a bruise. The kind of scene that settles into the chest like an old song or a half-remembered dream, stirring something deep and unshakable. The culmination of all those quiet, electric moments between your leads, woven together into something fragile and honest.

Except every single draft you’ve attempted so far? Complete garbage.

You groan and throw yourself back against your chair, rubbing your hands over your face in frustration. Why does this feel impossible? You should’ve known writing the ending would be the hardest part. You’re always better at beginnings—openings are easy. Openings are full of possibilities. But endings?

Endings mean making a choice.

And right now, you have no fucking idea what choice to make.

As if on cue, summoned by your misery, your door swings open without warning, and Yukie strides in like she owns the place. Which, to be fair, she practically does—she and Kaori have an open invitation to barge in at any time, and they use that privilege liberally.

“Please tell me you’re taking a break from that thing,” she says, nodding toward your laptop as she flops onto your bed. “You’ve been staring at it like it’s personally offended you.”

“It has personally offended me,” you mutter back, head caught between your hands, visibly in distress. “I’ve rewritten it like five times, and it still feels wrong.”

Yukie hums, but her attention drifts toward your open script document, skimming the words with the sharp, practiced gaze of someone who enjoys knowing things before you tell her. A beat later, her eyebrows shoot up.

“I still can’t believe you’re letting Yachi and Tsukishima film together,” she says, lips curving in a smirk.

You glance at her, confused. “Uh, yeah? They’re the leads? Kind of an important part of the whole thing?”

She rolls onto her side, propping herself up on one elbow, expression downright mischievous. “No, I mean… you don’t think it’s a little risky?”

You blink. “Risky how? Like existentially?”

Yukie snorts. “No, dumbass. I mean, don’t you think it’s easy for co-stars to catch feelings for each other? Like hello? Zendaya and Tom Holland broke the Spiderman-MJ curse cause of it.”

“Oh c’mon,” you scoff immediately. “Kei and Yachi? Please. He’s the human equivalent of a hazard sign, and she’s literally an angel.”

“And opposites attract,” Yukie sing-songs, wiggling her eyebrows like she’s just cracked some grand conspiracy.

“Not like that. It’s literally just acting.”

Yukie tilts her head, looking entirely too entertained by your dismissiveness. “You say that, but it’s not uncommon. You spend enough time pretending to love someone, and eventually, it stops feeling like pretending.”

You open your mouth to retort—but for some reason, your brain short-circuits. The words are there. They’re on the tip of your tongue. But they won’t come out. Because now you’re thinking about it.

Tsukishima and Yachi. Together.

It’s ridiculous, obviously. Tsukishima is sarcastic and emotionally constipated, and Yachi is sweet and nervous and actually respects people’s feelings. They make sense on screen, sure—chemistry is chemistry, and that’s what acting is for. But in real life? You can’t even picture it. Matter-of-fact, you shouldn’t even be picturing it.

And yet, something uneasy churns in your stomach, and you shift in your seat, suddenly feeling uncomfortable in your own skin. No, this is stupid. You’re overthinking. Yukie’s just stirring up unnecessary drama because that’s what she does when she’s bored.

“It’s fine,” you say, voice forcibly even. “They’re just acting. Besides, you really think Tsukishima of all people would catch feelings for someone just because of a film?”

“Mmm.” Yukie hums, neither agreeing nor disagreeing. “You say that, but you’re weirdly defensive about it.”

“I’m not defensive,” you snap, too fast, too sharp. A mistake.

Yukie’s smirk deepens, and you hate her for it. She swings her legs off the bed, stretching like a cat. “When you’re done pretending you’re not in denial, dinner’s ready,” she chirps, sauntering toward the door.

You roll your eyes. Classic Yukie. Your roommates are simultaneously your greatest strength and your worst influence; they know you inside and out, and unfortunately, that means they never let you run from your own feelings. They’ve been convinced for years that you’re in love with your best friend, which is laughable. Delusional, even.

And yet.

The thought lingers longer than it should, trailing after you like a shadow as you trudge to set for the first day of filming.

You tell yourself it’s just curiosity when you glance Tsukishima’s way. Just morbid fascination when you catch the way his gaze lingers on Yachi between takes. Just professional interest when you watch how his sharp, unimpressed scowl softens—barely, just a fraction—when she nervously stumbles over a line, and he mutters a quiet correction, his voice steadier than you expect.

It’s just good acting, you reason. Nothing more.

Because Tsukishima is your best friend. And that’s all he’s ever been, all he’s ever going to be. You tell yourself that, over and over and over again, trying to make it feel like the truth. But for some reason, despite all your effort, it doesn’t, and it bothers you in a way that it wouldn’t bother friends that are purely just platonic.

seven.

“You look like shit.”

You rub your eyes, very conscious of the fact that you’re sporting dark eye bags and a goofy-ass fit. Your hoodie is three sizes too big, your sweatpants have a suspicious stain on them from an unknown source, and your hair looks… actually, you don’t even want to talk about it because it really is that bad. You blink up at Tsukishima, who has somehow managed to find you after your afternoon lecture, looking disgustingly well-rested and put-together as always.

“Thanks,” you deadpan, shouldering your bag. “Great to see you too, Kei.”

Tsukishima rolls his eyes but doesn’t move out of your way. Instead, he tilts his head slightly, studying you with that keen, observational gaze of his. “Seriously. Are you okay?”

You pause, thrown off by his genuine concern—normally, he’d just mock you and move on, but there’s a sharpness to his tone today, like he actually cares. Maybe it’s because you’ve barely been outside in the last few days, much less seen him and Yamaguchi. Now that you’ve made it through over half of the film’s scenes, you’ve already started editing it together (arguably the worst part of being a self-produced film student: the excessive time spent with Adobe Creative Cloud). You hesitate, then sigh. “Just tired. I’ve been working nonstop, and I still haven’t figured out the ending.”

He lets out a long-suffering sigh, crossing his arms. “Why do you always do this to yourself?”

“I thrive under pressure.”

“You thrive off caffeine and bad decisions.”

“Same thing,” you mutter, rubbing your temples. “Look, I’ll figure it out. Eventually.”

Tsukishima doesn’t look convinced, but instead of pressing further, he reaches into his pocket and pulls out his car keys, holding them up with a lazy shake. “C’mon.”

You blink. “Huh?”

“You clearly need a break. Let’s go.”

You frown at him, confused. “Go where?”

“Does it matter?” he counters, raising an eyebrow. “I swear to god, if you go back to your dorm and stare at your screen for another five hours, you’re gonna lose whatever brain cells you have left.”

You open your mouth to argue, but you know he’s right. Your brain is fried, your eyes are starting to blur from staring at a screen all night, and you could really use some air. So, with a dramatic groan, you give in. “Fine. But if you take me somewhere boring, I’m jumping out of the car.”

“Noted,” he says dryly, shoving his keys back in his pocket before turning on his heel. “Now move it.”

***

The drive is familiar, comfortable. You don’t even ask where he’s taking you because, honestly, he’s right: it doesn’t matter. Being in his car like this feels natural, like muscle memory.

You remember when he first got his license, the first of you three to do so. Akiteru had gifted him a car to use once he did, an old but functional, clean and simple one, much like him. At the time, it had felt like the biggest deal—suddenly, Tsukishima had a ticket to freedom, and by extension, so did you and Yamaguchi.

You can still picture those early drives vividly: the three of you packed into the car, Yamaguchi in the passenger seat nervously checking the map while you sprawled in the back, shouting ridiculous directions just to mess with Tsukishima. He always acted like he hated it, threatening to pull over and leave you on the curb, but he never actually did. 

There were the late-night drives to nowhere, just because none of you wanted to go home yet. The ice cream runs in the middle of winter, sitting in the parking lot with the heater cranked up as you argued over movie rankings. The way Tsukishima always kept one hand on the wheel, the other fidgeting with the volume knob, adjusting it up or down depending on whether he was feeling indulgent or annoyed by whatever you were blasting through the speakers.

You remember one time, when a storm had rolled in suddenly and you got caught out in the rain on the way back from a late study session; he’d picked you up after you spam-called him seven times. Tsukishima pulled up to the curb in front of your house, the wipers barely keeping up with the downpour, but for some reason, instead of rushing out of the storm into your apartment, you’d just sat there for a while, listening to the steady rhythm of the rain against the car roof. He hadn’t told you to get out, hadn’t asked why you were lingering. He just turned up the music, leaned back, and let you stay.

The cityscape blurs past the windows as the car hums beneath you, the low rumble of the engine mixing with the sound of the playlist Tsukishima has quietly playing in the background. You recognize the song instantly—it’s from one of your old shared playlists, one you made together back in your first year of high school.

You glance at him, but he keeps his eyes on the road, one hand on the wheel, the other resting lazily against the gearshift. His sweater is vintage, made of a gorgeous dark green wool that you had been ecstatic to find when you first took him to your favorite thrift store back home; it looks good contrasted with his blond hair and fair skin. His usual stoic expression is softer in the evening glow, illuminated by the street lamps lining the road. 

God. Have his eyes always been able to capture the city lights like that? 

***

Tsukishima drives for what feels like forever, but when he finally pulls over, it’s basically where you started: an empty parking lot, outside of your favorite convenience store because they’re open late and always stock freshly-made to-go onigiri. It’s owned by a sweet old woman, so double points; you two have been coming here since the start of your freshman year. 

He throws the car in park and gives you a look. “You coming?”

You sigh dramatically but unbuckle your seatbelt, stepping out into the cool night air. The store’s neon sign hums quietly, casting a soft glow over the pavement.

As soon as you step inside, the familiar scent of warm rice and miso greets you, and you immediately relax. Tsukishima heads straight for the onigiri section, while you linger near the drinks, debating between a matcha latte and a cappuccino.

“You’re getting the matcha,” Tsukishima calls over his shoulder, barely even looking up.

You roll your eyes but grab it anyway, because yeah, he’s right. You join him at the counter, where he’s already placed two onigiri on the register—one salmon, one tuna mayo.

“You know my order,” you say, amused.

He shrugs, handing over his card to pay before you can argue. “You never change it.”

The words are casual, offhanded, but something about them settles deep in your chest. You look at him, at the way he’s effortlessly familiar with your habits, your preferences, your life.

And for some reason, that makes your stomach twist.

eight. 

You tear into your onigiri, letting the familiar taste of salmon and warm rice settle on your tongue. The quiet hum of the city surrounds you both as you sit on the hood of Tsukishima’s car, drinks resting beside you. The neon glow of the convenience store sign flickers in the periphery, casting long, gentle shadows over the pavement; the night is cool but not biting, the breeze rustling the stray napkins you’d forgotten beside you.

The conversation flows lazily, touching on everything and nothing at once—complaints about professors, Yamaguchi’s latest doomed tutoring attempts with Hinata, Tsukishima’s upcoming project on primate evolution that he absolutely does not care about. It’s easy, the way it always is, but there’s a weight pressing against your ribs, something you can’t quite name.

Then it slows. After a beat, you sigh, staring out at the dim glow of the streetlights. “I think I might change the ending.”

Tsukishima shifts beside you, glancing at you briefly before turning back toward the night sky. You don’t even have to specify: he knows what you’re talking about. “Yeah?”

“I wanted a happy one,” you admit, your fingers picking at a loose thread on your hoodie. “But I don’t know if it fits. Every version I write feels fake. Too neat. Too… easy.”

He’s quiet for a moment, taking a slow sip of his drink before shrugging. “Then don’t force it. If it’s not working, make it ambiguous.”

You scoff, shaking your head. “It’s not that simple.”

“It is,” he argues, stretching his long legs out in front of him. “People like things that feel real. If you’re struggling this much, maybe that’s your answer.”

You chew on his words, considering. Maybe he’s right. Maybe an open-ended conclusion is the answer—letting things linger, unresolved but full of possibility. But something about that unsettles you, like leaving something unfinished, like waiting for something that never comes.

And then, it clicks: how to leave it ambiguous without being unfinished. 

You exhale, pressing your phone’s power button and watching the screen light up, a blank notes app staring back at you. Your fingers hover over the keyboard before you start typing, the inspiration finally clicking into place. You can already see the scene in your mind—the way the light will filter in, the subtle expressions, the carefully chosen silence between words.

Tsukishima watches you with mild amusement, his lips quirking up just slightly. “Are you seriously writing right now?”

“Shut up,” you mumble, furiously typing. “You said something smart for once, and now I have to take advantage of it.”

He snorts. “You wouldn’t survive without me.”

You roll your eyes, but deep down, you know he’s right. The thought lingers, unspoken. How many times has he done this? Pulled you out of your own head before you spiraled, pushed you to do better, reminded you—without ever really saying it—that you aren’t alone?

The words on your screen blur slightly. Maybe it’s just the neon lights. Maybe it’s something else.

Then, softer, almost offhand, he says, “You know, if it’s really bothering you this much, maybe it’s because you want it to mean something.”

Your fingers still over your screen. The words sit heavy in the air, pressing down on you with a weight you can’t quite place. You look up at him, but he’s already turned back toward the city, his expression unreadable.

nine.

You think that you need a distraction. A long walk, or a snack, maybe. Or better yet, what you actually really want: a frontal lobotomy. 

Instead, you have filming.

Which is, honestly, the opposite of helpful when your current goal is to shove all of your weird, unwelcome, inexplicable feelings into the deepest recesses of your mind. It’s awful, but now that you’ve started to see your best friend in a whole new light, it’s really all you can think about. Therefore, you cope as you always have: running from your problems. You’ve been distant the last few days. You’re responding less, cancelling on your weekly study sessions, sprinting out of your lectures before he can catch up to you. You’ve even been ghosting Yamaguchi out of proximity. 

But you can’t do that today. Because today, you’re shooting one of the final sequences—the rooftop scene. The one drenched in soft intimacy, lingering glances, and unsaid words thickening the air between them. The one where Tsukishima and Yachi have to act like they exist in their own world, where nothing and no one else matters.

You try not to think about it too hard.

The rooftop set is perfect. The city sprawls beneath them, lights flickering like stars, a mirror to the actual night sky above. Yachi’s already in position, sitting at the edge, her posture relaxed but poised. Tsukishima is beside her, long legs stretched out, hands lazily resting on his lap. The camera is set up, framing them beautifully against the endless stretch of buildings and sky.

You call action, and for a while, it’s fine.

Yachi takes a slow drag of the cigarette (a prop one—she refuses to even come close to tainting her lungs), the smoke curling up between them. Her voice is soft, contemplative, as she delivers her lines. Tsukishima exhales smoke into the night, his face not particularly expressive but not detached. He’s… engaged. Focused. Too focused. There’s something in the way he looks at her that makes your chest tight, even though you know, know, it’s just acting.

Still, the words he says don’t feel like lines. Not when his voice dips just slightly, not when his eyes linger on her face.

“Maybe,” he says, his tone quieter than rehearsals, “but some moments leave imprints on our souls. They’ll last forever in our hearts.”

The air shifts.

Yachi leans her head on his shoulder. The city hums below them. The scene is exactly as you envisioned it, the kind of moment that pulls people in, that makes an audience believe.

And yet, it feels like you can’t breathe.

The worst part is that it isn’t even that bad—no, you get through the scene just fine. No one else notices the way your stomach churns, or the way your hands tighten around the back of the director’s chair. No one notices that the words aren’t just dialogue in your head anymore, that they feel… wrong, out of place, too much.

It isn’t until Tsukishima reaches out, without prompting, without direction, and brushes a loose strand of hair out of Yachi’s face that you realize you actually feel sick.

It’s not scripted.

The camera catches it perfectly, a soft, natural movement. The kind of instinctive touch that makes a scene feel real. Your breath stutters in your chest. And then, as if that wasn’t enough, he leans in slightly, pressing the briefest kiss to her forehead before pulling back, the ghost of a smile on his lips.

Not in the script.

Not in the goddamn script.

“Cut,” you say, too quickly, your voice tighter than you mean it to be. You clear your throat, forcing a neutral expression onto your face when both of them glance toward you. “That was—good. Really natural.”

Yachi beams, a little shy but pleased. “It felt nice, actually. He made it really easy to stay in the moment.”

You swallow down whatever the hell it is that rises up in you at that.

Tsukishima doesn’t say anything. He just watches you, sharp and unreadable.

Your fingers curl into your palm. “I think we’re done for tonight,” you announce, forcing a yawn into your voice like exhaustion is the reason you need to leave so badly. “I’ve got a migraine coming on, and we still have to film the passion scene this weekend.”

Yachi nods easily, already stretching out her legs, but Tsukishima’s expression darkens slightly.

“You sure?” he asks, low enough that only you hear it.

