#(i just want to talk about him so much and my characterization of him+what i'd give to write him at all let alone in his source material)

[blackkatdraws2]

I'm involved in a Stanley Reblog Chain and put effort into these drawings so I'll post them here too.

[The other characters belong to insomniphic / beartitled / and marionette-j2x]

[Just me rambling underneath!] ↓

Tumblr has a tag limit and it grates my nerves to no end to know that I can't ramble as much as I'd like to...

Stanley and the bad bitch he pulled by being a loser. Imagine having a hot babe deform reality just to be together with you because he sensed you were feeling lonely without him. [WHEN IS IT MY TURN?!]

It's funny because with the general vibe of their AU, it would make sense for him to show up in the most flashy but also unnerving way possible. The Narrator's [Black's] arrival has to grab people's eyes since attention and views are what he's all about.

I wasn't sure what type of characterization they had so I just played it safe and [tried to] draw how my characters would respond instead of blindly guessing how the others would talk or act around each other. [My Stanley is antisocial and an anxiety-ridden freak.]

Also, I've been wondering what their height differences actually were when I saw my Stanley have to look up at Marionette's Narrator [since this guy is pretty damn tall] so I did a bit of digging and this was what I found.

I had a lot of fun making this by the way. It's been a while since I've participated in any Reblog Chains that involved character interactions and making comics, so it's a real throwback to when I first started posting TSP art in 2023.

Stanley here is an absolute social shutoff teehee, but he does talk back when talked to. His responses usually leave no openings to continue the conversation though. He's the type of guy to stay on the corner and watch everyone else.

As for the Narrator [Black] he's a bit strange. He's proper in public, but he doesn't think the other people are special [or not as special as he is at least]. He just doesn't care to be honest, he keeps to himself [along with Stanley] and that's it. It's a miracle for Stanley to have even pulled somebody like Black considering their personalities are the type to clash with one another. [They love each other though, genuinely. Despite how deranged they can be towards each other sometimes, that development took a long time to be nurtured into something healthier for those two.]

Also, 4th wall breaking in action!!!!!!!!!!!

Black didn't want to interrupt this comic since it was made for Stanley but after the other three came in he lost reservations and came in as well.

[Copy and Pasting the tags of my other post because I am NOT re-writing all of this...]

These two would probably just stay in their own spot [somewhere quiet and more alone]. This place is a bit too crowded for their liking. But I would be very happy to jump on any opportunity to make my guys interact with the others!!!!! Don't be afraid to throw a bone [prompt] for me to bite on, okay?

[darealsaltysam]

I JUST GOT BACK FROM SEEING DUNE PART 2 AND HOLY FUCK OH MY GOD HOLY SHIT HOLY FUUUUCK I NEED TO. I NEED TO. I NEED TO TALK SO BAD HOLY SHIT

below the cut because oh boy do i have a lot to say and i dont want my poor followers to suffer when i post this

oh my god okay okay where do i even start

opening with irulan's narration to mirror her notes in the openings of the chapters of the book. oh yeah baby. i ate that right up

watching paul get close with the fremen,,,,, fucking hell that hurts. dune really is a tragedy at the end of the day huh. they go from reluctant allies to friends but the whole time you know the switch will happen any moment now and they will be devotees and he will be messiah and that gap between them will never be as small as it is out in the sand. huddled in those tents. sharing drinks and laughs. im not doing ok

this especially hurts with chani. their love is so genuine and pure and she wears blue for him (which by the way sticks out so much more with how muted the colors of the rest of the movie are... i could talk about this all day) but she can see what he is becoming and he's trying to avoid it for her so hard but there's no avoiding fate. LORD ABOVE!!!!

i loveeee jessica being the manipulator thats pulling all the strings, urging paul towards becoming messiah. rebecca ferguson is such a talented actress she really understands the character so well. also as a hashtag certified alia atreides enjoyer her scheming with her unborn fetus might be the most unhinged thing ever but thats also so fucking funny aka its as dune as it gets. dune is WEIRD and im glad theyre not shying away from that. thank u denis

arrakis looks so much more beautiful in this movie like theres defo been some changes with how its framed and presented it feels so much grander and idk just ??? what it makes me think is that we're not seeing arrakis, we're finally seeing dune. we're seeing the land as the fremen see it as paul becomes one of them. i might be looking too much into it but who cares. god i love this movie

but yes more on the fremen in the first section of the movie. i like how there's this cluster of non-believers almost?? its a nice breath of fresh air. its hard to believe every single person would be just devoted to the prophecy and it adds some depth.

i will say the one thing i didnt like is the way stilgar is characterized?? i dont think he was so blindly devoted to paul in the books, and definitely not alia and leto ii after him as the atreides line went on. he's always been a source of small doubt towards paul but i think they're moving that element of him onto chani, so i think i can let it slide. i'd like to see him question alia more in the future though.

the scene where paul was named muad'dib and usul??? god it was so cute which made it so heart wrenching. all the fremen coming together and welcoming him into their lives. as a brother. as a friend. only for him to turn around and make them all bow before him. ohhhhh i cant do this

OH BOY THE WORMS THE WORMS AND THE WORM RIDING AND THE AHHHHHHHHH OH LORD

jesus christ. what the fuck. how is this allowed on cinema screens how is something so amazing allowed

the tension. the effects. the sound design. the sand rushing past the wind the worm moving forward paul struggling to hold on the fremen all watching and then cheering him on HOLY FUCKKKK HOLY FUCK I WAS HOLDING MY BREATH

all the worm riding scenes were so intense and so well done like. when i first read that stuff in the books i didnt think anything could ever capture how i imagined it exactly and yet. AND YET. DENIS!!!!!!!!

once more dune hits the idea of scale SO well everything is HUGE and they MAKE YOU FEEL IT. that shows especially with geidi prime but ill talk about that in a bit. but yes this applies to the worms too lord above them WORMSSSS ARE HUGEEEE AND I LOVE THEMMMM

rebecca ferguson put her heart and soul into that water of life scene and we all need to thank her for it

the way jessica is so quick to switch up and go all in on the prophecy. it makes me think of leto's "im not asking his mother, im asking the bene gesserit" like. the bene gesserit really come first for jessica and she takes her opportunity to fulfill her duties. to be the reverend mother. to rub it all in the faces of the other bene gesserit. she is the mother of the messiah and by god will she make everyone well aware of that

okay. okay okay. i think i said my peace on the early fremen stuff. i think. okay fuck okay SHIT fuck SHIT

FEYD FUCKING RAUTHA LADIES AND GENTLEMEN

oh my god okay. okay ill admit it. i doubted austin butler. i saw the cast list and i was unsure(tm). i saw him in the trailers and my faith was restored. and holy fucking shit did he DELIVER

stellan skarsgård's baron harkonnen is already such a threatening figure it feels like it would be impossible to make someone even more terrifying and yet. AND YET

just the way he's introduced. killing servants with zero remorse. LICKING THAT KNIFE THE WAY HE DID??? OKAY WHORE. I SEE YOU. GO RIGHT AHEAD. MAKE IT SLUTTY IN HOUSE HARKONNEN. I RESPECT IT

when the arena doors open and that loud ass fucking music BOOMS. makes the room fucking SHAKE. thats a PRESENCE right there. THATS how you introduce your antagonist.

the music playing as he fights being as fucking deranged as he is. chaotic and weird and unsettling. just. oh my god feyd had such a presence from the moment he showed up and he did not lose it for a single second. you could feel him LOOMING over the movie the whole time just as he looms over the whole book from his very first scene. oh my goddddd oh my godd

GEIDI PRIME. THE ARENA. THAT MASSIVE HARKONNEN PALACE. oh my god. once more. that sense of scale. the harkonnens love to flaunt their wealth so ofc they have huge fuck off arenas and castles where everything and everyone feels so SMALL in comparison.

dont even get me started on the black and white. the way it accents those coal black teeth and mouths. the way it makes everything look so much more inhuman and clinical and PERFECT because harkonnen power is so absolute and ruthless.

and the way the baron sits so so high above watching the fighting. literally impossible to picture his elevation above his people above the rest of the universe. the way feyd looks to him for approval after every movement. even as his uncle is trying to kill him they exchange those little looks and feyd knows hes getting his chance to show off while the baron gives him his "gift" what a fucked up family what the hell

speaking of fucked up family! wow! they are SO fucked up! there is something seriously strange being hinted at with feyd and the baron! feyd making his own brother bow and kiss his boot! those constant threats of death against rabban as if theyre nothing! this family is capital f FUCKED up. they hurt each other as much as they hurt everyone around them. theyre made of violence and blood and they could never show each other kindness because they dont know such a thing

what can i say about the feyd/margot scenes that hasnt been said already. like wow just unpack the boy's trauma like that. use him and then throw him to the wolves. once again the bene gesserit make it so clear this is THEIR empire and THEIR bloodlines and THEIR messiah. too bad jessica doesnt see that collective "ours" and instead settles for "mine" when it comes to the messiah

special shout out to dave bautista before i move on. just cause. his rabban doesnt get enough love. he really sells that balance of ruthless power but also incompetency compared to his brother so well. can you guys tell i REALLY like this cast

WE ACTUALLY GOT TO SEE GURNEY PLAYING THE BALISET WE FUCKING WIN Y'ALL

the paul/gurney reunion being the last shred of the old paul. how he gets so happy "i recognized your footsteps, old man" shoot me in the fucking brain stem it would HURT LESS

a bit off topic and it happened earlier (sorry my thoughts are so all over the place) but i like how they actually showed the process of how the water of life is made. it was actually exactly like how i imagined it when i read the books so thats neat !!

anyway. back to the horrors.

i already talked so much about feyd's presence so just another small note. that scene in sietch tabr. he is a MONSTER and i am EATING IT UP

i cant even begin to explain. how much it fucked me up. when paul took the water of life. i knew thats where we were going. i knew it was unavoidable. and yet still. when chani bent over him and screamed at everyone for making him follow this prophecy. when she was forced to shed tears to save his life. when she got him back only to realize she lost him and he wasnt the person she loved anymore. it broke me

chani's utter hatred for the prophecy and what paul is becoming added to it so much. i know some people are unhappy with how much shes been changed from the books but i think its elevated her character and all these scenes so much. and oh my god does zendaya DELIVER when the spotlight is on her. i never doubted her for a moment but all those changes to chani really allowed to let her shine. thats that euphoria acting coming out baby !!!!

SPEAKING OF GOOD ACTING

TIMOTHEE

FUCKING

CHALAMET

listen i hate the fact that he gets cast in everything these days as much as everyone but hes such a talented actor and i cant deny this anymore. the water of life scene really sold it for me.

he was such a perfect paul already in the first movie but this was the moment it really came out. the way he wakes up so calm and collected. lifeless. monotone. theres nothing theres literally nothing

paul atreides the boy who became duke far too young is dead usul who was the lover of chani is dead muad'dib the fedaykin fighter is dead only the kwisatz haderach remains and thats what the prophecy was always leading us to and yet the moment it happens its so haunting

like i cannot say this enough. that complete switch is so sudden but so subtle at the same time. its still paul technically but hes so different

what makes dune's weird concepts so easy to take in once you get into the book is all that internal monologue that really leads you through these complex concepts slowly. and yet in a few shots and a few lines of dialogue timothee chalamet somehow manages to express the idea of "i just learned the secrets of the fucking universe and im about to start a holy war" ???? HOW DO YOU EVEN DO THIS???? HOW ARE YOU THIS TALENTED???? OH MY GOD!!!!!!!! IT WAS A FEW LOOKS A FEW MOVENTS JUST THE RIGHT TONE OF VOICE AND THATS HIM!!! THATS HIM BABY!!!! THATS THE KWISATZ HADERACH AND THE UNIVERSE IS FUCKED !!!!!!!!!

also. anya taylor joy alia. we only had you for a split second but i cannot wait for you. im sure youre going to completely slay the third movie. give us our beloved tragic meow meow. alia is my fave character so i will be JUDGING HEAVILY. she better bring her a-game istg

when paul storms the war council and just completely takes control of the room so easily. thats the bene gesserit conditioning giving him his pedestal and he is making the most of it. he knows exactly what the fuck hes doing. and once more oh my goddddd all that shouting all that emotion and yet a complete lack of it. timothee spare a crumb of talent for the rest of us

also the way in that scene gurney is hesitant about it all until paul proclaims himself the duke of arrakis. and suddenly gurney has house atreides again and he doesnt care what chani does anymore. hes a follower to paul just as everyone else in that room. nothing changes. fuck me man i cant do this anymore

have i mentioned yet im so excited for chani in the next movie. her arc is so interesting. children of dune is defo not happening with the way chani has been set up so i doubt we'll see leto ii and ghanima but. lets hope we still get all the cool stuff wit alia at least. and maybe chani can be the one who leads the charge against her

okay i need to really fucking. get along with it im dragging this post on im so sorry this movie is eating my brain alive

chani still wearing blue during the final fight. im not saying more than that i might cry if i think about it too much

THAT. FINAL. FIGHT. OH MY GODDD OH MY GOD

IT ALL CAME TOGETHER SO SO WELL

THE WORMS

THE SENSE OF SCALE

THE FIGHT CHOREOGRAPHY

THE MUSIC HOLY FUCK THE MUSIC HANS ZIMMER YOU OUTDO YOURSELF EVERY TIME

THE SOUND

EVERYTHING FLOWING TOGETHER SO WELL

the way the fremen fight for their messiah but still fly the atreides banner. the way paul leads them as their messiah and as a "fremen" but always proclaims himself duke of house atreides first. oh lorddd im unwell

every time paul menacingly emerged from fog/sand/smoke my life was extended by like 10 years thank u denis

gurney killing rabban with as much ease as he did cleared my skin and watered my crops <3

the way the baron was literally dying and still crawling towards the throne.......... the way at the same time feyd ignored him completely and looked towards the doors reveling in the fight ahead..... if that doesnt tell u everything you need to know about house harkonnen idk what will yall

i also love how no one intervenes as paul walks in and kills the baron. not even feyd. feyd looks like he was a little TOO into it as paul killed him tbh. feyd u little freak. austin butler you talented talented man. im unwell

i AM sad we didnt get to see baby alia stab him but ah well. we got a bunch of other weird dune shit so ill let this one slide. the psychic toddler may be too much even for denis and everything he did give us. we'll always have our 1984 alia <3

OHOHOHOHOHOHOH. OH. HERE WE GO

HERE WE GO YALL

THE SCENE IVE BEEN WAITING FOR SINCE READING THE BOOK

THE SCENE THEY SHOWED BITS OF IN THE TRAILER AND THE SCENE IVE BEEN NON STOP YEARNING FOR SINCE!!!

THE DUEL!!!!!!!!!!!!!!!!!!!!!!!!!!!!

oh my god oh my god oh my goddddd where do i even start

okay so. the way theres no music. no fancy cuts no slow mo no over the top effects. its just the slashing of the blades and those BEAUTIFUL shadowed shots with the setting sun in the background. this really is the sun setting on the peaceful universe. just pain and suffering ahead marked with the blood spilled from the two who were meant to produce the messiah but who both got thrown off this path by the greed and selfishness of their forefathers. guys im normal about paul and feyd. definitely. i definitely have very normal thoughts about how they are foils and yet two sides of the same coin. yes guys

paul making the emperor kiss his ring is already such an insane fucking scene and it translated to the screen so well. amazing performances all around

i didnt talk much about florence pugh's irulan but she really didnt have much time to shine. im excited to see where she goes next and i definitely think shes a great fit but i need to see more of her to really be able to say more

i will say this. the way chani, irulan and jessica are the only ones who dont kneel for paul. the three most important women in his life who give him his power, everything he has. jessica made him and she made him the messiah. chani opened her life up to him, helped him become and in turn control the fremen, and she shed her tears for him and fulfilled her role in the prophecy against her wishes. irulan is his path to the throne, his key to being emperor. and none of them bow before him because why would they bow before a power they are responsible for, a power they own, a power they gave?

but for chani its different ofc. she also refuses to bow because she despises everything paul stands for.

oh my god i could say so much about the last scene being chani. not paul reveling in his victory. paul leaves for his next bloodshed and chani is left behind crying for the person she loves who she knows is gone. crying for her people, again enslaved. crying those same tears that brought the messiah back into this world.

theres a lot to be said about the role of gender in dune and how it hangs over every facet of this world but thats a whole separate analysis post to be had so ill just throw it down here in this little point

another thing chani does very well in the movies is she really makes paul's villainy explicitly clear. SO many people read dune and completely misunderstand it and walk away from it concluding its a "white savior narrative" and nothing more which. yes!! yes it is!!!! but thats not a good thing!!!! its never stated to be a good thing!!!!

this movie is not gonna let you misunderstand the message of the story no matter how blind you try to be to it. paul is not a good guy. hes never been the good guy. hes the protagonist, but hes not the hero. and chani allows that to translate from book to movie very well. have i mentioned yet i love movie chani

chani fills in the holes left behind by the narration and internal monologues of the book and, bonus points, she holds the people who dont understand what dune is about by the hand and tells them explicitly "PAUL IS A BAD GUY!!! DONT IDOLIZE PAUL!!!! DONT WALK AWAY FROM DUNE THINKING ITS PRAISING PAUL'S ACTIONS!!!"

i think thats pretty much all i had to say. i might reblog with additions as they hit me but yeah i. i enjoyed the movie. so so much. i think i might watch it again sometime soon while its still in cinemas.

sorry for being unhinged hope u enjoyed my rants. kiss kiss night night <3

[antimony-medusa]

Someone asked me for notes on writing technoblade so:

this is how I do characterization, just in random order.

deadpan or "dry" but not monotone— he's often quite expressive just in a deadpan way.

