#(jen again)

[marisashinx]

How long have they've been sleeping?

[elialys]

ANNA TORV and SAM REID as Helen Norville & Dale Jennings | The Newsreader (Season 3 Trailer)

[copias-juicebox]

Him swishing his hand right in front of my nose has my brain spinning. Like sir can you keep it down a little there‘s minors on this site…

[curlytsunamiart]

...

[borgialucrezia]

"George had learned to think of himself as the most important person in his immediate family. Subsequently, he had suffered feelings of insecurity and possibly guilt as a result of his father’s death and exile." — John Ashdown-Hill, The Third Plantagenet: George, Duke of Clarence, Richard III's Brother.

[thenewgirl76]

It's In My Blood

Okay, random idea centered around halfas that I just had to share.

What if besides death followed by resurrection via a source of ectoplasm, a human-ghost hybrid could also be created She Hulk style. And by that I mean the old school comics. Not that spiteful heap of garbage masquerading as a tv adaptation made by that toxically bitter hack Jessica Gao.

This can be applied to whatever hero/villain you choose, I'm going with Batman. Mostly because I haven't seen many half ghost Bruce Wayne posts.

Anyway, the scenario starts off with Alfred finding Danny roaming the streets in search of food due to running away from foster care. (Jack and Maddy left him there in the hopes of keeping him safe from the GIW after Wes finally succeeded in outing him to all of Amity) And through lots of gentle coaxing convinces him to let Alfred take him home.

Eventually Danny gets so attached he readily agrees to being adopted into the Wayne family by Alfred. Once enough trust has been built overtime to share identities Gotham automatically gains a new protector.

Then the further establishment of new relationships is suddenly interrupted by a full-scale alien invasion, requiring all hands on deck. Though all the heroes manage to hold their own for the most part it quickly becomes clear they may not win this battle if they don't find something to turn the tide in their favor.

They get that something in the form of Phantom rallying all his ghost allies/frenemies to join the fight. With their added power the entirety of the alien army is thoroughly beaten back. But not before Batman takes a hit hard enough to cause him to bleed out at an alarming rate.

The already dire situation worsens all the more when it's discovered that Batman is a rare blood type and no one in the batclan or even the other human heroes matches. All save for Phantom. Problem is, with all that ecto mixed with his blood a transfusion could possibly poison or worse kill his big brother. Everyone is aware of this. But any other option would take too long and Batman doesn't have much time left.

So with bated breath and reluctance Phantom gives his blood. For a few scary minutes it looks like Batman might be showing signs of rejection. But then he slowly begins to stabilize, giving the medical team much needed breathing room to get him properly tended to.

While Bats may be on the mend no one's relaxing just yet. And not for a lack of trying. It's just a little hard to be chill when Mr. Dark and Broody has started randomly going invisible or intangible, speaking with an echo, levitating over his bed, and overall become creepily unsettling to look at. Especially with that unnatural glow in his eyes.

[iheartsteve0704]

hey ao3 agathario writers if you can hear me agathario literary warriors PLEASE PLEASEEE write a parks and rec au where Jennifer Barkley really likes April but thinks April is into Ann and it’s just jealously and angst and hot

[topsee-turvee]

Philip: When they first asked me... he said it'd be a hard life. Didn't want me to think it'd be some big adventure. I said I wasn't afraid of that.

Elizabeth: Who knows what would've happened here. [...] Maybe we would have met. On a bus...

[pastafossa]

So I am really, really not down with the body shaming over Charlie's new haircut. I'm just not. It's childish and catty and just really mean.

So going forward, this is a warning and a boundary I'm setting: if I see you being nasty about it on my feed, I'm going to block you. I'm not going to argue or fight with you in fucking 2024 over this. I'm not going to demand you do better, even though I think you should absolutely be better than this. I'm just going to block you, because I don't think we're entitled to treat someone like that. You do not get a say about what someone does with their body or how they age. I work hard to keep my blog and my feed a positive, uplifting space, not a negative one, and I'm going to enforce that. I'm not open to arguing about it, I don't want asks in my box, 'well but Pasta I just think I should get to say that because-' No. What you say has consequences. You're free to say it, and I'm free to block you instead of going through a debate. I'm tired and I'm not playing this game. I don't tolerate stuff like this about anyone. Not a celebrity, not a stranger wandering in a store living their life, no one. You wanna talk about how you like his S1 Matt hair best, cool. But if you're going to be mean about how he looks now, I'm done.

This will be my only warning. There is no 3-strike policy. Be kind or don't, but there's my line.

[sophsun1]

Queer As Folk – 2.02: All Better Now

[tilbageidanmark]

Willie Nelson

[silverofthunder]

“Art is the magical act of one bleeding heart healing another.” ― Akash Mandal (x)

[elialys]

THE NEWSREADER | 1.01 | Helen x Dale - Dale's Update Part 2 [ 1 ]

[spenglernot]

THEY EDIT FINE THINGS WELL: OFMD KISS AND KNIVES SCENES (S1 E9 & S2 E3) COMPARISON

Marveling at the OFMD editors who did so much more than just reuse Schumann’s Kinderszenen, Op. 15: VII. And Erik Satie’s Gnossiennes No. 5 from the season 1, episode 9 kiss scene in the season 2, episode 3 knife pulling scene.

Unedited audio from both episodes plays simultaneously in this comparison video. Take a look and a listen at what happens, with Gnossiennes No. 5 from 0:15 to 0:52. The music is playing twice, but you only hear it once because it matches perfectly. The way the verbalizations and dialogue work together are the kill-me-now gut punch taste-of-orange frosting on the best cake ever.

It's beautiful.