You nod quickly, avoiding his gaze. “Yeah. Just need sleep.”

He stands, brushing invisible dust from his jeans, and you know what’s coming before he even says it. “I’ll walk you back.”

“No!” you panic, waving your hands wildly. “Kaori’s picking me up.”

It’s a lie, an obvious one, but you don’t care. You grab your bag and sling it over your shoulder before he can question it. “I’ll see you guys later.”

Then you leave, practically sprinting out, before he can say anything else. Before you have to deal with whatever the hell this is, whatever it means.

Because if you stop to think about it, even for a second, you’re pretty sure you’ll break.

ten. 

Midway through your most recent homework assignment (dissecting the art behind the glorious film Cars—the best Disney movie out there, fight with the wall), your phone vibrates against your nightstand. The screen flashes the text message that’s popped up, but you don’t even need to check to know who it is: it’s a notification that you already know you don’t want to see.

(11:12 PM) kei :P: are you avoiding me?

You stare at the text, thumb hovering over the keyboard, your mind spinning with an answer that won’t sound like a complete lie. The problem is, you are avoiding him. You’ve been practically stonewalling him, dashing away inconspicuously whenever you know he’ll be nearby, and it’s getting obvious. He knows it. There’s no use pretending otherwise, but the idea of confronting it—confronting him—makes something anxious curl in your gut.

You sigh, flopping onto your bed, one arm draped over your eyes as you try to gather your thoughts. Your fingers type out a response before you can overthink it.

(11:15 PM) y/n: no? y/n: i’m j busy lately u know that

The three dots appear, then disappear. Reappear, then disappear again. He’s debating his response, and for some reason, that is terrifying. Then it buzzes.

(11:21 PM) kei :P: right.

It’s short. Barely anything at all. But you know him, and you know exactly what that one-word response means. He doesn’t believe you. He’s letting it go for now, but he isn’t letting it go entirely. The thought unsettles you more than you want to admit.

Your room feels suffocating suddenly, like it’s pressing in on you. You glance around, searching for something—anything—to keep your mind occupied, but all you find are pieces of him.

Tsukishima had helped you move in, so he has a fundamental part in the whole place already, but when you look even closer, he’s really in the details. There’s the framed picture on your desk from your high school graduation, his hand resting lazily on your shoulder as Yamaguchi beams from besides you. There’s a hoodie draped over your desk chair, long since stolen from his closet during a late night out that never got returned. There’s a battered copy of Normal People by Sally Rooney tucked into your bookshelf, its pages creased and worn from the way he always mindlessly flipped through it when he came over. 

It never seemed evident until now, when you’re trying so hard not to think about him, to not let him occupy a space that he’s so clearly always kept filled, but now that you see it, it’s simple: Kei has been a part of your life for as long as you can possibly remember. He’s always been there, from the very moment your family moved into the house next door to him when you were seven. He’s in your daily routine. If you turned on your phone right now, it’d open to a picture of you three; if you were to open Spotify, you’ll find your blend at the very top of your pinned playlists. 

He’s everywhere. He’s everything. Tsukishima Kei is worn into your very bones, into every single cell, written into every little part of your being. 

Your fingers tighten around your phone, and for a moment, you consider texting him back. Saying something real. Something honest.

Your gaze flickers to your desk, to the script sitting on top of a stack of notebooks. The ending you rewrote stares back at you, the words bold and final.

Scene 6 Exterior - Rooftop - Sunset Yachi returns to the rooftop, now alone. She sits on the edge, looking out at the city. The sun sets, casting a warm glow over everything. She takes out a cigarette and lights it, inhaling deeply. Cut to: Tsukishima, walking through the city streets, the sunset reflecting in his eyes. He pauses, looking up at the rooftop where Yachi is sitting. The screen fades to black. Text on screen: “We’ll be there at the end of the world, together as the stars go out.”

The moment your professor read it, she called it striking. Said it felt honest. That the ache in the words felt real, like someone had lived it.

But you didn’t just write it. You felt it.

Because if the world were ending, if the stars were truly burning out—there’s no question where you’d be. Who you’d be with.

And yet, here you are, running.

You inhale sharply, pressing the heels of your hands against your eyes.

With the weight of twelve years of friendship comes the obligation to not let it go to waste: you are terrified of what a confession could do. You can’t even imagine what a world without Kei looks like; you would honestly rather die than lose him. And well… admitting your feelings could very well mean losing him. 

Then again, you could very well lose him too if you keep ignoring him and running away. You just need to come up with some way to either 1) get over your feelings, or 2) explain to your best friend that you’ve suddenly started having inexplicable dreams about him and feeling the urge to kiss him. 

You mean, how hard could it really be?

eleven. 

Evidently, very difficult. 

You’re standing outside the door of Tsukishima’s flat for the first time in days, feeling like you might actually throw up. You have the horrible urge to cancel. Maybe you should turn around. Maybe you should fake food poisoning. Maybe you should suddenly develop an urgent need to flee the country.

But no. You can’t do that. This is your film, your project, your fucking grade on the line. You can’t just run away forever.

So you’re here. And you take a deep breath before you knock, because your heart is hammering like you just ran across campus, and it only picks up when the door swings open.

And then he’s there too—Tsukishima, standing in the doorway of his apartment, hair still damp from a shower, hoodie hanging loose on his frame. His glasses slide down his nose just slightly, and for a second, he just looks at you, eyes scanning your face, your posture, like he’s already found something off about you.

“You’re early,” he says, stepping aside to let you in.

You nod, stepping over the threshold, hyperaware of the way the air inside feels different—warm, his, thick with something you don’t have the words for.

“Wanted to set up before Yachi gets here.” Your voice is steady, detached, the way it should be.

It’s not a lie, not entirely, but it’s not the truth either. The truth is sitting in the space between you, glaring and heavy, pressing in like the weight of an oncoming storm.

He hums in response but doesn’t say anything else. Tsukishima doesn’t move, doesn’t drop his gaze. His arms are crossed, his posture lazy, but there’s something pointed about the way he’s looking at you—sharp, analyzing, like he’s cataloging every tell, every avoidance, every reason why you’re standing here instead of texting some excuse from the safety of your dorm.

You drop your bag near the couch and move to set up your camera, your hands moving automatically as you avoid his gaze. The apartment smells like him—coffee and citrus, faintly like that stupid expensive detergent he swears isn’t a luxury purchase but definitely is. The scent is so him, so familiar, that it makes your stomach flip.

And then he speaks.

“What’s going on with you?”

You freeze.

It’s not accusatory, not sharp, just… careful. Measured. Like he’s trying to get an answer without pushing too hard. Which, honestly, is worse than if he had just called you out directly.

You force yourself to keep your hands steady, adjusting the camera’s angle. “Nothing. Just busy.”

His eyes narrow slightly. “Bullshit.”

Your stomach twists. The air in the room shifts, thickens.

He’s always been quick. Always been able to pick apart your bullshit before you even finish spinning it, before you can even convince yourself it’s real. And now, with those gold-flecked eyes trained on you, burning through every excuse you try to build between you… well, you’re drowning.

His voice is steady, but edged with something dangerous. “I don’t know what your problem is, but if you think I haven’t noticed, you’re dumber than I thought.”

Your breath hitches in your chest.

For a second, you want to tell him. Everything. The thoughts, the jealousy, the confusion that’s been clawing at your throat for weeks. You hate that he knows you this well, that he can see through you so easily. You hate that he’s giving you that look, the one that says I’m waiting for the truth, waiting for you to finally be honest, and you hate, hate, that you don’t know what to say. 

But then, the door swings open. Yachi steps in, breathless and smiling. “Sorry I’m late!”

The moment shatters.

You exhale, stepping back, forcing a smile as you greet her, ignoring the way Tsukishima is still watching you. He goes still, expression unreadable. And then—just like that—his face smooths out, his posture relaxes, his hands sink into his hoodie pocket like nothing happened at all.

“Let’s get this over with,” he mutters.

You nod too quickly. “Yeah. Let’s start.”

If you want to make it through a whole scene of them making out for three minutes, you have to stop looking at your best friend. His amber eyes, under his layer of concern, confusion, and annoyance, are filled with hurt, and your stomach feels like it’s being ripped out, torn to fucking shreds, to see him like that. 

So you avert your gaze, stubbornly keeping your eyes on Yachi and your camera, and set up to film the scene.

***

The camera is steady. Your breathing, however, is not.

The apartment is dimly lit, the soft hum of music playing through the speaker, some indie song with melancholic chords that you once added to the shared playlist, long before this—before all of this—became something unbearable. It filters into the space like a ghost of a memory, like something familiar that you can’t quite place.

Yachi sits on the edge of Tsukishima’s bed, her hands folded neatly in her lap, waiting for direction, waiting for him. Tsukishima stands in front of her, tall and composed, his fingers flexing at his sides like he’s testing the weight of the scene before stepping into it. His shoulders are loose, his stance easy, his face unreadable. Too unreadable.

Too casual.

Like he’s trying to make it look effortless.

Like he’s making it look effortless for you.

Your grip tightens around the camera. The frame is perfect—low lighting casting long shadows, the soft golden glow from the bedside lamp catching on strands of Yachi’s hair, the curve of Tsukishima’s jaw. It’s intimate. Close. Exactly what you wanted.

It should be fine. This should be fine.

The scene is simple.

Close-ups of hands, of fingers grazing over fabric. Of a breath caught in the space between them. Of a moment stretched too thin, heavy with something unsaid.

And then, they kiss.

Your stomach lurches.

It’s instinct—the way your body reacts, the way something tightens in your chest like a vice, the way your nails press into your palm where you grip the camera. You tell yourself to look at the screen, at the framing, at the way their silhouettes fit together like pieces of a puzzle.

But you’re not looking at the shot.

You’re looking at him.

The way his head tilts slightly, the angle just right. The way his hand ghosts over the small of Yachi’s back before settling, fingers barely pressing into fabric. The way he moves slow, deliberate, like every part of him has been designed for this moment, like he’s meant to be here, kissing her, making it look real.

Making it feel real.

Your fingers tighten around the camera, but you don’t move.

The shot is perfect.

Tsukishima is slow, careful. One hand cups Yachi’s jaw, his thumb brushing lightly across her cheekbone, his other resting against her waist, anchoring her in place. He leans in, the motion seamless, practiced, lips pressing against hers with just enough pressure to make it believable.

Your chest feels like it’s caving in.

It’s nothing. It’s just a film. It doesn’t matter. He doesn’t care.

But you do.

The words sit at the back of your throat like acid, thick and burning, because this is what you wanted—this is what you asked for—and yet you can’t seem to convince yourself that you’re okay with it.

You should be focusing on the technicalities. On the way the lighting frames them, on the way the movement aligns with your vision, on the way Yachi’s fingers twitch against his hoodie like she’s nervous, like she’s fully immersed in the moment.

But all you can focus on is him.

The way his eyelashes flutter for half a second before he closes his eyes.

The slow exhale against Yachi’s lips.

The way his grip shifts against her waist—just slightly, just barely, like he’s grounding himself. Like he’s steadying his breath, like he’s trying to remember it’s acting.

Something inside you twists, sharp and visceral, something so wrong it makes your stomach ache.

Your fingers are shaking.

And then, the worst part: Tsukishima tilts his head further, deepening the kiss.

Your breath catches.

It’s instinctive, automatic, the way your entire body tenses. You barely realize what you’re doing until the words leave your lips, unbidden, a little too fast, a little too urgent.

“Cut.”

The word slices through the air like a blade.

Tsukishima pulls back immediately, blinking, like something had momentarily snapped.

Yachi exhales, touching her lips, a little dazed, but then she laughs, easy and light. “That felt really natural.”

Natural.

The word rings in your ears, cold and foreign, something heavy and nauseating settling in your stomach.

Natural.

You feel like you’re going to throw up.

Tsukishima is still looking at you. Not at Yachi, but at you.

His expression isn’t unreadable anymore. It’s something else—something unread, something searching, something sharp enough to make your skin burn under the weight of it.

You swallow, forcing your voice into something neutral. “Yeah. That was good. Really… natural.”

Yachi grins, stretching her arms. “I have to run—I promised Hinata I’d help him study tonight.”

You nod too quickly. “Yeah, yeah, of course. Go ahead.”

She gathers her things, slings her bag over her shoulder, completely unaware that the air in the room is thick with something else, something unspoken, something unraveling.

The door clicks shut.

You inhale.

You should leave too, right now. You should grab your bag, make up some excuse, and go.

But before you can even think about moving, a hand wraps around your wrist, and drags you back in.

twelve. 

The door clicks shut behind Yachi, but the weight in your chest doesn’t lift. If anything, it gets heavier, pressing against your ribs like an iron hand squeezing the air out of your lungs. You force yourself to breathe, force yourself to move, force yourself to not think about the way Tsukishima had looked at her, had touched her, had—

A hand wraps around your wrist.

You freeze.

Tsukishima tugs, firm but not rough, pulling you back before you can escape.

Your heart stutters.

“What the hell is going on with you?” His voice is low, controlled, but there’s something underneath it—frustration, confusion, anger.

You try to twist your arm away, but he doesn’t let go. His fingers tighten slightly, not enough to hurt, just enough to anchor you, to keep you here. You force yourself to look at him, to meet the sharp, burning gaze that’s demanding answers.

You swallow. “Nothing.”

His jaw clenches. “Try again.”

“Tsukishima—”

“No.” His voice cuts through the air, low and unyielding. “You’ve been acting weird for weeks. Avoiding me. Lying to me. Looking at me like I fucking killed your dog or something. Not even calling me Kei anymore. And then tonight—” He breaks off, exhaling sharply through his nose. His grip on your wrist doesn’t loosen. “What is your problem?”

The words sting, sharp and cutting, but the worst part is that he’s right. He’s right.

And you’re tired.

Tired of pretending it doesn’t bother you. Tired of biting your tongue. Tired of shoving down every ugly, twisting, unbearable feeling that claws at your throat.

So, suddenly, recklessly, you snap. “You! You’re my fucking problem!”

The words burst out of you like they’ve been waiting, desperate to escape, and suddenly, there’s no going back.

Tsukishima’s eyes widen—just slightly, just enough for you to see the flicker of shock before his expression hardens again.

“What?” His voice is sharp, almost mocking, like he’s daring you to say it again, to spell it out for him.

You rip your wrist from his grip, shoving him back a step. Your hands are shaking. Your heart is pounding.

“You don’t get it, do you?” The words come fast, breathless. “Do you even see what you look like? How easy this is for you?” Your voice wavers, thick with something too sharp to be just frustration. “How you can just— just kiss her like it’s nothing?”

His brow furrows. “It was a scene.”

“That’s not the fucking point!”

You shove him again, hands pressing against his chest, but he barely moves.

“I had to watch you,” you spit, voice cracking at the edges. “Watch you hold her like that. Watch you look at her like that. And I hated it, Tsukishima. I hated it.”

Something shifts in the air between you.

The anger is still there, but beneath it—something else. Something fragile and aching and real.

Tsukishima doesn’t speak. His lips part slightly, but no words come.

He’s staring at you, his expression unreadable, but his eyes—God, his eyes.

You inhale, shaking, your hands balled into fists. “I don’t know when it happened, or how, or if I’m just an idiot who took too long to figure it out, but I—” Your breath stutters. Your throat feels tight. Fuck, you shouldn’t be saying this. You shouldn’t be saying this.

But you do.

Because it’s too late.

Because there’s no running now.

“I love you.”

The words drop between you like stones in water, sinking deep, sending ripples through everything.

Silence.

You can hear your heartbeat in your ears, erratic and deafening.

Tsukishima stares at you. Gaping. Frozen.

Like the world just tilted on its very axis. Like the entire sky is tumbling down, like gravity is the sole thing keeping him on the ground. 

And then you panic.

“I—I didn’t mean—” Your voice shakes, your fingers twitch, you need to fix this, you need to take it back before you lose him, before you ruin everything—

But then he moves.

Fast.

His hands are on your face before you can breathe, fingers threading into your hair, tilting your head back.

And then he kisses you.

It’s not careful. Not controlled. Not measured, the way he was with Yachi.

This is something else entirely.

This is desperate. This is frantic. This is a storm breaking after years of tension, of longing, of something building between you that neither of you had the courage to name.

His lips crash against yours, stealing the air from your lungs, pulling a sound from the back of your throat that’s more relief than surprise. He kisses you like he’s been holding himself back for too long, like the second he let himself move, he couldn’t stop.

Like he’s been waiting.

Like he’s always wanted this.