FUNNY. Humour is hard though so you can skate by on just being sarcastic and deadpan.

Sarcastic.

doesn't often say that someone is important to him in words, not in a literal fashion— the reason why things like "for you the world" or "my best friend" or "bro" or "good friend and disciple" gets celebrated is because he wouldn't say that sort of thing often. He is not out here calling people sunshine. Techno's out here saying "oh I'm not endeared" and "there's a RACCOON in my basement" and "that's what I'd expect from you, old man", but at the same time in actions he's very clearly showing that he cares— fight alongside someone, give them gifts, invite them to stay. Complaining about being woken up and how he needs his beauty sleep and how he's gonna wither to ashes while he makes you supper and won't let you apologize and sets up the guest room for you. And then says of course he's doing it he values this friendship. and then tells you how you could make anything you want for breakfast don't wake him before ten or he'll crumble to dust

especially with phil, very rarely MEAN/cutting, even while bantering and complaining— he'll call him an old man who's fallen off but he won't make fun of how he talks or call him stupid or a burden or tell him to shut up. He will tell tommy to stop talking but that would be because tommy was yelling his opinions at people like a grackle

anxiety— he wins fights because he overprepares. the beginning of every stream is so much brewing and armour and grinding. The world is dangerous and the only way to face it is to Git Gud. HE WILL BE GRINDING.

loves animals.

general-purpose nerd. people boil this down to english-major a lot, but things I have heard technoblade go on tangents about include math, psychology, greek mythology, metaphor, and How To Balance The Game

canonically into golf? I don't use that but yeah.

it's fair if I can grind the game sufficiently to make it work. will use exploits and edge cases and also expects them to be used against him cause that's just the game we're playing, right?

dark humour. this is a guy who made jokes about his execution and then his cancer. If he is in peril or something terrible is happening he will be joking about it. Most of the time however that is very carefully dark humour that is about, in the metaphor, him on the gallows, not being part of the crowd at a public execution.

Neurodivergent. This Man Has ADHD. in-game he had the zoomies a lot, he jumped conversational topics, he got distracted and missed stuff.

socially uncomfortable but has social skills— you see the discomfort especially on places like SMPearth or when he's not in a highly scripted lore call. He'll be falling back on silence or falling out of the conversation unless he's comfortable with people, and then you see WAY more of the fast joking, on a sliding scale of how comfortable he was with people. You can absolutely tell if he's comfortable with people and it correlates to how much company manners he's putting on. Like he'll make the effort socially, but you can tell he's plotting his escape from this conversation most of the time on SMPearth unless with his allies.

you can get an incredibly long way with dropping your gs, "bruh", and deadpan sarcasm.

kinda guy to use "wanna" and "soporific" in the same sentence. Big vocabulary, informal mode of speaking unless he's giving a prepared speech.

On SMPearth jokes about world conquest and domination, on DSMP jokes about being the bad guy/withers/terrorism, on origins jokes about cancer.

Will talk himself up as the best and powerful while also in a way that implies he doesn't really believe that or think it's important. First Try, Chat, he'll say, while very clearly and obviously going for the sixth try. Didn't even sweat, while a moment ago he was audibly panicking down the mic. Kinda guy to talk about his enormous clout and then turn the conversation around to how Ranboo has higher viewership and he personally has fallen off and is dying and being flattened— not in a complaining way, but in a "you're doing so awesome you beat me so good great game" way.

does not swear while on stream. We know he swore off-stream but those clips are few and far between. You will get people twitch if you have techno swearing though.

I've run out of thoughts, does anyone else have more ideas for Techno characterization?

[cityofmeliora]

notes / thoughts on Terzo's characterization (Terzo is so disappointed and depressed and i love him)

a few weeks ago i saw this post from slavghoul which has snippets of TF describing the Papas. it includes this quote:

“He represents this frustrated old guy who hates everyone, especially himself. But despite his wounds and his darkness, he has a sense of humour and is endearing, like most of my heroes. The late actor Christopher Lee was an inspiration to me. In many ways, he is Papa.” (Metallian 7/2015)

i thought this quote was really interesting because i'd never seen anyone talking about that side of Terzo before. Terzo hating "everyone, especially himself" felt at odds with the charming personality he typically displayed. i wanted to know how that developed and where his "wounds and darkness" came from. so i did some digging for quotes on Terzo's history and characterization. here are my notes + thoughts:

something that came up again and again in my research is that he is actually quite antisocial when he's not performing. it seems like he didn't want people to know anything about him past his stage persona.

TOUR MANAGER: No one in the crew really gets to see or speak to Papa, ever. Only Anna and myself have access. He is not in the building and then he'll just be there, just for show time. The only thing you really need to know about Papa is what you see of him on stage. Ghost - The Devil's Hands (Documentary) (2017)

he almost never interacted with any of the nameless ghouls or the tour crew. in fact, he really went out of his way to avoid them. he traveled separately, would appear right before the start of a show, and then he would disappear as soon as it ended. in "The Devil's Hands", it showed they sometimes had trouble locating him when he was needed.

With this new era, can you introduce Papa Emeritus III? NAMELESS GHOUL: I don't know him very well yet. We haven't really done our mileage with him, so I am sure that we will find out. But he seems nice. He seems okay. Obviously, he's very close relatives with Papa number two, who was a little bit of a hmm. I'm sure that he isn't like, completely different, but we'll find out. He's a bit of a recluse, and he sort of travels on his own. And he sort of appears when we're due onstage and then he disappears when we're offstage. So yeah, I guess we have a little bit of a social disconnect there, but I don't see a big problem with that. I mean he seems to be doing well on his own, and I don't know if he has a little harem somewhere that occupies his time offstage, I guess. I'm assuming that. Loud TV (July 2015)

INTERVIEWER: How has it been working with the third Papa? How is he fitting into the group? NAMELESS GHOUL: We like him, actually. He seems to be quite nice. Obviously, we haven't really done our "miles" with him yet, so we don't know him that well. And he doesn't travel with us- he sort of goes separately everywhere, and he appears just before the show and then he just disappears. So we haven't really had the time to sort of fully get to know him. But overall, he seems quite a joyful chap. Metal Injection (September 2015)

predictably, his bandmates did not know him very well. but they always remarked that they liked him and that he seemed like a nice, chill guy. (they also assumed he had a harem that he spent time with when he wasn't performing, which is probably not true, considering how much effort he put into avoiding people whenever possible.)

NAMELESS GHOUL: We don't really socialize with Papa, so… But he seems nice! But he's very occupied in his harem. [...] He's a little bit cooler. He seems to be the nicer of the two brothers --I don't know if there are two-- but he seems to have, I don't know, a kinder mother, probably, or something that makes him slightly.. INTERVIEWER: A little different. NAMELESS GHOUL: Yeah, he's a little bit different. AMBY (October 2015)

i don't think his charming, pleasant demeanor was just an act, though. i think it did come from a genuine part of himself... he wasn't always an antisocial recluse.

before he became Papa, he was a cardinal in Krakow, Poland. Bishop Necropolitus Cracoviensis (the character representing Zbigniew Bielak, the artist who does the album art for Ghost) characterized younger Terzo as having enthusiasm in all his endeavors. he was always a very devoted member of the clergy who had big dreams of progress and modernization for the Ministry and the world. he had a strong interest in Futurist art and philosophy.

Bp. Necropolitus Cracoviensis remembers: "...our relationship goes a long way back to the times before his papacy, that is when he was still a cardinal in my hometown, in Cracovia...(...) Although we had our share of juvenile recklessness - be it indulging his beloved cream pies - allegedly verging on six hundred sixty six portions a year but that must be a rumor I believe, or wild parties at the attic of seminary school (laughs) - even in his formative years, he remained a focused man of vision, looking far into the future, always addressing his people's needs and longings to keep our church together in those turbulent, rapidly changing times (...) there were so many temptations to syndicate among our good people (...) (...) We would sit down to studying exciting Futurist manifestos, sketched the blueprints of utopian metropoles, spiked with shiny skyscrapers stabbing at the heavens belly... Wantonly swollen zeppelins would to carry our gospel of indulgence to the farthest corners of the globe to summon and enslave. (...) Forged in nostalgia of steam and fire, this brave new world of ambition, vice, lust and greed - all so inherent to the enlightened modernity, was always with him through all these years. And it is now - when our church continues to grow stronger and wealthier under wise reign of Papa Emeritus III - that these visions may finally be witnessed and embraced in the preachings of 'Meliora' - his most contemporary and humane Encyclical." (https://www.facebook.com/thebandghost/posts/994031900615606)

those core values of ambition, vice, lust, and greed stayed with him when he became Papa. though he had a revolutionary spirit, he's actually described as "less rebellious" in Metal Myths. Terzo took his job as Papa very seriously, and he cared about being successful and achieving his goals. while he and Secondo certainly had vice, lust, and greed in common, it was Terzo's ambition that truly set him apart.

"It felt like the goal was to take Papa II's sense of modernity and remove the recklessness." Metal Myths: Ghost Pt. 2 (April 2022)

How would you describe the personality of Papa Emeritus III compared to his predecessors? NAMELESS GHOUL: "First of all, Papa Emeritus III is an entertainer! He loves projectors, he loves the public, and he loves success. The first Papa Emeritus was someone very rigid, very strict, and very solemn. A real son of a bitch! (laughs) To be honest, we don’t miss him at all! Papa Emeritus II was a pervert a little bit sadistic, and, in hindsight, I think he wasn’t very at ease on stage. He wasn’t a showman, unlike Papa Emeritus III! Him, he’s the guide we missed to rise up the quality of our shows, to reach the step above and communicate with our fans." (MyRock #44 (2017) translated from French by @ a-wandering-ghoulette)

unfortunately, his ambition eventually led him to become disillusioned and depressed.

Terzo looked forward to becoming Papa. he worked so hard for it his whole life, only to be confronted with the realization that his time as Papa --and therefore his achievements-- would be limited.

he was a nice guy, but he was also was egotistical. he was a showman and an intellectual, and he thought very highly of himself.

NAMELESS GHOUL: He's a little bit more chill. But obviously, all the Papas are definitely pompous assholes. INTERVIEWER: That's part of the job. SPECIAL GHOUL: That's one of the criterias, the prerequisites, that you have to be this sort of flamboyant diva, know-all, show-off. Metal Injection (September 2015)

his self-hatred came from his inability to be the person he wanted to be. it's not that he felt like he couldn't measure up, it's that he felt like he wasn't allowed to express his full potential. Terzo's mindset was "i know i'm good enough. and i could prove it if they would just let me." but he wasn't really in charge, and his vision was at odds with the goals of Sister Imperator.

Terzo felt so stifled, it makes sense that he became a "frustrated old guy who hates everyone, especially himself."

and i think this is the reason for the paradox of him having a kind, charming personality onstage and being unsociable offstage. he still gave it his all. he did the best he could with the time and resources he was allowed. that zealous man of the people was still in there somewhere. but he felt betrayed by the clergy, the organization he dedicated his life to. his career ended up being unfulfilling and he was ultimately really bitter about the way things turned out.

he was good. he never got to be great.

[aroaceleovaldez]

The himbo, malewife, goofball -fication of percy jackson is such a crime by both the fans and riordan. It has made Mr not like percabeth as a couple because in all posts and in later books annabeth is such a girlboss, while Percy's dumb and can't fight his way out of a paperbag without her. All the posts are about how annabeth will be an architect and percy would love to be a trophy husband.

Even the humor in the books went from Percy's sharp wit and snark to 'my pancakes can't drown because I'm a son of poseidon.'

And now this recommendation letter bullshit.

Honestly now I'd wish percy just separated from annabeth (but they remain best friends.) He stays home with his family, becomes a camp counselor, helps young demigods, holds God's accountable and eventually becomes a social activist. (I also dislike him doing something marine biology related. It's clear he hates academics but he always wants to help people. Him helping demigods and mortals is such a wholesome profession for him.)

I fully agree with the first half of this, though I slightly disagree with part of the latter.

The later-series and fanon mischaracterization of Percy is at least a solid 50% ableism minimum, full stop. He's being warped into a very stereotyped ADHD character and the exact reason why he's being characterized as "dumb" is because of ableism. Percy is a very intelligent character! That's exactly why he's so in sync with Annabeth and they're such a strong duo! It's just generally Annabeth is more book/academically smart.

I disagree with where you say he hates academics - because that's one of the common misconceptions about his character. Percy doesn't hate learning or academic subjects! He's not even bad at them! We know explicitly that when he is in an accommodating environment he is interested in learning and gets significantly better grades! Percy only dislikes school because it is generally an environment that systematically he struggles with. It's literally just he has a learning disability (two, actually)! That's it! When his learning disability is accommodated for he does well! It's almost like that's what accommodations are all about! We know this from the first series! It's discussed pretty in-depth! Percy isn't a dumb character and he doesn't hate learning, he's just been let down by school systems so much that he's inherently distrustful of them. If they actually accommodate him though then he does just fine!

And that's exactly what CHB was all about and why New Rome University was supposed to be such a big thing for him! CHB is a learning environment geared for demigods. NRU is a demigod college. Both inherently imply an environment meant to cater to and accommodate students with ADHD and dyslexia! They are both systematically structured to be able to accommodate him! Heck, CHB and CJ even both address in the wider themes of the series a metaphor about how ADHD and dyslexia are commonly seen as childhood disabilities, and how it can be more difficult to find accommodations into adulthood because of that attitude but those disabilities don't just go away - that's why CHB is a summer camp but they talk about how demigods outside of CHB don't often fare well. The metaphor there is those who are not getting help or accommodations are struggling. Because that's how that works! This is a fully intentional metaphor from the first series! CHB is never framed as being perfect for demigods, because one of the entire central conflicts of the series is Percy and Luke going back and forth about this flawed system meant to help and support them but still letting people fall through the cracks. The "claim your kids by 13" thing is a metaphor about how acknowledging a child's disabilities (and possibly getting a diagnosis) earlier/as early as possible means they will have more time to learn and build up resources and support for themselves to be able to use later in life. One of CHB's major flaws is that it can accommodate demigods to a certain point, but it can only do so much before those demigods have to leave (the metaphor being accommodating school systems when those disabled students do not have any other forms of accommodations in their lives.)

And that's why Camp Jupiter was framed as being so revolutionary for Percy because it had an environment acknowledging that this is not just a childhood disability, adults with ADHD/dyslexia exist too and still need and deserve accommodations, AND is a place where those accommodations are available. That's why Camp Jupiter and NRU are treated as such special and important things to Percy, because it's essentially Percy being shown this type of thing can and does exist and it is available to him. It is an option he never thought was possible. Percy never thought he'd be able to go to college because he would not be able to go through school without accommodations, but NRU proves otherwise.

The part that's absolutely stupid is Rick then proceeded to retcon NRU so that apparently it's not a full college and Percy still has to take classes at normal mortal college which DEFEATS THE ENTIRE PURPOSE OF NRU EXISTING. Rick has fully retconned that demigods struggle past the ages of 16-18 when they're on their own (see above elaborated metaphors) and in doing so we have fully killed all symbolism in literally all of that. It's so stupid. And by having the plot of the CoTG trilogy entirely be that Percy is not actually allowed access to NRU in the first place because he is a son of Poseidon and has to do extra to even be accepted is stupid!

