#(just. not typical i suppose!)

[newttxt]

the best way to luffy’s stomach is through his heart (or something like that)

a four page one piece fancomic in which luffy and law talk about luffy’s stomach

page 1

panel 1: a top view of luffy and law sitting in grass. luffy is leaning back on his hands with his legs outstretched. law sits crosslegged between them. they are both looking down at the hole in luffy’s abdomen, where law has used his devil fruit power to remove his stomach. “whoa! cool!” says luffy, while law hums, “hmm… interesting.”

panel 2: a close-up of law’s hand holding luffy’s stomach in its cube-like container. “it looks surprisingly average,” law says, “for a bottomless pit.”

panel 3: “isn’t it weird?” luffy asks. he is sitting with his back to the viewer, but his smile is still visible as he leans into law’s space. law is still crosslegged, holding the stomach, and he looks vaguely uncomfortable as luffy keeps talking. luffy says, “that thing can make food stop looking like food and start looking like poop! huh. wonder how it does that…”

page 2

panel 1: law looks off to the side, sweating and kinda grouchy. knowing he’ll regret this, he mutters, “i… know how… at least for NORMAL humans.”

panel 2: the back of luffy’s head takes up most of the panel as he demands, “what?! i wanna know too!” law grits his teeth and shouts back, “you’re just gonna fall asleep!” and luffy yells, “nuh-uh!”

panel 3: luffy grins widely, throws his arms out to the side, and flops onto his back in the grass. he’s loudly yelling, “tell me! tell me, traffy!”

page 3

panel 1: law is visible from a low-angle, as if from luffy’s pov on the ground. he sighs, “fine. here’s how it works.”

panel 2: this panel looks similar to the previous, but its slightly darker, with gray bars at the top and bottom, narrowing visibility to show luffy’s eyes are closing. law continues, “the stomach has two main functions.”

panel 3: law is now barely visible through the gap. luffy is almost asleep. law says, “the first, as YOU know, is the storage of food.”

panel 4: the background is completely dark, and law’s words trail off, “the second is—“

page 4

panel 1: a large, top view of luffy lying on his back in the grass. his arms are thrown wide still and his eyes are open. he has just jolted awake, saying, “hmm?” off-screen, law complains, “i don’t know WHY i bothered.”

panel 2: law accuses, “you didn’t listen to a word i said.” luffy sits up, his lips pursed and eyes narrowed because he’s a terrible liar. he says, “sure i did,” dragging out the “sure.”

panel 3: luffy breaks into a grin and proudly declares, “it’s a mystery!” law cuts him off with a “NO,” his speech bubble literally dripping with disdain.

panel 4: the silhouette of luffy and law sitting side by side. law is whapping luffy on the head with a light fist. law says, “idiot…” before bonking him. luffy yells, “hey!” but he is laughing, and a small “heh” shows law is too.

[wszczebrzyszynie]

turns out theres way more than 3 people who enjoy my self indulged slavic minecraft fanarts. so hm. more polish folk clothes kreatura grian

[bakuhatsufallinlove]

Let's talk about Jump GIGA

Jump GIGA covers, 2016-2024. Volumes are published (left to right per row) as Winter, Spring, Summer, and Autumn releases, with 2018 and 2019 briefly breaking the pattern by having three Winter and three Summer volumes each. 2023 has an Early Spring volume in addition to the standard four.

So, people have pointed out that the 2024 Spring cover is, uh, not like other covers.

But I've only seen comparisons to other MHA GIGA covers and MHA Weekly Shonen Jump covers. Out of curiosity for what GIGA's typical marketing aesthetics might be, I put together a comparison between all of Jump GIGA's covers to date.

And, um. Some things stand out, to say the least.

First, let me clarify what Jump GIGA even is: it is a seasonal magazine from Shonen Jump, published separate from Weekly Shonen Jump. SJ is an absolutely massive brand and they have a number of magazines serialized outside of the most well-known weekly magazine.

The content of Jump GIGA is primarily made up of one-shots and spin-offs. From the beginning, a lot of the appeal has been the cool cover illustrations which showcase special merchandise that comes with the purchase of GIGA. Usually the cover also promotes big things going on related to the WSJ series, like movie events, new games, or special figurines for sale.

