#(i mean he kinda does)

[brainrotcharacters]

the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.

[lilybug-02]

Final Bug Fact:

The world NEEDS bugs. They keep the soil healthy, pollinate, control pests, and contribute to the worlds' ecosystem. By the end of the century, it is estimated 40% of insect species may go extinct due to habitat loss. Yes, that is very scary. But with even one beetle spared, one caterpillar rescued, and one Hollow Knight comic of all things, things will change. Because I know there's a lot more Dewi's out there than most people realize. Stay curious.

Thanks for going on this adventure with me. ♥︎

First || Prev // END

Masterpost

Comic Thoughts and Pictures Below!

I wanted to put here how amazing and sweet everyone has been with this comic. I finished a 75 page comic in 3 MONTHS. I am at a loss for words. That sounds crazy and it IS crazy. But man was it fun. Even on days were I wasn't able to draw due to fatigue or business, I loved working on it from start to finish. And guess what!? This is my first ever FINISHED comic :D I'm so proud of myself. I know there's some things I want to change and the art is wonky in most places...... but I'm content to let it be. What an amazing summer adventure!

I'm hoping to post the full comic on another Comic website. I may or may not edit some of the art ^w^ So I'll let y'all know when I release it.

Interested in learning what you could do to help your local insects? This is the basic stuff. Maybe make some Insect Hotels if you have the time!!! And never forget to spread the word about bugs. They need our help just as any animal on earth.

Still Here? Well you can look in the tags for little lore dumps if ur looking for stuff like that ;)

[what-is-it-to-be-pk-esque]

Playing around with freecam and saw that Astarion does this lil sheepish/coy/nervous playing-with-his-hands thing a lot so I made a compliation:

Most of it seems to happen during Act 1 when he's doing his over the top flirting, but there are a few moments that sort of are similar from parts of act 2 & 3 Edited to add the tadpole clip I originally missed & a couple from the "whose blood would you drink" convo and the act 2 confession aaaand edited again after finding some more from the raphael scar dialogues Updated 9/17/24: found 1 min more of instances like if you become an illtihid

[collieii]

someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.

there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!

so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"

miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)

[hahahalfwit]

I HATE MIRROR MIRROR IM GOIGN TO FROW UP

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[potato-lord-but-not]

Oscar and Arthur hiii <3333

[art-is-kayos]

Checking up on his commission

[aestheticallynotdeerlightful]

Thoughts and doodles

.

(Please do not use, or repost my works anywhere without explicit permission from me thank you <3)

[radiance1]

@puppetmaster13u You called Danny a space whale in the tags of one of this post.

Now what if that was literal?

Hear me out, Danny outlives his friends, parents, sister. Danny becomes a literal whale.

Well, not a literal one because he's a ghost, but he takes the shape one of at the very least. He's just a giant, glowing white whale that looks pretty divine not going to lie.

Danny leaves earth. It wasn't safe for him anymore, what with the GIW and all that as even the ghosts found it not even worth anymore to visit the mortal world.

Except for Desiree and Spectra, but that's besides the point.

But Danny doesn't retreat to the zone, he's always longed for space, but because of his new half humanness he doesn't get believe he could've ever gone because, well. Yea.

But Danny goes fuck it and goes anyway. His form shifts from human to that of a giant whale, and he swims out into the vastness of space.

Years pass, and Danny does start getting bigger as he aged. He explored the vastness of space, marveling at many things, the different planets, the stars, the formations of rock and other things.

Then he encounters someone he never though he would've.

Vlad.

Well, he knew Vlad was left behind in space by his father but he didn't think he would find him again and Vlad seemed... different, from what he remembered.

For one thing, he didn't even know where Vlad began and space ended. He got only see those red eyes that even hinted at it being the man. His body was void black and filled with stars upon stars, all glittering from his body and Vlad barely even seemed to notice him, or if he did, he didn't seem to care at all.

So, Danny took him.

He was both curious and felt a bit bad about what happened to Vlad, even if he didn't know exactly what happened, and he couldn't just leave him there either.

So on his back Vlad went, and his travels continued.

It seemed to be the correct decision, really, because slowly overtime Vlad seemed to be regaining his awareness. Then slowly, tentatively, started to speak with him through ghost speak.

Vlad only seemed to vaguely remember what he was before space. He remembered hating a man, loving a woman, wanting a son, loneliness and a boy with white hair and toxic green eyes.

Even though Vlad was his former enemy, his nemesis, and someone who took the world hostage.

He couldn't help but feel pity for him.

Then their travels continued.

Years pass unnoticed, when in space, with Danny slowly getting bigger and bigger as the two travel throughout. They've come into contact with various civilizations, some hostile, some peaceful, some neutral.

The hostile ones never lasted long, even if Danny never lifted a flipper to do anything most of the time, Vlad made sure of it.

They came at went as they pleased, and Danny believes that they've gained a bit of a reputations over their adventures, but neither he nor Vlad knew exactly what they said. It did prove useful in some cases, however.

A few more years, and Danny feels that this system is vaguely familiar. Which happens sometimes, considering he's been travelling for so long. He then finds out why it was so familiar.

He came across Earth and, oh. When was the Earth so small?

Well, not small really, but when was he just only a bit smaller than it?

Did it shrink when he was away? Or did he just grow?

That doesn't matter though. What does, is the fact that currently seemed to be an invasion going on, on his home planet thank you very much. He did not like the fact that there was a massive fleet parked right outside his home.

So he spoke to Vlad, expressed his displeasure, Vlad responded back knowingly and went off to make the source of his displeasure disappear. That doesn't Danny was idle either, the fleet was big and, well.

It's been a while since he's stretched himself in a fight.