The heat of his body devours you, swallowing you whole, pulling you under like a riptide you don’t want to escape. His hands slide down, fingers spreading against your waist, gripping tight like he’s afraid you’ll slip through his grasp. He tugs you forward, flush against him, so close there’s no space left, no room for doubt, no hesitation—only him, only this, only the way he’s holding you like he never intends to let go.

His mouth moves against yours with intent, deliberate and thorough, a silent demand, a confession with no words, just the press of his lips and the desperate, aching pull of his hands. He’s tasting, memorizing, mapping out every gasp, every shiver, every fragile part of you that has ever been his without either of you realizing it.

You make a sound against his lips, something caught between a sigh and a plea, and that’s all it takes—his grip tightens, his fingers pressing into your skin like he’s learning you by touch, like he needs you closer, closer, closer.

You melt into him. You break into him.

There is no hesitation when your hands reach for him, twisting in the fabric of his hoodie, clutching it like a lifeline, because you are terrified he’ll stop, that this will disappear, that he’ll come to his senses and—

But he doesn’t.

Because when you part, just barely, just enough to let air slip between you, Tsukishima chases after you.

His lips find yours again, softer this time, reverent, like he needs to remind himself that you’re real. That this is real.

That you’re not running anymore.

His forehead rests against yours, his breath uneven, warm, fanning over your lips in slow exhales. He doesn’t speak for a long moment, just lets the silence stretch, heavy and fragile and trembling with meaning.

Then, his voice—low, hoarse, something wrecked and beautiful.

“Say it again.”

Your heart stutters, something sharp and sweet twisting in your chest.

He pulls back just enough to look at you, amber eyes burning, raw with something you’ve never seen before, something almost pleading.

Your fingers loosen against his hoodie, but you don’t let go. “What?”

His thumb brushes over your cheek, his jaw tight, his gaze steady, searching yours for something unspoken.

“Say it again,” he murmurs, quieter this time.

Your throat is dry. Your world has shrunk to the space between you, to the way his hands still hold you, to the weight of his gaze pressing into you like an answer he already knows but needs to hear anyway.

You swallow once, then again. Then, soft but steady, you let it slip. “I love you.”

The way he exhales, sharp and shaky, is enough to undo you completely.

And then he kisses you again.

Slower this time. Deep. Intentional. Like he’s taking his time, like he wants to make sure you understand.

This isn’t a mistake. This isn’t something he can write off as an impulse, something fleeting or meaningless or careless. This is him. This is him choosing you.

He kisses you like he’s learning you, like he’s memorizing the way your breath hitches when he moves a certain way, the way your hands tremble when they slide up to cup his jaw, the way you—God, the way you kiss him back like he’s the only thing that’s ever mattered.

Like you love him, and you’ve always loved him.

Like he loves you, and he’s always loved you.

And maybe it’s too much, too late, too terrifying, but when you pull apart, he still doesn’t let go.

His fingers linger against your jaw, his thumb brushing over your lower lip, swollen from his kiss.

His voice is rough when he finally speaks.

“You’re a fucking idiot,” he snorts.

You laugh, breathless, and it comes out half-shaky, half-dazed. “Excuse me?”

He shakes his head, his lips curving slightly—soft, unbearably fond, annoyingly smug—but his eyes stay serious, stay warm.

“I love you too,” he says, just like that, like it’s simple. Like it’s easy.

And for once, it is.

thirteen. 

You wake up in a panic.

Your heart is a drum in your chest, erratic, wild, out of sync with the soft pre-dawn quiet of your dorm room. The weight of last night presses down on you all at once—the argument, the confession, the way Tsukishima kissed you like he’d been waiting, like he meant it, like he wasn’t going to let you take it back.

You squeeze your eyes shut, inhale sharply through your nose. It doesn’t help. The air is too thick, your limbs too restless, your thoughts too loud.

What the fuck did you do?

You sit up, shoving the blankets off you like they’re suffocating you. Your hair is a mess, the hoodie you slept in (not yours—his, fuck) twisted around you uncomfortably, but you don’t bother fixing it. The digital clock on your nightstand blinks 6:04 AM, and outside, the world is just beginning to wake.

You should be asleep.

You should be anything but this.

Blindly, you reach for your phone, thumb swiping over the screen to unlock it. The notifications hit you like a brick.

— 17 missed calls — 3 new voicemails — kei :P: pick up your phone — kei :P: are you serious right now — kei :P: we’re not doing this — kei :P: text me back

Your stomach lurches.

Your fingers twitch over the screen, hovering, hesitating, and then—fuck—you lock the phone and throw it onto your desk like it burned you.

You can’t deal with this right now.

Not now, not when you’re still caught in the aftermath of what happened, not when the ghost of his lips still lingers on your skin.

You need a distraction.

You push yourself up from the bed, dragging your feet to your desk, where your laptop sits untouched from the night before. The screen glows as it wakes, casting a pale blue light over your desk. You click open Premiere Pro, fingers moving on autopilot, pulling up the final cut of your film.

Something to ground you. Something to keep you from spiraling.

The editing timeline stretches before you, a mess of layered clips and audio tracks. The cursor blinks, waiting. You set it to the last scene you worked on—the rooftop scene, Yachi and Tsukishima against the night sky, the cigarette smoke curling between them like something ephemeral, fleeting.

You press play.

The footage unfolds in perfect clarity.

Yachi sits on the ledge, her fingers wrapped loosely around the cigarette, her expression thoughtful. Tsukishima is beside her, arms draped over his knees, his profile sharp against the neon haze of the city below.

She turns to him, voice soft, hesitant. “Do you think it’ll last?”

There’s a pause.

Then—his response. 

“As long as we exist, it will.”

You exhale sharply, the words hitting you harder than they should.

The scene plays through, Yachi taking a slow drag of the cigarette before exhaling toward the sky, the glow of the embers casting flickering light over her features. Tsukishima doesn’t look at her. His eyes stay forward, locked on something distant, something unseen.

Your fingers twitch over the keyboard, and without thinking, you hit the spacebar.

The scene rewinds.

You play it again.

“Do you think it’ll last?”

“As long as we exist, it will.”

A lump forms in your throat.

You rewind it again.

Again.

Again.

You don’t know why you keep watching it, why the words keep lodging themselves deeper and deeper into your chest.

Maybe because it doesn’t sound like acting. Maybe because you remember the way he said it, the way he delivered the line so effortlessly, so quietly, like it wasn’t a scripted moment but something real.

Maybe because it reminds you of last night.

The way he kissed you, the way his hands held you firm, like he was afraid you’d vanish if he let go. The way he told you, Say it again, like he couldn’t believe it, like he needed to hear it over and over to make it real. The way he looked at you when you did. The way you let yourself believe, just for a second, that everything you wanted wasn’t impossible.

Your breath hitches, sudden and sharp, and then— you’re crying.

It’s not dramatic. There’s no sobbing, no wretched gasps for air.

Just silent tears, slipping down your cheeks, slow and unrelenting, as the weight of it all crashes into you.

Because you love him. Because you’ve always loved him. Because you can’t remember a time of your life where you didn’t, and because you can’t imagine a time where you don’t.

And you’re terrified.

You don’t know how long you sit there, shoulders curled in, fingers gripping the edge of your desk like you need to physically hold yourself together.

The sun creeps through the window, light spilling over your room in soft golds and oranges. Outside, the campus hums to life—doors opening, footsteps in the hallway, distant laughter.

You should move. You should do something.

Instead, you hit play one more time.

“Do you think it’ll last?”

“As long as we exist, it will.”

The tears keep falling, and you don’t know why you’re crying anymore: whether it’s because you believe it, or because you don’t.

fourteen.

Your hands are shaking as you pull up your contacts list.

It’s barely past 6:30 AM, the sky still tinged with the last remnants of dawn, but you can’t stay here. The weight of your realization—your love for Tsukishima—is suffocating, curling around your ribs like something clawed and desperate, something that refuses to let go.

You need to talk to someone, and there’s only one person who will actually pick up at this hour. So you press the call button and wait.

The phone rings once. Twice. Three times.

Then, a groggy voice, scratchy with sleep but undeniably familiar.

“This better be good, or I swear—”

“I need you.”

A beat of silence.

Then, rustling sheets. A sigh. And finally.

“Where?”

***

The tiny café is quiet, still waking up alongside the rest of campus. The smell of freshly brewed coffee lingers in the air, mingling with the scent of vanilla and warm pastries. Sunlight filters through the floor-to-ceiling windows, casting golden rectangles onto the worn wooden floors.

You sit in your usual booth, hands wrapped around a steaming cup of tea, though you haven’t taken a single sip.

You barely register the sound of the door swinging open before a familiar figure drops into the seat across from you, yawning into his hoodie sleeve.

“You look horrible.”

You huff out a weak laugh, your throat still tight from earlier. “Good morning to you too, ‘Dashi.”

Yamaguchi stretches his arms overhead before slumping against the seat, blinking at you with the exhaustion of a man who has spent way too many nights buried under physics equations. He eyes you carefully, then his gaze flicks to the untouched tea in your hands.

“You called me before seven in the morning,” he says, running a hand through his messy hair. “Which means either the apocalypse is happening, or you did something monumentally stupid.”

You drag a hand down your face. “Both.”

His lips quirk up slightly. “Alright. Start talking.”

You open your mouth, but—where do you even start?

The confession? The kiss? The fact that you spent half the night crying over your laptop, replaying Tsukishima’s voice like some deranged, lovesick film major cliché?

Your hands tighten around your cup. “It’s about Kei.”

Yamaguchi doesn’t even blink. “Figured.”

You exhale, shaky and uneven. “I—I don’t know what to do.”

He leans forward slightly, forearms resting against the table, his expression turning serious. “Okay. Take it from the top.”

So you do. You tell him everything.

About the jealousy—the awful, gut-wrenching feeling that took root in your chest the second you saw Tsukishima kiss Yachi, the way it spiraled into something uncontrollable, something you couldn’t suppress.

About the fight—the way Tsukishima saw right through you, called you out, made you snap. The way you finally admitted the truth you’d been running from for so long.

And then, the kiss. The way he grabbed you, the way he pulled you in, the way he kissed you like he was starving, like he’d been waiting for this just as long as you had. 

And the way, afterwards, you panicked.

The silence stretches when you finally stop talking. You can’t bring yourself to meet Yamaguchi’s eyes.

“I left,” you whisper, shame curling in your chest. “I—I freaked out and left. And now I don’t know what to do.”

Yamaguchi doesn’t respond immediately. Instead, he reaches for his coffee, takes a slow sip, and then sets it down with a soft thunk. Then—finally—he speaks.

“You’re a fucking idiot.”

Your head jerks up. “Excuse me?”

He sighs, pinching the bridge of his nose like you’ve personally caused him actual, physical pain. “This is literally the worst case of mutual pining I’ve ever seen.”

“Mutual—?”

“Yes,” Yamaguchi says, exasperated. “Are you seriously telling me you didn’t realize he’s been in love with you since we were, like, fifteen?”

You choke on air. “What?”

He gives you a flat look. “Oh, come on. You think he just puts up with people like that? Have you met Kei? He barely tolerates most human interaction, but you? You’re different.”

Your stomach sinks.

Yamaguchi leans back against the booth, studying you carefully. His voice is quieter when he says, “Now he’s waiting for you.”

And suddenly, it all comes rushing back.

Like that summer when you were fourteen, sprawled on the grass in his backyard, swatting mosquitoes away while he read some ridiculous philosophy book he’d scoffed at but couldn’t put down. You had called him pretentious, poked fun at his stupid little annotations, and then—just when he was about to snap back—he had looked at you. Really looked at you. And for a moment, you couldn’t breathe.

Or the time in high school when he stayed up with you, sitting outside your house at two in the fucking morning, just because you had a nightmare and didn’t want to be alone. He didn’t say anything about it, didn’t mock you for it, didn’t act like it was a big deal. He just let you talk about stupid shit until you weren’t shaking anymore.

Then there was college. The night he drove across town just because you were too drunk to make it back to your dorm. The way he let you ramble about some stupid movie you had watched for class while he carried you—actually carried you—up the stairs because your legs had stopped working.

And then, of course, last night.

The way he kissed you like he had been holding himself back for years.

The way he whispered, Say it again, like he needed to hear it more than anything.

The way you had run.

Because maybe, deep down, you always knew.

Yamaguchi watches you, then exhales through his nose, shaking his head. “You love him.”

It’s not a question.

It's a fact.

And you know that, of course. You’ve always known that. But hearing it out loud—having someone else say it, no doubt, no hesitation—it does something to you.

Your fingers tighten around your cup.

“I love him,” you admit, voice barely above a whisper. “I love him, and I’m scared.”

Yamaguchi hums, tapping his fingers against the rim of his coffee cup. “Why?”

“Because if this goes wrong, I lose him,” you say, staring down at the caramel liquid in your cup.

He tilts his head. “And if it goes right?”

You swallow.

That’s the terrifying part.

If it goes right—if you actually let yourself believe in this, in him… then everything changes. You can never get it back. 

But then again, if you don’t, you’ll never move forward.

Yamaguchi leans forward, voice softer now. “Look, I get it. Kei is… a lot. He’s a pain in the ass. But you don’t have to be afraid of this. Not with him.”

You swallow hard. Your thumb hovers over his name on your phone. But you don’t call him.

Not yet.

Instead, you look at Yamaguchi, heart hammering, voice barely steady.

“What do I do?”

He smiles, small and knowing.

“Go to him.”

fifteen.

Your heart is pounding.

Your pulse is an erratic drumbeat in your ears, your breath uneven as you stand outside Tsukishima’s apartment at 7 AM like an absolute psychopath. The hallway is empty, most of the residents still asleep, because normal people do not show up at their best friend’s door at the crack of dawn after confessing their feelings, running away, and then ghosting them for a whole night.

But here you are.

You raise a fist to knock. Pause. Lower it.

Your mind runs through every possible thing that could go wrong. What if he’s still asleep? What if he’s awake, but he’s pissed? What if you just turn around and pretend this never happened and never speak to him again and maybe flee the country?

But no. No more running. You’re done with that.

You exhale sharply, grit your teeth, and knock.

There’s no response at first.

Then, a very loud, very irritated groan.

Footsteps. A thud as something (probably his knee) collides with something else (probably his desk), followed by a mumbled string of very colorful expletives.

And then, the door swings open.

Tsukishima is standing there, half-asleep and thoroughly unamused.

He’s not wearing his glasses, which is so much worse, because without them, he looks—soft. His blond hair is a complete mess, sticking up in every direction, and he’s wearing that stupid old hoodie that’s two sizes too big, the one you’ve definitely stolen at some point but returned because it stopped smelling like him. His sweatpants are loose around his hips, and his expression is pure murder as he squints at you.

“…The fuck?” His voice is rough from sleep. “It’s seven in the morning.”

You should probably say something. You should probably apologize. You should probably explain why you’ve lost your goddamn mind and decided to show up here like some dramatic main character in an early 2000s rom-com.

But instead, you go on your tiptoes, yank down him by his hoodie, and kiss him. 

It happens fast, and at first, he completely freezes.

Like full-body shutdown. His entire frame locks up, his hands hovering uncertainly, breath caught in his throat.

For one horrifying moment, you think you’ve made a mistake.

But then… then his hands find your waist. And suddenly, he’s kissing you back.

It’s slow at first, tentative, like he’s still processing this, still trying to believe it’s real. But then his fingers tighten against your skin, pulling you closer, and you can feel the exact moment he gives in.

The exact moment he stops thinking.

And God, you feel it everywhere.

The heat of him, the slow, deliberate press of his lips, the quiet, shaky exhale against your mouth before he tilts his head and deepens the kiss. He’s warm, solid, real, and for the first time in weeks, your head isn’t a tangled mess of doubt and fear.

For the first time, everything makes sense.

You pull away first, breathless, heart hammering.

His hands linger on your waist. He keeps his face close to yours, just centimeters away, and when he finally opens his eyes, they’re dark with something you’ve never seen before. Something raw. Something completely, utterly unguarded.

You swallow hard. “I—”

His thumb brushes over your hip, the smallest, barest movement.

You inhale sharply. “I’m sorry.”

Tsukishima doesn’t move. He just watches you, eyes sharp, unreadable. “For what?”

“For—” You hesitate. Your fingers tighten against the fabric of his hoodie. “For running. For taking so long to figure this out. For—”

He sighs, but there’s no real annoyance in it. His gaze softens—just slightly, just enough.

“You’re a dumbass,” he mutters.

You let out a breathless laugh. “I know.”

A pause. Then, he asks, “Do you wanna go for a walk?”

You blink up at him, caught off guard. “A walk?”