The marketing aesthetic has been clear from the start: the cover consists of one core illustration and a number of ads surrounding it. Most often you get a cover illustration of a protagonist, and then ads and merch for other series, e.g. Food Wars protagonist cover with One Piece film promotion and Haikyuu!! merch.

The purpose of this marketing direction is pretty obvious. Spin-offs and one-shots are not likely to generate a ton of interest consistently, so they lure people in with the cool covers and tempting limited edition merchandise of the series they already know and love. In this way, highlighting one series with the cover and different series with the merch makes sense, because maybe somebody doesn't care about Food Wars, but they definitely want those Haikyuu!! stickers, stuff like that.

Starting from 2020's Autumn volume, you can see a shift. For the first time, basically all of the merchandise is for the cover series. The Demon Slayer manga had already ended five months earlier in May, but a two-chapter spin-off was scheduled for release in WSJ during October. This GIGA was released exactly one day before the second chapter was published and it capitalizes on the hype.

After this point, only MHA and Jujutsu Kaisen dominate the cover and the merch in quite this way, with Black Clover getting attention last volume as a way to highlight the fact that it actually switched syndication from WSJ to GIGA.

Anyway, most commonly the cover illustration is a solo shot of a core cast member (usually but not always the protagonist), and if it's not a solo, it's a big cast illustration.

Only a few covers focus on two characters, and usually it's a crossover as opposed to characters from same series sharing the limelight.

Here we've got Food Wars' protagonist with the main characters from Dr. Stone and Act-Age.

The two covers most similar to the Izuku & Kacchan cover are 2022 Winter and 2023 Autumn.

Winter depicts the main trio of Blue Box in a seasonally-appropriate aesthetic. Not gonna lie, this one kinda makes me laugh--Blue Box is a romance and sports manga, and even though Christmas has a romantic air to it in Japan, instead of depicting any sort of like, hesitant but hopeful romantic energy between the heterosexual couple that actually get together later in the series, they focus primarily on the two girls being cute with the guy is a wee footnote? I mean, all right.

Meanwhile, Autumn depicts one of the protagonists with the series antagonist with a typical cool action style. I'm not very familiar with JJK, but I hear these two have got Some Drama going on, so, there's that.

The merch itself has also evolved over the years. Stickers and posters were present early on, but they have since expanded to decorative folders and now acrylic stands and coasters. 2021 Summer sees the first time the cover illustration is marketed as merch, with the Jujutsu Kaisen cover included as a decorative folder.

Right after that, the Kacchan cover of 2021 Autumn is included as a poster alongside earlier covers featuring Todoroki and Izuku.

2023 Summer's cover is a huge, wrap-around MHA cast illustration and it was published three days after chapter 396 came out, strategically timed to highlight the big shift in the final battle as Ochako vs Toga ends and All Might vs. AFO begins. Merch includes a decorative folder of the wrap-around cover and character motif stickers.

And then we get this!?

A duo cover illustration where the cover art itself has been merchandised to hell and back!?!?

Acrylic stand and pin set!?

Double-sided coaster showing bkdk greatest hits!? With volume 29's river scene cover!?

There's also a double-sided poster featuring the Spring cover with the ninth popularity poll art and a decorative bag with the anniversary art. The cover art itself is plastered all over the volume, front, back, and spine, apparently a total of 19 times.

I honestly don't know what to say about this. It feels wild that this is actually what the cover is. Obviously it is a huge marketing push in anticipation of season 7, and Izuku and Katsuki are the most popular characters, but. it just feels... unique.

In the course of Jump GIGA's publication, this direction is kind of unprecedented. Genuinely no one could have expected this. This seems to be the first time there's been this much merch for a cover. And it was a solid fucking move, marketing-wise--it's sold out basically everywhere, everyone is talking about it. And even people who don't follow the series or ship these two can't help but comment on how strikingly romantic it looks!?

I don't know how much say Horikoshi had in what the cover was, but damn it sure feels like he drew this with immense affection. I kind of wonder if he personally pushed for it to be these two, rather than the typical solo shot, cast shot, or even a protagonist vs. antagonist shot.

