#(this is only here so people can find my blog

[hotvintagepoll]

Trying to get more into old movies because of this blog (I only know about half of these people and feel like a poser) do you have good recommendations on where to start or is it just a situation where you watch stuff and find what you like as you go?

you are not a poser <3 i myself am just here for the hotties.

here is my quick and dirty list of fun films to start with if you're new to old movies. and of course if you like one of these, do try to find more stuff as you go! there's no bad way to try out old movies.

(this list is not official and is SUPER quick. i'm tagging for content warnings where I can, but if I forgot something let me know.)

"I want to watch something SILLY!"

The Court Jester (Danny Kaye, Angela Lansbury, Glynis Johns, Basil Rathbone)—everyone in this movie is hot. everyone is in fancy medieval dress, which makes them hotter. everyone here is very silly. You can stream this on Hoopla, last time i checked, so you might be able to stream it through your library!

Chitty-Chitty Bang-Bang (Dick Van Dyke, Sally Ann Howes, Lionel Jeffries, Gert Frobe)—some people hate this movie and to them I say What Is Wrong With You. dick van dyke is a hot absent minded inventor who lives in a windmill with his two adorable children, his gorgeous sheepdog, and a grandfather who is categorically useless. it feels like the two films mary poppins (1964) and willy wonka (1971) had a baby and that baby was born on roller skates singing an old broadway showtune. this one has been showing up in some odd places lately—I think you can catch it on Tubi or Hoopla? It's definitely around.

Seven Brides for Seven Brothers (Jane Powell, Julie Newmar, Howard Keel, Russ Tamblyn)—my problematic fave. everytime i watch this i change my mind whether it's a sexist pile of garbage or a feminist paean, and fellas, today we're on the feminist paean bandwagon!! jane powell's millie is truly the star of the movie, she is the hero she drives the plot the narrative is on her side, and besides all that there are seven very hot men dancing next to her and six beautiful ladies making me bisexual. (on Tubi last I checked.)

The Duke Is Tops (Lena Horne, Laurence Criner)—I get a huge kick out of watching Laurence Criner and Ralph Cooper swindle everybody while also trying to put on a show; there's just something silly and sincere here, plus you get a ~musical extravaganza~ at the end when all is right as rain again. Free on YouTube I think?

"I want to watch something DRAMATIC that may make me FEEL SOMETHING."

Witness for the Prosecution (Marlene Dietrich, Tyrone Power, Elsa Lanchester)—I love a campy twisty turny mystery, don't you? :) I'm not going to talk about this one much because it's better to go in blind, but if you like Agatha Christie stories you'll probably like this.

To Be Or Not To Be (Carole Lombard, Jack Benny)—always relevant, always makes me laugh, also makes me cry. this takes place in poland during wwii so big tw for nazi imagery and mentions. (don't worry. this movie fucking hates nazis.)

Seven Samurai (Toshiro Mifune)—this one is Great Cinema™™™™™™™™™™™ for a goddamned reason

"I want to watch some stuff with the scrungles in it!"

Mr. Washington Goes to Town (Mantan Moreland)—I've been checking out more of Mantan Moreland's stuff because every time I see him in something I think he's delightful, and I really enjoyed this silly-spooky comedy. Does this story have a brain cell? No. Are the special effects and goofy slapstick fun? Yes. This is a fun example of an all-Black cast in a film that was made for Black audiences, and is a striking counterpoint to the stereotypical representation Black actors were given in white-targeted films, showing the enormous amount of talent and artistry the racist studios missed out on by excluding these actors. This is not A Great Film™ but it's still A Fun Time,™ with a goofy Laurel and Hardy type vibe. (It's free on Youtube.)

The Red Shoes (Robert Helpmann, Leonide Massine, Marius Goring)—hey kid, you wanna watch something fucked up? This movie is so fucked up. It's about ballet, it's about art, it's about technicolor, it's about dance and toxic relationships and making theatre and nightmares and ambition and death. A lot of these recs tend on the silly side (because I tend on the silly side) but this one is actually Serious Film and will definitely help you chat up Martin Scorsese should you ever meet him. Big content warning if you can't handle dark themes right now—this movie's pretty dark, not in the gore way but in the Haunting Creepy Image way. (it's also free on Tubi and Kanopy most of the time.)

The Invisible Man (Claude Rains)—my favorite of the vintage horror flicks and a great introduction to Most Dunked On Hot Vintage Man of All Time, Claude Rains. (it helps that you barely ever see him!) Very very silly but the special effects are just plain fun. (I think this is on Internet Archive in full?)

"Can I just get more hot people please?"

Flower Drum Song (James Shigeta, Nancy Kwan, Miyoshi Umeki, Jack Soo)—there are so many unbelievably hot people in this movie which is somehow very good (thanks to its cast) and also incredibly, horrifically bad (thanks to its white team of writers, directors, and producers). on the one hand, it's a mostly Asian cast in a big budget, beautifully designed MGM style musical! there's dream sequences, lots of fun dancing, crooning Rogers & Hammerstein cabaret moments, and just charm galore. it is also freighted with so. many orientalist assumptions and stereotypes, absolutely ridiculous shit that the writers ABSOLUTELY should have known better about in the 60s and nonetheless carried into this. this is a hard one to recommend because I loved this cast, and I loved seeing them in a context beyond the usual stereotypical bit parts so many of them frequently were limited to—yet the movie itself perpetuates so many stereotypes on its own it can be a hard one to watch, and I totally understand if it does not work for most people. tl;dr watch for Shigeta, Kwan, Umeki, and the others, but content warnings galore for one (really bad) case of yellowface casting, orientalist tropes, extremely stereotypical character types, etc. (On Tubi/Kanopy last I checked.)

Charade (Cary Grant, Audrey Hepburn, James Coburn)—this movie feels like a Hitchcock movie except I had a ton of fun watching it, which I can't always say for a Hitch film. (I told you my taste was bad.) This one is free on YouTube and thank god because Audrey wears a lot of Givenchy, Cary Grant wears spectacles and keeps almost dying, it's very exciting and thrilling and funny and sexy. I don't think there are any content warnings but it's been a minute since I watched it. (I should go watch it right now.)

The Big Sleep (Humphrey Bogart, Lauren Bacall)—they're so hot askjdljhjghladkghjksahkhgslkahgshskjhgsalhgsahgjh. i like this one a lot :)

[this is NOT A FULL LIST of all the hot vintage movies to start with but it might give you some starting places! i banged this out as quick as I could at 2 am, so apologies that it's sloppy and not perfect.]

[threeacttragedy]

Entry 1 - The One About That Weird Ass Cressida Post

This is my first blog entry and, before you start reading, let me just drop in this little disclaimer: 

You will find that I bounce between fact and speculation with a mix of sarcasm and [I hope] level-headedness, common sense, and deductive reasoning.

I am a Lukola. Plain and simple. You will not change my mind. It’s an all or nothing thing for me. How I got here, I’m not exactly sure – wait, no I do know how I got here (thank you Nicola and Luke for being so fucking charming).

Of course, I knew what Bridgerton was before I joined the Lukola fandom. In fact, I watched both Seasons 1 and 2, and they were okay. Yes, just okay.

I knew that Season 3 was about Penelope – the only character I found remotely interesting – so when I saw an article on People’s page showing Nicola and her costar holdings hands, I admit I was intrigued.

Were they dating?

Let’s ask Mr. Google and find out.

No, apparently, they were not.

Okay, fine.

I then made the mistake of clicking on a video of Nicola and Luke being interviewed in Australia. And, motherfuck, they were like lightning in a bottle! Luke – being asked if he believed in friends to lovers – responded in a way that left me feeling a bit blindsided. My immediate thought was: “He fell in love with Nicola the moment he met her.” It’s funny how many people I’ve spoken to since who had an identical reaction and, to be honest, Luke’s response won’t make your heart flutter. But, it was something in the way he said it.