All that to say, I agree the marine biology feels like a huge cop-out and a disservice to his character by reducing him to just a son of Poseidon. The literal only reason why it's the default option people take for him is because oh, fish thing, fish guy. But I feel like everyone ignores the really obvious answer for what Percy would want to do which is - writing. Both his parents are writers/authors and he clearly admires that about them. Percy likes telling stories! He canonically is already a published author in-universe! That's what the books ARE in-universe! The first series fully exists in their universe and Percy is the author! This is explicit canonical information! Percy canonically has help physically writing it down (accommodations) but he is still the credited author! Percy is a writer! Already! Canonically! Why are we making him a marine biologist he already has a profession that ties into his character significantly more. Like you said, Percy likes helping people. That's what the books in-universe are supposed to be for! It's point blank at the beginning of the series! Book one! The thing everybody quotes all the time! The books exist because it is Percy trying to give advice to other demigods who don't know what's going on yet! It's Percy's writing down his experiences to help new demigods understand and contextualize their experiences so they can understand themselves better and figure out what's going on - WHICH IN ITSELF IS ALSO A METAPHOR ABOUT ADHD/DYSLEXIA! Because the core of the series has and always will be built around ADHD/dyslexia! Percy as a protagonist EXPLICITLY was created so that ADHD/dyslexic kids could see themselves as a hero!

Sorry that all was a very tangential rant but my point being: Absolutely. Percy in newer stuff in the franchise and in fanon is horrifically mischaracterized in ways that are functionally either fully ableist (shoutout TSATS for just outright claiming Percy is intentionally lazy and skips school out of disinterest, which is like the number one ableist attitude towards kids with learning disabilities) or a complete erasure of Percy's disabilities. Also I think he should be a writing major not a marine biologist.

[late-draft]

Hello, Dema here!

First off—I have fallen desperately in love with your artworks. You have a very particular style, strong and fluid all the same, and I can't help but admire the way you draw and how you approach character design.

And talking about character design...

I saw your post about Zuko's bold design in S1 when compared to what we got in S3 and—as much as I love S3-Zuko—I completely agree with you. Something I've always loved about Zuko in S1 is just how striking he was, how much of a presence he had, even when he was being tossed around by a twelve-year-old. That being said, I love Zuko, I love him in armor and pointy shoes and with a ponytail, and I loved your alternative design for him.

What do you think about his S2 character design? How does it flow with the story beats and his overall character arc? Much has been said about the Hair-Growth-Means-Character-Growth (and I find it interesting, also, that he cut his hair again before joining the Gaang), but I'd like to know your opinion on how that translates to character design and how the decisions made in the show could be either good or bad in that regard.

Sorry about the long ask! I've just been thinking about this a lot, lately, and would like to know what you think. Hope you have a good day ❤️

AAAA Dema hii!!! I'm so happy I got a message from you, I didn't expect it!!

I'm super glad to hear, I'll wear it as a badge of honour and I must tell you that I also love your art, you wonderfully do volume and the shading done through a contrast of sharp and soft areas! Super solid anatomy too and I'd be lying if I said I didn't look up to your art!

Yess the character designs in the show actually are rather strong, I like a good balance between memorable and functional. Zuko is just *chef kiss* but, considering just how many appearance changes he goes through, some are bound to be weaker than the starting one. That said, I'm gonna go through a few of his S2 looks and make this reply long, ha!

The starting one when he ends up huddling with uncle Iroh with other poor refugees, fits extremely well for the narrative at the moment. It's actually one of my least liked looks for him, and that's great!! It's precisely how it should be, because he's also arguably at one of his two lowest moral points in the story - he basically lost almost all hope, no clear goal, nothing to fight for, he's desperate precisely because of the lack of orientation and thus his morals degrade and sink veeery low. He gets on my nerves so goddamn much in this period LMAO I want to beat him up, he looks like a recovering drug addict... annoying, entitled whiny jerk stealing food and anything shiny for his uncle, but even then he just does not cross the moral event horizon. Excellent characterization. He just looks atrocious and it's great because it fits this low point.

Next he gets the standard boyish square of a hair, no notes here...

But theeeen, he arrives at one of my favourite looks of his, and it's not just because the clothes fit him very nicely (I've seen fandom say they look too big for him which, maybe?? But it doesn't look like he's swimming in them to me) And a thing I've noticed which, maybe it was just an accident on design part but I'm not sure considering they colour coded the entire cave scene; in this part his clothes match the shape of Katara's, first one in bottom then the one in top. The collar is the same haf-circle design but I don't know, maybe there was a limited pool of clothes designs guide which they cycled through. Or, he really is meant to come close but miss Katara by a beat, like sine and cosine chasing each other.

But besides this outfit fitting the inconspicuous Earth Kingdom customer service persona, it also (perhaps inadvertently) does this VERY cool thing:

It makes his shape look closed off and guarded, supposedly non-threatening. It's most visible in his fight against Jet, whose shape is open and goes in many directions like an aggressive star. But then look at what Zuko's shape does:

When he attacks, it opens up to reveal the hidden aspect, again the aggressive star shape shows up! The same thing happens in "Zuko alone" episode but I think it's most clearly visible in this fight against Jet because here he has a direct contrast and comparing with Jet. I think this is an example where the outfit, whose similar design exists irl, overlaps with a great visual metaphor and enhances the narrative at that moment in story. He's still that combative firebender but he has to keep that aspect concealed most of the time. Plus it just looks badass as hell!!

Animators really knocked it out of the park with many frames. I think Jun was too early and missed his better hairstyle, but Katara was just in time.

I agree it's super funny how his hair in the Beach is awfully long, covers his face to an uncomfortable degree and then he apparently shortens it before joining the Gaang, insane behaviour Truly an "I'm so angry and depressed I won't show my face nor be capable of seeing anything because there's nothing nice to see in my life" look...

I guess all his appearances in S2 cover his mental states, but only one of them is extremely Extra (the tea server, doesn't even take the apron off and goes to fight) and I don't see any spot where a similar tier design could be shoved in, narratively speaking. So all in all, S2 did as much as S2 could have. More tea server arc please though, the Guru episode really feels like it skipped 800 km of plot and everything that happened in it is so crammed and pretty sus in terms of character behaviour.

[the-cat-and-the-birdie]

I just wanted to say that the way you characterize and talk about Miguel has actually really helped me with thinking about how to write for him 😭 genuinely I love the way you describe him as an actual like person and not just some sex addict or someone who's extremely distant and cold. I hope you continue writing mild Miguel because it's so refreshing compared to all the other shit I see 😭💕

THANK YOU THANK YOU SO MUCH!!!

AHHHHHHHHHHH THIS IS A MIGUEL SAFE SPACE AND LIKE- CAN I BE REAL FOR A SECOND???

MIGUEL ISN'T AN ASSHOLE YOU PEOPLE ARE JUST MEAN - A.K.A -

My Defense & Evidence of a Milder, Non-aggressive Sympathetic Miguel O'hara.

[This is a half-break down half rant about Mild Miguel, when we see Miguel's true nature, and what fandom gets wrong about him. I have my evidence.

this is shorter than my usual posts but I'm going absolute apeshit Miguel Mode by the end so sorry you have to see that.]

I think Miguel and Hobie are the two most complex characters in the film. Like - both of them equally.

It's just really easy to explain one over the other.

I feel this way because every character we see in the entire movie - Miles, Gwen, Peter, Jess, Rio, Jeff, The Spot, everyone - is forthcoming and clear about their intentions and motive throughout the movie.

When we're watching the movie the first time, we understand Miles motive, and Peter's, and Gwen. In real time. It's there and stated. Miles wants to save his dad, Peter wants to be a better mentor, Gwen just wants peace basically.

But when we're watching for the first time - we have no idea what Hobie OR Miguel is capable of until they do it.

They are the two we're surprised by. (And they're also exact opposites who somehow don't seem to be complete adversaries)

They're the only two within the film who we are left to speculate their motive, their drive, and what they'll do next.

They're the only two in the film who are truly meant to catch us off guard with their behavior.

Leading up to Hobie's big twist, there was a LOT of misdirection. I think the same is true for Miguel...but like..the fandom isn't picking up on the misdirection AT ALL.

I have a lot of ideas and thoughts about Miguel and his character and honestly I think it's the exact opposite of what the fandom sees.

But when its's Hobie, it's very easy to understand him, just read the wiki on Punk and you're good.

But I don't think anyone has look closer at Miguel yet.

I genuinely believe that the reason Miles got away was because Miguel went soft.

He was watching the videos of Gaby to remind himself why he was doing this - why he had to stand his ground, but when Miles started panicking, and begging to know how much time he had left - Miguel slipped up. He went soft.

And he told him 'two days'.

You can see it in Miguel's face when Miles is asking.

That's not the face of a man considering assault. That's not anger. He's wavering.

He didn't have to tell Miles how long he had left. But he did - why? Cause he thought 'I'd kill for two days with Gabby. A lot of people get less warning about death - Maybe he can spend those two days with his fath-'

and then Miles is like 'word?? two days to stop you?? iight im out also fuck yall' - which understandable have a nice day

But like......Miguel wouldn't have said it if he knew it would fuck him over. He didn't KNOW Miles was radicalized cause he didn't know Hobie had spoken to him. He thought that telling him might convince him. If he knew Miles was gonna run - there's no need to tell him anything.

He could've lied and said "I DON'T KNOW. But maybe let's talk about this."

But he didn't. He slipped up.

He's SOFT. Everytime he's mean, or angry - He has to think about it. Like when he looked at Hobie - and thought about it. He has to MAKE himself do it. It isn't natural to him.

Nobody else in the room was gonna answer Miles. Miles wouldn't have known. But Miguel told him two days. And because of that, that specific slip-up, Miles is trying to save his dad.

Why? Because he's SOFT. CAPITAL S SOFT.

Miguel is not a raging monster. Or aggressive. Or manipulative.

He's a guy who thinks he's holding the universe together with duct tape and a kid is in front of him begging to know how long they have left with their father and he tells them and because of that they get away and now everything he worked for is gonna emplode in his face because he had a SOFT SPOT FOR A KID AGAIN AND DID SOMETHING HE SHOULDN'T AGAIN AND TOLD HIM AND NOW PEOPLE ARE GONNA DIE AGAIN BECAUSE HE MESSED WITH THE MULTIVERSE AGAIN FUCK-

Like...yeah- he snapped. A normal person would snap. I've snapped for way less and a lot of other people have.

Granted, we don't go mauling children.

I don't know, I just feel like he's an incredibly layered character.

Because when he's ranting and screaming at Gwen like an irritated school teacher we're already like 'oh fuck you dude but also fuck you ;)'

so when he's right there doing things like this - we don't see it. The same way we don't see Hobie's stealing - because we think we have him figured out.

We don't see Miguel's tenderness.

Because we assume we know who he is - he's cold and aggressive and rude and hates Miles,

but like...is he really?

Miles is getting upset - and the whole conversation leading up to it Miguel has talked to him from a far, hands when Miles can see them. He's not trying to stand over him, or intimidate him. Miguel knows he's scary. He knows how to be scary.

He isn't trying to scare Miles. The exact opposite. He's trying to comfort him.

And when Miles starts lashing out - Miguel is genuinely surprised. That isn't the look of someone who THINKS he's about to hurt this kid.

He's telling Miles, hands up "Hey, sorry. I'm not trying to hurt you." He immediately lets go, backs up.

I just---- FUCK, PEOPLE THE MAN IS STANDING RIGHT THERE THATS MILD MIGUEL LOOK AT HIM

If you really really think Miguel is naturally aggressive, or angry, or cold -

If you write him that way -

I ask that you rewatch the leading up to Miles' escape. Look at his body language. Watch him, and look at his face. That's all I ask.

I just kjsjrghjkSIGHIDDGU I CAN'T STAND FOR THIS INJUSTICE AND EMOTIONAL ILLITERACY

HES NOT A GOOD GUY BUT LIKE....HE'S ... THE ONE YALL ARE SERVING...COMPLETELY DIFFERENT MAN.

He's SOFT. The same way he caved for Gwen after a little pushing. He caved for Miles after a little pushing. That's why he told him two days. SOFT

MILD MIGUEL, SOFT MIGUEL, WANTS TO DO THE HARD THING BUT FUCK HE CAN'T DO IT MIGUEL, HAS TO STAND COMPLETELY STILL AND UNMOVING TO NOT CAVE TO MAYDAY MIGUEL, MIGUEL WHO LOVES PEOPLE BUT KEEPS HIS DISTANCE AND SHUTS HIS MOUTH BECAUSE PEOPLE GET HURT MIGUEL MIGUEL MIGUEL

I'm going to go Miguel Mode.

If understanding Hobie was a house, the fandom is standing out on the road.

If understanding Miguel was a house, the people aren't even in the same neighborhood. We're in the next state over. Other side of the globe. Off base by like 12 zipcodes and 4 times zones

Mild Miguel. Please tell me you're seeing this.

Am I crazy for thinking that the slip up - of telling Miles two days - wasn't out of stupidity but PITY? SYMPATHY?

Because Miguel thinks getting to spend two whole days with some you'll lose is a BLESSING to him - not a curse.

Even though to ANY non-traumatized person - it would be a curse.

...... yo

Miguel stepped into Gabriellas life because he didn't want her to lose a father. He KNOWS losing a father hurts.

So when Miles is there in front of him, talking about not wanting to lose his father - Miguel KNOWS how he feels. Gabby didn't want to lose her dad either.

Miguel UNDERSTANDS. He's a FATHER -

HE KNOWS HE'S BEING THE BAD GUY HE KNOWS ITS WRONG NOT TO STEP IN THATS WHY HE STEPPED IN FOR GABRIELLA IN THE FIRST PLACE THIS ISN'T THE PERSON HE WANTS TO BE OR THOUGHT HE'D BECOME YOU PEOPLE ARE MEAN AND HORNY -

I- I can't even i'm sorry I -

I have a longer post about this in the works like breaking down all of his body language from his moments with MJ and Hobie and like teverything

but ITS NOT EVEN LIKE I THINK HE'S RIGHT I JUST CANT STAND PEOPLE BEING THIS WRONG ABOUT IT I CANT

If you see him as aggressive or cold this post isn't meant to be an attack. I am just down bad for Mild Miguel and I'm going delirious with hunger and starvation for him

#Justice4MildMiguel Maybe I'm huffing copium but also i know im fucking not he's RIGHT THERE

[And if you hate Miguel like hate hate him Moche says dishonor on you dishonor on your cow dishonor your family and your land in the name of Aia Paec Almighty]

If you made it this far....Imsorry you had to see me that way I don't know what came over me here's a picture of Hobie to help me calm down.

(aka Hobie judging the fuck outta me in my head)

I need a glass of water. Bye.

[beauty-and-passion]

Lore Olympus: a golden mine of bad writing

As I said, one post wasn’t enough.

There is still a lot to say about this webcomic and in this post I would like to talk about how Zeus, Apollo and Kronos have been treated. Here I will focus on the first two acts only, because the third act is not over, as well as the story. And yes, that means I will write another post when this whole thing is over.

I wanted to focus on these three gods in particular because are treated in a way that baffles me and makes me question what did they ever do to Mrs. Smythe. Tell me, Rachel: was it something personal? Did they do something to your family? What happened?

But maybe you don’t understand my point, especially if you haven’t read the Greek myths at all and you think that these three are just “Unfaithful Guy”, “Rapist” and “Evil Villain Har Har Who Also Wants To Rape”. Seriously, what’s with this weird obsession with raping everyone and with sex? Did Mrs. Smythe ever see anything else in myths, besides sex?

So please, allow me to explain why their characterizations are wrong and boring - and no, not just from a mythological point of view. 

_______________________________

Zeus: the walking clichè

Making Zeus an asshole is understandable, even if utterly boring and clichè. Oh wow, he's an unfaithful husband and he's vain. Very original. Groundbreaking, I'd say. I’ve never read about him being unfaithful to his wife, not even once in all the 200 million retellings made during the history of mankind.

It's a shame because Zeus is much more than that. He's a mighty ruler with a strong sense of justice: in several myths, he punished the assholes for their wrongdoings. He's very clever and strong. He's also associated with xenia, the custom of offering protection to strangers, which means Zeus is also a protector of foreigners.

I mean, this information alone offers so many new perspectives about him! Just imagine if, instead of hanging around and doing nothing useful aside from being everyone’s favorite punching bag, Zeus fought against every corrupt system of the mortal realm, in order to protect the foreigners and the innocents. It would’ve been so cool to see a different side of him, instead of the same thing over and over again!

But nope, Zeus = unfaithful husband only. Let’s ignore all the other aspects of him, to focus on the one everyone focuses on. Let’s make him the umpteenth version of the same guy, instead of offering a new vision. This will surely make the story worth everyone’s time!

Rachel, this could’ve worked if I was 12 and had never read a retelling in my entire life. But since I’m more than twice that age, seeing Zeus as an unfaithful husband again doesn’t get my interest. And I’m sure this doesn’t only apply to me, but to everyone who already saw at least two retellings of him. Isn’t this story supposed to be new and original? Then why are we still picking from the same old clichè visions of these gods? Where is the writer’s personality and ability?

