#(it’s wildly in character and I love it)

[an-albino-pinetree]

Warnings: New Digital Circus vid spoilers!

Crogodile-

[ayamari-no-goshi]

I’d like to clear up some common misconceptions about the Attack on Titan Tower, aka when Jason infiltrated it to attack Tim

If you want to read this for yourself, here are some links: readallcomics - I have the best luck with this site on destop zipcomic readcomicsonline - this site can be temperamental

1) Jason did not go there to attempt to kill Tim

Jason seems to have 3 separate goals for this: - size up the new kid. - make sure he knows Bruce just sees him as another soldier - prove to Tim just how dangerous the job is (heavily implied, in my opinion, especially after Tim tried telling Jason he was wrong about how Bruce saw him) He also voiced his anger over being forgotten by everyone. Depending on your interpretation of Jason and his character, this could also be a reason. To me, this feels more like an afterthought because they moved to the Hall of Fallen Heroes before he said this, and Jason likes to be dramatic.

Side note on this. Jason never says anything about being replaced.

2) none of Tim’s injuries were life threatening

Once again, Jason was not attempting to kill him. He beat him up pretty badly, but it was designed to prove a point

3) Jason did NOT cut Tim’s throat.

That happened during Hush which predates both Under the Red Hood and Titan’s Tower. Jason was pretending to be Hush, put a knife to Tim’s throat, and put enough pressure to make him bleed (it was not an actual slice) to get Bruce to react to him. That injury was not life threatening either

4) Jason developed a respect and a bit of envy for Tim after fighting him

At the end of the issue while he’s leaving (while outside the tower), Jason acknowledges Tim’s skill. Jason also wonders if he could have had a life more similar to his, where he had friends and a better support system, if he could have had a different life.

5) Tim was NOT a damsel in distress during the fight, and he did NOT develop a fear of Jason.

Tim was making quips and dissing Jason the entire fight. Tim was not afraid of him nor did he bat an eye at being attacked by Jason. He also vocalized just how much he had to work for his cape because of how Jason's death affected Bruce

Also, the next time Tim saw Jason after this, he made sure to kick Jason in the groin

6) Jason wrote "Jason Todd was here" and signed it with a hand print on the wall.

It looks like it could be in blood, but Tim's not injured enough for there to be that much... and blood darkens after a while. There's a bit of time between Tim getting knocked out and the rest of the Titans finding him and the writing so it's probably paint. Again, Jason likes to be dramatic

7) more Robin!Jason slander by Raven

Once again, we get the mention that Jason was "aggressive". I swear, this is the only thing writers remember from Death in the Family and not the point that that behavior was out of the ordinary for Jason. This is a personal pet peeve of mine in the comics.

8) almost forgot to add the most important part, Jason made a homemade Robin costume and wore it under his Red Hood outfit because he could

Again, Jason is a dramatic bitch.

[notbecauseofvictories]

completely and entirely forgot that Vetinari and Carrot get together to gleefully "reward" Samuel Vimes and also ruin his blood pressure forever.

[apple-grass-and-smiles]

The most consistent writing decision on this entire show is that if someone is in trouble and needs a place to crash, they will end up at Lucy’s apartment

[a2zillustration]

Part 1 of 4

I thought Gale's romance scene in Act 2 was really wonderful and special and decided to make a whole multi-page comic about it.

| First | | Previous | | Next |

[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

[sollucets]

Why do you have to manage everything by yourself?

[praxianassembly]

I love IDW Prowl, he’s my beloved tragic-bastard. But also, every time he is treated as the default version of Prowl, so much so that ‘Master-Manipulator-War-Crimes-Mcgee,’ is attributed to him by fans no matter the continuity, an angel loses its wings.

