#(not even a spoiler for my players who follow me i think. like i think they know this one's been a long time coming)

[daz4i]

haven't worked on my ttrpg campaign in months. got a session in 2.5 weeks. opened a doc to start planning. blacked out. came to and saw i wrote a whole page

[diettwistup]

HALF OF YOU

PAIRINGS: tashi duncan x f!oc, art donaldson x f!oc, patrick zweig x f!oc

SUMMARY: No matter how bright Tashi Duncan shined, her best friend, Milan Mikaelson, wasn’t far behind. Though seeming second best, Milan would never let that define her career. Holding as much fame as Tashi, Milan encountered Patrick Zweig and Art Donaldson. Would this encounter change the trajectory of her life, and would it completely alter her relationship with Tashi Duncan?

WARNINGS: challengers spoilers, reader is milan mikaelson, sexual situations, language, angst, plot alterations.

WC: 5.1K

NOTES: hiiii!!! hope y’all enjoy this next chapter cuz it’s not my fave thing ever LOL. was also too lazy to proofread so sorry if there's errors. i’m also gonna be going on vacation with no internet for a little over a week so next update will be after that! thanks for reading luv u 💋

READ BEFORE THIS: INTRO and ONE

CHAPTER 2: DOUBLE TROUBLE

CHALLENGERS TOURNAMENT, NEW ROCHELLE - 2019, 1:00 PM

Gnawing on my bottom lip, I gripped my dress as Tashi got up and cursed before walking off, disappointed with Art’s performance. 

“Where the hell do you think you’re going.” I shot and grabbed her wrist, eyeing her up as I took my sunglasses off. 

Shaking my grasp off of her, she bent down and spoke dangerously close to my face. 

“If he’s not gonna play tennis, then I don’t wanna see shit.” She seethed and walked off, brushing off her dress with each stride. 

As I watched her go, I could feel a pair of eyes on me. Darting my attention back to the match, Art was already looking my way. 

Shooting him a sad expression, I put my sunglasses back on, huffed, and sat back in my seat. 

All he did was shake his head and rub the sweat off his face while Patrick smirked proudly. 

He sure seems to love this. 

Sighing, I raised one hand to my mouth to bite my nails, the nerves of the match taking over my entire being. 

At the next serve, I carefully watched the strategic movements behind the boy’s every motion. They have always been outstanding players, and I furrowed my brows as I thought back to the first time I saw them play against each other. 

The stupidity of Tashi and I, dumb enough to pin two best friends against each other. We should have never stepped foot in that godforsaken hotel room. 

Shaking my head, I closed my eyes. The crowd's roar echoed around me as I thought back to the night that started it all. 

The night that ruined it all. 

THE BOY’S HOTEL- 2006, 12:00 AM

“What the actual fuck is wrong with you?!” I exclaimed to Tashi as we made our way to the boy's hotel room. “Why the fuck would you let them come down when you knew I was there?” I shot at her as I smacked her arm. 

Tashi smacked me right back, making me let out a hiss and shoot a cold glare at her. 

“I don’t know why you're acting like you don’t have a game. You’re the best at playing hard to get.” Tashi responded and shrugged as if it was as simple as adding two plus two. 

“You’re a bitch.” I muttered and rolled my eyes as the hotel came into view. “What do you even plan on doing with these two.” I raised my brow at her and studied her expression to gauge what was going through her mind. 

“What we usually do,” she responded, smiling at me. Hypnotize them with our charm and have a good time, of course,” She said proudly as if this was second nature for us. 

I won’t say that Tash and I haven’t had our fair share of fun with boys, but something like this, with two boys who knew their way around the game themselves, was certainly daunting. 

“Fine, but you should have heard how they talked about us at your match. It was disgusting.” I pretended to gag and placed a hand on her shoulder.

“Perfect, we already have them locked in then.” She nudged my arm before leading the way to the room.

Rolling my eyes, I smacked her again before following behind her.

On the way to the room, I got lost in my thoughts. How did we get ourselves into such a situation? I hope Tashi doesn’t expect us to have a foursome of any sort because I don’t have the patience to deal with a whole ordeal like that. 

Approaching the door, Tashi stopped to let me walk ahead of her. 

“Perfect, Mila, you can see your ass poking out of your shorts.” She smirked and gently patted it until I swatted at her hand with a laugh. 

“Fuck off, let’s go,” I scolded, waiting for her to catch up, as she knew which room to go to. 

Once we reached the door, Tashi knocked and softly bit her lip. Scuffling was immediately heard behind the door, signifying that the boys were startled by our appearance. 

I moved to press my ear to the door with a slight smirk which Tashi returned as she did the same. 

“They’re crazy…” I whispered to Tashi, to which she responded with a nod and a soft hum. 

When we removed our ears from the door, it swung open so quickly I couldn’t make out the motion. 

The boys stood at the door, looking extremely disheveled. Patrick wore boxers and an unbuttoned linen shirt that looked like it had been shoved in his tennis bag and forgotten. Also wearing boxers, Art wore a beater t-shirt that looked like it had never been in the wash and dryer a day in his life. Both of their hair was ruffled and unkempt, making it look like they had just gotten out of bed. 

Raising an eyebrow, I was the first to speak. “What, did you two just get done fucking?” I questioned as I looked between them and placed my hands on my hips. 

Patrick just burst out into laughter while Art spoke up. 

“No…fuck no…” He muttered with a laugh as he patted Patrick on the back. 

Drunk as sailors. 

I nodded at this before resting my eyes and glancing at Tashi, who smiled fondly at the two, but I knew she was plotting. 

“So, hi,” Tashi spoke calmly with a smile that immediately brought the boys back to Earth as they moved aside to let us in the room. 

I had to stop myself from covering my nose as we entered the room. 

Reeks of beer and cigarettes…typical boys.

Two beds pushed together were messily made. Beer cans, cigarette buds, and clothes were everywhere, though it looked like someone had tried to tidy up a bit. 

That explains all the noise. 

Patrick mindlessly spoke to Tashi as I continued to scan the room, not noticing that Art was eyeing me up. Turning my head, I caught his stare, which didn’t make him falter. He only continued to stare before coming up to me and handing me a beer. 

“Didn’t know you were gonna come.” He spoke as he looked down at me through lidded eyes. Tipsy eyes. And, of course, he had a smirk, but it spoke I’m glad you came, really. 

I continued to study his expression as I let my guard down a pinch. I shrugged nonchalantly as I took a long swig of the beer, knowing I would need it to get through the night. 

“Had nothing else to do. Figured why not.” I spoke calmly as I let my eyes rake over his entire figure, drinking up his messy look which he really really pulled off. Never would I ever admit that for him to hear. 

Or me. 

“Well, glad you’re here.” Art said as he took the beer can from my lips and sipped it while he stared into my eyes, flickering to my lips for a moment.

I kept my eyes trained on his as I refused to back down in this staredown, showing that I couldn’t be swayed that quickly just because he was extremely attractive. 

“You two, come sit,” Patrick spoke up from the ground by the bed where he sat with Tashi. 

Nodding at this, I waited for Art to take his eyes off mine before I made any movement to sit. After a few seconds, he nodded and placed a hand on my lower back to walk me to where everyone was sitting. 

I shivered slightly at this as I softly bit my bottom lip, hiding this motion from him, but I knew Tashi saw it by her smug little smile that said I told you so. 

We haven’t even done anything, and I suddenly feel like I’m in the trenches. 

The next couple minutes were used to discuss how Patrick and Art met each other and how Patrick, predictable enough, taught Art how to masturbate, all while we all took sips from the beer can that Art had given me when we first got here. 

“Y’all are weird as fuck.” I snorted, a bit tipsy, wiping my mouth from my last gulp as I looked between the two boys who had red cheeks from a mix of alcohol and embarrassment, and can’t forget, two big smirks. 

“No, Mila. I think it's a cute story.” Tashi nodded with a smile in an attempt to reassure the boys jokingly—a tactic she used to fully reel them in. 

I rolled my eyes at this and fake glared at Tashi. “Only if you’re fucked in the head!” I laughed again while the rest of them laughed with me. 

“Don’t tell me you two haven’t done anything weird like that,” Patrick said, making me whip my head to him before glancing back at Tashi.

“Yeah, you two have known each other since the womb. There’s no way you haven’t done nothing.” Art added and took a long swig of the beer can before passing it to Patrick, eyes trained on me for longer than I would have liked. 

I shook my head with a small laugh before looking back to Tashi, who gave me an eyebrow in return, signaling something.

You ready?

…

I’m ready.

We nodded at each other before standing up and looking down at the boys. 

“You guys aren’t leaving-“ Patrick started but stopped when he saw the two of us moving to sit on the edge of the bed. 

My eyes locked with both of them briefly as I flashed the most innocent smile I could muster. 

Here we go. 

“Patrick, come sit by me…” Tashi spoke and patted the space to her left. 

You didn’t have to tell him twice. He sprung up so fast he spilled the beer can everywhere on the carpet, but he couldn’t give a fuck. 

As he sat down next to Tashi, my eyes locked onto Art’s. I did not need any words to tell him to sit by me. 

He took the hint immediately, got up almost as fast as his best friend, and sat beside me, thigh already touching mine.

I turned to face him with lidded eyes and a small smile. I could hear his breath hitch as Adam’s apple bobbed, signifying that he took a small gulp. I softened my eyes to let him know it was okay to relax and that he could be comfortable around me. 

Even though Tashi wanted to play with these boys like putty, I felt a little different about the situation. 

As I tilted my head at Art slowly, I saw his face contort into a grin that radiated his comfort and need. 

Leaning in slightly, I placed my hand on Art’s chest, noting how firm it felt through his thin shirt. Art mirrored my leaning in but instead placed a hand on my thigh. As I neared his lips, I teasingly pulled away as I felt Tashi pat my back. I smirked slightly at this and turned around as my lips met hers instead of Art’s.

It was an innocent kiss, a tactic to get these boys right where we wanted them. This action certainly answered their questions about us, and I hope it was worthwhile.

Once again, I could feel Art’s eyes piercing the back of my head, so I moved my hair off my shoulder and tapped the side of my neck so he would know what to do. 

Almost immediately, his lips were latched onto my neck. I wondered for a moment if he was a vampire because of the way he was sucking on my neck. I figured he was searching for a blood vessel. Poor baby must have been deprived of any female touch, but the way his lips sucked profusely on my pulse point, I could tell this wasn’t his first rodeo.

Tashi and I pulled away from our innocent kiss and shot each other small smirks when we noticed that Patrick and Art were too lost in our necks to give a damn. 

I tapped Art’s thigh so he would know to stop, which he reluctantly did. His lips were a bit swollen, and I couldn’t keep my eyes off them. Biting my lip, I reached up and brushed a finger across his bottom lip. As I did this, Art grabbed my hand and studied it before gently kissing my finger where my nail had broken. My eyes widened at this as my heart threatened to beat out of my chest. 

Keep. your. composure. 

Shaking out of my daze at his action, I smiled softly once again and leaned in slowly to connect our lips, hands on the back of his neck, threatening to tangle in his blonde curls.

Pillows. His lips feel like pillows.

The kiss was soft until his hand moved from my thigh to my waist. He pushed forward a bit until my back fully hit Tashi and tried to part my lips by biting my bottom one, but I pulled away before he could get that far. 

Too easy.

Licking my lips to taste him, I turned back to Tashi, who placed her hand on my cheek to kiss me lightly again. As her lips melded with mine, I gingerly placed a hand on the base of Art’s jaw and slowly pulled him towards Tashi and me’s kiss. Immediately, I could feel Art’s lips meld with Tashi's, mine, and then Patrick’s, knowing that Tashi had done the same with him. 

Now, the four of us were all kissing, making me slightly clench my thighs. Only slightly. 

After about five seconds, I felt Tashi tap my back to signal me to pull away slowly. 

As we both pulled away, Art and Patrick were full-on making out, not noticing that the two of us had abandoned the kiss. I glanced at Tashi with a smirk as she watched them in satisfaction. 

It took everything in me not to giggle as I watched the two continue to eat each other's faces fervently. 

Specifically Art.

After a beat, Tashi spoke up. 

“Okay.” She said, which made the boys freeze and pull away from each other. 

Immediately, they both looked at us in shock. 

Got ‘em. 

I tilted my head at Art as I gently reached my hand out to trace shapes on his thigh while he looked down at me like I had three heads. 

“That was cute…” I mouthed to him with a soft smile as he continued to eye me up in shock mixed with a bit of awe. 

“Well, we should get going before our parents freak out and wonder where we are,” Tashi says. I sit up as I follow suit, cutting any tension in the room.

Standing up from the bed, I chuckled to myself as I brushed off my clothes and fixed my hair. “It’s been fun,” I said, aiming my comment at Art. Thank you for having us,” I finished with a small, innocent smile as Tashi and I left. 

“Wait!” Patrick said which stopped us in our tracks. 

Turning around, Tashi and I shared matching grins that we quickly hid when we faced the boys. 

Art spoke up next as he looked right at me. “What about your numbers?” He asked as he stared at me like a puppy deprived of dinner. 

I crossed my arms and shrugged. “If you win tomorrow, I’ll give you my number,” I said plainly, as if it were the simplest thing in the world. 

“And I’ll give you my number if you win tomorrow,” Tashi said to Patrick just as plainly as I did. 

Both boys shot each other smirks before nodding in agreement. 

Tashi and I said our goodbyes before leaving the hotel room. When we were out of earshot, we both started laughing. 

“We have them wrapped around our pretty little fingers!” Tashi exclaimed as she wrapped an arm around my shoulder. 

I laughed at this and wrapped an arm around her waist. “I really hope Art wins,” I said in a dreamy tone of voice as I thought back to his face, lips, chest, everything, really. 

Tashi shook me back and forth with a smile as she exclaimed, “I’m just ready to watch some good  fucking tennis!” She laughed, knowing that the two boys were really going to battle it out with this new prize put into motion. 

STANFORD UNIVERSITY - 2007 5:00 PM

As I slowly trudged from the tennis court to the dining hall, I felt my arms giving out. 

“Fuck this damn bag,” I whined and went to a nearby bench to take a breather and bask in the California sun. 

Today’s practice was by far the worst of the semester. I worked with my coach on my serve to prepare for my upcoming match, where I would face an opponent ranked decently high in the state. 

Closing my eyes and throwing my head back to catch the rays of the warm sun, I let out a groan. I probably looked like a corpse to every passerby, but just like Tashi, they knew me, so hopefully, they would just smile and wave. 

“Rough practice?” An extremely familiar and captivating voice snapped me back to reality. 

Opening my eyes, I was met with my favorite pair of light blue eyes—something he would never know. Of course, a smirk adorned his features, and his blonde curls were tucked into a backward red cap, most certainly saying “Stanford” on the flip side. 

“Art…” I spoke almost breathlessly as I sat up, brushed a piece of hair out of my face, and used my other hand to block the sun that Art’s head almost blocked. 

“Hey, can I sit?” he asked, shoving his hands into his pockets, and nodded to where my bag was on the bench. 

Quickly moving it to sit in front of my feet, I patted the empty seat next to me. “Sure.” I smiled at him and tucked a piece of hair behind my ear. 

Over the summer, I would never allow myself to be so forward with Art Donaldson. I couldn’t speak for my present self, though. Since Patrick won the match, he and Tashi started dating after he scored her number. I, of course, was too upset to act like I didn’t give a damn about not being able to give Art my number. Tashi insisted that to keep their passion and drive for tennis alive, I keep up my end of the deal and don’t give Art my number. Hesitantly, I agreed as I knew how easily a stimulus like that can create great results. Since the match, Art and I have never spoken except for the occasional hello when passing by each other on the tennis court or dining hall. This moment was the first time I could speak with him since everything, and since I may have developed a slight…crush. 

“So,” He started and turned his body on the bench to face me fully. “How have you been?” He tilted his head and tapped the back of the bench while studying my face. 

Inhaling a sharp breath, I turned my body to face him fully, bringing one leg up and letting the other drape off the side of the bench. 

“Do you want an honest answer?” I chuckled softly as I moved my hands to remove my hair from its braids. 

In turn, Art laughed gently while smirking at me. His stare narrowed as he studied my face, acting like I was an old friend he had known for years. 

“Well, if the honest answer is terrible and cruel, then I’m not so sure.” He responded and immediately matched my energy. 

Damn you, Donaldson. 

“Hey.” I softly laughed as I moved my dangling leg to kick his gently while I finished taking my hair out. 

I wondered for a beat how I wanted to summarize months of memories, feelings, and experiences into one sentence, and this made me sigh. 

“It’s been rough. Majoring in biology and the grueling tennis schedule makes me wanna rip my hair out.” I spoke in a low tone as I ironically and subconsciously began to play with a strand of my hair. 

“I feel smothered.” I finished and silently cursed myself for acting so vulnerable. 

That was three sentences, Milan. Not one. 

As I stared at Art almost helplessly, his eyes softened. 

“I feel the same way, trust me.” He chuckled softly before removing his hat and running a hand through his hair. “It really sucks, but it’s gonna be worth it,” He ended his thought before putting his hat back on. 

“Fuck, and I thought I was the only one. Quite naive of me.” I laughed before looking back up at the sun. “It’s whatever, though. You’re right, and everything will come into place and be worth it.” I continued as I looked anywhere but at Art’s piercing stare. 

Silence. He didn’t respond. He didn’t laugh. He did nothing except stare. Stare in a heavy silence that brought me back to the night in that damn hotel room. 

After a few beats, I returned to my senses, slowly stood up from the bench, and brushed my skirt off. 

“Well, I didn’t mean to stay here for long, so I’m gonna head off.” I went to pick up my bag as I spoke disappointedly. 

I couldn’t allow myself to fall into the trenches. I needed to focus on my studies and tennis. Hard work makes everything worthwhile, and a boy isn’t part of that everything right now.

“Wait, Milan,” Art spoke up and grabbed my wrist, his grip as firm as it would be if he held his racket. 

This made me freeze in my tracks. What the hell did he think he was doing? 

My eyes slowly met Art’s as I parted my lips to speak, but nothing came out, so he spoke for me.

“It’s been months, Milan,” he started, his grip on my wrist still firm, his eyes scanning my face for any hints of discomfort.  

“I know we only really talked with each other that one night and had no time to get to know each other, but I would like to get to know you better.” He didn’t falter. Not once. I don’t even think he blinked. 

My lips had gone dry, and my voice, for some reason, grew hoarse. 

“Art…” I slowly began as I looked down at his hand, gripping my wrists. “The four of us had a deal…” I made sure to tread lightly with a severe tone. 

Two feet and ten toes on the ground. Don’t falter. Don’t give in. 

“They’re a happy fucking couple, Milan. I doubt they give two shits.” He stated matter-of-factly as I felt his thumb rub up and down on my wrist. 

How naive. 

Biting my lip in thought, I began an internal battle with myself. I wanted this so bad. And I could tell Art wanted it just as bad as I did—possibly more. 

I deserve a win other than tennis. 

Sighing, I removed my arm from his grasp and moved to my tennis bag to look for a piece of paper. Instead, I found a piece of muscle tape and a small pencil. Quickly scribbling down my number, I could feel Art trying to see what I was doing. 

“Here,” I said with slightly red cheeks as I stood back up and handed him the piece of muscle tape. “Don’t go blowing up my phone now,” I playfully scolded before picking up my bag and walking past him, glancing at the triumphant smile playing on his perfect features. 

Perfect? …yeah. 

Before I began my trek to the dining hall, I touched Art’s shoulder and whispered in his ear. 

“I didn’t want to admit it, but I really wanna get to know you more, too.” 

NEXT DAY, STANFORD DORMS 11:00 AM

MEET ME IN THE DINING HALL FOR LUNCH?

My eyes stared at the text in utter disbelief. Art certainly didn’t take any time once he got what he’d been craving all summer. 

“Why do you look so shocked?” Tashi laughed from the foot of my bed as she hit my leg. 

Fuck. 

My eyes looked to her as I shut my phone, put it next to me, and picked my computer back up to pretend to look at my study guide for an upcoming biology quiz. 

“My mom sent me a weird text,” I laughed awkwardly before covering my face with my computer. 

“Are you fucking with me?” Tashi laughed as I heard her moving up towards my side of the bed. 

She shut my computer to look at my face, which was for sure red as a tomato. 

“You’re lying,” she smirked before sitting on her knees and clapping her hands. What is it? A boy? A girl?” She persisted as she grabbed my leg and widely smiled at me.

I rolled my eyes at this before clicking my tongue. “Why are you so dead set on the fact that I was texting someone romantically?” I crossed my arms and bit the inside of my cheek, probably a dead giveaway. 

Tashi’s face fell as her brows furrowed, and she crossed her arms, mimicking me. 

“You’re joking, right?” She started before studying my stern expression. “We’ve known each other for what, eighteen fucking years?” She used this as a tactic to crack me. “I know your every expression and what it means. I could write a thesaurus on you if I wanted to.” She stated as she sucked on her teeth, brows still furrowed. 

I stared at her sternly for a few beats before sighing and turning my head to look anywhere but at her. 

“Fine, you got me…” I trailed before uncrossing my arms to fumble with my fingers. “but this is the first time I’ve received a text, so it’s not important.” I put my hands up and looked at her as an explanation as to why she shouldn’t ask questions. 

I should know better. 

Tashi’s annoyed face instantly turned into a happy one as she bounced on the bed and continuously hit my leg. 

“Who is the lucky guy? or girl…” She tilted her head with a goofy smile, which she would only show me. 

“It’s a boy…” I sighed before turning my head to look at my closest, as it suddenly looked very interesting. 

No matter how long I had known Tashi, I couldn’t gauge how she would react to this. She’s a very pushy person who likes everything to go her way, but I’m hoping that since it’s me, she will react differently. 

She shrieked and shook my legs back and forth with a giggle. 

She’ll be so disappointed. 

“Who is it? Is it that cute boy I caught you practicing with the other week? Or that one boy that you sometimes study with from your Chemistry class? Or maybe it's that random guy from the baseball team I saw you talking within the dining hall last week?” She fired off in a millisecond as I stared at her in utter disbelief. 

“Okay, first of all, how did you know about all of those? And second of all, the first guy is gay, the second guy has a girlfriend, and the last one was giving my pencil back to me after using it for a quiz we took in statistics.” I responded as I rolled my eyes so hard I thought the whites of them would turn permanent. 

“I’m your best friend. I know everything.” She spoke eerily with wide eyes before breaking into a smirk. “So, come on! Tell me who it is!” She bounced repeatedly on the bed and shook me back and forth until I finally had enough. 

“Fine!” I exclaimed and threw my hands up in the air.

Fuck it. 

“It was Art, alright.” I threw my hands up as I bit the bullet and came clean. 

Tashi’s face dropped almost instantly as his name fell off my lips. She wasn’t happy. Not at all. 

“What the fuck do you mean?” She laughed in disbelief as she shook her head and moved her hands from my legs. 

I immediately sat up more and moved towards her. 

“I saw him after practice yesterday, and we got to talk,” I explained as I bit the inside of my cheek in anticipation. “He asked for my number, and I figured since everything happened months ago, there would be no issue…” I trailed off and looked her straight in the eyes with a pleading expression. 

Tashi just stared at me and shook her head slowly. 

“We had a deal with them…” She stared at me with an accusatory face. 

“Tash, I know,” I exclaimed and grabbed her hands. “But you knew I liked him more than what happened in that hotel room. Plus, you and Patrick are happy, so why should it matter?” I asked and shook my head as I gripped her hands. 

She stared at me as if I kicked her puppy and gasped in her throat. “Um, to keep their passion alive? To ensure they both strive for better and strengthen their relationship with tennis?” She spoke as if it was plain as day. 

Furrowing my brows, I slowly shook my head and parted my lips, shocked. 

“Is tennis all you care about?” 

I shouldn’t have said that. 

My words echoed in my mind as I retracted my hands from Tashi’s and bit my lip, feeling defeated. Her stare pierced into my soul as she looked away from me and placed her hands on her thighs. 

“If this is what you want, go ahead. I can’t and won’t stop you.” She spoke slowly before eyeing me. 

Fuck, I messed up. 

“But never think for a second that I care about tennis more than you.” She choked out as she looked at the picture of us in fifth grade sitting on my bedside table. 

At this, my eyes widened, and I nodded slowly as a single tear slid down my cheek. Moving towards Tashi, I wrapped my arms around her waist and hugged her. 

“Pinky promise?” I whispered into her neck while she returned the hug. 

“Pinky promise.” She responded and grabbed my hand to interlock our pinkies.