_______________________________

Apollo: king of wasted potentials

I am absolutely, completely, 100% baffled at how Apollo has been treated in this story.

It's insulting to see the most beloved Greek god treated as a bidimensional piece of shit. Not only because he doesn't make any sense in the story (why is he here in the first place? Did Persephone and Apollo even interact in any myth?), but also because there are so many different possibilities for him, that seeing him being this is the biggest waste of potential I’ve ever seen.

A brief recap of who Apollo really is: Apollo is the embodiment of the sun. He is the god of arts and crafts. He's the most beautiful god, he embodies the concept of perfect Greek beauty. And he is associated with a lot of cool stuff, like medicine, truth and oracles. Also, like most of the other Greek gods, Apollo had many male and female lovers.

Now, look me in the eye and tell me that, with all of this, your first idea about him is "yeah, let's make him a stupid rapist, so stupid to not realize that hey, maybe forcing a girl to sleep with you will not make her fall in love with you". Oh and let's not forget he randomly decided he wanted Zeus' throne just after the fertility plot point had been introduced Because Yes. And he’s running for president of Whatever-Land Because Yes. Also, he’s currently involved again in another evil plot Because… yeah, you got it.

It’s just so frustrating to see him being the biggest loser of all time, considering how much cooler he could’ve been. Just think about it: we could've had a bisexual musician, who does concerts with his band (the Muses) and has a shit ton of lovers. We could’ve had a heartbroken doctor, who does his best to save everyone because he has not been able to save his own son from death (Asclepius). We could've had a mysterious advisor who can see the future because of his foresight powers.

What did we get instead? A fucking rapist.

Apollo is nothing but wasted potential. He’s an insult to himself, the story, common sense, and the Greek culture. Of all the incredible things he could've been, he became the most insulting of them all. I really cannot bear to see this fucking idiot and his punching-bag face, pretending to be Apollo. He’s not Apollo.

But if there is a guy I can see less than him, then let me introduce you to…

_______________________________

Kronos: Supreme Master of Wasted Potential

First of all: why is Kronos here? Why does this love story need Persephone to defeat a big bad guy? Just to show how cool and badass she is? Considering that their fight was a joke, it didn't work very well.

But okay, let's say we need a villain Because Yes. Kronos is still a huge waste of potential, probably the biggest waste of potential of the whole series until now. He could’ve been an interesting, multifaceted character, but he became a cartoonish supervillain har-har I want power.

Sigh.

But let’s take a step back and talk about the real, mythological Kronos. His story starts with his parents, Uranus and Gaia. The two had a lot of sons, including Titans (like Kronos) and Hecatonchires (monsters with fifty heads and one hundred arms). Disgusted by their monstrous nature or maybe just out of fear of being overthrown, Uranus chained his sons away into Gaia's womb (aka the Tartarus) so that they could never come out again.

Gaia suffered from this decision, so she devised a plan: she made a stone sickle, gathered her sons and tried to persuade them to castrate Uranus.

All of her sons were afraid of Uranus, Kronos was the only one brave enough to do it. And he was successful: he overthrew his father and became the new ruler of the universe, along with his wife/sister Rhea.

However, after becoming king, he didn't free all of his brothers as his mother wanted, but locked Hecatonchires and Cyclopes away once again. And so, Gaia told him that, one day, he would meet his father’s same fate and be overthrown by one of his own children.

Scared by these words, Kronos devised a plan: every time he had a new child, he took the baby from Rhea and swallowed them. Rhea was desperate and, in order to save her last son Zeus, she sought Gaia's help.

So Rhea gave birth to Zeus in a secret place, then handed Kronos a stone wrapped in clothes: he swallowed it, thinking that it was his son. This way, Zeus managed to escape the same fate as his siblings and was raised in secret, away from his father, until he was old enough to come back and fulfill his destiny.

And now, you may think Zeus overthrew his father with a sword and killed him and nah nah nah, myths are not that stupid and predictable. Zeus didn’t use violence to overthrow his father, but intelligence. He disguised himself to reach Kronos' court and, at the right time, he gave him a drink. That drink was an emetic (given by Gaia), that forced Kronos to throw up everything he swallowed, in reverse order: first the stone he thought was his last son, then Zeus' brothers and sisters.

After freeing his siblings, Zeus did what his father would've never done: he released the Hecatoncheires and the Cyclops to help him in the following battle against Kronos and the other Titans, a battle known as Titanomachy.

The war ended with the victory of the Olympians (i.e. Zeus and his siblings). Many Titans were confined in Tartarus, under the Hecatonchires' control, others were not imprisoned and kept appearing in other myths.

And Kronos? His fate differs depending on the myths. In some versions, he was imprisoned in Tartarus. But according to other, more interesting versions, Zeus forgave him after years, freed him and Kronos became king of the Elysian Fields: the famous earthly paradise reserved for the greatest Greek heroes.

Now. Just look at all of this beautiful, beautiful potential.

We have Gaia, a powerful goddess who overthrew two rulers of the universe, without moving a finger. A goddess strong and clever, but also a mother who wanted all of her children to be free - even the most hideous ones. She could’ve been a tragic figure, a master manipulator, or an evil schemer. Or all these things!

We have the Hecatonchires: fighters so powerful, to turn the tide of any battle. They could’ve been scary and intimidating, but also tragic monsters who just wanted to be accepted. They could’ve taught a beautiful lesson about the importance of accepting the ugly and giving everyone a chance to prove themselves.

Then we have Kronos. And Kronos had everything to be the greatest character.

Think about this concept: Kronos has always been afraid of Uranus, just like his brothers. He was just better at hiding his feelings. And that visceral fear is still inside him, it still haunts him after centuries, just like the memory of how he overthrew his father. And that fear takes the shape of paranoid thoughts about his father coming back to take the throne.

Kronos could’ve seen his father haunting him, but he could’ve also dissociated and seen himself as his father. In his altered state of mind, he could’ve been both the king and the one who overthrows him.

That could’ve made him a truly dangerous, unhinged character. A god who can’t see what’s real anymore, obsessed with the ghosts of his past. A god with nothing to lose and everything to gain. After all, if he kills his children again, the throne would be his once more. And, since he sees himself as himself and as his father at the same time, he would think that he is the "true king" coming back to take his throne.

That could’ve been awesome. Kronos could've been complex, desperate and multifaceted, a villain to pity and to be afraid of. A truly new, interesting version to know and love.

And do you have any idea how incredible Zeus could’ve been in this version? We could see him facing Kronos again, still as strong and determined as when he was young. And while everyone would expect him to kill Kronos, he would use his intelligence once again. He would prove to Kronos (and to everyone else) how intelligence is always superior to violence and how he's a good leader, despite his thousands of flaws.

Also, we could've seen Zeus talking to the defeated Kronos and making him the ruler of the Elysian Fields. We could've had a meaningful ending, in which Zeus understands Kronos' fears and shares his own.

I would’ve adored this, because according to the myth, Zeus was also supposed to be overthrown by a son! Hence why he swallowed Metis (his first wife) while she was pregnant.

The myth never truly clarifies who this supposed "son" is, but according to the different versions, Metis was pregnant not with a son, but with a daughter. A daughter who, one day, would be born, full grown, from Zeus' head. A daughter who would become Zeus' favorite child: Athena.

Honestly? I ADORE the idea that there was never a son to overthrow Zeus, but a daughter. And she would not overthrow his father by violence like her grandfather or by intelligence like her father, but by love. Athena doesn't need to take the throne from her father physically, she doesn't even need to sit on that throne: not when her father loves her more than anything else.

And I love the idea that Zeus is aware of that. He knows his daughter is his weakness. He knows that, if she asks, he will willingly give her that throne, because he loves her too much. And I would've loved to see him sharing these thoughts with the defeated Kronos. It could've been a beautiful moment, to see Zeus talking with the fatherly figure he always missed from his life. It could've led to a beautiful, meaningful ending for a dramatic story.

But can you see the problem here? This concept works for a story about Zeus, not about Hades and Persephone! These two have nothing to do with Kronos! Heck, even Rachel Smythe knows it, considering she had to pull a stupid plot point out of thin air, to explain why Kronos would give a damn about Persephone!

In case you were wondering: yes, the fertility-magical-power-battery-thing is bullshit. Gods don’t need a magical battery to be powerful. And no, fertility goddesses are not rare either: Aphrodite, Demeter, Hera, even Artemis are just a few of the fertility goddesses in Greek mythology. Kronos could’ve picked his favorite from a large pool, instead of becoming an absolute creep with Persephone in the stupidest fight of all time.

And speaking of that, two words on the supposed “fight”. First of all, apologies to all fights for being associated with this thing, because this was anything but a fight: it was a cartoonish conversation accompanied by the umpteenth sexualization of Persephone, who first appeared fully naked, then with a dress so stupid to defy the laws of physics and perspective.

And if you don’t believe me, please see it by yourself: this is how the dress was supposed to be, according to episode 75

This is how it ended up. Apparently, the Fates didn’t predict how huge Persephone’s boobs would be and the neckline didn’t grow accordingly: I feared to see one of them slipping out from it anytime during the “fight”

Also, please appreciate how Persephone is turned to the side, but the dress’ stupidly huge neckline is shown from the front, otherwise we would’ve seen her full naked boobs.

And that stupid neckline kept bothering me throughout the whole “fight”, because it kept changing size. Check the episodes and see it by yourself: sometimes it’s smaller, other times it’s wider and it keeps moving in impossible ways. It drove me insane.

But since we’re talking about drawings, please allow me a very brief parenthesis about them too.

_______________________________

The drawings are a joke

I am not an artist. I can barely draw a straight line by hand. But I studied art history, perspective, proportions and colors, so I’m not completely clueless.

But you don’t need to be clueless, to notice how bad the drawings became. If you have two eyes and saw another human being in your life before, then you can notice by yourself how bad they are.

It’s not a secret that Lore Olympus’ art style changed over time. In the beginning, this comic was characterized by a lot of straight lines and geometric shapes, alternating and mixing with gentle curves. There were blur effects, colored outlines, a lot of details that gave an overall dreamy, ethereal vibe to every chapter (like the soft glow that accompanied the gods).

But as the story progressed, these elements disappeared. The geometric shapes gave way to an overall “softness” and roundness. The dreamy vibes and blur effects were replaced by sharper, clearer drawings. A distinct black outline now marks every character.

And speaking of characters, they were the ones who changed more. Lore Olympus always had funny, silly faces but the characters were also able to be serious and look natural. Now all we have are grotesque faces: the characters are a collection of caricatures and no one has a normal expression anymore. Check by yourself, by confronting a random episode of the third act with the first one: they’re two different worlds.

The disproportions were common too, since episode one. But at least they were somehow plausible, while now they’re completely absurd. It’s as if Mrs Smythe completely forgot what a human being looks like.

And this is pretty evident in how all characters became a rough draft of the two protagonists: all women got Persephone’s face, all men become buff and huge, with wide-ass shoulders and teeny tiny heads. This is particularly obvious at the end of season 2 / start of season 3, when we see some of the funniest images ever, like Hades with a tiny head and shoulders as wide as the entire USA

Or this hilariously bad image of Zeus with clown shoes and a head as big as his deformed hand.

No excuse can justify these drawings: no one is running after Mrs Smythe, nor forcing her to draw, and people are paying her real money to work on this webcomic. The least she can do is draw something that doesn’t look like a bad distortion of a human being.

Unless this isn’t her drawing, but her staff’s work. In that case, they are still paid to do their job, right? Or do they think this story is a joke and decide to show how much of a joke it is, by turning everyone into a grotesque caricature?

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In conclusion

Lore Olympus is hilarious because of how bad the writing is. It’s a manual example of how not to write a climax for your story. It’s a perfect demonstration of how you can still fail, even with great characters with endless possibilities. It’s a list of all the mistakes you can make as an artist.

If you’re a writer or an artist in general, please check Lore Olympus and study it. Here you will find everything you should never do and all the mistakes you should never make.

As a writer myself, I appreciate Lore Olympus, because I need works that teach me what I shouldn’t do. Good teachers are useful, but bad ones are even more useful, because it’s thanks to them that I can learn and grow and make better stories. Lore Olympus might be a failure from an artistic and writing point of view, but it might also serve as a foundation, from which other people can develop better ideas.

Actually, it already did it! Do you want to read a better story, rose from the disappointing ashes of Lore Olympus? Then check Lore Rekindled and @genericpuff: you will find their work here on Tumblr. They planned everything ahead and it’s pretty clear by reading it. The characters make more sense, the events have a more logical explanation. And the art style is much, much better than the last Lore Olympus.

We will meet again for the third and (for now) final post about this series, a much-needed post about the protagonists of this story: Hades, Persephone and Demeter.

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(How about a coffee? ☕)

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[hollowed-theory-hall]

Hi, what kind of parent do you think Harry would be? (The cursed child does not count, for me it is not a canon)

Hi 👋,

I agree that The Cursed Child never was and never will be canon in my book since it destroys the characterization of literally everyone.

As for your question, I'd like to imagine Harry would be a good dad. I mean, he knew a childhood without love until he went to Hogwarts, so he's going to be a super loving dad. He's going to do everything the Dursleys didn't do for him and treat his children with so much respect and give them so much affection.

I think he'd also show them a bunch of children movies and games he never got the chance to experience, so he'd be excited about watching them too. Like, he'd live the childhood he didn't have through his kids a bit. He'd love taking them to McDonald's and the cinema, I just know it. But he'd also want them to experience a magical childhood and read them wizard children's books and such.

(I think whether his kids go to a muggle primary school or not would heavily depend on the other parent cause Harry could be convinced either way)

I also, think he'd take after Sirius a bit. The father-rule model Harry respected and trusted most is Sirius, so I think he'd try to be that person to his kids. Someone they can count on and go to with everything without feeling judged. He'd want to make them feel like real people and like their opinions mattered.

I think he'd be a reasonably fun parent, like, I see him playing Quidditch with his kids the moment they can fly a kiddie broom.

I don't see him bringing himself to discipline his kids too much (I just have a hard time imagining Harry sending his kid to their room, like, idk. Sometimes, that's necessary, but idk how Harry would be with that). The worst he'd do is probably give them a talking-to. He might shout a bit (cause he does have a temper), but if he does, he'd regret it instantly and beat himself up over it because he'd always be worried about coming off like Uncle Vernon. I think his main disciplinary method as a father would be the disappointed stare because I think he'd be so good at that intense stare filled with disappointment that makes his kids squirm.

I also imagine he'd be incredibly protective of his kids. Like, Harry is loyal and very protective over people he cares about, so he'd be like that with his kids, too. Threat them, and he'll let hell loose.

I'm just rambling, but these are some of the thoughts I have on the subject off the top of my head.

[rotisserory]

Aventurine Is BPD Coded- Some Thoughts

Ahhh welcome back everybody to another installment of 'Rory writes a ridiculously long essay nobody asked for to shine light on characters who exhibit symptoms of borderline personality disorder so that we can learn to recognize symptoms portrayed in media that aren't just 'crazy manipulative abusive ex' and start to treat the disorder with a shred of compassion' !!

A good chunk of you follow me because of my essay I wrote on Reo Mikage from Blue Lock, my beautiful borderline princess, and I am PLEASED to announce that my essay is now the first result when you search 'Reo Mikage BPD' on Google, AND he has since been added to the BPD character database !! Saving the world one baddie at a time, no need to thank me B)

Today, I want to write something out that I've been dying to share. I think Aventurine can be read as a BPD coded character, and I think he would be able to cop a diagnosis should he go see a therapist (which we all know he CLEARLY has not done). I've been puttering around posting this because I've been spending so long on a full, all encompassing analysis of this sick blonde man, but I want to take a quick break and kick my feet over BPD Aventurine, so I invite you to come kick your feet with me!

Some context before I start:

1.) Borderline representation is extremely important to me. I've got the BPD / CPTSD combo meal, so I'm having TWICE the fun !! But seriously though, it's not easy being viewed as crazy and 'bad' all the time. Trauma disorders are rough enough as it is just to live with / overcome, but it's worse when there are books, forums, blogs, shows, ect. dedicated to hating you and talking about how evil you are. So, I get really excited when I spy BPD-coded characters (especially if they're likable people and not just ghoulish irredeemable villains or manic pixie dream girl characters). Fans, characters, and even Aventurine himself refer to him as 'crazy' 'insane' 'unstable' which only further rang my BPD bells because he's not crazy; he's just traumatized!