[necrotic-nephilim]

this is not a ship post, but something that frustrates me a lot in fanon concerning Jason Todd that attempts to soften Jason's return to Gotham for the sake of found family domesticity or easy hurt/comfort or just sliding him into the Batfam sooner, is they all seem to fundamentally misunderstand Jason.

because there seem to be a lot of fandom popular concepts of Jason coming home much sooner and just not having his whole Under The Red Hood arc. which in theory is fine and i can see the want to simplify canon to make room for your lighthearted more fluff-leaning concepts. but in everyone without fail, the way they address the clown-shaped elephant in the room is by having some throwaway line that "oh Jason quietly kills the Joker and moves on".

when the Joker being dead or alive is not the *point*. if by some chance accident, the Joker had died prior to Jason's return, whether by ridiculous freak accident, getting whacked by a fellow villain, hell even someone actually doing so to avenge Jason, it *would not* satiate Jason's anger. because Jason's end goal in UtRH is not to simply kill the Joker: it is to make *Bruce* kill the Joker. Jason's anger is directed to the idea that to Jason, if Bruce truly loved Jason, he would've killed the Joker. that is love, for Jason. compromising your personal values for love and not letting someone go unavenged. when Jason was Robin, almost every angry or misguided thing he did was born of love. he wanted to kill/hurt Two-Face because he believed Dent killed his father. he was so angry at Felipe because an innocent woman was dead due to that man's actions. he wanted to save his mother in a situation he knew he shouldn't be in because he loved her. his anger, his violence, it is driven by love and feelings of righting wrongs. that is how he thinks wrongs *should* be righted. that is how you avenge and *love* someone.

because so long as Jason's return to Gotham doesn't end in Bruce killing the Joker (which, it never will bc Bruce is Bruce), Jason will never forgive Bruce. you cannot wave away the layers of hurt and complicated trauma by killing Joker offscreen. because Jason will still be angry that Bruce didn't avenge him. in his eyes, that means Bruce did not love him enough. he was not truly loved by Bruce the way he loved Bruce. bc Bruce was Jason's whole *world*. prior to being taken in, Dick and Tim, they had support systems. they had loved ones. they knew what stability and healthy family love looked like. Jason *didn't*. and that's not to say that Catherine Todd did not love him with her whole heart and thus he loved her, but it certainly wasn't a stable and safe support system for Jason to grow up in. Bruce was Jason's first real sense of a stable, healthy life. and so of course Jason poured everything into Bruce and loved Bruce so devoutly. Bruce was his world. like he says, if it had been Bruce, Jason would've stopped at nothing.

so his betrayal is rooted in that he was not avenged, not that Joker is alive. so long as the Joker does not die by Bruce's hands, it will never be enough for Jason. (in this era, at least.) notably, this is also why i don't think it would change a thing if Jason knew the whole "oh Bruce wanted to kill the Joker but Superman stopped him" tidbit that fanon has really latched onto as a way to pacify Jason's anger toward Bruce. Jason knowing that wouldn't change a thing, in my opinion. because Jason knows Bruce. and a tenant of Bruce's character is that he grapples with murder *every day*. the whole point is how *easy* it would be for him. he is a human weapon, trained by killers, trained to be deadly. he is the greatest strategist to exist. he knows he could kill someone and get away with it. *no* trace, no proof, nothing. and he knows he *wants* to. wants to kill the Joker, Joe Chill, anyone who's hurt him that viscerally.

but he *doesn't*. that's the point. Bruce wakes up every day with that question on his mind, and every day the answer is the same. Bruce's morality is not a decision he made in an alleyway when his parents died, it's a decision he continues to make every day and he *must* continue to make in order to remain who he is. Jason is quite familiar with the fact that Bruce grapples with this daily. i do not think it surprised nor fazed Jason to know that Bruce did *consider* killing the Joker. that he wanted to. maybe even planned to. but a consideration, a want, a plan, is just a thought. it's nothing substantial, and substance is everything to Jason. at the end of the day, Bruce didn't. he was talked down by *Clark* of all people with an excuse of diplomatic immunity, as if Jason and Bruce don't both know that Bruce could've *easily* found a way to make it look like an accident or some other loophole. because he's Batman. there's always a loophole. he always finds a way when he actually intends to. but he never actually intended to kill the Joker. so he didn't. and Jason would know that there was never an intent. it's an interesting piece of fodder to add to the nuance of Jason and Bruce, but honestly, i think it'd make Jason angrier to have that excuse thrown in his face. as if Bruce hasn't beaten Clark half a dozen times by now. it's a flimsy nonsense excuse that Jason would rip to shreds.

so while yes, i understand the wish for easy lighthearted fanfic that doesn't have to deal with the nuances of canon, i think that Jason's character will always be so deeply robbed and altered if you try to fix his thirst for vengeance with an off-page killing of Joker at Jason's hands. it was never the point. the point was that -in his own eyes- he wasn't loved enough for Bruce to make an acception. he realized that not even his *death* would come before Bruce's Mission. Jason truly believed that Bruce loved him and held him as the most important thing in the world, and now he has proof that Bruce didn't. because the Mission mattered more.

i'm not saying i have a solution to this conundrum if you're attempting to solve it for fanfic/fanon, nor am i even saying it's a bad thing it exists. i just think it becoming overwhelmingly common has led to misunderstandings surrounding Jason's motivations and feelings about this arc and it's an unsatisfying solution that only seeks to pacify Jason's rage and his trauma responses for the sake of found family-ification.