“Yeah.” Tsukishima shrugs, stepping back, rubbing a hand over the back of his neck. 

You raise an eyebrow. “Are you gonna walk me back to my dorm? Because I literally just dragged myself here for nothing if that’s the case.”

He rolls his eyes. “No, dumbass. I just—” He exhales, shoving his hands into his hoodie pocket. “Just wanna walk somewhere.”

Your lips twitch. “…How romantic of you.”

He scoffs. “Shut up.”

But he doesn’t deny it.

The air is crisp, the early morning quiet—the kind of stillness that only exists before the rest of the world wakes up.

You walk side by side, the distance between you not much, but enough. For a while, neither of you speak.

“I meant it.”

You glance at him. “Huh?”

Tsukishima doesn’t look at you. His gaze is fixed ahead, his hands still tucked into his hoodie, his jaw set. But his voice—low, certain—doesn’t waver.

“I meant it,” he repeats. “When I told you to say it again.”

Your breath catches. He keeps walking, staring straight ahead like this isn’t some life-altering confession, like he’s just casually commenting on the weather. But his hands are tensed inside his hoodie pocket. His shoulders are tight.

You swallow. “Kei…”

“I don’t like a lot of people,” he says bluntly. “I barely tolerate most people. But you—”

He stops walking. You stop too.

Finally, he turns to you, and God—his eyes. They burn, golden in the morning light, open and completely unguarded.

“You make me feel like I belong in a movie.”

Your breath stutters.

He exhales, shaking his head, voice quieter now. “And I fucking hate movies.”

A laugh bubbles up your throat, sudden and unexpected, and you can’t stop smiling.

He rolls his eyes. “Don’t make it a thing.”

“Oh, I’m absolutely making it a thing,” you tease, nudging him with your shoulder. “My grumpy, six-foot-four, emotionally constipated best friend just confessed he’s been hopelessly in love with me for years.”

His ears go pink. “I didn’t say that.”

“You did.”

“Shut up.”

You grin. “Make me.”

A pause. Then, he does.

This time, the kiss is gentler. No urgency, no desperation—just warmth. Just him. And as his hands settle against your waist, as your fingers curl into the fabric of his hoodie, as his lips move against yours with something quieter, steadier, you realize something very, very important.

For the first time in a long, long time—you’re exactly where you’re supposed to be.

With him.

But then, the moment stretches, and a thought occurs to you. An extremely essential thought.

You pull back slightly, blinking up at him. Tsukishima frowns. “What.”

You open your mouth. Close it. Then, after a beat, you blurt out, “So… does this mean we’re dating?”

His eyes flicker with something unreadable—half amusement, half exasperation. He doesn’t answer right away. Instead, his thumb brushes absently along your waist, his grip shifting slightly, like he’s still getting used to the fact that he’s touching you.

Then, flatly, he says, “I don’t know. Do you plan on kissing other people?”

“No?” You reply, your nose scrunching. 

“Then yeah.”

You stare. “That’s it?”

“That’s it.”

You gape at him. “Kei, you are the most unromantic—”

But then something flickers across your mind, something bigger, heavier. A thought that makes your stomach tighten, your fingers twitch against his hoodie.

You inhale. “Hey,” you say, softer this time. “How long?”

He watches you. “How long what?”

You swallow hard. “How long have you loved me?”

A pause. A long pause.

Tsukishima doesn’t flinch, doesn’t look away. But there’s something in his expression that shifts—something softer, quieter. His fingers tighten just slightly at your waist. And then, voice low, steady, like it’s the simplest thing in the world, he sighs.

“I can’t remember when I didn’t.”

Your heart stops. Your breath catches, your fingers clench around his hoodie, and God—what are you supposed to say to that? Because there’s no hesitation, no uncertainty. Just him. Just this. Just the reality of a love so deeply ingrained in the both of you that it has no beginning and no end.

You exhale—shaky, breathless. “You suck at romance, you know that?”

He rolls his eyes. “And yet, you’re still standing here.”

You laugh, bright and full, and before you can think about it, before you can overanalyze, you’re kissing him again.

It’s easier this time.

Because now, you’re sure. 

And maybe the universe really does have a thing for sadism, because somehow, against all logic, it made him your person. The same Tsukishima Kei who laughs at your mistakes and misfortunes, who calls you out for your delusions and idiocy, who makes fun of your collection of Smiskis and love of reality TV. But at the same time, this Tsukishima Kei would do anything for you, even if you have to beg and beg. This Tsukishima Kei has held you through the worst days of your life, has seen you at your lowest moments and stayed, has waited for you for years to see him the way he has always seen you.

And you think, feeling his hands tighten at your waist and his lips linger against yours like he’s memorising the feeling, that maybe, just maybe, the universe got this one right.

⨭ closing notes; i adore tsukishima kei so much. tbh i rly struggled w this work bc i had this concept fleshed out for so long and j cldnt execute it the way i wanted, but thank u to @kinaskorner for beta reading and for the reassurance <3 i hope u guys love this too!! if u made it to the end of this super long fic lol then thank u sm and i hope u have the loveliest day

[internalloops]

I will have to completely disagree with this stance..especially since the criticisms that the Reddit OP has of bg3 (while are legitimate for that game) do not even apply to Veilguard. (Warning this is gonna be long)

The complex politics start as soon as you arrive at the grove, and continue to build until Act 3. The ability to completely flesh some out and the conclusion to most of them were cut, but they were still in the game. The standoff between the tieflings and the druids, the political movement and possible rebellion within the githyanki, the fight for power between the chosen 3..and much more. This all existed, whether it was done well or not is irrelevant. Veilguard doesn’t even have true impactful politics in the game, let alone complex ones.

"The characters all have good and bad endings" in BG3 ... Veilguard only has 1 and makes you the hero in the end. "There are good choices and evil choices, with not enough reasoning to do the evil ones" Once again, this is NOT EVEN AN OPTION IN VEILGUARD!!! You have one choice, one path, the one where you kill the evil elven gods and Solas gets trapped behind the veil. (whether you force/trick him to do so or get his ex to convince him is irrelevant, the conclusion is the same)

"Too character-driven with a weak main plot" is a criticism that fans who cope with and deny how bad Veilguard actually was use. In truth, all characters and plots were embarrassingly weak in this game. And they had to recon the entire past lore of all previous DA games for it to even exist. Veilguard's characters and plots at their best do not even hold a candle to BG3's at its worst.

"Rook doesn't feel special enough, but so does Tav/Durge, other characters could arguably do it better " And guess what, in BG3 you can PLAY those characters, and alter their personalities to your desires. You can play as every single companion as well as Tav and Durge. More importantly (unlike rook ) you can make Tav/Durge your own. You want them to be heroes/ someone who overcomes their darkness to become better, done. You want them to be completely psychotic and evil, done. You want them to be sarcastic little assholes, done. You want them to be money-focused and only do tasks for rewards and coins, done. You want them to be agents of chaos and tomfoolery, done. You want them to be religious and devoted, done. With rook, you're a marvel-humor sarcastic therapist hero. That's it, that's all you are given. You can headcanon other personality traits for your rook, but the game will never let you display them.

"Larian pandered to fans and changed characters' romances and story arcs, which made them weaker /less fleshed out" And yet it still made sense with the story and lore. The characters who were affected by this did not have a complete change of personality or goals to the extent of let us say, Solas, Mythal, Dorian, Maevaris, Scout Harding, The First Warden, Morgan, Varric ...etc. For fuck sake even Larian's treatment of Wyll and his story arc(it is one of the weakest in the game which could be argued is rooted in internal racism) is liquid gold compared to BioWare's blatant racism of Davrin and his entire story and death being about an animal.

Honestly, for me the only real criticism that Larian would have in regards to remaking DA 4, is that they would probably not honor/bring back fans' previous world states (the keep). They would take what they wanted and make a new cannon, which a lot of people would be upset about. And the fact that they treated devs poorly and made them do long crunch hours during development.

Reddit is hit-or-miss but when it hits, it fucking HITS.

[satowooo]

A DAY IN THE LIFE... WITH A CAT

Wherein Sukuna takes care of your cat for a day, despite his indifferences with it.

warning: animal cruelty

Your boyfriend, Ryomen Sukuna, is obviously not very fond of cats. Or to any living and breathing creature at all. But most especially your cat.

Sukuna hates it. Despise it even. He wishes it to be gone with just one flick of his finger just so the silly furball wouldn't take his time away from you. He hopes it'll get tired of you and run away someday because why are you always up on its face?

But then, that would make you sad. So he won't actually do anything to harm it, as much as he can.

To Sukuna, your cat is the most unearthly being that has ever walked on earth. Always tailing you around like a constant shadow, a menacing shadow. He dislikes it so much that it gets more of your attention than his.

“So cute!”

Sukuna watches the way your eyes glint in delight, squealing and feet kicking in the air while you're turned to your stomach right by the floor, playing with the little kitten you adopted. You had the most beautiful and widest grin spread on your face, and all because of an animal.

You can't seriously be so happy over that?

It has been a month since that kitten entered your life, and you hadn't been the same since. Well, you are the same, it's just Sukuna being exaggerated.

Why wouldn't he? You barely even look at him anymore because you're too focused on doting and feeding that animal, to the point that he's already making it a silent competition between him and the kitten about who wins your affections. And the cat wins every time. Every fucking time.

You're so head over heels about the white-furred kitten and he will never understand why. It's just another responsibility for you, another creature that will just distract you from your daily living, the daily living in question being the time that you're supposed to be doing with him instead.

“Look, Kuna!” You cheered, holding the cat by its arms to show the kitten to him, the said animal wearing small little glasses that would fit its little face.

Sukuna could only sneer, a frown obviously etched in his lip. “He looks pathetic. Get him out.”

“That's mean. Don't listen to him.” You turned the cat to face you and covered its ears, as if it'll understand what Sukuna says. The cat in return hisses at Sukuna, which made him scoff in disbelief.

Why are you even treating the kitten like a real baby? It looks so ugly!

But despite his inner thoughts, he actually finds himself caring for the cat, begrudgingly.

It's a furry dirty cat. He would only bring chaos all around your shared apartment. It probably doesn't even know how to clean itself. Sukuna would always think.

But he never really had a choice whenever you're gone at home, and he's left tending to the cat’s crazy needs.

“Will you fucking stay still?” Sukuna holds the cat by its scruff, not too tight though, just enough to hold him up to meet his gaze. The white kitten was all wet after Sukuna just gave him a bath. It meowed at him helplessly, making him smirk to finally see it in distress. “You're a handful, kitten. Why does she like you so much?”

This must've been the longest day for him yet, with you leaving Sukuna with the task to shower the kitten in your place because you'll be out the whole day. Who's he to disobey you anyway?

He wrapped the kitten in a towel, then took him by the counter. He let it sit there for a moment while it was licking its paws, while he rummaged through the cabinets to look for the hair dryer that you always used for the cat. Once he had it in hand, he faced the kitten again, his eyes glaring at the small creature who's just looking at him curiously.

This? This is the cat that you fawn over? He looks even ugly when he's drenched.

He could only shake his head at the thought, before plugging in the hair dryer so he could do his work. The cat tried to run away when he pulled him close, the hair dryer making a loud blowing sound as he fanned it all over the cat's body. A smile would tug on Sukuna's lips, finding the cat's helpless state funny whenever it meows in discomfort at his presence.

Well, let's just say it wasn't a very pleasant experience for the poor animal. As much as it is for Sukuna.

“Yeah, you look horrible. I know.” He chuckled darkly, gazing at the now dried-and-furry-again cat, all thanks to him.

He carried the cat and put it down the floor, letting it run away. He sighs, brushing a tired hand on his nape before he goes over to slump on the couch, resting his eyes for a moment. He could hear the thumps of the kitten running around, stumbling over who knows what, but he couldn't care less. Right now, Sukuna needs to have a moment. It was surely a new experience for him, and something that he will never do again.

It didn't take long for the kitten to go back to him though. It easily jumped on the couch, climbing straight to his lap. He groaned, feeling the cat tapping its little paws on his skin, opening his eyes to see it looking at him, expecting, or perhaps, asking for something?

“What do you want now?”

The kitten meowed, before jumping off his lap and heading straight to a little cabinet by the wall, where his cat food was hidden.

Oh, it's smart. He'll give him that.

“You're hungry?” He asked, raising an eyebrow at it. “Go starve yourself.”

Which wouldn't happen really, because the kitten started meowing furiously at him, which jolted all his senses awake. He cursed underneath his breath, letting out a grunt, standing up so he could give whatever the thing that the creature needed.

It was a very long and tiring day for him indeed. But at the end of the day, he's got the cat settled right above his chest, and he's petting its head softly as it lets out a purr. The cat’s tail would brush across his wrist, a sign that the cat must've been pleased with the gesture.

“I'll let you live longer.” He frowned, a low huff escaping from his lips as the cat only looked at him. “Just remember your place in this house.” Flicking the cat’s forehead softly as a finality, before he pushes it off and lets it fall on the floor, the cat swiftly landing on its feet.

After all, his pleasure is not his top priority, but yours. So, if keeping you happy would mean having this little cat between the two of you, then he might just let it for a while. For a while. Maybe. Depends if the cat crosses a line.

[fangdokja]

🔞You like them crazy because deep down, you are too.

❤︎ Synopsis. Your favorite yandere is a walking red flag, and honestly, you’re just obsessed with the idea of being loved to the point of insanity. You want someone who’ll choke you with affection (literally), and hey, that says a lot about your choices… and your taste in men.

♡ Book. Forbidden Fruits: Intimate Obsessions, Unhinged Desires.

♡ Pairing. Yandere! Jujutsu Kaisen Males (Gojo, Sukuna, Geto, Naoya, Megumi, Yuji, Inumaki, Kenjaku, Shiu Kong) x Fem. Reader (separate)

♡ Headcanon. What Your Favorite Yandere Says About Your Interesting Kinks

♡ Word Count. 4,055

♡ TW. dom + top + older yandere, general non-con, possessiveness, psychological manipulation and conditioning, suggestive themes, fear play, emotional manipulation and abuse, hints at rough play and sex, psychological and emotional trauma, isolation, monitoring, lack of boundaries, non-con kissing and touching, forced relationship, BDSM, manipulation of circumstances, threats

♡ Note. Due to Tumblr policy, all characters are all of age. This post is meant to be a fun, exaggerated meme—don’t take it too seriously. It’s all in good humor and not a deep psychological analysis (but maybe a little bit).

♡ A/N. So, I enjoyed making the Genshin shiz post and decided to make a JJK version. Might do a HSR one next as well... maybe. Also... I kinda went overboard here, compared to the more organized Genshin one, but seriously I was laughing while writing this. Just funny shiz post. I would say this one's more explicit though haha (no explicit sex), I had way too much fun haha, especially Naoya's and Kenjaku's.

♡ Gojo Satoru.

You have a god complex by association. You want someone who could obliterate the entire planet, but instead, he chooses to stalk your Instagram at 3 a.m. to overanalyze your cryptic "feeling lonely" post.

You’re into men who act like they’re God’s gift to humanity, and honestly? You believe them. You probably like bratty tops who think they’re in control but low-key need to be chained down before they destroy Tokyo because you wouldn’t let them kiss you.

You like men who are unbearable, but in a way that makes you want to lick their face instead of slap it. You saw him take his blindfold off once and immediately decided you’d risk everything for a man who can and will ruin your life with a smirk. Therapy? Never heard of it, because why would you need that when you’re obsessed with a 6'3" man-child whose idea of foreplay is showing off while making you think it’s all about you? Spoiler: it’s not. It’s about him, and you’re fine with it.

You like the idea of someone worshipping you, but also low-key want them to ruin you mentally, emotionally, and physically—preferably in that order.

But you’re still into being spoiled rotten—designer everything, sugar daddy vibes, and someone who’d probably keep you locked in a gilded cage. You pretend you have standards, but deep down, you’re just into being treated like you’re the rarest Pokémon in existence.

You don’t want a boyfriend—you want an all-seeing sugar daddy who gaslights you into thinking the world revolves around him (because in his mind, it does). You probably love the idea of being tied up in a metaphorical (or literal, no judgment) infinity of his obsession. Big on tease and denial, huh?

You’ve definitely thought about what his infinity could do in a make-out session and probably Googled "can Gojo turn infinity off during sex." (No, you’re not getting an answer to that.)

You're also into being teased until you're on the verge of tears, only for him to laugh and say, "Aw, you're so cute when you're frustrated," while continuing to absolutely destroy you. Bonus points if he calls you sweetheart in that condescending, sing-song voice while pinning you to the bed with one hand.

