#(obviously I know why they aren't don't come at me)

[rizsu]

ꪆ୧ ── HUSH-HUSH ┊ KEEP IT A SECRET ﹑ JJK ⤿ starring: g. satoru ◟ choso ◟ sukuna ◟ f. toji.

꒰ love simulation ﹢ headcanon-type · most to least likely to keep your relationship a secret!

𖧷 · love, ‘su: i have nothing to say here but I Need To have this here for layout purposes. it Bothers me if its not there.

most likely 𓂃 can hold themselves back. choso and somewhat toji.

( pda = public display affection. )

listen, CHOSO can keep a secret, but leave it up to him and he would've made it known you two were dating. he's only keeping it a secret because you said to. when it comes to you, everyone knows he never questions your words.

in terms of pda . . . he doesn't do it — actually, he does, but only you know the true meaning to his touch. it's a regular thing to have an arm wrapped around your friend's shoulder, standing close to them, blah blah blah. you get the point: he keeps it entirely friendly.

this doesn't mean he's not clinging onto you the moment your peers aren't around! once they're out of his view, choso will not waste time to satisfy the itch he's been feeling. either he buries his head in your shoulder, whining about not being able to touch you at least, or his hands are intertwined with yours.

in mr. TOJI FUSHIGURO's case, your words are law. he usually sits back and let you do as you please — obviously he'd go along with whatever scheme you planned. he doesn't mind keeping to himself at all; he's not one for much pda anyway.

there are times where he gets touchy, though. he tries to keep it at a minimum, but don't let him be near you during a dinner-out with friends or anything of the sort. if he's seated next to you, trust, his hand will find comfort sitting on your thigh, occasionally squeezing here and there.

sometimes — really rare times — his friends suspect him. they don't reach the “are you dating y/n?” conclusion, but do they reach the “you got a thing for y/n or what?” one. it's all due to the fact that he softens his language with you. he doesn't curse, tone lowers an octave, and has a slight smile. three things his friends will never experience. he doesn't deny it, but he also doesn't confirm; he simply shrugs at their questions and never satisfies their curiosity.

least likely 𓂃 sorry, he's a bit selfish. satoru and sukuna.

SATORU . . . yeah, no. there's no way he would've succeeded. that's like asking him to not breathe for a day. when you brought up the idea of keeping the relationship a secret, he tried talking you out of it. why are you denying publicizing his affection for you? you must hate him, or are you hiding the fact that you're taken? satoru's dramatic, and his favourite literary device is hyperbole. he will exaggerate.

at first he tries his best to keep it a secret, but old habits die hard. calling you names clearly reserved for someone's romantic partner, arm snaked around your waist all the time, glaring at anyone who tries to flirt, giving you quick kisses — yeah, no way.

but, satoru does apologize for failing to obey! if you're mad at him for outing the relationship, he'll spend days upon days begging for forgiveness in creative ways til you accept his apology.

SUKUNA does not give a fuck. he's lived long enough to not care about secrecy. it's cute that you want to keep it on the low, but he prefers letting it known. pair that with him disliking physical contact with anyone else and you've got yourself the perfect recipe for disaster.

whenever he's not with you and someone approaches him — no matter the reason — he's quick to ring up his favourite sentence: yeah no, i'm taken. either that, or he's holding his palm up to reject them. he does not wish to engage with strangers. even his own friends struggle to get him out.

when he's with you, however, he's clinging to you like a magnet. game night with friends/family? he's pulling you to lean on him, doesn't fetch drinks for anyone but you, gets revenge for you if you lost the game, demands that they “go easy on y/n.” the list goes on. it took everyone zero time to put the clues together and figure out sukuna and you are a thing. it's entirely out-of-character for him to be nice in the first place.

[littlespoonevan]

.

[sysig]

Growing closer than expected (Patreon)

[dorkydegeneracy]

It's crazy that we were all tossing around these theories about how Eddie was going to get Chris back, and arguably one of the more obvious solutions, Eddie returning to El Paso all together to be with Chris, never crossed our minds.