[v-anrouge]

Verryyy long ranting under this about vil and how this fandom treats him for absolutely no reason pls excuse any mistakes and feel free to correct me with any accidental misinfo i passed <3

Mentions of racism, fatphobia, eating disorders, elitism & ableism and also SPOILERS for Vil's character story (eng only)

Ever since this game started getting super famous in tiktok and twitter it seems that people just love to butcher literally every character in Twst and sometimes it's genuinely baffling how wrong some of the takes are, it really does make me wonder if some people just don't read the story and just skip every character who isn't their fave, and if they really do that, what makes them think they know enough about the rest of the cast to post in the character's main tag the most rancid read on a character, often accompanied by some accusations of literal crimes of bigotry that really should be taken more seriously instead of being terms thrown around.

I'm gonna be talking about Vil specifically but characters like Leona, Jamil, Sebek and a few others have it exceptionally bad as well (especially Leo and Jamil who's haters can even be quite racist)

I've been playing for a very long time (in eng) i remember being there to watch the Heartslabyul final release and the release of Savanaclaw's chapter and through these years ive seen the most horrific takes on Vil's characters, ranging from the accusations of racism (which have been debunked again and again especially by JP players) to accusations of supporting eds, fatphobia, elitism and ableism. The funny thing is that even with a very quick read of any of Vil's story you'll find out there is no support for any of such claims. They like to use the incident with Epel's accent when for years JP players have pointed out how this was strictly an error of localization since they couldn't find a situation similar to the one that is portrayed in the original game to put in eng twst, they went with the one we have where Vil asks Epel to "hide his accent" (he really doesn't he was talking about the way Epel is rude and disrespectful which would definitely end with him being beat up and then expelled bringing a bad fame to Pomefiore and also making Vil look bad for not properly guiding his dorm students) which is a terrible choice but alas it seems people prefer to ignore facts to stick with their claim that Vil is some sort of monster when this man is literally a teen. He's 18 years old and has to constantly look out for his image in and out of school since he grew up in front of the cameras.

Vil's character is all about beauty and self care and self acceptance yet for some people this seems to translate to "starve yourself if you don't want to be a disgusting fat pig" which is very weird to say the least considering all mentions Vil makes about diets he is talking about keeping a balanced diet to nurture your body and even has a voice line pointing out the importance of eating. Vil himself may be coded to have an ED in his overblot and Lab vignette but he has never and would never encourage one, he literally goes out of his way to annoy students to take care of themselves what makes anyone think he'd encourage them anyways? It's such a weird thing to assume of a character.

A lot of people seem to think that Vil is also the "beauty standart" king which doesn't even make sense considering vil is a gnc man, he already doesn't follow beauty standards and would definitely be against it, Vil's vision of beauty for himself may be twisted due to his traumas and troubles yet his vision of beauty for others is always exclusively on the person being their best version, this includes dressing how they want to and feel comfortable in, using whatever makeup they want (or just not using it at all) etc.

The way Vil speaks is often misunderstood as he tends to be strict and can be read as mean (I've already shared my theory on what may have caused this behavior here before so i won't be getting into too many details) but Vil is a famous and respected housewarden because if you actually stop and think about his advice the end result is always an effort to make the person's desires come true. (a good example is how Vil made Epel clean the windows and although Epel was displeased with the hard labor in the end he notices how the task may help with muscle growth and gets happy)

Vil's way of caring for others is often misunderstood and obviously that's understandable, not everybody may get his "rougher" way of handling advice, but also it's a bit weird how people react to it when in game all of the characters seem to be okay with it, Pomefiore has a lot of students and if they considered Vil to be a bad leader he would've been voted out a long time ago, no? And if i remember correctly wasn't it said in game they had very few transfers? (as in characters moving out of Pomefiore and into other dorms) That wouldn't make sense if Vil was really the cruel leader some people make him out to be. The truth is Vil is a nice caring person and his students recognize that which is why he is respected all across the school and not simply on his dorm (because ive seen people say Vil has brainwashed the Pomefiore students into thinking he is a good housewarden 💀)

Vil surely has issues he needs to work through, after all this game is literally about that, dealing with troubled teenagers and their internal struggles and the importance of asking for help (omg friendship is magic...) but Vil is also a teenager, and he is one of the characters that show the most desire to get better, immediately showing regret and apologizing to Yuu and his classmates for the danger he put them in, that is because Vil genuinely does care for them.

Another accusation people make is ableism, i remember seeing many posts saying Vil wouldn't respect disabled people and/or mentally ill people which is 1- extremely fucking rude to say? 2- absolutely wrong. Again just a quick read on Vil's character will tell you everything you need to know about how he'd feel about disabled people, he'd treat them like everyone else, and would adjust his handling accordingly to their needs, i really don't get where this claim comes from but it's quite ironic because a lot of Vil haters tend to be ableist themselves by claiming that Vil is a bad person mentioning traits that are often caused by mental illness and the effect of traumas, failing to analyze how their treatment of a character that displays common mental illness symptoms may affect people in real life who displays the same symptoms, and often being ableist themselves by judging these actions irredeemable and inherently evil/heartless, once again dehumanizing people with mental illness in real life who deal with the same symptoms.

Another common thing is the constant invalidation of Vil's trauma. A lot of people seem to read book 5 with their eyes closed and take away from the story that the reason Vil "got pissy and almost killed a guy" (wording of a terrible post i saw a few days ago<333) is because he's a "spoiled brat who couldn't handle getting the paper he wanted in a movie boo hoo" which is kind of funny with how terribly wrong it is, i really don't know what your thought process has to be to get his backstory this wrong but sure, let's start; The start of Vil's problems with being cast as a villain starts from when he was very very young, he was just a child when after being cast as a villain for a movie he was almost beat up by a group of boys for being an "evil guy" and by his reaction it wouldn't be impossible that this wasn't his first time dealing with that kind of thing. Vil also tells jack (who scared away the group) that he had trained so he would be able to deal with them on his own which again, could be a hint that this wasn't that uncommon in his life. In Vil's overblot dialogue is all we really need to know to debunk this claim.

What Vil wanted wasn't just to be a hero in a movie, he wanted to be seen, to be heard and cherished, he wanted to be more than a pretty prop they could put on the front to get attention only to be taken out of stage when he was no longer necessary in the next scene, do you get it? He wanted to be able to see his hard work pay off, to see his efforts of years being rewarded, to for once not be exchangeable for someone more favorable. Vil wanted to feel like all his pain was worth it in the end because finally he could shine in the stage, being himself instead of just another persona to attract people. In his overblot it's shown clearer than ever that Vil does not have a stable view of his own image unlike what he has trained himself to show, even calling himself ugly and begging them to not look at him. I don't think Vil is used to be being vulnerable, which would explain why he was so freaked out when the overblot happened, and why he cried when his beauty (the one thing about himself that was always recognized by others and therefore the thing he'd always been the most desperate to nurture) was taken away by aging in book 6 (note; the fact Vil sacrificed it for his classmates also just debunks the people saying he only cares for himself, if he did he wouldn't be who he is.)

I said i wouldn't give my thoughts again but i will, just briefly, i believe an easy explanation to Vil's behavior (the tough love he gives and his strictness) might be because of the industries he grew up in, we can't know for sure how similar twst's version of the movie and modeling industry is when compared to the real life one but considering the way Vil is, my guess it's that it's pretty similar, especially in the regard of their treatment towards children, in Vil's overblot he hears two staff members talking about how he'd never be able to pull off a relatable role because he is too perfect, and sure those may not look like insults, but to Vil who's only dream his entire life was to be seen in good light, those words stuck to him so deeply they'd come back to him during his overblot. (note; i have not seen a jp translation of the overblot scenes so i don't know if they also suffered from localization issues, if anyone has a link to one i could see id really like to see what the staff said to Vil)

The general point of Vil's overblot was how his efforts and hard work were always overlooked and ignored in favor of someone else, this happens with quite a lot of characters and happens as well with another overblot (Leona, who happens to be quite similar to Vil in many ways) and although i don't expect anyone to read it and think of analysing it more deeply even with a shallow vision of his overblot it's still incredibly insensitive to call it a "non-problem" especially considering the fact this is Vil's ENTIRE life, he's been working hard and failing for years again and again and that does get to you. I remember when i posted my first rant on Vil quite a lot of people who reported to be skilled at something (say for example music or dancing) as a child that any failures absolutely destroyed you inside, and that people who haven't passed through the same tend to call them dramatic and say they're overreacting to situations that can be classified as trauma depending on how much it mentally impacted said child. (and in Vil's case it's clear it had a massive one, after all he wouldn't have overblotted if he didn't have issues that had been bottled up until they finally exploded)

Mentioning Leona again, he and Vil share the same sentiment of anguish for being discarded and having their hard work be thrown away, the difference in them is the way they reacted to it, while Leona ended up not seeing any value in attempting to do anything because he assumes the outcome is always going to be the same, Vil overworks himself and forces himself to do things he might hate clinging to the hope that this time it'll work out.

Since we're talking about trauma ill already answer some things that may or may not come with this post (because in my first one i got this response a lot) "Vil's a fictional character it doesn't matter" and sure if you think like that cool, personally, when im talking about a fictional character that tackles real life traumas and issues, i talk about it as if referring to a real person because the character has been written with one (or multiple) in mind.

Twst may have issues but the character writing is undeniably about real life traumas and experiences, and the characters are quite accurate and good representation of the issues they tackle, so when you invalidate them, you are by result invalidating real life issues. Of course this won't stop anyone and i know that a few people will probably scoff at this and brush it off as being too sensitive but personally if you wouldn't dare invalidate say for example Riddle's traumas because you know it's a representation of mommy issues, which is a very real problem, to not go against your own morals you should also respect the issues of all the other characters, even if you personally think some are more "serious" than the other.

[kanonavi]

Spoilers for Simulanka Day 3

There's a conversation that I've had with friends from time to time about the fact that the world of Teyvat is, at its core, incredibly kind. Shockingly so, even for most fictional stories that aren't directed towards children. Even though the traveler has faced many antagonists on their journey, the people around them have always banded together to overcome those challenges. Even when people are hurt it's very rare for anyone to die, and many of the antagonists in question aren't pure evil and have their own reasons for taking the actions they take. They may not always operate on the same morality as the traveler or the player, and they might not be "good people", but they still believe that what they have to do is right, or at the very least necessary.

To put it more simply, Genshin is filled with characters that are made to be liked. Not every player will like every character, but very few of them are actively trying to work against you, and even when they do there's still something there to like. Except for like, Il Dottore, but he's likable for how unlikable he is (I have to say that or my Dottore enjoying friend will be sad lmao).

I got to thinking about this when playing the last part of Simulanka because it was a reminder of how, despite the kindness that they've been shown by Teyvat for the past three and a half years, the traveler's morality is still shockingly black and white in many situations.

We see this the most in how they interact with the Fatui. The Fatui, particularly the Harbingers, have cause a lot of damage in the past, but a lot of the grunts are just ordinary people following orders. the commission line in Mondstadt with Viktor, Golden Apple Archipelago 2 and The Chasm come to mind for times when we've interacted with Fatui grunts in a way that really humanizes them and shows that a lot of them really are just people doing a job. Some of them have just been surveyors or low-level guards, but the traveler and Paimon treat them like they're cartoon villains until proven otherwise (and sometimes even after proven otherwise).

The way that they acted towards Simulanka Durin before the party gave him their blessings also seemed to reflect this, especially in comparison to the other party members. Wanderer was obviously the most sympathetic to Durin, since his memories were like looking into a mirror for him, but Nilou, Navia, and Kirara all stepped forward to give Durin their support while the traveler was still showing doubts. They were thinking about how the residents of Simulanka might not forgive Durin, or how his form was too big and scary to coexist with everyone, which was an incredibly unsympathetic outlook even though they were ultimately able to change Durin's form.

It honestly reminds me a lot of how the traveler treated Scaramouche/Wanderer in Inversion of Genesis, like he was a person to be kept the company of only out of necessity as a means to keep him under control, even after Nahida said that she trusted him. Even though something did go wrong at the time, it still showed that the traveler's suspicion and distrust of Scaramouche was strong enough to outweigh their trust of Nahida, despite Nahida having proved herself many times to be wise and worthy of trust in the past. That mistrust and even disdain for him even carried over into when he reappeared with no memories, as the traveler was forcefully adamant that he needed to reclaim his memories and atone, to the point that it seemed like they were being a little bit mean about it.

It's arguable that Scaramouche deserved that treatment, since he was kind of a little shithead who caused a lot of harm in the past, but the traveler was also witness to how deeply he was hurt and manipulated in the past, and therefore would have some kind of understanding of why he turned out the way that he did.

Despite the traveler's usual helpfulness in Simulanka, Nilou, Navia, and Kirara all feel like contrasts to them. Nilou's whimsical outlook and positive mindset allowed her to grasp the magic of creation and even gave her the initiative to try and change Durin's form with magic in the first place. Navia is used to taking care of "the little guy", as it were, through the Spina, and was therefore willing to listen and empathize with the toy people who didn't want to undo the power of prophecy. (With those guys also being called "conservatives" or a "conservative radical" in English, that doesn't really have a good connotation depending on your political leaning, but Navia listened to them anyway). And with Kirara, while I haven't played her little sidequest yet, the description of her outfit described how the little cat burglar stole and returned the emotions of the cats that they hadn't been given when they were created, casting her in the role of someone who can understand the balance that anger, sadness, and pain bring to happiness.

The three of them, as well as the Wanderer, all carry Teyvat's fundamental kindness with them, and it was then coaxed out of the traveler only when all of them had already stepped forward.

It made me wonder if this is some kind of lesson that the traveler has to learn before reuniting with their sibling, that they need to be more willing to put their trust in people, or at least be more understanding of others. While the abyss twin hasn't divulged too much of what they've learned yet, they've made it clear that there are lessons that the traveler needs to learn about the world before they reunite. While that likely has a lot to do with various truths about Celestia and the sky being fake and all that, perhaps they're hoping for their sibling to learn that at least in Teyvat, sometimes people who cause harm to others are simply trying (or have tried and failed and lost hope) to find a path towards co-existing with others.

Since the abyss twin is supposedly born of Teyvat as well, perhaps they've already understood that part of this world from the very beginning and are waiting for their sibling to catch up.

[kiame-sama]

Warnings; bg3, full party (because I want them all there to talk), Druid Tav*, Slight druid path spoilers I guess?, Owlbear, Protector type Tav, yandere companions (ALL of them), basic identity spoilers for first act followers, slight early story spoilers, they/them reader, yandere Raphael makes an appearance too.