[prismatiger]

Redraw of a screenshot from "We Need To Talk"

[diamondcitydarlin]

'wow beetlebabes shippers have NO media literacy didn't they see how TRAUMATIZED Lydia was by her past with Beetlejuice????!? she's literally TERRIFIED OF HIm omg yall are SO DUMB'

I mean...she literally summoned him again to get his help and then brought up marriage within 10 secs of doing that and, at worst, just seemed mildly annoyed by the idea/him. See, I think if you actually have unbiased media literacy, you can recognize that Lydia's issues don't stem from Beetlejuice specifically, she isn't inherently frightened of him (and to suggest so is to completely misunderstand and infantilize her character imo, she never was frightened of him give me a fucking break lol) so much as she is by the reminder of her inherent connection to the afterlife, which ironically she's trying to fight against despite having a successful show about it. Like, again yall, it's fine if you don't like the pairing. It's fine if it grosses you out. What is wholly unnecessary is the suggestion that people who do like it are somehow media illiterate or just 'not as smart as you' or just not getting some elusive concept that only super intelligent moral people can for not also thinking it's gross. You aren't smarter, you just have a different preference for interpreting and enjoying the story. There was a time more people understood that concept.

And not for nothing, but despite your HIGH INTELLIGENCE some of yall still don't know how to tag your anti posts so they don't show up in the shipping tag- though I kind of suspect that's on purpose to try to start shit where there doesn't need to be any, but still, show me how so much smarter you are than me by censoring beetlebabes in a hater post just once challenge (level: impossible)

[pleaseinsertwittyurl]

IWTV Characters as:

Cars!

Thanks to @smashed-potato for the suggestion!

Lestat:

"Rolls-Royce Boat Tail"

The most expensive car on the market. A storied history of luxury. Cheeky red interior. Only seats two. She begs to be noticed but wouldn't give you the time of day.

Louis:

"Liz Taylor's 1960s Rolls-Royce"

Sex on wheels. Eye catching without trying too hard. Its value is only matched by its charm. If this car could talk it would never shut up, but no one would complain.

Armand:

"The Gremlin"

Obviously. Compact but packs a punch. Trying to be two cars at once. Undeniably vintage. This car will follow you around thinking it's subtle.

Claudia:

"Triumph Spitfire"

A streamlined sports car. Made for racing but a universal appeal. Meticulous details that make for an effortless finish. Only produced for 18 years. This car will beat you and you'll be happy to lose.

Daniel:

"1989 Jeep Cherokee Pioneer"

An exceptional car in its prime. A fully metal body that will come out of any crash saying "you should see the other guy." No A/C or cup holders, grow up. This car marked the end of an era, for better or worse.

This one was super fun! Keep suggestions coming and distract me from the hell of reality please!

[welcometogrouchland]

my Stephanie Brown hot take is that she should get mad bitches now that she's single in comics. Yes yes shipping BUT the one time she had sex she was punished by the narrative via teen pregnancy. I think she should be allowed to have as much sex as she wants with zero consequences. Could be a lot of sex, could be a little. Point is she should get to do it without getting narratively baby trapped this time. she should get them pregnant, actually.

[room-surprise]

Man, everyone is always talking about how Kabru is wearing eye makeup, but you guys understand that he is just naturally heart-stoppingly gorgeous right? He's probably not wearing any makeup, he's South Asian and he has naturally long, dark lashes, and a delicate, feminine face. He's a beautiful man! He'd look radiant even naked and covered in mud.

He's the type of beautiful that people write poetry about and start wars over!

This is just canon. It's shown and told to us multiple times and ways. People see him and swoon on sight, even when he's barely trying. Even when he's dirty and tired, even when they are hardened warriors and spies. And it's implied that he can and does do this sort of thing regularly... He has a whole flock of women that he's charmed.