You're also into blindfolds… probably for the aesthetic, but we all know you’re fantasizing about what comes after he takes it off. You’re not scared of being kidnapped, you’re scared of never being spoiled again.

You’re also the type of person who screenshots memes and sends them 3 weeks later without context.

♡ Ryōmen Sukuna.

You're feral. You don’t want love—you want to be destroyed. You want a man who’ll treat you like garbage and somehow it’s hot. "I can fix him" but also, "I don’t want to fix him. Step on me, Daddy."

Your idea of romance is someone who could rip your heart out (literally) and then hold it hostage as you beg for his attention. You’re also too into biting. If he left a handprint bruise on your neck, you’d frame it. Low-key fantasize about getting kidnapped because you think you’d be “too bratty to kill,” and he’d find that cute.

You’re into primal domination, teeth marks, and being pinned against the wall while he laughs at your “attempt” to fight back.

You think it’s hot when men are morally bankrupt and would rather die than be called soft. You definitely believe in Stockholm Syndrome as a viable love language.

This man could call you maggot filth and you’d be texting your friends, “Sukuna said he cared about me today 🥰.” You secretly want him to slap you so hard you see the Cursed Realm.

The worse he treats you, the harder you simp. If he kills your whole family, you’d probably just be like, “They were annoying anyway, babe.”

You’re into primal play, possessiveness, and hearing “you’re mine” growled into your ear like it’s a death sentence (which, with Sukuna, it might be).

You definitely have unresolved trauma and thought “you know what would help? A walking red flag with abs.” You want someone so feral they’d burn down a village just because someone looked at you for 0.2 seconds. Also, you like men who are literally impossible to please because the idea of “earning his love” gets you off.

Your kinks? Pain. Not just physical—emotional, spiritual, metaphysical. You’re the type who thinks choking is romantic foreplay and that love should feel like a hostage situation.

You act like you hate red flags, but you’re planting them in your garden, watering them, and crying when they bloom. Therapy is not in your vocabulary.

You’re deeply into degradation and secretly believe you could “fix him.” Spoiler alert: you can’t, but you’ll die trying. You probably tweet things like “If a man doesn’t put me in his domain expansion, does he even love me?”

Bonus points if you’ve searched for Sukuna x Reader fics where he calls you pathetic but won’t let anyone else touch you.

We see you, masochist. We see you.

You also have daddy issues so big that Sukuna would probably laugh in your face while exploiting them. You’re a masochist in denial and definitely want him to choke you out with those extra hands.

You’ve 100% Googled "can I sell my soul for demon dick" and meant it. You're 100% into monsterfucking. Your search history also includes "tentacle bondage" and "can cursed energy be sexy?"

♡ Suguru Geto.

You have a superiority complex and an inferiority complex. You want someone who’ll emotionally devastate you while maintaining the vibe of a calm, manipulative cult leader. You think you’re classy, but we both know you’re just a slut for a man who says “we need to cleanse the world” like he’s ordering wine at a fancy restaurant.

You think cult leader chic is hot. Your dream date is being kidnapped and indoctrinated into a religious group. You’re into soft-spoken manipulation and think “he didn’t abandon me, he abandoned humanity.”

You want someone who sees you as the one good thing in a world full of “monkeys,” but also you secretly like the idea of being his religion.

You’ll excuse literal genocide because "he’s got a point."

You want someone who hates everyone else but you. Like, he would literally commit mass murder just so you can have a peaceful walk in the park. Into spiritual awakening, but make it horny. Imagine him whispering sacrilegious promises in your ear while surrounded by cursed spirits. That’s your vibe.

You’re the kind of person who’d get Stockholm Syndrome after two days and start quoting his manifesto back to him. He’d probably love-bomb you, use you for his master plan, and then leave you to pick up the pieces. And you’d thank him for it.

You’re into praise kink but only if it’s delivered in a soft yet condescending tone while you’re kneeling in front of him. You want someone who’ll call you his “favorite pet” while subtly threatening to end your bloodline if you step out of line.

Your other kinks? Corruption. You’re into “turning to the dark side” scenarios, and the idea of being brainwashed is weirdly hot to you. Maybe you need a therapist, but Geto would probably convince you therapists are a scam.

You probably daydream about scenarios where you “fix” him, but let’s be honest—you’d fold faster than a lawn chair if he so much as smirked at you. You want a man who looks like he listens to lo-fi while murdering people. You also have unresolved issues with wanting to “save” someone who’s already beyond saving.

You’re down bad for emotionally unavailable men who’ll manipulate you into thinking you’re special. Also, you think long hair = good in bed, and you’re not wrong.

Hair-pulling kink? Try him pulling yours while telling you you’re his only salvation.

Also, he probably tells you to call him master, and you’re into it.

Also, you’re a sucker for men who look like they haven’t slept in 10 years but can still bench press you emotionally.

♡ Naoya Zen'in.

You hate him. You absolutely despise him. And yet, why are you blushing when he calls you a stupid little slut?

You have daddy issues, but instead of unpacking them, you decided to make them worse by stanning this sexist menace. You hate him, but that’s the appeal.

Congratulations, you’re a walking meme of bad decisions, and your search history definitely includes “toxic alpha male x reader.” You don’t even want a healthy relationship—you want to be insulted creatively until you're crying, and then have him smirk while telling you how pretty you look when you break.

You tell people you hate misogyny but get weak in the knees when he says “stay in your place, woman.” You want someone who’ll treat you like garbage, then be jealous when other people try to respect you.

You think Naoya calling you a “stupid little girl” is the height of romance (because if you’re into him, you’re already used to disrespect).

100% into punishment kinks. The idea of Naoya spanking you until you cry and then calling you a “good little servant” lives rent-free in your head.

You have issues in general—daddy, mommy, and probably every other flavor. You like them toxic because boring men don’t deserve rights. You thrive in arguments, especially if you’re the one winning.

You have the worst taste in men, and you know it. You actively choose violence. You think hate sex fixes everything. Spoiler: it doesn’t. But you’ll still keep coming back for more.

You either have a degradation kink or you’re lying to yourself. You want someone to look you in the eyes and call you pathetic while simultaneously making you feel like the most desired person alive.

Into degradation? No, you’re into obliteration. You want to be called the most heinous names and still hear him say, “Good girl” after. If he spit in your mouth, you’d say “thank you” like it’s a five-star Yelp review.

You're the type to start arguments on purpose because makeup sex is your Olympic sport. You think misogyny is hot as long as it's directed at everyone but you (spoiler: Naoya’s a yandere, so he’ll worship you, but he’ll still be the absolute worst).

Brat taming. You want Naoya to slam you against a wall and hiss, "You're so mouthy for someone who's about to beg for mercy," and you’d call him an asshole just to see him lose it.

You also have a breeding kink, don’t lie.

You’re into enemies-to-lovers with 90% enemies and 10% begrudging affection.

You’re probably the most unhinged of them all. Like, “I hate him but also step on me” vibes. You’d start a fight with him for fun, only to let him win because he’s hotter when he’s smug. Also, your type in men is the human embodiment of the patriarchy, and that says a lot.

You also secretly love being called slurs in bed, and you’d let him ruin your life if it meant he’d pay attention to you. You tell people you don’t believe in second chances, yet you’d give him 47.

Naoya IS your red flag, and you wouldn’t have it any other way.

You’re also that person who gets mad when people insult your favorite character, even though your fave literally deserves it.

♡ Megumi Fushiguro.

You're into the quiet ones, but let’s be real, you know he’s one bad day away from snapping and going full “yandere shadow puppeteer” on you. You want someone who’s obsessively loyal, even to the point of chaining you to a radiator “for your safety.”

You’re that person who says, “I can fix him,” and you believe it. Spoiler: you can’t.

Soft yandere vibes are your weakness. You want him to apologize for locking you up and then immediately do it again. You cry during sex, and Megumi is your dream man because he’d hold you gently while fucking you senseless.

You’re basically the emotionally repressed type who cries over sad anime but denies having feelings. You low-key want to be fixed, but you also get off on being the problem.

Silent, brooding types who lose control just for you. You’d die if Megumi whispered, "I don’t care what happens to the world, as long as I have you," while dragging his nails down your skin.

You want a yandere who doesn’t look like one. You’re basically into emotionally constipated men who will quietly destroy anyone that looks at you wrong, but they’ll do it with zero fanfare.

Pretends he’s not obsessed, but you find out he’s been tracking your location via his Shikigami for weeks.

Slow burn? Try agonizingly torturous burn. You love the suffering.

Your kinks? Praise and ownership. You want a boyfriend who’ll carve your name into his soul and blush when you call him a good boy. You also cry during movies about dogs.

You fantasize about wholesome dates that spiral into him casually committing arson because someone looked at you the wrong way. You think being protected is sexy, but deep down, you know you’re the real danger.

You have main character syndrome, but you’re too awkward to admit it. You think you can “fix” people and are always attracted to brooding, emotionally unavailable boys. You’re the type to fall for someone because of their tragic backstory and spend hours analyzing their behavior like you’re trying to win a Nobel Prize.

People think you’re quiet and reserved, but deep down, you’re the freakiest person in the room.

Also, you want his demon dogs involved somehow, and we’re not unpacking that.

♡ Yuji Itadori.

You think sunshine boys are the ultimate bait-and-switch. You want someone sweet and wholesome on the surface but capable of going feral if someone threatens what’s his (spoiler: it’s you).

You’re into soft yanderes who make you think, “Wait, am I the villain here?” But then he kisses you with tears in his eyes and says, “I just don’t know what I’d do without you,” and you’re like, “Oh okay, my bad, ruin my life I guess.”

You’re delusional and think nice guys finish first. You believe you can fix him, even though there’s nothing broken except his moral compass after meeting Sukuna.

Your kinks? Consent (most stan a green flag king), but also low-key primal. You want someone who’s soft and sweet but will absolutely ruin you when pushed too far. Also, you’re probably into breathy whimpers.

You’re into soft yandere energy, like him cooking you dinner while thinking about how to “disappear” your coworker for complimenting your outfit. You also have a praise kink, but you want it to feel genuine. You’re high-key a romantic but still enjoy the thrill of danger.

You’re the type to fall for cinnamon rolls, but you secretly want them to have a feral, toxic side. You pretend to be wholesome but you’re just as depraved as the Sukuna stans—you just hide it better. Also, you’d probably call him “puppy” in bed, and he’d eat it up.

You probably fantasize about “accidentally” walking in on him shirtless after training.

You’re into strength kink. Yuji carrying you around like a sack of potatoes is your idea of foreplay.

If Yuji’s your fave, you’re into the gentle dom who’d snap someone’s neck for you aesthetic. He’d die for you, but he’d also kill for you. And you’re oddly okay with that.

Bonus points if you want to corrupt him because you think it’d be hot to see him snap.

You’re also the type to fall in love with someone because they smiled at you once in 2017.

♡ Toge Inumaki.

You want someone who won’t talk back. Literally. You think communication is overrated and fantasize about a partner who’ll just look at you with hungry eyes while whispering forbidden words into your ear.

You’re the quiet type who wants absolute filth whispered into your ear.

You want to be whispered sweet nothings like "sleep" and then wake up in his bed with a collar on. The duality of “onigiri” and “shut the fuck up” does things to you.

The idea of hearing nothing but the word “come” and losing your mind sends you feral.

You’re into restraint—both the literal and metaphorical kind. You’ve imagined him using cursed speech in the bedroom, and you know exactly how you’d want him to shut you up. You definitely think subtlety is sexier than overt passion.

You claim you like soft boys, but really, you’re just waiting for him to whisper something filthy in that raspy voice.

You’re into the duality of him being both your sweet protector and your most dangerous weakness.

You think “silent but deadly” is hot, but you also have a thing for guys who communicate through body language and emotional gestures. You probably have a Tumblr tag called “soft yanderes” that’s full of questionable content.

Your kinks? Teasing. You want to be pinned down, held firmly, and whispered sweet nothings in cursed speech that leave you trembling. Also, bondage. Don't not lie to yourself.

You think you’re subtle, but everyone knows you have a thing for quiet guys with devastatingly good bone structure. You’re also into the idea of being “the only one” who truly understands him. Let’s be real: you’d let him ruin your life with three words or less.

You’ve definitely thought about what those cursed speech commands could do in the bedroom, haven’t you? Don’t lie. “Stay.” “Kneel.” “Louder.” It’s a problem. You think you’re subtle, but the fact that you bookmarked that one smut fic about him proves otherwise.

You’ve also Googled "what does ‘salmon’ mean in bed" and debated buying a Toge cosplay for your next convention.

♡ Kenjaku.

You’re insane. Full stop.

You’re the type who’d fall for the villain just because they’re hot.

You tell yourself it’s because you “appreciate complex characters,” but it’s really because you have no self-preservation instincts. You’re also probably into weird shiz like non-human anatomy, but you’ll never admit it.

Let’s be honest: you’ve considered the implications of his ability to switch bodies. Your fantasies are wild, and you need a moment to collect yourself.

You want someone who’s both your daddy and mommy because Kenjaku’s body-hopping antics make that possible. Extreme levels of psychological manipulation and kinky body horror. A true deviant.

You’ve definitely read an NSFW fic about body possession and didn’t even flinch. You like the idea of someone who will tear your life apart but still call you their “greatest creation.”

You’re a mess. Like, emotionally and spiritually. You’ve been reading dark fanfics for so long that nothing fazes you anymore.

You don’t want love—you want chaos. You like characters who are 50% sexy and 50% terrifying. You probably think brain surgery is hot. You’re also into weird power dynamics where you’re both the victim and the accomplice.

You think mad scientist energy is hot, and you’d probably let him experiment on you just for the intimacy of it. You’re into power play and mind games, and the idea of someone controlling you physically and mentally is your ultimate kink. You’d sell your soul for five minutes of his attention, and he knows it. Your moral compass? Nonexistent. You just want to get tied up and brainwashed by a centuries-old freak.

You think it’s hot that he’d use your body as part of his experiments. You’d let him ruin your entire lineage for “science.”

You’re not even into happy endings; you just want to be obliterated.

♡ Shiu Kong.

If your favorite yandere is Shiu Kong, congratulations—you’re into men who could ruin your life with one smirk and a casual drag off their cigarette. You like your chaos with a suit and tie, and you’re absolutely weak for someone who looks like they’d call you “kid” while tying you to a chair in a dimly lit room. You’ve definitely fantasized about being the center of his cold, calculated obsession, probably while he’s adjusting his cufflinks and making morally questionable business deals.

You love the idea of a man who’s emotionally unavailable but physically possessive. Shiu wouldn’t say he loves you, but he’d definitely let you know you’re his. You probably have a thing for the cold, calculated type who’ll throw you a smirk that says, “You won’t survive me, but you’ll die happy.” Let’s be honest—you want someone who treats you like a business deal but kisses you like he’s closing the contract with teeth and tongue.

You’re into men who handle their business—and by business, we mean kidnapping, extortion, and murder with a side of snark. You probably tell yourself you’re into “stoic bad boys,” but let’s be real, you just want a man who can pin you against a wall and growl something like, “Don’t make me repeat myself, sweetheart.” Bonus points if it’s in a low, gravelly voice that makes your knees weak.

You’re the type to think a cigarette dangling from his lips while he manhandles you is peak romance. He’d pin you to a desk, adjust his suit jacket, and ask, “Do you really think anyone else could handle you like this?” in that calm, businesslike tone that makes you feral. You like being dominated by someone who looks like they just closed a multi-million-yen deal, and you want him to ruin you in the same suit he wore to work.

You want someone who exudes “don’t waste my time” energy but secretly has the patience to torment you until you’re begging (for mercy or more, who’s to say?). You saw him in that suit and immediately thought, “I wonder if he’d use that belt on me?” Spoiler: he would, but only after lighting a cigarette and telling you to be quiet.

You fantasize about someone who’ll say, “Don’t get attached,” while making you fall so hard you’re practically writing your own kidnapping ransom note.

You’re also into the grudging protector trope—he’ll act like he’s just “handling business,” but the second someone else looks at you wrong, you know he’s flipping tables and snarling something like, “They should’ve known better.” Bonus points if he dusts himself off afterward and says, “Clean yourself up, sweetheart. I’ve got plans for us.”

“I’ll only associate with you in hell” energy that screams hot and toxic.

———

P.S. Actually fun fact, among all JJK yanderes, I enjoy writing Kenjaku the most.

