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the-oblivious-writer · 2 days ago

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Let the Light In |9|

Tara Carpenter x Fem!Reader

Chapter Nine: Struck by Cupid's Knife

Summary: After working up the courage, Tara asks you to spend Cupid’s birthday with her, but neither of you could have predicted the results.

Warning(s): Swearing (I think), arguing, Tara wearing The Skirt™️, innuendos, miscommunication/shit communication and mentions of masochism.

Notes: Reader’s a thirsty son of a bitch.

Masterlist|Previous Part|Next Part

You're sprawled on Tara's couch, one hand absently scratching behind Dookie's ears while the other reaches for your water. The cat purrs contentedly in your lap, a rare sight according to literally everyone who's ever met the notoriously selective feline. On screen, Leatherface is doing what Leatherface does best – terrorizing unsuspecting teenagers with questionable decision-making skills.

"You know," you muse, "for someone who claims to hate slashers, you sure own a lot of them."

Tara throws chips at your head. It misses spectacularly and lands on Dookie, who gives her the most withering look a cat can muster. "I never said I hate slashers. I said modern slashers lack the psychological complexity of—"

"—of 'Prom Night,' yes, we've all heard the dissertation," you interrupt, earning yourself another chip projectile. This one actually hits its mark. "Which, by the way, is absolutely not better than 'Sleepaway Camp.'"

"Oh my god, are you seriously starting this again?" Tara pauses the movie, turning to face you fully. "Angela Baker is iconic, sure, but—"

"But nothing! The psychological implications alone—"

"The psychological implications of a movie that ends with—"

You both start talking over each other, your voices rising with practiced familiarity of an argument you've had dozens of times before. Dookie lifts his head to watch the verbal tennis match, tail twitching with mild interest.

"Okay, okay," Tara finally concedes, though her tone suggests this is far from over. "We can agree to disagree. For now. But only because I'm starving and we still haven't decided on dinner."

"Indian?" you suggest innocently, already knowing the response you'll get.

Her eyes narrow. "You know damn well what happened last time."

"You mean when you insisted you could handle the spice level and then spent three hours complaining about heartburn?"

"I did not complain for three hours."

"You literally texted me at 3 AM to tell me your esophagus was staging a coup."

She throws her hands up in exasperation. "Fine! What's your brilliant suggestion then?"

You pretend to think about it, even though you both know exactly where this is heading. "Well, there's this place I know. Makes great burgers, killer onion rings, milkshakes that'll change your life…"

"You mean the same place we always go?"

"If it ain't broke, princess."

The nickname slips out before you can catch it, an old habit you can't seem to shake. Tara's expression does something complicated – a mix of annoyance, fondness, and something else you're not quite ready to analyze.

"Speaking of things that aren't broken," she starts, then stops, fidgeting with the hem of her sweater. "There's this Valentine's party next week…"

You focus very intently on Dookie's fur, suddenly finding the pattern fascinating. "Oh yeah? Sounds fun."

"Yeah, it's at Chad's place. You could… I mean, if you wanted…" She trails off, then quickly adds, "But you probably have plans."

"Actually," you say, still not looking up, "I was just gonna stay in. The new season of 'Yellowjackets' dropped and—"

"Oh." There's something in her voice that makes you finally look up. "That… that sounds good too."

A moment passes, filled only by the sound of Dookie's purring and the paused image of Leatherface on the TV.

"You could join," you offer, the words tumbling out before you can overthink them. "If you wanted. Instead of the party."

Tara's face brightens for a split second before she schools it into careful neutrality. "What happened to your sacred solo binge-watching ritual?"

"Well, Dookie's already broken that rule," you gesture to the cat who's now fully asleep in your lap. "Besides, someone needs to be there to judge my commentary."

"Your commentary definitely needs supervision," she agrees, a small smile playing at the corners of her mouth. "But what about Chad's party? You sure you don't want to…" she waves her hand vaguely.

You raise an eyebrow. "Want to what?"

"Nothing," she says quickly. "Just… you know. Meet people. Or whatever."

"Careful, Carpenter. That almost sounded like jealousy."

"You wish," she scoffs, but there's a faint blush creeping up her neck. "I just don't want you blaming me when you miss out on finding your soulmate at a frat party."

"Right, because nothing says true love like keg stands and questionable punch."

She throws more chips at you, but she's smiling now. "Shut up and watch the movie, dork."

You press play, and Leatherface resumes his rampage. But you can't help noticing how Tara seems more relaxed now, how she's shifted slightly closer on the couch. Dookie stretches in your lap, completely unbothered by the chainsaw sounds from the TV, and you think maybe this is exactly where you're supposed to be.

Even if Tara is completely wrong about "Prom Night.

—

Valentine's Day arrives with all the subtlety of a horror movie jump scare. You're pacing your apartment, pretending you haven't spent the last hour deciding what to wear for what's supposedly just another movie night. Dookie, who somehow managed to sneak into your place during Tara's last visit and never left, watches you with judgmental eyes from his perch on your bookshelf.

"Don't give me that look," you mutter, adjusting your shirt for the hundredth time. "This is completely normal behavior."

Dookie blinks slowly, unconvinced.

Your phone buzzes with a text, and you definitely don't lunge for it like a teenager waiting for their crush to call.

Tara (6:45 PM): omw Tara (6:45 PM): with snacks Tara (6:46 PM): and NO you cannot veto my candy choices this time

You smile despite yourself, typing back a quick response.

Dork (6:46 PM): If you brought those weird swedish fish again, we're going to have words

When the knock finally comes, you open the door to find Tara wearing a skirt that makes your brain short-circuit. It's not even particularly revealing – just a simple black pleated number that hits just above her knees – but something about the way it moves when she walks past you makes your mouth go dry.

"Earth to Y/N," Tara waves a hand in front of your face. "You gonna let me in or just stand there having a stroke?"

You snap out of it, closing the door perhaps a bit too quickly. "Sorry, just… wondering if I should be concerned about what's in that suspiciously large grocery bag."

"Liar," she smirks, dropping said bag on your coffee table. "But I'll let it slide because I'm feeling generous."

Meanwhile, in a group chat you're blissfully unaware of:

CORE 4 & CO.

Mindy: TARA CARPENTER Mindy: YOU DID NOT JUST LEAVE THE HOUSE IN THAT SKIRT Mindy: TO GO WATCH TV Mindy: WITH YOUR “NEMESIS”

Sammy: Let her live, Mindy

Chad: anyone else find it sus that they're both skipping the party? 👀

Mindy: "skipping the party to watch yellowjackets" sure jan

Tara: i can see these messages you know

Mindy: EXACTLY Mindy: WE KNOW WHAT YOU'RE DOING

Chad: yeah wearing The Skirt™️

Tara: it's just a skirt omg Tara: and don't you all have better things to do??

Mindy: than watch you attempt to seduce your nemesis? Mindy: absolutely not

Sammy: I'm turning off notifications Sammy: have fun sis Sammy: and remember to text me if you end up staying the night

Tara: SAM

Back in your apartment, you're trying very hard to focus on setting up the TV and not on how Tara's legs look when she's curled up on your couch. It's just a skirt. You've seen skirts before. This should not be affecting you like this.

"You know," Tara's voice breaks through your internal crisis, "for someone who was so excited about this show, you're spending a lot of time staring at everything but the screen."

"I'm not—" you start to protest, but she cuts you off with a knowing look.

"The remote's upside down."

You look down. The remote is, indeed, upside down in your hands. "I'm trying a new technique," you deadpan, refusing to acknowledge the heat creeping up your neck.

"Uh-huh." She shifts on the couch, the movement causing her skirt to—nope, you're not looking. You're absolutely not looking. "You know, we could still go to Chad's party if you're having second thoughts."

There's something in her tone – a careful casualness that doesn't quite mask the uncertainty underneath. You finally look at her properly, taking in the way she's trying to appear nonchalant while picking at a loose thread on your couch cushion.

"And miss the chance to prove how superior 'Sleepaway Camp' is to your precious 'Prom Night'? Not a chance, Carpenter."

The relief that flashes across her face is brief but unmistakable. "Oh my god, you're still on that? You know what, just for that, I'm eating all the good candy."

"Bold of you to assume any of your candy choices qualify as 'good.'"