I'm KO'd, man. idek if this post is useful to anybody I'm just on my hands and knees here.

Everybody knows what we're all here for, and it's these cute boys finally getting their happy ending.

EDIT NOTE: I gathered much of the information and many, many of the images in this post from a fan-made Jump Database. I neglected to say it properly when I first posted this, but special thanks to the very dedicated people who maintain that website!

[turtleblogatlast]

Something I love about Leo is that, canonically, he IS capable of cooking, he’s just completely incapable of using a toaster. He’s banned from the kitchen not out of an inability to make edible food, but because being within six feet of a toaster causes the poor appliance to spontaneously combust.

[omeryotam4]

If Einstein was alive he would leave America now. Why do I assume that? Based on these points:

1. We see Jewish students and professors being denied entry to universities, exactly like Germany in the 1930s. One of the main reasons he left Germany was due to his academic career being affected by these bans on Jews.

2. Left Germany when antisemitism rose. We are now experiencing the biggest surge in antisemitism in America since the holocaust, and as opposed to the 1930s in the US, this time it's led by the mainstream and not fringe political cells.

3. Albert Einstein was a zionist. He supported his people's aspirations to reestablish their homeland in their ancestral land, and donated to the cause. He was even offered the position of the first president of Israel, but refused. He left his library to the Hebrew University after his death, and you can even go over his books in the University if you want, it's still there!

4. Jews are already leaving the American academy, and Israeli academy came out with a statement today that any Jewish person in academy is welcome to join and will receive support in any way needed to fit in and find a similar position. When you're denied education in one place but welcomed at another, you tend to choose those who want you, like the US has welcomed academic refugees from European universities in the 1930s.

I think it's safe to say that he wouldn't be happy with the direction the USA is taking. Just be careful, because last time Jews left a place due to antisemitism, they invented the atomic bomb. When Jewish minds come together, they achieve great things, and you don't want those minds to leave your country...

[epickiya722]

It's still something to me that Sukuna knew Yuji was his nephew for like a month and didn't tell Yuji that.

Why he didn't, I don't know. But I guess it's because he didn't care to, at the end of the day. There would have been no point to it.

Even still, Sukuna wanted to so badly break Yuji's spirit and he didn't figure that may have done it, revealing they're technically family? Because had Yuji known, I'm sure it would have upset him.

Then again, maybe Sukuna figured "the brat wouldn't believe me anyways". In 248, he mentions no matter what he did, Yuji isn't breaking.

A part of me also feels like Sukuna just didn't want to be reminded that he still had family. The more you don't think and mention something and ignore it, the more nonexistent it becomes.

Maybe he acted dismissive while revealing that information to Uraume, who was more surprised and curious, to kind of cut off that connection. Extinguish that feeling of what it's like to have family that could care for you.

He was there to witness how Yuji's relationship with Choso changed and maybe it reminded him of what could have been had he and his twin survived in the womb. (I still think Sukuna just had it out for Choso and maybe part of the reason could be because Choso was so devoted to be being a big brother while Sukuna didn't get to experience having a sibling.)

We see how he acts just from Yuji showing any bit of sympathy and pity for him.

Maybe he is disgusted by the idea of human connections and emotions genuinely. That his own "me, myself and I" mentality is so strong that he convinced himself that even having family is absurd to him? And what if a part of him, deep, deep down just feels he doesn't deserve that love?

I'm just rambling and pondering right now.

[front-facing-pokemon]

[cicadatree]

peony's forest

[venture4treasure]

A relationship with Venture

Words: 784

Premise: Fluff headcanons about a relationship with Venture

Warnings: None

Venture is very confident in their relationship. Nobody is going to be able to sway them, any kind of excessive flirting instantly gets shut down. If you’re around, they like to kiss or hug you to prove a point – and because they’ll run with any excuse to be affectionate.

When Venture returns to you from an expedition, they are super clingy for the first couple days. They miss you so much. 

Archaeology isn’t a field known for making money, but it’s Venture. Sloan Cameron. They’re insanely gifted and talented at their craft, a one of a kind person. They get to be an exception to the rule. 

They also don’t pay rent or bills because their job covers them when they’re away on expeditions. So, they like to spend their money on you. It’s nearly impossible to pay for something if Venture is out with you. 

