#(she's back to normal now)

[ruporas]

dragon meat, you, and me

[sealsdaily]

Today's Seal Is: I'm So Full From Rocks Yum

[wyvernity]

been thinking about the sinnohtrio lately......plus misc other stuff

also, casual ko-fi drop!! get something in this sketchy style starting at $10 woop woop

[poorly-drawn-mdzs]

A new challenger approaches (slowly)

[First] Prev <–-> Next

[hinamie]

doodles

[omensofatimelord]

The thing about testosterone being a controlled substance means that acess to it for hrt is restricted. While it makes access a significant issue for many people and an easy and effective way to prevent trans men and mascs from transitioning (as we've seen terfs campaign for and succeed at doing in Britain) it also means that is very easy for health care professionals to be able to take it away from trans men/mascs arbitrarily. This is most aborant in cases where trans men/mascs are forced to detransition to gain access to abortions after being raped. However, the first sign of an issues tangentially related to hormones a gp, without any training in trans people or hormones, can and will stop a person's testosterone. Apart from how stressful it is to know that for the rest of your life you'll be dependent on the goodwill of a random person, this has measurable negative consequences for a trans person subjected too it.

Going off t fucking sucks at the best of time, but being forced off t will most likely result in depression and worsening mental health for a trans man/masc, who are already one of the most likely groups to attempt suicide. It can also put a trans person at risk if they suddenly start being visibly trans again, especially if they're closeted in, say, a work place environment. Trans people, including trans men, are already one of the most targeted groups of harassment and violence and sexual assalt and forcibly reducing or stopping t can out people and risk their safety. And a gp won't see this or care about this, or attempt to treat a trans man/masc first or ask for their opinion or situation.

Ultimately, testosterone is seen as entirely optional and so the first resort when something goes wrong it to take it away, when it should be considered the last resort, and is considered the last resort for cis men. And as long as testosterone continues to be a controlled substance it will remain like this.

(edit for clarification: I am a kiwi, this post was intended as a general critique of accessing t through health care systems - based in my lived experience in NZ and what ive heard from international trans ppl; including but not limited to the USA)

[carnivalcarriondiscarded]

ooo fantasy au Poppy oooo there's so much empty space on this, it's killing me

rambles:

why is there lace? why does she have a neck corset? because she's Gorgeous and I'm the Artist Here. i will always inflict my personal tastes on everyone I draw. pretty bird <3

it's really difficult to put clothes on a bird... stream helped out a bunch with the colors & the leg gear! I imagine that the leather is durable, which is probably the only thing that gets her to traverse less Forgiving terrain. Thornbushes and itchy tallgrass can't hurt her! she's got "boots"! How Does She Secure Them, i hear no one ask. that's what neighbors are for, isn't it? and a skilled beak once she gets the swing of it.

her shawl remains largely the same due to my lack of imagination! i put a lil feather clasp instead of the shawl being tied together to give it a more fantasy-oriented look. i think i succeeded? i like to think so! i imagine that the clasp gives Poppy some stress, though. It's sharp! Ish. it's sharp by her standards!

Poppy's enchanted glasses allow her to "see" injuries and illness, both caused by magical & normal means. this is very helpful in her role as healer, but also extremely stressful - just because she can see issues doesn't mean she automatically knows what they are! to her, a papercut may be misinterpreted by the beginnings of a fatal infection! i like to think that she got tired of needing to hold the glasses in place over her beak and asked if there was a charm to keep them steady. and they confidently had their resident wizard spell them on - oops! the spell was a little too strong! they're now magically superglued on! yeah, those are never coming off.

she also has a magic bag that i imagine was a gift from her family when she left the nest! she'd never directly use it herself - what if she falls in? what if something nasty managed to crawl inside? - but the Neighborhood uses it as collective storage. it can hold a lot! supplies, books, tents, gold, even Julie when she's determined enough!

[originalaccountname]

Mori Ougai’s belief as the boss is [...] “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. [...] “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.”

Kafka Asagiri, for the BSD exhibition

On Mori and regret.

This man acts based on his perceived "optimal solution". It means relying on cold logic, detached from (his own and others') emotions. In that way, he fits right in as one of the smart characters of BSD, contrasting for example Dazai's way of working with/around people's feelings, and Fyodor's way of manipulating and twisting those feelings into monsters.