She throws a Swedish Fish at your head. You catch it with your mouth, surprising both of you.

"…Okay, that was actually impressive," she admits.

"I have hidden depths," you say solemnly, finally settling onto the couch beside her. "Now shut up and watch the show. I have theories about Lottie that will blow your mind."

As the opening credits roll, you're hyper-aware of every inch of space between you, of how her skirt brushes against your leg when she reaches for the snacks, of how this feels simultaneously like nothing and everything has changed.

Your phone buzzes in your pocket – probably Henry asking how your "not-date" is going – but you ignore it. Right now, all that matters is this moment: Tara's commentary about the show's color grading, the way she unconsciously leans into you during the tenser scenes, and how maybe, just maybe, this is exactly where you both want to be.

The thing about watching TV with Tara Carpenter is that she can't sit still to save her life. She's constantly shifting, readjusting, finding new ways to accidentally-but-maybe-not-accidentally end up closer to you. It's maddening in the best possible way.

"That's not how decomposition works," she critiques, reaching across you for the popcorn. Her skirt rides up slightly with the movement, and you suddenly find the ceiling fascinating. "The timeline is completely unrealistic."

"Sorry, I didn't realize I was sitting next to a forensics expert," you quip, trying to ignore how she hasn't fully moved back to her original position. "Please, enlighten us with your extensive knowledge of body disposal."

She turns to face you, and you immediately regret your life choices because now she's even closer, her eyes sparkling with that dangerous mix of challenge and amusement that always spells trouble.

"Well, considering the ambient temperature and soil composition—"

"Is this the part where I should be concerned about your search history?"

"Please," she scoffs, but there's a smile playing at the corners of her mouth. "Like yours is any better, Miss 'I-need-to-research-medieval-torture-devices-for-academic-purposes.'"

"That was one time!"

"The FBI agent watching your browser history probably needs therapy."

You're about to retort when she shifts again, and suddenly her leg is pressed against yours. All coherent thoughts evacuate your brain without so much as a goodbye note.

"You okay there?" she asks, and there's something in her tone that suggests she knows exactly what she's doing. "You seem a little… distracted."

Two can play at this game.

"Just thinking about proper body disposal techniques," you say innocently, stretching your arm across the back of the couch. Not quite around her shoulders, but the implication is there. "You know, for academic purposes."

She raises an eyebrow. "Is that your way of threatening to murder me? Because I've got to say, your technique needs work."

"If I was going to murder you, Carpenter, you'd never see it coming."

"Promises, promises."

The air between you crackles with something that definitely isn't just friendly banter anymore. On screen, someone is probably being dramatically eviscerated, but you couldn't care less because Tara is looking at you with that half-smile that makes your stomach do Olympic-level gymnastics.

Your phone buzzes again, breaking the moment. This time, it's a series of texts from Henry:

Henry (8:15 PM): so how's the not-date going?? Henry (8:15 PM): has anyone been murdered yet Henry (8:16 PM): either literally or metaphorically Henry (8:16 PM): also tony says hi and wants to know if you've kissed her yet

"Something important?" Tara asks, and you quickly lock your phone before she can see the messages.

"Just Henry being Henry," you say, silently plotting your best friend's demise. "Probably asking if we've murdered each other yet."

"Night's still young," she shrugs, but she's still got that look in her eyes that makes you want to either kiss her or start an argument about horror movie tropes. Possibly both.

"Speaking of murder," you say instead, because you're a master of deflection, "want to hear my theory about why 'Sleepaway Camp' is actually a groundbreaking commentary on—"

She groans, throwing her head back dramatically. "Oh my god, you're actually the worst."

"That's not what you said when I brought you soup when you caught the flu."

"That was before I knew you'd use it as ammunition in your endless crusade against good taste in movies."

"Bold words from someone wearing a skirt that's clearly meant to be a distraction from your terrible opinions."

The words are out before your brain can stop them. Tara goes very still, and for a moment you think you've miscalculated spectacularly. But then she looks at you with an expression that's somewhere between amusement and challenge.

"Is it working?"

Your mouth goes dry. "What?"

"The distraction," she says, and you swear she moves even closer. "Is it working?"

You're saved from having to answer by Dookie, who chooses this exact moment to jump between you, apparently deciding he's been ignored for far too long. The cat gives you both a look that clearly says "I've had enough of your nonsense."

"Traitor," you mutter to the cat, who responds by making himself comfortable across both your laps, effectively creating a furry barrier between you and Tara.

Tara laughs, scratching behind Dookie's ears. "My hero," she coos to the cat. "Saving me from another lecture about Angela Baker's psychological complexity."

"You're both against me," you declare dramatically. "I'm being ganged up on in my own home."

"Cry about it," she suggests sweetly, but she's leaning against your shoulder now, and Dookie is purring, and maybe being ganged up on isn't the worst thing in the world.

—

"I cannot believe you're still defending this," you say, watching in horror as Tara drowns her mac and cheese in a truly concerning amount of hot sauce. "This is actually painful to witness."

"You're being dramatic," she retorts, adding what appears to be her entire body weight in ketchup to the already crime-scene-worthy pasta. "Some of us actually like flavor."

"Flavor? That's—" you're interrupted by the doorbell, which is probably for the best because you were about to launch into a dissertation about the difference between flavor and masochism.

"I'll get it," Tara says, but you're already standing up.

"Absolutely not. I've seen enough horror movies to know the cute girl who answers the door always dies first."

The word 'cute' slips out before you can catch it, and you practically sprint to the door to avoid seeing her reaction. This proves to be a tactical error when you open it to find possibly the most conventionally attractive pizza delivery guy you've ever seen, complete with the kind of jawline that belongs on a CW show.

"Hey," he says, then looks past you to where Tara has appeared behind your shoulder. His entire demeanor shifts, voice dropping an octave. "Hey."

You resist the urge to close the door in his face.

"That'll be twenty-four fifty," he says to Tara, completely ignoring your existence. "Though I could make it free if you'd let me take you out sometime."

Something hot and uncomfortable coils in your stomach. You reach for your wallet, but Tara beats you to it, pulling out cash from her pocket.

"Here's thirty," she says, a slight flush creeping up her neck. "Keep the change."

"You sure I can't convince you?" He flashes a smile that probably works wonders at frat parties. "I make a mean pasta. No ketchup required."

Your head snaps up at that. He must have overheard your earlier conversation, which means he's been standing here long enough to eavesdrop, which means—

"She likes her pasta exactly how she likes it," you say, perhaps a bit sharper than necessary, taking the pizza from his hands. "Thanks for the delivery."

You close the door before he can respond, turning to find Tara looking at you with an expression that makes your heart do something complicated in your chest. The flush on her neck has spread to her cheeks.

"So," she says, voice carefully neutral but eyes dancing with something that looks suspiciously like amusement. "No ketchup required, huh?"

"Don't start," you mutter, carrying the pizza to the kitchen. "And don't even think about putting hot sauce on this. I saw you wincing earlier from your mac and cheese."

"My tongue is fine," she protests, following you. "Besides, maybe I like the burn."

"Your masochistic tendencies are concerning, Carpenter."

She hops up onto your counter, legs swinging slightly in that stupid perfect skirt. "Says the person who just went full guard dog on the pizza guy."

"I did not—" you start, then catch the look on her face. "I was just… concerned about food temperature maintenance."

"Uh-huh." She's full-on grinning now, cheeks still tinged pink. "And I suppose the death glare was just about proper pizza handling protocols?"

"You know what?" You grab a slice, pointedly avoiding her gaze. "I preferred it when you were defending your crimes against pasta."

"Speaking of which…" She reaches for the bottle of hot sauce she apparently manifested from thin air.

"Absolutely not." You snatch it away, holding it above your head. "I'm not listening to you complain about tongue burn all night again."

"Bold of you to assume I need your permission," she says, sliding off the counter and stepping closer. Much closer. Close enough that you can see the flecks of gold in her eyes, can feel the warmth radiating from her skin.

Your breath catches. She reaches up, ostensibly for the hot sauce, but her hand lands on your wrist instead. Neither of you moves.

"Tara," you say, voice barely above a whisper.

"Yeah?"

"Your mac and cheese is getting cold."

She laughs, the sound soft and close, and you think maybe this is better than any Valentine's party could ever be. Even if she is completely wrong about pasta condiments.