2.) I’m not a psych, so I obviously can’t diagnose real people, and don’t use any of this to diagnose yourself (I don't need the scandal!) I do, however, have a masters degree in English and structured the basis of my education and published my thesis on mental health, cluster B personality disorders specifically, so I read and research a LOT. I’m confident enough in my knowledge to diagnose anime characters (lol).

3.) If you're somebody who has a weird hangup about borderlines, feel free to either not read this, or do read it and soak up some useful information! Regardless, I know Aventurine fans can have some really wild takes (/neg) , so believe what you want at the end of the day! This is just my interpretation of what's festering in that sad brain of his. You can disagree all you want to, but what we're not going to do is spread hateful stereotypes or perpetuate negative stigmas about BPD! That's cornball behavior and I will call you out for it ^-^

CW for discussion of death, suicide, self injury, and identity disturbances

Anyways, if you ask me, Aventurine has a case of Beautiful Princess Disorder, and I'd like to explain why <3 So, buckle up! This will be another long one.

First, let me define BPD: it's a personality disorder characterized by a long-standing pattern of instability in mood, interpersonal relationships, and self-image. Though it's coined as a 'personality disorder', I urge you to look at it as a trauma disorder. People most often develop it when they are repeatedly traumatized during their formative years. It actually overlaps a TON with complex post traumatic stress disorder, which is why a lot of us baddies end up with both! (On that note, you could definitely view Aventurine as CPTSD-coded as well! I'm a stinky kinnie so I'll just say he's both <3) I won't preach too much on why it's so necessary to treat borderline as a traumatic stress disorder (since hopefully I'll be focusing my own personal academic research on that and I could yap for HOURS about it lol).

But when we look at BPD properly, it's evident that the basis of this disorder is that these people didn't have the opportunity to learn and foster proper emotional reactions. Because of the recurring traumatic events, sections of borderline's brains are underdeveloped as a result. They have a smaller amygdala and they have reduced volume in the prefrontal cortex, as well as other differences in brain development. I've heard it described as 'you were forced to learn some behaviors that helped you survive at one point in your life (for example, maybe fervent efforts to avoid abandonment, unstable emotional reactions, self harming tendencies, lying, mirroring, etc.,) but now you need to unlearn them, because they’re no longer helping you.'  They're trauma responses.

Aventurine shows us a perfect example of the kind of shit that would make someone develop BPD: dude grew up in extreme poverty, was constantly told he was special and he was supposed to bring good luck, watched his entire family and race die in front of him when he was literally still just a kid, was kidnapped and sold into slavery, was forced to murder roughly 34 people while everybody watched him like it was a game, probably went through several other fucked up things while he was enslaved, and then killed his slave owner and was promptly sentenced to death for it. That's...a whole lot of ridiculous trauma that would severely impact somebody's ability to mentally grow and develop correctly. The bulk of his childhood/adolescence was spent with no safety, no security, overwhelming guilt, constant fight or flight reactions, learning how to take on other personas to avoid violence or mistreatment – you get the point. He did not have a normal life and it is absolutely probable that he would develop a trauma disorder from the shit he's been through.

So then, what behaviors/signs does somebody need to exhibit to receive a Borderline diagnosis? The 9 diagnostic criteria for BPD are as follows:

1. Fear of abandonment

2. Unstable or changing relationships

3. Unstable self-image; struggles with identity or sense of self

4. Impulsive or self-damaging behaviors

5. Suicidal behavior or self-injury

6. Varied or random mood swings

7. Constant feelings of worthlessness or sadness

8. Problems with anger, including frequent loss of temper or physical fights

9. Stress-related paranoia or loss of contact with reality

As with my last post, I'm going to organize this based on the 5 immediate traits I think Aventurine exhibits most (you only need 5 out of 9 to receive a diagnosis, so let me cut to the chase and stop wasting your time w my yapping).

Fear of Abandonment:

Aventurine has a habit of wanting relationships and then pushing them away once they get too close. He also clearly has trauma associated with losing people prematurely.

First of all, let's look at Aventurine's tendency to view relationships as transactional. With the expectation that a friendship, partnership – whatever –  is mutually beneficial, that generally implies both parties will leave satisfied once the 'transaction' is complete. That’s his parting line in the game, actually! “Satisfied with our transaction, I trust?” 

That being said, he's already prepared for people to leave when they're done getting what they want from him. In one trailer (and the game) he refers to himself as "another cog in the machine known as the strategic investment department" and then says, "Your humble servant aventurine at your disposal [...] I can also play the role of ‘friend’ – if needed; Go ahead, use me as you wish, even stab me in the back if you see fit."

This is a very strange thing to say upon first meeting someone LMAO. He's speaking of himself like he's an object, rather than a person. Before the other party even says anything, he's basically saying 'hey btw if you end up disappointing me in some way, i'm already prepared for it!' Establishing relationships with the assumption that the other person will betray you/abandon you/hurt you in some way? Borderline behavior. God forbid somebody does try to break down one of these walls, we'll see Aventurine's second habit to avoid abandonment: pushing people away.

Something people don't necessarily consider is that ‘efforts to avoid abandonment’ doesn't always mean the person is on their knees begging you to not to leave them. It can manifest as someone being very flighty and purposefully cutting ties randomly/pushing people away from them so that nobody is able to abandon them. If you leave first, they can’t leave you, right? This is a very common behavior for borderlines to avoid the pain that comes with being abandoned.

The most notable moment of this, in my opinion, is when Aventurine tries to gaslight himself into thinking that Ratio really did stab him in the back during their ploy against Sunday. As we know, their fighting, bickering, and Ratio's 'betrayal' were all part of Aventurine's plan. When they leave Sunday's office, Ratio immediately asks if he's okay and if he needs help, and Aventurine is very dismissive/a little rude in his response. Ratio is confused because Aventurine is talking as if he wasn't the one who MADE this plan and TOLD Ratio what to do:

Aventurine is basically saying, "Hey babe this is not in the script we talked about! Let's stay on track, remember? You hate me, you betrayed me, and now you're leaving me!" And Ratio is like "Yeah okay but are you good? Because you don't seem good,” but Aventurine's heels are so far in the dirt at this point that he is NOT budging at all. When he's in the Trauma Maze, Future Aventurine grills him on this moment:

I get why this part confused some people; why would Aventurine think this when the plan was his idea in the first place? Because, he subconsciously doesn't want to get too attached to the idea that Ratio might ACTUALLY care about him or want to help him. He's forcing himself to think "no, that's not what he was doing, he was planning on actually ratting me out all along, he was only asking about my wellbeing to get in my head."

However, I think it's evident that Aventurine wants relationships/attention just as much as everybody else does, he just won't let himself have it. To further this idea, I think the lyrics to White Night (the Penacony trailer theme song) are worth looking at (these specifically):

I don't wanna be alone tonightOh, lead me with your altered signThere's no one else left for me to loseHeadin' to the other side, other side

I don't wanna be alone tonightI'll bring you to my best disguise'Cause you don't need, don't need to know the truthLet me rave forever in your life

The song is obviously about Aventurine when you look at the lyrics, but these lines in particular just further my point that this man does NOT like the fact that he's alone. He wants relationships, he wants closeness, but he rejects it at the same time out of fear that he might lose somebody prematurely again and doesn't want to experience being abandoned or being rejected for his personality (his real one or his fake one), which leads me to...

Unstable Self-Image; Struggles With Identity or Sense of Self:

The shift from Kakavasha to Aventurine screwed this guy up REAL bad. A MASSIVE part of Aventurine's character, in my opinion, is his struggle with his identity/sense of self. I mean, he literally had to kill off who he used to be in order to live how he's living now, and he didn't have much of a choice in the matter. Jade sums it up pretty well when Aventurine is sat before her on trial: 

Aventurine joining the IPC comes with the price of...well, becoming 'Aventurine'. Since I'm clocking him with a BPD diagnosis, the identity disturbance would have probably happened before this moment, and I think it did. I'll bet it started festering after that first massive traumatic event where he watched his family die and tried to rationalize how that was possible with his 'good luck' (since that was really the only consistent idea he had about himself), and it probably only got worse when he became fixated on the fact that whoever tf he is, he's only worth 60 copper coins (did the math – that's about $3). That's gotta cause some massive identity issues. He's coined as this ‘good luck charm’, this ‘blessed child’, a ‘beacon of hope for the Avgins’, and somehow, he ended up in the absolute worst situation possible while simultaneously dooming all of the Avgins (obviously not his fault, but he thinks it's his fault).

When Jade tells him to pick a new identity, ironically he picks one that is everything he probably grew to hate after his childhood/adolescence.

Associating with the wealthy? The rich were the people who paid to brand him and enslave him. The IPC? Promised to help the Avgins but disappeared when the Katicans invaded, then came back and kidnapped him to sell him as a slave. Now he's both wealthy and a part of the IPC, and you have to wonder how he truly feels about it. We'll look into that more later. Regardless, he's not really 'free' now, even if he isn't technically owned by a master anymore. He's chained to the IPC because this is life now; this is his identity. Where else would he even go? What else would he do? (Die, perhaps?) It's not like he can go home, or go live a peaceful life out on the countryside somewhere. He made 'Aventurine' his entire life and his entire personality. On that note, I really like this quote from his third character story:

“The aventurine, that symbol of power and of the future, is about to be officially handed to him — Yet it would have no more allure or value in his eyes as soon he obtains it, even though he had sought it by putting his life on the line.

He returns to his office in a daze. The aventurine stone emits a peculiar glow on his desk, seemingly congratulating and mocking him at the same time."Was luck truly on your side when you wrestled with fate?"”

Did he really luck out with this one? Comparatively, of course, this is better than his life as a slave, but he essentially just traded his rusted chains for golden ones. Becoming Aventurine might wind up bringing him a lot more pain than it was worth. 

Also, the outfit he chose? Covered in gold, fur, and jewels, all materials that somebody who knows nothing about being rich would assume rich people wear in excess. It's evident in his tacky taste (sorry honey I love you so much but the hat is just crazy work you look like a pimp) that he doesn't know anything about how to dress himself. And I bully him for being tacky but it makes sense! He dresses exactly how you'd think an out-of-touch billionaire would dress. Back to his sense of identity: it's very important to establish that Aventurine feels guilty about taking on this persona! That's all 'Aventurine' is: a persona. If he were to die tomorrow, the IPC would dust off that stone and give it to another bozo who would end up being the next 'Aventurine'.

While he didn't initially develop this personality subconsciously and it was a 'choice' to start playing this role (not that he had a plethora of alternative options), the perpetuation is damaging him mentally. He does a good job of keeping up the act, obviously. This theme that his entire personality is just one big act is overarching through the entire Penacony quest, but there's one moment in particular I really liked: when Sparkle is being a jerk and he has this offhand comment about how he's so frivolous, vain, and flashy, and how he'd hate to live anywhere where it rained since his outfit is too expensive to get wet.

Then, we have this interaction in the maze: Future Aventurine brings up the memory of him and his big sister playing dead, floating in bloody water to avoid being killed by the Katicans when they attacked. He mentions that it was his father's shirt, the last one his father left behind before dying, and that it was ruined. Aventurine says it wasn't ruined, and he's always kept it. (I wonder if that's the shirt he wore during his time enslaved?) Future Aventurine grills him and asks ‘why keep it? This new person that you are would never wear something so dirty and old. 'Aventurine' wouldn't want that old rag, it's not worth any money. 'Aventurine' would never splash around in murky water like that; he wouldn't need to.’ Nobody is hunting him, now he's the hunter. Future Aventurine makes the snide comment that he bets Aventurine wouldn't even dare to go outside in the rain, let alone do any of the things Kakavasha had to do, since he's so much more elite now. Aventurine, clearly hurt by the implication, says that even after all this time, he's never changed.

Of course, he hasn't. Deep down, no matter how much he tries to trick himself and everybody around him, he's still the same scared, traumatized boy he always has been. His future self chastises him for having an inferiority complex and mentions that with every gamble he makes, he has his left hand shaking in fear behind his back.

But the constant pull to push Kakavasha down and keep up this act that 'Aventurine' is the real him obviously perpetuated the identity disturbance in him and made it a hundred times worse, to the point where (as Future Aventurine points out) the hole he's dug is basically impossible to climb out of.

Because of this, I interpret Aventurine to constantly be struggling with his identity, not knowing who really exists under all the masks he wears, not knowing if he or anybody around him will ever figure it out. I imagine he feels very empty and unfulfilled, since as I mentioned in the abandonment section, he doesn't want to be alone. But the higher he climbs on the social ladder, the further he can separate himself from other people. This is a classic issue borderlines face. We masquerade as something we think the people around us will like, someone WE might like, but it always ends up leaving us feeling more empty than before.

(This is just an added bonus to chew on, but I got stuck on this line when I played through Penacony:)

Do you think once he became Aventurine and got the money and the resources, he researched toys that normal kids play with? Fancy ones like building blocks, stuff that he would have never been exposed to as a kid? Obviously baby Kakavasha would not know wtf building toys looked like, and I'm sure teenage Kakavasha didn't have the opportunity to browse toy catalogs. But, he recognizes the toy even though he says he's never played with them before. Maybe he considered buying it but decided against it, since it doesn't fit his new persona. Kakavasha doesn't exist anymore, so there's no reason to nurture that part of him. Anyways, just wanted to hurt y'all a bit more. Speaking of hurting ourselves:

Impulsive or Self-Damaging Behaviors + Suicidal Behavior or Self Injury:

I'm combining these two because my points kept blending together, so bear with me lol.

Aventurine is known for being incredibly reckless and putting himself in the path of danger over and over again. When discussing how he tricked Sunday with the Cornerstones, Future Aventurine asks:

I want to exaggerate how crazy it is (i can say that i'm also a bpd baddie) that he smashed his Cornerstone. I don't think a Stoneheart has ever done that before. Their stone is what makes them a Stoneheart. Ratio mentions that without it, Aventurine would be back to being nobody. Remember: that's what makes him Aventurine. You know, the persona that required him to kill off his former identity? Their Cornerstones are more important than the Stonehearts’ lives, as stated multiple times. But that's just it: Aventurine doesn't GAF about his life. He doesn't mind putting his life on the line to pull off his plan because he has that deep-rooted desire to punish himself for everything he thinks was his fault. He gets called out for gambling with his life multiple times during Penacony, and while most of the time it's reduced to him just being crazy (cough, bpd) or just having a severe gambling problem. Extremely hot take, but I think he gambles literally as another way to hurt himself. I mean, look at what he says when you ask about his hobbies:

"There's no denying it, my fascination is with the game of chance... be it the exhilarating rush of triumph or the extensive emptiness that follows, both are worth savoring, time and time again."

Being impulsive and risky, betting his life over and over –  it makes him feel alive. He knows the end result will hurt, that he'll have to face that 'extensive emptiness' and the extreme guilt he feels regarding his continued good luck, but he does it anyway.

Speaking of betting, his bets are always 'all or nothing', seemingly every time. Future Aventurine calls him out on always risking everything with every gamble, asking:

"Do you truly believe the greater the risk, the greater the reward?"

Or...do you just not care what happens to you? He doesn't need to risk a lot; he's never lost. He could bet the lowest amount and still win every time, and make a lot of money depending on what everybody else bet. In fact, that would actually be a better strategy in gambling (poker/black jack specifically), because it would insinuate that he's not very confident with his hand and prompt the other players to bet higher, assuming that they'll beat him.

I imagine he gets a shred of dopamine betting everything he has knowing that he'll probably win, but hey, who knows? Then after winning and multiplying everything he has, I imagine that 'extensive emptiness' that he refers to is the feeling of 'oh good, more money. More status. More success. A reminder that no matter what I do, I'm stuck here in this role forever.'

For some reason, he also thinks that taking risks makes him appear more confident and secure. He makes a show of always keeping up the big bets and he boasts about how successful he is, while clutching his hand behind his back thinking 'oh god, is this it? will I finally lose this time?' He brings this up when he's speaking with himself and he says, 'How could a weak person take such daring risks?"

Oh, the delicious irony.

That raises the question, though: if he wants to die so badly, why hasn't he yet? It's not like he had an easy life. He fought very hard to stay alive, so why does he act so recklessly now?

I think at his core, he's scared. Dying is scary. His family is there in the afterlife; would they be disappointed in the person he’s become? At the same time, being alive is exhausting. The constant emotional pain this guy probably deals with every day? It's gotta be heavy.

His behaviors around suicide remind of a classic passively suicidal person with BPD: maybe they don't necessarily want to die, but they're tired. They don't have an active plan, but If something is going to kill them, they're not going to move out of the way.