[beautifulhigh]

Welcome to the next edition of Jen's meta ramblings

I have watched the movie at least once a day since it came out and I kid you not, I see something new every time. The fact that this is Matthew López's first directoral debut is just... I'm in awe. And you can tell how much he loves the story because of the way things like this are set up and played out

In the novel, Henry and Alex are skinny dipping in the lake at night, and so I absolutely got the change in both time of day and also attire. But let's talk about that little island shall we?

No man is an island entire of itself; every man is a piece of the continent, a part of the main; if a clod be washed away by the sea

Every single one of us is not meant to be alone, without connection and without a link to someone else. We are parts of a whole and if we lose that... well. It's not good.

Henry is on that island, our prince who belongs to Britain and Henry Fox who thinks he has to belong to himself. The prince is forced into status and circumstance, of appearances and mindless ribbon cuttings. When he does something that means something - like the trip to the cancer ward - then he doesn't do it with cameras. I'd argue he's not the prince there, he's Henry Fox. The man who lost his father to cancer.

But this is not that meta.

Henry has shut himself off, shut himself away. He doesn't date the people he's interested in, he doesn't live his truth (and for very good and valid reasons). He has decided that while Prince Henry belongs to Britain, Henry Fox is an island.

And look who is swimming up to that island. Look who is coming out to Henry, having realised the night before that oh yeah, I do feel forever about him and so Alex swims out to that island.

And the first thing he does? He makes Henry laugh. He is silly and fun and the complete antithesis of the composed and collected Prince of Wales. And then he joins Henry, on his island.

This gorgeous overhead shot shows us that Alex is putting himself on Henry's right (protocol or his good side?) but he's also in the centre of the island. He's not on the edge of it. In the metaphor of Henry Fox's island, Alex is putting himself at the heart of it all. RIght before he lays out his heart to Henry.

The shot that broke our hearts too, along with Henry's. Because we can see the shore in the background now. We're reminded that islands are not - they cannot be fully independent. People cannot be islands and even though Alex is literally and metaphorically planting himself at Henry's side, Henry knows that this island he's formed for himself in his heart and his sense of self cannot stand if Alex is there. If Alex is with him then he is no longer an island. Henry Fox will not belong to himself and the sense of protection and self-preservation we see coming out in the Storming of Kensington is under threat.

So he bails.

The island is submerged, like the mythical Atlantis, because how do you render land useless? Drown it. How do you deal with water? Drain it away. He abandons his island and flees back to the only other space he has left - Kensington Palace - in an attempt to regroup. He drains his life of Alex and what he brings. He has to return to being the Prince of Wales because Henry Fox got too close. Because Henry Fox realised he was being loved by a man who would literally swim out to where he is.

Moment of appreciation for the shot. Matthew, you have a fucking talent and I cannot wait to see what else you do. Because our #imtaller boy looks so small here. So lost. When else have we seen someone look so small and lost?

Oh. Yeah.

When he's curling in on himself in an almost last-ditch attempt to protect himself and his boundaries from what is coming. You can see that he's no longer dry, that Alex's "shower time" has changed him. Alex brought laughter and love and water onto his island and Henry has just realised what this means. This isn't a visitor's visa. This is immigration.

Which is what makes THIS so much more. Back to our boy, drenched from the storm, plaintively asking Henry to talk to him.

Because yes, the Storming of Kensington happens during an actual storm, but by now you know I overead into everything... so once again we have Alex "swimming" out to Henry. He's dived right in and gone are the jokes, gone is the humour. He is here and he is asking to be let in and daring Henry to send him away.

This is Alex, serious and in love and following Henry to whatever landmass he is setting foot on. Henry is trying to be an island and Alex is out here going, "I'll just build another boat you fucker". A true 'ship if you will. He swam out to an island on a lake, he flew to a tiny island across an ocean. He is standing at Henry's borders and he isn't launching an offensive. He's just saying that if Henry wants to be cut off from everything then he needs to do the cutting himself.

Prince Henry felt like he belonged to Britain, Henry Fox felt like he had to belong to himself, and Alex turned up and went "nope. Mine now". (Insert additional historical quip about the English being colonised for once.) But there is still some truth in that: the Prince is part of England, and we should all belong to ourselves even in relationships. Henry just learns that the different parts of him can co-exist. Bit like how water and land can co-exist without one destroying the other.

Henry is Alex's North Star but he's also his solid ground. Insert quip about Alex colonising Henry and claiming him for his own, planting of flag, your innuendo of choice goes here. Pyramus wished there wasn't a wall - Alex straight up scaled Henry's.

There's a divergence between Prince Henry and Henry Fox, but at the heart of them both there's Henry. And this is the man that Alex sees, this is the man that Alex loves. Alex swims out to the island for Henry Fox, Alex pushes through the rain for Prince Henry. Alex holds steady in the storm of talking with King James/Queen Mary and the public.

And it started with Alex literally making his way out to Henry on an island: be that England for the Royal Wedding, a pontoon island on a lake, or knocking down Henry's walls.

To this moment. Which is very hard to grab a screenshot of, but Alex asks Henry to "take a walk" with him. This time it's Henry going to/with Alex. The fact that he's there is one thing (and a rant rather than a meta) but at this point they have each other. They belong to each other. Where one of them goes, the other one follows. Independent, together, co-existing.

Anyway. I'm sure there will be more bullshit ramblings and metas at some point. Follow me if you want more of that (but be warned: blank and empty blogs are blocked on sight) because we are not islands in this metaphorical storm of life. Let us swim out to one another, dry off with one another, and live a life with broken down borders and walls.

ETA: I now have another name to add to the thanks. Stephen Goldblatt, from the bottom of my soul, thank you

[borgialucrezia]

HOLLIDAY GRAINGER as LUCREZIA BORGIA in THE BORGIAS  ꕥ 1.01 The Poisoned Chalice