"You're impossible," she says, but she's smiling, and she hasn't moved away, and maybe—

Dookie chooses this exact moment to knock over the entire box of pizza.

"Traitor," you both say in unison, then look at each other and burst out laughing.

The moment breaks, but something else settles in its place – something warm and comfortable and maybe a little bit inevitable. Like the way Tara's hand is still on your wrist, or how she's looking at you with that half-smile that makes your heart skip beats.

Your phone buzzes on the counter, screen lighting up with a notification. Tara glances at it reflexively, and something in her expression shifts – subtle enough that someone who doesn't know her as well as you do might miss it, but you've spent months cataloging her micro-expressions during horror movie marathons.

"Charlotte?" she says, and there's something in her voice that makes your stomach drop. "Didn't realize you two were still talking."

You reach for your phone, but Tara's already turning away, suddenly very interested in reorganizing the scattered pizza toppings on her plate. "It's not—"

"No, it's fine," she cuts you off, but her shoulders are tense in that way they get when she's trying too hard to seem casual. "I mean, obviously you can talk to whoever you want."

"Tara."

"I just thought after what happened at New Year's—"

"Nothing happened at New Year's," you say, perhaps a bit too quickly. "We just talked."

She lets out a laugh that doesn't sound like a laugh at all. "Right. Because that's totally why you disappeared for an hour and came back looking like—"

"Like what?" There's an edge to your voice now, the playful atmosphere from earlier evaporating like morning dew. "Come on, Carpenter. Say what you really mean."

She finally looks at you, and there's something raw in her expression that makes your chest ache. "Like you'd rather be anywhere else. With anyone else."

"That's not—" you start, but she's on a roll now.

"You know what? It doesn't matter. I shouldn't have…" she trails off, pushing her plate away. "This was stupid. I should go."

"Are you seriously doing this right now?" You follow her as she starts gathering her things. "Over a text message you didn't even read?"

"This isn't about the text," she says, but she won't meet your eyes. "This is about you always having one foot out the door."

"Me?" You can't help the incredulous laugh that escapes. "That's rich coming from someone who can't even admit why she really skipped Chad's party tonight."

She freezes, one hand on her bag. "What's that supposed to mean?"

"You know exactly what it means." Your heart is pounding, words spilling out before you can stop them. "You're not the only one who's allowed to be scared, Tara."

The silence that follows is deafening. Even Dookie seems to be holding his breath, watching from his perch on the bookshelf with unblinking eyes.

"I'm not scared," she says finally, but her voice wavers slightly.

"No?" You step closer, close enough to see the pulse jumping in her throat. "Then why are you running?"

She looks up at you then, and there's something in her eyes that makes your breath catch – a mix of vulnerability and defiance that's so uniquely Tara it makes your heart hurt.

"Because you let her kiss you," she whispers, and the words hang in the air between you like smoke. "At New Year's. You let her kiss you, and then you came back and acted like nothing happened, and I—"

"She didn't kiss me," you interrupt softly. "I stopped her."

Tara blinks. "What?"

"She tried, yeah. But I stopped her." You run a hand through your hair, frustrated. "Because apparently I'm pathetically gone for someone who puts ketchup in her mac and cheese and thinks 'Prom Night' is better than 'Sleepaway Camp.'"

A beat passes. Then another. Tara's still holding her bag, but her grip has loosened.

"Pathetically?" she repeats, and there's a hint of something in her voice that might be hope.

"Absolutely tragic levels," you confirm, taking another step closer. "It's embarrassing, really. I can't even enjoy pizza delivery without getting jealous."

A small smile tugs at the corner of her mouth. "That was pretty embarrassing."

"Says the person who wore The Skirt™️ to watch Yellowjackets."

She flushes, but she's not running anymore. "You noticed that, huh?"

"Tara," you say softly, "I notice everything about you. It's kind of the problem."

She looks at you for a long moment, then slowly sets her bag down. "You really stopped her?"

"Of course I did." You reach out, tentatively tucking a strand of hair behind her ear. "Some of us don't have terrible taste in everything."

She laughs, the sound watery but real. "Just in movies, right?"

"And pasta condiments," you agree, and when she smiles, it feels like coming home.

The moment stretches between you like taffy, sweet and fragile. Tara's looking at you with those eyes that always make you forget how to breathe properly, and you're close enough to count her freckles, to see the way her pulse flutters in her throat. Her hand finds yours, fingers intertwining with a certainty that makes your heart stutter.

You could kiss her. You should kiss her. Everything in you is screaming to close that final distance.

Instead, you step back.

The hurt that flashes across her face is gone so quickly you almost convince yourself you imagined it. Almost.

"I can't," you whisper, and the words taste like ash in your mouth. "Not like this."

"Like what?" Her voice is carefully neutral, but you can see her walls going up, brick by careful brick. "With me?"

"That's not—" You run a hand through your hair, frustrated. "You're upset about Charlotte, and the pizza guy, and—"

"Don't." She pulls her hand away, and the loss of contact feels like a physical ache. "Don't you dare try to explain away what just happened."

"I'm trying to protect—"

"Me?" She laughs, but it's a hollow sound that doesn't reach her eyes. "From what, exactly? From making my own decisions? From wanting something that apparently terrifies you?"

"That's not fair."

"No?" She takes a step back, and somehow that small distance feels like miles. "Then what is this, really? Because from where I'm standing, it looks a lot like you're the one with one foot out the door."

The words hit like a slap, echoing your earlier accusation back at you. "Tara—"

"You know what the worst part is?" She's gathering her things again, movements sharp and jerky. "For a second there, I actually thought… God, I'm such an idiot."

"You're not—"

"Save it." She's not looking at you anymore, focused intently on collecting her scattered belongings. "I get it, okay? You're not ready, or you're scared, or whatever excuse you want to use. But don't pretend this is about protecting me."

You want to stop her. Want to explain that you're terrified of ruining this, of losing her, of what happens when the Valentine's Day magic wears off and she realizes you're not worth all this trouble. Want to tell her that you've never been good at keeping the things you love.

Instead, you watch her shrug on her jacket, that stupid perfect skirt swishing with the movement.

"Tara, please—"

"I should go," she says, and her voice is steady even though her hands are shaking slightly. "Before I say something we'll both regret."

Dookie watches from his perch as she heads for the door, tail twitching like he's judging your life choices. You don't blame him.

She pauses at the threshold, one hand on the doorknob. For a moment, you think she might turn around, might give you another chance to fix this. But then her shoulders straighten, and you know what's coming before she says it.

"For the record?" Her voice is quiet but clear. "You're wrong. About everything"

The door closes behind her with a soft click that somehow sounds louder than a slam would have. You stand there in the silence, surrounded by half-eaten pizza and the lingering scent of her perfume, thinking about all the ways hearts break in horror movies versus real life.

-------

A/N: I feel like a cartoon villain. It's nice.

#tara carpenter x reader #tara carpenter x y/n #tara carpenter x female reader #tara carpenter x you #tara carpenter #jenna ortega x reader #jenna ortega #let the light in au

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rotworld · 2 days ago

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Blue Moon

the treaty of aneptyra states that every witch must be partnered with a nightbound, but the system is far from perfect. some people slip through the cracks. some, like you, make it all the way to adulthood without ever arousing suspicion. unfortunately, all it takes is a single stroke of bad luck to ruin everything.

->an introduction to the "meanvamps" universe. contains mild gore, power imbalance, mind control and mild feral behavior.

Your office is about to be haunted.

It’s fixable. The lights dim and flicker but they still turn on. The cold spots are confined to one corner of the breakroom and those whispers you hear echoing in the vents are soft and indistinct, no intelligible words just yet. But management would actually have to do something to keep it from getting worse, and they’d rather fire off condescending emails about the “charm and personality of historic buildings,” as though you and all of your coworkers are collectively hallucinating the tap water in the restroom turning to black sludge, or the humanoid silhouettes that settle in empty cubicles at night.

The printers have started spitting out eerie images so you’ve started collecting them on the office corkboard, partially as a joke and partially as a cry for help. When things get quiet during the late shift, everyone gathers around to gawk like it’s an art gallery or a collection of Rorschach inkblots, musing over possible meaning in the smudges.

“Looks like a human heart, I think,” Monroe says.