* Tav is the name that always appears in the character generator first, so technically Tav is the unofficial term for the player character- or Reader in this scenario.

~~~~~~~~

The large owlbear lumbered slowly amongst the fallen undead, using the sharp beak to pick around the bodies for anything useful. Of course, not everything picked up by the defacto leader of the group was typically deemed useful. Such was the way of the unusual soul the group found themselves following the every whim of.

Countless battles had been won with their leadership and each companion had true respect for their leader, even if respect for the other companions was variable. To take them from desperate and hopeless about their plight to truly believing they could succeed their impossible mission. Each odd soul brought in to the fold by the odd druid may not believe, but they believed in how much their leader believed. For them, this was enough.

This meant that when their trusted leader wandered around as a creature that could feasibly carry three of them, they just followed along and grabbed what they wanted if their leader didn't pick it up first. They trusted their leader to distribute loot and treasure adequately based off of who could best use what was collected. Still, that didn't make the experience any less surreal, even for those who were familiar with druids that favored their bestial forms.

"Astarion, do you ever feel like we, as a group, just adapt to everything around us a little too well?"

Gale, the wizard of the group walked next to the rogue vampire spawn, his arms crossed in a contemplative way. Never before would he have imagined himself having light banter with such a being without bloodshed, but here he was regardless.

"Do tell me you are joking, right?"

"No, should I be?"

"God's, Gale, we're all stuck here as a group with only one thing in common- the fact that we're facing impossible odds to simply survive- and we can barely keep ourselves from killing each other. On top of that, just what do you think we're doing right now? Hm?"

"... Collecting the spoils of our battle?"

There was a distinct moment of silence as the beautiful vampire spawn stared at the wizard with a look of disbelief and disgust. The apparent pause catching the attention of the rest of the party- minus the owlbear lumbering ahead of the group- as they all decided to listen in. It was good fun to hear the others squabble and it gave a sense of comradery despite the situation they were in, misery loving company in most ways, though things weren't seeming too miserable now.

"We are in a temple that is inside of a crypt- some depth underground- picking amongst the remains of reanimated corpses that have all been stomped to death by our Owlbear leader. Not to mention this leader who just so happens to be the most balanced person among us and somehow isn't corrupt as all hells while doing it."

Some of the others nodded along in their own ways, knowing Astarion's assessment wasn't too far off from the crux of the situation they found themselves in. A few cast glances at the afore mentioned owlbear leader who seemed rather content rooting through what little remained from their earlier rampage.

"And they're hot as the hells while doing it."

Karlach, the literal flaming tiefling barbarian, commented, putting herself in the conversation with a wide grin.

"You're one to talk, Karlach," Wyll playfully jabbed back, "You've literally got fire coming out of you!"

"You know I'm right though!"

"Well, I didn't say you were wrong."

Before the two could continue, Astarion cut them off, bringing the now group conversation back to Gale.

"Anyways, my point still stands. We are not the ones who make this all work. They make it work for us. We are stuck together- like it or not- and they call the shots. We can get used to anything because they can get used to anything. Don't pat yourself on the back too hard now, it might get you excited."

Gale slightly winced at that jab, given the fact that he was the most obvious about being smitten with the group leader, and yet his beloved was completely unaware of how hard he had fallen. How hard they all had fallen.

"Are you all fools," Shadowheart hissed in a low voice, "you know they can hear us, right?"

It was Lae'zel's turn to bark out a laugh, her lips curled in a sly grin as she regarded the Sharian cleric. It gave the Githyanki soldier a sense of satisfaction to know something about their leader the cleric didn't.

"They can't understand us in that owlbear form. Why else would these fools talk so plainly?"

Unknown to them, their leader could understand them, but simply didn't want to cause in-fighting or favoritism to arise. So they simply carried on as if unaware of the conversation, just trying to focus on finding what was salvageable.

Unknown to them all, a demon watched from the rafters. His arms were crossed and a grin played across his lips. He had to admit, that druid was certainly a fetching prize as they clearly enamored not only their mismatched companions but him as well. Time would leave him the last among them by the druid's side, he would ensure it. Besides, he had plenty of time to wait.

[in-uthenera-we-wait]

It's been a few days since I completed the Veilguard and I am going feral about the dynamics between Mythal, Solas and Lavellan...

It's just a bittersweet kind of pain when I think of them and I want to get my thoughts out before I am overwhelmed by them. Also, this post took way longer than expected to write!

Detailed deep-dive under the cut (to avoid spoilers)

Colour-coded because my brain is weird like that!

Also this is a loooooong post... you have been warned!

On Mythal:

It is clear right from the start (of when we discover the memories of the Dread Wolf) that Mythal is an integral part of who Solas was... Or should I say, who Fen'Harel was/is.

Solas, as a spirit had no desire to take a body and took one for the love of Mythal.

And when I say love, I do not see it as something purely romantic... It goes above and beyond that and not always in the right way.

She sought to mould him into someone she could use. She saw it as Benevolence (the attribute that her spirit is supposed to represent), but I think her purpose had been corrupted even then, even before Solas gets his body at her behest.

The reason I believe it's so is because, true Benevolence doesn't discriminate and denotes a desire to do good for others. Compassion is that desire enacted.

Mythal's benevolence was conditional. Her benevolence came at the cost of suffering for the Titans. So, there was a sliver of selfishness to her purpose. This isn't necessarily bad but this means that she is no longer truly what her Spirit was supposed to depict, not completely. And this sliver of selfishness is what permeates the entire relationship she has with Solas.

We, as the player, have only ever seen Mythal either through the very rosy lens of the Elvhen who worshipped her very much like the way Solas does, or through Flemeth. The latter is no longer the Mythal that Solas knew. She is a fragment of the original who has gained the wisdom and experience of millennia through the hosts she inhabited.

The truest depiction of what Mythal must really have been like is the fragment we encounter in the Crossroads. She honestly, isn't as likeable as Flemeth/Morrigan was/is.

She is openly haughty, expecting her petitioners to convince her of the dangers to the world outside, and sounds almost bitter that her most ardent devotee hasn't visited her once since she was killed and the remnant of her essence was extracted from the dagger to reside in the Crossroads. She faults Solas to an extent for her fate, and clearly doesn't hold him as beholden as he does her.

So, it felt weird to me that she would be so willing to release him from her service, even more so if you had to fight her for the fragment (as I had to).

The only way I can see her being moved to help convince Solas (especially if we fought her in her dragon form) is that she was observing the world outside the crossroads when she is in Rook's possession, the way Rook interacted with Solas, and even more so the way the Inquisitor speaks of her friend/vhenan.

On Solas:

Solas... the man, the myth, the legend! Where do I even begin to unravel the mess that he is!

Originally, a spirit of Wisdom, tied to Mythal in a way that has him put through the thumbscrews of War and Strife, so much so that I see his transformation into Pride as something like a callus that forms over skin that has been rubbed a few times too many.

His love for Mythal was the start of his doom, and right there, his purpose was changed from Wisdom. Because, wisdom would have remained a Spirit.

Now, the nature of that love is up for debate. Again, I don't see it as something that is purely romantic. Though, I think the way he feels for her is different from the way Mythal feels about him. There is more devotion on his side. He says that he will follow wherever she goes and takes on a physical form for her.

And then, slowly, one step after another, he strays away from the path of wisdom - crafting the Lyrium dagger, making the Titans tranquil, allowing the other Evanuris to claim godhood, letting Mythal persuade him to each of these steps, his regrets have her face.

Remember the following dialog he has with the Inquisitor after they drink from the Well of Sorrows? When he asks them how they will ensure the Inquisition doesn't fail, and when the following dialogue ensues...

Let me present you with evidence on how much he was hurt by that.

INQUISITOR: I trust my friends.

SOLAS: I know that mistake well enough to carve the angles of her face from memory.

We had already posited that the 'her' in the dialogue above was about Mythal. But back then, we had assumed it was because of the trust Mythal had in the evanuris that caused her death. What if it wasn't so? What if he was speaking of the trust HE had in HER?! He trusted Mythal to stand by him as he had stood by her. And she had failed him.

It could be that this is after her death, but something tells me this was before. Because Felassan's response to Mythal not joining them would be different if it was because she was dead.

So, we've established just how hung up he is about Mythal, because he has this vision of hers that might not even be true. He views her through the lens of adoration and worship that ends up putting her on a pedestal rather than view her as the flawed person she is. He could never be truly free unless he sets aside these feelings he has for her.

I also found it interesting that he has refused to visit the fragment of Mythal that was stuck to the dagger when she was killed. That fragment is the truest version of his friend as she was when she died. He refuses to acknowlege Flemeth and even Morrigan as Mythal.

Even in the end, it is this fragment of Mythal that he knows and remembers that releases him from her service. Because he wouldn't accept it from anyone else!

And with that established, let's move to the final part of this triptych.

The Inquisitor is a tricky one to analyse because they can be so many different things depending on the player. But for this essay, I will be focussing on Lavellan who romanced Solas and sought to change his heart.

On the Inquisitor:

She is everything that Solas believes is wrong with the veiled world his actions resulted in. A shadow of his people, tranquils with no connection to the Fade (especially true if Lavellan is not a mage). He also begins to believe that the anchor is what makes her who she is. That has to be the case, because any other explanation would make his future plans questionable!

But then, she walks into his life, curious and bright, kind and caring, asking him questions with an open heart! The first thing she does is assure him she would protect him from prosecution. She changes everything!

He tries to justify his feelings for her by assuming that the anchor has changed her. But nope! She shoots that down as well. She is truly herself, with or without the anchor. A rare and marvelous spirit.

Lavellan sees him for who he truly yearns to be seen as. Wisdom. She seeks to understand him and asks nothing in return. She is ready to help him whenever he asks for it, and even when he doesn't. She tells him he does not need to mourn alone, when his spirit friend passes!

His one true fear: Dying Alone... and she allays it by promising to be with him, no questions asked.

He almost decides to give it all up and stay with her... as just Solas. To be with the one true person who truly saw him beyond the cool and collected mask he wears. But he doesn't... In another world perhaps but not this one.

And so, he leaves her in the end, because his regrets are too much to be set aside so easily. He also sees bringing down the veil as an act of self-sacrifice, now more necessary than ever because this would mean She would live on happily in a world where his mistakes don't exist anymore. Also, he doesn't want her to see what he would become.

But she perseveres. Every time he pulls away, she reaches out. The parallels between the Solas/Mythal and Lavellan/Solas relationship is just *Chef's kiss*!

She represents Hope for me. And I'd say, she is true to her purpose that way. Even when things don't go the way she wishes it did, she still hopes. Her Hope springs eternal. And that is what saves her, Solas and the entirety of Thedas!

So, towards the end, her Hope burns bright against his Regret. But he is unable to see it until he sets his own regrets aside. And for that to happen, he needed Mythal to release him.

Mythal was his past. But Lavellan is his eternal future. It was up to him to move from one to the other.

Once he was free from that bondage, he could look towards Hope.

Only then could he truly see it... that she had seen him as he truly was, and she loved him... that she loves him still.

In the end, her love did endure, and how!

'Var lath vir Suledin' indeed!

[derww]

Hearts and their true value | Essay

ZAM: Something i've noticed is that people who are willing to stand up are the people that have been around longer. It's interesting. Its not like Jumper's that new anyway, like she's been around, she's, I feel like she's not really like... I don't know, understood the devaluing, or the lack of value that hearts have.

Okay, I wanna tell you a story.

[ENDGAME SPOILERS TO SKY:COTL | CW DEATH AND SUICIDE IN THE GAME CONCEPTS]

There is a game called Sky. This is a social game about human connections, and one of the important parts of the gameplay is wings. You get wings by grinding and lose them one by one when your health drops to zero.

From the very beginning, the wings are shown to you as a value: they accumulate as you explore the world, which is beautifully reflected by the star patterns on the cloaks, and, most importantly, they determine the degree of your ability to fly. and flying is the main mechanic of the game, you fly almost always. an unshakable and absolute value. This means that wings must be protected and saved, and this is the essence of the game!

But Sky is a cycle. The end of the cycle is death. and you are losing all your wings in the process. Invariant. And the game never warns you about it; it says that you can lose your wings, sure, but it's nothing in comparison with losing everything. And first time, it's very, very scary: me personally, stories about this place scared me bad enough that I finally got through it only after a week of constant playing. and in the end you're left with... nothing. You have only one wing. You have to start from the beginning. Was all this adventure, all these efforts, worth it?

Usually it takes several months for the players to get used to losing wings. Not only at the end of the cycle, gaining red candles and sometimes unlocking eternal wings or cosmetics, but generally. Leaving themselves in dangerous places, playing with the death, and... Protecting other people, especially new players, by bodyblocking the hits. because, despite the amount of wings being a reason to flex and the importance of being able to fly higher and longer and grinding being just straight up annoying, part of the Sky philosophy as i understand it is the idea that wings are not actually holding much value. 

Two years ago, I had a beautiful sky friend. She was Chinese, resembled an elegant and beautiful flower, and told me to call her 江妤 (Jiang Yu, "Like the Yangtze River,"  she had explained to me). Jiang Yu, in addition to all her wonderful personal qualities, was wingless.

In a normal situation, you can't stay wingless; you always have at least one wing. The whole game is based on the idea that you will fly, but there are many glitches that can temporarily make you wingless. However, here was only one way to stay wingless: from the moment the birth, you couldn't pick up a single wing and continued to avoid them for eternity.

It wasn't a planned way to play, but it was possible, and different people played that way for different reasons. Jiang Yu, having a very developed account on a Chinese server, explained to me that she wants to travel with her friends. "Lead me wherever you wish, and I will follow you,"  she said to me. She couldn't get to many places on the map alone, and even one drop of rain depersonalized her, and she needed someone to guide her. She was extremely dependent on others. 

But Jiang Yu, having no wings, being outside the existing equation, could not die. This was the catch of the wingless: having nothing, they were not afraid to lose something (except their own winglessness, but oh, well), and this made them invulnerable. For me, it was the true Sky experience of connecting with people around and trusting them.

Thinking about the philosophy of it in my walks with Jiang Yu, I came to a personal conclusion: Sky is a game where you are given value, given currency, demonstrated its importance and usefulness and irreplaceability, and then demonstrated that in fact it has no real value. And the wingless ones, even if not planned by the developers, are the apogee of this idea. It is—oh  well, let me give you the most banal quote: "It's only after we've lost everything that we're free to do anything." Do you understand where I'm going and how it relates to Lifesteal?

I don't like to row everyone under the same comb, but to simplify, let's say: many of the new members are scared to die. Old members are generally not. They all have different understandings and positions, and someone has 20 hearts and someone has 4; it's a difference in mindsets.

And Jumper is still new. Especially taking into account that the big part of the s5 she was pretty much immortal with the infinite (not really, but) stash of hearts and that PB&J was kinda built on not understanding things.

Yeah, this is the Lifesteal, the server about killing people for hearts. But it hasn't been just that way for a very long time. The server is fucking alive and is constantly changing, but even before, cool stories were much more important than just not dying. "Reaching 20 hearts" without any twist is a very boring video. Wanna show how cool you are? Do something better.

There is not much interesting in being just passive. Yeah, Wemmbu is scary, but he is the villain; of course he is scary. Im not saying that they have to pick up a sword and fight, but I think Zam is right in that they just don't really understand yet. but its something we've talked about many times before – unspoken rules and conventions and all that. This can be attributed to the same place as the fact that members tend to play along with each other even if it's dangerous. Content is more important than hearts. At the end, you came here to play.

Part of the reason I love 3ht so much is that they embody it. They're constantly dying; they seem weak and worthless, but they're here, and they are doing atleast something. And Planet... Is Planet. Even to go edit, you first need to give a dramatic speech, change movement of the whole arc, and backflip into the void. Despite how important hearts are and that you should still care, it's good to understand that it does not actually matter that much. Yeah, it helps with how many crits you'll take before dying, but is it really the only important thing here?

Many months after our first meeting, Jiang Yu made a mistake and accidentally got her first wing. She was so sad, and I hugged her, and her wings looked like a beautiful cherry flower. I haven't seen her in a long time, but we still exchange gifts sometimes. I miss her. And even if we never see each other again, I appreciate the memories we've made together. And it's more valuable than anything else.

(And, at the end, its just a game. It can be very important; you can be very invested, but it is necessary to draw a line. In-game life may cost nothing, but your real life is infinitely valuable)

[elyvorg]

Kieran Part 2: It’s All About YOU

Well, looks like The Indigo Disk didn’t remotely drop the ball – it caught it in incredible style! Pokémon’s best character-writing job yet has been followed up and capped off with, if anything, something even better. Kieran is far and away the most complex and well-written character that mainline Pokémon has ever achieved, and I am here to talk about the second half of why this is, in very great detail. Consider me just, blown away. I have So Many Feelings about this boy.

This is of course a follow-up to my earlier analysis post about Kieran’s character and arc during The Teal Mask, which you can find here. Reading that before this is recommended!

(This will contain a couple of brief references to some post-epilogue lines, so if you haven’t got to that stuff yet and you really care about seeing it completely fresh, you might want to hold off on reading this for now. But there’s no actual spoilers for the epilogue itself in here, because, whoops, I think I’m gonna have to cover all of that in yet another post of its own.)

(Like last time, I will be largely referring to the player character as “you” for convenience, although I may shift into third person occasionally when I’m talking about the vague implications of a personality that they are given, since that’s a little more relevant this time.)

The gaping pit of inferiority

First, though, before getting into The Indigo Disk, I want to re-establish where Kieran’s character ended up at the end of Teal Mask, now that I have a clearer idea of exactly how that relates to where things are headed.

Kieran was always gripped by an aching inferiority complex, one too huge and unbearable for him to ever face directly. Prior to Teal Mask, he’d coped with that by clinging to the figure of the ogre as an ideal of strength. He imagined that maybe one day if he managed to grow strong enough to be just like it, the ogre would acknowledge him and be his friend – and that would finally mean that he mattered and he really was strong after all. He finally wouldn’t have to deal with the crushing pain of his inferiority complex any more.

But then, of course, you swept in with your amazingly perfect protagonist strength, ripping away Kieran’s chance of ever befriending Ogerpon and doing so in the most tragically agonising way possible that only seemed to validate and hammer home to him just how hopelessly weak he really is. Left with nothing but an even bigger gaping pit of inferiority inside him, and no longer able to cling to the idea of Ogerpon as a way for him to one day escape it, the only thing Kieran could do in order to cope was find something else to latch onto: you.

You became a greater ideal of strength to Kieran than even Ogerpon ever was during the events of Teal Mask, so now he’s hung everything on the thought of making himself strong enough to prove he’s just as good as you. If he can become strong enough to beat you, surely that of all things will be enough to prove that he matters and isn’t weak at all. It’s the only thing he can conceive of that might just free him from the grip of his terrifyingly massive inferiority complex, and he’s clinging onto it for dear life, striving for it to the point of obsession.

I saw a lot of people talk in the lead-up to this DLC like it was going to be about Kieran wanting revenge on you, but that’s not remotely it. He isn’t even able to comprehend the idea that anything you did to him could be considered wrong in the first place; that’s just how things were meant to go when you’re strong and he’s weak, right? Even though it was you who took everything away from him and made him feel so crushingly inferior, that pales in his mind next to how incredibly strong you are and how badly he needs to be like that himself. This isn’t even about him getting another shot at winning over Ogerpon, either – as much as you having become her trainer is a huge source of pain and jealousy for him, he seems to have pretty much accepted that there’s no changing that now.

What Kieran actually, consciously wants out of all this is…  well, it’s extremely vague and nebulous, but that’s precisely the point, because there is no rationality involved in any of it. What is he really hoping to gain from it, when (if) he beats you? For you to decide to be his friend after all? For him to instantly become happy and finally feel strong? For him to magically turn into you and have all the good things you have that he envies about you? Obviously none of those things would necessarily happen, but Kieran is not consciously thinking any of this through to its logical endpoint. He’s not actually hoping to get a specific Thing out of beating you – he just desperately, indescribably feels like he needs to beat you, more than anything else in the world.

What Kieran really needs out of this deep down is for you, this person he’s warped himself into idolising as the Strongest Most Perfect Person Ever, to acknowledge him and his strength. It’s just like he wanted Ogerpon to acknowledge him before, shifted onto a new target of idolisation and grown far more desperately obsessive. If you of all people acknowledged him, then just maybe it might actually be true that he really is strong and worth something after all. At its most fundamental level, Kieran has always just deeply needed to gain a sense of self-worth, and yet his self-esteem is so horribly low that he’s basically incapable of doing so on his own without outside validation. But I really don’t think he’s aware on a conscious level that this is what he needs and what he’s striving to get out of all this.

(And of course there’s no way you’d ever acknowledge him and his worth as a person anyway, right? He thought you’d maybe done that when you called him a friend back in Kitakami, but any fleeting hope of gaining self-worth that way evaporated when you went and lied to him, validating his fears that obviously you’d couldn’t possibly have meant it. After all, why would someone as strong as you ever want to be friends with someone weak like him? The only way you’d ever possibly acknowledge his worth is if he conclusively proved that he’s even stronger than you, by defeating you in battle.)

Blueberry Academy

The other thing I want to do before getting into the events of The Indigo Disk itself is to re-evaluate a few assumptions I made about Blueberry Academy in the previous post, now that we’ve actually seen it for ourselves.

I was assuming that a significant part of the reason for Kieran’s inferiority complex was due to him being bullied at Blueberry, but… there’s absolutely zero indication from any of the NPC dialogue that any such thing happened. If the writers wanted this to be a fact that was relevant to Kieran’s character, they absolutely would have put something in. However, in hindsight, I realise that maybe I was primed to assume a bullying problem at Blueberry due to the Team Star storyline, when actually, Kieran being bullied there doesn’t necessarily fit. His issues about being shunned and his paranoia that people are laughing at him behind his back are so ingrained that they have to have originated from quite a while ago in his childhood – and he’s only a first-year at Blueberry.

So, scratch that part of the previous post: Kieran was not bullied at Blueberry Academy, but he was almost certainly bullied earlier on in his childhood, at whatever school(s) he attended beforehand. It wouldn’t necessarily have needed to be a really overt, physical kind of bullying either – that’s the sort of thing that Carmine would certainly have noticed and protected him from. But even something more low-key like being constantly left out of things and looked down on by others would have left a huge psychological mark on him, and would have probably been too subtle for his socially oblivious sister to do much about. (Or, in some ways, she might just have made such things worse by being so fiercely overprotective of him. Most people wouldn’t want to go near the kid with the Scary Big Sister who’ll bite their head off if they so much as look at him wrong.)

Bullying aside, I was looking for any kind of clues at all from the NPCs as to what Kieran was like at Blueberry Academy before his big change… and there’s almost nothing. Plenty of people comment on Kieran now, because everyone knows who he is as the Champion, but nobody shows surprise that it was this timid kid who rose up and beat Drayton. It seems that as far as most of the students are concerned, he just came out of nowhere. But maybe that’s the point; maybe almost nobody ever even noticed him or thought anything of him at all until he grew stronger. By the time he joined Blueberry Academy, Kieran’s default coping mechanism must have been to make himself as small and invisible as possible, so that basically nobody even really thought twice about him.

Only two whole NPCs actually make any kind of reference to what Kieran was like before he became Champion. (Well, other than Carmine, of course, and also discounting Amarys because she’d have only known Kieran through her friendship with his sister.) One of them is Drayton, who’d noticed him as the incredibly shy kid who nonetheless lit up with joy more than anyone else when watching battles. And then there is one random NPC you can find in the Central Plaza who comments on how Kieran has turned into a completely different person. That’s it. Only two people happened to have noticed this timid kid enough to realise he’s the same guy who suddenly became Champion. (And, while they both seem at least a little concerned, neither of them appear to have outright considered Kieran a friend, because of course not. You really were the first friend he’d ever managed to make, until everything went horribly wrong.)

One thing I was expecting to get from the vibe at Blueberry that it absolutely did deliver, mind you, was the culture around battling. There’s all sorts of talk about battling and getting stronger, double battles as standard to make things more strategic, and even the random NPC trainers can actually be kind of challenging. So I was definitely right that this culture must have contributed to Kieran fixating on getting stronger and proving himself to you through gaining more battling strength in particular. One NPC near the entrance also remarks that “you don’t look strong”, as if people here assume battling strength to be correlated with physical appearance, which… yeah, that explains a bit about why Kieran felt he needed to look different alongside becoming stronger in battle, doesn’t it.

Changing himself

Of course, Kieran’s reasons for changing up his appearance go much deeper than just wanting to superficially “look stronger”. In order to achieve the nigh-impossible feat of managing to match you in strength, he felt like he had to become nothing short of a completely different person. He can’t be anything like that timid, weak, pathetic kid from Kitakami who got walked all over, because there’s no way that kid would ever, ever be able to beat you.

Which means that absolutely everything about who he used to be needed to get thrown away. That hairstyle that practically covered his face and let him hide himself behind it? Gone. His country accent and way of talking due to being raised in Kitakami? That always made him feel different and outcast among the students at Blueberry already, but more than that, it’s a distinctive feature of that kid he used to be and cannot be any more, so he had to cast it away and learn to mask it. Even the unambiguously good parts of him – the way he’d always get so excited and passionate over things he finds cool! – they’re a part of his old self, so they had to go, no exceptions. Far be it from him to ever say “wowzers” any more, for more than one reason. His old hairstyle may have been the one that visually resembled a mask, but now he’s putting on much more of a metaphorical mask than he ever was before. (Putting on a mask to become stronger and hide his reasons to be cast out and shunned – a bit like a certain ogre.)

(And since Kieran’s just on the cusp of puberty, I find it fun to imagine that maybe his voice happened to start breaking in the interim between the two DLCs, so that he doesn’t just talk differently and mask his accent, his voice literally sounds different now compared to how it did before.)