Now, let me explain my feelings about love at first sight. Actually, Nicola explained it best when she said lust at first sight is often mistaken for love at first sight. This, I agree with wholeheartedly. To me, love at first sight does not have to be lusty. It can be, sure, but it can also be something entirely different. Maybe it’s a fleeting feeling of recognizing someone in a way you cannot possibly articulate out loud. Maybe it’s a palpitation of your heartbeat. Maybe it feels like home. Regardless, when you experience it, you’ll know it.

That, my friends, is how I got here, and why I [sometimes begrudgingly] stay here – walking alongside this rather long, winding, and often pothole-filled road waiting for two people to admit to the general public – whether it be in a blatant or subtle manner – that they are, in fact, together.

I’ve noticed in this fandom we seem to have three types of people.  We have the Sincerely Ignorant, the Conscientiously Stupid, and the Fact Finders.

The Sincerely Ignorant are those that are easily persuaded. They are like sheep following their shepherd. In fact, the Sincerely Ignorant are the most dangerous as they tend to spiral hard and fast – and often without reason.

Next, we have the Conscientiously Stupid. These are the shippers that choose to live in error because it fits their narrative. We are all a bit Conscientiously Stupid but there are those that push an idea so hard that they omit certain truths from their storyboard. The danger here is obvious and their victims always include the Sincerely Ignorant.

Lastly, we have the Fact Finders. The people who track information – key players, side characters, dates, places, statements, etc. These are the people who often find themselves pulling the Sincerely Ignorant out of the water when they spiral, usually due to narratives being pushed by the Conscientiously Stupid.

I am a Fact Finder. Am I perfect? Fuck no, but I do find it fun to collect and analyze information and share it with my fellow Fact Finders. Plus, collecting data helps me maintain some indifference towards the USS Lukola because, let’s face it, this god-damned ship has been blasted by quite a few cannonballs at this point. Some days, I’m surprised we’re still afloat.

Let’s start with Cannonball No. 1. Pap-fucking-smear. June 12/13, 2024. What a fucking shit show. Who shows up to the London premiere? Antonia, Luke’s – I honestly don’t even know what word to use here because I have a lot of different thoughts but out of [a small amount of] respect I will call her – “girl friend” [yes, that space was intentional]. We all know the story, Luke was papped outside his hotel with Antonia on premiere night and he was pegged an overnight dumpster fire.

And, oh my God, the Sincerely Ignorant and Conscientiously Stupid ran with it. I mean, they practically became wild dogs chasing down a fox under the command of Nicola the Huntsman. However, Nicola, almost immediately, came to Luke’s rescue by posting an “in support of” style story to her IG. I’m not saying Nicola wasn’t affected by this mishap. At the very least, the post-premiere PR efforts were dumped squarely on her tiny shoulders. At the worst, she’d had her heart broken.

I never liked the Papsmear pictures. Not because I disliked what they depicted but because there was something “off” about them. Luke didn’t look like a man happy to be out with his lady friend. He looked like a man who had been hoodwinked and whether that was because he knew he’d just made a major PR misstep or because he knew the narrative that would follow was false doesn’t really matter because it’s all speculative. But, what makes me believe it was the latter is what Luke did next.

On June 15, Luke put a story on his IG promoting Season 3. That isn’t all that interesting but the scene it depicted made me do a double take.

Could it be?

No…no way…

But…it was.

It was the scene in Ep. 6 where Cressida entered the Mondrich Ball and Colin pulled Penelope aside and told her he wouldn’t let Cressida ruin their evening.

What in the hot fuck? I mean, really, what in the hot fuck??

Did Luke really just blast out an IG story where his character tells Nicola’s character not to let the Cressida character ruin their evening? Was Cressida…Antonia?

Because that’s fucking loud.

I mean, of all the scenes over four episodes, Luke chose THAT one to promote Pt. 2?

Surely, Antonia or one of her friends or family members would have picked up on this, right? And, told Antonia.

No one is going to convince me that Luke and Antonia were in a blissful relationship after that IG story was posted. Why? Because the deductive reasoning part of my brain tells me Luke chose Nicola straight outta Pap-gate.

The Conscientiously Stupid may [rather they WILL] argue that it was just for PR. Okay, but that would mean Antonia accepted the comparison between Cressida, the Evening-Ruiner, and herself. Take a moment and put yourself in Antonia’s shoes. Would you accept this from your partner? (P.S. If you said yes, you have bigger problems in life than following real people’s relationships.)  We know Antonia accepted this role to some extent because we have evidence she attended events with Luke over the summer. So, what the fuck?

In my opinion, Luke’s IG story is a defining moment in the Lukola narrative, but one that was overlooked in June and one that continues to be overlooked – and ignored – now.

Luke’s character is telling Nicola’s character he won’t let another woman ruin their evening.

Let me repeat that again for you:  Luke’s character is telling Nicola’s character he won’t let another woman ruin their evening.

Now wrap your head around that.

[dailyjasontodd]

mods, what would YOU guys have liked to see from a Jason Lives AU? Where he still become red hood? Where he (temp or not) retires? I've been thinking about it a lot

I wrote this on my personal blog years and years ago and some of the things i would like to see are

his relationship with Bruce still becoming strained. death or not i think they had some issues to sort through and they both need help AND more importantly they need proper development they were never truly given in canon. the canon jason lives au sorta started strongly in that regard (and kept it strong until the end tbh, it was everything else that was fucked up) but well.

While i do think retiring from Robin for a bit would be good for Jason i hate HATE when people just turn him into a civilian and do the whole twitter-esque "he can help more outside of being a vigilante!!!". like its a bad idea for bruce, and its a bad idea for jason sorry. i think he would try to give it a try, focus on being Jason Todd, and finding out who he is outside of Robin and outside of the expectations for him and not needing to be on constant survival mode, but ultimately i think he would become another vigilante anyways. maybe return to robin. maybe something new. idc.

(in my old blog i said i liked him becoming Red Robin, and designing a new suit with the help of Bruce and Dick since he was never given his own Robin design during his original run, and not only does he deserve it but its very symbolic that he really was running around in dick's hand me downs for years. but it would be fun if he got a completely new name too, a few years ago Cardinal was very popular but my birds knowledge has become very rusty.. i remember also liking Shrike)

people might not like this idea but i do like him somewhat following up Dick's steps and forming his own little team too, especially because he lacked a strong support system outside of Bruce, you know? Dick had the titans when he left, Jason never had anyone but a friend here and there that were vaguely mentioned and not fleshed out. So i think a good step forward for Jason would be to have his own team (my usual pick is eddie / rose / connor sorry not sorry #mytitans but i'm also down for ocs, i've made a few of those too lmao)

I really think regardless of him living he would still think some people deserve nothing but death. Maybe he wouldn’t straight up kill people, but there’s a fat chance there’s times when he didn’t do “everything” he could to save some people who didn’t deserve it and i think he would still argue with bruce about it and i even like the idea of his own team having that argument as well, love the idea of connor carrying the duty of being their moral compass over there at times

that's some specific stuff i would love for a jason lives au. my vague wishes are

let him live

don't torture him

dont make him suffer anymore

dont turn him into a villain

-🐅

[1americanconservative]