Cindy shakes her head. “Really? I think it’s a palm tree. With skulls for coconuts.”

“I kinda see a cat,” Devon says. He squints over his coffee mug. “A cat with a gun.”

“With a gun?”

You stare at the misshapen thing. You know exactly what it is but you pretend you don’t. “Praying mantis, maybe?” you say.

Monroe sighs and rubs his temples, trying to smother a budding headache. “We shouldn’t have said anything about the printer. They’re just going to say printers always act haunted. And they’re right.”

“Maybe we should send them some pictures next time,” Devon says. You all nod, and you all know it won’t make a difference. Inspection and cleansing services aren’t cheap. Nothing will change until absolutely damning evidence rears its head, probably when someone gets mauled by whatever coalesces from the unnaturally dark shadows growing like mold in the breakroom. If the company’s smart, they’ll sell the building just as things start to boil over and make it somebody else’s problem. If your coworkers are smart, they’ll take all their emails and creepy print-offs to a good lawyer and sue this place into oblivion for endangerment and concealment of a haunting.

It’s a mess, but it’s not your problem. You’ll be long gone by the time that happens, onto the next town.

“Hey, uh, guys?” Your boss, Bryant, rushes over and you expect a problem because you’ve suddenly become “guys” rather than “team” or “buddies” or “my favorite people,” whatever faux-friendly corporate bullshit he usually calls you. To your surprise, he’s not here to chew you out for chatting on the clock. In fact, he doesn’t say anything right away. He keeps glancing back over his shoulder, twice, three times, tugging at his company lanyard and ID nervously. “Hey, so. I know there’s been some, ah, stress in the office lately. And I just want you to know that I hear you, and I am absolutely willing to pass along any of your concerns—”

“Is this about the thing in the bathroom?” Cindy asks.

“The—I’m sorry?”

“The thing,” Monroe says, “in the bathroom. It moves when you’re not looking at it. We told you about it months ago, did you finally see it?”

Bryant looks back again and you follow his gaze this time, starting to worry. He leans in, lowering his voice. “Which one of you called him?” You share silent, searching glances with your coworkers. Nobody seems to know what he’s talking about. “There’s a fucking fed outside,” he hisses. “And he wants to interview everybody who’s here right now—”

“Excuse me.”

The fed is inside, as it turns out, strolling between the cubicles with his hands in his pockets. Bryant looks like he’s going into fight-or-flight and your coworkers aren’t sure what to make of him. You stay behind everybody else and hope that he can’t distinguish your racing pulse from Bryant’s. Hauntings, potential or otherwise, fall outside the jurisdiction of human authorities. This guy isn’t a normal fed. He’s wearing something that looks borderline military, a black tailcoat with a collection of small, shiny symbols emblazoned on one shoulder, a golden canary embroidered on the left side of his chest. His ID is in its own leather case, his name and face printed on a little white card.

Canary Task Force, it says above a headshot with the same sideswept black hair and olive eyes. Edmund. No last name listed, because he doesn’t have one. Most nightbound don’t. “My apologies for intruding,” he says, stiff and formal. “I’ve been dispatched as part of an active investigation. My name is Edmund. I’d like to speak with each of you privately before you leave this evening, if that’s no inconvenience.”

If that’s no inconvenience, he says, as if he can’t hold you here as long as he wants. He sets up in the conference room across the hall. You can see his silhouette moving on the other side of the frosted glass. Bryant gets called in first and the rest of you convene around the water cooler.

“You think he’s here about the haunting?” Cindy asks.

Devon shrugs. “He said ‘active investigation.’ Sounds like something else. Probably doesn’t hurt to mention it, though. The CTF loves stuff like this, especially if they get to punish somebody.”

“We should bring him some of our printouts. You want the gun-cat or the dead spider?” Monroe jokes, nudging you with his elbow. You don’t answer. You’re too busy staring at the carpet, trying to get your breathing under control. “Uh. You alright?”

“Yeah,” you say too quickly. “Just wasn’t expecting this.” You can’t fucking believe this! You’ve kept your head down, you’ve stayed busy, you’ve avoided attracting attention to yourself as much as possible, and yet here’s a CTF agent sniffing around your workplace, about to get you alone with him. He doesn’t know, does he? He can’t know. Nobody knows. You’ve been in town for three months at the very most, smoothly left the last one by accepting an office transfer. This can’t be happening.

“They kind of freak me out, too,” Cindy admits. “They’re so intense, right? Like the way they look at you…” Devon cuts her off by clearing his throat, glancing pointedly across the hall. You can’t hear what’s going on in there but nobody’s screaming for help yet. Bryant comes out looking a little bewildered but still in one piece.

“Excuse me, Miss?” Edmund leans out of the conference room doorway, nodding to Cindy. She stands up shakily whispering ohshitohmygod and tells you to water her daffodils if you never see her again. You consider slipping out while everyone’s distracted but that’d put you on the CTF’s radar if you’re not already. You’ll have to get through this interview. And you can—you will. You picked this city for a reason. If Edmund gets suspicious, he’ll have to investigate further, poke through your files and follow your paper trail to its eventual dead end. You’ll have skipped town by then, gotten a different name, changed your hair, whatever it takes to disappear again.

Cindy’s interview passes quickly, or maybe you’re just so panicked you’re losing track of time. She rejoins your group huddle with a small frown. “Huh,” she says, sounding dazed and a little hoarse like she just woke up. “It wasn’t that bad, I think?”

“Next, please.” Edmund is at the door again, looking right at you. Cindy gives you a pat on the shoulder in encouragement. You’d much rather take your chances jumping out the third floor office windows but you swallow hard, steel yourself, and head for the conference room.

Edmund smiles in what you imagine is supposed to be a friendly gesture as he shuts the door. He sits much closer than you’d like, taking the chair beside you rather than sitting across the large circular table. His posture is painfully formal like he’s posed for a professional photo, back straight, legs crossed to one side, hands joined in his lap.

“You’re nervous,” he says.

No shit. “Uh. Yeah,” you say. You don’t look at him. Should you? Is it more suspicious if you don’t? You glance up and then quickly back down again. His stare is unsettling. You’ve heard that the keen senses of the nightbound are a double-edged sword. They have to train themselves to filter extraneous stimuli, ignoring anything beyond their current focus so they don’t get overwhelmed. You have his undivided attention right now. He’s observing everything from the way you nervously squirm in your seat to the slightest twitch of muscle in your jaw. He can probably smell your sweat. He can definitely hear your heartbeat.

“Don’t worry. This is going to be a fairly routine interview. You’re not in any trouble.”

“Oh,” you say, feigning relief. Does it work? Are you convincing enough? You wish he showed any emotion beyond cold scrutiny or exaggerated concern. “Great. Okay. What do you wanna know?”

Edmund slips back into his affable mask, that same too enthusiastic if that’s no inconvenience smile from before. “All the usual things. Your name, to start. Are you local to the area or did you move here recently?”

You give him your most recent alias, the name your coworkers know. The rest of your answers are just as easy, and some are even the truth. You’re new in town, you’ve worked here a couple months. Night shifts in a company call center, nothing special. He asks about your commute, about your colleagues, about your boss. Easy, too easy. You see the curve ball coming before he even makes the pitch and you’re ready for it.

“Apologies, but I’m required to ask,” he says, smiling insincerely. “Are you a witch?”

You’ve practiced this in the mirror a thousand times. You pause, just long enough to sell the surprise, the confusion, a wry little smile that asks, who, me? “Uh, no,” you say, laughing awkwardly. Too awkwardly? You tone it down. “Do I look like one?”

Edmund stares at you blankly, unimpressed with just a hint of annoyance. Good. Perfect. Maybe he’ll leave sooner. “Moving on, then. I’d like you to tell me more about your coworkers.”

You don’t let yourself linger on the relief that rushes through you, not wanting him to sense it. You’re not in the clear yet. Yes, you like your coworkers just fine. No, you don’t really know the day shift people. You’re not very social and you like the quiet, almost-empty office. No, nobody’s been acting weird lately. That’s a strange thing to ask, you think. You wonder what this “investigation” is all about. But you keep answering and Edmund listens intently, drumming his fingers on the table. You’re not sure when he started doing it. Ta-ta-ta-tap, like he’s bored or restless. Fine by you.