────────────

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General TAG LIST of “Forbidden Fruits”: @uniquecutie-puffs , @ikevampharem , @tnsophiaonly , @mokingbrd78k , @cooldeermagazine , @mimitk , @xileonaaaa , @acacia-koi , @purple-obsidian , @waterfal-ling , @jjune-07 , @jsprien213 , @crimson-kisses , @tinandabin , @sashakittycloud

[sennerixx]

What bugs me most is when people say Stolas is "falling out of love with Blitz" just because he's not smooching Blitz to death or reciprocating the affection Blitz is giving to him in the final two eps. No.

Love doesn't magically cure depression, no matter how much love someone can be given, unfortunately.

His life before "MASTERMIND" was already a shit hole, in the throes of losing Blitz and the Stella scenario, the only good thing that ever happened to him was his daughter, Via. He says in "SINMAS", "You have always been the only good thing in my life," he's desperate at this point, desperate not to lose something so precious to him and a reminder he's probably not taken his medication since he was "exiled" so he's probably already "unstable" in the sense he's not what Via is used to.

After the scene with Via and Stolas, Stolas is most likely dead set on thinking Via hates him. He's crushed and is blaming himself for everything, especially after not being able to explain. He feels that he's completely lost his daughter, forever (while I'm hoping this isn't the case) at this moment it feels like it.

Perhaps it might've gone better if Stella allowed the phone call (though we all know that was never going to happen) and Stolas had a chance to explain himself.

While yes, it was his choice to save Blitz and take the blame. Stolas didn't do it to get away from her, he didn't even know how she'd act to it, it was an in-the-moment choice that Stolas didn't get time to think through and bear in mind, Stolas went to save Blitz with the idea that this was it, he was going to die to save Blitz, he wouldn't even be around to apologize to Via.

Going back to my first point, love doesn't magically cure depression, it takes a lot of time and can be very draining to deal with. Throughout the episode, we can see how exhausted Stolas is.

As a person who's suffered with this myself, depression is different for every person but I do know it won't magically go away just because you're in a relationship. While it can make you feel better, it's not a miracle cure.

Depression is something that lingers and takes patience, time, and a lot of gooddamn resilience to conquer, and even then, people still have their shitty days, who doesn't?

It annoys me when people have such black-and-white views on things or only see what they want to see, if some people took a moment to take a step back and actually reevaluate the situation, they'll find what I'm saying.

I'm not surprised Stolas didn't return the hug at the end because he's still grieving the loss of his daughter and Vias grieving the apparent loss of her father, he's still feeling like the shittest person in hell, still processing all these feelings and everything that's happened all while dealing with depression and an already serious shitty lack of self esteem, motivation and confidence in himself.

What im trying to say, Stolas isn't falling out of love with Blitz, he just needs time to heal, recover, and readjust to the new lifestyle he's been thrown into.

And with fingers crossed, work things out with Octavia in the next season.

[animeomegas]

blowing some boys' back out please x3 your choice of 'em

that's 2 imprecise help neji gaara, sasuke, and minato? :3 bonus if the alpha is big in size. I'll be 🍷 anon if not already taken ! mwah

(Hey, welcome 🍷 anon! Let's see~)

N-sfw under cut

Let's set the scene!

It was a rough night last night, enthusiastic, hot, and very heavy.

And some soreness is totally normal after nights like this, especially when you consider your... greater than average size *cough*

But when your omega gets up the next morning, it's clear that the soreness is more than normal.

He's waddling around the house, holding himself gingerly, still kind of dazed from last night.

He probably has some emerging bruises in sensitive places, a few pulled muscles, too.

Maybe you were a little too enthusiastic 😅

But how does he react?

Neji

He is deeply unimpressed by you.

He's sending you dirty looks, blaming you for his current condition and conveniently forgetting how much he was begging for it to be harder last night.

"How am I supposed to go shopping like this? 😠"

You better be pampering him to say sorry.

He's going to settle down on the couch and you'll be doing all the chores and massaging the sore parts of his body.

Bring him snacks and butter him up with lots of lovey dovey apologies and he'll forgive you.

And then ask for that kind of sex again the next week smh.

Gaara

Concerned boy is concerned :(

Rough sex is extremely out of character for him, and so something must have triggered it. Perhaps extremely heightened emotions?

I'm not sure, but he's regretting it so much :(

He knew rough sex was a bad idea. He kind of feels bad about the whole thing.

For a shinobi, his pain tolerance is pretty low, but he still has to get to work because he has a village to run...

He keeps his composure remarkably well at work, but he goes home early and he expects lots of cuddles and kisses and gentle affection.

It's one of the only sex things that he won't overshare with his siblings because he's genuinely embarrassed by injuries that occurred from his perceived lack of control. He feels like he should know better.

Give him lots of love, okay?

Sasuke

He is SOOOOO embarrassed.

And he's pissed at you. But he won't say that because he's too busy pretending that nothing is wrong.

This lasts for all of 5 minutes before he realises that pretending he's fine means leaving the house like this, and he'd rather DIE.

So, the man who would try to train or take a mission while literally delirious with illness, actually takes a day off and hides in bed.

A bed that he kicks you out of by the way.

(but you can probably sneak back in with some well placed nuzzles)

What is he even so embarrassed about?

People knowing he has sex? Kinda, yes.

How fucking ridiculous he looks waddling around? Absolutely.

Not being strong enough to physically take his alpha without injury? Yes...

DO NOT tease him!

Just apologise once and then make him breakfast and don't bring it up ever again 😅

Minato

He's a bit sheepish about the situation, because he remembers begging for it to be harder, and he should have known better.

Oh well! Now he knows better, and well, it was pretty hot.

He gets a bit turned on thinking about it, which probably hurts, so that train of thought dies quickly.

He will probably tease you about being so big and rough lol

To be honest though, he's totally fine, and he'll say "you don't have to do that" everytime you try to apologise or make it up to him.

He would appreciate you running him a bath and making him some food though, just to show him that you love him.

Let's just hope that he's not teaching that day 🙏🏻 Because he is not as subtle as he thinks.

Or working as Hokage... Because his guard definitely know how he spent yesterday evening 😏

[inumakis-boo]

May I have some dating Toge Inumaki headcanons? Both sfw and NSFW... If you're comfortable.

TOGE INUMAKI ♫₊˚.🎧 ✧💬

headcanons 𓍢ִ˖ hello and thank you for the requests! i am current rediting all of my posts, so if this looks a little different than when you first saw it, thats the reason why!

anyways, i hope all of you enjoy! and if course, NSFW will be tagged and is written for a female perspective.

safe for work headcanons

- would probably not notice each other the first time you meet, maybe an interested glance but it doesn't really hit until the second or third time that he really sees you

- probably asks for your number just so yall can talk better, and once you do, its an instant connection. he literally wouldnt be able to stop, staying up all night to text you

- texts you out of the blue, and although probably feels embarrassed to double text, he is just that interested in you

- would totally deliever a bag of goodies he bought at the store for you, and additionally maybe offer to make you a lunch to try before he makes it for everyone else

- you comment on one of his t-shirts he wears and he puts it in one of the goodie bags he buys you, doused in his cologne because he wants you to think of him

- would totally send annoying memes and tiktoks and bully you over text, also play 8-ball COMPETITIVELY cause he aint gonna lose to you (he doesnt even pity lose to you)

- shows up unannounced just to kiss you in the door frame of your dorm room as a goodnight and then leaves you there

- that is until you invite him over to your dorm at night and he brings post-it notes and teaches you his semi-bilingual language for easier understanding, and utterly loves you for it

- the talking stage would be him just pining over you cosntantly, writing it all down in journals or in his notes app

- after yall started dating, it is very much a no public affection mostly because he doesnt want anybody to be in your business. especially with his noisy ass friends

- but no matter what, he is going to hold your hand, especially when going on dates and walking around campus at night (would definitely talk u into sneaking out)

- he would be hesistant to kiss you even after yall became offical, probably go a few weeks before you just say it straight that you want him to kiss you and you dont even get it all out before hea pinning you to a door and giving you the best kiss of your life

- would absolutely use his speech on you so you cannot resist it when he tickles you or when you are beating him in a game

- he is not the sappiest guy, but if you start to get sappy over a movie or a sad book, he will rub your back and give you head-kisses to help you feel better

below is not safe for work content. mdni.

not safe for work headcanons

- you find out very quickly into the relationship that he cannot resist a challenge of any kind. therefore, using that to your advantage always works out

- challenging him through text to sneak out of his dorm will work, but ofc he wants a prize at the end (you are on your knees for the next hour)

- the benefit of his speech is that you don't feel any fatigue whatsoever during its use, so that makes it really easy to make your body endure while you deep-throat him over and over.

- it doesn't diminish the pleasure though; being told to stay still while he fondles your chest takes away nothing from the experience, and he knows how much you like having no choice.

- not that even if it was tiring, you wouldn't let him throat-fuck you, the noises he makes are heavenly for someone who can't speak straight, the struggle of watching him grip the bedframe and biting his lips so he doesn't utterly ruin you is SO worth a bruised throat.

- he might be nervous to use his speech on you the first time, but after you make sure that you can handle it, its becomes so much more confident in using it

- he loves making out with you, he loves making your lips red with all the biting, he wants to see them glossy and wet right before he puts his fingers in your mouth (you know where they are going next)

- sexting is so fun, yall thought it might be cringy, but its literally the best when he calls you with a command and he gets to listen to you whimper and moan as he jerks off to it, can be totally unexpected

- "Ride me."

- hand on your thigh when nobody can see, and his pinky is awfully close to your panties that it makes you nervous.

- ofc he can easily make you cum, but will he always let you? not without a cute little 'please' hes not. begging is fun, isnt it?

- lets be honest, the dick game is so good he don't even have to tell you to go to sleep after

- ofc he would definitely lay it down on you exactly how he described through text, and then clean you with special wipes he bought from the store because he aint a dickhead, duh.

I have so many more, especially for different situations, so lmk if you want more! Thank u for all the support as of recently!

bye pookies!

[nyarlathotep-thecrawlingchaos]

Here, have a casual glimpse into my thought patterns and creative process:

*just scrolling about Tumblr and vibing to "Too Much Wine" by The Fratellis*

Too much wine?

Mihawk?

Mihawk drunk??

Wait wait wait WAIT what are they all like drunk?

GASP s h i n y h e a d c a n o n s

BLANK DOCUMENT HERE I FCKEN COME—

So anyway here's some headcanons about drinking too much (insert adult beverage of choice) with the OPLA boyos.

Implied that Reader is already in a relationship with each character in question.

I shall call it.......

HAMMERED

OPLA!Zoro, Sanji, Shanks, Mihawk, Buggy X AFAB!Reader

NSFW Headcanons

Kinda Kinktober I guess? Borderline shitpost, I had way too much fun with this.

♫♬♫ Too Much Wine - The Fratellis ♫♬♫

I'll take the mead from the table

Talk straight while I'm able

Until I'm nothin' less than a crime

Zoro

"Y'know, I actually have four swords, but we're gonna have to go somewhere more private if you wanna see the other one."

Rum, sake, beer, wine, whatever you're down for drinking so is he.

Zoro's got incredibly high endurance and stamina—it's going to take a while for him to show that it's affecting him at all, but once it does, he goes from zero to one hundred faster than you can say "onigiri."

Literally no in between, no tipsy or buzzed. Just sober and then stumbling over his own feet and swearing he absolutely is not drunk the whole time.

All those repressed emotions that he hides behind a mask of dry sarcasm on a day to day basis are coming out in full effect.

That means you're getting one of two Zoros—goofy Zoro or sad Zoro.

Goofy Zoro's going to have his arm around your shoulders, laughing his ass off about that time he caught that idiot Marine brat swinging his sword around bare-ass naked so he chopped off half his hair.

He's likely to get pretty flirty in this state, even downright playful, especially if you initiate it, and it's almost definitely going to end in him dragging you somewhere private to fuck your brains out, because his restraint is totally out the window at this point.

If you end up with sad Zoro, he'll be laying his head in your lap and slurringly asking whether or not you think he's ever really going to be the best swordsman in the world, probably still beating himself up over losing to Mihawk.

Just comb your fingers through his hair and do your best to reassure him that you love him and genuinely believe in him. Whether it works or not, he's going ti end up falling asleep in your lap, so be prepared to be stuck there for a while.

"But like...you really think, like, I can beat that bird-eyed bastard? I mean he fucked me up with a goddamn butterknife."

Sanji

"There we are—a beautiful drink for a beautiful woman."

Turbo Flirt Mode: activated.

Sanji is all for pairing wine with food, but if you're looking to get a little sideways, he's going to want to show off his mixology skills to impress you—and he's going to be making some dangerous concoctions, the kind that taste like there's not a drop of booze in them.

The more lit he gets, the less subtle the flirting. If you thought he was clingy sober, you are in for a surprise, because that's just the tip of the iceberg.

Head on your shoulder, puppy dog eyes, telling you how pretty you are and how much he adores you every thirty seconds, with a big silly grin like you're the most amazing thing he's ever seen.

Brushing his lips along your neck and murmuring all the things he's going to do to you once the two of you are behind closed doors later—and he means every one of them, because you're utterly irresistible to him in this state.

He wants you giggling and blushing just as much as he wants you moaning and trembling under his touch.

Super playful once you are alone, even moreso than usual. He's definitely going to suggest doing body shots, he will beg if he has to, but honestly who in their right mind is going to turn him down?

"You're just...just so—so beautiful—honestly, it should be illegal."

Shanks

"Hold—hold my rum—no, no, just for a moment, I wanna see if I can do a backflip off the railing—"

Spoiler alert: he can't. Now he's lying on the quarterdeck alternating between hysterical laughter and "Oh God that hurt—"

Probably the most fun drunk in the world, but he can be a hazard to his own health as his judgement begins to lapse so someone's going to have to keep an eye on him.

If you're at a tavern or otherwise public location, do not under any circumstances let the man out of your sight for more than two seconds. He turns into a straight-up child, he can and will wander off, and you'll find him a mile away on top of a building, likely half-naked and singing sea shanties at the top of his lungs, with no clue as to how he got up there...or how to get back down.

He's developed quite a high tolerance over the years and tends mostly toward dark rum, though he won't turn down a stein of ale or beer.

Total life of the party energy—telling jokes and stories, he just wants to see everyone laughing and having the absolute best time.

Super, super flirty, he may as well have written the book on pick-up lines; and he doesn't care that you're already together, he's going to drop every single one of them on you just to see how much he can make you giggle or roll your eyes.

He's very likely to pull you onto his lap at some point and make out with you like no one's watching—he already doesn't really care who sees when you're both sober, but he really doesn't care after a little too much rum, so it's probably best to coax him to bed at this point.

He's perfectly happy with cuddling up, laying his head on your chest and draping his arm over you, just humming in contentment and falling asleep together...but if you want more, don't expect to get much sleep, because he wants you lasciviously.

To taste every inch of you, to suffocate between your thighs until you're screaming, to pull you onto his cock and watch you ride him until you're both too breathless and exhausted to do anything but tangle yourselves together in the sheets and drift off to sleep between slow, sensual kisses.

"Oh, princess, just when I catch my breath, you make me lose it all over again."

Mihawk

"If you insist on being such a brat about this, you're going to get what's coming to you."

Mihawk has a strong drive to be in total control of himself and everything happening around him at all times, which means he doesn't tend toward getting drunk.

But...he also has this wee little problem with his ego being larger than the entire volume of every combined ocean in the world. If you imply that you could drink him under the table...he's probably going to sneer and tell you to quit being a brat, but he's also going to be quite driven to prove you wrong.

He does love his wine, but it's generally only a glass or two to wind down and relax—he's definitely got a nice bottle of aged bourbon or eau de vie tucked away somewhere that's going to be coming out, because he's got something to prove now.

Unfortunately for him, due to the fact that he so rarely drinks heavily...he's a bit of a lightweight. Which he won't admit even to himself.

But it barely takes a single lowball of harder liquor to get that pale complexion of his a little flushed.

Perhaps just over three for him to start blinking a bit harder than normal in a futile attempt to get his vision to focus, to start speaking a bit slower to attempt to hide the slight slur in his words as you taunt him about it—which honestly only makes it more pronounced, and more amusing.

You had best enjoy it, because it's probably the only time you're going to hear the words, "Fine, you win," come out of his mouth—as well as perhaps the only time he won't be miffed about conceding. The alcohol in his system has him loosened up just enough that he can't pretend he doesn't find your boldness and sass at least a bit endearing...and even more alluring.

That being said, you're still getting punished for it, teased within an inch of your sanity, and he's going to enjoy every single second of it.

Setting his glass aside, plucking yours from your hand, pinning your hands above your head with a devilish smirk and slowly undressing you, his eyes on yours the entire time.

Trailing his fingertips across your bare skin, drawing closer and closer but never quite giving you want you want, his lips barely brushing against your neck, reminding you in an amused murmur in your ear that he could easily do this all night.