@markeatsmeat

Wow. Joel Salatin, a farmer and regenerative agriculture advocate, has been offered a position within the USDA. He will advise Thomas Massie who’s agreed to be Secretary of Agriculture. Here’s the full message posted to his website today: “The deplorables and garbage people won again.  Can you believe it?  I've been contacted by the Trump transition team to hold some sort of position within the USDA and have accepted one of the six "Advisor to the Secretary" spots.  My favorite congressman, Thomas Massie from Kentucky, has agreed to go in as Secretary of Agriculture. He's been the sponsor of the PRIME ACT, which, if pushed through, would be the biggest shot across the bow of the entrenched industrial meat processing system we've seen in a century.  Let liberty ring.  Wouldn't that be a change of fortune for Big Ag?  If RFK Jr. goes in as Sec. of Health and Human Services, everything will be inverted.  Talk about the coolest turn about.  He'd be the boss of the Faucis and Francis Collins--the whole covid anti-science crowd.  Wouldn't that be a change of fortune for Big Pharma?   And if Elon Musk goes in as a Government Waste Czar, do you think he could possibly find something?    Here's an interesting tidbit.  All the income taxes in the U.S. are $2 trillion a year.  Government spending and borrowing are so out of control that if we eliminated $2 trillion from the budget, it would only set us back to 2020.  Does anyone think returning to government spending in 2020 would destroy things?  Of course not.  So all we have to do is cut federal spending to 2020 levels and we can eliminate income tax.  Period.  Done.  How would that make you feel? Most people don't know enough history to know that the federal government was to be financed entirely from tariffs and excise taxes.  In fact, as a nation we operated just fine for nearly 150 years without an income tax.  The only president who eliminated the national debt was Andrew Jackson, and he did it by eliminating the second bank of the U.S.  Nearly 100 years later we got the third bank, known as the Federal Reserve, plus the income tax.  During that time, tariffs averaged 40-50 percent.  After the income tax, tariffs dropped to an average of about 7 percent, where they remain today.  If we went back to 40 percent, like we had for nearly 150 years, we would bring production home and free our citizens from impoverishing taxes.  Dear folks, this is a watershed moment to take a creative and serious look at the sacred cows in our nation and fry some serious burgers. We don't know history.  We don't know liberty.  We don't know earthworms or aquifers or immune systems.  I'm hoping this election is an opening to discovery.  Perhaps we could even figure out how to put negative occurrences like jails, pollution, and cancer on the nation's balance sheet, as a liability rather than an asset (Gross Domestic Product--more jails?  wonderful, pour more concrete and make more jobs).   Perhaps we'll eliminate federal involvement in education, from kindergarten to college.  Make every teacher accountable to performance.  Eliminate ALL federal intervention in the food system, in farming, in energy.  The Constitution (read it) doesn't allow for any of this and it's time to examine all of it.  Shut down foreign military bases; bring them all home.  Stop ALL foreign aid, from USAID to military aid.  Sell stuff is fine; giving it isn't.  I think whatever taxes we pay should be able to be designated to certain departments.  That way we the people could support or defund departments directly.  The reason we have K street is because all our freedoms are for sale.  Eliminate government manipulation and the lobbyists all go home.  These are simple things.  Let's do it.” https://thelunaticfarmer.com/blog/11/6/2024/celebration?format=amp

[melancoley]

WHAT MOVES THE WORLD

SYNOPSIS: when you’re born into a burning house, you think the entire world is on fire – that was kakashi’s reality. always surrounded by fragments of war, kakashi grew up with only the purpose of surviving beating in his heart. for him, nothing else existed in the world but war – that was kakashi’s philosophy. until you showed up. and, like spring, you came with the promise of hope and warmth and ended up bringing an inevitable change that would forever alter the life, and heart, of hatake kakashi.

PAIRING: hatake kakashi x gn!reader WORD COUNT: 5.811.

TAGS: soulmate!au, strangers to lover(s), fast-paced, unrequited love, kinda miscommunication. angst, fluff, hurt/no-comfort. CONTENT: gloomy kid kakashi. confused young-adult kakashi. heartbroken adult kakashi. shinobi reader. you are full of life & love talking to kakashi. conversations about stars, wars & love. he is the captain of your team one time.

WARNINGS: mention of sakumo's death but nothing explicit. you are going to break kakashi's heart, so be ready.

COLE'S NOTE: hiii, miss me? ♡ so !! this fic was originally a request and i posted this on my previous blog - if it sounds familiar, maybe u read the old version: ‘war & love’. i did some changes here and there to turn ur reading more pleasant and i hope i did a good job lol also !!! someone made one fanart based on this fic - if u know them/saw the fanart, please tell me so i can link it and give them the attention they deserve. ok, that's all ♡ have fun breaking hearts ♡

Not all stories are happy.

Not all soulmates are reciprocal.

Not all people could change their destiny.

Of course, in a perfect world, one person’s soulmate would also be another person’s soulmate. But reality went far beyond fairy tales and, as such, not all soulmates were mutual – and a person only knew their destiny when it was too late.

For years, people woke up with words tattooed on their wrists. They were simple, small words, just for the purpose of summarizing people’s love lives with their true love.

There were the luckier ones who woke up with little ‘fulfilled’ or ‘happily ever after’ on their wrists after their wedding. There were also those who had little ‘close call’ or ‘don’t try again’ written on their wrists on the coldest nights. And there were also those that read painfully ‘not destined’ or even ‘maybe in a next life’ that caused an inexplicable burning in the eyes of those who received such words. There were those who liked it, there were those who didn’t mind a mere tattoo and there were also those who did everything to force a soulmate into their lives.

The reality is that a person’s tattoo was already inscribed on them from the moment their soul found a body, always wanting to arrive at the right time to make itself noticed. And that was why no one could change their destiny.

But none of that matter. None of that mattered one bit to Kakashi. Because he only had one thing in mind: becoming strong and reliable. Kakashi didn’t care about dating or romance. Kakashi just wanted to do his duty as a shinobi.

But, of course, no matter how much he didn’t want to know, no matter how much he showed he didn’t want to know, his father was always attentive to him, always wanting to make him even minimally interested in the subject. After all, parents only wanted the best for their children.

And that was why Sakumo forced Kakashi to sit next to him on that cold, foggy morning.

“Kakashi, there is beauty in the midst of all this chaos.”

Sakumo’s voice was lost amid the fog, a phrase of pure harmony and delicacy trying to find its way in the thick maze of clouds and trees that invaded the territory.

There was a pause.

Kakashi didn’t deign to respond – he knew perfectly well where this conversation would end, he knew perfectly well what awaited him.

“The world is not driven by war alone.”

“Dad…”

Kakashi let a long and monotonous sigh escape his small lips, muffled by the dark mask, trapped inside the fabric without being able to show his total dissatisfaction.

“Not again. I have class in a bit.”

Kakashi stood up carefully and a little hesitantly. The truth is he didn’t want to leave his father alone. Kakashi didn’t want to abandon him once again at the mercy of fairy tales that did nothing but deceive a person.

However, Sakumo gave him no other choice. The cheap repetition of stories and princesses and kings became tiring – there was no longer any surprise in his father’s speech, there was no longer any hope for Kakashi.

As such, he was determined to abandon his father sooner than expected, his little feet taking short, uncertain steps to get away from his father, to get away from yet another unwanted conversation.

“Kakashi, why do you think there is war?”

Kakashi stopped his step with some abruptness.

That simple question from Sakumo echoed strongly inside Kakashi’s head, causing small dizziness in his mind where several possible answers appeared without any invitation, assaulting the little child’s sanity, making him question everything.

Why does war exist?

Of course, the main answer focused on people’s inability to be able to communicate with each other. There was also that need to come out and show their disgusting egos – that is the second answer to that question.

But there was something more.

There had to be something more.

People didn’t start wars just because they were bored.

…

Right?

Throughout his small and short existence, Kakashi has lived in a world of war and from an early age he was trained and taught to live and survive amidst so much devastation and anguish. Kakashi’s entire existence was shaped around the thick and aggressive sphere of what moved the world – war.

Would he have to know why?

In reality, Kakashi didn’t care if someone wanted to conquer the world, or if someone was kidnapped or killed unleashing days and months and years of pure destruction. Kakashi only had the mission to fight the war – that was all that mattered. Now the reason?

“I don’t care. Certainly the origin of all wars has an illogical basis. I have to stop the war. I don’t need to know why it started.”

Sakumo smiled and let his son go on his way, slowly losing sight of him as he began to be consumed by the fog.

Sakumo’s lips formed a perfect smile, a smile that left a trail of sadness with it because he knew perfectly well what was going to happen that day – Sakumo couldn’t really smile, not when he knew the end was near.