So, carrying out his Penacony plan makes sense. Of course he’s not completely sure what will happen when Acheron kills him, but because he doesn’t have anything to live for, he’s fine gambling with his life. He makes a show of finally throwing out every last chip, too, no longer clutching them under the table in fear. He was fine with smashing the Aventurine stone because it's not like he was planning on using it after his final show; the little bit of power it had left in it was more than enough.

That being said, we do have to address this little number:

Aventurine attempted several times in Penacony, he admits it flat out. The writers even went sofar as to bold this line specifically! I think this does also go hand-in-hand with him being passively suicidal, since he's pretty sure he'll live when he attempts in the dream, but he's gonna try it SEVERAL times just to be sure. Mentally healthy people wouldn't try it... once, Aventurine!

As if we needed more evidence that Aventurine constantly puts himself in danger, you know I HAVE to mention...the light cone:

n case you haven't read the description for this light cone, let me share it with you:

"You don't believe me?"He (Aventurine) provocatively looks at the man (Ratio) before him, then draws out a revolver, empties its cylinder, and leaves a single shot in the chamber.

"Seems like I'll need to get you up to speed on how I do things if our cooperation were to remain amicable."He pushes the gun into his opponent's hand, spins the cylinder, and points the barrel to his own chest.

He pulls the trigger repeatedly, and the smile on his face remains the same after three empty clicks."Life is a grand gamble, and I'll always be the final victor."

Now what the HELL is this? Mind you, this is the first time Ratio has met this man!!! Imagine you meet your new mission partner for the first time and he puts a revolver in your hand and fires it thrice, then leaves. WHO does that? (...a baddie, perhaps!)

I don't think it's a secret to anybody who has spent a reasonable amount of time around Aventurine that there's something off about him, and that there's a really deep sadness running through him. There's some instances where other characters mention his passive desire to die – A few quick examples I can think of:

The instance in Story IV with Opal:

"Maybe luck won't be on your side this time, and the bill for all your past good fortune will come due [...] But isn't that what you've been longing for?"

Opal implies Aventurine wants to fail on Penacony, which, as we've discussed, is an accurate assumption. Jade says something similar after Aventurine's stunt: when Topaz says the light in his stone went out, Jade replies by saying "he got what he wanted."

Also, I’d like to point out that Ratio must have been anticipating that Aventurine would do something rash, since he wrote that note (doctor's advice) long before he started grilling him after the meeting with Sunday.

It's also worth noting the nod to T.S Eliot's "The Waste Land" (a very long poem about life and death). You get the achievement Sibyl, What Do You Want? after playing through the past of Kakavasha's life, and once you defeat boss Aventurine, you get the achievement She Replied, I Want to Die. I don't think that one needs an explanation, but boy does it hurt! (There's other, smaller nods to him being suicidal, like the Waiting for Godot achievement – Google the story if you're unfamiliar. Not as relevant, but I must mention it bc it makes my english major brain go brrrrr)

Also, overspending/gambling/being loose with money is a very common vice for borderlines to indulge in and harm themselves with. It's also implied that he drinks a decent amount. I counted 6 bottles of SoulGlad in his hotel room just from the angles I could see, and he's shown to be passed out at the bar when Ratio goes to get him before they go on their little date-I mean, mission. Aventurine says 'he must have drank too much', and whether or not that was true is irrelevant since it was a believable enough claim that Ratio bought it.

Borderlines are (usually) self-destructive in some capacity, and while some very annoying people assume it's for attention, it's so much more common for it to be because our inner emotions are just so out of whack. Sometimes, matching the inner pain with outer pain is a way to cope. They might also do it to try and combat-

Constant Feelings of Worthlessness or Sadness:

Probably the most nagging, prevalent feeling Aventurine deals with is the constant feeling of worthlessness. One thing about this man? He hates himself. Like, really hates himself. Take a look at the missions during his maze in Penacony. This one is one of my favorites:

It doesn't get much more on-the-nose than him calling himself a selfish, useless loser. He gets stuck on that word, in particular. Loser.

Aventurine, at his core, views himself as a massive loser. Is that ironic because of how much he wins? Not really. Money and materials are just part of the Aventurine persona. He's 'rich' in stuff, but he's not rich in what he actually wants. I think it's obvious that if he had the option to quadruple his wealth or see his sister again just one more time, we all know what he'd be picking.

The only thing he wants is connection – connection with his mother, his father, his sister, anybody at this point – but he can't have it. His family has been dead for a long while, and as I discussed before, his fear of abandonment and his luck scare him away from forming any other relationships. 

This luck, this destiny to be blessed, leads him to reflect on his life a lot and wonder what the hell the point is. He treats himself like some sort of walking curse, because he's convinced that his luck is bound to hurt other people. Every time he wins, somebody else loses. The luck that keeps him safe destroys everybody else around him. As Future Aventurine puts it:

His luck is "built on the pain of someone" else. This perpetuates the constant feeling of guilt, which in turn, makes him feel worthless. Why is it him that's spared every time?

Then, right before you start his boss fight, Aventurine says,

"The architect's flawed stone, of no value at all."

Some people speculate he's talking to the MC when he says this, but I can't help but assume that he's referring to himself. Even if it was directed at the MC, so much of what Aventurine says in his bluffs and boasts are just digs at himself. He's sort of an expert at hating himself, and what do people who hate themselves do if not project? Especially when you consider the fact that aventurine is actually a really cheap, undesired stone. It's like $3 a caret and mostly only used to rip people off and pose as jade. I really don't think it's a coincidence that his character is based around a stone that is, essentially, worthless.

The way that Aventurine is also prone to giving people ridiculous amounts of money/gifts can be read as a frantic effort to keep relationships going and prevent people from leaving him (relating to my points on both his feelings of worthless and his fear of abandonment). He has a skewed view on relationships, since the only value that's ever been associated with him is monetary value and that of his 'luck', which in every context is spoken of as an asset to benefit people he cares about. His sister told him that his luck was 'the most precious wealth' of the Avgins and Jade sees him as an investment that can bring her more wealth because of his luck, but he views it as a massive burden that ends up wrecking everybody around him. So how does he prove to other people that someone as worthless as him should be allowed a seat at the table? Deep down, he thinks that he's still worth 60 red copper pieces, and he's desperate to show other people that he's worth more than that now – even though he doesn't believe it at his core. With all the money he wins now, he can throw it at people and say 'look, look how much money I'm worth now, you want me around because I can buy you anything you want, that's a useful quality in a friend!'

(I did use the 'seat at the table line' as a nod to what his slave master said to him when they were discussing his worth: "Don't forget your place, slave. You're not qualified to be at the table." Which is, painfully, what Aventurine says when you open up chests! He scoffs and says that "it's hardly enough for a seat at the table." :’) )

There is also, of course, Aventurine's overarching struggle with finding purpose in his life. We see a lot of his existentialism during his trauma maze, but at the end of his trauma maze, Future Aventurine finally stops ripping Aventurine a new one and is vulnerable for a second, saying he doesn't understand what he's ever done wrong to have suffered as much as he has.

Then, when he's in the Nihility and he's speaking to Acheron, making the decision on whether or not he even wants to keep going, he asks her:

As I said, he has this conversation with himself in the maze as well, but here he's actually being vulnerable and speaking to somebody else about it: what's the point in being alive if we're just born to suffer? If nothing else, this solidifies the emotional struggle that Aventurine is constantly having. I also think it furthers the idea that he has this nagging sort of emptiness inside of him which is another BPD trait: the feeling that you're empty at your core, and you're constantly trying to fill it with things (friends, money, substances, whatever) but nothing ever works. You worry if anything will ever make you feel 'whole' again, and pair with the the identity disturbance? You're left with a constant feeling of despair.

Other Points:

These are a few other random thoughts I have, inspired by in-game moments but I'm taking them for my own evil fiendish BPD narrative. Take them with a grain of salt.

I think the stigma he gets around 'being crazy' is really BPD-coded. Separate from the ridiculous discrimination he gets for being an Avgin where people assume he's a liar and wolf in sheep's clothing (which can this man catch a SINGLE break jfc), he also has this reputation of being crazy, insane, manipulative, cunning, and someone you want to avoid, which is more rooted in his reckless gambling habit and status with the IPC. Living with this reputation of being insane and unstable for...lowkey no reason at all? Very BPD coded. I think Aventurine leans into that stigma to keep people a certain distance away, but it also just ends up making him hate himself even more.

Also, his entire mantra is "all or nothing", which always rang my BPD bells as well. There's not a lot of gray area with him, which is a key trait in borderlines as we often display very black-and-white thought patterns.

In Conclusion:

I think Aventurine is a borderline princess <3

No but actually though, Aventurine is extremely smart, witty, funny, generous, and very kind-hearted, and he also happens to have a lot of BPD symptoms :^) I don't think it does any harm to view him as BPD-coded; in fact, I think it's great to associate positive, fan-favorite characters like this with BPD because it helps to humanize us. Borderlines are not violent, crazy maniacs, they're people who have been severely traumatized and developed some unhealthy habits because of it. They deserve love, respect, understanding, and communication, just as everybody else does.

If you actually made it this far, thank you for reading! I hope I was able to shed some light on Aventurine and his Symptoms. And, as I do in all of my BPD posts, here’s your reminder to kiss the borderline baddies in your life and tell them they’re important to you :^) Living with BPD is exhausting and I know I speak for all of us when I say that. We try so hard every day to stay positive and regulated, and though rewarding, it's exhausting and very hard work. Nothing makes us smile more than some recognition that we're trying our best !!

Till next time xoxo (and shout out to @roxirinart for helping me edit this monstrosity mwahhh mwah)

[guiltycorp]

Okay finished the Haruspex route of Pathologic Classic! I need to play Clara's route to see the whole picture but I'm already fascinated by the differences between P1 and P2 in terms of characterization. I think I like Pathologic 2 even more now considering how they improved on Artemy's route, I am sorry to say I didn't like it at all in classic... This is all just my personal impression after first playthrough ofc. Ramblings about both Artemy and Daniil ↓ I think what bothered me about Haruspex was mostly just his attitude and his messiah plot. Once the first day is out of the way it's all smooth sailing for him, a bit too much so?? The only personal conflict he has is figuring out his father's exact wishes for him and choosing a sacrifice. Killing anyone is treated as fair or something that needed to happen and the Haruspex is always shrugging it off... And either option, Aglaya & the Town or Polyhedron... It just doesn't seem like he is that attached to either? So it doesn't feel like he is sacrificing much personally? Like sure he wants to save the Town because of his messianic qualities, but that's again more about fulfilling his 'role' rather than genuinely wanting to save lives, or at least it read that way to me. I'm sure it's meant to be both and P2 makes this far more apparent, but in P1 it elicited a rather squinty reaction from me. Plus well yeah, getting rid of Polyhedron is pretty much just ¯\_(ツ)_/¯, like yep he sure didn't care about that thing lmao so getting rid of it isn't such a difficult choice at all. The suggestion that the Polyhedron could be his Udurgh is kind of useless because the Town and Earth are far better candidates and fit with Kin beliefs better, which in this game Artemy pretty much doesn't doubt at all.  Maybe this is why the Bachelor is so present in his route? Daniil did say he'd commit suicide if he lost, maybe we'd want to think twice about pushing him towards it... But again! Does it seem like this guy cares ahhh haha... The dialogue option that is actually engaging with what Daniil said is pretty much there to make it clear to the player what the Utopian ending is and what it would be like.

Ngl at first I thought he was meant to be the 'sacrifice' until they said it's a woman. Every time Artemy learned something about the Bachelor's motivations he'd write down in his diary like '...if it matters' since the player can always choose what ending to go with I guess. I also find it curious that he can say that they are friends but still always writing only 'the Bachelor' in his diaries while Daniil switched to 'Artemy' and 'Burakh' during the final stretch. The one-sided yaoi................ 🤔 At least Artemy doesn't get mad at him for ordering to set the mythic bull on fire, I guess their friendship did mean something to him after all at that point. Also when Capella tells him that he should ask the Bachelor for help with getting into the Polyhedron since the Bachelor 'fawns upon you a lot anyway' the Haruspex just goes 'oh yeah! ok' fjdghdjg... Now that I think about it I DID like the Haruspex route for what it did with the Bachelor hahah, his dialogues and letters are just so good sometimes. Like wow, I felt this.

Very cool, if i was Artemy I'd totally abandon my weird murderous calling for this. Tangentially related... P2 had one moment that I remember from my last replay when Rubin, if kept alive, falls into a deep deserved sleep in his home, and Artemy just starts emotionally monologuing at him.

Like, P1 Artemy would never, but also it goes to show that he's still very much a repressed man here too, buying into toxic masculinity ideals who can't just talk to his friends about his feelings directly... The same character, but more complex. I want to make it clear that I DO like him and his motivations in P2 actually, and his personal conflict being more about the future of the Kin makes that game much more powerful to me than what his classic route was. I heard that initially he was planned to be far more violent and dark, so maybe he could have been sort of a villain protagonist and this was changed later and this is why it feels a bit bland? Hmm... Idk this is fun to me because meanwhile the Bachelor didn't feel that different to me in both games lmao. A highly stressed educated guy who is just trying to prevent the spread of epidemic the 'right' way and then clinging to the only chance he has left to preserve both his ideals and his life. He is a bit less polite in P2 at first (while still very much helping by warding off Rubin) but then rather quickly becomes more cordial to Artemy and vice versa (and wow it sure is nice when Artemy can actually be polite and friendly..). And the moment when he explains some of his personal deal to Artemy feels rather similar in both iterations mood-wise.

I liked his route in P1 a lot, surprisingly so, and I now understand why so many people liked him before P2 came out and afterwards too... There's just something very real about how he is the intelligent Capital doctor but with an extraordinary dream to combat death itself, possibly given to him by the Powers That Be due to these children trying to cope with people dying around them. And instead of favoring him for it they hate him! They leave him with nothing but this final chance to fix things, even if that means destroying everything and rebuilding anew. Daniil's desperation feels very real and thus more compelling, plus like... I mean it's pretty much confirmed that it's not just the Polyhedron and that the soil itself is 'rotten' (literally in the meta real world and through blood beneath the earth in the Town itself) and the decease could return again, sooo his ending doesn't look that bad comparatively. I also appreciated how Maria (or uhh was it Nina talking through her here as well?) explained how their Utopia doesn't actually mean a 'perfect' place, more so just an impossible dream.

The Bachelor doesn't mind this at all, a detail I loved.

...Hmm that said maybe P1 makes it a little too easy for him to kinda ignore the Kin issue, he is only mad about their circumstances when it comes to Vlad choosing to doom thousands of the Kin workers inside the Termitary (which is just his doctor ethics). I mean it is realistic for him to ignore the implications of representing the imperialist side, he does mention his father was a military man too at some point I think... Still, he is very quick to accept the Kin's unique beliefs as something that has obvious merit, trusting the Haruspex with that side of things in both of their routes, and he doesn't make much of a distinction between them and regular Town people when it comes to patient treatment. If anything it's probably a sign of how the writers weren't thinking that hard about this worldbuilding aspect at the time... even if I appreciated them showing the downsides of the Kin's society, I think those were done better than in P2 purely because it was a bit more realistic (I am talking about sexism mostly, such as selling their own daughters and not respecting their autonomy, plus the mention of Kin politics and different ruling clans rather than the hive mind situation implied in P2). Like, it is more obvious in P1 that wholeheartedly embracing the Kin's return to tradition isn't such a good solution for them either, but one that will likely happen anyway with Artemy and Taya as their new leaders. And it could get trickier in Pathologic 3 I think, especially since most of us really appreciated the portrayal of colonization in P2 and would expect it getting addressed again in future games of other character routes, but we'll see I guess! Either way I look forward to that game a lot now.

[justrainandcoffee]

Inferno (Alfie Solomons x fem!oc)

Alfie x Rose masterlist

Summary: Twenty two years is the time that Alfie waited for that moment. Lawrence Evert was the man who ruined his wife. His Rosie. Evert broke Rose in thousand of pieces for four years and if something characterizes Alfie is that he never forgives. Evert dared to put his feet in Margate and he was going to pay for that with his own life.

Warnings: || Dark fic. || Torture: physically and mentally. Guns. Knives. Mentions of rape/sexual abuse. Mentions of Antisemitism. Mentions of previous killings. || Revenge is a dish best served cold.

Words: 2.1k || This is an alternate universe where Rose's ex-husband is alive (temporary.)

"I think a storm is approaching."

Sitting in Alfie Solomons' living room, Lawrence Evert looked through the window where he could see the ocean and the black clouds.

"It is, yeah. It is."

He heard rumours about his ex-wife being in Margate. That bitch who stole everything from him, including his lands and manor. Rose Solomons was now. The woman of a baker with so much money that could afford a house next to the beach and claim the sand and that portion of the ocean as private property. So rich that that they said that half of London belonged to him. And yet, it was just a baker.