You did have the audacity to challenge him, after all—he has no choice but to remind you who's in charge.

"What is it, my little bird? Did you think you were going to get a consolation prize? You're still going to have to beg."

Buggy

"Bet you two thousand Berries I can shotgun two beers at once, watch this—"

And he basically ends up halfway drowning himself, but hey, you're two thousand Berries richer!

Honestly, there's no party like a Buggy party, because a Buggy party doesn't stop until someone loses a limb—probably him.

No, really. Don't let him use his devil fruit abilities. Keep a bucket of sea water on hand if you have to, because he may literally misplace one of his limbs and you're going to have to go on a Chop Chop Scavenger Hunt to help him find it while you're both completely smashed.

If Buggy's drinking, everybody's drinking, and everybody is getting completely fucked up. This is non-negotiable, he thrives on chaos and that's what he's intent on creating.

Anybody who passes out before him is getting something obscene drawn on their face in permanent ink. He can definitely hold his liquor, so if you can keep up with him then you can expect to be the last two living souls left conscious on the whole ship.

That being said, he doesn't care who's awake—things are going to get kinky, and he's really not bothered about anybody watching. Or joining in, for that matter. This whole operation very well may devolve into a drunken orgy if he has any say in the matter.

Then again, it may also devolve into him flopping dramatically across your lap and divulging absolutely all of his trauma in an emotionally-charged alcohol-induced rant. He won't remember it in the morning, so please do him a favor and don't remind him.

"Hey, uhh...I los—I lost my foot again. .....Sor—*hiccup* sorry."

[spiceofvy]

hello friend!

i just read your skz posts for nearly an hour straight — you’re a very talented writer! i love your characterizations of them and the scenarios you come up with for requests are all unique, i love that!

if you’re up for it, would you consider writing a soft/fluffy skz with reader who craves some attention but for some reason won’t just verbally ask for it? (maybe had a long and hard day, or is a little too shy to ask for affection straight up, or is sleepy, etc.)? especially seungmin — i see a lot of rough or aggressive seungmin but lately i just so crave a sweet and fluffy seungmin.

no worries if you’re not interested — i still really enjoy all your writing! 🌸🌼

SKZ - Reader is too shy to ask for affection

a/n: aww thank you for your super sweet words! the ask is also super adorable! while writing i also realized that i was also in need for some seungmin fluff, so i made sure to write his part extra long! i hope you enjoy!

cws: gender neutral reader, sfw, fluff

Chan: He just constantly misses you. Even when he just saw you, or made the choice to leave himself. So he is really aware of how you feel when you are around each other. And with that discovered that your habit of visiting him in the studio was not only to spend time with you but also you subtly showing him that you need some attention from him. So he just opens his arms for you and pulls you onto his lap. No words needed.

Minho: When he realizes your need for some attention he is initially unsure what to do. Do you just need a hug, or maybe some cuddles? Would a few kisses make it better or is the solution a home cooked four course meal? In the end he makes the smartest decision possible and just hugs you really tightly, softly asking what you want to do. Being all ears for what you need and then doing exactly that.

Changbin: A very cuddly person himself, so when he cuddles you it's always one of his own needs too. Especially after a long day he just wants to feel you close. Prefers the bed over the couch so if one of you falls asleep while cuddling you don't have to get up again. On the very few days he does not initiate a cuddling session himself, he does take the hints for your needs for attention very well. A pull at his hand, a look towards the bedroom and a moment later you are cuddled up against him.

Hyunjin: I stay true to my "Hyunjin can read your body language like a book" agenda. Because this is also very true in this scenario. You don't need to tell him that you are in need of his affection because he can tell just from your eyes. And he doesn't care how busy he is in theory because he always has time for you. Even better if he can share it with his other passion, art. He loves to have you on his lap as he paints, sometimes using his clean hand to caress your back.

Han: I imagine this situation to be really rare when dating Han as he is at least just as needy as you are. Most of the time he just takes the affection he needs, throwing himself on you when you are lying on the couch, cuddling you tightly. So when he can't do that it's probably because he has to rehearse a lot for a comeback or while he is on tour. But as soon as you just sit next to him and stare him down he gets the message and throws himself at you in his usual manner.

Felix: Feels your need for his attention under his skin. He is a giver when it comes to any kind of affection. So whenever he just gets the feeling that you could need some love he gives it to you en masse. He pulls you onto the couch and curls up next to you, nuzzling your neck and holding you so tight all your worries are gone. Holding your hands even after he lets you go and smiles at you until you fall asleep.

Seungmin: The thing with Seungmin is that he himself is quite shy about physical touch and unsure about how much you want from him. So he just sits next to you, extending his arm out, softly caressing your cheek with his fingertips, and when you lean into his touch he opens his arms for you, pulling you into a warm hug. Laying you on top of him, cuddling with you on the couch. After some time he starts softly talking to you about his day, and in return listens to you talk about your own, softly massaging your scalp. Letting you stay there after you fall asleep, even when he is tired himself, and his legs feel numb. Because your comfort means just so much more to him than his own.

Jeongin: Also tends to be on the shy side when it comes to physical affection. But he easily picks up on the little things, your eyes lingering on his hands, maybe you pulling over one of his sweatshirts to feel closer to him. So he just straight up asks if you want to spend some time cuddling on the couch. You don't need to say much, a quick nod is enough for him to pull you close and spend the whole night watching movies with you.

[justsomeoneintoomanyfandoms]

Heyy could I ask if you can make headcanons with the tokyo debunker characters where you have an established relationship with them but your ex suddenly tries to win you back

Hi Anon! Thank you for your request! I will be posting the other houses in the coming days so keep an eye out for them. Sorry it took so long. I hope you like the headcanons!

I Want You Back - Frostheim Edition

Fandom: Tokyo Debunker

Characters: Jin Kamurai, Thoma Ishibashi, Lucas Errant, Kaito Fuji x gn! Reader (separate)

Frostheim | Vagastrom | Jabberwock | Sinostra | Hotarubi | Obscuary | Mortkranken

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

You're happily in a relationship with the Tokyo Debunker characters. So how will they react when your ex suddenly tries to win you back?

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Oh, Jin isn’t standing for this. No way. You’re his and no ex is going to win you back on his watch. Yeah, he knows you don’t still have feelings for them. That doesn't matter. Jin has no qualms throwing his status around.

He’s not going to pin any blame on you for this. Your ex shouldn’t even still be sniffing around. You’re in a new relationship now and with the captain of Frostheim no less. Doesn’t this fool know who they’re dealing with?

He’s certainly the type to get jealous but more because he doesn’t know why you put up with him than because he lacks trust in you.

He’ll also trust your judgement in this situation. If you tell him to back down or not pick a fight with your ex, he will. But he’s got to make sure everyone knows you’re off limits.

Much like Jin, Thoma’s not going to stand for anyone trying to win you back. But he’s going to be a lot more lowkey about it.

Blackmail’s not off the table when dealing with your ex, especially if they’re not taking no for an answer. He’s got the resources for it and has no problem threatening to leak information.

Like Jin, he can be prone to jealousy but does a good job hiding it. He’s not going to control your every move but that doesn’t mean he has to like everyone you interact with.

He’ll make sure your ex isn’t going to bother either of you again, especially if you're annoyed by your ex’s return. The last thing he wants is for you to feel uncomfortable.

Luca’s going to take more of a backseat role in this than Jin or Thoma. Not only does he trust you to make your own decisions, he also wants you to make your choice without him influencing you.

Sure, he wants you to choose him but he doesn’t want to feel like you only did so because he was pressuring you.

If you ask him for help driving your ex away, he’ll happily step forward to defend your honour. He’s tried to keep the feelings of jealousy hidden but he thinks it’s disrespectful that your ex is sniffing around when you’re clearly taken.

He’ll be firmly polite when talking to your ex though. He’ll make sure he doesn’t start an all out fight but there’ll be no doubt that your ex isn’t welcome around you anymore.

Kaito’s going to spiral into self-doubt. There’s no chance you’re going to stay with him when your ex is trying to get you back.

So he’s going to distance himself from you for a while. He’s not even going to try to fight for your affection, not if he thinks he’s already lost.

You’re going to have to go to him yourself and tell him that you only want to be with him. It’s going to take a while to convince him but once he puts two and two together, he’s over the moon.

He’ll still probably leave it to you to send your ex off but he’s definitely going to be poking his tongue out at your ex and puffing up his chest as soon as your back is turned.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Hey, did you enjoy this? If you like my writing, please consider donating to my Ko-Fi page! This will allow me to make some money off my writing, something I enjoy doing.

ko-fi.com/justsomeoneintoomanyfandoms

Important Note: Please only donate if you are financially able to. If you are currently in a position where you can't donate, a like, comment or reblog will mean just as much.

[drama-glob]

I know some people have already pointed out some parallels between "Just Look My Way" and the ending of "Sinsmas" with Octavia, but something I thought was interesting too was that when they changed the lyrics from the original version by PARANOiD DJ to make the official music video reflect in canon Stolas/Stolas's growth like this:

They also changed here:

To reflect in canon that while Stolas is aware that he was wrong to make this deal between him and Blitz and that he's got his walls up that Stolas can't get over so long as the deal stands, he's also failing to keep considering how all of this has been affecting/hurting Octavia up to this point because he's been so concerned with making things right by Blitz, all while barely holding onto the chance that the two of them could actually be happy together since he's not even sure if what they have is real/all a lie to serve as his escapism from his life at the palace. :( The illusion he built for his daughter about them all being a happy, loving family growing up is still in Octavia's mind and now thanks to Stolas, she believes he (as well as Blitz based on what we've seen) ruined her family and it's making her become more isolated and feeling unloved because of his choices and how she perceives the situation; Stolas in the original version seems to be at least acknowledging how his daughter might be feeling as a result of him trying to find happiness with Blitz and is wondering if that's what he's feeling now at the prospect that Blitz doesn't actually love him, compared to the canon one of how he's hurt Blitz in his pursuit of him and knows he needs to set Blitz free no matter how much he wants him (or at least that's how I read it, although the "She" could have been referring to Stella, but we've seen her hatred and attacks towards Stolas by that point, so I'm still leaning towards it being about Octavia :( ). Also, just to reiterate the point, since the canon version of the song takes place later in the series, the change in lyrics also likely had to happen because we've seen Stolas repeat the neglect/being stuck in his own head behavior such as in "Seeing Stars" and then later in "The Full Moon," thus why the song needed to continue showing this pattern; plus, he probably felt so sure in Octavia's love for him that he'd be forgiven like in "Seeing Stars" and "Loo Loo Land" for said behavior that he didn't need to work on improving that aspect of how he acts with her. :/ What's crazy is that the original version of the song came out 9 days before "Ozzie's" premiered, where we see Stolas then feel ashamed for how he's handled things with Blitz at the cost of hurting his daughter and not being sure Blitz loves him back, especially with Blitz's words at the end of the episode. Talk about timing. O_O

*On a side note, the flower also changes from being a daffodil that can symbolize rebirth and new beginnings, then becomes a carnation (I think) and can refer to love in various forms, although that one in particular can refer to rejection because it's striped. :( Also, even though it's in the original version of the song, I find it interesting that it was a carnation at the part when he brought up Octavia, although I know the focus of the song is still on Blitz and Stolas's relationship and it changed in realization that it may be his fault things are this way/the reason Blitz doesn't love him. :/ In addition, the song had Stolas trying to talk with Blitz and wanting to see him outside of the full moon at the beginning, which we then saw he was doing via text messages in "Western Energy," so damn on it predicting that too. O_O

By all means, Stolas has a right to be happy, to be loved and to get away from Stella, but as so many have already argued as well, Octavia's feelings are valid and understandable given Stolas's actions and her not knowing the full story. :( (I felt obligated to include this since I want Stolas and Octavia to reconcile in the future and be one big, happy family with Blitz and Loona <3<3<3).

Also:

It's too bad that this lyric about growing cold had some literal manifestation, even though Octavia is also obviously giving her father the cold shoulder here and Stolas was referring to Blitz in the song, but it's still so sad that Stolas believes Octavia truly hates him for all that he's done rather than her being angry, hurt and needing more time to process everything/learn the truth in order to see things from his perspective. :(

*I think someone may have pointed this cold part out already, but I wasn't 100% and it went with the first part of the post anyway, so I included it as well. :/ Also, sorry if it seemed like I was rambling or getting off track here as this wound up being longer than I planned and I kept thinking of other tidbits/observations to include. :/

[batman-dc-imagines]

I have a request for a victor zsasz x reader! I’ve requested this like 2 times to other writers but I love him so much🥺. Can you do an imagine of reader being Don falcones daughter and she’s victor’s significant other 🖤

Gotham!Victor Zsasz being the boyfriend to Falcone's Daughter!Reader

A/N: Not sure if this was the way you wanted the story to go but I hope this is appealing. Also Sofia don't exist, at least not in this specific fanfic.

Overview: Being the daughter of Don Falcone and girlfriend to his personal assassin.

Relation: Romantic

The start of you and Victor's relationship was...complicated to say the least.

You both had grown a mutual attraction for one another and when you both found that out, the rest was history.

Fear of what your father would think, you wanted the relationship to be kept a secret until you could build up the courage to tell him.

On one hand, Victor liked the excitement of being in a secret relationship with THE Falcone's daughter.

On the other, he was hesitant to hide such a big thing from his boss.

He is loyal to Falcone but he loves you.

A lot.

It's probably not until 4-5 months later do you both get busted.

It wasn't Don himself who had caught you both but a servant had seen you and Vic in one of the many rooms of the manor, alone.

Sharing a little smooch.

You and Vic were both worried what Falcone would do but what shocked you both was him saying he already knew.

Or assumed a long time ago.

I guess you two weren't as good at hiding your affections like you thought you were.

Falcone has put a lot of trust in Victor over the years and if he had to pick someone to love you but also protect you, Victor would be his first choice anyways.

He knows that Victor is the most capable of protecting his little girl.

Now onto the actual relationship stuff.

Victor is much more open with his feelings and such now that he knows your dad won't murder him in the brutalist way possible.

Even if you were Falcone's daughter and people knew not to mess with you because of your last name, Victor would still be the one to remind them now that it's known you two are together.

He'll still do jobs for your father but he's now changed to being your personal bodyguard whenever your dad isn't needing him.

He'll be by your side almost 24/7.

He likes to train with you.

Fighting experience or not, he likes to teach you new skills whenever he finds the time.

Give's you one of his own personal knife to keep on you for protection and as a little reminder of him.

Brags a lot. Especially if he's standing on the sidelines watching you kickass, he'll such smirk and brag to the person closets to him saying shit like, "See her? That's my girlfriend," while said person is scared for their life.

If he's out doing a job for your father and you text him anything saying you need help, he's at your location in 5 minutes.

No matter where he is in Gotham, he's by your side in an instant.

Hell he's never moved so fast from one location to another for your dad like he does for you.

He doesn't get too jealous since he makes it very much know you're his but if for some reason someone does do you wrong or God forbid looks at you wrong, expect to see a missing poster of said person the next day.

At the end of the day, he's most loyal to you and he better be dead if something were to ever happen to you.

[tsukimara]

-ˏˋ⋆➔ Hanako!Venti x gn!reader ⭒

-ˏˋ⋆➔ Genres: Hcs, fluff ⭒

-ˏˋ⋆➔ Hanako From Jshk/tbhk

-ˏˋ⋆➔ Warnings: None! ⭒

-ˏˋ⋆➔ A/N: I need to read tbhk again, last time I read it was 3 years ago. Maybe I will do part 2, hm?

• Surely your first meeting was in the bathroom of the old school building.

• He will scratch his neck awkwardly when he accidentally scares you (He didn't do it on purpose).

• It was hard for you to tell at first whether he was a girl or a boy but later you could tell from the voice.

• "Hey, am I that scary?"

• "...You are a boy?!"

• He will forgive you if you make him apple donuts.

• True, he grants wishes but it also depends on what kind of wish you make. If it's quite simple it will probably work, if not it will be a little problem but he will try to help you anyway.

• If you are quite close he may tell you little bits of his past but not in detail or things he doesn't want to talk about (Still an achievement).

• PLEASE make him apple donuts, they don't even have to be donuts, it can be something else related to apples, however apple donuts would be the best choice.

• This boy will be happy all day long, even though he would rather eat them all, he will give them to you too because after all you made them for HIM.

• Privacy? What's that? Venti loves affection so expect hugs! The good thing is that he's a ghost so people in your class won't see him sticking up to you.