They definitely don’t grasp the concept of money like most people do, having been with the Wayfinder Society since sixteen, they never really experienced necessary expenses or a shortage of money. 

They’re not financially illiterate – they save and go through the motions of being responsible with money, but sometimes you might have to step in and call them out if they’re being a little too much.

No idea where Venture picked up sleight of hand tricks, but it proves to be incredibly useful for them when you’re out shopping or on a date. They can swipe your phone or card without you noticing until it’s time to pay. And when you can’t find it, they’ll offer to pay with the smuggest grin. 

Despite how active Venture’s job is, they actually prefer to laze about all day with you when they’re home. They want to cuddle, drape themselves over you whenever you’re doing chores, or lay on your lap when you’re watching a movie, scrolling on your phone, reading, etc. 

Please mess with their hair. They love having their hair brushed by you. If you comb your hand through their hair and scratch their head, they will melt. Also, please help them get out any knots or mats from expeditions. 

When you’re working, Venture will be by with gifts. Your favourite drink, takeout, or flowers. They leave it at your workplace with a sweet note. Your coworkers are definitely envious. 

And after you clock out, Venture is there to pick you up. Offering to take you out for dinner if you don’t have anything else in mind. 

Venture is pretty emotionally intelligent. They can tell when you’re not feeling well and they can read a room well. If you’re upset, you cannot hide it from them. They will be onto you instantly and do anything and everything to make you feel better. 

However, Venture struggles with expressing their own emotional conflicts to you. They don’t want to give you the idea that they’re incapable or overreacting. Thankfully, they’re super bad at hiding when they’re upset and you easily catch on. 

They really want to involve you in their passion for their work, but it’s too dangerous to take you with them. You’d be a liability as much as they don’t want to admit it. 

They do like taking you to national parks and tour caves. At first, they take you on guided tours because they don’t want to stress you out with the prospect of getting lost in a cave – even if they’re confident that’d never happen. Later, they take you on self guided tours because they want to ramble about certain structures and formations without a crowd of strangers and the urgency to move to the next area. 

When they have to leave for a project, they will always make sure to let you know if they’ll have cell service or not. 

They’re very focused and diligent when they’re working, so they don’t check their phone until they’re done with the day. But when they’re done, their time is yours. They’ll respond to any text or call instantly. 

They insist you update them everyday, they want to make sure you’re around and doing well. If you don’t send any update after they worriedly spam you, they are not sleeping well that night. 

Sometimes their coworkers catch them smiling at their phone. And when asked, they’ll gush about you and how you’re just the best. They talk about you like you hung up the stars in the sky for them. 

Their coworkers are mostly older than them, and they’re all very glad Venture has you to return home to – they’re exceedingly fearless and brave to the point of stupid. With their line of work getting more and more dangerous, your presence gives them something to value returning home to. 

Author’s Note: There was no setting or scene provided in the ask so I went with what we know as canon in the Overwatch universe and subtracted the whole Null Sector ravaging cities thing. But Talon does exist, that’s why Venture’s work is getting more and more dangerous. Pure fluff is not my thing, but I do try!

Link to request by @f3r4lfr0gg3r.

Because of the order of these posts, these headcanons kind of foreshadow other works I’ve drafted :9

[iwonderwh0]

More like a headcanon, but I like this one

[milolunde]

We all know Timmy is Wanda’s mama’s boy but we need to keep in mind he’s still Cosmo’s kid too and that Cosmo would love him just as vehemently as Wanda

[canisalbus]

I love the shape language for Machete and Vasco, how angular and pointy the former is VS how round and soft the other... It's so GOOD I adore that

Thank you! I like the contrast as well, it makes them very fun to draw together. I try to keep them visually distinct while still making sure that they look harmonious and complementary next to each other.

[nightmareonpeachstreet]

I made this post before we knew Focalors and Furina were different people, and the fact I still find it accurate to Focalors but not Local Fatui Harbinger Fucker Furina is rly funny to me

It is my humble opinion that Focalors and Arlecchino WOULD argue about who is worse for Furina, tho

[milkbreadtoast]

looking back at the yjh webtoon screencaps i have saved and giggling... hes so cute... moe... my pookie ^___^ 🥰🥰 poor little meow meow woof woo- *eliminated where i stand*

also these poses are sooooo... 꺄아악🖤🫣🫣🫣🫣

[lachiennearoo]

Maybe I'm just so autistic that I don't get that everyone is just joking but...