Unfortunately for Kieran, no amount of fervently doing everything in his power to change and grow stronger can make his growth spurt come any sooner. It seems it hasn’t happened quite yet, leaving him awkwardly still the smallest person in the room even as he is trying to project an air of being Strong and Tough now. He gets around this as best he can by adopting a mannerism of taking a step back from people, to give him less of an angle to look up at, and tilting his head far enough back that he can kinda sorta still be looking down on them, in a sense. He is so desperate to not feel small any more.

(Fittingly – or ironically, perhaps – you are the one relevant person who is the same height as Kieran and can face him eye-to-eye. That’s bound to be feeding into his complex about you: all the other people he looked up to and saw as stronger than him were older than him and so they had a good reason to be that strong – but you and he are the same age. You should be his equal, and yet you can already do and have all these things that he could only dream of.)

And his timid demeanour isn’t the only thing from before that Kieran cast away – he also got rid of almost his entire team of Pokémon from those battles back in Kitakami. Nearly all of them went the same way as poor Furret and Cramorant before them, because they weren’t strong enough to win him that vital battle that would definitely have decided who got to become Ogerpon’s partner (right?), so there’s no way they’d ever be able to help him beat you now. The only exception to this is Dipplin, perhaps precisely because Kieran knew it was capable of evolving again and so still had more strength it had yet to show him. The rest of his team got completely overhauled, no doubt informed by his fervent studies in battling strategies to let him put together the strongest and most optimal team he could come up with.

I nearly had a whole spiel here about how excruciating it is that his new team has a Politoed, in that he could almost have kept another of his old partners from his Kitakami team if he hadn’t hastily evolved Poliwhirl into the less strategically-optimal evolution as part of his efforts to prove himself to you during Teal Mask. Except, actually, a postgame line implies that Kieran’s Politoed is also a longtime partner of his, along with his Poliwrath, like they’re a pair. So it’s not that he went and caught a “replacement” Poliwag that he was less attached to – apparently he always had two Poliwag friends from the start and just only ever trained up one of them to use against you in Teal Mask. Then, when that one had failed to be good enough for him, it was the other one’s turn to prove how strong it could really be.

As for his other new team members: Porygon-Z and Incineroar are both available in the Terarium, but Grimmsnarl is only available, to Kieran at least, in Kitakami. So that must be another one he’d caught during the school trip, maybe a candidate he’d considered training up back then but never quite had the time to alongside the rest of his team. And then there’s Dragonite, which is an interesting one, because the Dratini line is nowhere in either Kitakami or the Terarium – meaning, Kieran must have gone out of his way to trade for it in order to get one. Perhaps he was really impressed by the strength of Drayton’s Dragonite and wanted one of his own to match that? (but his has a very different build to Drayton’s, so it’s fine, he’s definitely not just copying Drayton in order to win, okay.) I like to think that maybe he got it from Carmine, who’d apparently been visiting loads of other regions with Briar during Kieran’s obsessive training arc and therefore could have been in a position to catch a Dratini.

More importantly than just catching these new Pokémon, though, would have been training them, which Kieran threw himself into so obsessively that it and studying battling strategies now consume every single moment he has, to a concerningly unhealthy degree. He’s cutting back on sleep, barely eating proper meals, because spending any more time than necessary on even things like basic physical needs is not acceptable to him. You are so overwhelmingly, impossibly strong in his mind that, in order to match your strength, Kieran feels like he has to give everything, no matter the cost to himself.

Being Champion

And, well, his fervent desperate self-destructive training did indeed make him strong enough to become Champion of the BB League. It’s only a stepping stone, a means to an end for his ultimate goal of being strong enough to beat you – but it’s something. As Champion, Kieran’s known to everyone in the school, getting awed murmurs wherever he shows up. People respect him now, because he’s proven that he's strong. (The very converse of how everyone ignored and shunned him back when he was weak. That’s how it goes, right?) And on top of that, he’s earned himself a position of authority over everyone in the League Club.

…Frankly, it’s a very stupid rule the club has to make the Champion be automatically in charge of the whole thing, precisely because of situations like this, in which the trainer who happens to be strongest also happens to be someone nobody else wants bossing them around. But thanks to that stupid rule existing, Kieran’s in charge now, and everyone else has to do what he says whether they like it or not, because he’s the strongest of all of them. Way to validate and perpetuate Kieran’s toxic worldview that having strength (battling strength) means you get to call the shots and walk all over anybody who’s weaker than you, and that’s just how things work.

Our first glimpse of how drastically Kieran’s changed, the interaction we see him having with that one poor club member, is bound to be the epitome of how he’s been treating everyone in the club these days. And he is not simply being a dick for the hell of it just because he can now and he’s turned Edgy or whatever – everything about his behaviour here is agonisingly rooted in his own deeply ingrained worldview about strength and weakness.

It's so tragically telling how he phrases his scathing disapproval of the poor guy as, “So that means you’re just OK being this weak forever? That what I’m hearing?” That’s not at all what the guy was saying, but Kieran hears it that way because he can’t help but see his own former, weaker self everywhere he looks. At the end of Teal Mask, he was trapped in that horrible pit of feeling like there was nothing he could do except be this weak forever, unless he devoted himself obsessively to becoming stronger and stronger and stronger with everything he had. Any tiny sign of weakness in anybody else reminds him of that place, reminds him that the only reason he’s not trapped there himself right now is because he’s spending every waking moment trying to claw his way out.

The guy’s reason for not completing Kieran’s training assignment wasn’t even that he didn’t want to do it. He said he’d had hectic stuff going on at home that meant he didn’t have time, which ought to be a perfectly reasonable excuse! But… not to Kieran, it isn’t. Kieran has sacrificed everything to become as strong as he is, even basic physical self-care; he would have chosen training over busy home-life stuff in a heartbeat. Anyone who isn’t willing to do the same, anyone to whom growing stronger isn’t the most important thing in the world – they’re not good enough. They must obviously just want to stay weak forever, like Kieran himself absolutely could not bear to be. So he kicks the poor guy out of the club, thus dooming him, in Kieran’s view, to really being stuck this weak forever with no chance to improve.

It's bound to be just like this for everyone else in the club, too, based on plenty of comments we hear about how Kieran becoming Champion has taken the fun out of everything, and the ridiculously strict rules he’s apparently put in place. He’s projecting his own unhealthily high standards of strength onto everyone else, then shunning them if they don’t manage to live up to that, because that’s just what happens to people who are weak, right? It is agonising to watch Kieran perpetuating the exact same toxicity that he used to always feel like he was on the receiving end of, especially as that isn’t even really why he was ever treated that way.

None of this is the behaviour of someone who is even remotely secure and confident in their strength. Despite being Champion and having the respect of the entire school, Kieran is still constantly terrified that even the slightest thing, even so much as allowing a tiny instance of “weakness” in anyone associated with him, will cause all of the strength he’s worked so hard to build to come crashing down in an instant. (One detail I really love about the scene where he’s telling that one guy off is the way Kieran’s tapping his foot at the beginning. He probably means it as a way to express impatience, but really it comes across as incredibly anxious and insecure. The animators did some excellent stuff with Kieran in this DLC.)

And what’s extra heartbreaking is that Kieran doesn’t need to be doing any of this. He’s the Champion now; he is undeniably strong; he’s able to talk to others; people notice and respect him. He is already in a position to reach out and grasp everything he’s ever wanted: acknowledgement, friendship, fun. He used to love battling – he’s supposed to love battling – so he could be having a great time with all this! If he just dropped this toxic mindset and stopped letting it turn him into a massive jerk, he could make friends with the Elite Four and others in the League Club and not be alone any more!

But he’s not able to see any of that. None of the things he’s already genuinely gained for himself truly feel like they matter, not when they’re all just a means to an end for the one thing that does – proving he can beat you. By desperately hanging his entire self-worth on the idea of becoming strong enough to measure up to you and nobody else, Kieran has blinded himself to the fact that he’s already found a good amount of what he’d always truly wanted in the first place. And it also means that, if he can’t beat you when that day comes, everything he’s done will be for nothing.

Drayton and Carmine

But although nobody is happy with the way things are now (least of all Kieran himself), it seems only a couple of people have been willing to question Kieran’s “authority” enough to try and talk him out of this.

One of them is Drayton, who’s doing this not just out of wanting his club to go back to normal, but also because he’s the almost-only person to have noticed the timid yet battle-loving kid Kieran used to be, and he genuinely wants to help Kieran remember how to have fun like that again. Unfortunately, it seems that any of Drayton’s attempts to tell him this bounced right off Kieran, because fun and excitement were a part of that weak kid he used to be and absolutely cannot be any more.

Plus, with his newfound authority and validation of his toxic worldview, Kieran would easily be able to brush off anything Drayton said to him with the excuse that he doesn’t have to listen to someone who can’t beat him. He actually mentions at one point that Drayton “always loses” to him, implying they’ve battled more than once. Apparently, in an attempt to get Kieran to listen, Drayton actually went and challenged him to a rematch at some point, or maybe even several – a remarkable amount of effort, coming from Drayton – but he still couldn’t win.

(Kieran is bound to be super jealous of the way Drayton appears so effortless in his strength, when Kieran himself had to train and strive so hard to reach this level. But on the flip side, now that Kieran is the stronger one, he can use Drayton’s laziness as another way to paint himself as superior. Obviously the reason Drayton keeps losing to him is because he doesn’t train nearly as hard as Kieran does.)

It also doesn’t help that Drayton’s attitude towards Kieran when he’s not specifically trying to encourage him to have fun again is very sarcastic and condescending, drawing from his deep frustration at Kieran’s attitude. It must be very easy for Kieran to completely overlook the part where Drayton is actually doing this because he cares – he probably feels that Drayton just hates him and wants him gone. (Just like everyone who’d always shun him and treat him like an outcast before, right.)

Then there’s Carmine, who’s been incredibly worried about the change in her brother and is bound to have done her fair share of trying to talk him out of this too, evidently also to no effect. It’s certainly easy for Kieran to remain oblivious to the fact that she’s doing this because she cares about him and isn’t just trying to bring him down, since she has, uh, historically not been very good at showing that.

It seems that Kieran has largely been avoiding Carmine since he overhauled everything about himself. No doubt a lot of that is because, what with her being part of the reason for his inferiority complex in the first place, she’s capable of triggering his insecurities more intensely than anybody else can. But maybe it’s also partly because on some level, he’s aware that she’s got a point now with the things she’s trying to say to him, and that makes him feel bad, and have doubts that he can’t afford to be having. Carmine’s certainly right to be concerned that his behaviour now would be driving any friends of his away – although she is almost definitely wildly wrong to be assuming Kieran even had any friends other than you before all of this.

(For that matter, she’s very wrong to assume that you are still his friend right now in a totally normal way; ha ha ha. But then, based on your options of “yes” and “yes” when Drayton asks you if you're Kieran's friend, it seems that you – the player character – are also somehow completely oblivious to the fact that Kieran just maybe might not consider you a friend any more on his end. Which just makes this whole thing even more excruciating.)

The dynamic between the siblings during the one brief time we see them interact here has notably changed, in that Kieran is finally able to stand up for himself more, telling Carmine to shut up when she tells him off. And yet, he doesn’t do so very forcefully, averting his gaze in a way that suggests he just sort of mumbles it. He probably realises she has a point about what she was saying – that he shouldn’t act so condescending towards you. Which on Carmine’s end, she said because she doesn’t want him to drive away the one friend he still (supposedly) has, but that’s not how it’d read on Kieran’s end, because he doesn’t believe you ever were his friend at all. He must have felt like his sister has a point only because he doesn’t have the right to act that way towards you, not when he still hasn’t proven himself to you yet (and maybe never will).

Unexpected reunion

See, there’s a lot of interesting stuff going on under the surface of Kieran’s reaction to suddenly meeting you here. Literally everything he’s been doing this entire time has been for the sole purpose of defeating you when he sees you again. Which means that you showing up and challenging the BB League should be exactly what he wants and has always been waiting for. And yet.

The first notable thing is that he had nothing to do with inviting you here – the person responsible for that was Carmine. She probably figured that you’d be able to help her brother out, so she recommended you to the director when she heard he was looking for an exchange student to invite from Paldea. As Champion of the school, Kieran should also have had enough influence to make such a recommendation – but he didn’t.

Then, when Kieran comes to the cafeteria, he has plenty of condescending things to say to Drayton (about how taking a lunch break is a waste of time, because who needs to bother with basic physical needs like eating when they could be training instead, right). But the moment he sees you, he’s just shocked at you even being here… and then he’s very quiet for the entire rest of the conversation.

Drayton puts things to a vote among the Elites plus Kieran as to whether you should be allowed to join the BB League, and – despite that this should be exactly what he wants – Kieran is the last to vote. He only does so when he’s forced to break the tie.

(Although, it’s revealing in a different way that the Elite Four all ask each other for their opinions first, with none of them naturally thinking to consult Kieran. Despite his newfound strength and authority, he is still socially excluded – but this time he really has nobody but himself to blame.)

Kieran’s wording of how he casts his vote is so very telling. Just: “It doesn’t matter who I’m facing… I don’t lose.” – and he says nothing else before leaving in a huff. He words this in a generalised way, as if this an overarching principle of his that has nothing to do with you in particular, even though it’s always been about you. Because if he let himself think about how you in particular will be his opponent, then suddenly the statement that he doesn’t lose doesn’t feel so certain. But, put on the spot like this, he cannot show any sign that he’s afraid he might lose to you – that would be like giving up and accepting that all the effort he’s put in for all this time has been for nothing. So he has no choice but to let you join.

(Drayton totally knew he would refuse to lose face like this if put on the spot, of course, and that the Elites would vote 2-2 between them and leave Kieran with the deciding vote, which is precisely why he set things up this way. Kieran’s not unaware of this, either.)

There’s a brief interim here as you head to the front desk to officially sign up for the League. This gives Kieran a moment alone to process the fact that, welp, this really is happening, you’re really here, and, isn’t this supposed to be exactly what he always wanted? Hasn’t everything always been so that he can beat you this time? He manages to twist things around in his head, convince himself that yes, this is it, the chance he’s been waiting for, and he will win when it comes down to it, he will, because that’s what it’s all been for.

As such, when he shows up at the front desk to confirm that he’s allowing you to join, Kieran is able to be a lot more direct about you challenging him than he was in his one whole sentence on the topic in the cafeteria. Even then, he makes a comment to Drayton about how he feels like he was manipulated into this… then immediately insists that he’s fine with it because this is what he wanted anyway. If it was truly 100% what he wanted, he wouldn’t have felt manipulated!

To sum all of this up: it is abundantly, delightfully clear beneath the surface that Kieran does not actually feel ready to face you. He would never have felt ready for this, no matter how long he’d spent training and pushing himself, because your impossible unreachable strength and his own inherent worthlessness are both so deeply ingrained in his mind that he is incapable of truly believing he can match you.

But, well, here you are, and now Drayton’s trapped Kieran in this situation where he has no choice but to keep up the mask of strength and confidence he’s been putting on all this time. So he’s got to act like he’s fine with you challenging him, whether he truly feels ready or not.

Your Elite Four challenge

As you work your way through the Elite Four’s ranks to earn the right to challenge him, Kieran is very insistent that you’d better not dare lose to anybody else before facing him, or to have gotten weaker in any way since he last met you.

You might think that Kieran would be glad if you actually did lose to one of the Elite Four and never manage to make it to him, because, hey, that means he’s already stronger than you! He doesn’t even have to worry about whether he can win his battle against you! But… no, that wouldn’t be how it’s supposed to go. The way Kieran’s been building things up in his head the entire time, his whole life is supposed to magically somehow get better when he beats you. He needs to prove himself and his new strength to you, specifically. It wouldn’t mean anything if someone else beat you first, or if you’re somehow not actually still the impossibly strong person he’s idolised and fixated so hard on becoming equal to. That’d just be the most crushing anticlimax for him, in which he never gets to achieve what he’s been striving so hard for, and in which he’d have to somehow come to terms with the fact that… he’s already stronger than you, and yet he still doesn’t feel better or any less agonisingly inferior than he always did? If that happened, he’d be at a complete loss as to any other way to escape how he feels about himself.

But, fortunately for him (for some value of “fortunate”), you of course still are just as strong as you always were. On hearing you assure him of this, and also on seeing it for himself as he watches one of your Elite Four battles, Kieran gives this awful twisted grin that does not even slightly reach his eyes (because he has completely forgotten how to genuinely smile and no doubt hasn’t ever done so this entire time). Yes, he will still get to have his long-anticipated showdown with you, and winning that will still somehow magically definitely fix everything that was ever wrong in his life. Definitely.

There’s also the part where, because you come with such glowing recommendations, you get to skip working your way up the BB League from the very bottom and can start right at challenging the Elite Four. Kieran has to feel all kinds of ways about this – on the one hand, he’d tell himself he’s glad because this means he has less time to wait until the battle that he’s definitely totally ready for, and he knows full well that you wouldn’t need to waste your time on small fry at the bottom. But on the other hand… he had to painstakingly work his way all the way up from zero in order to get where he is, so it sure is something that you’re so special that you just get to skip doing that. (And if you did have to start at the bottom, then it’d give him more time to train himself, just to make absolutely sure that he really is ready to face you…)

When you’ve beaten the final Elite, Kieran shows up again and scoffs that this was kind of slow for you, wasn’t it? I believe this isn’t just posturing and was his genuine reaction – you’re so impossibly perfect in his mind that he can’t even comprehend the idea that you wouldn’t breeze through this effortlessly without a single hitch. But still, at least he can turn the fact that you fell short of his impossible expectations into condescension that helps him feel above you and definitely capable of beating you. (How long did it take him to beat the Elite Four, I wonder? Probably longer than you – but of course he’s not gonna bring that up.)

Drayton, meanwhile, has now picked up on the fact that Kieran isn’t just obsessed with winning like he’d initially thought – he’s obsessed with you. Maybe he’d have approached things a little differently if he’d been aware in the beginning that you were a lot more to Kieran than just an old friend. But, welp, bit too late to back out of what he’s set up now, whoops.

And on Kieran’s end, he hasn’t let go of the feeling of being manipulated into this, and now feels like you and Drayton are plotting against him. This poor kid’s paranoia and tendency to assume people are laughing at him behind his back has still not gone away, even if it’s taken on a slightly different form now. It’s probably a good thing he doesn’t ever learn that Carmine was the one who called you here, or he’d think she was in on this supposed conspiracy too.

(But, hey, while Kieran could never do anything about it before whenever he was ganged up on and shunned by others, at least now he’s finally strong enough to fight back and hold his own, despite being outnumbered, right? Just like the ogre did.)

THE BATTLE

So now, it’s finally time: the battle that Kieran has absolutely everything riding on. Of course I’ve already made it abundantly clear here that every single thing he’s done has been for the sole goal of beating you right here and now – but it says a lot that he spends his pre-battle speech making sure you know this. He probably feels like you’re such an amazing superstar trainer that challenging someone for their Champion title is basically just another Tuesday for you, like this is nothing on your end – but this battle is everything for him, everything that he’s been spending every single moment of every single day building up towards for all this time, and he needs you to acknowledge this.

And as if that wasn’t enough, as the battle opens, Kieran screams into the sky with the sheer uncontainable emotion of how much this means to him. Everything he’s been feeling, bottling up, clinging to for so long is spilling out of him now that he’s finally here in this one pivotal moment he’s always been waiting for.

It comes spilling out in a lot more than just that scream, too; he has so many things to say throughout the battle as it all reaches fever pitch inside him. While some of his in-battle dialogue during his Teal Mask fights had fun hints at his issues in there, this one battle here absolutely takes the cake. This is quite possibly the most dialogue in any battle in any Pokémon game, and all of it has something interesting and nuanced going on that’s rooted in Kieran’s massive issues. I cannot resist taking this opportunity to talk about every single bit of it.

His first line as the battle begins is, “I know I’m making the right choice… You’ll understand that soon enough!”, which seems kind of odd on the surface. What “choice” is he even talking about that he feels the need to justify? Accepting a challenge to his Champion position is just what Champions are meant to do. But that’s not what Kieran’s thinking about here – he’s thinking about all of those times that Drayton and Carmine tried to talk him down from the entire way he was acting and pushing himself too hard. Every time they did, he insisted to himself that no, training this insanely hard is the right choice, he needs to do this, and it’ll all be worth it when he beats you. …Somehow. Definitely. You’ll see, you will, you have to…!

On the very first hit he lands on you – it doesn’t even need to be super-effective, any damaging hit will trigger it – he says, “How do you like that? See how hard I’ve trained? Not like that kid you battled in Kitakami, huh?!” In reality, the hit he lands here isn’t necessarily any bigger than the kinds of hits he dealt to you back in Kitakami – but it feels bigger to Kieran. He’s trained so hard that he feels so much stronger and so different from the kid he was back then, and he needs you to see and acknowledge this too.

Meanwhile, your first super-effective attack you land on him manages to pierce through his mask for a moment and get a “wowzers” out of him. It’s not actually any more impressive than any other super-effective hit he might receive from any other trainer – but because it’s coming from you, it feels so much more incredible, triggering his instinctive irrational idolisation of you just for a moment before he collects himself and puts his mask back up.

Then he insists that he’ll still win anyway, even if “the type matchups work out for you”. Which… isn’t how type matchups in battles work? Sure, you landed one super-effective hit, either because one of your Pokémon happened to have a good matchup, or you just had a good coverage move. That doesn’t mean that all of the type matchups in the battle are inherently in your favour. But Kieran apparently feels like they are – because, when it comes to him versus you, he always feels like everything in the world is on your side and he has to claw and grasp to regain the tiniest bit of ground against his inherent overwhelming disadvantage.

Speaking of everything being on your side, when you land your first critical hit on him (and I say “when” here because this battle is long enough that statistically you’re extremely unlikely not to at some point!), his response is delightful, raging that “even luck’s chosen you over me!” and that it’s “not fair!!!” All of his bitterness and jealousy about Ogerpon choosing you over him is still raw, evidently, so even something like you getting a statistically near-inevitable critical hit feels to him like luck itself taking your side against him, because everything always does. And on some level, he may have realised that you befriending Ogerpon was partly due to the sheer luck of you happening to meet her while he wasn’t around, so of course he’s bitter about luck because of that, too. It’s not fair, how you always get everything, so effortlessly, while he has nothing.

(He doesn’t comment at all if and when he lands a critical hit, because of course not. Confirmation bias is one hell of a drug.)

And of course, you bringing out Ogerpon herself gets an extremely strong reaction from Kieran. “You’ve got some nerve,” he snarls among broken mirthless laughter, to bring her out “NOW of all times?!” This, right here and now, was supposed to be his moment, his time to finally shine and show you how strong he is and take the victory. And yet you’re choosing this moment to parade Ogerpon in front of him, a reminder of the painful losses and inferiority he suffered back in Kitakami that he’s tried so hard to forget and overcome by making himself stronger, just rubbing it in his face that you got to have her because you’re so strong and lucky and perfect.

His expression during this line is one hell of a thing as well: shocked and wide-eyed and practically terrified, in stark contrast to all of his other expressions in this fight. He’s not only reeling from the pain of having his inferiority from back then shoved in his face, but also, he’s always believed that Ogerpon is so incredibly strong. If you’re using her against him in this battle, you and her working together… how is he ever going to be able to defeat that combination of impossible strength…?

(Apparently, Kieran’s trainer AI actually has a modification in this fight that makes him prioritise attacking Ogerpon more than an AI trainer otherwise would, which is delightful, I love that that’s a thing devs programmed in there. Of course he’d desperately want to get Ogerpon off the field as fast as he could before she utterly destroys him.)

As his back’s against the wall and he’s sending out his final Pokémon, Kieran’s still raging, with increasing desperation: “Just go down already! How are you still standing after I’ve thrown everything I have at you?!” This battle is not at all going how he’d insistently imagined it would in his head, in which he’d prove himself and win, not even though he’s giving it absolutely everything he has. (And the thought that you still won’t go down even then is terrifying to him. He really has given everything to this, he couldn’t possibly have done more – and yet, what if that still isn’t enough to beat you? That’d mean it’s just impossible for him, no matter what he does, and he’d have absolutely no idea how to cope with that.)

Just before he Terastallises his Hydrapple, he insists that he “doesn’t need the old me”, that he’s changed – here’s the way he felt he had no choice but to throw away everything about his former weaker self in order to get stronger, even the positive parts. But then he adds, “and I’ll show you I can change again!” He’s not just literally referring to the Terastallisation he’s about to do (although it’s thematically fitting that he brings up this topic as he’s doing this – and his Hydrapple’s Fighting Tera-type is a neat link to him having changed himself into being obsessed with strength) – rather, he’s referring to what he’s convinced himself will happen when (if) he wins this fight. That’ll change everything for him, right? That’ll make everything good, finally; he’s going to change for the better once he wins this, he has to…!

And then… Kieran’s animation while he’s Terastallising is an odd one. He’s remarkably expressionless about it, compared to the intensity of his expressions in the entire rest of the fight. But I think the reason for this must be: most trainers wince with the force of it as they begin charging their Tera Orb – and apparently, Kieran doesn’t want to be seen doing that, because that’d make him seem weak. So he’s trained himself to put on an expressionless mask, not even looking at the orb directly, to avoid that. (And one of the few trainers who doesn’t wince, who’s able to stare directly at the dazzling power coming from their Tera Orb without flinching, holding it up for all to see… it’s you, of course. Kieran almost certainly saw this from you a few times back in Kitakami.)