Because let's be honest. IRL this isn't a terrible decision. It's actually quite a good one, considering Chris is seemingly thriving in Texas and all of his blood family is there (radio silence from Tia Pepa and Abuelita (didn't abuela move back to Texas, or is that fanon? The lines between fic and reality are Heavily blurred)). Uprooting Chris' life again would be unnecessarily cruel. Stability is of paramount importance right now after the tumultuous life Chris has had.

There are really only two things that make this idea nonsensical:

1) Eddie moving to El Paso is not going to fix his relationship with his son. He's doing it purely for himself because he is missing out on his son's most formative year. (See #2 for more insight on this.). But Chris doesn't need Eddie to move to El Paso permanently. He needs Eddie to come to terms with why he continues to make these reckless mistakes that affect Chris in a real way. Chris needs Eddie to stop trying to replace Shannon. Chris needs Eddie to move on and be happy so he can be an even better father. Which brings me to. . .

2(a)) Eddie believes that moving to El Paso is going to make him happy because Chris is there. But he is sorrily mistaken. The priest gave him the assignment to stop punishing himself and allow himself to feel joy. And he is choosing to move so that he can be happier by not missing Chris's milestone moments. He's going about the assignment the wrong way. Yes Chris should and does make him happy, but that's not the only thing that makes Eddie happy. It would be incredibly unhealthy if this was true. Eddie LOVES being a fire fighter. Eddie LOVES his fire fam* (more than he likes his parents). And. . .

2(b)) EDDIE LOVES BUCK. There are a million reasons why Eddie loves Buck. But one in particular was illuminated last episode that I don't think the show has ever teased at before.

Listen, I know we are all obsessed with Buck having his own crisis, but this was the most striking part of the entire scene for me. DO Y'ALL SEE THIS FACE? This is the face of a man who was afraid to let his "best friend" know that he was planning on moving to El Paso to be with his son because he knows that Buck is going through a tough time right now. He didn't want to add another stone to the pile. But Buck isn't a guest in Eddie's house, so he took a peak and ripped the band-aid off. And Buck had the nerve to be 1000% supportive of Eddie's decision. So Eddie makes that 👆🏾face because he CANNOT BELIEVE that Buck would be so selfless. He thinks it's crazy that somebody would unquestionably help him be happy in Buck's scenario.

Eddie, I'm just saying, what we all just saw is HUSBAND-like behavior from Buck. And I know you didn't see the whole thing, and you don't know this, but you have just flipped Buck's world upside down. Your man is dying on the inside. Because BUCK LOVES YOU. But he doesn't know that yet. And he doesn't want to pull you away from your son. Who is also his son. So yeah.

*NOTE: The fire fam is not the same as actual blood family at least not for Chris. I get it, Helena obviously does not have Eddie's interest at heart, which is why her and Ramon taking Chris for three months is cruel, but I think the show is trying to suggest that Chris is indeed thriving in El Paso where he is surrounded by his aunts, uncles, cousins and other family. Those bonds are unique and important. Even if Helena Diaz is conniving. The fire fam in my mind is more crucial for Eddie. Not that the fire fam aren't amazing and provide a comforting familial sense in LA, but. . . you get what I mean. It's just different. Especially since Eddie actually has a big family back home, not all of which he is maligned.

[showsandstuff]

Am I the only one who is disappointed with Caitvi in season two? When I watched the first season I had the biggest caitvi brain rot because they actually gave me SUCH a fun dynamic with them. Buddy cop Caitvi was hilarious, I loved that so so much!

And season 2 started of strong imo but then it rushed through everything. I loved the scene in the cell, obviously, but it was misplaced. Your sister is about to kill herself girl what are you doing this is not the time!! And other than romantic and sexual tension there wasn't all that much left of their previous dynamic aside from the brief scene in episode six...

Idk, I think I'm just annoyed. Usually when I see a non canon gay ship get more traction than the Canon lesbian couple, I just assume it's misogyny or lesbophobia, and move on with my life. But I can't even do that here because Caitvi was WAY more popular in season 1 (as they should).