But there was something else hidden in his smile.

No matter how loud the voices screamed in his mind, the reality was that Sakumo feared for his son. Sakumo feared that Kakashi would never experience the beautiful pleasures of love as he himself had once experienced.

And there was nothing to do. There was nothing to do when Kakashi only focused on the human intellect. There was nothing to do when Kakashi purposely denied all the emotions that moved the world. There was simply nothing to do.

And Sakumo kept smiling.

His cold fingers gently stroked a small ‘there will be more in the next life’ that was fading due to the passage of time.

Several memories of a short and intense love began to haunt him in such a way that Sakumo didn’t even notice when the sadness on his lips turned into hope.

That hadn’t been the last life with his beloved – Sakumo knew that.

Then, muttering the answer to the question he himself asked his son, Sakumo stood up as well.

He knew perfectly well that there would be a second chance for his love. He knew perfectly well that Kakashi would realize the reality of the world they lived in. He knew perfectly well that everything would end well.

After all, there has never been a war without love.

Kakashi had lost everything.

There was nothing left for someone so young.

At fourteen, Kakashi’s entire life fell apart before his own eyes. Without family or friends, without anyone who could support him, he had lost everything – including his way in this world. Kakashi was wandering through the days, lost on the path of life, with no knowledge of maps or no guides that could help him.

Kakashi had lost everything, until he gained a new friendship, a new hope.

You appeared with the arrival of spring. Uncertain and always encouraging steps, an enormous desire for knowledge to be noticed in the intense shine of your sweet eyes, and wide smiles enchanting anyone.

You brought with you the breath of fresh air that prevailed at that time of year. Your feet encouraged so many beautiful flowers to bloom, new lives were created by you, new paths were drawn by your bare feet. The innocence of someone who had not yet experienced the evils of the world painted your smile with an extra tenderness that gave your cheekbones small splashes of the passion that the sun felt for you.

That spring day, when Kakashi saw you leaning over a hollow log, you carried something more than pure curiosity and amusement in your fingertips. You brought with you the hope of a new life for Kakashi, a hope that was felt by him when he, very clumsily, stopped you from rolling with the log to the bottom of the cliff.

Quickly, like someone blowing a leaf, something formed between you. A friendship? Probably. It was hard to be sure with Kakashi. But whatever you and he shared, you both knew it was something unique, something true.

A new stage in both of your lives was discovered in the other’s presence, a vast and longing wave of feelings beginning to form in you.

There was complicity between the both of you.

Since your first meeting next to that log, you and Kakashi shared an enviable complicity. Each one understood the other without the need to exchange words. A simple look, a simple sign, was enough for one to be understood by the other.

Days were spent together. Little secrets were exchanged amidst laughter and sighs, two distinct lives were soaked in pure melancholy, drenched in an extreme longing for a long-lost past.

And your adolescence has never looked so beautiful in the eyes of others.

Before you knew it, you and Kakashi have reached adulthood. And what used to be so simple and natural now seemed complicated with so many glances and hidden smiles and that hint of desire that clung to every word you exchanged.

Quickly, like someone forming a smile, beyond that very natural friendship, something more emerged between you. Something deeper began to emerge between the two of you.

“I don’t understand people’s admiration for the stars.”

You stretched a little as you sat next to Kakashi, the red blanket you always carried protecting you from the cold wind of that autumn night. “It’s something that has existed since the beginning of time. There are maps and photographs of them everywhere. Why the fascination?”

“It’s like war.”

The rest of your team rested silently on the ground, wrapped and cozy by a small fire starting by you, the tranquility of a successful mission being noted by their deep and steady breaths.

You and Kakashi were relaxing on one of the many branches of the most colorful and sturdy tree near your camp, your vision completely focused on the vast starry sky and the faint line of the horizon painted by the small mountains covered in snow.

There was silence on the ground and there was silence in the tree branches.

The breeze had been encouraged by several clouds venturing along unknown paths, giving you a little privacy on that very welcoming night. The moon was small, gaining strength for a more special date, slowly feeding on the desire of the most melancholy people who wrote to her. Every animal in the forest slept near you, the heat of the fire that crackled so loudly convincing the most diverse living beings to truly rest that night – except you and Kakashi.

“The war?”

You couldn’t contain the laughter that formed inside you, a sound so melodious and innocent that it woke up nature itself for a brief moment. The breeze had returned to you only to take with it the pure sound you released, keeping among the various clouds and stars the memory of your innocent question and laugh.

“How does the fascination of the stars compare to the war?”

“Humans can’t live without them.”

Kakashi was leaning against the trunk reading one of his typical books. None of his words were of the slightest interest. His uncovered eye cautiously read each line of the book. And he just waited for an answer. He waited for your curiosity. He waited for you.

“My dear Kakashi, I live well without both. Does that make me non-human?”

Kakashi let a long, amused sigh escape his lips and grab the echo of your new laugh. By closing the book and adopting a posture more favorable to a conversation, Kakashi let his movements continue over time.

The relaxing crackle of the fire calmly accompanied your team captain’s gestures as you fixed your eyes on Kakashi in the vain hope of encouraging him to speak or, at the very least, to hurry up.

However, there was no rush in Kakashi’s movements – all the time he took to sit next to you and stare at the stars seemed like an eternity to you.

But finally, Kakashi spoke.

“Of course you live well without both. But would you be the same person you are if they didn’t exist? Would you be complete if they didn’t exist?”

“Are you insinuating that we humans need to have stars and wars to be real?”

It seemed like an outrage. What Kakashi had just insinuated to you seemed to be wrapped in a thick layer of blasphemy and nonsense. The indignation at those words was reflected in the way you looked at the various leaves that framed Kakashi in an ethereal casing of change.

What was once a peaceful setting has now become a stage for nature. Strong winds and thick clouds slowly began to appear, hoping they could continue listening to Kakashi’s thoughts. Small nocturnal birds greeted you shyly with sweet and tender melodies that spread through the sleeping forest and made you smile.

“It’s what moves us.”

“I’m sorry,” you let out a fake laugh as you composed yourself on the tree branch.

You turned to Kakashi and focused your attention on his relaxed posture. Curiosity was caught in your eyes, and an eagerness to prolong that conversation could be seen in the way you so firmly and enthusiastically pronounced the words. “But I still don’t follow your reasoning.”

“A’right, let’s go step by step.”

“Please.”

Kakashi let out a small, almost inaudible laugh at your tender plea.

His eyes were now resting on your very curious posture: your arms adjusted the red blanket to also shelter Kakashi on that cold night; your eyes sparkled with the enthusiasm of yet another conversation with your best friend; your smile warmed Kakashi more than any blanket or fire could do.

“The stars, yea? We all know that since ancient times they have been the cause of all happiness and pain for people. People in ancient civilizations worshiped the stars as gods and saw in them countless stories and life lessons. And the very own people of those civilizations used the stars and their positions for agriculture and to make decisions. Are you following?”

“Yes, professor.”

You let out another laugh as you placed your legs over Kakashi’s and gently slid closer to him. The night was getting cold, the fire was on the ground and all you had was a red blanket and Kakashi.

And how he thanked all the gods for wearing a mask and for the moon being lazy that night. For, the pink tone he quickly adopted when he felt you so close to him only revealed how much he was waiting for that action of yours.

“So…”

A brief moment of silence followed after Kakashi’s statement.

Your captain’s reasoning was lost with your innocent act. It was a simple, affectionate gesture, something that had been repeated so many times. And, like every other time, Kakashi simply lost any coordination – the feeling of having you so close to him was fantastic, almost magical.

Thus, a brief moment of silence followed as Kakashi tried to find the thread of his thought, as Kakashi tried to grasp that thread without losing the very welcoming feeling of having you close to him.

“So,” he repeated again, his posture always relaxed and carefree, the mask being the perfect hiding place for his rosy face. “People adopted these little habits from their ancestors and that’s why there are so many people who still marvel at the stars. Of course, all romantics are also enchanted by them.”