Lawrence Evert wasn't used to lose. He was a lord, owner of mines and ships in England and Portugal. If he wanted something, he got it.

Margate seemed to be a ghost town when he arrived that morning. The first time he visited it, he saw people walking. Adults working and kids running around the streets. But this second time, everything was empty as if everyone disappeared. An unpleasant feeling ran down his spine. It wasn't the feeling that everyone in Margate disappeared but everyone was dead.

Except one person: Alfie Solomons.

His face didn't show any emotion, like a soulless creature waiting in the shadows for the perfect opportunity to show his true form.

The sound of the thunder made Lawrence Evert startled but Alfie remained quiet and still looking at him.

"How's your wife?" Lawrence asked.

"Alive."

Evert nodded. Maybe he should leave the Solomons' house and return to his new place and forgot everything about his manor, his money and his pride.

"She's the light of my life," added Alfie and Lawrence contemplated him as the man in front of him grabbed a match to light up his pipe. "Do you know what happen when there's no light?"

"Darkness."

"What smart boy ya are, aren't ya, Evert?" Alfie smirked but his eyes remained cold as the weather outside "Darkness, yes. Darkness."

"I think you're busy, Mr. Solomons, I need to go and -"

"You're not leaving, Evert. We didn't finish 'ere. You came here for business, innit? Then, we need to talk about business."

The scar on his face and the dim light of the lamp behind him gave him a grotesque appearance, in Evert's eyes.

"I- I don't really think we have much to talk about. I- I think it was a bad idea to come here, I'm not really interesting in making business with a baker."

"I'm not just a baker, Evert. I'm much more than that. Ya know when I was just a baker? When I was 16, when Rosie was 16, too. The moment that ya, almost 40 years old, put your fucking eyes on her, there I was just a baker. Long time ago, yeah, long time ago."

Through the smoke around him, Alfie stared at the man with pure hate.

"My Rosie," Alfie said standing up and walking towards the armchair where Evert was "I'd kill for her. No, let me rephrase this: I killed for her. And I'm going to kill for her once again. Soon."

Alfie leaned against the window and looked at the sea. "I bought this house for her. I promised her a house next to the sea when we were just kids and this is one of the things I'm most proud about. Us, our dogs and the beach. It's our little paradise. Rosie is happy, so, I'm happy."

"I-"

"You're not going anywhere, Evert. Not now, not in an hour, not ever again. This is the day you're going to die. But first, I'm going to play with ya. I'm going to torture ya. I'm going to enjoy every fuckin' second of it, because I waited for this moment twenty-two years."

A gunshot sounded inside the Margate's house at the same time a thunder broke the skies above the ocean. Evert's painful scream, accompanied the infernal melody that on that moment was filling the whole town.

Alfie, gun in hand, looked at him like he was a looking at a shit on his new shoe.

"I'm going to need a new chair," was all he said while Lawrence Evert was on the floor holding his shattered hand against his chest. The bullet destroyed his bones and tendons and the pain didn't allowed him to think.

Alfie sat in his sofa again and crossed his legs. He stroke his gun and kept talking.

"I killed your brother," Alfie said to Evert "I did it inside a Catholic church, because we all know that ya and your fuckin family believe that praying could save ya from hell. I had another theory and wanted to prove to him. Fuckin' cunt yer brother was, wasn't he? He called my Rosie a 'Jewish shit'. Yeah, he did it. So I had no other option but strangled him with his own rosary. I still have it, like a trophy."

Evert was paler, probably because he was bleeding but Alfie didn't pay attention. Instead, he put his hand in his pocket and removed the rosary that he kept there. He saw the horror expression in Evert's eyes.

"Ah, ya recognize, ain't ya? I'm guessing you never know what happened to him, who killed 'im. Well, now ya know." Alfie chuckled and threw the rosary in Lawrence's face.

"Please…"

"Did Rosie say please when you were raping her? When you put your dirty hands on her body? I bet she did."

"Sh-she wanted."

"No, she didn't."

A new gunshot. This time Alfie destroyed his left knee. Evert was trying to get up when the bullet made him fell over the rug again.

"You're not going anywhere, I told you, Evert. This is your final destination. You shouldn't came here." Alfie scratched his beard before continuing "when I was a kid, me mother gave me a book. She barely knew English, but a friend of hers gave it to me 'the Divine Comedy'. Pretty interesting, especially the Inferno. Did ya read it?"

On the floor, Evert was a mix of snot, tears and blood. "DID YOU READ IT?!" Alfie yelled at him and Lawrence tried to recoil, sobbing. Alfie rolled his eyes "oh, fucks sake."

From a table next to where he was, Alfie took a knife. It was a pretty weapon that Rose gave him once, several years ago. Never used it, but it was a good chance to do it now.

"I just want to talked about literature and you're making the things quite complicated to me, Evert. If you're going to die soon, then at least have the decency to talk to the only human being around ya." Alfie's knife ended on Lawrence's shoulder and his scream resounded around the house, but Alfie barely blinked. He was being careful to not cut any important artery but he wasn't being gentle at all. The blade penetrated his flesh, completely. "I'm going to ask once again, did ya or did not read the Divine Comedy?"

"No, FUCK YOU, I DIDN'T!"

"Good, see how easy is to reply the questions another man asks?" Alfie sat down on his sofa again, while Evert was on his carpet with two bullets in his body and a knife on his shoulder. He was shaking, probably about to suffer a shock. But alive. "This memorable quote from the book stayed with me until these days: 'Abandon all hope, ye who enter here.' It was a warning that Dante see before going down to hell. Beautiful."

Alfie stood up and chuckled "Abandon all hope, ye who enter here." He repeated "I should put this sign in my house to warn unwelcome visitors. You made a big mistake coming here, Lawrence Evert. Ya did. Looking for what? My wife? Again? Rose outsmarted you once and she did it again. How many people did ya see coming here, Lawrie?"

"None."

"Ah! Ya learnt how to answer to me. See? Ya, smart boy. "Alfie patted Lawrence's shoulder "Exactly. None because Rosie knew you were here. She's more than my wife, she's very influential here, she's trying to be a member of the Parliament, you know that? My Rosie, getting a seat next to those fuckers. So, Rose talked to the local authorities and you know what they decreed? Curfew. Because a rapist was loose in the streets. To protect young girls, minors. No one saw you, here, Evert. No one was going to see your dead body either because there's no one outside. And this beautiful storm is helping. Listen to the thunders, claiming your fucking soul."

And to corroborate his words, another one resounded in the sky.

"Weather is angry. Maybe your god is, too. But I assure, Lawrence Evert nor the weather or your fucking god is angrier than I am. You touched, you broke the only thing that I love in my life. And you're going to pay for that because nor the fucking knife on your shoulder, the bullets can be compared to the things I'm going to do to you. And you're not going to have another opportunity to ask for mercy because I'm going to kill you just when I consider that you're less than a worm. And you're going be too tired, too catatonic to talk. Maybe once you're dead and suffering along your brother and your fucker mother, then, and only then maybe you'll understand what means to harm Rose and if you decide to reborn and touch her again, I'm going to do this again. And I'm going to enjoy it, like I am going to enjoy now."

Deal or death, said Tommy Shelby the first time he met Alfie. "I know you're angry, Mr. Solomons…"

But Tommy never saw Alfie really angry. Unlike Lawrence Evert.

So Alfie forced him to stand up and dragged him out of the house. The man was screaming in pain and fear, claiming for help that never was going to arrive.

The rain and the sea will erase everything, Alfie thought when at the seashore his knife found Evert's liver and then his penis. He was soaking wet, his back hurt, but adrenaline was keeping him on his feet. That was the man responsible for Rose's trauma. He was the one who took her away from him. He was the one who ruined their lives for almost five years. And was there at his mercy, alive because Alfie wanted him alive. But not for so long.

The beach was a mess of blood and flesh, and if not the storm and the sea, then the seagulls were going to erase the rest Alfie's job.

A boat was approaching the coast. There, two of Alfie's men were ready to take whatever remained of the man to deep ocean.

"No one touch Rose Solomons and live to tell the tale."

The last gunshot blew up his brain and then, finally, Evert died.

The fireplace was on when Alfie entered the house again. The old rug covered in blood wasn't there anymore. There was a white bowl with hot water and a towel next to his sofa and his favourite record sounding in the living room.

"Once, my mother said one of the things that shows love to another person was a warm cup of tea. I agree. I always love coming here after work and have a teacup in my hands, while you're there next to me."

Alfie, still covered in blood and shaking because of cold and the rage that filled his body moments ago, was just watching at Rose who was standing in front of the fire smiling at him.

"So," she continued "I thought you could like the same. There's dry and warm blanket next to the fire as well, Al. You need to take off your clothes or you can catch a cold."

He obeyed. The feeling of the clean and warm blanket caused him a good sensation.

"Here's the cup of tea," she said offering it to him who accepted it. "I must add that along with the tea, one of the things that I consider love language is a hot bath. Those where you can relax and forget the world. But I'm reserving that for later."

Rose winked at him and Alfie couldn't help but smile. He didn't say a word yet, he was just listening to her. The white bowl next to the sofa had cloths that Rose used to clean his hands first and then his face.

"I don't want our bath be dirty with his blood. Once I promised you that he never was going to be between us again and I'm doing my part."

She sat on his lap and used the cloth to wash the last string of blood that was dirtying his eyelids. The water once clean now was red. Slowly, she used the towel to dry his face and hair.

"You're perfect now," she said. "As always."

Alfie left the mug on the table put his hand on the back of her neck to kiss her. That was the woman he loved with his whole heart.

"I love you," she whispered against his mouth while he started to lift her dress.

"I love you, too. I love you, Rosie."

A new thunder broke the sky, but this time didn't cover Lawrence's screams of pain, this time the rain and the thunder accompanied them. And while they were making love in front of the fireplace, Evert's corpse was devoured by the ocean to never been seen again.

[justladders]

Hello! I’m Ladders :)

I'm just here stylizing some fnaf characters and mostly drawing the evil green rabbit like an animated villain.

Basically, I always loved animated shows and movies. They're why I started drawing when I was little, and I still watch and pull ideas from that kind of stuff to this day. Classic Disney's my fav, so you might see me talking about it sometimes. Anyways, since villains are my favorite and since I've starting drawing fnaf stuff, it's mainly been art of Springtrap, which you'll see a lot here.

If you're ever just looking for my art, the tag is #laddersarts. More tag stuff at the bottom of the post. Also, love asks, but please be considerate about the ask box, ty.

Do not repost my art anywhere, even with credit. I'm fine with it being used for things like a profile picture/banner as long as it is credited.

vv FAQ / TAG GUIDE vv

Q: What art program do you use? Krita. It's free and it "works," which is all I ask for.

Q: Do you do commissions? This answer will change around: currently, no. I've been meaning to, honestly, but just haven't felt collected enough to make a comm sheet and whatnot. Hopefully I'll be able to update this soon though.

Q: What are your other socials? I currently don't have any others, so if you see my art somewhere else, it's stolen :)

Q: Why do you draw [insert character] like that? I normally get this question about Springtrap, but I like to make designs that lend themselves more to 2D animation, which means simplifying a lot of things and hopefully still being able to get the point across. Too much detail and it becomes complicated very quickly. Fnaf animatronics/characters lend themselves really nicely to stylization because of how simple in concept they are overall. They're also left up to a lot of different characterization potential, not just from their simple designs, but the fact that they don't really get super hard-established personalities. Basically, all of that comes together into me enjoying taking a base concept and turning it into something you could potentially see in some older hand-drawn cartoon. As far as *specific* choices for how I draw *specific* characters, I feel like those would each need their own posts especially for Springtrap since I draw him the most. I know I'll have to make that sometime.

Q: Can I draw fanart of your designs? Of course! I'd just like to be credited and tagged so I can see it and reblog it :D

Tag Guide laddersarts and not my art - arts that I post or ones that I reblog (my art tag is all stuff since I got back earlier this year, art before that I just tagged as "my art") justtalks and talkin disney - indulgent tangents justfrens - things from peeps I know and whatnot answered ask - stuff from the inbox goofies - silly stuff midnight magma things - arts from group canvas drawing fanart for me :0 - fanarts of my designs!!!!! :0 present for springtrap :) - ask series where y'all wanted to give Springtrap something nice (there's a line formed and I just get to them whenever I'm up for it, but feel free to add to it) alt springtrap - art of goofy alternate versions of Springtrap I make sometimes: there's currently Vamptrap, Mothtrap, Jackotrap, and ERRORtrap (suggestive, eyestrain, flashing, gore, and all that stuff some people might not want to see I will hopefully remeber to tag)

[zhuoyichenpretty]

ep 24 commentary (brain fried edition)

my head is a little empty after ep 24 tbh!! brain is not braining after all the zyc hurt no comfort (-:

some scattered thoughts here and there, painstakingly corralled like cats out of my vacuous brain and into a list (spoilers):

ZYZ is really emo this episode poor dude like he is having a hard time keeping it together it seems. Every other word out of his mouth is depressing as shit, which is saying a lot considering how depressing he usually is already (': I kind of wanted this episode to pick his brain more, give him room to emote in the aftermath of all that. But it almost feels like the character refuses to be alone, like he might spiral if he has too much time to get in his own head. I'm still so curious to know, though, what he thinks about the state of their promise in light of how far ZYC went trying to save him. “He has us,” ZYZ said to WX. When the time comes, I wonder how he'll reconcile that with what he’s asked of ZYC.

PSJ and Ying Lei bonding! shenanigans! I did laugh thank you guys. Also, not that the team didn't operate separately before, but I really get a sense of how much ZYC held things together with how apparent his absence is. It's obvs heartwarming seeing how hard everyone is working to save him (PSJ especially for me bc I love their mutual tacit trust and respect and all the ways they're alike and different), but ultimately it's still so angsty (':

Kind of love the couple instances where ZYC has been referred to as fragile/weak/of delicate constitution (depending on how you wanna translate it) like that's a very interesting quality to assign to basically the tank of your team. Even if the comments are made facetiously, it just reminds me of how often we witness his mortality, and of course how everything about the styling, aesthetics, and content of the flashbacks to his childhood reinforce a characterization of vulnerability at the very heart of him. I saw someone mention how the Cloud Light Sword responded to ZYC's tears and to that vulnerability rather than brute strength, and I totally agree. I love how this "fragile" characterization plays into the whole fate weapon deal. ZYC's strength is (imo) unconventional, and it is his sensitivity, his compassion, and his deep capacity to feel that the sword acknowledges, resonates with, and empowers. Almost like it protects his tender heart rather than making it something he needs to overcome to get stronger.

One thing I will never get over is how incredibly they styled TJR as baby!Yichen, adult ZYC, and Bingyi. What do you mean this is all from one drama and not three separate productions. Insane. I'm out of my mind with how gorgeous every change in costuming is.

A tangential note is I've seen people mention (paraphrasing very much here) ZYZ's demon form being nicely subtle in its eerie inhumanity and tbh I have a similar feeling even just about human adult ZYC imo. Especially when his hair is down and he's got that thick eyeliner on and we get a close up of his contacts, if you told me from the start that he's half-demon half-human or something I'd believe it. Along the same vein, baby!Yichen reads completely human to me, and Bingyi of course completely demon. Something something the Cloud Light Sword bridges the gap something. This point is unintelligible and not narratively based but I had to make it because I've been thinking "wow ZYC elven" for days now.

Saw a tag about yuanyi getting us through some dark times but man they are PUTTING me through some dark times rn help?/

Been trying to put off talking about the baby Yichen scenes because wow I cried immediately. Well, no, I was like "yay! I love seeing baby Yichen!" and then they crushed me into demon dust lol. And then WX had to tell that absolutely precious story about when she got sick and ZYZ had to go like "actually ZYC was probably lonely as fuck" and yeah that's fine I didn't need my heart anyway.

Ending on this point so I can put a pretty screencap here: There is so much gravity to just the short scene of Bingyi removing his mask and dropping to his knees with that anguished and fatigued expression. TJR's acting is the gift that keeps on giving (me angst).

so sorry if anything here didn't make sense, i currently have the same thousand-mile-stare as Bingyi the more i think about how this all might end and how long I'm gonna have to wait to find out.

[tamaharu]

wait i just remembered i DO have unposted orv stuff that i can post for kim dokjas birthday. 2k of hot supreme king x reader fic dont like dont read!!!1!! orginal characarter do not steal!!!!!

(or, Yoo Joonghyuk takes a pit-stop in one of the world-lines. An old friend offers to pay for dinner.)