His last possible line in the fight, as he orders an attack from his Hydrapple, at which point he is guaranteed to have only one or two Pokémon left and be desperately fighting to hold on with his back against the wall, includes him saying, “I’m capable of winning too, you know!” Because that is definitely a very normal thing for a reigning Champion to need to say to their challenger. Even with all the victories he’s had on his way here, Kieran still has to fight to convince himself that he is capable of winning, because being up against you and teetering on the brink of defeat like this just reminds him of all his previous agonising losses at your hands, his inferiority complex rising up to overwhelm him with the feeling that he’ll never be able to be strong or win anything at all.

(And, hey… what if he had actually managed to win? Tragically, the game does not let you see any of his reaction if you do happen to lose to him; it just rewinds time like it never happened. But there’s no way that Kieran beating you here would truly have helped or fixed anything about that massive inferiority complex of his. He’d ride the high for a bit, but then he’d go back to the same condescending façade he’d had before and gradually realise that… he doesn’t actually feel any better about himself beneath it like he was supposed to once this happened. Funnily enough, beating you in a Pokémon battle would not have magically turned him into you.)

Everything falls apart

But, of course, because the game refuses to let you not be the Perfect Protagonist (or, perhaps, because the narrative needs to go this way in order for him to actually get better in the long run), Kieran loses. The last time he lost a pivotal battle against you that he’d told himself everything depended on, back in Kitakami, he crumpled immediately in defeat – but this time, his reaction’s a lot more drawn out. Back then, the conviction that he could never ever beat you was right there at the surface to the point that he was basically expecting to lose despite his determination. But here, he’s spent so long insisting to himself over and over that he will win this time, he will, convincing himself that things just have to go that way… that it takes him a moment to even process the fact that they haven’t. He’s just shocked, lost, dumbfounded, not knowing how to react, because this wasn’t supposed to happen…!

But then the spectators around him mutter and begin to leave, apparently because he lost, because he’s no good after all and so there’s no point staying to watch him, and this seems to be what agonisingly drives home the reality to Kieran. All the respect and esteem he’d managed to grasp for himself – in this one awful moment it feels like all of it is crumbling away before his eyes. All of his effort to get here (so much effort) was worthless, all because he couldn’t beat you. He’s gone right back down to being nothing. I adore the blurry effects in the cutscene as Kieran sways and staggers and collapses, giving a visceral sense that the shock of this is hitting him so deep that it's rendered him physically light-headed and dizzy. Guh, this poor kid.

And then Drayton has to come along and rub it in. Kieran winces in agony as he gets smugly called “ex-Champion” – though he was never doing any of this for the Champion title itself, having it meant something and made him matter, and now that’s gone like it was never there at all. It’s bound to sting especially hard coming from Drayton, whom Kieran believed was plotting with you to take him down, take away everything he had, and now that’s exactly what’s happened, because he wasn’t strong enough to stand up for himself after all.

…The fact that Drayton felt the need to be a smug bitch about this first and foremost does not remotely help Kieran actually listen to and internalise the genuinely good advice Drayton gives just a few moments later. He really was doing this because he cares, and because Kieran ought to go back to having fun with things! But of course Kieran isn’t in any state to listen to that, not after all his paranoia about Drayton manipulating him, and then Drayton rubbing his loss in on top of that; he still has no idea that the guy genuinely wants to help him. (Unfortunately, while Drayton cares about the person Kieran should be, he has been deeply frustrated by the person Kieran is being, and that comes out in sarcasm and smuggery first, hence why this completely bombs.)

So instead of taking on board Drayton’s advice, which he probably wasn’t even listening to, Kieran just starts desperately, incoherently mumbling about how he’ll win next time. It’s the only thing he can cling to – the same thing he always has, to escape the all-consuming, unbearable thought of just being achingly inferior forever and ever with no way out. He still can’t see any other way out that isn’t beating you. (But… how is he ever going to win next time, when he’s already given it absolutely everything he had and still couldn’t manage it…?)

Seeing him being so clearly Not Okay, you approach him and (probably) attempt to say something to him, but it seems like even if you try, you barely get any words out before Kieran just shuts down even more. He reacts with slumping, and with an “Aw, man…” – the same words and body language he’d often have back in Teal Mask whenever something (usually his sister) would push back at him and make him feel small. Now that he can no longer cling to his façade that he totally is stronger than you and just hasn’t proven it yet, he’s reverted right back to the state of mind he was always in back then. And it’s you in particular that triggers his inferiority complex harder than anything else right now, even if you just silently approach him, or say a few words that certainly wouldn’t have been anything cruel.

It's a bit of a shame that the game doesn’t actually let us see what you try to say to him, assuming you do. But it most certainly couldn’t have been anything along the lines of “You put up a really tough fight!”, because that kind of thing – acknowledging Kieran’s strength, even though he lost – is exactly what he’d need to hear right now, and he’s clearly not hearing it. Whatever it was you did say, he probably barely even heard it beneath his crushing sense of inferiority at being near you, and you probably trailed off pretty quickly upon seeing his reaction.

(In fact, it might say a lot that your dialogue options here are so non-specific that they’re literally just “Say something/nothing”. This suggests that the player character has no idea what to say to Kieran at seeing him in this absolute state, and they can only choose to either accept that and remain silent, or to fumble for something to try and say anyway. I believe it’s pretty important to “your” role in Kieran’s arc that the player character is extremely socially awkward and just finds themselves utterly lost as to how to deal with him breaking down like this because of them. Someone with better social intelligence would be able to say the right thing here to help him at least begin to feel better! But that someone is emphatically not you, it seems. This apparent social obliviousness also tracks with the fact that you – the player character – agreed with Carmine’s very short-sighted decision to lie to Kieran back in Kitakami, thus unwittingly setting off this whole domino effect of his issues in the first place.)

Sudden legendary hunt

If Kieran had had longer to process his defeat, maybe he’d have realised that there really is no way he can “win next time” when he already gave it his absolute all this time, and he might have begun to approach the fact that there’s nothing he can do but let things go. However, while he’s still reeling, he almost immediately gets dragged into the meeting with Briar about her expedition to Area Zero.

Kieran looks like he’s barely even listening to the conversation at first, just staring miserably into space in front of him, no doubt stuck endlessly thinking how can I ever be stronger than you when everything I had still wasn’t enough??? But then Briar mentions that they’ll get the opportunity to find a legendary Pokémon on this quest – and whoops, now Kieran’s paying attention. Because here’s the answer to his impossible conundrum of how he can beat you next time.

Make no mistake: this is nothing like Ogerpon was to him. He’d been fixated on her and cared about her ever since he was little for deeply personal reasons based on him relating to her situation and projecting onto her. Her strength was part of it, but it wasn’t that he wanted to obtain that strength by catching her; he just admired her strength and wanted to be like her, and if he could, then maybe one day she’d acknowledge that by being his friend (and therefore also incidentally his Pokémon partner). But Terapagos is nothing to Kieran here other than a source of potential strength for him to acquire for himself by capturing it, a tool that will finally let him beat you.

Nonetheless, because this is another legendary Pokémon, Kieran can’t help but draw the surface comparison to Ogerpon anyway and remember the way she chose you over him. He’s probably already imagining that Terapagos might just do the same thing, because you’re so strong and special while he’s nothing – so he tells himself, fervently, that no, he won’t let that happen again, he won’t let this chance go.

He doesn’t ever say as much, but he’s bound to be already having doubts as to if he really could ever capture such an amazing Pokémon. Legendary Pokémon – or really, any Pokémon in general – are supposed to join trainers once they acknowledge their strength; that’s what battles to weaken and capture a wild Pokémon are all about. How is Kieran ever going to get Terapagos to do that for him when he’s so weak? But even so, even if it seems too good to be true, he has to cling to this possibility. It’s the only chance he has left to still just maybe be able to beat you, to continue running away from that gaping pit of inferiority inside him that he doesn’t know how to face.

(A minor nitpick I have with the game’s writing: it’d have been fun here if things had been subtler and Kieran hadn’t outright said that he wants to catch Terapagos at all. His intent would have been very clear regardless for anyone who could read between the lines – I realised what was up the moment he reacted to hearing about a legendary, because Oh No. But nonetheless, it seems like you the player character and also Carmine are both socially oblivious enough to fail to follow Kieran’s stated intent to catch Terapagos through to its obvious conclusion of “he’s still fixated on beating you”. I guess the two of you just assume, oh, hey, he’s found another legendary Pokémon to get excited about, that’s good, that means he must be getting over Ogerpon, right…? Ha. Ha ha ha. If only.)

Journey through Area Zero

As you make your way into and through the depths of Area Zero, Kieran seems to have largely lost hold of the condescendingly superior façade he’d been putting up all this time (after all, he doesn’t have the right to act that way towards you when he’s still weaker than you). This allows a few little hints of his true self to begin to rise to the surface and shine through again, at least a little bit.

He lets slip a “wowzers” on seeing the sheer alien beauty of the place for the first time, and later at the lab he’s so excited at the technology reminding him of a spy movie that he even forgets to mask his accent for a whole sentence. But both times, he’s quick to catch himself and brush it off and act aloof. That excitableness was part of who he used to be, that kid who was weak, and he's still convinced that he can’t afford to be that person any more. But, hey, getting these little reminders that he actually enjoys being his true self and has missed it, at least certain parts of it, has to help! Plus, Carmine seems happy at these moments of him being the little brother she knows and loves again; they have a bit of regular healthy sibling banter; she notices him being considerate about Briar reading someone’s private diary…

These are all good signs that Kieran’s starting to get back to normal, maybe just a little… but, not completely. The spark still isn’t there in his eyes, even when he’s smiling about the cool spy vibe of the lab. Despite the distractions, he’s largely very intent on just getting to the legendary Pokémon and nothing else. And perhaps most relevant of all, he barely says anything of substance to you, even if you try and talk to him.

He does have a notable reaction near the beginning when you mention that you came here last time with some friends of yours. Kieran had probably never quite considered the idea of you having other friends before – Ogerpon did not exactly prime him to imagine that about his idols, after all – but, now that he’s hearing it… of course you’ve got friends. Why wouldn’t you? You have everything, everything he’s always wanted so badly for himself but could never, ever have.

Then, of course, you’re the one who does all the hard work in the Underdepths to deal with the sparkling Pokémon that are blocking the way forwards. For the first one, Carmine almost asks Kieran to take care of it before changing her mind and asking you, which, ouch, that’s got to have stung. (I don’t think she did that to deliberately be unkind, though; it’s probably that she still feels a little weird and uncomfortable about her brother battling, because of the way he’s been, so she’d rather just watch you battle it instead.)

Because of all this, later on Kieran bitterly comments that he feels like everyone’s relying on you too much. Really, the only reason this is the case is because you just happen to be the one who has the lizardbike buddy that can navigate you to the Pokémon you need to defeat… but then, that in itself is another sign of how special and favoured by legendaries you are, isn’t it.

And actually, you’re not necessarily the only one who can reach the sparkling Pokémon! Kieran has a Dragonite, which must have been what he rode on for the flying Elite Four trial, so, in theory, he could go and deal with those sparkling Pokémon himself. But he doesn’t, because you’re already doing it anyway, and he doesn’t feel worthy of taking the spotlight from you. (Or, he could ask to join you on your lizard buddy as you head over there, but ha, even less chance he’s about to do that.)

One bit of optional dialogue Kieran has during this part is insisting that he could totally make quick work of those sparkling Pokémon if only they weren’t so far away. This is very true… but the fact that he never tries to do so despite actually having the ability to reach them himself tells us that his words are just desperate posturing that he doesn’t truly believe. He can’t even register the part where he genuinely has a really strong team of Pokémon that he worked hard to train, because he did all of that for the sole purpose of beating you, and since he couldn’t manage that, that means that none of it matters and he’s just useless.

Then there’s the moment near the end where Carmine tells Kieran it’s his turn to call out to you to let you know the path opened up, but Kieran miserably assumes you’d prefer to hear it from her instead. (As if who tells you that even makes any difference!) Carmine did this to try and begin bridging the gap between you, and she forces him to do it anyway despite his protest, but then when she asks if he’s got anything more to say to you, he just says no. He still doesn’t feel like he’s worthy of even interacting with you in any way at all, still convinced he must be nothing to you.

There’s a heartbreaking hypocrisy to this, too, since he knows you’re perfectly okay interacting with Carmine, and it’s not like she’s ever been able to beat you in battle either. But… but that’s different, right, because she’s already someone who’s strong and cool and worthy of your friendship. In Kieran’s head, he is the single person in the world who is so automatically, inherently worthless that he needs to prove his strength before he is allowed to Matter to you or to anybody.

Outburst at the crystal

As the group reaches the final chamber, Kieran rushes ahead into it and begins pulling at the crystal the moment he figures it even might be Terapagos, because he is so desperate not to lose this chance to anybody else (meaning you). In his urgency, completely oblivious to how messed-up this sentiment is, he blurts out that this’ll mean he can finally beat you, at which Carmine, who failed to realise this was still the reason he was doing all this until now, tries to call him out on it—

—And Kieran can’t stand that; he can’t let her try and take this away from him too on top of everything else, because this feels like the one remaining chance he’ll ever get to still have something and matter next to you. So in a kneejerk attempt to defend why he needs this, everything comes tumbling out. All of those feelings about how you have everything he’s ever wanted, and he has nothing, how he trained so so hard but even that ended up worthless because he still lost to you in the end, so this is all he has left.

(Well, it’s not quite everything that comes spilling out of Kieran here. He doesn’t say anything about why he feels he needs to beat you, and how that’ll totally magically solve everything for him – because there is no actual logic behind that part. There’s nothing he can say to make that make sense, and on some level he must be aware of that, must know it doesn’t, really. But if he admits that, admits that there really isn’t any way at all to escape from his crushing inferiority, then he’ll have nothing left whatsoever, which he cannot bear.)

Hearing Kieran’s outburst about how worthless he feels, Carmine tries to put in a good word for him about how he’s tried his best too – which is good! That’s exactly the kind of thing he needs to hear; she’s finally getting it! But unfortunately, because she herself is one of Kieran’s sore points, in regards to how you magically went and befriended her, he doesn’t properly register what she’s saying. Hearing her speak at all just triggers that thought and spurs him into venting about that, too.

His hang-ups with you befriending Carmine are interestingly reversed from how they appeared to be in Teal Mask. Back then, he seemed more low-key jealous that she might have been trying to take you, his first ever friend, away from him. But now (now that he’s convinced that you were never really his friend in the first place), it’s all twisted around into yet another sign of how perfect you are, because you managed to win over even someone as prickly and abrasive as his sister so remarkably fast. (Which, of course, has less to do with you than it has to do with the fact that Carmine’s actually a lot softer at heart than Kieran realises.)

He’s also maybe thinking about Drayton here, about the one time Drayton claimed in the cafeteria that you and he were “already tight”. That was a massive exaggeration, but no doubt Kieran filed that away as another person – someone else he finds infuriating and impossible to get along with – that you instantly won over with your magical friendship powers because of course you did. And on top of that, he’s bound to be thinking about his recent realisation that you came to Area Zero last time with your friends, plural, because of course you’d already got a bunch of friends, you’re perfect, you can do anything you want, you can be friends with anyone!

And yet – even as Kieran says this, it is objectively not true. Because you’re not friends with him right now! No amount of your amazing protagonist powers has been able to cut through his pile of issues and properly befriend him, even though you want to, because you are in fact not perfect in the slightest and have no idea what to say to get through to him and help him! But of course Kieran doesn’t realise this contradiction in what he’s saying – he's worthless, so the fact that you’re not friends with him is obviously just because you never wanted to be.

Speaking of you not being perfect, this moment here in which Kieran outright voices his jealousy and sense of inferiority compared to you is bound to be the first moment in which you, the player character, actually begin to realise that this has been his problem this whole time. (And, to be fair to your poor socially-oblivious avatar, it really wasn’t very apparent from their perspective until now! The only time Kieran ever gave any real explicit indication of his issues around you before was in Teal Mask, after the third battle when he lamented that “it’s because I’m weak” – but at the time, the player character wasn’t aware (like we the players were) that he knew they’d lied to him, so they couldn’t have known he was thinking about that. They probably just chalked his reaction down to him taking the lost battle particularly hard. The lie reveal was messy but seemed to work itself out; he was obviously upset when you caught Ogerpon but appeared to accept it well enough in the moment – then all of a sudden he showed up later being really determined to beat you for some reason??? Why.)

Another thing I love about this moment is the animation of Kieran desperately pulling at Terapagos’s crystal, the way he has to pause to catch his breath in between each huge tug, which really gets across that he is giving this every ounce of his strength. And that still isn’t enough, because it never is – he’s always too weak to be able to grasp even one thing for himself, but he is never ever going to stop trying no matter how impossible it seems.

(And I wonder if it’s going through his mind as he does this that surely this wouldn’t be nearly so hard for you. Like this is a sword-in-the-stone kind of thing, in which Terapagos would slide out smoothly like butter for someone who’s truly worthy of it, while a weakling like him is stuck hopelessly yanking on it with everything he has and just making himself look pathetic, because of course he doesn’t deserve this.)

Catching Terapagos

Except it turns out Kieran can manage to pull out the crystal after all, doing so with such force that he accidentally flings it halfway across the cavern to land between you and him. He rushes to pick it up before anyone else can, because this is his and he can’t let anyone take it from him, he can’t—

But then Terapagos wakes up, pops out of the crystal that serves as its shell… and it’s facing you. It doesn’t even see or acknowledge Kieran at all. It looks up at you adorably, like a baby imprinting on the first thing it sees, taking a few steps towards its new friend…?

(this has to be such an aching reminder of the way Ogerpon so quickly came to adore you and didn’t care about him, all compressed into one single agonising moment, ouch)

…This was not Terapagos choosing you over Kieran in any meaningful way. Kieran was behind it, such that it literally couldn’t see him and didn’t even know he existed. All it was doing was latching onto the first person it saw, which was you, because – completely by chance – it happened to wake up facing you and not him. If it’d woken up facing Kieran, it’d have seen and approached him in exactly the same way. Terapagos’s dormant crystal form is symmetrical; Kieran had no way to know which end was the head and which was the tail until it popped out.

This was, almost literally, a fucking coin flip. Only the coin was a magical crystal turtle and the winner was whoever “heads” landed facing towards.

(But then, luck has always chosen you over Kieran, too, hasn’t it?)

And so, seeing this happen to him yet again, seeing his one last chance of maybe finally having something and mattering about to be casually snatched away by you, like always, because the universe always gives you everything he wants… Kieran makes an awful, desperate split-second decision and throws the Master Ball. Because of course he does. It’s not right; it’s not fair on Terapagos – but it is so achingly understandable why Kieran would be driven to do this in this moment. The whole thing was so cruelly, rudely unfortunate. This poor kid just wants so badly to have something, to have anything at all where he’s not immediately overshadowed and upstaged by you.

(Also, shout-outs to the narrative cleverness of quietly establishing that BB Champions get given Master Balls, by the game giving you one when you beat Kieran, such that you think nothing of it at the time but can realise right away in this moment where Kieran got his from.)

Still, it’s notable how quickly Kieran was able to pull out the Master Ball, which suggests he’d had it ready near the top of his bag. It must have crossed his mind on the way here that surely, you’re going to somehow magically sway Terapagos to join you – or that it’ll just shun him, because earning a legendary’s respect involves proving one’s strength, and he’s still so weak – such that he felt he might need a way to guarantee it would become his, no matter what.

But even then, I do want to believe that Kieran wouldn’t necessarily have used the Master Ball if he hadn’t felt like he had no other option, and that he wanted to at least try to get Terapagos to join him willingly, like trainers are supposed to do. If he’d won the turtle-coin flip and it had woken up facing him, maybe he’d have been able to do so! But of course he didn’t get to have that.

(It’s kind of a shame that the characters never discuss the dodginess of catching a Pokémon from behind in a Master Ball, how that gave poor Terapagos no choice in the matter like Pokémon are supposed to have when they join a trainer. But then, pointing out that Master Balls are inherently ethically dubious gets awkward considering that the player can freely use them on anything they like, so the game was probably never going to go there. You are too silent-protagonist and Briar is too irresponsible-adult to comment on it, but maybe Carmine could at least have had a brief line questioning this? But, well, at least she does express apprehension about going in to battle with a legendary Pokémon they know almost nothing about, which is also a very valid concern, considering what ends up happening.)

Trying to beat you with Terapagos

So of course, the very next thing Kieran does is challenge you to battle him with Terapagos, so that he can finally beat you. Only… he doesn’t show anywhere near as much of that furious, fervent determination that he had for the Champion match. All that fire of his got snuffed out the moment he lost back then, and it never really came back. This isn’t the battle he’s been psyching himself up for and dedicating everything towards for months; it’s nothing but a desperate grasp at not falling apart completely. He’s kind of just… going through the motions, trying to beat you simply because it’s what he’s been clinging to all this time, and he still doesn’t know what else to do with himself if not this.

And more than anything, Kieran has to know deep down that he doesn’t truly deserve this, not after the way in which he caught Terapagos. After all, trainers are supposed to earn having strong Pokémon in their team, either by training them up from a low level themselves, or by proving their strength to a high-level Pokémon by weakening and catching it in battle. (This is why high-levelled traded Pokémon will disobey you if you don’t have enough badges – you haven’t given them a reason to respect you!) Catching a legendary from behind with a Master Ball is none of those things. Kieran has to be perfectly aware that he has not earned Terapagos’s strength in any way (just like he knew all along he’d never really be able to).

A very revealing line on this matter is that if you say you’re not ready to battle him yet, Kieran tells you, “You’d better not run away from this”. He never once implied you might run away from the Champion battle – that’d be like admitting you couldn’t win, and you’d never do that. But here, it's different, because Terapagos isn’t his strength, so even if he could beat you with it, it wouldn’t really prove anything about him. You’d be well within your rights to just refuse to indulge Kieran in this at all, and on some level, he knows that.

(…With all that said, Terapagos does obey his commands in the battle anyway. It’s sadly difficult to attribute any definitive emotions to it because it’s pretty unexpressive, but perhaps we can imagine that Terapagos is kind of just lost and confused, going along with the orders of the one who threw its ball because it’s not really sure what’s happening and battling is kind of instinctual for all Pokémon. Maybe it’s even more instinctual for Terapagos, thanks to its ability that automatically shifts it into a battle form when there’s an opponent in front of it. It doesn’t really help matters that you just sent something out to battle it without questioning things, either.)

If you manage to hit Terapagos super-effectively during the battle, Kieran scoffs that “it has a weakness? I thought this was the hidden treasure of Area Zero?!” What do you mean his super-special legendary that would let him finally definitely win this time isn’t invincible, that it’s still functionally just a regular Pokémon and it’s still possible – and not even that hard, really – for you to beat him even now.

And if you land a critical hit, oh boy: “How can you get critical hits, even at a time like this… What are you, the hero of this story?” Kieran is clearly raw with bitterness about the turtle-coin flip, about luck choosing you because you’re just so heroic, even when this was finally supposed to be his moment really seriously for real this time. It’s reminiscent of another time he compared you to a hero when you critted him, in his fourth Teal Mask battle – but back then, he said you were like the hero in “a story”, whereas here, you’re the hero of “this story”. Kieran’s realising on some level that if this were a story, you would be the hero of it, you’d deserve to win, and… wouldn’t he be the villain? Because heroes certainly do not go around throwing Master Balls at legendaries from behind.

(For the record, though? Kieran is not a villain. Stop calling him a villain, people. Not a single thing he does is outright villainous; catching Terapagos in this way is wrong, yes, but it’s an act of desperation for which his entire end goal is literally just to win a dang Pokémon battle against you. He’s barely even that much of an antagonist, if we get into that – this isn’t really a you-versus-him conflict so much as a him-versus-himself conflict that you happen to be inextricably wrapped up in.)

Kieran isn’t even that crushed when he loses this battle, just… lost and confused. He insists that “I thought if I had Terapagos, it would make me stronger,” as if catching it in a Master Ball would change anything about his strength – but really, he has to have known that wouldn’t truly be the case. And when Briar remarks that Terapagos isn’t as strong as it should be, Kieran just miserably assumes, “so it isn’t the hidden treasure?” Like, of course this was too good to be true, of course whatever Pokémon he actually managed to get his hands on was just some dud and not the real deal, because he’s never deserved to have anything worthwhile. His expression’s upset, and pleading, as he says this was meant to let him beat you, still like that’d somehow fix everything, but his desperation’s become something pitiful compared to how furious it was before. He just doesn’t know what else to do, doesn’t know how else to cope with his crushing sense of inferiority if he can’t hold onto this.

Terapagos goes berserk

The only reason Kieran even Terastallises Terapagos is pretty much because Briar tells him to, and he’s at a loss for what else to do. It’s very possible that if an actual responsible adult had been here to talk him down – or, heck, even just let Carmine talk to him, since she was trying to do so again – then he’d have finally been in a state to listen and none of the ensuing disaster would have needed to happen. But Briar’s gotta see her giant sparkle turtle, because it turns out that basically her entire character exists to facilitate Kieran’s character arc having the most dramatic climax possible, and I for one am 1000% okay with that.

Kieran looks apprehensive and afraid even as he’s just beginning to Terastallise it (no emotionless mask to cover the wince this time), perhaps because he can feel that the power from his Tera Orb is way more than it usually is and isn’t sure this is a good idea. But what else can he do? He has nothing else left – so he throws the orb anyway.

Again, Terapagos is frustratingly unexpressive, such that it’s difficult to get a sense of whether it attacking Kieran once it Terastallises is an instinctive, unconscious defence mechanism, or something more deliberate. But it’s certainly more fun to imagine it’s deliberate – that this is Terapagos lashing out from anger and fear now that it’s been given a terrifying amount of power it can’t fully handle and begins to realise, wait, no, it didn’t want this. That makes this problem distinctly more Kieran’s fault, which is a good thing for his arc. (If Terapagos’s rampage wasn’t based in its emotions in any way, then this kind of wouldn’t be Kieran’s fault at all, not really! It was significantly more on Briar that he Terastallised it, after all. Kieran’s real mistake was catching it without its consent – so it’s more narratively satisfying for this to be, in part, him facing the consequences for that.)