“Why?”

Pause. Silence. Contemplation.

Why? In fact, that was always the question you asked. That was always the question that made sense to ask. Indeed, why?

Kakashi stared at the stars, trying to understand why. You stared at Kakashi, waiting for him to answer why.

But the answer never came. The answer never showed up and beautified your ears with sweet justifications and immaculate logic. For, realizing that there really wasn’t a defined reason for that question, Kakashi continued his reasoning.

Your captain’s voice was drawn out and always monotonous as if it were perpetually stuck in a timbre that conveyed a vast sense of comfort.

And you listened carefully to every word Kakashi said. You listened attentively to everything he had to say, always trying hard to follow his thoughts.

“Now the war.”

Kakashi paused briefly and took a deep breath.

A sigh that seemed to be filled with tiredness escaped his lips without realizing it – the memories of conversations he had with his father were felt at that exact moment. And they weighed. They weighed so much.

“War has always existed. Since the beginning of humanity there has been war. No wars, no humans. It is in our condition as human beings – it is our need. We crave destruction. We seek chaos. It’s in us. We need war to move us. Because, quite simply, we are the war. Without it, what would we do? Who would we be? That’s why there is fascination with it. That’s why there’s so much admiration. War is the stars of the most political. And the stars are the war of the most romantic.”

“So, by that logic, love is the war of the most philosophical.”

Kakashi looked at you with confusion expressed in his eye. The various and infinite stars reflected in Kakashi’s gaze showed that, in fact, he had not understood the use of your words.

Why did you decide to grab love out of nowhere?

Why did you decide to bring that taboo into the middle of a conversation that was so special to both of you?

Why?

You noticed the confusion in Kakashi’s lack of reaction. You realized that there must be doubt in your captain’s thoughts. Looking at Kakashi, it was easy to decipher the confusion he felt and you were intrigued, fascinated even.

“Do you really think that it is only war that moves the world?”

Kakashi opened his mouth but you didn’t know.

Kakashi closed his mouth again and you didn’t even notice.

In your captain’s mind, that last conversation he had with his father began to replay endlessly. Sakumo’s words came up whenever that dangerous topic was brought up – it seemed that Sakumo’s cheap philosophies tormented Kakashi until that day.

But it wasn’t always like that – no.

From the moment Kakashi met you, Sakumo’s haunting finally ceased.

There was no need to understand love because, quite simply, and even though he didn’t know it, Kakashi was experiencing that feeling so strong, so true. There was no need to recall a conversation that tried to explain something he was feeling, even though he couldn’t decipher that specific something.

Therefore, for several years, Sakumo’s words that were imbued with understanding and affection had been forgotten, completely erased from Kakashi’s memory.

No. Wrong. The words were still there, safe, inside Kakashi’s heart.

And it only took your question, your question so similar to Sakumo’s question, to free the words and torment Kakashi again.

“Kashi?”

You let out a laugh.

Kakashi certainly knew there was something more than war. He positively knew that not everything was destruction or contempt in this world. He had to know there was beauty and hope. He had to know that there was something good in this world. Kakashi had to know all this – right?

“Love?”

The word burned in Kakashi’s mouth, his melancholic eye locked in your eyes, the reflection of the universe trapped in your fingertips.

“Love.”

Your response came with a real, genuine smile. Your eyes showed a light and tenuous sadness while a tiny hope threatened to collapse at any moment.

You spoke like love itself. Delicate and light, your lips pronounced that word with precision and extreme ease.

You spoke like love itself. Your smile was genuine and embellished by the infinite stars, painted by the cool night breeze. Your eyes were sad, scared and fearful of the drastic change of an event, of a feeling.

You spoke like love itself. You spoke in a mix of emotions that were foreign to Kakashi, a thick ball of feelings and memories was trapped in your expression and made Kakashi feel confused.

You spoke like love itself, but Kakashi could only speak like war.

Kakashi spoke like war itself. Without any feeling, afraid of what his lips could utter, scared of the strength of the word itself.

Kakashi spoke like war itself. His every word and thought was completely calculated by him, no mistake to be uttered by Kakashi, the doubt that escaped his lips bringing a bit of wisdom.

Kakashi spoke like war itself. Kakashi spoke knowing perfectly well what awaited him, he spoke knowing perfectly well the answer to his question.

And between war and love there was a brief moment of silence. A moment of tranquility brought by the infinite stars.

Between war and love there was a moment of serenity that was heard only by your careful breathing, your gaze locked on each other, your smile slowly fading as time passed.

Love.

Was that the answer to his father’s question? No. It couldn’t be something so simple like that – but there was no such thing as simplicity in love.

“Love.”

Kakashi said his statement again, allowing a fragile and invisible line to escape his mask and take with it the bruning of that word.

There was something comforting in your gaze, something soothing in the way you held the blanket tight to you. There was something serene in the way you rested your legs on Kakashi’s, something welcoming in the way you and him stood together under that starry sky.

“Love” – Kakashi never found it easier to pronounce that word.

Days without you were boring.

Everyone knew that whenever you were on a mission without being on Kakashi’s team, he would roam the streets of the village like he used to do before he met you. Everyone knew that, for Kakashi, days without you simply didn’t make sense, not when you and he had already become fully accustomed to each other’s presence.

And that day wasn’t much different from the others.

Kakashi walked through the streets calmly. His feet shuffled without any energy, one of his hands sheltered in his pants pocket, the other holding a book close to his face.

Kakashi didn’t pay attention to what he was reading or where he was walking. Having already read and reread that book so many times, having already walked those streets countless times, Kakashi didn’t need to pay attention – because something else occupied his mind.

Your mission was somewhat complicated and you left with a good team, yes. But Kakashi couldn’t trust them, not when your integrity could be at risk – Kakashi could only worry about you.

A melancholy trail was left by Kakashi’s short and relaxed steps.

His eyes read and reread the same page over and over as his mind wandered to so many possible scenarios that could happen to you.

How he hated being away from you at a scary time like that.

Kakashi had been your team captain enough times for him to know you knew how to take care of yourself. But you were also distracted and that was what bothered Kakashi. A distraction from you, an ambush from them, a misfortune from the universe – everything seemed plausible when he was away from you.

He just wanted to be with you, to hear from you, to know that you were okay. He had to be with you.

But regardless of whether or not you managed to get home safe and sound, Kakashi spent his days monotonously without you by his side.

Even though Guy continued to make his occasional appearances, enticing Kakashi into meaningless duels; even though Naruto and Sakura could fill a fragment of the void you created; even though he knew you would be back next week, the reality is that Kakashi simply couldn’t live the days in your absence.

Not since that night under the starry sky. Not when the confession of a love came out disguised in a novice and somewhat shaky pronunciation.

What could Kakashi do? Just wandering around the village without your company. Just wishing every day was shorter than the last. Just peacefully wait for your arrival.

“Today I received my words!”

Naruto was always so loud.

Kakashi lazily looked up from his book and watched Naruto talk excitedly to Sakura and Shikamaru. The smiles they shared with each other were big, contagious, as if enticing Kakashi to also let out a small smile.

“Hinata is my soulmate!”

“I got mine during the war. It was Ino who noticed,” Sakura let out a small laugh as she recalled her chaotic reactions when she discovered that Sasuke was, in fact, the man the universe had destined for her. “What about you, Shikamaru?”

“Nothin’.”

A small sigh escaped Shikamaru’s lips and brought with it the hope of not having to worry about a soulmate anytime soon.

“What about you, Kakashi-sensei?”

“I don’t pay attention to that.”

A shrug was enough to direct the conversation back to Shikamaru.

But Kakashi kept thinking. Without realizing it, all the younger’s’ speeches were obstructed with the thought that, perhaps, Kakashi had already received his words.

It was true that Kakashi avoided looking at his wrist – since that night, the mere thought of love scared him.