[Ah, late, so late! I can't believe I missed my alarm! And on my first day of work too... I was so worried, when I got off the train, I started running the rest of the way to the company. Hopefully nobody would notice that I was late. I had to get a new job after my boyfriend dumped me, and I couldn't afford to live on my previous salary.

As I rushed to the building, I had to push past many people to get to the doors. In my haste, however, I accidentally tripped! When I fell, I landed against something hard. "Oof!"

"Hey," a menacing voice said. "Watch where you're going next time! Don't be so quick to touch me!" Eep!

I stepped back quickly, bowing as deep as I could. "I'm sorry, I didn't mean t..." When I looked up I trailed off, becoming even more panicked. Ah, I recognized that man!

He looked down at me with a handsomely striking gaze. "You. What is your name?"

"I-It's L/N Y/N. Um, again, I'm so sorry... CEO-nim!" I bowed again. A nose and a chin shaped in perfect angles; a pair of deep eyes seemingly carved out of beautiful jewels; soft hair styled fashionably to frame his face... His suit, too, looked quite beautiful. I really messed up this time. Not only was I late, but I ran into the CEO of the company, the powerful Yoo Jo--]

I stopped there. I didn't bother to learn the name of the poor idol whose name had been stolen for this. Why was I even reading this? Reader-inserts were meant for wish fulfillment, but they always did something that took you out of the story. For the first part, I'd pay much more attention to my surroundings than that.

I pocketed my phone again, sighing. Perhaps I was the cynical one here? They were probably just written by young girls, daydreaming about getting to talk to a beloved character or idol, and was that so horrible? Actually, I believed in chance meetings, but I felt like the one here was a little too contrived...

Many thoughts went through my head as I stepped through a convenience store. Buying dinner after work was the only good thing about my job, I should just quit. Perhaps that would get me closer to the path of meeting a handsome CEO? How laughable.

I was still thinking this when I moved forwards again. But this time, when I walked, I ran directly into a hard wall.

No, wait? I had been to this store many times, and there wasn't anything blocking the entryway the other times. I stepped back, confused, to find my 'wall' staring back at me. Ah... Perhaps I should've read that story until the end.

The man in front of me had a good face. He certainly looked like he could be the menacing protagonist. But, how do I put this? Everything below the neck ruined the effect. 

He was wearing an astronaut's spacesuit, even with the helmet tucked in his arms, but he wore a black trenchcoat over that, making his form extra bulky. At the same time, strange rips were visible against it. Not a romance protagonist, then. Sci-fi? But the coat screamed chuunibyou characterization...

"Ah, sorry, I wasn't watching, excuse me..."

The man was still staring at me, and if anything his expression grew more annoyed. What did he want me to say? Should I chastise him for standing in the middle of the walkway?

Before I said anything, or even managed to go around him, a young girl peeked out from behind his back. She was dressed more normally, in casual clothes with a fuzzy jacket, but still stood out just by being around him. When she saw me, her first reaction was curiosity, but after a moment, her eyes widened in surprise and an unprecedented amount of delight.

"Oh, it's okay! I promise his bark is worse than his bite. Hey, you're from around here, yes? Do you have some money we can borrow?"

Huh?

The man turned to glare at the shameless girl instead. "We don't need money. Especially not from… them."

"Yes, yes. You're a big scary terrorist, you steal what you can't buy. Isn't that too much though? You're already beating poor authors senseless, how much crime do you need to commit before your dark heart is satisfied?"

I quickly turned on my heel and walked in the opposite direction.

"Hey, hey!" The girl's voice called out again, and I could hear her running to follow me. With a sigh, I paused and looked back at her. I didn't want someone like her friend chasing me, so it would be better to just hear her out.

"Ah, I'm sorry, you must think we're acting quite weird! But, really, we don't have any money. If you can, could you spare just a couple of dollars?"

"Mm, I don't know. If you're that desperate isn't it better to be more polite in asking? What happened, did you lose it all on a scam?" No, wait, what was I saying? I didn't want to deal with these guys longer than I had to. Just talking to them would make me stick out very badly.

Still, for some strange reason, I couldn't stop myself from taking on a familiar tone.

Her friend gave her a mean look, which she ignored, before glancing at me. After a second, he said, "We were mugged."

I blinked at him. "I see..." He gave a pained nod as if to really emphasize his plight, while the girl just smiled. When she noticed my gaze on her, her expression switched to that of grim sincerity.

I had to take a moment to step back and mentally collect myself. First off, how stupid did they think I was? Not only was their acting terrible, but who would honestly think a guy like this was attacked? And lost?

Still, there was a hint of realism in their performance. Definitely not mugged, but maybe they were actually broke?

I sighed to myself, folding my arms and looking up at the ceiling. Ah, what should I do? Most people would just ignore them, or perhaps the chosen few would spare them just enough won for a small meal.

I wasn't a kind person. No more than anyone else was, anyways. My philosophy was that it's best to go through life not making waves, and sometimes the politeness required to slip under the radar was misconstrued as kindness. Still, when the common consensus split so unevenly, that left one question: what would I, Y/N, do? After all, 'myself' was the only thing I could be.

I sighed again, much more exhausted this time. "Okay, let's go get dinner. Follow me."

The man's eyes shook slightly, reluctance evident in his expression. Still, when I started to walk out of the store, they followed after me. Damn, being followed by a guy in that outfit was truly humiliating...

The girl caught on much quicker, hurrying to match my pace. "Haha, isn't this sweet? Going out is much better than convenience store food. You're so nice... Mm, I don't think I caught your name?"

"Ah... Yes, my name is L/N Y/N."

"Y/N?" She echoed. My name sounded strange in her mouth for whatever reason. Maybe I just wasn't used to hearing people not from work use it. In fact, she had an odd look on her face, but it passed quickly. "I see. It's a good name!"

I smiled faintly, shrugging. "Thank you. Though, I guess you should be telling my parents that more than me."

"Aah, well, I'm Biyoo! And you can just call him the 'Supreme King.'"

I immediately shot back, "I am not calling him that," the same time our titular king went, "Do not call me that."

A moment of silence passed between us, as though he was seriously debating something. Finally, he spoke, seeming deeply annoyed. "Yoo Joonghyuk."

Was that his name, then? His manners were bad, but I let it slide for now. He would just have to thank me very sincerely for buying him food.

"Here, this place does cheap meal sets. Sorry, I know I offered, but it's nothing fancy..."

Biyoo seemingly paid this no mind, while Yoo Joonghyuk shot me an inscrutable look. Hey, at least I had some money. He was in no place to judge. Even if this would mean I'd be eating leftovers for the next couple of days.

The restaurant sat us down quickly. Biyoo and I pulled our chopsticks apart cheerfully. Yoo Joonghyuk kept his utensils untouched, however.

"What is it? I already apologized that it isn't too nice."

"I don't eat food made by others."

His voice was deadly serious. Who was this arrogant bastard? No, actually, both of them were rude. Why was I humoring them to this extent?

Finally, I shrugged. "Okay then, your choice. What's this I heard about you stealing from convenience stores? Perhaps I should go alert the workers there, I wouldn't want their jobs to be in danger just because some man decided thievery was better than perfectly good food, already paid for..."

He glared at me, but I ignored him, eating happily. Ah, the rice here was so fluffy, I never got it like this when I made it at home.

Biyoo laughed, which prompted me to look up. To my satisfaction, Yoo Joonghyuk had picked up the chopsticks and was gruffly taking his share.

"So, Y/N-ssi, tell us about yourself! I'd very much like to know about the person who's been so hospitable to us poor mugging victims."

"Well, firstly, you don't need to pretend to have been attacked to me. I already bought you food. I don't need your sob story."

"Aha, what gave it away?"

"Secondly, there's not much to say about me.. If anything, I'm more interested in your story."

"I'm sure that's not true! Let's see... What do you do for a job that lets you provide for two stragglers?"

She avoided my questioning easily. Was it okay to be giving out my information like this to two strangers? Perhaps they'd kill me after we finished eating.

"I work at an editing company. You’re just lucky I can stretch my budget these days, or we’d all be going hungry. It’s not exactly freelance? But the jobs are varied enough that it keeps me engaged."

"So, you read for a living?" Yoo Joonghyuk asked, looking unexpectedly interested.

"Er, I suppose that's one way to put it... It's a lot of typesetting and indexing meaningless writing. I do like reading fiction in my free time, though," I confirmed. "Not that I have a lot of that, of course..."

"Webnovels?"

I stopped short. "What was that?"

Yoo Joonghyuk asked again, in a patient tone, "Do you read webnovels?"

It felt like being caught reading said webnovels during work, even though my phone was firmly in my pocket, and this guy had definitely seen stranger things than a reader of webnovels. After all, they had to be read to be popular.

"Yes, a little bit... But they'd almost be harder to avoid these days."

Yoo Joonghyuk and Biyoo shared a meaningful look, though it appeared less like they were making fun of me, and more like they were commiserating on some unknown truth to my words.

"What's your favorite genre?"

"I don't know, maybe reincarnation? They can include both action and romance, so it can diversify. Isn't it a nice thought that after I die, I could come into a world where I could be even happier?"

"You shouldn't think like that," Yoo Joonghyuk said, and I raised an eyebrow.

"Well, it's not as if it's ever going to come true."

He carried on like he didn't hear me. "While you shouldn't completely forsake your plan for the future, nor can you forget the past that shaped you, you have to live in the present. You must live to give yourself the best life possible now, with what you have, rather than thinking things would get better if you had the chance to repeat them."

I stared at him for a long moment, surprised, before I... I burst out laughing. His face darkened, but I couldn't control myself. Biyoo giggled a little with me, patting his shoulder.

"I'm sorry, I'm not dismissing what you're saying. You're just so serious about it. You act like you've repeated your life many times." I grinned at him, rubbing tears out of my eyes. "I have no intention of dying anytime soon. It's just daydreams, anyways."

It was so odd being with the two of them, but I didn't hate it. Feeding them, telling them about my life, and Yoo Joonghyuk's heartfelt words. It made me feel as if we had known each other for a long time, even though it had been less than an hour.

We stayed like that for a while, talking and eating in a way that felt strangely comfortable. It had been a long time since I had last eaten with other people, especially with people so strange. I’d have to tell someone about this. But… who?

As we finished up, I thought about it. Without me asking, they offered to walk me home, and just for the fun of it, I decided I’d let them.

I’d tell my roommates, I realized. They’d berate me for having strangers come to our home, but then they’d laugh, and we’d keep a baseball bat by all of our beds. I’d tell my co-workers, who would make jokes about me treating them to dinner too. I’d tell my family, my mother fussing over whether I needed money and my sister calling me a liar for claiming Yoo Joonghyuk was dressed like an astronaut. There were plenty of people to tell, who’d want to hear about something so insignificant, who would just want to hear from me. How could I have forgotten?

When we arrived at my apartment building, we all hesitated for a long moment, none willing to be the first to say goodbye. Finally, I said, “You know, I should probably ask that you pay me back at some point.”

Biyoo smiled sadly. “Well, I doubt we’ll see each other again.”

“True. But just keep it in mind, okay?”

“Stingy,” Yoo Joonghyuk tsked and I shrugged good-naturedly.

“Thanks for walking me. I could’ve handled it on my own, but it was nice.” I worked my key out of my bag as I spoke, turning to the building. “I hope you two have a good night.” However, before I could even go inside, Biyoo reached out and clutched my sleeve desperately.

“Wait!” She burst. "Before you go, we... There's a story we want you to read! A webnovel, like the kind you enjoy. You definitely have to read it! Do you promise?"

I smiled at her earnestness. Wasn't she a bit cute? She almost reminded me of a puppy. "Alright, alright, I promise. What's the name?"

"That..." Biyoo pouted. "There isn't a name yet. It isn't released yet."

"Then how am I supposed to read it? Even when it gets published, I won't be able to find it."

"No, it's okay! I'm sure you'll find it once it starts getting released, and you'll definitely come to love that story. You made a promise to read it, so don't go back on that promise."

"Ahh, you expect so much from me. What do you want me to do, read every new webnovel until I somehow find the one you're talking about?" Despite my exaggerated words, she nodded, and all I could do was laugh. "Fine, fine! Is it a sad or happy story? I like most everything, but I should prepare myself if it's anything too sad."

Instead of her answering, Yoo Joonghyuk began, "L/N Y/N..." I glanced over at him, confused. His voice was full of inexplicable longing when he asked, "Are you happy?"

"Hah? What's that supposed to mean? If I say yes, are you going to tell me to get used to never being happy because of it?" It was a joke, but his expression was deadly serious. I gave a helpless laugh, but matched his sincerity when I told him, "I... Yeah, Yoo Joonghyuk. I'm happy. I wasn't for a long time, but I'm really happy right now."

He smiled. It was a smile that was forged from years of loneliness and hardship, but finding a way to live despite it all. I recognized it, because I saw the same exact smile in my mirror every day.

"It's a happy story."

"Then I promise I'll read it."

Biyoo gave me one last hug before she left. "We'll both do our best, alright? So, stay happy, for the rest of your life."

Those two were so strange. Still, I watched from in front of the building as they walked down the empty sidewalk, towards the setting sun, until they disappeared completely from view.

[aleenuhs]

Can you make a drabble where the reader asks Arthur for advice? The reader went through a difficult time and she would like to ask Arthur for help. You can do it platonically or romantically, I'd just like a little fluff with angst.

⋆Confide in Me

thank u anon. i am so sorry that i got back this really late, its been a whirlwind of things.

warnings: nun much just fluff and smidge of angst.

Lately you’d been down. Moping around camp and hardly carrying your own weight, so you were having a hard time needless to say.

Barley finishing your chores, your mind was filled with the negativity energy that clouded your judgement. Finding no time to be alone or without your thoughts for even a moment.

Nobody had noticed you and how you carried yourself for the last few days, well, most people in the gang had been out and about the land, hunting — robbing, stealing. Whatever they did outside of camp.

It felt so lonely but crowded at the same time, like you were a ghost in a room full of people.

Your life had been characterized by an overwhelming desire to escape, but a lack of direction harbored you. From your childhood till now, you wanted to leave, find a home. And even around these people who treated you so well, you felt lost. Arthur had tried talking to you, but you quickly ended it, shutting down any opportunity for him to ask if you were okay.

Arthur, had just came back from a hunting trip with the Charles, bringing back 2 deer carcasses.

You were sitting on a flipped over crate, which created something like a seat, which wasn’t to your comfort but you didn’t want to sit on the ground. You needed some kind of break, maybe even someone to confide in.

Arthur was at his tent, moving some stuff around, you looked at him, quickly looking away when his gaze turned back to you. A moment passed by and he kneeled next to you.

“Hey love,” he said, lowering his head to look at you, your gaze was locked to the floor and the blades of grass surrounding. Though it was hot out, the breeze felt nice.

You chose your words, and replied back. “Hi,” you said, barely audible, he had to strain to hear you.

“You doin’ alright there?” He said, still kneeling next you. You looked at him, you nodded, then took it back, shaking your head, tears threatening your eyes. His face contorted into a more worried expression, his hand went to your thigh. “Hey — what’s wrong?” He’d sensed something was up, the way you were hardly talking for the past few days, just finishing up chores. Which you didn’t like to do, but it was your distraction.

“I’ve…” You started, then retired as you could hardly find the words to express what you had been feeling for the longest. You and Arthur were no strangers, you knew him well and he knew you very well, and how he loves you is for eternity. But you could be closed off at times.

“I don’t know Arthur.” You spoke and his eyes looked sad as he looked at you. “I feel so alone, here.”

He brings you closer, taking you into his arms, now sitting on the ground with you in his arms, he slowly brushed your hair away from your face. “Whys that? Is someone making you feel that way?”

You immediately rejected that idea, as it was not true. “No, it’s not that Arthur. I don’t know how to explain it, I feel like I’m just free floating and nobody sees me here, I feel down. And it’s all coming back to me.” You shed a few tears, but you weren’t full fledged sobbing.

He nods, “Understood. Y’know, I see you. Always.” He said calmly, it comforted you like hell. “I’m here for you, come to me.”

“I know, but you’ve been gone for the time being. And I missed you so much.” You admitted.

“I can’t skip my chores or duties here, but if it’s somethin’ like this, I’ll try and stay here for you. You mean s’much to me, if I lost you I’d go mad.” He said stroking your hair. And at once, your problems weren’t gone, but you knew you had a solid rock to lean on. And it was Arthur.

“Yeah. Thank you, Arthur.” You looked up at him, he thumb reaches up to swipe a tear from your cheek, kissing your forehead.

a/n if u liked this pls req more, they’ll be open for a bit (check guidelines and info to see who and what I write for!)