“Does anyone in the office seem unusually tired lately?” Edmund asks. Ta-ta-ta-tap. “Maybe you’ve noticed someone coming in late, or calling in sick often?” Ta-ta-ta-tap.

You let your confusion show but you keep your apprehension to yourself. “I don’t think so. I mean, we’re all pretty worn out by the end of our shift,” you say, drawing the words out and glancing at the ceiling to feign careful consideration. You’re a little too focused on minding your own business to notice what anyone else is doing. And even if you had, you wouldn’t tell this guy. Bryant would rat you out in a heartbeat but the rest of you are sworn to secrecy.

That’s a huge red flag, though. He’s definitely looking for someone, but who and why?

“I see. Just a few more questions and I’ll let you go.” Edmund smiles. Ta-ta-ta-tap. The noise was a little annoying at first but now you hardly notice it. It’s kind of nice to listen to, something other than the low hum of the air conditioning. More questions, easy ones, about the minutiae of your work schedule. When does your shift start? When does it end? What’s a typical evening like? Gradually, you sink back against your chair in a comfortable slouch, relaxed, calm, tired. Really, really tired. You can barely keep your eyes open. Ta-ta-ta-tap. Edmund says something but it’s just noise, wordless murmuring you could fall asleep to.

And then he asks, “Are you under?”

“Mm. Yeah,” you say. You feel like you’re floating. Drifting away somewhere. Edmund opens a notebook and starts jotting something down, his free hand continuing that same, soothing rhythm. Ta-ta-ta-tap. A sudden realization settles more firmly into place. You can trust him. You feel absolutely certain of this, more sure than you’ve ever been about anything. He’s not your enemy. You think you were afraid of him before but that feeling is far away now, distant and forgettable. He’s here to help. He’d probably help fix the haunting if you told him about it.

“You told me about the haunting already,” he says. You did? You can’t remember. “You did, just now. One of your colleagues also explained it in detail. You’ve endured that for long enough and I’ll inform my superiors so it’s handled promptly.” His pen pauses over the paper and he looks at you. His eyes scared you before, but they calm you now. You were completely wrong about him. You can tell him anything. “That’s right, you can. That’s all you have to do right now. When I ask you something, you answer and tell the truth. Simple enough, right?” You nod. You can do that. It’s so nice of him to make things easy for you and take all the complicated thoughts away. “Now, I have to ask you some questions. I know it’s silly, but they’re the same questions I asked you before.” That is silly, but you don’t mind. “One more time. Your name?”

You say it. Your real one this time, not the alias you gave him before when you didn’t realize you could trust him.

He regards you strangely, frowning a little. Was that wrong? Did you make him unhappy? “No, not at all. Thank you for telling me. I have more questions about that, but we’ll come back to it later.”

He asks the same things he did before just like he said he would. You answer everything the best you can. You don’t want to disappoint him. You see him making notes, scribbling quickly. Where are you from? How well do you know your coworkers? Have you noticed any of them behaving strangely? Some of your answers are different now but he tells you that’s okay, everything is okay. Ta-ta-ta-tap and your worries dissipate before they’ve properly taken root.

“And are you a witch?” he asks, a question which makes something inside you lurch like you’re about to fall. You’re not sure why. It’s not hard to answer.

“Yes,” you say.

Edmund pauses. He looks up from his notes and stares at you. His expression is complicated. Too complicated for you to think about right now, so you don’t. It’s okay. Everything is okay. “I’m sorry, could you repeat that? To confirm, you said you’re a witch?” he asks slowly. There’s that feeling again, that yanking nausea, your heart plummeting in your chest. That smooth, easy current carrying you through mindless tranquility seems choppy and dangerous now. That soothing ta-ta-ta-ta-tap makes you flinch. You shouldn’t listen to it. He’s trying to drag you back under again. “It’s okay,” he says softly, so softly. Everything is okay. You can trust him, can’t you? You can tell the truth.

“Yes. I’m a witch.”

Terror shocks you awake. You feel like you’ve narrowly escaped drowning, tense and gasping, skin tingling unpleasantly. You bolt out of your chair, sick with fear. Edmund is on his feet just as quickly, hands raised in a pacifying gesture.

“It’s alright,” he says gently, like he’s talking to a spooked horse. But it’s not alright. Everything is fucked. Your life is over. “This is…completely out of my jurisdiction. Not my department at all.” Somehow he looks just as lost for words as you are, just as blindsided. His eyes dart to the door behind you and you know you’re both thinking the same thing, planning a swift exit that doesn’t alarm your coworkers. “You’re not registered in Skelveross,” he says. “Do you know how I know that?”

You don’t answer. You don’t care. Your eyes scan the room in a frantic and useless search for exits.

“Because there’s a database, and I have every name and face that’s in it memorized. It’s not as long as you might think.” He takes a half-step forward and you stumble back, heart in your throat. “Something tells me you’re not registered anywhere,” he says, sounding almost pained. “I don’t know how that could’ve happened, but we can fix this. You just have to see the Council. In fact, I could escort you—”

“No,” you say hoarsely. You’re not going to cry in front of him even though your whole world is crumbling. You’re not.

Edmund seems surprised by your refusal. He flinches at your interruption, frowning tightly. You see him thinking. Weighing his options. Eventually, he smiles, and this one is terrifyingly real. His coldness thaws and he is awed, hopeful and brimming with adoration, looking at you like the most precious thing in the world. He finally lowers his hands and his posture relaxes, leaning casually against the table. “Understandable,” he says. “I wanted to ask you a few more things, but I suppose that can wait until next time. Your shift ended half an hour ago, didn’t it? You’re probably exhausted.” He’s careful, angling his body so you don’t see him settling one hand against the surface of the table, but it doesn’t matter. You’re already gone.

You don’t care who sees you sprinting full speed out of the conference room or what they think. You barrel into the stairwell, taking the steps two at a time. He let me go. The thought cycles through your mind on a panicked loop. He let me go, but why? He should’ve been faster. Is he starving? That can’t be right. He doesn’t have to be partnered to have access to blood. Maybe he knew how it’d look, a nightbound chasing after a terrified human after being stuck in close quarters together. Predation charges don’t usually stick but it’d be a headache and a PR blunder for the local Council, a potential stumbling block the next time they want something from the human authorities. In that case, the smart thing for him to do is wait. Reassure your coworkers. Leave calmly.

Then come after you while you’re alone, without any witnesses around.

The only thing that keeps you from sprinting all the way to the train station is the need to keep a low profile. You’re minutes from every nightbound in the city knowing your name and where you work and probably where you live. You fidget restlessly at the platform, racking your brain for a way out of this. Seven hours is too long to hide and wait for sunrise. Go home and pack? No, no way, they’ll check there first. Showing up at the airport is a bad idea but maybe you could hitchhike? Leaving town is just the start. You need to get out of the territory entirely to shake the CTF.

You toss your phone in the trash without a second thought. It was a burner anyway. They can fish it out if they want but your call history is all business and your texts won’t tell them anything more than what Edmund already got out of you. Could you catch a bus? There’s a cheap intercity service with a terminal downtown, but you’d need to leave tonight. Edmund might not be able to chase you when dawn rolls around, but you know the CTF playbook: encirclement, then slowly closing the noose. They start at the edge of the territory and work their way inward, setting up barricades and strangling the highways with checkpoints that will slow traffic to a single-lane crawl. It usually takes a day or two for the Council to wrangle approval from the human municipal government to start closing roads and getting their hands on surveillance footage. You can’t wait around to see how fast they manage it this time.

The glowing sign of a car rental business lures you in. That’s your best bet, you think, especially since it’s some dingy fly-by-night company that takes cash and doesn’t ask too many questions. The only problem is you’re not the only one with the same idea tonight. The line is short but slow, a kid who doesn’t look old enough to even rent a car himself slouched behind the counter. The dingy off-white of the wall clock is seared into your eyes, the sweep of the minute hand seeming purposefully cruel in its slowness.