Once, Kakashi simply didn’t care about something as trivial as love. The mere thought of such a feeling brought only haunting of long, uninteresting conversations with his father. But now, after that night, there was fear in the feeling. There was an extra fear that burned in Kakashi’s heart when he allowed himself the luxury of thinking about something as dangerous as love.

Ever since that night, the mere thought of love scared Kakashi because, quite simply, Kakashi couldn’t imagine that word without picturing you.

And Kakashi blamed you. Yes, you. You were the bringer of Kakashi’s destruction. Because, since that night, Kakashi really started to see the world differently. And he blamed you. He blamed that word. He blamed all the stars.

But had any mark already been engraved on his wrist?

Leaving conversations and laughter behind, Kakashi returned home.

A single goal was stuck in his mind. A single need ran through his heart. A single feeling moved Kakashi. Love.

The four walls of Kakashi’s room had never felt as cozy as they did at that moment.

It was the end of the day.

The last rays of sunlight were lost in Kakashi’s room. Shades of gold and hope burned fiercely in the three frames that rested delicately on his little furniture. Your face and Kakashi’s were adorned with light celestial tones from the last ray of sunlight, enhancing the joy and comfort that that photograph brought to Kakashi.

Night fell so quickly that it didn’t even give the sun a chance to warm Kakashi’s room.

It was cold.

The proud and bright moon contrasted with the weakness of that night, the stars taking the night off to give the various and diverse clouds their turn to shine.

There was darkness and there was cold.

In the midst of that discomfort, Kakashi looked for some warmth in his wrists.

His right wrist had nothing on it – the pale skin brought a bit of disappointment to him.

But there was still hope. There was still a second chance.

Cautiously taking off his left glove, Kakashi saw a single word shining in the moonlight.

‘Almost’.

Almost?

Kakashi’s mouth opened slightly on impulse as his eyes repeatedly read and reread that single word that was carved into his wrist.

How long had it been there? How long ago did fate decide to steal you from him? Almost? Why ‘almost’? Hadn’t his confession that night been enough for you? Wouldn’t the vulnerability with which he uttered and repeated that forbidden word have been enough for both of you? Almost. Almost? Why? Could he have done something? Could he have done nothing?

A wave of corruption completely washed away any and all hope Kakashi might have had. The curiosity that once drove Kakashi’s gestures was entirely replaced by regret and frustration.

Could he go back? Could he do something to change that word?

Surely if you arrived and he confessed everything he wanted and felt for you, maybe you would reciprocate his words.

No. Not ‘maybe’. Kakashi was sure there was reciprocity. That night left no doubt. The way you two spoke, the way you looked at each other, the way you pronounced the forbidden word.

Yes. There was definitely still a little hope, even if it was small. And Kakashi knew, as years of war had taught him, that hope would always be the last to die. Surely the same applied to love. Right? – you said it yourself: love is the war of the most philosophical.

Yes. Hope.

‘Almost’ wasn’t the word Kakashi had chosen to dictate his fate, no. It was ‘hope’.

 Clinging to that small flame that had quickly lit in Kakashi’s heart, he watched the remaining days pass slowly and wistfully.

Kakashi just wanted you to come back as soon as possible. He just wanted to cheat fate once and for all and grab the happiness he had been so deprived of. Would it be too much to ask?

‘Almost’. Pathetic.

‘Almost’. Of course it wasn’t almost – Kakashi would never allow it to be ‘almost’.

And when you arrived, Kakashi carried the war with him – he was determined to change his destiny, even though he was scared. There was determination in his steps, Kakashi’s eyes so empty conveying a bit of uncertainty, of fear, of regret in actions he should have done long ago.

Waiting for you for so long only gave Kakashi permission to think, to ponder all the opportunities that were missed by him in fear of a confession made of decent words – he could make a list of all the waste that was lost.

The ‘almost’ was right.

Years passed – Kakashi should have known better. He had so many books about it, he should have known better. It wasn’t enough to just say a complicated word. It was not enough to just feel a complex feeling. Kakashi had to show – and Kakashi never showed.

But now Kakashi was determined to change that. Kakashi was determined to change his destiny.

Just like war, Kakashi came to you without any warning.

Just like war, Kakashi caught you unnoticed in a spontaneous embrace of longing and nostalgia. It was rare for Kakashi to express his love, but you couldn’t deny that it was something that always made you smile.

You hugged Kakashi back, your arms fitting perfectly around his body, the way his strong arms squeezed you in a comforting embrace making you more relaxed. Although you had already arrived at the village two days ago, it was at that moment that you truly felt at home.

“How’s the mission?”

That wasn’t the question Kakashi wanted to ask – it wasn’t what he had rehearsed.

But you started a long, drawn-out monologue about all the ups and downs of that mission that lasted almost two weeks. A rollercoaster of emotions was reported by you as Kakashi listened attentively to every word out of your mouth.

And, while he listened to you, he looked intently at your arms.

Kakashi’s empty eyes searched for tattoos made by the stars. The curiosity to know your fate was what moved Kakashi’s eyes and forced him to look at your body.

Until finally he saw it.

‘It was close’.

It was close?

What absurd words had fate given you? It didn’t make sense.

Was it close that you didn’t end up with Kakashi? Was it close that you fell into someone else’s love trap? What did those words mean? What did they mean in a vast sea of ​​possibilities?

“And I got my tattoo on the way here.”

You extended your arm and gave Kakashi permission to read your mark better.

‘It was close’.

“I was confused by what it meant. But it made sense when I found…”

“Him?”

Him.

Kakashi knew who you were talking about.

You didn’t need to confess names or draw portraits with your words. Kakashi always knew who you were talking about, because he was the one you loved before you met Kakashi, and he was the one you loved during the early days of your friendship with Kakashi.

“Yea.”

The smile you let out reminded Kakashi of love: shy and so happy, a hint of accomplishment displayed in the beautiful curves of your lips, a sense of comfort trapped in your confession.

Love.

Damn you.

“He walk with me to the village and is staying here. Today we’re going to our first date.”

And that’s when Kakashi realized – no one could change their destiny.

With a fake smile and forced curiosity, Kakashi allowed you to nail long, painful barbs into his heart, erasing any hope he still had left, completely staining the forbidden word for Kakashi.

With a fake smile and tears trapped in his eyes, Kakashi allowed your happiness to flood his darkness, little stars of your joy faintly painting Kakashi’s pain.

Because, yes. Despite everything, Kakashi was happy.

Even though he would be happier with you, Kakashi was happy for you.

You overflowed with love.

Extreme happiness wrapped in a film of euphoria delicately filled your room. Your eyes shone with the emotion of a love about to be lived. Your wide smile managed to be contagious, even though Kakashi didn’t want to smile.

You were the embodiment of love.

You were hope and comfort from the first day he met you and he hated you for it.

Kakashi hated you because he knew he would never be able to find someone who had as much of an impact as you did. He would never be able to find someone who made the word ‘love’ mean as much as you did.

It was the way you spoke so happily about each other. It was the way you still cared about Kakashi like you still liked him. It was your own way of being.

You were kindness and simplicity hidden behind a strong sphere of complexity.

You were, undeniably, love.

And the conversation that night never made as much sense as it did at that moment.

In Kakashi’s realization, in the midst of all the suffering caused by you, you continued to move Kakashi. The way you still made Kakashi eager to see you. The way your company was still, and always would be, crucial to Kakashi. The way he still loved you after you caused him so much anguish.

You have always been the personification of the word love. And, just like the feeling itself, it was you who moved Kakashi’s world.

♡ feedback is always welcomed ♡

[iniziare]

Some 'randomized' Solas tidbits, some of these are things in DATV that I default to (though I will change as to accommodate decisions made from the Rooks I will write with within reason: example being that I'm not open to all endings), and others are just random thoughts I wanted to touch on. Ah, sometimes I get a little sad that I need to put all of this under a read more, but I don't want to spoil anything for people. Here we go!