Jayvik isn't getting somewhat more popular in season 2 because people don't like lesbians, but because their arcs are connected so strongly to each other. (Also I'm not saying that Jayvik is now more popular than Caitvi, but it's like a graph where the super high stocks caitvi are still even while Jayvik is skyrocketing rn)

Wanna know why Jayvik wasn't all that popular in season 1? Because (after act 1) their arcs were mostly separate, safe for a couple of moments. Viktor worked on his body and Jayce was doing politics.

Caitlyn and Vis arcs intertwined more, they actually did shit together and it was beautiful, funny, romantic, EVERYTHING!

Also a fun opposites attract buddy cop dynamic is also just more fun than men who do science together (in my personal opinion)

Now let's look at Caitlyn and Vis relationship in season two.

It starts of strong. I momentarily thought that Caitlyn was uncharacteristically mean to Vi when she refused to become an enforcer, but she apologized for it later and I recognized the fact that Caitlyn was grieving. Then once we get to episode two and three I could already feel their relationship being a bit more odd. The kiss (though I cheered) didn't feel right. I felt like something was missing, and that was their chemistry from season one. Also I feel like we glossed over too many decisions that Caitlyn made, and I think Vi should've put a stop to it sooner. But overall I was okay with them in act 1.

Then we had a timeskip and the two were fully separated. Act 2 literally started with Caitlyn in bed with another woman, like we can see they're not together anymore. Caitlyn has obviously changed, there is not much of the sweet cupcake left that we had come to love in season 1, and Vi is boxing and getting drunk.

Then they meet and like... Vi calls Cait cupcake, and Cait switches sides IMMEDIATELY? GIRL WTF?!

I get that Caitlyn wasn't entirely on Ambessas side the entire time, but I had hoped for more drama first. So you're telling me the very next interaction the two have after their heart wrenching falling out is them making up again? Come on.

Then we had act 3 and overall it was better I think but the timing of their hot scene in the cell was just odd, like what about your sister about to kill herself? I was very happy and hyped in the moment but then I realized how rushed this was. Why? Why make em fuck right here? And in the final act, the two weren't together because again, their arcs were not as connected. And that's actually pretty cool to have a couple who do their own things! But it doesn't help their relationship when they, in turn, aren't given enough time to develop as a pair!

I feel like season 1 did this incredible job of setting these characters up, showing us why they work so well together and why they would fall for one another. And season 2 gave us pay off for it but with very little set up, which was needed because of how Cait changed throughout the season. I don't mention Vi here because she did not change. She had her drunk boxing phase, which we got nothing but a montage off, but everything else is basically season 1 Vi aside from very few things here and there. Like her becoming an enforcer wasn't a character change for Vi, her finally letting go of powder and calling her sister Jinx, wasn't a big character moment for Vi, they were pay off for a set up we didn't get enough of.

SO TO GET TO MY POINT:

S2 was rushed. We should've AT LEAST gotten 3 seasons, like minimum, because there was a whole lot of plot and very little moments in between for characterization. Especially for Caitlyn and Vi and their relationship to each other.

I still generally prefer Caitvi to Jayvik, but only because of season 1. Season 2 gave me the two things I wanted most (a sexy scene and a kiss) but forgot to give me the things that made me fall in love with this ship in the first place.

Which was the hilarious buddy cop dynamic of rich girl cop Cait, and broke butch prisoner Vi.

[mblematic]

so weird that the lymond chronicles aren't more of a thing on here. most "author would have been posting jawdropping, DEEPLY psychologically upsetting m/m smut on ao3 dot org" books ever

[cl4ssyjazzy]

I used to always leave a comment on a fic if I saw anything about my interests not being accurately described, but thanks to SVSSS, now whenever I get the urge to correct someone the face of Shen Yuan pops into my head like a ghost of Christmas Past and I avoid being the insufferable "Uuuum.... actually!!" Guy.