Mori remains cold, logical, distant, efficient. It meant disregarding Yosano's and the soldiers' deteriorating mental health during the war because the concept of an army that cannot be wiped out was too good. It meant following Natsume's plan and taking the old boss' place himself to fix Yokohama's underground and protect the city and its people. It also meant disposing of Mimic by sacrificing Oda in order to get the special ability business permit, despite (and perhaps because of) Dazai's attachment to the man.

The thing is, humans are not logical creatures, and will inevitably encounter conflicting emotions.

(does this look like the face of a man without regrets to you?)

Mori in Dark Era tried to pass on to Dazai his practice of putting aside his own feelings for the sake of choosing the most efficient solution that will benefit the group. It backfired spectacularly, so much so even, that Mori regrets it to this day.

For the BSD exhibition, Asagiri wrote some individual character commentaries, all very interesting insights into their characters and the writing intentions. For Mori, here's what he wrote:

“He who fell out of the optimal solution” Mori Ougai’s belief as the boss is described in the novel “Dark Era” and “Dazai, Chuuya, Fifteen”. That is “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. There is an unspoken additional point to it. “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.” We can catch a glimpse of that in this scene. [the ADA-PM alliance meeting] Mori’s expressions after “Burnt it.” and “Like what you did to your predecessor”, gave us a glimpse of his true feelings that were made sacrifices for the sake of the “logical optimal solution”. (By the way, it goes without saying that Dazai is inducing Mori’s thoughts by words that will make him regret the past. It is to make him decide to form an “alliance”.) source and translation: Popopretty

(notice the inclusion of Hirotsu in this scene. Remember that later, Hirotsu suggests that Dazai knows why Mori did what he did to overthrow the old boss, which, in my opinion, is both a proof of Dazai's support in Mori's goal, and a reminder to uphold it.)

One of my favourite parts of the Dark Era light novel is a small scene during the epilogue that was not adapted into the anime. This is two weeks after Dazai defected:

To quote Asagiri again, "Therefore, no matter how much your heart aches, you have to ignore your personal feelings." Mori is conflicted about the outcome of the Mimic incident. He holds in his hands the Silver Oracle he himself gave to Oda, and reflects on its purpose: to "help the man mentioned above without hesitation in the face of any and all trials". Didn't he fail to do just that with Oda? Didn't he set him up and sent him to his doom? Didn't he abandon him to his trial?

But he rationalizes the events by saying he got the permit they so badly needed. No matter if he sacrificed one of his men. No matter if he drove Dazai away. He accomplished his priceless goal. It was a total success.

And yet, he poorly folds a paper airplane with the very Silver Oracle he gave Oda, throws it, watches it crash immediately, and mourns the loss of his right-hand man, without ever moving on.

But we have a direct example of Mori expressing regret.

The perception that Mori in BEAST is a completely different character than Mori is in canon, when that perception doesn't extend to any other character from that universe, rubs me the wrong way. The characters in BEAST are very similar to their canon selves, with some core traits getting a new twist. They are all one or two major life changes away from becoming these versions of themselves. As far as we know, Mori's only life-altering event was being forcefully removed from the Port Mafia by Dazai, and secretly put in charge of Atsushi's old orphanage.

Mori unambiguously made that orphanage a better place, as stated by Atsushi himself. BEAST!Mori is a lot softer, vulnerable and honest. That Mori offers to be a father to Atsushi while he heals. He also expresses regret in not being able to help Dazai when he was in his care.

I think it's very interesting, especially when knowing that Asagiri wrote both BEAST and Fifteen at the same time for the Dead Apple movie, because in Fifteen we have this:

The beginning of the first chapter of Fifteen is a gold mine. It is narrated from Mori's point of view, the man of logic and calculations, and yet it is full of doubt. He is alone and struggling to fix everything with so many people against him. But, throughout this scene about grasping at the Port Mafia's power, there is also this secondary thought being woven in, of Mori having started to actually care for Dazai.