• Of course he will let you go when he sees that you feel uncomfortable and he will apologize to you. Next time he will remember to ask you.

• Be careful because Venti may disturb you a bit during the lesson, for example by trying to make you laugh. This boy loves your smile!

• Even if you keep your head down, he will find a way to make you look at him. It might cause you to start laughing in the middle of the lesson and everyone will look at you strangely. During the break he will start flying away from you, laughing when you try to catch up with him.

• Don't be surprised if you come back home and find in your notebooks his poems or song lyrics special to you. They are so cute and lovely that sometimes you think they are not for you.

• "Is this really for me?"

• "Who else is it for, silly? Of course it's for you! Awww did you like it??"

• He'll love to hear about your interests and even tell you about his own! You will certainly be talking on the school rooftop or in the bathroom.

• Okay, okay but do you guys remember when Hanako kissed Yashiro on the cheek to cast a protection spell on her? OMGGG Imagine Venti doing that on you!!!

• I'm sure that when you finish all your classes or cleaning the bathroom, he will walk you to the school gate and blow you a kiss once you're out of the school grounds.

• When you enter the bathroom you can see him on the floor defeated by Mokke in a card game. He claims they are invincible because they cheat, but he whispered it to you so that Mokke's army wouldn't suddenly attack him.

• If you have any questions he will be happy to answer them but not all of them about his life, he will try to keep you busy with something else.

• "So... What were you like when you were alive?"

• "Y/N it's time to clean the bathroom! I'd love to sing to you while you work!"

• He saw the dissatisfaction on your face, but what could he do?

• If by some miracle you meet his twin, and let's be honest, you definitely will, whether you want to or not, Venti's behavior will become more serious.

• He didn't want you to meet his twin, especially on such a quiet and amazing day. You could see how Venti was uncomfortable around him and kept you away.

• Even if you were to ask about his brother, that's a topic he won't tell you about (yet) and he doesn't know if he ever wants to tell you. He will most likely hide it with a smile and distract you.

• He may be jealous! But he doesn't really show it, although you can still tell he is. He will pull you away from that person by saying he wants to show you something or that he has a gift for you. He will also start teasing you to get your attention.

• "Come on Y/N. I'm sure your friend won't mind if I steal you away for a while!"

-ˏˋ⋆➔ Genshin Impact Masterlist

-ˏˋ⋆➔ Masterlist

-ˏˋ⋆➔ Rules request

[tossawary]

Having finished the first "Jedi Apprentice" book... some thoughts based purely on that one book and the movies...

On one hand, I do think that no one should have ever let Qui-Gon Jinn be responsible for a child. Like, yeah, the Jedi Council keeps sending children into horribly dangerous situations all the time (because it's kids media, this is how kids media works), so I will not put Obi-Wan repeatedly being in lethal physical danger entirely on Qui-Gon (it's a little bit on him); there's an institutional issue here. But, for the love of goodness, that aside, Qui-Gon is obviously just not currently equipped to take responsibility for and help a child's emotional and mental wellbeing.

On the other hand, I do think that this was... decently written? The characterization is clear. I do understand why Qui-Gon Jinn thinks the way that he does even if I find a lot of his thoughts infuriating and strongly disagree with his conclusions. His past experiences with a padawan fucked him up and it's coloring all of his current choices, and he knows it but doesn't want to examine exactly how. PLUS there is the cultural / institutional element of even Jedi initiates being deadly little killing machines and padawans regularly being sent into danger. Qui-Gon grew up this way, he evidently views some element of this as normal and acceptable. This is along the lines of what happened to HIM as a child.

And that's interesting. Obi-Wan Kenobi will later turn around and make some of the exact same mistakes with Anakin Skywalker.

PLUS there's the knowledge that Qui-Gon was trained by Dooku and... I have to believe that Dooku was probably worse, honestly. Like, I have not read the additional materials that might show off that master-apprentice relationship, but Dooku became a damn Sith Lord who waged war against the galaxy because he thought that accelerationalism would fix shit, which suggests to me that he was probably a strict and demanding master, probably not especially emotionally available, especially emotionally intelligent, and/or especially respectful of, like, other people's opinions or feelings. I won't assume at the moment that it was intentionally abusive or that there wasn't some affection there; I AM going to assume that the Dooku & Qui-Gon dynamic was in some way dysfunctional as all get out, though.

Qui-Gon is actively refusing to take a padawan because he knows that he's not in a good place for one and doubts his own teaching abilities! He really does not want to be responsible for a child! (And Yoda is going, "Fix him, I can," and by "I", Yoda means "12-year-old Obi-Wan Kenobi".) Unfortunately, Qui-Gon is so desperate to avoid Xanatos happening again that he shies away from taking even temporary guardianship of Obi-Wan Kenobi for the duration of a transport flight.

So, while knowing that Qui-Gon Jinn is going to fuck up even harder in later books, my current vibes for him are... He's like one of those unintentionally toxic parents who is doing their best most of the time but honestly can't see what exactly is fucked up about their behavior, because THEIR parents were WAY worse and even more abusive, and also general society generally agrees that "not starving your child" / "not beating your child with a belt" / "not causing any physical harm" is the peak of "good" parenting. I would bet that Dooku's expectations for Qui-Gon's skills and behavior as a 12/13-year-old were extremely high.

So, Qui-Gon means well, and is probably internally holding himself up against Dooku and correctly seeing that he is WAY better with kids than Dooku, but unfortunately, Dooku REALLY sucked as a teacher and guardian. (Like, Dooku may have successfully passed on skills, but the whole experience was generally volatile and unpleasant for Qui-Gon.) So "way better than Count Fucking Dooku" still lands us all firmly on: "Oh, shit, Qui-Gon fucking sucks at this, actually."

And Qui-Gon KNOWS he sucks at this! He knows he's not good with Obi-Wan, even if he doesn't fully grip his own position and impact. He's busy risking his own life and nearly dying multiple times fighting pirates and mining overseers right now in this first book, so he doesn't exactly have the time or the tools to fix his shit right now, even if he knew where to get started and actually wanted to rip open those old wounds. (And he does not.)

[vermilionsun]

*Crashes in* Hi there! This is probably the first time I’ve requested something in literal years! But I’m wondering if you can do relationship headcanons with the reader/mc (gn too please 🙏🏼) dating both Kuras and Vere🤭. It can be both sfw and/or nsfw, whatever you like! I just really wanna see what possible messiness that comes of this.

Also thanks for the follow, and glad you enjoyed my lil fics!!🙏🏼☺️🩵🩵🩵

Ahoy! Thank you sm for the req!! Of course, gn! reader + it's extra messy, hehehe

Note 1: There's NSFW under the very obvious line and the the big red letters that read "NSFW" Note 2: The edit of the middle pic is by @todayis-snowy <3

ⁿᵒᵗᵉ ²﹕ ⁱ ᵈᵒⁿ'ᵗ ᵏⁿᵒʷ ʷʰᵒ ᵐᵃᵈᵉ ᵗʰᵉ ᵉᵈⁱᵗ ᵒᶠ ᵗʰᵉ ᵐⁱᵈᵈˡᵉ ᵖⁱᶜ ʷⁱᵗʰ ᵛᵉʳᵉ ﹠ ᵏᵘʳᵃˢ, ⁱᶠ ᵃⁿʸᵒⁿᵉ ᵏⁿᵒʷˢ ᵐᵉˢˢᵃᵍᵉ ᵐᵉ ˢᵒ ⁱ ᶜᵃⁿ ᵖʳᵒᵖᵉʳˡʸ ᵃˢᵏ ᵗʰᵉ ᵒʷⁿᵉʳ ᶠᵒʳ ᵖᵉʳᵐⁱˢˢⁱᵒⁿ ᵗᵒ ᵘˢᵉ ⁱᵗ/ʳᵉᵐᵒᵛᵉ ⁱᵗ. ᵗʰᵃⁿᵏˢ ✌

➢ You’d most likely be caught in the middle (in… more than one ways), trying to maintain balance.

➢ It's like willingly stepping into a minefield and expecting not to get blown up. A recipe for disaster, cooked and baked at why-did-you-think-it-was-a-good-idea degrees. A thunderstorm of past emotions brewing beneath the surface for centuries, ready to unleash its wrath at any moment. You don't mix fire and ice, especially when they come in the form of two ex-lovers who still hold a spark for each other as well as a history of clashing violently.

➢ Both are unapologetic about everything they do

➢ They constantly push each other's buttons. It's like a deadly game of tug-of-war, with neither willing to give an inch. Trying to navigate a relationship with both of them feels like walking on eggshells, never knowing when one wrong move will set off a chain reaction.

➢ Their… love is a force to be reckoned with, a force that could either consume them whole or set them free. But one thing is for certain: it's something that cannot be ignored, no matter how destructive it may be.

➢ That said, spare yourself the trouble and stay out of their way if you can. Unless you want to get caught in the crossfire. And hell, maybe even get burned. But at the end of the day, why the fuck would you not want to involve yourself in their toxic relationship drama?

➢ e̶s̶p̶e̶c̶i̶a̶l̶l̶y̶ i̶f̶ y̶o̶u̶ w̶e̶r̶e̶ b̶o̶r̶n̶ c̶u̶r̶s̶e̶d̶, w̶i̶t̶h̶ h̶a̶n̶d̶s̶ y̶o̶u̶ k̶e̶e̶p̶ b̶a̶n̶d̶a̶g̶e̶d̶ t̶o̶ h̶i̶d̶e̶ a̶ d̶e̶a̶d̶l̶y̶ s̶e̶c̶r̶e̶t̶:̶ a̶ b̶r̶u̶s̶h̶ o̶f̶ y̶o̶u̶r̶ f̶i̶n̶g̶e̶r̶s̶ t̶w̶i̶s̶t̶s̶ t̶h̶e̶ m̶i̶n̶d̶s̶ o̶f̶ a̶n̶y̶ h̶u̶m̶a̶n̶ y̶o̶u̶ t̶o̶u̶c̶h̶. J̶u̶s̶t̶ h̶o̶w̶ f̶a̶r̶—

➢ Those aside, they’d actually be pretty loving towards you.

➢ Kuras is the type to shower you with attention in a rather subtle, detached way. Vere, on the other hand, is the type to show his love through grand gestures and extravagant gifts.

➢ Kuras would be a rather protective partner, and would be wary of Vere due to how antagonistic he is towards both him and you.

➢ Both Kuras and Vere are pretty stubborn, so the arguments are nothing less than legendary.

➢ They could go on for hours, with Kuras using his sharp tongue and quick wit to cut down Vere's fiery temper.

➢ They'd argue over the weirdest things—food choices ( and who's the worst cook), who said what in the heat of the moment—the list goes on, really.

➢ Kuras probably has a few secret places where he goes for some alone-time to cool off,come back after an hour or two and pretend like nothing happened, while Vere would probably still want to continue the argument.

➢ Jealous jealous JEALOUS. 

➢ Knowing Kuras' slightly-more-than-necessary possessive nature, Vere'd definitely go out of his way to make him more jealous.

➢ Anything to make him see red.

➢ Openly flirting, teasing or touching you in front of Kuras, showering you with affection just when Kuras has stepped out of the room or go out of his way to spend time with you, deliberately excluding Kuras from the hangouts. He'd be constantly hovering around you and if Kuras does get a chance to be alone with you, Vere just barges into the room and starts acting particularly familiar and affectionate with you.

➢ Kuras'd be careful to keep his cool—despite seething inside—looking at you two with a smile that's too tight to be completely genuine, eyes narrow and jaw clenched. He’d make sure to shower you with extra attention once Vere’s gone.

➢ He knows Vere's doing everything just to rile him up and he's probably making mental lists of ways to k̶i̶l̶l̶ get back at Vere in the future.

➢ He'd probably get very cold and dismissive with Vere—at least, for as long as he could hold out. Kuras is not very good with self-restraint when he's mad.

➢ Kuras is secretly very clingy in a subtle sort of way. He'd probably try and find ways to physically get closer to you more often—sitting next to you, finding excuses to fix your clothes, and standing closer to you than is strictly necessary. He wouldn't be above sulking if you’re not paying him enough attention, either.

➢ Vere would be a lot more affectionate than Kuras, and definitely shameless when it comes to flaunting his interest in you. He'd find every opportunity to touch you—casually draping an arm over your shoulder or hip, holding your hand, pulling you close to his side—anything to make it clear that he's staking his claim on you. He'd also have a habit of stealing kisses whenever you least expect it.

➢ Kuras'd grumble about it being “impolite” and make a show of how upset it makes him, but in truth, he'd get really, really jealous and he doesn’t know of who.

➢ Truth be told, Kuras might come off as cold and distant sometimes, especially in front of others, but you would quickly learn he's just not used to the whole "relationship" thing. Vere, on the other hand, would be much more open. He'd be more willing to flirt and openly call you any pet name under the sun, no matter how cheesy or embarrassing it may sound.

➢ Watch the shock and horror on the two bitter ex’s faces when Vere calls Kuras with a pet name out of habit, only for Kuras to respond with an equally affectionate nickname in return before they both pause, realizing what they have just done.

➢ Kuras is taken aback at first and coughs away the surprise, but a small smile tugs at the corner of his lips as he looks at Vere with a newfound warmth in his eyes. Vere, on the other hand, tries to cover up his own shock with a nonchalant shrug and a playful smirk, but his face betrays the tumult of emotions swirling within him.

➢ It will take a while for things start to get better; there would probably be a fair amount of petty back-and-forths before either one ends up actually admitting that they're being an ass, and then they'd be stuck in an awkward limbo where they are technically not fighting, but tneither one knows how to approach the other without starting another disagreement.

➢ They’d still fight and squabble like a married couple on the regular, but they'd also have quiet moments where they tolerate the other's presence, or dare I even say, get along.

➢ *g̶a̶s̶p̶s̶ e̶c̶h̶o̶ f̶r̶o̶m̶ t̶h̶e̶ a̶u̶d̶i̶e̶n̶c̶e̶*

➢ In that case, their banter becomes more lighthearted and their interactions more genuine as they slowly let down their guard around each other. The tension that once hung heavy in the air begins to dissipate, replaced by a growing sense of comfortability and re-building trust.

➢ As time goes on, they end up having fewer and fewer fights a̶n̶d̶ t̶h̶e̶ p̶r̶o̶b̶a̶b̶i̶l̶i̶t̶y̶ t̶o̶ k̶i̶l̶l̶ e̶a̶c̶h̶o̶t̶h̶e̶r̶ g̶o̶e̶s̶ d̶o̶w̶n̶ b̶y̶ a̶ s̶i̶g̶n̶i̶f̶i̶c̶a̶n̶t̶ a̶m̶o̶u̶n̶t̶ though the two of them being as argumentative as they are, there is no way they'd never have a disagreement again—

NSFW

➢ Positions depend on who’s calling the shots… and, my friend, that is a great question.

➢ Vere tends to prefer being on top—and he's not above teasing and provoking you just to see how far he can push you, who is sandwiched in the middle—while Kuras usually ends up on bottom simply because he gets stubborn and doesn't want to give in to Vere's provocativeness.

➢ Kuras would be the more gentle one—he wouldn't rush or be too rough with you, preferring to take things slow and savor the moment, show his affection with every caress, every touch, every kiss…

➢ He’d probably prefer to have you facing him, he'd want to see your expressions; the way your eyes flutter closed when he touches you, the way your lips part when he kisses you etc etc and he’ll most definitely find a way to hold your hands, ‘cause he’s such a romantic at heart and a giant simp.

➢ Vere would be as shameless as possible. His touch would be more demanding and rough, his kisses more urgent and intense.

➢ It'll be no surprise if he ends up having you pinned underneath him with hands on your wrists more than once.

➢ Vere would want to take you from behind; pull you close to him, his arm snaking around your waist to keep you flush against his body, effectively controlling the pace. He'd like to have you straddling his hips so he can hold you in all the right spots and make you shudder and squirm.

➢ A lot more vocal than Kuras—probably a dirty talker, whispering sweet words and praises in your ears, his gaze locking with Kuras' as he explores every inch of your body with his hands and lips, relishing in watching the effect his words have on both of you.

➢ When it comes to the aftercare, both Vere and Kuras are clingy in their own ways.

➢ Vere would pull you into an embrace, tucking your head under his chin as he makes sure to nuzzle you as obnoxiously as possible just to get a rise out of Kuras.

➢ Kuras, on the other hand, would be a bit more subdued, gently wrapping you in his arms, his expression thoughtful and possessive as he pulls you closer to his chest; as if he's worried someone's going to take you away from him.

➢ Vere’s definitely ready for another round shortly after, but thankfully for you, Kuras stops him.