The automatic doors are overly sensitive and misaligned, squealing open for a sufficiently strong breeze. You always look, just in case. You yawn and stretch, making a show of your exhaustion to mask your fear, and take another look around. It’s fuck off o’clock on a week night. Nobody around but the desperate few, people who look tired, pensive and a little bit haunted. The man ahead of you in line takes a phone call that’s nothing but hissed whispers. A couple who came in after you doze against each other’s shoulders. A fluorescent light tube winks and buzzes. The shadows are too thick to trust. When you finally have your keys and a pamphlet of paperwork you won’t read, you all but sprint out the door.

You’re flinging the driver’s side door of a silver hatchback open when you suddenly break out in a cold sweat. It’s the feeling of being watched cranked up to its maximum, skin-crawling intensity, the ghostly weight of a predator’s gaze raking down your back. It’s fine. It’s fine. You start the car and check the rearview mirror a few times as you pull out of the lot. Somebody’s just coming out of the automatic doors in what looks like a uniform but you’re too far away to tell for sure. You turn on the radio and try to calm down. Somewhere along a quiet country road, you hear what you think is the start of a storm. Something like thunder but soft still, far away. Heavy gusts of wind.

“…lo? Hello? Can you hear me?”

You almost swerve into the guardrail. It sounds like someone’s right next to you, whispering in your ear. You swear you can feel their breath tickle your skin. But there isn’t. The passenger seat is empty.

“Please slow down. You’re well over the speed limit.”

“Edmund?” you say. Your voice is remarkably steady for how terrified you feel. “Wh—how—?”

“My mesmerism is…slow.” You feel a nervous twinge in your chest. Embarrassment? Sheepishness? These aren’t your feelings. They’re his. “But it also takes much longer to wear off. Right now, you and I are connected, although it’s tenuous given the distance between us.” He must be out here somewhere, trying to find you. You don’t see any other headlights yet. “You feel…afraid. And lonely. You’ve been on your own for a very long time.” You don’t dignify that with a response. You feel soothing warmth, like Edmund is trying to embrace you, but the sensation doesn’t last. You’re too furious to be soothed by the very thing that wants to cage you.

“What would it take to make you look the other way and pretend you lost me?” you ask.

You feel his dismay like a cold trickle, unpleasant and distressing. “I’m only going to ask once,” he says, tone hardening. “Pull over.”

“Fuck you.”

“Then I apologize in advance. I’ll try to be careful.”

The wind picks up again and the thunder seems closer, but it can’t be a storm. The sky is clear, a waxing moon shining through a thin gauze of clouds, trees motionless at the roadside. You look back again, searching for a CTF vehicle, and that’s when you see it—a moving shape in the dark. Not a vehicle at all but something alive. It’s big, you think, like a horse, an elk, a stampeding thing but sleeker and gaining on you. You can barely make out any details with nothing but the glow of your taillights haloing the thing’s frightening shape, but you think you see large, reflective eyes and horn-like protrusions, dark fur and sinewy limbs stretched wide.

Wings, you realize. That noise is the sound of the thing flying, soaring after you with predatory grace and agility. It shrieks and its voice is nails screaming down a chalkboard, a painful shrillness that makes you wince and slam your foot harder on the gas. You hear it screech again and see it darting and swooping through the air behind you, struggling to keep up. The road goes blurry through your angry, helpless tears and you drag your palm across your face. You’ve had nightmares like this before. Getting found out, cornered, chased by nightbound, torn to pieces or bled dry in a fit of rage, dragged before an unfeeling Council that sentences you to a life of servitude beneath something so ancient it no longer understands what it means to be human.

Your connection with Edmund has become a headache-inducing stream of pleading and hissing and primal desire all at once, no stop stop slow down not safe listen not going to hurt you listen need you need you NEED YOU!!

The thing lets out another horrible screaming noise and you see it coming, descending, closing in on you like prey. It rams into your car hard enough to send you screeching off the road. You hit the ditch too hard and at the wrong angle, still trying to straighten out and stop yourself from slamming into the trees ahead. The car starts to lean and tip and you realize you’re about to roll, crash, die—

The collision comes before you expect it, a thunderous slam on the passenger side that dents the door and brings you to a sudden stop. All the air in your lungs rushes out in a wheeze, your head spinning. You’re in shock. You shouldn’t be upright, you think, probably shouldn’t even be alive. Something drags over the hood of your car with jerky, animalistic movements, claws scraping steel, a translucent, fleshy membrane squealing across the windshield. The doors are locked but that doesn’t matter. The driver’s side is wrenched open, the door torn off the hinge and flung skittering and sparking down the road. The thing looms just outside, lowering its head to examine you. You look back at it, the two of you studying each other in tense silence.

Yes yes yes have you now, you hear as bright, smothering joy floods your thoughts, safe you’re safe you’re with me safe now.

This is a hunting form. Like many nightbound, its shape is something like an enormous bat. It has a short, curved snout and small daggers for teeth. Those things you mistook for horns are large, conical ears that twitch and swivel. Its body is covered in black fur, a thick patch wreathing its neck like a lion’s mane. One of its arms is crooked, you notice, and starting to swell. You’re alive because it threw itself at your car to keep it from flipping over. You want to hate it but you can’t tear your eyes away from the fresh wound, the way one wing droops like a ripped sail. It did that for you, without hesitation.

You’re dimly aware of things happening beyond the two of you. Car engines rumbling. Tires scraping the cement. Black CTF vehicles blocking off every escape route, stylized canaries emblazoned on their sides. Doors rumble open and slam shut. You could fight if you really wanted to. You could try to push your way past the thing, run for the trees. You wouldn’t get far. It’s over, you know that. You can’t make yourself move. You’re so tired of running, of leaving every place you go and every person you meet, of changing yourself over and over again, living as a stranger because the real you will bring nothing but trouble. You want a bed that’s yours. A place you can always go back to. A person who knows you and cares about you—who would love you even if your blood was the same as anyone else’s.

There’s a sick sound of cracking bone and the leathery squeal of skin reshaping. The thing grunts as it twists itself into a smaller shape, fur receding into sweat-soaked skin. When it settles, Edmund is kneeling there naked and panting. Without his uniform, you can see the marks littering his body. Lashes and claw slashes, burns in gnarled, spotty patches, old bullet wounds that healed into puckered scar tissue. He runs a hand through his hair, his carefully combed bangs now disheveled and sticking to his forehead.

“This is overkill, isn’t it?” you say as more headlights blink over the horizon. Thirty, maybe thirty five CTF agents in total when you do a rough headcount, watching them watch you. A lot of them are making phone calls. Reporting to the Council, you assume, piecing together all the identities you’ve lived under in the last few years. “All this for one witch.”

“You’re worth it,” Edmund says. Even winded and still struggling to catch his breath, his voice has a hard, determined edge to it, absolute and unshakable conviction. There’s no reasoning with someone who’s so sure they’re right. “I know you’re afraid. But this is going to be—”

“Shut up.” You tilt your head back, letting out the breath you’ve been holding. “You have no idea what’s about to happen to me. You can’t possibly understand.” Edmund frowns. He looks at you the same pitying way one might look at a waterlogged kitten or a child crying on a playground, some small, sad thing in need of rescue or protection. You can’t stand it, so you lean back in your seat, close your eyes, and savor your last moments of freedom with tears spilling down your cheeks.

The Skelveross Dusk Council meets in Harrow Creek, a city near the heart of the territory. It’s an hour drive from where Edmund ran you off the road, plenty of time for you to break down completely in his backseat. He looks physically pained by your distress, clearly uncomfortable as he murmurs useless platitudes about how good it’ll be to “put this all behind you.” He stops twice to crack open the cooler sitting in the passenger seat, sipping from a blood bag kept on ice, and that lets him use his broken arm without wincing. By the time you’ve exhausted yourself into listless apathy, you’re in what might be a historical district surrounded by brick buildings and manicured lawns. You don’t have to ask where you’re going. There’s a behemoth of Gothic architecture looming ahead, a cross between a cathedral and a courthouse. The white stone exterior is adorned with decorative arches, crescent moons and birds in flight, ancient symbols of the nightbound.

Edmund clears his throat awkwardly and doesn’t quite make eye contact in the mirror. “That’s the Council building,” he says, gesturing with a nod. “The CTF offices are right behind it if you, ah. Ever need anything. I’m not sure how much you know about this area. You can think of Harrow Creek as the ‘capital’ of the territory. Skelveross is a small region, comparatively speaking, but it’s extremely well-defended. You’ll never have to worry about hunters here.”