[tinystepsforward]

ngl it makes me want to die a little bit that it's so often trans people who feel that sex is mutable but oppression is always-forever based on asab in ways that allow them to demand that information from other trans people. like it feels fucking bad. it feels bad when it's people holding up someone who posts a lot of selfies as transition goals to a degree they have to clarify what they have or haven't done or what "direction" they're going in, it feels worse when people are out there like "caster semenya is not tma" or whatever the fuck. i am, as always, not a trans woman, but here's a sentiment echoed by many of the trans women around me who log the fuck off, quoted directly from one: "people who draw a clear line where they say that semenya or khelif are tme and then call me tma are just calling me male at this point".

like i get it. i really do. we seek community and shared experiences, and we feel betrayed when people have less in common with us than we thought they did. [*more on this later.] but that's not those people's faults and my god in the case i'm seeing play out on twitter rn this poor person did absolutely nothing to intentionally mislead people, just posted pictures of their actual kid self. who looks a lot like i did, because shockingly enough "we can always tell" doesn't fucking work for trans people either!

on the one hand i move in intersex circles which are unapologetically welcoming in cis "dyadic" people with pcos, because it serves nobody to draw a clear line where mutilation or genetics or some ineffable childhood suffering are what make somebody intersex, especially when most of us (esp in places like nz) have never been karyotyped and are being treated for symptoms without a pinned-down cause anyway. the more of us there are the stronger we are, the more pressure we can exert on a medical profession which doesn't like to consider how common outliers are, how uneasy sex is at all. and then on the other hand there's dyadic trans people on the internet who've yelled me out of spaces because a couple of traumatised incarcerated trans women i worked with as a prison abolitionist assumed i was also a trans woman and i didn't immediately tell them my entire csa-involved history of being sexed in varying ways as an infant and child and/or exactly how big my phallus was at birth or where in my junk config my urethra lives so they could decide i was tme or whatever.

returning to the * for a related but not identical thought: i think presuming shared experiences leads to some fucked shit in general! "oh we all had a radfem phase" or "oh we all were channers" no we fucking weren't and it's particularly obnoxious when me & mine are trying to build trans community locally to organise and resist the growing wave of far-right backlash against our existence, and there's just white people in there on a spectrum from "straight up being antisemitic and trying to get the n-word pass" through "handwringing about how they need to make space for people who aren't politically correct" to "handwringing about how brown people are right to be mad at them but doing shit fuckall". and then the other fucking brown people in the space are on some identity politics shit where they're like "trans joy inherently excludes those of us who could get deported" or "big city white queers are killing us by being visible instead of going stealth bc it stirs up the discourse" or whatever the fuck i've heard pulled out this year. there's a bunch of reasons i primarily organise outside of trans spaces and that's one of them. i've never felt more alone in spaces where people claim we're all the same than being left as the brownest moderator or organiser in a space full of people to whom "this is a safe trans space" apparently means they get to abdicate all other responsibilities not to lapse into presumed shared patterns that are fucking racist or otherwise alienating. i've never felt more alone than surrounded by exclusively trans people who sort people into boxes and assume everyone in those boxes has the transition goals they have. like i was on cypro until it disagreed with me to the point of endocrine crisis and now i'm on t and at both those points people were so fucking presumptive or entitled to my reasons or journey or personal relationship w my body

literally just submitted on (and was invited to consult on) the nz law commission's review of the human rights act and like. it's straight up fucked how many nz trans people fully do not comprehend that any "sex assigned at birth" type definitions fundamentally exclude migrants who have no way of proving it and many intersex people who happen to have been reassigned later or many times or never assigned at all as a baby. we can't make law with this shit and that's why we have to have symmetrical protections for all genders/sexes/expressions/presentations, bc naming and defining a protected class here often leaves the people who already are left out from those shared experiences of marginalisation out in the cold when they face violence

[rt3nenbaum]

never forgiving aston martin for fucking up so bad with the amr23 that i had to read people disrespecting fernando (when he is outperforming that car) to the point of comparing him to nico fucking hulkenberg for some reason, “maybe it's not the car, have you consider fernando might not be THAT driver” he is the only driver with a 100% q3 appearances rate this year, his teammate just qualified SEVENTEENTH and you really want me to believe he is not THAT driver and he is someone comparable to that german who is allergic to getting a podium???

[hunsa-jars]

Howdy peepers, I've been feeling pretty down lately but I think I'm on the right path to snap out of it!