— The ending. As a writer of Solas, I can't do anything other than default to the 'best' ending, which includes Solavellan, and the choice to use Mythal's essence. Which is not to say that I will force Solavellan onto everyone, and it actually is not even the main reason as to why I choose it (though my heart does, every time) as my default. It's simply that the inclusion of Mythal is incredibly fundamental to him being able to atone for his 'sins', that you will have to bribe me with kilograms of chocolate to have me waver from it. I can and will do it if you insist, but then it is important that you know that he can not, and will never properly 'atone'. No other ending will get Solas to that state of mind, and 'insisting' on it as you see in the 'bad' (/worst) ending will simply fetch the intense reaction you would expect from going so firmly against the embodiment of pride, rather than wisdom (I'll write a separate post on how this works in a bit, and link it here for reference.)

— Solavellan. On that note, yes, I'm an intense Solavellan shipper, and the ending that includes her is, in my opinion, most fitting to his character, and is the one that I choose as, shall we say, 'my canon'. I will not force this decision on anyone, but in threads with others where Lavellan is mentioned, unless we've decided differently in our plotting, I will default to it in the same way that Bioware has decided to do with Veilguard's release. It's simple: Solas has, does, and will always hold feelings of great love for her.

— Emotive expression. It is noted that spirits feel incredibly deeply, and we notice this from Solas as soon as the second regret memory where we hear him speak to Mythal. He speaks softly, and earnestly, he reaches out to grasp, to touch, and you hear a deep sense of something akin to defeat in his voice when she refuses his offer, and him. Of course, this is emphasized even more by the memory of him as a spirit of wisdom. It is for this reason, that it's important to note that the best way for this to manifest in mortal form, is through artistic expression, and that it wasn't only specific to the timeline of Inquisition. The music room is a treasure trove to me, and through the note that we find there, we know that it was a spot of great importance to Solas himself, and that memories held therein are precious to him. I will go into details in a separate post for it as well, but it's not just the musical instruments that are important in here, but the mural plays an equal part. Did you see it? The mural that holds the symbol of the Inquisition? Not only does this tell me rather firmly that Solas returned to the lighthouse at some point after the events of Inquisition, but it isn't just any Inquisition insignia. No, if you look closely, and remember: it's a recreation of Solas' frescoes from his rotunda in Skyhold. Not only that, but it is in the place that serves as something akin to a museum or memorial to his regrets. Go ahead, tell me what that says to you, and how much it breaks your heart. Any way, back to the... original purpose of this bullet point: Solas' way to cope, or his way of expressing his emotions, is through the stroke of a brush (Spotify decided to ruin me at the worst of moments:"If I sway my brush, will I capture thee?') a chord engulfed by silence, or writings to parchment, but is not relegated to just these things.

— His connection to Mythal. This is an incredibly complex and very nuanced topic that I will be going into on a regular basis on this blog. I will never say that Mythal should be glorified, or forgiven (I'd say the opposite), but what I think doesn't matter, for what matters on this blog is what Solas thought, and thinks. Sifting through Morrigan's reaction to being asked to talking about them and having such a deep reaction to it, to the conversation that Rook had with the potentially 'oldest' and least 'evolved' (and so the closest to what Solas once knew) fragment of Mythal, I can't say that they are not complicated. From 'What should I have done when Solas turned against me after all we had been to one another?' to 'Can you even understand what it is to battle with someone and love them even still? That is what Solas and I are to one another.' To Morrigan's 'Yet Solas was once beloved of Mythal.' And finally, the note found in the music room. And those lines? They are from the side that I think is much more complicated than the other. Regardless of how it came to be, I think that the nature of Solas' intense emotional (as I elaborated on in the previous point) perspective of Mythal is undeniable, and it served as the driving force for everything that he committed himself to doing, including going against his nature as a spirit of Wisdom over, and over, and over. And yet, with each day that passes, I think that the nuance is much deeper than I first thought on day one of finishing Veilguard. Mythal did terrible things, but it's paramount to remember what Solas, himself, was like and still is, because a lot of answers can be found in that. I'm sorry, perhaps not everyone will like my future analyses of this despite the fact that I am very far from a Mythal apologist, and never will be, but I insist on critical thought and nuance when I seek answers. And yes, I think that all of this only empowers Solavellan.

— Fade Prison. 'Regret, like all emotions, is a powerful thing. (...) Regret is even strong enough to serve as the lock on a prison built to hold gods'. It is, in fact, a prison of regret. And for it to be able to hold Rook captive instead of Solas so that the latter could escape it, Rook's regret, for that moment in time, had to outweigh Solas' own. But by that same token, I raise a different, and very important topic: Varric. 'When you disrupted my ritual, the magical energies pulled me here, into the Fade.' Focus on the words, he got 'pulled into' the Fade, unintended, not of his own accord. Now, as of the moment that the struggle between Varric and Solas comes to an end, which leaves the former stabbed, over twenty to twenty-five seconds pass during which Solas could have gotten 'pulled into the Fade' and yet was not. So I ask: why not? If it is, as he says, a prison of which the lock is held by the intensity of one's regret(s), then I think that it can only mean one thing. Now, if you let the scene play out, you notice one thing, and that's that Solas is only pulled into the prison, directly after Varric actually dies (which Solas is turned towards, and thus witnesses). To me, it's always been clear that Solas created, and fostered bonds within his time in the Inquisition, but I think that this moment is proper evidence of that. He who called him 'Chuckles' wasn't just an ally, but he was someone that Solas regarded fondly enough, that witnessing (and being ultimately responsible for) his death, was ultimately the pivotal thing that the prison needed, and used, to pull him in to it, which in turn set loose both Elgar'nan and Ghilan'nain.

[strange-anni]

These are some good points! The number 7 shows up a lot in the show. There is another one that's fairly obvious and shows us that Mike has not forgotten what Will told him. I mean how could he? It was the last thing Will told him before he went missing. Mike wouldn't forget that even if doesn't understand the double meaning (yet).

At the end of season 1 the party defeats a seven-headed monster and then King Tristan hands out the medals of honor to the heroes.

I think it's also noteworthy that in 1983 Will and Mike have been friends for seven years as well.

As you said, Mike needs to figure out what Will said to him on the 6th November in 1983 and he will in season 5. I'm sure of that. It's right under his nose. Like the pen was and the can of 7-up. It'd be funny if it weren't so sad at the same time.

Some discussions on the possibility of Lucas, Dustin, Holly and Nancy being other alters under the cut

As for Dustin and Lucas I am not sure if they are real or not. However I do find it interesting that these two are the ones presenting Will with the option to either protect himself or attack the Demogorgon. Dustin pressuring Will to cast a shield spell and Lucas pressuring Will to attack with a fireball.

(I think it should also be noted that the alarms are already on. As seen in the very first scene in the science lab. The lights are flickering and a man is trying to escape. My guess is that Wills subconsciousness already picked up that the situation can get dangerous due to the looming threat of the (fictional) Demogorgon.)

The big thing with Lucas specifically is that it's him who tells Will that the number doesn't count as long as he doesn't tell Mike. That can just be circumstance as that's what happend in the real world. The dice landed on 7. That's an undeniable fact. However there is for sure also a double meaning behind it as Lucas words can be read as a reminder or even a warning not to spill secrets. As in an alter warning Will that the situation just got dangerous and he needs to be careful. There is also the fact that we don't see Lucas interact with any other member of the Wheeler family. It almost as if he isn't even there.

Same thing could not be said for Dustin though as he at the very least offers Nancy the last piece of pizza they got. This I think might make it more likely that he exists. Neither Lucas nor Dustin interact with Karen though.

I have just thought of this but do you know what would be really depressing? What if both Lucas and Dustin are actually alters and Mike knows about this and doesn't even question it? Like both Will and Mike have been bullied their entire life and don't have any other friends. I don't know if you can play a D&D campaign with only two people and with one of them being the Dungeon Master but I would at least assume that "the more the merrier" also rings true here. What if one day Will brought these two boys along, told Mike he found two friends who can speak through him and Mike just rolled with it and thought it's cool as they can now all play D&D together. If this happened at all both Will and Mike must have been much younger than they were in 1983. All of this is even more speculative than everything else though.