He keeps glancing back at you, maybe hoping you’ll say something, show interest, ask him a question. You don’t. You watch the Council building and its spire bell tower grow steadily closer with dread cold and heavy in your stomach.

Edmund offers to put you under mesmerism for the meeting and seems taken aback by your shock and revulsion. “I thought it might help. You’re so nervous,” he says. You’d like to scream, but you settle for an exasperated glance and follow him inside.

The Council building is dark like a tomb. There are no light fixtures, no candles or lamps. The weak, watery light that seeps into the mazelike corridors is the glow of street lamps filtered through stained glass, too dim for you to properly take in your surroundings. You cross paths with other nightbound only rarely. Most are CTF agents who exchange greetings with Edmund before continuing on their way, but you spot others just waiting around, sitting outside of offices or filling out paperwork.

A pair of double doors waits at the end of a long hallway, old wood carved with intricate swirls and floral patterns. Each has a spot of vandalism, deep gouges where the etchings have been obliterated by repeated slashes. “The Dagaric family crest was once displayed upon these doors,” Edmund says solemnly. “They were removed centuries ago to symbolize our transition to a democracy. This is no place for tyrants.” Nightbound politics. You don’t want to know. Edmund pushes one of the doors open and steps aside, holding it for you. You see darkness broken by islands of light, candles lining a grand staircase. The wax is red, the puddles they melt into thick like coagulated blood. A chandelier adorned with dangling crystal strings glows with golden dusklight. This is all for you, prepared for your arrival. The nightbound need no light.

You descend between rows and rows of red velvet seats, most of them empty. The nightbound in attendance are clustered at the very bottom, seated before a raised stage platform. You catch glimpses of grandeur in the flickering candlelight; a Victorian patterned carpet, curtained alcoves with sculptures and glass display cases, a mural on the ceiling of winged figures in lurid embraces. This might have been a theater of some kind once, an opera house that entertained the nightbound nobility of bygone eras. You can’t imagine how much blood has soaked the floor over the years.

There’s a table on the stage, long enough to accommodate the five nightbound seated behind it. The Dusk Council, you assume. They’re not much different from how you imagined them, stern-faced and imperious, dressed like Victorian lords and ladies in stiff coats and billowing sleeves. They’re all chatting when you walk in, the conversation light and casual with a bit of quiet laughter, but they fall silent when you’re halfway down the steps. That’s when the ones on stage spot you and Edmund. Nightbound eyes gleam in the dark like an animal’s. You fight an instinctual surge of terror when they all turn to look at you, points of silver light following your every move.

“Edmund,” one of the Council members says, nodding. “Well done.”

Edmund bows his head and you roll your eyes. ‘Not his jurisdiction,’ my ass. At the bottom of the stairs, you find two seats that have been left open in the very front row. Edmund waits for you to sit before taking the open spot beside you, as if running could get you anywhere now. Your name is spoken. Your real name, in full. You flinch. Nobody’s called you that in a long time. One of them passes a stack of papers down the table and they take turns giving you incredulous looks.

“We must apologize for the disorganized manner of this meeting,” one of them says. “Your situation is unusual and we don’t have all the information we normally would. For a witch to reach your age without proper registration, even as a latent, is simply unheard of. I don’t suppose you’d tell us if you’ve been staying with other unregistered kin?”

“I haven’t seen my family in years,” you say.

For some reason, this confuses them. They look at each other, then at you, then back at one another with some whispering. You shift uncomfortably in your seat. Edmund is giving you that misty-eyed veterinarian with a sick dog look again and you wish he’d stop.

“Are you aware of who currently holds the title of Lord Regent in Skelveross?” you’re asked.

You stare at them. “Am I supposed to know that?” you ask. More worried looks and muttering, papers shuffling and being passed around.

“This is highly irregular,” one of the Council mutters. “Highly irregular. And without records, I’m not sure how we can make a proper match.”

“They’re not walking out of here unpartnered,” another says firmly. “That’s much too dangerous.”

You clench your armrests in irritation. “I was doing fine, you know,” you tell them. “I was just living my life. Sometimes it was tough, but that was your fault. When I wasn’t looking over my shoulder, I was happy. I didn’t need you.”

They don’t care. They keep talking in hushed tones, gesturing in your general direction from time to time—all but one. The one in the middle, two Council members on either side of him, sets his papers down and gives you his undivided attention. This one is ancient. You can sense it. His face has the same unnerving, ageless quality as all nightbound, neither soft and youthful nor particularly wizened, but his eyes pin you in place. You expected something more like Edmund, a gaze sharpened with piercing, predatory focus like a wolf who isn’t quite hungry yet, but this one’s eyes are like no living thing found in nature. Nothing is meant to live that long, to see that much and remain unchanged. He stands from the table with effortless grace, his chair scraping the floor as he pushes it out behind him.

“Then surely you can prove it,” he says.

The sudden silence feels like a warning. The Council stops their overlapping conversations to look between the two of you in muted shock and dismay. “Wh—prove what?” you ask.

“You said you do not need us. An extraordinary claim, but I am open to a good argument.” He holds your gaze as he walks slowly down the length of the table and around it, coming to stand directly in front of you. He’s dressed like a CTF agent but the tails of his coat are longer, the waistcoast beneath a shimmery, midnight blue brocade. His hair is just long enough to tie back in a low, short ponytail. “You have survived the treacheries of the world without the protection of a partner thus far. If you can prove to me that this was a matter of skill rather than luck, then I will let you walk away. You will not be pursued.”

“Lord Regent,” someone stammers behind him. He stops them with a curt wave and watches you carefully.

This has to be a trap. There’s no way he’d risk letting you go. But the Council is exchanging worried glances now and Edmund is trying desperately to make eye contact in your periphery. Don’t, he mouths, the word faintly echoed in your waning connection. The Lord Regent—the title sticks in your mind just long enough for you to think that this is a bad idea, that you shouldn’t be doing this, that this might actually get you killed—cocks his head to the side, awaiting an answer. He smiles, and you see red.

“Good,” he purrs, watching you unceremoniously haul yourself up onto the stage. He removes his black gloves one finger at a time and then shrugs off his coat, letting it crumple on the floor.

“Lord Regent, do you really think this is—?”

“I would like to take this opportunity to reopen a discussion started earlier this evening,” he says smoothly.

Your blood is boiling. He doesn’t seriously think he’s going to hold a meeting right now, does he? You can’t remember the last time you were this angry, your face hot and your hands balled up into shaky, sweaty-palmed fists. You’re outmatched, you know that, but you want to hit him at least once. You want to feel his nose crack and shift under your knuckles, want to see that cocky sneer swallowed up by bruises when you knock his fangs out of his mouth. You throw yourself at him with no plan, no strategy, nothing but searing anger, and he neatly sidesteps your fist. He’s still smiling when he lunges forward and it all happens too fast for you to see or understand—a hand grasping your shoulder, a leg sweeping you off your feet, and then you’re spinning, landing hard on the wooden stage with all the air knocked out of your lungs.

“What is our greatest obstacle in ensuring a witch is properly registered?” he continues, turning his back on you. You wheeze furiously, struggling to push yourself up with your elbows. “I will tell you: it is the witch themselves. Concealment is an epidemic of such staggering proportions that we have lost entire generations. This wayward child knows nothing of the world they rightfully belong to. How many have gone unpartnered because of this? How many live and die beyond our reach?”

He must hear you stand up. You’re slow and clumsy, your head throbbing and your shoulders sore. The stage creaks beneath your unsteady feet and your pulse thunders in your ears. Your vision swims and your stomach quivers with dizzy nausea. You shouldn’t be on your feet but you push yourself forward, one shambling step after another, driven by hate and fear and desperation unlike anything you’ve ever felt before.

Your hand wraps around his shoulder, squeezing. Under black silk sleeves, you feel steely cords of muscle. He turns just slightly, just far enough for you to glimpse the smile on his lips. And then he has you, a hand clutching the back of your shirt, another grasping your sleeve, pulled close to him like you’re dancing but only for a moment. Then you’re weightless, the room tilting, the floor rushing up to meet you. You land on your back and there’s an awful animal noise like something shrieking half-dead in the woods at night, and it takes time for you to realize it came from your own mouth.