The teenager is scary to him, smart enough to be a threat should he decide to be done with all this and turn against him, and yet, he immediately (and with a hint of sadness) finds that Dazai reminds him of himself. This lonely, lonely man found a kindred spirit, bright enough to grasp any situation in seconds and prone to using an uncomfortable obsession to divert and keep you guessing his true intentions. Mori entered Mentor Mode™ then. He taught Dazai his ways, he shared his struggles and thought process, he fought tooth and nail to keep him alive.

So when he asked Dazai why he wanted to die, it was with the concern of someone who has started to care. It was with the mind of someone who is trying to prevent the worst by fixing the problem at its source.

(translation: Reneray)

But it's also that self-projection/ability to relate that made him drive Dazai away, when he pushed too hard and forced Dazai to adhere to his optimal solution philosophy. Because Dazai cannot separate himself from his attachments, could not ignore his emotions like Mori does, and chose Oda over Mori's logic. From Dazai's point of view, that was betrayal. Mori and him were accomplices!

Dazai planted the idea that Mori was afraid of him taking over as boss, and Mori seems to agree with that thought (would it be because he feared for his life, or for Dazai's ability to replace him?) Yet, for a man afraid of his closest subordinate backstabbing him, he seems to be hanging on quite hard to the possibility of Dazai coming back, leaving his seat open to this day, inviting him back twice in the same arc, and...

(yeah I used this picture at the start too. "I hAvE nO rEgReTs" he says)

Mori may try to convince himself he feels no regrets and no guilt over his own actions by weighting gains and losses objectively, but he still hurts and has a very hard time moving on. He's human despite his best efforts, prone to mistakes and doubts. He's lonely and wishes to impart his knowledge onto others. His cold logic has both helped him in fixing the city, and alienated him from some of the people he most cared about.

In a similar vein, should the ADA employee transfer be of topic again, and should Mori clash with Yosano again, I wish we get to see some similar conflicting emotions in Mori between the usefulness of Yosano's ability, and Yosano herself as a person. The war was 14 years ago, that's a long time, and I want to believe that counts for something.

[maybebitterxox]

The pitch for Buffy The Vampire Slayer was probably just “What if there was a girl who could kill vampires. And she can Never Catch A Fucking Break”

[spitinsideme]

I can see nun Pomni being a bit weird about her period, like "this is punishment from god" type of shit. While demon Ragatha "nah girl this a blessing", then proceeds to go down on her :3

GOING DOWN ON A WOAMN WHILST SHES ON HER PERIOD IS TJE BIGGEST BLESSING OF ALL !!!! DEMON RAGATHA UNDERSTANDS

[arielluva]

so back in april i had the idea to draw ace attorney characters as if they were in fantasy life (so essentially combining two of my favorite games) but only finished phoenix then. tonight i finished up the page with some more, and since we know what the new lives in fantasy life i will be, i got the excuse to include vera as an artist :))

id under cut

[image ID: 5 digital drawings of some ace attorney characters drawn in the fantasy life art style, which is a very expressive, stylized chibi style. they are drawn in the outfits for different lives as if they were in fantasy life. in the top left, phoenix wright is drawn as a paladin, with text next to his head that says "Phoenix Paladin". he is wearing silver armor with gold trim, the trim forming a 'P' on his chest. the 'P' has a red gemstone in the center of it. his shoulder guards also have red gems on them. he has a long blue cape fluttering behind him, as he stands confidently, holding a sword in his left hand and holding up a shield with his right. the sword and shield are also silver with gold and red accents like his armor. next to phoenix, in the top middle, apollo justice is drawn as a blacksmith. he has text next to his head that reads "Apollo Blacksmith". he is wearing a teal apron on top of a white shirt and pants. his sleeves are rolled up, and he has a red piece of fabric tied around his waist. he is wiping sweat off his forehead with his right hand, and holding a hammer in his left. next to apollo on the top right, is vera misham. she is drawn as an artist, with text next to her head that reads "Vera Artist" she is wearing a pink beret that resembles her bandana, and has a paint brush with pink paint on the very top. she is holding her sketchbook in her right hand, and a paint brush in her left. she is wearing brown gloves that are stained with various colors of paint. she is wearing a pink dress with a darker pink collar and bow, and the skirt of the dress has a darker pink line going horizontally across it. she has a white apron tied around her waist that is also stained with various colors of paint. she is wearing brown sandals. on the bottom left of the drawing is trucy wright drawn as a wizard, with text next to her head that reads "Trucy Wizard". she is in an excited pose, running while holding her staff, a tall wand with a glittering green gem on top. she is wearing a light blue pointy witch hat with a white ribbon wrapped around it. the inside of her hat is pink. she is wearing a medium length black dress with a white belt, and she is wearing pointy white shoes. she is wearing a light blue cloak, with the hood on her shoulders, that has her green diamond brooch hanging where the ends of her hood meet. her cloak is fluttering behind her and trimmed with white and gold, the insides if her sleeves being pink. on the bottom right of the image, ema skye is drawn as an alchemist, with text next to her head that reads "Ema Alchemist". she is wearing gold goggles with pink lenses, and her hair is drawn more poofy than usual. she is wearing a white coat over a light green dress. she has a pink tie loosely around her neck, and she is wearing a darker green corset with gold buttons. her shoes are plain black. she is holding a potion bottle filled with a yellow liquid in her right hand, and is looking at it calmly, with the left hand in her white coat's pocket. end ID].