Either way, the important part is that Kieran is bound to feel like this is Terapagos lashing out at him because he shouldn’t have caught it. He always knew deep down that that was wrong, and now here’s the proof, because of course a strong and special legendary like that would never truly acknowledge him. And now it’s so mad at him for trying to act otherwise that it tries to kill him. (This poor kid is already clearly very sensitive to rejection in general, but, ouch, that has to have been like a stab in the gut.) This is all his fault for daring to think he deserved to have any kind of strength at all.

But then you save his life, by sending out your lizardbike friend to shield him! Which on the one hand just makes you even more of a perfect hero – but this time, your heroism is a good thing for Kieran. And, more than that… you wanted to save him. You saw him as someone worth protecting? You, actually, care about him??? (Kieran has been convinced that he’s nothing to you pretty much ever since you lied to him back in Teal Mask, but, oh, hey, maybe not…?)

Not that he has much time to process that in the heat of the moment; he’s too busy freaking out over everything such that Carmine has to be the one to tell him he should recall Terapagos. Maybe on some level he just feels like Terapagos would never listen to him if he tried, because it literally just attempted to kill him – and indeed, it fights back and breaks the Master Ball rather than go back to being his Pokémon (there’s another painful sting of rejection). Of course Kieran should never have caught it or called himself its trainer. He reflexively asks “why?” it wouldn’t come back, but he knows why. It’s because he’s worthless and deserves nothing, and he should never have tried to pretend otherwise.

Facing the gaping pit

At the start of the final battle, Kieran’s just frozen in terror at what he’s accidentally unleashed, not to mention the recent shock of nearly being killed and the knowledge that this is all his fault. (Even though, it isn’t all his fault! Briar deserves at least half the blame for this! But that doesn’t remotely occur to Kieran in the moment, because he is intrinsically the most worthless person ever, so of course all the blame should be on him.) But after a little while, the immediate terror fades, and Kieran’s left with nothing but the overwhelming feeling that he’s useless, that he can’t help anyone. It’s that vast aching pit of inferiority that’s always been there inside him, finally right at the surface.

There’s nothing he can do to run away from it any more. Ogerpon didn’t want him and chose you instead. All of his efforts to make himself stronger meant nothing in the end because he still lost to you. He never should have tried to catch Terapagos, because it never wanted him either and all he’s done is put himself and everyone else in danger. There’s just no way out.

Which means that, for the first time ever, Kieran has no choice but to finally, actually face up to and confront his terrifyingly huge inferiority complex, and begin to fight against it in a genuinely healthy way.

Maybe he wouldn’t have even tried at all if it hadn’t been for the fact that he needed to help with this battle! Shout-outs to the narrative for creating a situation in which Kieran has to help after Carmine’s one remaining Pokémon goes down, because he might otherwise never have done so.

(I love that one of the things the battle camera can do while you’re idling here is cut to Kieran and linger a moment with him, with the look of either frozen terror or miserable inferiority on his face. Even though he’s technically just a background character right now for the mechanical purposes of the battle, this moment is about him, and the devs knew it.)

And of course it takes Kieran a really long time, most of the battle, to actually find the courage to fight back! His inferiority complex is so massive, so all-encompassing, the root cause of all of the desperate, self-destructive, obsessive things he’s done to try and escape it, that of course it’s so, so terrifyingly difficult for him to actually face up to it and find the strength to try and believe that… maybe it’s just wrong.

Crucially, the single thing that does the most to trigger Kieran’s shift into courage is you – you, calling out to him, asking for his help. Hearing that you actually value his strength and need his help is exactly the kind of acknowledgement that Kieran has always desperately craved from you all along. It’s just what he needs to help him believe that, just maybe, he might actually be kinda strong and worth something after all.

But even then! Even with that, his inferiority complex does not magically vanish, because of course it doesn’t work that way! All your words do is give Kieran the courage to fight it, by holding onto the fact that you believe in him and he’s not alone. His animations here are so good; there’s tears in his eyes even as he manages to snap himself into determination, because he is still so scared and just finally being really, really brave about it!

One really lovely subtlety is that the highlight in his eyes, that little visual detail that makes a character really look alive, which was completely not there in Kieran for the entirety of Indigo Disk up until now, finally comes back in the exact moment when he finds the courage to fight. And it's neat how the game manages to re-use the same screaming animation Kieran had for the beginning of the Champion fight, with the only minor differences being the tears and that highlight in his eyes, but in this new context it communicates an entirely different kind of emotion. It’s like he’s fervently psyching himself up into believing that he is capable of doing this.

And hey, Kieran’s contribution to the battle really is pretty helpful! It’s a genuinely tough fight to the point that, no matter your level, there’s a good chance you were struggling on your own for a while, so you’re probably glad he’s here to help even just in a mechanical sense. His Hydrapple’s Supersweet Syrup ability can be useful to you as well as him, and then if it goes down, he switches to Dragonite and – because of the evasiveness drop – begins spamming near-accurate Thunders on a Terapagos who is Water-type for this final phase. Look at him go! (And another thing Hydrapple can do to support you is use Dragon Cheer, which delights me, because it’s Kieran deciding that actually he’s okay with you getting all the critical hits after all. Aww.)

Once Terapagos is defeated, if you try to not catch it, Kieran will tell you that you need to do it, that “it has to be you, not me!” It’s so lovely that there’s not a hint of bitterness to him here as he says this, just perfectly comfortably accepting it, because he never really wanted Terapagos anyway and he knows it’ll be happier with you, and that’s all that matters. Even if you don’t get that line, his encouragement of you as you go for a Pokéball is more than enough to communicate the fact that he’s okay with you doing this. And Kieran’s smiling again, cheering you on with that same animation of his from back in Teal Mask when he was super excited to watch you battle his sister! This is the excitable, battle-loving kid he always was and finally is once more! His smile is even more adorable now without his hair obscuring half of it, too.

Letting it go

In the end, Kieran’s finally able to let things go thanks to multiple factors brought about by what happened in Area Zero. There’s the part where he spent the adventure being just a little bit closer to his normal self, letting him realise that he misses being like that and that maybe there was nothing inherently bad or weak about those parts of him at all. There’s the way that Terapagos going berserk served as a very stark representation of how his obsession with strength only ends up hurting himself and everyone around him, which must have helped him see that his behaviour leading up to this was doing the same kind of thing and he can’t go back to that.

And, perhaps most importantly, you acknowledged his strength by calling out for him to help you against Terapagos, which is what Kieran really needed the most all along. By joining you in the battle, he’s finally begun to face his inferiority complex, to shoot down the conviction in his mind that he’s useless and weak and can’t do anything, and prove to himself that he’s capable of confronting scary things after all, even including his own mistakes.

I do have another small writing nitpick about his dialogue in the post-battle scene, in that I don’t quite agree with his progression from “I just don’t have it in me to be like you” straight to “finally I can let it go”. Kieran was always aware of the former, deep down, but knowing that never did anything but make him latch desperately onto trying to prove that wrong no matter how impossible it felt. Meanwhile, the latter implies that he’s always consciously wanted to let it go and just somehow couldn’t despite that, which isn’t quite it either.

Instead, I think it’d work if he first went from how he can’t ever be like you into “I guess I have to just let it go”, and then from there into “Yeah… finally I can let it go”. Feeling like he simply has no choice but to let go at first, and only from there would he reflect and realise that actually, he can now, and maybe a part of him had always kind of wanted to after all.

Delightfully, as Kieran begrudgingly accepts that he can’t ever be like you, you finally get a dialogue option that lets you tell him that he’s strong and cool and worth something as he is!!! It seems like it really did take you hearing his inferiority complex directly from him in order for you to realise that this was something he needed to hear. He reflexively tries to downplay your compliment, like he didn’t really do anything impressive at all just now, because he still instinctively feels that way about himself – again, his inferiority complex has not just magically vanished, because it doesn’t work like that! – but hearing otherwise from you of all people has to be an immense help for him in fighting against it.

And it’s this that sets Kieran off crying, from that overwhelmingly positive emotion that you think he’s really cool, aww. This seems to break something of an emotional dam for him, letting him just have a good long cry about all of it, which, yes, he has so many emotions he’s needed to let out for so long now and it is good and healthy that he’s finally able to do so! (I wish this part was better animated, alas – but believe me, I am imagining him having such a big long cathartic cry even if the game isn’t managing to adequately show it.)

Then there’s the final scene! It’s so brave of Kieran to have resolved to apologise and make amends for everything he did wrong. That is scary as hell and comes with a huge risk of massive painful criticism and rejection, but he’s doing it anyway because he wants to do the right thing. He is such a good kid at heart despite his massive issues having driven him into several big mistakes.

Now that Kieran’s returned to something resembling his old self, his anxious body language from before is back – he’s barely making eye contact with you as he speaks, his head low, instinctively trying to hide his face behind the one bit of hair he still has hanging down. But nonetheless, you can tell that he’s making an effort to fight that and push himself to be just a little bit more assertive than he was able to be before all this. As he asks if you two can be friends again, he’s grimacing, already braced for rejection, hesitating then blurting out all of it in one big go before he changes his mind – there’s still a very significant part of him convinced that you’d just never want that and he doesn’t even have the right to ask. But at least he’s now able to realise that said part is probably wrong and find the courage to ask anyway! Because he wants this, and he deserves to at least try and grasp good things for himself!

And of course you still want to be his friend, because you basically always were anyway from your perspective, and Kieran is so adorably happy to have this second chance, and I am so delighted that the two of you are able to be friends again like you always should have been all along, aaaa. I could not be more proud of my boy.

(Well, I could go into a lot more detail about just how proud of and happy I am for Kieran thanks to all of his scenes in the epilogue and postgame. But that’s enough of its own separate Thing that it ought to get its own post! So hold on for that; I’m not quite done having So Many Feelings about this boy just yet. Aaand here it is!)

[intothegenshinworld]

Fate’s Destiny ~ Chapter 12 || It's canon!

You somehow, not being able to explain it, had fallen into the Genshin world you know oh-so-well. You were no new player and had explored most of the nooks and crannies of the world. When you first had woken up in Windrise you wondered; it might be a dream, after all, you were behind your screen usually, and now- here? It made no sense, and the world was keen on keeping it that way.

Warnings: Spoilers for main story.

Word count: 3.1k+

Auteurs note: My health is still undergoing challenges, but I was able to write this on my better days. If you liked this chapter, please leave your thoughts on this chapter behind in a comment or reblog <3 It'd make me more motivated to post the next chapter :D

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The conversation you had with Dainsleif last night left you feeling like he understood you better than any stranger should. It was as if he had anticipated finding the Creator, as if he was familiar with the aura and thus unsurprised when it led him to you. However, that wasn’t the most concerning thing about the situation. The juxtaposition of what follows has been plaguing your mind the entire morning.

Despite never mentioning it in the company of Lumine and Paimon, Dainsleif seemed to doubt your status as the Creator. It wouldn’t have been unusual, if not for the fact that he felt your aura. 

Up to this point, there was a clear division between the people who felt your aura and the ones who didn’t. The former had always been insistent on your identity. They never doubted you for one reason: the fact that they experienced this unknown feeling around you. You couldn’t explain it since you didn’t have any control over the aura, that much was obvious with the fact that seemingly at random some people experience it and others don't, but it felt terrifying to have an anomaly in this formula. 

Why did Dainsleif not believe in the Creator?

The more you look back on your interactions with Dainsleif, the more you are led back to your initial conflict: who is the Creator? 

Moreover, you wonder why you believe his convictions over your own. 

Lumine turns her head over her shoulder. “What’s your opinion about it?”

“Huh?” You pull yourself out of your daydream with a forceful blink. “I’m sorry, what did you say?”

You gaze at Lumine. Paimon hovering at her side. The three of you are currently waiting in a small clearing on the side of the main road. Conversations from passing strangers echo in the background. They are accompanied by the sounds of galloping horses and carriages being pulled along. The sun hadn’t been up for an hour before your party had set out but somehow you were unable to avoid the now gathering crowds.

At this moment, you were waiting for Dainsleif to return. While Lumine insisted on staying at your side, he had offered to scout ahead. He’d keep an eye open for suspicious people on the road and potential shortcuts to use. He’d also be able to estimate when the crowds would get thicker and could warn you ahead of time so you’d be better prepared. 

Paimon holds her hands close to her chest, a clear sign of her worry. “Are you okay? Paimon thinks you seem a bit out of it.”

You force a smile. “Don’t worry about me. I was just thinking.”

“If you say so.” Paimon turns her worried frown upside down and places her hands on her hips. “Lumine was asking if you were alright with travelling on the main roads. Even with Dainsleif scouting ahead of us, it’ll likely get more crowded the closer we’ll get to Wangshu inn.”

Lumine adds, “We’ll keep you safe regardless, but I understand if you want to take a different route.”

You think about the last time you visited Wangshu inn. It had also been with Lumine and Paimon, the only difference being that you came from Mt. Aocang and thus barely met anyone on the road to and from.

More about your last visit, despite feeling like you’re missing something important, you can’t remember. 

Before you can answer, Dainsleif walks up to your group. He nods his head when you acknowledge him and then starts talking. “The roads are beginning to get busy. We should head out.”

“Oooo. Paimon wonders if we’ll arrive today.” She kicks her legs in the air excitedly. It had only been a few days since you departed from Wangshu Inn but she undoubtedly was missing a soft bed to sleep in. You did too.

Dainsleif crosses his arms. “If we make haste, we will arrive before sundown. Many people are currently travelling through Liyue Harbor for the upcoming Creator Fest, so we should remain unnoticed since everyone is focusing on their own business.”

You lift an eyebrow. “Creator Fest?”

“Hm.” Dainsleif closes his eyes and ponders to himself for a moment. “Though the name is self explanatory, it is a festival held to celebrate the creator. From my understanding, the festival is held once every five years.”

Paimon looks from Dainsleif to Lumine with a confused expression. When she sees the outlander mirror the same confusion, she fiercely disagrees. “Lumine and Paimon saw the preparations in Liyue Harbor. There, they said it was held every year.” She lifts a finger in the air and waves it around all-knowingly. “Paimon remembered it well because they had many stories of the festivals from last year.”

You turn your gaze to Dainsleif. He doesn’t seem confused, nor does he try to refute her claim and explain his. After Paimon rambles for a bit longer, he simply agrees and states he must have mixed up certain festivals. 

While Paimon gloats in her victory, Lumine’s scepticism doesn’t escape your eye. Just like you, she seems on edge. Until that, too, disappears. 

“We should head out.” Lumine states.

Paimon throws her fist in the air. “I can’t wait to eat some of that delicious food we had last time!”

With your cloak pulled over your face, your expression remains hidden to even your companions. A frown is settled on your face when you recall that the festival Liyue had been preparing for was meant for the resurrection of Zh…

What was their name?

The morning continues to pass by in a hurry. As you persist your journey forward, Wangshu inn becomes a more prominent sight in your vision, growing taller the closer you get. 

In the end, Dainsleif’s words had proven to be correct. Many carriages that passed by were loaded with decorations, many of which seemed to fit Liyue’s colours but had the same details and signs as the books with your face on it. 

And when you and your companions fell into a comfortable pace, conversations started to follow.

One of the more interesting topics spoken about involved the anemo Archon. According to the other three, he currently goes by the name ‘Venti’. You knew that Lumine and Paimon met him during their heroic deeds in Mondstadt, but when you asked Dainsleif about the Archon, he answered with: ”I know everything that I should.” —a vague yet seemingly in-character answer.

However, that is not where the conversation ended. Instead you were dragged into an open discussion about the options you had, including Dainsleif’s personal thoughts on the Archons. 

He told both you and the other two, not to trust anything. Which was funny, considering he decided to travel with the Creator. 

You would’ve believed it to be a strange paradox if it hadn’t been for the conversation you had with him last night. 

Dainsleif walks in front of everyone. Always one step ahead. He doesn’t turn his head when he talks, but you know he is invested in the current topic. “I am merely suggesting that the Archons do not have the ability to answer all your questions. You should know this better than anyone, Lumine.”

She gives him a pointed look. Paimon answers for her. “Well, Paimon isn’t hearing any better suggestions from you. Besides, Paimon thinks it’s better than sitting around and doing nothing.” 

The pixie adds, “Besides, the tone deaf bard might look like he doesn’t care, but Paimon thinks he knows more than he lets on. Who knows? Maybe he can give us a push into the right direction.”

“I highly doubt it. Many times before, he failed to. I can't imagine why this time would be different at all.”

Paimon visibly deflates. “Geez. Are you always so pessimistic?”

“I prefer to call it realistic.” He corrects. 

Before the two can continue with their bickering, the gnosis in your pocket starts to rumble. Struck by surprise, you halt your movement. 

As you nimbly reach for the object, the others turn to stop as well. Dainsleif is the first to guess why. 

“The gnosis.”

“Yes.” You wrap your fingers around it and furrow your eyebrows together. Confused at why it started to rumble, you look up at him. “I thought it was broken.”

“It might as well be.” He replies despondently.

Lumine crosses her arms as she presses her lips in a thin line. She thinks for a moment, and then asks, “Is it glowing again?”

The object is firmly within your hold. As your grasp tightens, it hums in approval. 

Because you’ve been travelling through the main roads towards Wangshu Inn, your sudden stop has caused an unintentional roadblock for other passerbys. The majority of the people and carriages go around you, but the longer you stand still, the more the people stop and stare. 

They’re getting aware of your presence. 

From within your pocket, your fingers continue to be tightly wrapped around the gnosis. When you peek inside, you notice that you can’t see a visible glow emitting from it. While you can’t confirm if it lost its light entirely without revealing it to everyone walking on the roads, the constant vibrations from the object and the ground below was enough to confirm that it came back to life. 

At last, you reply. “I’m not sure about the glow but it’s pulsating geo energy.”

“Paimon thinks that’s a good sign, right?” The pixie holds up her hands to her chest expectantly as she looks around at the different faces in your party. 

Dainsleif grunts. “It’s hard to deduct any use of it when we don’t know what the gnoses can do.” He turns to face you. “The geo Archon has told you that it’d help ‘the creator’ regain their past memories. Think about it. Which part of his promise was wrong in the first place?”

You think back to the many days of trying to uncover the gnosis’s secrets without prevailing. In the end, the geo Archon couldn’t help you either. Their promise of helping you with your memories remains, but you’d have to wait for the Archon and the Adepti. 

When you find your answer, you create a new question. “Are you saying that the gnoses never held memories?”

“Not yours, at least.” Dainsleif answers.  

Lumine cuts in. “That’s why we’re going to Mondstadt. Aside from the gnosis losing its power, it never responded to anything Y/n did either.”

“Yeah! Paimon agrees with that. Rex Lapis seemed to be unsure after our last visit too.” She waves her hands in the air. “What if the gnosis has yet to recognise the aura?”

Your eyes light up. “That’s a great idea, Paimon!” 

With the gnosis constantly pulsing out geo energy, you probably needed to do the same before it could resonate with you. Perhaps you should’ve asked the geo Archon how they used the gnosis instead of continuing to ask about your memories. 

In the worst case, you could still ask the anemo Archon. If you have any luck, they’d recognise your aura like the geo Archon did, making it easier to ask for help and confirming your identity. 

A scream erupts from a woman on the other side of the road. Her hands reach up to her mouth, eyes wide as her previous relaxed face turns into one of horror. When you first hear it, you let go of the gnosis and reach for your hood to pull it down more, afraid that you have been discovered. 

Then, another one follows. The person next to her cries out terrified. You take a step closer to your companions this time.

You hear a weapon being unsheathed close to you. When you turn to the sound, you see Lumine at a ready stance to combat. And it continues. Another scream echoes through the crowd and when you finally look at the people, they’re facing away with their hands held together in suspense. 

If there is one thing you regret doing, it is standing motionless amongst them. 

Horses are forced at standstill and carriages stop in place. The previous laughter of children travelling alongside their parents are quieted and replaced by hushed voices. And because so many people had been travelling from and to Liyue Harbor, you feel like the entire nation can see this sight in front of them.

A huge wave reaches the tips of the largest mountains. It seems to be reaching for Liyue Harbor, until you see flashes of light shoot from a place you visited once before. 

The Jade Chamber,

You watch the lights of the once glorious floating palace flicker on and off. You hold your breath as you watch a battle between the ocean and the people of Liyue Harbor play out at a far distance. There is no way of knowing what is going on, until the sea calms down.

Before the waves lay upon the water, a few people have already begun to celebrate. Cheers slowly become louder and praise to the geo Archon is spread around before a loud rumbling emits from far away. This time, you realise it is not the gnosis putting out geo energy. And yet, it responds to the wave by tugging you forward. 

With the crowd stunned, it takes everyone a second to realise victory came with a precious cost. 

The Jade chamber tilts from side to side, as if it’s trying to regain its balance in a struggle against gravity. As the gnosis continues to pull more and more, you realise what’s happening before the crowd does. 

A few more elemental flashes of light dash around the Jade Chamber, and perhaps because you’re looking at it from a grand distance, you notice it has been falling down. 

When the chamber hits the midway point between its original position and the horizon, you see chunks of the building let loose. Some parts fall faster, while others cling on to the gravity defying magic they previously had. But before any part can reach the ground, it disappears from sight behind a set of mountains. 

The crowd is silent. You can only hear the winds blow against your face as you wait for the conclusion of the events. 

Then, a second low thud echoes through the city. It travels across the roads and the crowds try to protect themselves against the sudden soundwave. In the distance, from behind the mountains where it fell, dense smoke from the crash fumes up. 

“What happened?”

“The Jade Chamber!” 

And faster than the Jade Chamber could fall, chaos erupts on the roads to Wangshu Inn. 

People from behind and in front of you are trying to decide whether to turn back or to reach their loved ones in Liyue Harbor. Murmurs of uncertainty deafen your thoughts as you reach for the gnosis. With trembling fingers you take it out of your pocket, just to take a quick look. 

It radiates a dim orange hue. 

Paimon calls out for you as a carriage rides to crash into you. The horse pulling it seems to be out of control when it stops and stands on its hind legs, squealing if not screaming when the people crisscross in front of it. 

Dainsleif ends up being the one to save you in that scenario. He is swift when he moves between the people and pulls you away right before the hind legs of the horse move down and crash at the place you had been standing in. 

“We need to get out.” He yells to Lumine. “This isn’t going to get better, even if we get to Wangshu Inn.”

Lumine hurries over to you with Paimon at her side. She has put her sword back in its holder but seems to be alert nonetheless. “We should head back to Liyue and find out what happened.”

“Have you lost your mind?” Dainsleif shakes his head. He lets out a breathy chuckle. “You intend to go back in these conditions. Can you not see the outcome of that decision?”

A few people push past you and your companions. Luckily due to both Lumine and Dainsleif’s efforts you are able to keep your group of four united. With the chaos surrounding you, you hadn’t noticed you held the gnosis in your hands, visible in sight to any who would stop and look. 

Lucky for you. Not a single person had the time to consider standing still. Dainsleif seems to follow your gaze and you open your hands for him to see. For the first time since obtaining it, the object floats in your hold. 

Like a miracle, it seems to have recovered all its past potency in an attempt to guide you forward. Deep hums echo from within the gnosis, singing an unknown melody as a path opens up from where you’re standing to Liyue Harbor. Unknownst to the people in the crowd, they make way for you and your party. 

You reach up and intertwine your hold together with the invisible hold of the gnosis. A determined expression forms on your face when you look up. “It’s telling us to head to Liyue Harbor.”

Paimon kicks her feet in the air. “You’ve finally unlocked the powers!”

Lumine stands ready. “If we head out now, we can make it before the sun sets.”

A cynical laugh escapes from Dainsleif’s lips. “Have you forgotten how long it took you to get to Wangshu Inn?”

The outlander turns to him. “What do you mean? We all headed out this morning. If we make haste, we can easily return to Liyue Harbor before nightfall.”

With the gnosis in hand you look up at Dainsleif. A silent question lingers in your eyes and he shakes his head before you can ask him the question.

“If you intending on returning to Liyue Harbor, it will be the last time you’ll see me.”

Paimon throws her fist against his shoulder. Even with all her strength, he remains unchanged—safe for the frown that deepens. “Oh come on! Paimon knows you want to save everyone. That’s why you helped us with the Adepti last time.”

He turns back at you. You feel like there are so many things left unsaid but he simply turns and walks away. In the end, he didn’t give you a chance to ask him why he chose to leave. 

A hand is placed on your shoulder. When you look over towards the person who put it there, you see a resolute smile on Lumine’s face. Next to her flies the pixie. “It’ll be alright. You’ve got me and Paimon.” 

Her white-haired companion agrees as she throws her first into the air. 

You knew that the journey ahead of you would remain with many more questions left unanswered so you simply held onto the few things you could trust in. 

The gnosis agrees with you and a path forms once more. 

You run towards your destiny, followed by Lumine and Paimon at your side.

If you liked this chapter and think I deserve a comment, please leave one behind! I appreciate it a lot and it'll make me more motivated to write in the future ♡

© intothegenshinworld. Do not copy, repost, translate or take heavy inspiration from my content. Thanks for reading.

[johnathancactus]

Analysis of all dialogue in "The Last One and Then Another"

I finally got around to playing The Last One & Then Another!! I've seen a lot of discussion around Curly's dialogue, but I felt like there was more to the story than just that. I think that all of the other fish's dialogue also reflects Curly's character, & the core idea of becoming "bigger & better". (Also, my apologies for the disorganized yap-a-thon, I'm writing this all right before I go to bed lol)

[Spoiler warnings for The Last One And Then Another & Mouthwashing!!]

Starting off, we find ourselves in a big ol' empty room, the first fish we meet (Who I'll be calling the "Excited Fish"), earnestly explains the ideas of becoming "bigger" to us.

“Look at me! Look at you! We’ve done it!” “We’re special…” “Bigger.” “Shinier.” “And it can only get better.” “Your eyes will be my mouth.” “Your tongue will be my fins.” “More is more is more is more!” “Devour your smallness! Fill the void!”

Right off the bat, we learn two things: We're special, & we need to get better (bigger & shinier). Additionally, the Excited Fish is also very, very excited to merge with the player. They very openly ask for it & accept it with zero hesitation. (“Yes! Every part of you is every part of me!”) I take this fish to represent Curly's initial attitude with his job, & the Excited Fish mirrors Curly's retelling of him when he started this job;

“It’s easy to get on this boat when you have to.” “You say to yourself, this is just temporary.” “Just until I get what I need.” “Got bigger things planned!” “Then suddenly you’re one year in, five years. Ten.” “First I couldn’t stand the constant, constant noise. Now I can’t sleep without it.” “A lot of things can’t follow you out here.” “But it also means the outside world moves on without you. Won’t even notice until it's too late.” “...Easy to get on, hard to leave.”