I guess at the very least we can assume that some alters existed before the day Will disappeared as if it's true what you've written in your post, it must have started before the age of 10. Will being seven would fit that criteria.

Back to the Wheelers though.

I agree with you on Holly. She is most likely also another alter. A child one. A little. My guess is that she represents Wills innocence before the ab*se started. In S4 she even has some bunny symbolism surrounding her which does not bode well for her. That toy she has with the lights. She creates a bunny with it.

kaypeace21 made some great points as to what bunny symbolism means in this post. (as you probably already know since I saw that post as a reblog on your blog haha) Still it should be noted that this mostly about Jonathon and not Will although it wouldn't be too far fetched to assume that Lonnie forced Will to do the same thing he forced Jonathan to do.

More speculation on Holly Wheeler but we will be starting S5 in the fall of 1987 and this is just the right time for Holly to be seven (or eight) years old. We also know that someone will disappear in that season in the second episode. I know I'm not the first person to speculate that it might be Holly but I think there is a fair chance she will merge with the system.

Like Sara Hopper who was also child and probably around the same age as Holly before she died of cancer (and merged back into the system)

Bunny symbolism doesn't stop with Holly though. There is Billy Hargrove, Jim Hopper (rabbits do hop) and Janes room in Terrys house had quite a bit of bunny symbolism as well.

And in S4 Nancy also agrees to give Mr. Rabbit away who prior to this was in the attic. (hidden away and out of sight) This is also bunny symbolism but it's different from Holly. Like for Nancy it could mean a loss of innocence she accepts. She is ready to move on from this.

In the first 5 minutes of the show Dustin also notes that Nancy had a shift in personality which Mike denies as "she's always been a real jerk." Is this really just about Steve and Nancy being a sibling to Mike? Or is there something more at play here? The reason why I think it's important is because they spend such a large part of the first minutes of the show to tell us all of this. This is the time before things got weird. Before Will told Mike in a coded manner. It's the time where things are as normal as they can be. I feel it has to mean something but I can't say what exactly. Nancy is just huge puzzle I can't understand.

(I mean yeah of cause she could also be an introject alter which is probably the case but that raises the question as to who the real Nancy is?)

Thoughts?

[le-songproj]

Live Emotion Song Spreadsheet Project

I've started putting together a simple spreadsheet of song information for the game in hopes it'll be useful for the various events we get!

Includes: Singer(s), Song Titles, Length, and Note Count for all the difficulties!

It's also color coded by Singer color(s) and the difficulty, PLUS it's set up so the songs involved in the current event will be highlighted for easy comparisons too~

Currently we have: - All current event songs, Easy+Normal+Hard (4/6 have Expert) - All Group/Duo/Trio songs, Easy+Normal (1 has Hard)

I would love to ask for your help filling out things much faster! If you happen to know any note totals for any of the songs (or just have a screenshot of ur score page) please let me know!!!

Hard+Expert notes are most appreciated as I personally only just started doing those higher difficulties after the last event so those will take me the longest for me to get through. But anything and everything you guys can provide regardless of what difficulty is appreciated and will save me so much time!!

Just shoot dm/ask/submission or even reply to this post please and thank you <3

[pillowprinx]

if you’re following my main and/or art blog then you’ll already know I’m remaking blogs, I don’t know if I’ll be remaking this blog any time soon but if you’d like to know if/when that happens then you’ll have to follow my new blogs

[peridots-pixiwolf]

[Start ID. A digital drawing of Minos Prime from Ultrakill, who's wearing a strapless slit dress and sandals of the same deep purple. He faces towards and slightly to the right of the camera, his head is tilted further right. With one hand he gestures in a vague pointing motion, his arm folded and held close to his body. There is nothing in the background, but bracing himself on one arm, Minos is implied to be leaning against something about the height of a countertop. The background is a blank purplish black, save for three diagonal stripes in the colors of the bisexual flag. End ID]

Shading study that quite literally came to me in a dream two weeks ago, after this post apparently beamed itself into my mind

(also a few edits below the cut! they're very slight but whatever :])

[Start ID. Three different versions of the previous drawing. The first changes the tone of the lighting from blue to pink, and similarly the shading from pink to blue. The second replaces the faint black border with pink, purple and blue, syncing with the stripes in the background. The third combines both these changes. End ID]

[drawbauchery]

the asks better be careful or they just might genderbend the girls.

now there's an idea

[crabussy]

hi gang. updated my blog title because I keep getting mistaken for australian or british over and over and over again and this cannot continue. save me

[aroaceleovaldez]

Dude I don’t know where you’re getting this information that 13-14 guys can’t be tall at all. Literally every guy in my freshman high school grade (13-15 year olds) were all 5’6-6’0 at the beginning of the school year and they were all actively growing taller as the year went by. Letting people think Nico is average height or tall is not hurting nobody and you are still entitled to your opinion that Nico can be short. I believe all of Nico’s of various heights can coexist peacefully.

I did say "average" height and was only referring to the fact that Nico's canon height is never explicitly stated. Anyways allow me to rephrase:

my grievances only lie with the wiki for being baselessly wrong. tall nico headcanoners i have no beef with you understand i am simply being silly goofy on my blog mwah mwah

[bluupxels]

trying to find the source of discourse you see others vagueing about might as well be finding a needle in a haystack. need a simblr tea youtuber so i can know everything always bc im nosy and love drama

[deus-ex-mona]

up next on chapter 36 of idol sengen… _(:3 」∠)_

[henriiiii-1001]

There's a big difference between a missing person and a kidnapped person in this au

When a bird of any species goes missing, it means they flied or were dragged by the wind too far away from the main lands. Whenever there's particularly nasty weather, especially during winter, investigations always start the day the wind calms down enough, but on different cases, investigations only start two days after the person has failed to return back home, and the background information that their family and friends provide help to determine the situation, and they usually come down to two main categories: runaways or a possible sudden health issue while flying (like a heart attack or stroke) Birds of prey don't have a police system so it's usually the person's family who goes looking for them.

On the other hand, kidnapped people are always either songbirds or game birds, and the kidnappers are always birds of prey. Kidnappings are actually quite rare, since whenever raptors do hunt smaller birds they leave their cadavers behind after they've eaten or collected enough to feed their young. Much like murders, kidnappings also involve blood because of raptors' brutality, but it's just that, just evidence that a struggle occured that the smaller bird obviously lost.

The smaller birds have no idea of the reasons that could lead to a kidnapping, but even if they knew they'd still not bargain or anything similar to get the person back, they're too scared of angering the raptors for just one person. All the few songbirds and game birds who have lost a friend or family member because they were kidnapped think that this system of not trying is extremely unfair, but unfortunately there's nothing they can do.

Mark is pretty much miserable. He's stuck with someone who is incapable of moving on from a loss, and he can't leave them either, because his bird instincts have been forced into depending on this person, so the couple of times he did try to escape he got very sick physically. He's stuck on an unhealthy "friendship" and is too scared to try to reason with them.

Ruth is doing a bit better, kind of. She lost one of her wings to her kidnapper, but did and still does try to talk to them, and overtime their dynamic evolved from kidnapper and victim to a companionship. This person still hasn't gotten over their loss, even after all these years, but Ruth still tries to in some way give them a bit of therapy, not just for her own sake anymore but for theirs now too. She even got them to stop hunting smaller birds at some point! (They joke sometimes that they're gonna break their new diet when Ruth tell them of her past and all the people who were assholes to her)

damn what's the weather got against them man xddddd

also p interesting overall! also didn't think you'd make mark and ruth live! p cool idea :D i do have ideas on who mark and ruth's kidnappers are, but i wont say bc i could be completely wrong LOL