See yall on monday hopefully

[goldentigerfestival]

Since I'd been talking a lot about JP Vesperia (primarily Yuri and Flynn and the heavy changes that surround them, and because I'm highly passionate about them in their original context), I wanted to compile some more jarring if not outright glaring mistakes in the localization (or what were likely intentional changes, because I can't look at some of these and just call them "mistakes"). I'm not going to mention every little change throughout the game, so smaller things I'll mostly be leaving out (namely things that don't really affect characters or context). I primarily just wanted to give some insight on some of the bigger parts.

Some of the changes seem to have been mistakes in translation itself (not just localization, but misunderstanding what was being said in general; such as, there's an instance I mention of that between Patty and Don), so I've got some mentions hanging around for clarity purposes as some scenes didn't make much sense, likely because of this.

Vocal tone with Yuri was the most prominent issue that got me making this, and the context that was changed being right after if not equally next to that (most often also with Yuri but also Flynn).

This is something that has been bothering me for a while and I've been wanting to share this stuff with people interested in seeing the game with its original context. Generally speaking, the plot and story themselves are on point. The majority of the differences surround Yuri and Flynn respectively, so there's going to be a lot of mention of them throughout.

I've also posted video clips of my favorite scenes and the heavy changes, so consider those a supplement to this and vice versa.

Part 2.

Part 3.

Part 4.

(Other) GTF Favorites.

I'd like to preface this by mentioning the chief director and producer of the game itself has also spoken about localization inaccuracy issues, so that's something to keep in mind (it's in Japanese, but you should be able to use the offered post translator).

I'd also like to preface this by mentioning that in the original, Yuri is more playful and relaxed/casual (generally but including with Flynn, which the dub pretty much entirely changed until arc 3), but also gentler and softer. He has a very large variety of tonal behaviors/tonal "moods" that were pretty much nuked from the dub.

Basically, to get the full experience for Yuri, I can only really recommend playing the game in JP audio. Obviously you won't get the actual context because all you'll have is the dub context, but that's also partly why I'm making these posts - to cover the contextual changes while the video clips cover some of the tonal changes (because lbh I don't expect anyone to actually go watch the entire game in JP with subtitles unless you're as insanely dedicated as I am, and I'm largely doing it out of my love for the original Yuri and Flynn and my disdain for how the localization treated them).

As a heads up, there won't be many skits in here because I'm going through a specific YT playthrough for these screenshots. Specific skits won't always come up in the playthrough in question, and I can't find a whole list of skits in JP anywhere online. I don't have all skits unlocked in my own save either yet (you can unlock all skits with Grade which I have yet to do in the DE), so I can't use that to compare all skits right now.

There are plenty of small changes here and there that I won't be including in these posts because there are some sentence changes that aren't impactful but do exist. I just don't want to be here for a year covering the random changes that don't matter much. I'm also not going to include details of a lot of honorifics because I'd be here all day, but there is one one major instance that I mention later on.

For reference if anything wants to actually watch the game in JP with the subs (it goes until just after Hypionia), most of the references come from here. Since in some cases the subber just reused localized text even when the context wasn't the same, I did bring some of those up in these posts too. These were subbed before the DE version came out. I used screenshots with subs where possible to make it easier to follow along.

I have a lot of passion for JP Yuri and I hope I can pass on some of that passion to others. 🙏

Apologies in advance if some of these sound cranky. If I sound cranky about some specific changes, it's probably because I am.

---

Since I talked about the whole, Raven being shady and Yuri therefore not being grateful to him incident that the localization for some reason butchered and made Yuri sound like a generally ungrateful or just outright dumb person who doesn't understand gratitude, I'll summarize that one again here:

Yuri has a skit with Estelle originally talking about how he can't find himself being grateful to someone like Raven for showing him how to sneak out of the castle. Basically, Raven is shady and he's not sure he should be grateful to someone like that, and is confused as to why Estelle would be so grateful when she doesn't even know him (because in his mind, he isn't sure he wants to trust a guy with those vibes). The dub just kinda... makes him sound like an ungrateful jerk and not so much because he's not sure he wants to trust Raven. It doesn't really sound like it's an issue of his with Raven specifically but more that he just generally doesn't feel grateful for the aid (and that in general one shouldn't feel grateful for aid like this), which gives off a really wrong impression of him that doesn't hold up throughout the game. Yuri wasn't wholly ungrateful for the gesture itself, but because of who it came from (and I imagine a weird peppy guy in jail is good cause to be skeptical).