[padawansuggest]

Obi-Wan in his natural habitat in the temple sleeps in a loft bed (it was supposed to be storage he said cat instinct and turned it into a loft bed they’re shockingly common with Jedi tbh tho) and under 17 fluffy blankets with a pregnancy pillow (he’s not pregnant he just can’t sleep off his stomach if he don’t got one and sometimes autism requires squishing to keep it all down) and three more fluffy blankets on top of him. He has an optional Padawan or pet (not really a pet, just whomever followed him how from the gardens today) in bed with him also. And he’s got a projector on the wall and has a night stand with water and gaming devices so he can survive up there forever.

The clones, who have learned to sleep with full kute coverings and usually without blankets or pillows cause they just pass out on each other, most of whom identified with their Jedi for having similar sleeping types if they weren’t human, realize they are quite horrified by his Stewjoni nesting instinct. And he’s offended and refuses to sleep with any of them till they apologize to his favorite stuffed animal for insulting his HOUSE. Fuck you bitches he and Master Sparkle Bantha deserve better.

Cody is groveling while Alpha is still trying to negotiate a less intense number of blankets and Anakin is just shaking his head like ‘it’s not worth it Bro’ and Alpha is like ‘shut up ur an omega too you brat’ and that’s the last straw, you called them omegas now Cody is asking what an omega is and Alpha is trying to figure out how to keep his AO3 account hidden from his vod’e and nvm he’ll sleep in the barracks forever-

Obi-Wan holds this info over his head like a guillotine and convinced him to get in the damn nest right this second and cuddle him better.

If you don’t sleep with at least two comforters and a queen sized fuzzy blanket then I don’t trust you. Yes I refuse to trust my sister and wife okay. Everything in the world has a downside and that’s theirs. My bed is half dragon hoard of yarn and squishmallows. I’m not changing for anyone.

Anakin’s bed is 90% pillow and squishmallow and 10% blanket. Padme uses a thin cotton blanket and lets him burrito wrap himself and uses him like a body pillow while he’s captive in the blankies.

[starlight-eclipsed]

A theoretical scene for chapter 23 of A Dark Among the Lights by LuckyLectio on AO3.

Fun fact: this was supposed to be a silly doodle since I was tired. However, being sleepy, I went on autopilot and was halfway through coloring the darn thing when I realized what was happening.

[voxmilia]

Oh Sklonda's righteous fury hits so hard, as a kid who WAS taken advantage of in many ways by her friends when she was in school, and whose mom tried to tell her they were being unkind and who didn't believe her until she got kinder friends

[sskk-manifesto]

I like the emphasis this episode put on the Agency being the strongest when its members are together vs. Yosano repeatedly soloing herself out. I feel like here Yosano is actively choosing her own downfall, out of sense of guilt.

[myrxellabaratheon]

People have been asking me how I could relate to Stolas when Blitzø is the one they are trying to make you relate to throughout the entire series.

It’s just… the need to be always perfect and fit in the image of you others painted, the uncertainty and impossibility of living of your own accord all not to let others down, not knowing if/and/when you are imposing and just questioning each of the people in your life because maybe they feel obligated to be; the incapability of understanding social clues and being always in the corners or in the shadow during parties and social events…

I just… how can you NOT relate to Stolas?!