And it's not like Dungeon Meshi has sameface syndrome. There's plenty of other men that don't look like Kabru. Kabru's meant to be very, very beautiful. AND on top of that, he's also insanely charismatic and genuinely good at reading people, figuring out what they want, and finding ways to give it to them that makes them like and trust him. He manages to do it within minutes of meeting Daya's hostile, jealous fiancee.

He's a Cleopatra, an Alexander the Great, a Caesar. If he was in a war he'd go out with 10 soldiers and come back with 20 because he convinced the enemy to defect and join his mission.

He's not perfect but he's damn close. His biggest flaw, Kui explicitly tells us, is not having enough experience, and specifically not knowing enough about monsters. The first will naturally be fixed as time passes, and the second.... well, it isn't a problem as long as he's not in a dungeon, which is 99% of his life....

[constantly0lost]

Edging Ango till he cries would be so yummy because like, yeah he deserves good things and all the cuddliest of fucks, but also he should cry just a little bit.

I know he would look pretty with his face all flushed red.

The tears gather on his waterline, his eyes glossy as tiny pleas fall from kiss bruised lips. "Please... Please.... I-I've been good! I've been good, so so good!" He whines, trying so so hard to keep his hips from bucking up into your hand.

Your stupidly torturous hand, that's been keeping him from his peak for at least half an hour. Keeping him just inches from toppling over. It makes the tears spill, finally dripping into his hairline, his chest shuddering as he pleads some more, his hands knotting into the bedsheets.

You coo mockingly at him, and he chokes out a whine as you stroke him fast, harder than You've gone since you first started. His breathing stutters as hes finally tossed over the edge, and he's shockingly silent for a second... Two...

Before he screams, his eyes rolling back as he arches his back. His dick spurts wildly as he struggles to breathe properly, kicking in your hand as it and his stomach get covered in cum, breathing heavily and whining out thank yous.

Yeah, I think he'd be pretty :)

[epiphainie]

"buck should break up with tommy and explore his bisexuality" NO. buck should propose marriage six months into dating and elope in vegas on a random tuesday at 9pm. THEN fifteen years down the road he should have a midlife crisis and tell tommy he wants divorce. get naively hyped up about having his buck 1.0: the gay edition experience only to be freaked out by the queer dating scene as a 40-something-year-old, recently divorced, familiar with only one dick dude. try to dress and act all hip for the fresh-faced gay guys on whatever the 2040 equivalent of grindr is. shudder at the horrors he wasn't expecting. cry when him and tommy get back together and tommy tells him as he coos him they don't have to use a condom because he didn't sleep with anyone else either.

[splickedylit]

Winter Soldier Gamkar has hit 100K words and 6 completed chapters and a whole lot of supernatural bullshit and Reminding My Traumatized Boyfriend What Kindness Is nonsense. Thanks to the co-writer groupchat for reading the first draft and 1. convincing me not to half-ass my scene planning, and 2. helping me figure out Karkat's Whole Deal, lol. Clandestine military experiments.....a comic book classic...

--

You don’t know what the thing you were fused with used to be.  You call it the Cancer, in your head, to yourself, but some part of you knows it’s a whole fucking lot older than the concept of names.  It died so long ago, there wasn’t a word for death yet. 

Any of its corpse that washes up into your reality is just skeletal detritus; the assholes who experimented on you couldn’t find any consciousness to bore into your skull like the Scratch did to Feferi and Eridan.  They had to fuse it into your flesh to wring power out of its remains, and it’s only through some hideous joke of luck that it took and you’re still alive to bitch about it. 

It could be worse.  You could be a rotted, mangled corpse in an unmarked grave.

They’d almost seemed surprised that you were pissed, when you found out about that little wrinkle after the fact.  You regret a lot of shit in your life, but savaging the asshole who changed you—who killed dozens of stupid kids before you—isn’t one of them.

You don’t know who has it worse, really.  Feferi and Eridan don’t show much sign from the outside that anything was even done to them—but for all the double-takes you get on the street, you don’t have to listen to voices and whispers.  There’s no living, scheming forces trying to push you to do anything, there’s just a vast, echoing emptiness in the back of your head.  Sometimes when you sleep, you find yourself in the place where it lives—or where it died.  An endless, quiet walk through an empty shell the size of a thousand cathedrals, rotting and half-consumed.