We start off we a classic "Yuri, you idiot!" that was changed to "come on already!".

Yuri's response to Estelle mentioning he'd been in the knights doesn't actually give a time frame for how long he'd been there (the dub made up three months, but there was never originally even a time frame given).

Here when Yuri asks Estelle why she can't just leave, her response indicates she actually does know why. The dub made it more ambiguous, which could be easily misinterpreted as she really doesn't know, so I'm dropping this one here.

For some reason the localization seemed to have Estelle responding to Karol directly about the ace always performing their attack last ("I don't think so"). What she was referring to was the tiny monster that walked by, asking for confirmation that that monster was not the eggbear they were looking for (I wasn't gonna fight with the video to get a better screenshot without the annoying YT red bar in the way so the monster is in the corner mid-movement lol). Not sure if that was a genuine mistake, but it was an odd one.

(Also, side note and not putting an image here because it's more general, but Yuri refers to Karol as "Karol-sensei" which was translated in the localization to "Captain Karol". Basically, Yuri calls him "sensei" because that's a teacher/professor, and he's making a play on Karol's knowledge and being their "teacher" about monsters/maps/etc.)

I'd say this is more along the lines of overexaggerating and not overreacting, but this line was literally changed to "haha" in the dub. The whole point wasn't that Yuri just brushed her comment off or found it funny. At this point he still literally thinks she's exaggerating about her lack of knowledge out in the world, her excitement, etc.

Not the only instance you'll find of the dub just changing entire sentences to something meaningless as if they ??? didn't know what it meant (they actually changed Patty saying an entire sentence to "aye"). In some cases they added entire sentences that weren't even there...

Even though I can kind of see where they went with the dub here, the point was supposed to be that Flynn actively thought he would be happy for Yuri to go outside the barrier and see the world.

The dub changed this to Flynn saying that he, in the now, is happy that Yuri is outside the barrier, but then says he got a little less happy when he saw the wanted poster, indicating he was previously happy but got less happy, yet says in that moment that he is happy.

It's a weird case of (past/present) tense usage for the most part, but they also removed the fact that Flynn is literally saying "I thought I would be happy" (thus expressing he'd been wanting Yuri to see the world outside the barrier and would've been happy to find out he did). The reason he's not finding himself happy is because of the wanted poster and the crimes listed on it, following up that his honest happiness for Yuri (ultimately because of the poster) was a lie.

This also means they removed Flynn expressing the honesty of his happiness for a positive concept for Yuri, which, given all the changes toward Flynn in the dub, already now takes away from the fact that he'd been actively hoping for good things for someone and we're left with this more sarcastic take on him being "happy".

Obviously his happiness wasn't really a lie because most of the crimes were falsified (primarily the ones that would make him actually mad, because Flynn has had to have been aware this whole time that Yuri has committed small time crimes for the past few years now), but at the time, the focus on this conversation is that Flynn thought he'd be happy at a time that Yuri left the barrier; meaning he'd been hoping for it prior to it happening.

I'm also mentioning it because it's the very first in a whole line of changes the dub made to their relationship (and it's their first in game interaction ffs) and to Flynn himself as he's perceived as a character. The original is much more expressive of how important they are to each other in a lot of various ways.

Inserting the JP audio version of the following scene with Flynn here.

And... the following one from there.

This was changed to "damn, we if lose our balance...". I know they did it because Yuri had just fallen over, but I'm including this one because the context isn't... really the same thing?

This dub change is a bit odd to me. They had him saying something along the lines of "she is a princess after all" in the dub, regarding the council backing her.

The original context is more like, the council is backing her and he's hearing it directly from Ioder and he probably doubts Ioder would lie like that or about that, cementing that yes, she truly is, like he suspected, a princess, but it's almost still a bit odd to know. It's sort of like, he knew/had suspicions but hearing it directly from Ioder just confirms it for certain.

