#(they have such a good chemistry)

[joneevarts]

Not me being really invested in a rare ship from a tv show that ended 6 years ago ;v;

The fic i read yesterday was written a DECADE AGO

(The show is Sleepy Hollow btw. I've just started season 3)

[evast]

Back on bg3 again

[mydotguy]

I like this game

[secondbeatsongs]

do you think the national dog show announcers ever explored each other's bodies

[bacchuschucklefuck]

they tried to rebrand as The Criminals but riz is literally the city council's treasurer and also turns out people in their late 20s don't really name their friend groups. so now they're The Intrepid Heroes

[xxplastic-cubexx]

your krakoa era cherik art has altered my brain chemistry

more krakoa era is to come from me my friend so i worry for your brain

[cubbihue]

So, a changeling is sort of like a p-zombie?

(For the unaware, “p-zombie” stands for “philosophical zombie”. It’s a thought experiment in philosophy that describes a being that’s outwardly identical to a human, but does not have a consciousness; that is, a p-zombie does not think whatsoever, although it looks like it thinks to an outsider observer. There’s a whole wikipedia article on it that explains the concept better than I can!)

They don't exactly think, as in "I dont want this" "I like that". But, Changelings do have a form of "Consciousness". It's just that their consciousness is more like a series of commands or tasks than actual formulated thoughts.

Timmy's Changeling has a very advanced "consciousness". It can predict future actions and reroute its tasks to pick only the best options for its situation.

We fill their heads with static to ensure that the Changeling does not form thoughts about anything. Thoughts leads to opinions, and opinions leads to incorrect actions. A proper Changeling should have more static in their mind than a TV screen on a defunct channel!

Bitties Series: [Start] > [Previous] > [Next]

[ingravinoveritas]

Lovely new article about Michael in Paste magazine. Article is behind a paywall, so here is a transcription (with thanks to the person on FB who transcribed it, and the parts in bold are my own emphasis).

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

I love this so much. The thoroughly well-deserved praise for Michael's incredible performance as Aziraphale, but also that Aziraphale and Crowley's relationship is specifically described as a "romance." And of course, the first sentence of the last paragraph that acknowledges how much Michael and David are indeed a "matched set" that cannot (and should not) be separated...

[laylakeating]

HIGH POTENTIAL 1.02: Dancers in the Dark

[frankierotwinkdeath]

Baby girl what are you doing

[deankarolina]

I need them in a romcom right now

[buckleydiazmp4]

the reason poolverine is so appealing is also because in all of his two-decade run in the xmcu they have given logan some of the most boring and rushed relationships with women (because it was the 2000s and the mold that they followed for rugged manly protagonists meant an astounding lack of chemistry between them and their love interests in favor of giving them the "dead wife who has a montage at the beginning of the movie" treatment etc etc) and then they put him in a 2 hour long film with a guy even more insane and fucked up than him and they matched each other beat for beat. say what you want about the mcu but they achieved a level of chemistry between logan and wade that fox couldn't reach in 20 years with like four different love interests. which is also a petition for them to either go the gay route or finally let logan find a woman he has good chemistry with and who can pass the bechdel test

[bixels]

Bit of a weird question, but what is your overall least favorite thing about MLP? 

Sparity.

[mobius-m-mobius]

#dynamic of all time

[mymitochondriaforpresident]

“I feel safe with Edvin.” - Omar

[fluffs-n-stuffs]

ain't no way they did this to Arven on the first episode y'all I'm 😭😭😭💀💀💀