“Lord Regent, please.” That sounds like Edmund, you think. You aren’t sure. You can’t even lift your head to look. There’s murmuring all around you, words you can’t understand with the ringing in your ears. Trying to get up again makes you feel like there’s shards of glass ground up into your muscles, pinpricks and sweeping pulses of pain. You’ve got nothing left. Even turning on your side is a monumental effort, a mistake that makes your side prickle and burn.

You see him. The Lord Regent. His back to you. You see the rest of them, too, standing from their seats with stern, solemn faces, Edmund biting his lip so hard a rivulet of blood trickles down his chin. Your fingers twitch, arms outstretched and hands splayed limp. No. You have something left. You can’t control it and you don’t fully understand it, a true last resort, but you have something. You try to clench your hand into a fist again but it just curls weakly. You smell it first, just faintly, a paradox of odor—sharp, permeating, yet featureless, a scent that isn’t. The chill in your nose on a frigid winter day. You feel numbness and tingling. You see magic, weak and unfocused, gathering at your fingertips. It shivers like a mirage.

This is a bad idea. You’ve been on the run too long and you’ve never had lessons, no mentors, not even a chance to practice. The magic spins into a miniature vortex, a whirlpool of distortion in the air, and you feel it growing, getting hungrier. It might kill you. It might kill everyone here. It might bulldoze through this auditorium like a wrecking ball and leave a gaping wound of all your last furious thoughts behind, a haunting the size of an office building—

The Lord Regent lunges for you, one hand wrapped around your throat in a firm, choking grip. You don’t have the strength to stop him. You try to hold onto the magic but it’s fizzling out, unraveling in your hand. He’s so close to you now. Pinning you down with his body, straddling your waist. His hands are not perfectly smooth. You feel bumps and ridges against your throat. Scars. Calluses. His eyes are a stormy blue. His lips are moving and you can’t hear him, can’t hear anything over the static in your head, but somehow you know what he means to say.

"That’s enough."

You breathe slowly beneath the loosening pressure of his thumb. You can feel yourself slipping under. His mesmerism is subtle but it’s stronger than Edmund’s, a wave of stifling calm washing over you. No matter how hard you cling to your anger, it fades like dying embers. You don’t want to fight anymore.

"I do this for you. For all of us. We will not survive alone, you or I. Someday you will understand."

Time passes, but you’re barely aware of it. Everything is softness and delight. Sometimes the pain will come back, needling at your back and sides, but it’s chased away with a soothing whisper and a hand stroking your head. Gentle fingers massage your scalp and you bury yourself deeper in the warm comfort of the moment. You surface gradually. The Lord Regent gives your mind back piece by piece. Awareness first, the realization that you’re kneeling. That there is a cushion under you, keeping your legs from the hard ground. That you’re at his side while he sits at the Council’s table and he wants to keep you there—forever if he could, just like this, drifting and happy. That someone is speaking, and that he is petting you like a beloved, loyal animal, stealing glimpses whenever he can.

You pull your head out of his lap slower than you’d like, mindful of the ache in your neck and shoulders. He gives you one last look, smug and satisfied, and then returns his attention to the rest of the Council. “Loathe as I am to admit it, perhaps you have a point,” he says, sounding contrite. “I cannot claim impartiality. Someone else should draft the proposal. We will hold the vote another time.”

“We appreciate your understanding, Lord Regent,” one of the others says. “No disrespect is meant, but perhaps it is best to approach this with the benefit of time and distance. None of us are as clear-headed as we should be tonight.”

“Indeed. That just leaves us with the matter of placement.” All eyes are on you again. The Lord Regent frowns thoughtfully. “Young nightbound take priority. And yet, I cannot in good conscience partner a fledgling with a witch so…volatile.”

“May I address the Council?”

A new voice speaks and a new, unsettling silence falls over the auditorium. You see a nightbound walking down the aisle, already halfway down the steps. You didn’t hear him come in but that’s not surprising. Even now, his footsteps are nearly silent. The others recoil when he draws near, trembling and wide-eyed. They respect the Lord Regent, but they fear this one. You can’t see him clearly until he’s nearly reached the bottom of the steps, stepping into the glow of the chandelier. He’s stunning. Long dark hair tumbles over his shoulders and frames sharp, androgynous features. He wears a long, trailing garment, form-fitting at his chest but loose and flowing below the waist like an evening gown, clinging sleeves of black lace adorning his arms. His footsteps are slow and graceful as he glides down the stage.

“Athanasius,” the Lord Regent greets. He’s the only one who doesn’t look scared shitless. He inclines his head in a slight bow, smiling like there’s a joke you’re missing. “It is rare for you to grace us with your presence these nights. Please, speak.”

Athanasius surveys the Council with a quick glance back and forth. Each of them flinch in their seats. Some avert their eyes, clinging to their papers in desperation for something else to look at. Then he looks at you and your breath catches in your throat. His gaze is paralyzing. You’re reminded of the unnerving feeling you got when you first saw the Lord Regent, the incomprehensible abyss of time within his eyes. This one is old, too. Maybe even older. “As you know,” he says, his voice soft and irresistibly sweet, “I have a convenire, here in Harrow Creek. We recently had a new arrival. They are all young, but the newest is by far the youngest. He was sired during the last Waxing Nights.”

You expect to hear muttering here, discussion, disagreement, but there’s nothing. Not a word from any of them. It feels like the entire auditorium is holding its breath. The Lord Regent hums, considering. “Ah, yes. The dissenter’s child.” You glance between them, trying to piece together what’s about to happen to you. A convenire—that’s just what nightbound call it when a bunch of them live together, isn’t it? “That would indeed solve several problems at once.”

The rest of the Council gradually thaws from their frozen terror, a few of them offering weak platitudes and agreements. You have no idea what they think of this, but you see more paperwork emerging from somewhere, hear the rapid scribbling of ink pens. They seem eager, at least, for him to leave. “It’s a bit unusual,” one of them says. “But so are the circumstances. Perhaps this will be a good match.” Several of them glance at you briefly with sad, pitying gazes.

“Very well.” The Lord Regent offers you a smile. Maybe it’s genuine. Maybe it’s not. You can’t tell, but he sounds far too excited. “Wayward child,” he says, his tone solemn and official, “you are hereby sentenced to sacramental service within the convenire of Athanasius. You shall defer to his judgment and you shall submit to his authority before all other nightbound. You shall offer your blood to all members of the convenire without complaint or question. Should you perform your duties satisfactorily, you may earn the sacred gift of partnership. May you find peace and fulfillment in your service.”

You inhale shakily. That’s it, then. You belong to someone. A packet of papers are passed down the table, signed by each Council member. It makes its way back to the Lord Regent, who stamps it with an ink seal. That’s all the fanfare there is, and then they start talking about something else.

“Shall we go?” Athanasius is standing beside you on the stage. The suddenness of his proximity should scare you, but you don’t have the energy to be afraid anymore. “Unless you would like to stay longer,” he says. He smiles, teasing you gently. As though this is something you might find humor in. You watch him sink down to one knee. The folds of his gown gather in a puddle beneath him, dark like shadows. “I will not pretend to understand how you feel nor will I feed you sweet lies. Sacramental service is a punishment. The fledglings in my care have suffered greatly and they will likely inflict this suffering upon you. They do not know what else to do with it. You will be housed, fed and protected, and you will have your own quarters, but I know that means little to you now.”

You hear him but you aren’t really listening. Tears spill down your cheeks and you do nothing to stop them. You flinch when Athanasius lifts his hand, catching a droplet trickling by the corner of your mouth.

“There is a car waiting for us outside,” he says. “Can I trust you to cooperate, or will you make this difficult?”

“I’ll make this as difficult for you as I can,” you promise him. You hold his gaze no matter how uncomfortable it makes you. You don’t back down. “You won’t know peace. By the end of this, you’re going to hate me as much as I hate you.”

Athanasius laughs, melodic and clear as a bell. His hand traces the curve of your jaw, thumb stroking your lips. “How delightful,” he purrs, “that you think there will be an end to this.” He leans in, pressing his lips to your forehead. There is no gentle easing, no subtle nudge of mesmerism, just the maw of thoughtless oblivion swallowing you whole.

#rotpeach writes #meanvamps #this is pretty long and will also be posted on ao3 later tonight if youd rather read there

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