The dub just made it sound like well yeah, it's obvious they'd want to back her, she's a princess... but Ioder is a prince, so that doesn't explain why they're not backing him. She is a princess after all, so of course they'd back her... but what's stopping them from backing the prince?

Another weird one for me. In the dub Yuri says that "even the Commandant was a little in over his head", when he actually... really wasn't? All he did was step in. Things got bad enough that he had to, but he wasn't in over his head. Not sure how or why the dub ended up with that.

An example of the dub having a habit of just adding in random lines that didn't actually exist (and in this case the one added didn't even contextually make sense. This was no thank you from him, this was literally him making Yuri do something for him because he was going to ask Flynn for a favor and ended up with Yuri in the cell instead).

Another super weird one in the dub. They had Yuri saying Flynn was "too" late, implying he hadn't made it in time, but he did. He made it just before the battle started, but the original context only says he's late, not too late (which makes sense given that they were ready to fight but hadn't started yet).

This was changed to Yuri just mentioning there was one way they could get out of there without actually saying what it was, and Judith saying if he thinks it might work what's the harm in trying it out. Not sure why they changed Yuri literally telling her his plan, so... again, a super weird change that I don't get why they didn't just keep the context the way it was.

Third image was changed to "someone get me away from this psycho", which... I also don't get why they put that there unless they just wanted so much flavor text that they wanted to change the whole "they're in a fight and he's telling her not to come over here because he's pissed at her because they're fighting" part of the fake fight they had going on.

Not one I have a huge problem with, but definitely good examples of them going out of their way to change just... perfectly normal stuff that literally has no reason to be changed? Some of it is flavor text and some of it feels over the top for me. Stuff that makes me like... why would you change that when there was no reason to? Could be more of a personal pet peeve of mine, but I just don't like unnecessary changes when there was nothing wrong or odd about the original text and doesn't at all come off odd in English. Unfortunately Vesperia got littered with those.

I didn't feel like getting a whole video for this, but basically Judith gives a little laugh instead of just the more upset/distressed(?) sound she made in the dub. Feels more fitting imo to keep up the "lie" Yuri started for her. The dub makes it seem more like she feels guilty, versus here she's giving a little forced giggle to go along with it. Again, a change I'm not sure why they put in.

Ngl I get completely different vibes from these. The JP comes across more as concern, rather than... treating them like they're some mob on the loose...?

Once again, this gives off negative vibes toward Flynn as a character imo.

Here Judith gives more of a reason for coming with them, which they changed in the dub to "with the circumstances being what they are, this is just how things turned out". Reasonably, she didn't have to stick around after they ran from Dahngrest, but here she gives a quick "reason".

The dub changed this to "I'll bet he is". They were just told he's the current magistrate in Heliord, and all Yuri says here expresses he's letting it sink in and realizing exactly why all this is happening here. It's not a huge story beat or anything that gets changed, but it's an example of changing things that don't need to be changed as if trying to play things up in a way that... doesn't feel necessary to me? In this case the situation is kind of dawning on Yuri as he realizes how bad this situation could be/why it's like it is, but in the dub it comes across as more just unimpressed and "of course he'd do that".

An unfortunate, classic moment of them changing how much Yuri believes in and trusts Flynn. They changed this to "gotta run, Flynn!" and he just... leaves. I'm sorry but in what universe does "leave the rest to you" equal "gotta run"???

This one is one of those cases where the localization text was super awkward and wonky, and worse, they actually voiced it that way (like "we have guild's job to deal with". Yes, they actually voiced it that way too on top of everything else grammatically wonky with the entire conversation that they didn't bother fixing when the DE came out).

Also here, they changed what Yuri says about Cumore and Flynn. "I don't know how I could explain this to Flynn" doesn't, at least to me, carry the same weight as Yuri actually feeling ashamed (in the dub he says "what a shame", but does not express shame, versus him saying "how pathetic" and expressing shame in feeling pathetic) and saying he can't even face Flynn because Cumore got away. The thing is, Yuri does tend to posture, so when he fails at something, it hits him pretty hard.

And let's be honest, this just hits way harder than "he will get what he deserves".