It kinda scares me how many people genuinely believe Deadpool and Wolverine had sex in Deadpool 3, and didn't realize it was a joke made to spoof sex scenes that was done because in that moment they absolutely HATED each other and only wanted to murder each other.

Like... Where did the media literacy go? Did it get snatched by the TVA with Wade's wig or something??

[chenziee]

AKA Obligatory everybody is alive and nothing hurts, attempt #254666

This piece is a "Pick one" commission from the_rin on AO3! Thank you so much again for commissioning me and for your endless patience while I struggled with this creature that decided to run away from me 🤍🙏

One day, I might be able to actually write this story in Luffy's POV (which is what it was originally supposed to be both four years ago when I first had the idea and now.. but I still don't have enough skill and confidence to successfully make it ☠️

So for now, please enjoy Nami's slowly losing it while chaos rules over Sabaody 🍊

----------

3D2Y

As Nami climbed up onto the Sunny’s deck for the first time in two years, with a wide smile on her lips and arms full of shopping bags, she could barely contain her excitement. After all, it now finally felt like time was moving again after the crew’s separation.

When she had gotten the news of the war while on Weatheria, it was like a punch in the gut. She had seen the photos of the state both Luffy and Ace were in before their escape—both with terrible burn scars on their chests with blood all over their faces, looking on the brink of death. The following days were nothing short of a high-speed nightmare filled with nothing but worry, fear, and the need to be by Luffy’s side with no way to get to him.

She trusted that Luffy would make it… but there was no real guarantee he would. Or that Ace would.

Nami didn’t dare imagine how Luffy would feel if he had lost his brother. While completely alone, with no one from the crew by his side… Her heart nearly broke at the mere thought of it.

So, when the news of Luffy’s escapade at Marineford reached her a few weeks later, seeing the message he had for his crew, it was like a huge weight had been lifted off her chest. She knew what Luffy was trying to say. She understood. And she knew that she, too, could get stronger.

With Weatheria’s science, she was sure she could become a navigator capable of getting Luffy wherever he damn well wanted.

And she was confident that now, two years later, she was more than able to do that.

Even though she imagined that Luffy was going to come up with the stupidest, most dangerous places to sail to…

But, that was a battle she would fight when they got there; for now, she was just beyond excited to see everyone!

By the time she had arrived on Sabaody a few days ago, only Franky and Zoro were already there—one of which was definitely hopelessly lost and possibly half-way to Fishman Island by that point—but now… Now it all felt so much more real.

Usopp and Chopper were with her—or had been before they ran off to rave over Franky—, Shakky said that Brook and Sanji were somewhere on the archipelago, and now, even Robin was on the ship already, waiting for Nami to climb up the ladder.

They were only missing Luffy now, but that was just a matter of time.

Honestly, their biggest problem at this point was finding Zoro and dragging his directionally challenged ass back here.

“Nami! I’m so happy to see you!” Robin said, pulling Nami into a hug as soon as she found her balance on the jelly-like coating under her feet.

Nami laughed easily, returning the gesture. “Same to you! You look amazing!” she complimented the archeologist, sighing in content at the familiar warmth of her friend’s presence.

That is, at least, until a high-pitched scream resounded around the deck, startling Nami and making her jump.

“Hair comes out?!”

“Awesome!!”

“Can you make any hairstyle you want?!”

Heaving a deep sigh, Nami shook her head. “I can’t believe Franky’s body got even more ridiculous. What even is going on over there?”

“Who knows?” Robin chuckled “Looks like the boys like it though.”

“Such a bulky body seems so inconvenient. I don’t get it,” another woman piped up.

“Right?” Nami agreed with a huff. “I mean, what’s with those shoulders—”

Suddenly, Nami stopped talking. Blinking a few times, she tried to figure out what it was that suddenly felt so off… but then, she whipped around in the direction of the last voice—a distinctly unfamiliar voice.

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