When Curly first started hauling with Pony Express, he had his sights set far on the distance; onto climbing to the highest rung of the ladder. He never planned to stay here, never did he plan to become a captain. Just like the Excited Fish, he got lost in the idea of becoming "bigger", resulting in him being sucked into working for Pony Express for years. He took the jump without really thinking about what this meant. Additionally, we know that Curly had something in his life he was trying to escape ("I'm trying to make my life a place I don't have to fucking escape!"), & considering his lines about how things cannot follow him out in space, I take it that he took to job more as a means to an end to separate himself from troubles in his life. However, in the process he found himself engulfed in new troubles, now isolated from the rest of the world outside of Pony Express. He let himself get consumed by the machine, & soon he became indistinguishable from the rest of it.

The next fish I encountered was the Cake Fish, who is happily munching away on Curly's birthday cake.

“Hey! Don’t you touch nothing!” “This is mine! Find your own!” “Urrp!” “Heehee. I’m having such a great time. Goody goody.” “Who knew such a thing existed, who knew how good it could be?” “Shiny, shiny, shiny…” “I got the shiny on the inside. Nothing can compare!” “Grobwah!” “Hm? Come with you?” “I don’t need you to get big, look at me! The biggest!” “You ain’t got the shiny like I do. Ya don’t understand?” “Hah! You’ll just have to pretend!” “Gwrah…”“Munch, munch… this happiness. All mine!”

This fish is the only character to directly oppose merging with the player, believing themselves to be "bigger", despite being smaller (& thusly being consumed by the player.) (“N-no! I am the biggest! I should be eating you! Bwaugghh!”) I take this fish to represent Curly at some point between first entering the company & when the game occurs. Perhaps when he first became captain/reached the highest rung of the ladder? Considering Curly's associated dialogue, I take the Cake Fish to be a reflection of his initial feelings of being the captain, whilst Curly's following dialogue instead illustrates how the shiny image faded away one time passed.

“Do you want to hear a joke?” “Three men are in the hospital.” “The first man cries “I lost both my hands, they told me I’ll never work again!”” “The second man wails “I lost both my legs, they told me I’ll never work again!”” “The third man?” “He rejoices “I lost my hearing, they’ll never be able to tell me I’m fired again!” “Hahahah!” “Good one, huh?”

Here, I feel Curly is reflecting on his time at Pony Express. He looks back at the news of the company going under (Which causes him & his crew to be fired.), reflecting a clear bitterness towards Pony Express. I take it that the reality of being captain has sat with Curly for a while now, & he has become entirely disillusioned. When freed from the machine's gears (Albeit in a way more similar to the fish in the gears in How Fish is Made, which gets sliced apart), he no longer is bound to keep up the idea that he is the "shiny & special" captain, as he gets thrown away, just like all the others.

The third fish, the Mouthwash Fish, represents Curly's reflections on his current situation post-crash. When reflecting on his career, he realizes his mistakes (Staying with Pony Express, letting Jimmy join the crew).

“(sniff)... I want to go back.” “Oooh, why’d I have to come here? We belonged in that other place…” “I want to go UP or DOWN!” “Wait no, or was it…” “LEFT or RIGHT?” “Hmmhnn? (hic)” “Aaagh! I was stupid to think I could be different!” “S-sure it was scary, but…” “Now I’m all alone. (hic)” “L-look at you! Take me back there!” “I can help! I can see perfectly c-clearly! (hic)” “Nothing can touch us if we’re together!” “You’re just like me… (hic) Take me with you!”

The Mouthwash Fish forgets why they even came here, why they strayed from their original path. Now, they're too far gone to even remember what it actually was. They feel lost, & just wish they could return to their original path, even though return (seems to be) impossible. When consumed, they say “Ooh! Everything goes round and round again!”, indicating that this might not be the first time they've tried to return to that original path.

I'd also like to take it that the Mouthwash Fish is implied to be drunk(?), at least when taking the "(hic)"s as an indication of that rather than crying. (Considering that the room is full of mouthwash, it doesn't seem too far-fetched.) In the context of the line of “I can help! I can see perfectly c-clearly! (hic)”, the Mouthwash Fish's overconfidence is displayed, as well as their blind belief that they can see all the flaws before them, & fix them.

Curly's last dialogue here is clearly amount Jimmy.

“Next comes spite. First it stares back at you in the mirror.” “Then it’s those around you. They’re wearing your face, and you theirs.” “...You know. He joined because of me.” “What were the words I used? Ah, right.” ““It’s a great opportunity. Easy money, just a trip or two.”” “Someone else’s words in my mouth.” “Hey, worked on me as well, right?” “Change hurts, but worse things fester for a long time.” “I told him as much.” “I tried, I really did. We’re defined by our past, but not slaves to it.” “We said tomorrow will be different.” “Today would be the last day. The last one.” “The last one and then another.” “And another, and another, and another…”

Here, he recounts his relationships with Jimmy & himself. I take it that once he realized he was too far gone down this path, he began to spite himself for boxing himself into this role ("Is this all I'll ever be?"). Then, he begins to take notice of Jimmy's spite of him, the way Jimmy tries to be him (Observed in Mouthwashing through Jimmy's actions such as sitting in the left pilot's seat, the head of the table, & his general jealously of Curly's power). Curly remembers how he pitched the job to him, mindlessly repeating what he had been told. Just a cog in the machine. He thought it could be good for Jimmy, to get away for a while. Even though change may hurt, it can lead to growth. He wanted to help Jimmy escape his past on Earth (In which he is stated to have had a troubled life, but in what way we do not know.) & to become a better person. Curly's earlier dialogue & dialogue in Mouthwashing implies he began working with Pony Express as a means of escapism. I take it that he hoped the same would work for Jimmy (Even though it didn't work for Curly, who was blind to the fact). Just like the Mouthwash Fish, Curly believe that he could see clearly. He believed that he could see into Jimmy's heart & help him, but he was too blind to truly see Jimmy as he was. As Jimmy kept getting worse, he'd tell himself that the next day would get better--he could help his friend. Then the next day. And then another, and another, and another.

Tl;dr, all of the fish in The Last One and Then Another provide insight into Curly's character & flaws; especially his thinking, his relationship with Pony Express, & his blindness to Jimmy's flaws. Curly first came into Pony Express thinking of it as a stepping stone to a bigger & brighter future, but as time went on, he became stuck in this job. For a while he believed himself to be the "biggest", but after Pony Express goes down, & he gets terminated, he realizes that he is just as small as the rest of his crew. Once he is no longer blinded by the illusion of Pony Express, & possibly after the crash, he realizes the flaws in Jimmy that he was so blind to before, & his naïve belief that he could help him.

[clericofgale]

Spoilers for Patch 5 and the whole game.

I posted my thoughts about the new ending Gale got in patch 5 on Reddit first, but I might as well post it here with some revisions. I'll say it, I love the god Gale ending. But it is NOT his good ending to me. Before I would never have pursued it, but now it is tantalizing to say the least. I'm into it though Gale the mortal is still my preference.

"Gale Dekarios cuts a poor figure next to the wizarding prowess of 'Gale of Waterdeep. You like so many things about me I'd have sooner discarded…"

By ascending Gale, you are killing Gale Dekarios. The nerd that hits on you in front of everyone while you're covered in zombie blood, procced to infodump an entire tangent to complement you, and yet somehow stick the landing to hit you with the most romantic poetry you've ever heard. A sensitive man who wears his emotions on his sleeve and wants to make the world a more beautiful place. An artist of the weave and a poet. The owner of the most overbearing tressym in the world. The moment the spell was complete, Gale Dekarios died and Gale the divine was born.

Even then, why is god Gale now so enticing to me unlike ascended Astarion? Because he loves you. He wants you by his side as an equal. It's actually sweet and romantic, just like all of Gale's romance is. I'm nothing if not a sucker for a romance.

"Follow my Lead" "Show me more. Show me it all." "I want you to seize the crown and make us a new world"

BeMyGod is the name in the data file for the boat scene where Gale asks you if you'll be with him when he seizes the crown. I know file names can be arbitrary, but if you agree to his proposal, you really are asking Gale to be your god. It's so easy to say yes. You're in the stars, Gale says I want to show you so much more, but it's not worth it without you. All you need to do is say yes. You're angry at Mystra who demanded so much of Gale, caused him such suffering and won't lift a finger to help. So You say yes. You love him. He loves you.

When Gale ascends, even in 6 months he is a different entity. The devs indicate: "His posture/demeanor here should feel slightly more aloof/detached than the regular Gale - he's been immortal for six months, his ego is as powerful as his magic. The real Gale's insecurities still lurk beneath his godlike confidence, as does his love for the player, but this is clearly a Gale setting out on a darker path."

The Gale here is a twisted version of the one we loved. His flaws are worse, he good traits have mostly disappeared. Namely his kindness and tolerance to deprecating humor. He no longer tolerates any perceived slight or jab. He doesn't let go of his bitterness towards Mystra. His ego is large yet fragile. You saw a glimpse of it at the ritual circle scene if you succeed in upstaging him in magic. Now it's only gotten worse. Yes even his insecurity. If you rejected him after accepting the proposal, Gale says this.

Tav: No, I think it's the end. What happened to the man I once loved? Gale: He's the god he deserves to be. I achieved everything we hoped I would, and still I'm not good enough for you?

He's also lonelier than ever. His last 6 months were in isolation, with nobody he could trust while dealing with the crown and celestial politics. Immortals don't really have friends. They have allies and lovers. He stops talking to his mother who was so dear to him. He develops a spell to polymorph people into Tara, his oldest friend who rejects him after ascension. He then develops a spell that summons Shadowdark ale and forces people to dance and be happy, just like the vignette he told you about the Yawning Portal. The third spell is Power word: Ruin. he's finally back to speaking death into being with a single word, just like he used to.

Gale wanted to be a god to make a better world, but now he's a neutral god answering prayers from any alignment. He doesn't care if they are Thayan wizards aiming for lichdom or unscrupulous Amnian merchants. Ambition is a neutral idea. Ambition also drives healers to develop a cure. For adventurers to slay monsters.

What's the most noticeable remaining good trait in Gale? Gale still loves you. He's much nicer to you if romanced. He refuses to be with you if you don't go with him because he doesn't want to hurt you. He admires your good heart if you want to honor the pact with Raphael. He calls you my love just like before. He will fulfill the promise sealed that night in the astral sea. All you have to do is say yes. And the ascension cinematic is a callback to the romance scenes from before.

"Follow my lead. Close your eyes. I have so much more to show you."

And you know what. I'll go with you. Even if we will eventually lose both our humanity in our folly, and dreams become nightmares. Even if I'll come to regret that night when I said yes to the mortal you, I don't want you to be lonely. Where ever you go, I'll go. You'll always have me. And I'll always have you.

As God Gale would say… "A toast then, to our myriad ambitions. May we each get what we deserve."

[asterythm]

on the ending of in stars and time:

an essay from someone who couldn’t sit with it at first, & a love letter to the fic that brought me here anyway. (…spoiler warning for in stars and time, naturally, but you knew that!)

if siffrin isat has taught me one thing it's that vulnerability is cool, actually, and being forthcoming and generous with love when there is love to be shared is how the coolest kids do it.

so. hello isat nation of tumblr dot com. i'm here because even after cutting out several chunks to shorten this significantly, i busted through the ao3 comment section character limit and still had more to say, so i needed somewhere to put it all that would let me go longer.

i’m pretty sure this post is for, like, three people, one of whom is me. but look, it’s been moved here to the webbed site so if you wanna read it anyway i won’t stop you!

=====

i think what it is, ultimately, is this: the ISAT canon ending was beautiful. it was an objectively well-written ending with so much love and hope and thematic satisfaction.

it also left me, for a period, with a deep and unshakeable sense of dread.

:)!!!!

now enter @faedemon's "None Forward & Two, Two, Two Steps Back" (hiya, fancy seeing you here), a two-chapter alt act 5 in which siffrin finds a New, Worse way to break the loops.

despite being, as mentioned, a notably worse outcome for everyone involved, this alt end managed to cut straight to the heart of that dread and settle it — and not in the sense of "oh, i like this alt ending better", or “oh, the canon ending looks better in comparison against this worse alt ending”, so much as "oh, thanks to this alt ending i am finally able to sit in a place where it no longer feels like the canon ending, as a beautiful outcome which felt impossibly lucky to get, is the only outcome in which life can go on — and my ability to accept it, and the game as a whole, is elevated for it."

which!! i mean!! i don’t know that that’s exactly what you set out to do; None Forward is explicitly a tragedy!! and one, as your tags say, written because the canon ending didn't ring true for you.

but I realized that the thing that was stopping me from enjoying ISAT’s canon ending was that ugly hard core that was still so, so scared after the canon ending of every way we (that is, siffrin + i as the player moving in that incredible ludonarrative lockstep with him, holy moly the harmony in this game) had not yet grown to earn it. 

=====

(I’ll take a sec here under the cut to say that when I played ISAT, and then for much of the month that followed, my main reason for engaging with it and its related content at all was that it was a piece of media that came fervently recommended by my incredibly dear friend @iconocat , who it had massively, violently impacted and whose media recommendations in general I trust more than anything.

so i played ISAT, and it was incredible. but even though it's a piece of media that just about hit on every point on my list of Things That Set My Brain On Fire, it failed somehow to. well. set me on fire — at least to the extent I was expecting it to. I still enjoyed myself in the few weeks afterwards of running through fan content and intentionally plunging myself into media analysis, but I was never convinced that I would be engaging with ISAT to the extent I was if it wasn't for the sake of trying to intentionally hack my brain to the point where I could share with my friend something so important to her at the same level of genuine investment. 

I’m telling you all this because, legitimately the same night I posted “nothing but a dull ache” (ie, if you're not charlie faedemon and are somehow caring to read this anyway, the epilogue oneshot I started feverishly writing the morning after reading None Forward), I realized through my rambling in my friend’s discord dms that reading None Forward was the moment the fire finally caught. I spent a month burying myself in ISAT content and asking myself “Is this natural yet?”. after None Forward, the answer to that question finally became a sure, wholehearted yes.)

=====

so anyway, back to the essay.

don't get me wrong. it's really, really nice, to read a story where the moral is less “you should have asked for help", and more “there are people who will unselfishly give the gift of a love that saves even when you cannot save yourself".

but that whole ending also was only able to happen because 1. they broke in a way no one should ever have to break, and 2. everyone involved got lucky.

which, in media, happens all the time!! it is not inherently dissatisfying for a narrative to wrap by saving you with luck and love in the nick of time!! in fact it should be incredibly satisfying, after the unambiguously-negative downward spiral into Director Siffrin who had begun to learn what to say and do to make his family behave exactly the way he needs them to, for a stroke of unpredictable luck brought about by factors entirely out of his control to finally be what sets him free.

but like... I think it's because the story is set in a situation where it's no longer true that luck and randomness is a factor by which anything significant can change.

we're hammered over the head with it: until and unless you do something to alter the course of events, they will not be altered. when you are the only dynamic element the world is reacting to in an otherwise looping course of events, you don't get to rely, anymore, on the idea that at any moment something could happen to save you. you have to assume that nothing will happen unless you make it.

and siffrin?? siffrin's literal motto was "stick to the script"!! they spend the loops with a mouth that kept closing tighter and tighter and tighter until i got to act 5 and watched them implode. and then I’m saved, and I know I haven't earned this. I get to the end and I'm still not telling them anything!! I wasn't supposed to get the good ending!! but I get away with it anyway with open arms and acceptance and unconditional love, and it's. kind of nauseating?

how am I ever supposed to learn and grow, if I didn't manage to change my behaviour even then under the threat of Eternal Looping Torment, and still got the good ending anyway? how can I prove there was an alternative way I could have broken free if things hadn't turned out so lucky in that one terrible act 5 loop?

I can't. and that's terrifying.

(aside: I’m speaking in the first person here to emphasize that the thing that got in my way is not because I don't believe siffrin is deserving of this love — quite the opposite, I think the driving force behind the good ending is that siffrin went scorched earth and saw he was loved anyway — but because this is a game designed to frequently encourage the player to deeply feel what siffrin is feeling throughout its course and. well. as a thing to happen to a fictional character it's beautiful. as a takeaway for the player, it's... harder.)

and that's where None Forward comes in. (i’ve already written thousands of words in comments and epilogue fic declaring my love by now, but i mean. im hoping you won’t mind just a liiiittle more.)

None Forward shows a devastatingly written, all-too-believable version of what might have happened if siffrin didn't get lucky, and the loops continued, and they kept clinging to the script and refusing to Look At It and successfully stagnating and stagnating and stagnating as they were so determined to do. and it's bad, it's worse, it's way way worse — but there's no reliance on outside factors. it comes completely from within siffrin and loop, the only dynamic pieces in the world, finally breaking out.

it was the terrible, nightmarish unfairness of the loops brought to their natural, just-south-of-inevitable conclusion.

and yes, it's a terrible, unfair conclusion, but the loop still breaks.

in a roundabout way, it... gives me so much hope. if the outside factors were different, if the stars did not align just right to allow siffrin's family to get there on time to save them, if siffrin never learned to open their mouth, which by all means seems like the likeliest course of events... they'd still get out. worse for wear, and separated by a gap unbridgeable, but out.

there is a future. there is freedom.

=====

to speak more specifically on dull ache, if you'll forgive the indulgence, just since this was originally meant to be in a reply to the author in my own comments section:

I think I so desperately needed to write it with a focus on the family siffrin left behind because I wanted to prove, if just for myself, that in that barely-dodged alternative there still could be a future for everyone. (isabeau's just happened to be the voice in which dull ache came to me, but the point was to create an epilogue for all four.)

for the rest of the family, who was not quite so deeply ravaged but was still left in a bad way at the end of None Forward, and for whom randomness is not pretty much unequivocally good just by virtue of being better than the alternative like it is for siffrin and loop (more on that in a sec), I could see it mattering more to set specific pieces up precisely, and I could actually imagine the pieces I could set up that could have a meaningful impact in the immediate future.

so. y’know. I set them, in the way I happened to want to. granted, with some extra... divine indulgence, but siffrin's departure from their family's perspective at the end of None Forward was definitely Wrong but not so obviously wrong that I could believe that without it they wouldn't otherwise either (a) go hunting him down to force out the truth, which felt Worse, or (b) just "accept" that it was as simple as Siffrin not actually caring about them/brushing them off and thus intentionally fade him into the distance in their minds to deal with it. which felt like the WORST POSSIBLE THING.

you'd think it might make more sense to have done this for siffrin and loop, instead. they're arguably the ones who need it most, after all, so why not build them up from rock bottom as a sweeping show of "things get better"?

but... i think it doesn't need to be written to have faith that it will happen: the very fact that Siffrin is about to set out on a new journey in a reality where everything is a dynamic player just. immediately gives me hope all by itself. random lucky things that save you are so much more believable and wonderful when random lucky things in general are happening all the time, and you have all the time in the world for them to happen.

and anyway, I don't think this is the kind of future you’d write satisfyingly as a sequence of events at all. to heal from this is something that will take an incredible amount of time and nonlinear progress. 

until one day, through a series of disconnected small quiet gloriously-random lived experiences, without knowing when it happened or being able to trace it back, you realize, oh —

somewhere along the way, you came to know how to live again.

[aicosu]

Hey, just saw your post about Veilguard - do you mind me asking what it is that put you off? Thanks!

I can start by saying I've not played it. I'm not going to at this point. But basically, every cutscene and dialogue option and plot point I've watched. And for those of you that don't remember I was hugely critical of Inquisition despite my love for it. And I downright hated Trespasser. So this shouldnt be shocking.

And its a lot of stuff I dont like. I can make a short list of major things below, obvious spoilers.

Please dont read this if it will make you angry okay? This is a lot of angry ranting.

1. I said this with inquisition and trespassers but veilguard seals my hatred for the decision to center the entire plot of ripping apart the dalish culture and religion. I'm sorry I just don't think this is compelling. It's icky to create an oppressed and marginalized race with parallels to most indigenous cultures in the real world, and basically call them wrong and stupid for clinging to their culture and history. I don't care that validating the Enuvanris existance means also invalidating the maker and the tevinter reiligions too, or even the dwarven: the game centers this narrative on the DALISH. The entire implication that its their fault all along or they sold themselves into a cult and slavery is gross. The game could have easily done this but centered it around the Maker. Andraste as the blight corrupted crazy deity or spirit whatever the fuck. Makes more sense with how much Chantry has been shoved down our throats since origins, and given how much wider spread it is after literal genocides of the dalish, qun, etc it would just mean a lot more to target the oppressors/majority religion directly. And look listen, I'm a pretty hardcore athiest and even anti thiest. I hate all religions, I find stories about dismantling religion compelling but to couch it histories of marginalized people like... its just not great. Not to mention twisting their gods into systematic greedy people or shoving their "bestest god" into a human woman and trying to make her prostheltize at me. I don't like it!

2. I get why old decisions dont matter. The world is too big, sure. I dont mind that at all, actually, even with all the problems, it gives people invested in those choices. Im happy to accept it. But then... make the actual plot less beholden to it. Why bring in cameos at all, then? Fuck man set it 50 or 80 years later. But if you cant cause everyone wants closure in the DA fandom then give us closure. If not personal closure with wardens and hawkes and etc cause its all too variant — lore closure. We arent going to talk about how darkspawn were thinking and talking? Blight was always just a random elvhen weapon? What apparent the tevinter magisters then? What about the architect? What about the idea of darkspawn becoming their own race and culture? What about the old gods themselves they were just always enuvanris? How do magisters actually feel about that? Why did those who worshipped corypheous or the black church follow Elvhen gods, their most oppressed and hated enemy aside from the qunari?

Speaking of, what about all of us who wanted to confront Minrathous and Tevine for the atrocities we've built up about it for 3 games. Slavery? Off screen solved before we get there? Dorian fixed it all? I had a heated debate with Dorian about him saying how slavery wasnt all that bad "They like being slaves!" And so many conversations with Fenris about how horrible it is. Rape and murder and submission? We don't as players get to finally confront that?

How about red lyrium being sentient. How about it being a tool the elvhen then used to murder titans, but not its alive and unstoppable? How can anything be unblighted? Because plot?

What of the calling? What of it really? What of those in The Calling who were unblighted? nothing?

Not even a deep conversation about the murky ethics of liberation/slavery when it comes to the Antivan crows stealing children? I'm to forget that?

How about anything all to do with the Qun? How about that burnt in memory I have of Saarabas immolating himself in service to not just the system of his culture but his belief in his faith. We're writing him off as a terrorist and not as an example of the Qun? Lets be really real; they have been retconning the Qun every game till now them being a fully gender and sexual accepting society.

How about the changes of mages vs templars if and maybe they walk free now? As if that entire conflict wasnt the brewing boiling point for three games?

What about the elvhen rebellion they so rightly started after centuries or murder and racism? Can we stop pretending that rebellion isnt an act of violence and has to be? Can we stop erasing the idea that systemical upheavel can be anything other than radical? Hello? Anders is one the phone asking for you?

How about that ending, the veil isn't even torn? Spirits don't walk the earth as intended. Why not solas' plan? Why not restore order. Why not join or dissuade him as he asked us to in trespasser?

It just all feels washed off, Thedas. I'm allowed to be angry and upset that they spanned all of these topics and asked me to engage with them on a deep ethical and moral grounds only to never mention them again. I dont think making your player base feel stupid for caring is great.

3. On personal levels, Solas has been ooc since trepasser. And frankly, the explanation of his relationship with Mythal is disgusting. Made the first slave and turned from his true nature into a tool of war—and reaffirming his subservance by making it that only Mythal could stop him? How is that not a toxic dynamic, and they fram it as loving and romantic? Imagine them trying that Fenris who can only be talked down by Danerous. Come on. It should have been Lavellan — or it really should have been not at all. Let him. The devs want to destory Thedas and start over? Let solas reset time and recreate the earth and tear is all down and erase most of the history. Do it you cowards. Give me an unrecognizable DA5 where spirits and mages rule and the elvhen thrive and war with each other. Give me slaved humans and a topsy turvy all that changes remains the same reality. Why not if you want to illuminti titan everything anyway.

4. I dont believe in the veilguard, I should have a choice not to. I should have a reason to care about it or my companions or fewl some sort of reason we must all work together aside from "theyre adorable". All the other games you had companion parties in organic and believable ways. Rook is leader cause.... ? What if I dont want to be? At least my Dalish inquisitor fought tooth and nail not to be called a christian messiah. Hawke had FRIENDS. And the warden found those who knew what a blight meant. And many of all of us disagreed. Vivianne got not sympathy from me. Why should Neve? Fenris will leave your party if you waste your time when the Magister comes to town. I dont want to coddle Harding about her stupid chantry. I do not to talk to Lucanis happily about the crows. Maybe I dont want to be friendly all the time. Maybe I hate everything Bellara is doing. Or taash.

5. The writing was on the wall in inquistion hoenestly. What with Iron bull letting me decide is he mass murders his found family or not. But jesus these new companions are like 10 yrs old. I don't know you decide. Your a fucking adult. I cant take a single one of them seriously. Even Sera screamed and yelled at me if I challenged her. Solas and I almost broke up mutiple times arguing about tradition and purpose or that damn Mythal well (again and no wonder he would object to doing anything akin to being emslaved by her, only to submit himself in this game. As if the well mattered at all. As if morrigan matters at all.) I just don't feel as though I'm bonding with anyone, I'm babysitting. Im being told what a great person I am that I can teach everyone elementary school behaviorial learning. I dont want to, I dont even want to be "good".

6. Petty stuff:

I hate the art style both in the UI and the models. I hate it. And the expressions are so poor compared even to Da2.

I hate all the armors. Everyone is bulky. Hate it.

Ugly combat.

Cant control or walk around as my companions and try out other classes.

CC cant change eyes or facial structure much so all rooks heads look the same and kinda... everyone looks like a dwarf. Sorry. Imo, imo, every rook I have seen looks like a dwarf.

Dont like the music.

Dragons are ugly.

Morrigans outfit makes it look like she has 4 titties.

I hate this elvhen "steampunk" tech when so much of their magic was shown to be earthen and mystic. Dumb. No explanation as why it would become this way it just is now.

Blood magic erasure cause the devs are scared of us being cool I guess.

I hate the humor. Every joke doesnt land for me. And there are simply too many.

[emero0]

Ight im analyzing Bake no hana or “flower of transformation” cus its in my brain

Spoilers for mizu5 (obv but heres your warning)

(Lyrics from project sekai wiki)

This is mostly line distribution but feel free to add more

So the first lines are about mizuki (obviously)

Probably about people looking at them weirdly and how they’re used to it — and how they’re cute but its “wrong” its “a sin”

Also this is a music thing but enas lyric “its off” is off beat with the song as well

Then more about mizuki crumbling and breaking sown with their secret because it was revealed before they could reveal it themselves