[bacchuschucklefuck]

sometimes I think abt how the months coming up to and the prom night in freshman year must feel to class swap sklonda. your perfect kid who has literally never gotten a single reprimand for anything does what can only be described as a quad crit crime combo and becomes a nerd punisher by the end of the night

[divineandmajesticinone]

4 MINUTES (2024) I 1.03 "I didn't think you were like this. Like what? Like this..."

[paingoes]

whumper pushing whumpee to the ground, ordering them to get back up, and kicking them back down each time they try. repeat as many times as you like. especially w whumper getting more snippy each time.

“i said get up” while they’re making it physically impossible

physically and mentally exhausting them in addition to hurting them. forcing whumpee to participate in their own abuse.

[ominouspuff]

No Man Left Behind / Something Worth Dying For

REQUESTS / BLOG EVENT

Request from @razzbberry - Palette #1 - Alpha-17, Cody - Death of the Cynic in Me

Notes and close-ups beneath the cut!

Notes: I think Seventeen would, both subconsciously and consciously, keep his cynicism as long as possible. It’s how he thinks the world works, but it’s also a survival tool. It’d be a very, very slow death.

It’s put to the test with Cody — not because Cody is special among his fellow clones, but because he’s one of the first that bothers to fight Seventeen on his own terms. The argument is always the same. Cody wants to talk about what he hopes to be, someday, after he is a soldier. Seventeen thinks he’s stupid to think that’s possible, or that he’d be capable. Cody knows it, and he, might not be. Seventeen thinks it’s even more stupid, in that case; what a waste of energy.

It develops. When they’re older, and in the thick of war, one day Cody risks his life for the chance to save a brother that was going to die anyway. Seventeen yells at him for fifteen minutes once he’s conscious about luck and stupidity and the trouble it’s causing Seventeen and the false hope it’s engendering in others. Cody says he can disagree all he likes, but he doesn’t give a fig, respectfully. Seventeen thinks Cody can go try to get blown up again, if he thinks so.

There’s no point fighting for a better tomorrow; they’re bought and paid for to fight for something else, FOR someone else. Seventeen is prepared for being fodder, as a result. He’s prepared for unfairness and the bleak life that they’re living. Instead he watches as Cody defeats odds time and time again, somehow managing to balance being an exceptional military leader with a secondary war to live for something more, running himself ragged and — inexplicably — gaining ground. Each of those little victories are a little death for Seventeen’s cynicism; a chipping away. A little seed of Cody’s brand of hope takes root, awkward and begrudging, fond and tentative.

Then Order 66 happens. Cody’s efforts for a better life are in vain, and Cody himself-

Cody may never know that Seventeen was right abut just how helpless they were. Now he only knows that Seventeen is a traitor, apparently, because Seventeen — for once in his life — was the lucky one and his chip malfunctioned.

And Seventeen could say ‘I told you so’. He could rest, vindicated and resigned, in the fact that every dream Cody built up and everything he thought was worth dying for is pointless, now — as he always suspected it would be.

But it isn’t fair, even by Seventeen’s standards.

“What are you doing,” Rex will rasp, caught in a strange role reversal as Seventeen paints an armor set with Cody’s golden colors. “He’s not coming back, Seventeen. He can’t. It’s pointless to keep going after him, you need to stop.”

“No,” Seventeen will answer, unbothered, “I don’t think I will.”

“We can’t — we can’t keep hoping,” Rex says, because he means he will probably have a breakdown if he imagines there is even a pitiful possibility he could save his brothers and then have to turn away from that scrappy chance for the greater good and Rebellion, and all that. “We’ve got to move on.”

“Go on.” Seventeen will invite sincerely, one brow raised because he knows Rex better than that.

“Do you want him to shoot you?” Rex will finally yell, all knotted up at the thought of losing Seventeen too, even though it’s funny because Seventeen was never kind to Rex.

“He can try,” Seventeen will say, touching up the last of the paint. He will stand, wiping his fingers, and pick up his pack. “See you when we get back, then.”

Alt version:

[edwinisms]

you know. I think the reasons it feels so literally narratively wrong when people refer to charles as being straight (such as in interviews where his love life comes up and so on) are that A) he’s never deemed outright straight in the show, so it’s just an assumption that he must be straight by default (which is silly in a show like this), and B) what he says following edwin’s confession. I know I’m biased, but even when I try to look at it as neutrally as possible, the way he reacts in general and the specific words he uses just don’t sound right when you imagine them being said by a Totally Definitely Straight guy.

first of all if you actually listen to it instead of absorbing the scene superficially it’s not particularly a rejection at all, and the actors have stated that themselves– it’s not him saying no, it’s him saying “I can’t give you an answer right now, but I will eventually”. that’s not an interpretation, that’s literally just the truth of what he said (and again, the actors agree). can you imagine a straight guy saying that, or possibly even more damning, “we have literally forever to figure out the rest [“the rest” meaning anything that goes beyond the kind of love charles already solidly has for him]”.

imagine you’re a straight man who’s unwaveringly confident in his orientation and your gay best friend confesses his feelings for you. you would not respond with the implication there is a “the rest” to figure out. since the main, obvious obstacle would be your solid lack of attraction to men, that’d probably be essential to your response– it wouldn’t be a “I can’t say–“ it’d be a “I can’t be–“. and on top of all that, I feel like the whole thing would have to sound far more apologetic– “I’m sorry, I love you and that’ll never change, but I just can’t love you the way that you love me.” something like that, right?

tldr: this is a rare instance in television where assuming a character is straight by default makes Less sense than the alternative. and charles’ choice of words in the confession overtly suggest that he is, at the very least, unsure of his orientation.

[kagoutiss]

din’s champion