Interestingly, Yuri could also fall into the category of viewing himself as sinful later on, which I talk about in my favorites post and the usage of "crime" and "sin" within the JP context.

Not particularly important, but just another (more mild) case and example of how the dub just randomly changed tone/mood/wording for no reason.

Another case of Yuri being more aggressive in the dub than he actually was. Here, all he says is just a plain statement. In the dub, he has an attitude about it and says it in a tone that's more insulting that Ioder didn't know about Heracles.

This isn't the only case of dub Yuri acting aggressively toward Ioder when he wasn't supposed to be and we'll get to that, but Ioder is another similar case of the dub making Yuri unnecessarily vocally rude (despite that Ioder is very polite toward Yuri).

(I left out the subtitles because all they did was copy the dub's localization, which kinda defeats the point of this post LOL. This will be the case going forward for any same circumstances.)

This one's a more interesting tidbit to me and less of a harmful change (i.e. I find that a lot of if not most changes relative to Flynn do more harm than good when compared with the original context). Basically it's saying "sweet mask and sharp eyes", implying Flynn's sweet face is a mask and saying it contrasts with his sharp eyes. I could get into a whole rant about why I love that in relation to some side material, but even in the game itself, there's the knight Flynn with his sweet, polite side and his real side that only shows when he's around Yuri (basically, who Flynn has to be for his job and who he actually is as a person, which he only gets to be around someone who knows the real him).

I'd guess this got changed in the dub because they weren't sure how to word it, though there's no mention of "heartthrob" here at all and instead actually says "sweet mask" as if, again, to say his sweetness is just a mask. It's actually a very interestingly accurate representation of his character - how he tends to not be himself when he's being "knight Flynn", and how that sweet face is contrasted by the look in his eyes (which they say, you know, eyes are the windows to the soul, so this would imply the sweet face is the mask and the eyes are the real Flynn. And of course, this Flynn is implied to show himself in his sparring with Yuri in Aurnion, where sword fighting is the best way to express himself. This isn't to say Flynn being a nice person in and of itself is a lie, but that his overly polite, respectful, kind knight side is a sweet mask contrasted to the man who loves to fight and has a sharp look in his eyes)

For now, we'll be back at Mantaic in the next post (due to image per post limit).

[the-busy-ghost]

There are many reasons my interests are more geared towards mediaeval Scotland than mediaeval England, but at least one of them has to be the fact that I am completely incapable of Being Normal about the Lion in Winter and Shakespeare's second tetralogy.

[maddy-ferguson]

talking to new people again is making me realize that (this is gonna sound dramatic) i haven't lived in five years but what i have done is watch a lot of movies and read a bunch of books and believe it or not that actually makes me an interesting conversationalist in some ways (?)

[torgawl]

when will genshin give us any sort of information on the underground intelligence network? we don't even have a name for it... GIVE US A CRUMB. A SINGLE ONE, I BEG.

[whiskeyswifty]

.

[kulemii]

yall can call it a bad take all you want but my own personal belief is this: the sooner you take these celebrities and demote them from the pedestals you place them on then look at them as no more than people who are providing you with a service, you will stop being so distraught when it comes out that they're not as good of a person as you thought they were. when i go to starbucks, you think i give a flying fuck what susie sara tweets about during her breaks? no, as long as my white mocha comes with almond milk, extra whip, we all g and i'll see her tomorrow.

that's the same way i look at these celebrities. they're an actor? cool, can't wait to see their next project but when it comes out that they've tweeted something unsavory, guess what? i couldn't give a flying fuck if i tried but im just there for the movies. what they do in their free time does not affect me. and yeah, many of you might are you "well they have a platform! they're harmful to blah blah blah blah" you know why that is? because yall care too goddamn much! yall give too much of a FUCK what these bitches gotta say and that's yall's problem.

so when it comes out and you're sitting there gagging and crying and throwing up over something that some person that doesn't know you even exist has said, remember how much power YOU are giving them over your life. sit with that. then decide if it's worth continuing or not because i can tell you right now? for me? as a grown adult woman with bills to pay? it's not- their stupid statements aren't going to affect my credit score so why should i let it affect my emotional state?