Next, i find it interesting how every time this lime is sung its by kanade, mafuyu, or both (+kaito)

Which could be in reference to the fact that neither of them were there when everything went down

They also seem to take on more narrator roles like in the beginning

Following this, Ena sings this line every time as well — likely in reference to her not being able to say anything to mizuki and being unable to take back the look on her face when mizuki found her—a face that could be seen aa disgust or “ugly” - “makeup” because its not how ena truly feels

(Which btw—i believe was mainly in part to “oh shit i just found out the secret ive been patiently waiting for before i was told and now i feel awful” and not “oh my god mizuki is trans” or whatever your interpretation of that is considering THEY STILL HAVENT CONFIRMED ANYTHING—which is slightly frustrating but alas we can wait)

Next, either mizuki not wanting to go back because they are tired of running—or even (and im leaning towards this one) they cant go bavk to being a kid, to being “how they were”,

“Blossoming” into this flower, they cant go back and not be trans, theyve bloomed into who they are, even if its “off” and “a sin”

(Im trying not to push trans stuff (NOT /neg) and just look at it as it is but its really hard to see it another way for me /lh —a trans person)

Next, another song thing—when mizuki tells everyone to disappear—they do

No one else sings except kaito, and then when they sing “stay with me” they come back

Then they repeat lines with kaito which could mean something-but it may also just be adding kaito to make it different the second time around because music theory

Nearing the end—this may very well be 1: mizuki not knowing the future and mafuyu-ing into sekai

But it could also be a nod to the player—not knowing the future-and until they do mizuki not showing up in the “real world”

And finally—the curse of being born the way they are, they’ve had enough of running (away from their problems, their mistakes) and have essentially done the game equivalent of —well— disappearing

Overall i really want a full version and i think what we have so far is very interesting—i dont have jpsekai so im probably missing some stuff-but i have seen mizu5 so thats where most of this came from

(Will be avoiding most social media tho cus the arguments over this are—interesting… tumblrs been good so far tho ^^’)

[nadas-dirthalen]

A Veilguard Achievement Icon Opened My Eyes on 15 Years of Lore... but Was I Right?

PART TWO: What Veilguard Did Narratively, and What That Tells Us Going Forward

[ 1 ]

Hello again, friends and travellers. Now that I've beaten Dragon Age: the Veilguard, I wanted to go through all those 30,000 words of predictions that I wrote in the ~11 days leading up to its release. I'd seen an achievement icon that pieced together a lot of Dragon Age lore for me.

But, I hadn't played Veilguard. All I had was the footage from September 19, the achievement list, and anything else BioWare had released.

So... was I right? And if so, how much was I right about?

This is your warning:This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.

(my davrinmance is going great as i try and collect every codex, thanks for asking!)

Today's Discussion: to Understand Dragon Age, We Must Understand Its Writing.

Before I can go any further on why I think the way that I think, or why I imagine the story might take us in certain directions, it's essential that you all understand where I'm coming from. Veilguard, like any game, is a piece of art. Its bones are built with similar narrative structures to novels (though not identical, and that's important!). To make sense of what's to come, we must examine Veilguard's bones the same way.

I've seen a lot of people wondering why, for instance, the Inquisitor is not Veilguard's protagonist. I've seen people lamenting the fact that there were not on-screen clarifications of popular lore theories. Before this series goes any further, I need to say my piece about why I believe that it was essential that Veilguard was written as it was, and why its writing does in fact help us better predict Dragon Age's path forward moreso than even Inquisition.

That said, today I hope to cover:

What Veilguard Demanded of BioWare's Writing Team, and Why

The Protagonist: Why Rook's Perspective Matters

The 3 Act Structure: Our Lens

The Companions: Paths to Our Answers — and Future Games

What Veilguard Demanded of BioWare's Writing Team, and Why

Let's get this out of the way right away: it has been 10 years since Inquisition. And, like it or not, that means one gigantic thing for BioWare: if they wanted to have any hope of making more Dragon Age, they needed to bring in new players and resuscitate the interest of many old players who did not stay in the fandom the whole time. They didn't—and couldn't—write Veilguard specifically for you or I, people of Tumblr. If they did, it would've pleased us... and then cost them so much money that we'd never get any more Dragon Age.

That doesn't just mean modernizing the game's aesthetics, or providing a glossary in its Codex. It means they would have to balance all of the following (just at a glance):

Managing the learning curve in general. Not even I looked in the glossary as I played. Me, supreme enjoyer of all codices ever. It's just not something most players are ever going to do, as much as it the lore is such a fundamental part of the game in general. That means simplifying terms where possible — elven gods in place of Evanuris, for example — but also trimming down what would have to necessarily reference past games. Only a tiny fraction of the fanbase has played Inquisition in the last 3 years, nevermind this year.

Recontextualizing the lore. That does not mean rebooting it, it means situating all we have learned so far in a framework that fits all we have learned so far. Much of what we learned about the Evanuris seemed, for so long, to be totally separate for the things we knew about the blight and Blights. Veilguard needed to show us how those things relate, and to do so in a fresh context that would allow everyone to develop new understanding.

Pushing us one step past Inquisition's knowledge. Veilguard, after reframing the lore, had to leave us a path for new lore, and increased understanding. I think the devs put it really well when they say that their aim is to give us some answers, but leave us with even more questions. More on that later, and in future posts.

Updating Thedas' ethos. Let's face it. It has been 15 years since Origins came out. The things that were more typical of scifi/fantasy (SFF) then are just not the same now, and would not be perceived by 2024 players in the same way as by those who started Origins in 2009. The world has changed; our cultural understandings are broadening and need to continue broadening. BioWare is doing a good thing by incorporating things like nonbinary identities into Veilguard, and it is good that Veilguard is progressing the world of gaming in that way, especially considering its success. (This is also, I wager, why we choose an Archon out of two choices who want the same thing, rather than leaving that open to a more "evil" option).

Dislodge older fans from their Solas headcanons to get everyone old and new to the same confusion and potential distrust. Hear me out. Everyone who's stayed since Inquisition has beliefs about Solas. Even me, who got here in March of this year, whose fic reads overly soft now because I just didn't know Solas' grander plan until 48 hours before Veilguard came out. Everyone has had headcanons for so long that everyone has had time for their opinions of Solas to cement themselves. In order for Veilguard to work as a story, they had to debunk what everyone thought they knew: both lovers and haters of the famously controversial egg. By breaking down our existing beliefs, the devs open up essential curiosity from the players as to who—and what—Solas really is, which propels us through the narrative and has us absorbing information.

And this curiosity? It is why Veilguard could not have the Inquisitor as its protagonist. To keep us curious as players (and "readers" of the lore), BioWare needed a new protagonist.

Specifically, they needed Rook.

The Protagonist: Why Rook's Perspective Matters

Here's the thing. The protagonist is not just the face of the game. They are our vehicle to understanding that game. The plot follows their wants and responds to their understanding. What they don't know, what they want to know, is what makes up our every objective. Their emotional journey through the game is our emotional journey through the game. Following it, going after the things that matter to our protagonist, is how the entire game (including its lore) takes shape in our minds.

That's why it's essential that they don't know everything—especially after a ten year interim between games.

Veilguard's plot and twists proved that the Inquisitor did not know everything. They, in fact, knew less than half of everything. If we had kept them as the protagonist, all of our knowledge and curiosity would be shaped by the Inquisitor's understanding: a wrong understanding. We could constantly be fighting with what we think the Inquisitor should know, what should be true because we had seen it through the Inquisitor. We would be set up to be at odds with the very events of the game. Rook is a blank slate, barring a few key tonal indicators, and that blank slate allows for us to fit all previous lore into its new, recontextualized shape that I mentioned above. (Again, note that I am not saying rebooted.)

That, and Rook has multiple motivations. The Inquisitor is focused largely on stopping or saving Solas; Rook is charged with figuring everything out as it is happening to them in real time with almost no context or experience, AND stopping or saving Solas. The Inquisitor has existing allies and resources; Rook does not. Rook must build their own campaign from the ground up, and that means the player is building their own experience from the ground up. Their allies, abilities, and home base, yes, but also their knowledge. Discovering things at the same pace as Rook, with a similarly urgent drive to do so, keeps the game from infodumping at us. It keeps the reveals evenly spaced, but also immediately interesting to the player.

And best of all? Rook allows the writers to do what they want to Solas without breaking his dynamic with the endless sea of Inquisitors (or, at least, with way less risk of doing so). We needed to have our theories about him broken down and rebuilt as players; to do that to the Inquisitor would damage an entire sea of headcanons. We'd never get the Solavellan ending we wanted, for instance, if Solas had played mind games with Lavellan for that many months. And if Solas didn't do those things, if he'd been wholly defanged, he would have lost his appeal and importance in the narrative. He wouldn't be the Dread Wolf in the ways that matter to Veilguard.

It's important, then, that Rook has just the slightest bit of backstory. They care about their allies. They are not a potential political force like the Inquisitor. They have many options to be impulsive. Every single Rook has rebelled against authority. Every single one has a stubborn streak. BioWare put all those qualities there on purpose, because Solas uses every single one, in every single Rook, as a tool. That was all essential for his character development in this game! At the same time, they couldn't do that with the Inquisitor as protagonist, because after 10 years, no two Inquisitors are similar enough to predict/script their actions and responses in that way.

Those twists are perhaps the most important tool for forward momentum in the game. The more they keep us guessing, the more we'll play and seek new information, the more we'll learn. Which brings me to...

The 3 Act Structure: Our Lens

Like I said: BioWare couldn't just infodump at us in Veilguard. It wouldn't be interesting to even half the fans that stayed, these ten years. To keep us engaged as players, they had to string the lore through a series of engaging events. Keep the momentum up, so we would not be lazily looking over codices, but chasing new knowledge and understanding. It all had to be emotionally relevant and resonant to keep us caring, because very few people play games they don't care about.

Veilguard, like a lot of written art, follows the three act structure. Though there are a lot of variants on the more precise beats, they all broadly follow the same-ish path.

Hook: The opening image. In Disney movies, this is the song where the character sings about all the things they want in their journey, and what they truly need is only implied. It gives an opening note for the theme by showing what the character lacks, and what they might need to gain before defeating the final villain. In Veilguard, this is our prologue, centered entirely around Varric: the big red herring where we see that Rook is out of their depth, opting to push over a support beam rather than take on the Dread Wolf. Off-screen, it is also the background information about Rook, showing us who they are and what they want before we play.

Inciting Incident: The event that kicks off the main plot. In DA:tV, there's a big collection of these (because every companion needs one; we'll get to that). The first big one is, of course, the failed ritual. The death Rook doesn't see. The Evanuris are freed, but Rook has only half the information.

First Plot Point: "Plot Point" means "big/defining decision" in writer-speak. This is the moment the protagonist decides to go forth on their adventure. In video games, this is more or less determined for you, but you have the option to flavour this moment in Veilguard. You can choose how to tell Solas that you'll do what he wants: either by appeasing him or angering him. You do the same for Neve and Harding afterward, and then again in Arlathan and D'Meta's Crossing. You state that you're doing this, no matter what it takes.

First Pinch Point / "The Setback": "Pinch" means "twist" in writer-speak. It's the first time the narrative is shaken up, and is also usually the first time we see the true scope of the villain. In Veilguard, the first big twist has been called "the Setback" by some of the devs (notably, I heard it at a panel in September). For Veilguard, this is Weisshaupt. We see the true scope of Ghilan'nain's horrors, but we also see the first BIG hints (outside of Varric) that Solas is manipulating us—because he really doesn't seem to hate the Wardens as much as Inquisition enjoyers like myself expected. This event concludes act 1.

"New World" / "Fun and Games": The devs have remarked that they wanted to see the tone of their setback (Weisshaupt) threaded through the rest of the game, and we do: through Davrin and Lucanis' banter, through the reflections on the consequences of Weisshaupt, through every character struggling with their confidence and identity after that point, through the blight getting worse and worse and worse. That's what the New World is: the characters getting used to new circumstances after that first big twist. The Fun and Games are the slow and steady recovery from the twist, warming and solidifying formerly tenuous relationships. This is where we do a lot of companion and faction quests.

Midpoint: In a narrative that ends in a victory (so most games ever), the midpoint is a false victory. We think we've nailed something, only for something else to happen that begins to seed doubt in the protagonist's capability and/or ability to solve the plot. For Veilguard, this is the blighted dragon fight: we think we've got Ghilan'nain, but then Elgar'nan shows up and demonstrates that Rook is in so, so over their head.

Second Pinch Point: The second twist. The villain's identity is crystal-clear, and by now we've definitely interacted with the villain more directly. This is Arlathan, Elgar'nan's mind-trap—and Solas' "rescue" of Rook, showing his duplicity in full. Elgar'nan notably says a line about not falling for Fen'Harel's tricks again, and it foreshadows what we will see of Solas.

Disaster / Crisis: This is the event that triggers the protagonist's downward spiral. Not a twist (necessarily), but a catastrophe. In Veilguard's case, it's both: the Ghilan'nain fight leaves one companion dead-dead and another presumed dead. Then, the twist: Solas using Rook's sharply felt regret to pull his gambit and swap places with them. A series of events that literally had me gasping so frequently I got dizzy. Thanks, BioWare :) Many people say that this event, or something between this event and the "All is Lost" beat, conclude act 2. For games, the pacing is sometimes different, as is the cutoff mark, because otherwise the third act has the potential to be very short.

"All is Lost" / The Dark Night of the Soul: It's exactly as the name suggests: all has been lost. The protagonist doubts themself completely. It seems like nothing more can go wrong, and like nothing might ever go right again. The protagonist is at a loss for how to move forward. In Veilguard? Varric is dead. Davrin/Harding is dead. Bellara/Neve is dead. Rook is literally trapped not only in their regret, but in a reflection of Solas' regret. And to get out, they'll need...

"The Epiphany" / Second Plot Point: "Plot point" means "big/defining decision" in writer-speak, as stated above. Only this one contains more layers than the first. This is where the thematic statement of the piece comes out: the lesson that the protagonist must learn is stated, clearly, for all of us to see. It is the thing that picks them up off the ground, giving them strength to face the climax and the danger it promises. In Veilguard, this is Varric saying to Rook, "Have you learned nothing here?" and reminding both Rook and player that he chose this; Rook's companions chose this; we cannot blame ourselves for the actions of others. We cannot carry grief for other people, or we'll drown in it. Sound like any other character we know?

Climax: The big fight! But also, the big moment where the theme is shown to be the narrative key. In every ending of Veilguard, Rook being Solas' perfect mirror is the key to winning the day against the Dread Wolf. It just depends on what facet of Solas Rook chooses to mirror: the trickster, the nasty combatant, or the person who was haunted by their own failings and lost companions.

Resolution: Narrative threads are tied up, or a promise is made to tie up those loose ends in future installations. Veilguard's credits do both of those things. :)

Why am I telling you all of this? Because the lore must follow that skeleton. Every reveal we get must fit into both the timing and the feeling of those events. It would not fit to suddenly drop everything about the Titans right after Rook gets to the Lighthouse, which is why those enemies you need to kill to get the last memories are level 30-40. It would not fit to uncover everything about the blight's origin before Weisshaupt. If they forced us into that as players, all the casual fans and new players would duck out, feeling overwhelmed.

Even for us older fans, narrative structure shapes significance. You can tell a lot about a codex's overall importance and tone just by understanding where you find it, and when. That's why the Trespasser codices carry so much weight, even the ones about the Evanuris' actions that we don't see on screen at all: they are at the bitter end, and so they carry all the bitterness, longing, and mourning of that ending. Without the context of Trespasser, they mean less.

This is also why Veilguard paces its companion quests this way, not allowing you to complete them until later in the game. Every companion has something to teach us, and BioWare wanted to give each companion's narrative the weight it deserved.

The Companions: Paths to Our Answers — and Future Games

Anyone who's played Inquisition knows that companion quests shape entire facets of the lore in individual games, as well as set us up for the trajectory of the next games. Just look at Solas and Cole: together, they shaped our whole understanding of spirits in Veilguard. They set us up to ask all the right questions about not only spirits being bound as demons (Solas' quest), but about spirits being able to manifest in physical shape (Cole's quest). Together, their narrative conclusions foreshadowed much of the Evanuris' reveals in Veilguard: that they were spirits who could manifest into corporeal shape, and that they had the ability to ask others to manifest—and then bind them.

Again, these quests are paced throughout Inquisition's main plot. You cannot do their before Skyhold, and you cannot do them after the cutoff of (I believe) the Temple of Mythal. Inquisition forces you to see those quests' endings in the exact right spot: sometime around the midpoint (Adamant/WEWH), but before the disaster/dark night (the Temple of Mythal). They do that so you will feel that those things are significant.

Veilguard does the same thing. Every companion has a facet of the lore attached to it, but you cannot follow those threads to their conclusions at the beginning of the game. The game won't let you, because the moments need to be spaced out properly and carry the necessary emotional weight. Not all of their quests promise speculative material for future games in the same way, because some explain the context of the current game (Varric, in DAI, accomplished both with the red lyrium content, for instance; Leliana, meanwhile, dealt with the theme of faith in DAI and did not promise future speculation).

These concepts will all get far more attention in due time, but in short, here's what I think is associated with each companion:

Harding: Titans! But also, angry titans, and the difference between "angry titan" and "source of blight." In the same vein, what the dwarves should do going forward, and where they should place the titans in their culture.

Neve: The soul of Veilguard; her narrative is very current to DA:tV, in my early understanding. But she brings forth a lot of nuance to the themes of regret, and what that regret looks like on a smaller scale (a city, rather than a world). She does a lot of work in showing us that regret is regret, no matter the scale, and that the work we do to do better matters, no matter the scale. Additionally, her personal quest foreshadows Solas' use of blood magic against us being more than we thought by showing off Aelia's puppets, suggesting to us (tonally) that Rook may be Solas' puppet.

Bellara: The Forgotten Ones!! Anaris! Also, the place of ancient elvhenan in the future of Thedas, and what the elves should do/feel going forward.

Lucanis: I think they were going for some Forgotten One/Forbidden One hints, judging by some notes from the Ossuary and some banter between Lucanis and the others. This needs more dissection. Lucanis sort of does both what Bellara and Neve do: the Forgotten Ones, and also the heart of Veilguard's theme, with a lot of found family vibes thrown in.

Davrin: The blight itself, and the future of the blight without any archdemons left to cause capital-B Blights. Thedas' path to healing its nature.

Emmrich: The nature of what spirits are. I need to go screencap more specifics, but I swear this necromancer has referenced the difference between spirit and human soul and has stumbled upon saying that the two might not be so different at least once. Also, the Formless One centers around the Necropolis, and I'm thinking "spirits seeking bodies" and this whole idea of unlife/undeath is going to be explored later.

Taash: Remember how I said BioWare needed an ethos update? I think we see that most predominantly in Taash, whose entire personal quest is an examination of the values and priorities of different cultures, as well as the place of gender and gender ideology in Thedas. We saw this with Dorian and Krem in DA:I, but Taash modernizes that conversation (10 years has changed a lot!) and brings it front-and-center. At the same time, their existence is referencing (potentially) the Scaled Ones, and showing us that the kossith (Qunari) might have far more ties to Evanuris shenaniganry than we thought—and that those shenanigans did not happen on Thedas, but potentially far across the sea. (Neve and Lucanis accomplish this, also, with the Shadow Dragons and Crows, but not to the degree that Taash does).

This is why the companion quests MATTER, and (at least partially) why the game asks you to complete these quests or suffer consequences in the finale.

You know what else happens, upon completion of these companion quests?

You get codices. In Dragon Age, they are the threads that tie the seemingly disconnected pieces of the plot together, and that's on purpose. This time, they automatically unlock upon completing different stages of companion quests—and as far as I can tell right now, days after completing the game for the first time, the ones revealed later DO contain spicier hints about future lore than those revealed earlier.

And between ALL of these things—the demands Veilguard's timing placed on Bioware, the need for Rook as a protagonist, and the structure for every companion's quests—I think BioWare did an amazing, genius job with their narrative. Yes, I have seen some of the art book content, and yes, it would have been so cool to have those things, but... I truly do not think BioWare needed them, as close as I would have held cameos like Cole to my heart.

From a lore perspective? They knocked it out of the gods-damned park with Veilguard. They did an amazing job with each of their quests, and I promise: there is no shortage of juicy lore to be found in Veilguard. Now that I've inflicted an outline of what I know about stories upon you, I promise: all of this serves as context for everything I look forward to saying in future posts.

_____

If you got this far, thank you, as always!

This series is going to take a turn toward what I noticed in Veilguard, how I feel that Veilguard adds to my theories (or perhaps debunks some of them), and where I think the series is going to go from here. But in order to write all that properly and miss as little as possible (even though, in November 2024, with no wiki or transcripts, I am guaranteed to miss things), I need to keep playing the game and keep reading the codices I find.

Stay tuned for the next instalments, though I cannot say how quickly they will come after this. <3

[thelongestway]

hey no shade but you know dungeon meshi isn't actually based off dnd right? there are definitely some overlapping concepts and it can be fun to analyze it through a dnd lens but really it's its own homebrew fantasy setting. just checking bc i nearly got in an argument w someone over dungeon meshi lore the other day only to realize it was because they were trying to apply dnd lore to it ahahaa

Oh yeah, absolutely, it's its own thing. You don't even have to go far to show how it's its own thing: for one, the whole set-up with the dungeons being what they are isn't found anywhere else in D&D-inspired material that I know. You could maybe reflavor Halaster's Undermountain to something like the Dungeon Meshi dungeons, but that would be another layer of homebrew. That said, I do have the feeling that Ryoko Kui grew up on the same kind of D&D material that I did - stuff like Elminster's Ecologies, or old school Greyhawk materials. Her story genuinely feels like an AD&D game run by an old-school DM, maybe even earlier in the editions (hi, Chilchuck and "I'm a rogue, I'm not gonna fight"!). I don't mean that she follows D&D canon in any meaningful sense--her stuff isn't set in Greyhawk, nor on Abeir-Toril, nor on Krynn, etc. But I do think she's someone who's inspired by old school stuff, even as she makes her work thoroughly her own.

An acquaintance of mine once wrote that long tabletop games gain a quality that she called "being well-trod". This is when the players and DM are so familiar with the world they live in that it becomes, well, lived-in. They don't need to look up rules anymore to extrapolate: they understand the logic of the setting, and they get the same kind of intuitive feel for the world that we do when living in our own world, in real life. A feeling of where the boundaries lie, and how things work.

This is how I feel about Dungeon Meshi and D&D. It feels like a work written by someone who walked the same paths that I did, and whose work is therefore both new and startlingly familiar. That's it in a nutshell, but then I also wrote a bunch of examples, which got very long, so cut for length and spoilers!

I wrote somewhere in the tags on my Dungeon Meshi posts that it's incredibly surreal reading a story that seems to be informed by the exact materials that you base your own homebrew games on. Kui takes her work in a wholly different direction than I did - but the disparate elements of the story would fit in like a glove, because they're based on similar logic. I could quite literally take any of the ecologies elements of Dungeon Meshi and put them into a given module I'm running, and it would need less adaptation than 5e material. And most of the cultural/racial elements of Dungeon Meshi? That, too. Where it's not a one for one match, it would so easily be explainable by "different continent".

Let's take the example you're probably here from: the Canaries and elves in general, and let's take elves in general first. In D&D, there's been a switch in models of elven aging throughout the years: from "they are literal babies up until 60-ish, and then have 40 years of actual adolescence" to "yeah they grow to full adult size at about the same speed as the other races, and are then just culturally considered too young to make their own decisions". I am decidedly not a fan of the second model - I think it takes away from the cool biologies early D&D thrived on. BG3's treatment of Astarion's age of death, for instance, keeps throwing me. Yeah, I get it: it fits in with the edition they're working off, but I hate it. That's not how things work on our Faerun! But then we get to Marcille's backstory, and we see that she has the problems old school half-elves did, and you're like "oh, well of course someone invested in weird cool biology as an author would interpret elves like that." Her treatment of age makes sense to me. She makes the races as alien as possible, and hits that vibe of "D&D-style fantasy is its own thing, with its own set of rules" that I love. In contrast, and unlike any prototypes I know, Kui takes her half-foots in a different direction! They don't live longer than tall-men, they live shorter lives, closer to goblinoids. And I think it's for the same reason: because it's that much cooler to have different experiences of life in humanoid races. This is decidedly Not D&D, but it would absolutely fit into that vein.

With smaller details, I keep joking around here that the Canaries are grey elves, and of course they're not. But then Kui keeps putting in these tiny little details - which can be either nods to existing material, or the same extrapolations that other authors drawing upon high fantasy tropes have made. The white ships that have travelled all the way from Tolkien's Valinor to Evermeet and now to Shima. The fact that the Canaries have basically the right color scheme for grey elves threw me completely: I was not expecting that! Elves being that specific brand of destructive that they are - jeez, the Canaries would be right at home in Myth Drannor, or during the Crown Wars. So I joke around about these specific dolts a lot, and I am having an inordinate amount of fun seeing if my predictions that come from running a Myth Drannor game for a good long while now come true. And it goes on. Marcille doesn't prepare spells, and the magic here is obviously not Vancian. But Mithrun's teleport shenanigans are literally stuff I've done in games. The differences between races in D&D aren't because of wishes made by mortals; they're built in by gods for their own purposes. But the towns that spring up around anomalous spots and that have to deal with the weirdness have the same vibe. Kui draws on a more extensive tradition than just D&D, of course, but she transforms the tradition in a very similar way to old D&D. Of course the elves' magic in Kui's work does weird and creepy stuff with soulbinding and immortality; that's been their dark side since Tolkien and Celebrimbor's work with Annatar, and then it turned into stuff like elves regularly sacrificing their lives in high magic rituals in Faerun. Of course Senshi's backstory is about the dwarves that have dug too deep - but they are, of course, distinct from gnomes, and the gnomes are a peculiar and interesting breed of arcana specialists. Of course Chilchuck is a Burglar - but he works on dungeon delving unions, of all things! It's a familiar transformation, so the world makes sense to me, and I love it. So yeah. Tl;dr: not D&D ofc, but the vibe is there, and I am having fun with it.

Also - can you tell me about the argument? I am super curious, and I wonder if the person you were arguing with was working from 5e material.