#(even if I'm speaking all of this into the void I just needed to speak it)

[marimayscarlett]

We're all so quick to reblog these posts about keeping fandom spaces alive, but look at the Rammstein fandom, look at it! 😭 It's getting quiet and nobody wants to admit it. 😓 Everyone is just quietly lurking or waiting for someone else to do something and it's heartbreaking!Same cycle, different fandom. 😣 We say we care, but we don't engage, we don't reblog, we don't hype each other up anymore! Some just resort to like posts as if they were on instagram! No reblogs! Some blogs that used to be so active just vanished! Where are they? 😭 We need to actually show up if we don't want this space to disappear like so many others! Thank god at least you and some other blogs still post content! 😭 I'm not aa creator, but I try to reblog everything with commentary, but it's getting increasingly frustrating because I'm screaming into the void😭😭😭

Hi 👋🏻

I guess this is in regards to this post.

Thank you for sharing your thoughts on this. I suppose it depends on how you look at the matter. Allow me to describe my impression:

I entered this fandom on here in 2015 and spent some time here. It was admittedly very lively, very open — lots of people reblogged things with their thoughts added in the caption (which admittedly isn’t as common anymore, at least from what I’ve noticed). There was a lot of joy and excitement when Rammstein in Amerika and Rammstein in Paris came to theatres.

And after I came back to Tumblr, I witnessed the same excitement for the tours in the last two years! Which isn’t surprising, considering the tons of new concert material we got in the form of official reels and pictures, as well as the vast amount of fan videos (which was absolutely not a given during the festival tours, mind you).

I’m not sure I share the view of the Rammstein fandom as stated in that ask, but I do understand the feeling of looking back wistfully and yearning for more excitement, joy, and togetherness. Surely, the activity on here isn’t as high as during the tours, but I think that’s only natural.

Let’s not forget that there are various reasons for reduced activity:

– No new material: no tour or other events this year, so there’s not much new apart from a few selfies of the band members. Reblogging and posting older content is always nice and plays into the bittersweet emotion of nostalgia, but even I can’t spend my whole day on it.

– Real life happens! Plus there are different focus points in life. The members of this fandom don’t only exist on this little platform. They have family, work, responsibilities, friends, worries, and things to deal with, as well as offline hobbies and other fandoms they’re part of — which is a good thing! There’s a risk of becoming too absorbed in one thing when there’s no variety. I can only speak for myself, but I also find joy outside of Rammstein in other areas of interest. Which is nice, life’s too short to miss out on all the fascinating topics this world has to offer.

– Other fan spaces: Instagram seems to have a considerably large Rammstein fandom, and there’s a fairly active (I think) Discord server for this fandom here as well. Some people just need a change of pace when it comes to platforms sometimes.

And yet — we’re still here. We have wonderful and incredibly skilled artists who spoil us with beautiful Rammstein art. We have very talented and creative fanfic authors among us who bring the band to life in various scenarios. We have diligent gif-makers who pick out funny and striking moments for us to stare at endlessly.

As someone without an ounce (!) of creativity in my body, I deeply appreciate all of them, as well as every single person in this fandom. Every like, reblog, and written thought — whether it’s opinions or thirst — contributes to keeping this fandom alive. 🤍

It’s always good to encourage more engagement — I totally get you! But I don’t think this fandom is in any danger of dying out anytime soon. At least from the blogs I interact with and based on my dash, there's quite a lot of activity happening. Maybe not as much as there used to; yet perhaps it will be more if we get new content ✨

[mattnben-bennmatt]

Matt & Ben || John & Paul

Here’s a story. Matt Damon told it. But it’s not about Matt Damon. It’s about Bono. But it’s not really about Bono, either; it’s about Paul McCartney. But Damon heard it from Bono. One day, Bono flew into Liverpool. Paul was supposed to pick him up at the airport, and Bono was shocked when Paul picked him up at the airport alone, behind the wheel of his car. “Would you like to go on a little tour?” Paul said. Sure, Bono said, because Bono, you see, is a fan of Paul’s, in the same way that Damon is a fan of Bono’s. “Bono’s obsessed with the Beatles,” Damon said at the table in the lobby of the gated hotel in the little town in Germany. “He’s, like, a student of the Beatles. He’s read every book on the Beatles. He’s seen every bit of film. There’s nothing he doesn’t know. So when Paul stops and says 'That’s where it happened,’ Bono’s like, 'That’s where what happened?’ because he thinks he knows everything. And Paul says, 'That’s where the Beatles started. That’s where John gave me half his chocolate bar.’ And now Bono’s like, 'What chocolate bar? I’ve never heard of any chocolate bar.’ And Paul says, 'John had a chocolate bar, and he shared it with me. And he didn’t give me some of his chocolate bar. He didn’t give me a square of his chocolate bar. He didn’t give me a quarter of his chocolate bar. He gave me half of his chocolate bar. And that’s why the Beatles started right there.’ Isn’t that fantastic? It’s the most important story about the Beatles, and it’s in none of the books! And Paul tells it to Bono. Because he knows how much Bono loves the Beatles.”

— Matt Damon, interviewed by Tom Junod for Esquire (August 2013).

-

Ben Affleck and I actually had a joint bank account, and the bank account was money that we’d made doing local commercials, and we could only use it on trips to New York to audition […] If one kid had enough for a candy bar, then the candy bar was bought and split in half — that’s just the way it’s been.

— Matt Damon, interviewed by Piers Morgan for CNN (March 2011).

-

First of all, I think I should say that we pale by comparison to The Beatles. But my understanding of how [Lennon and McCartney] worked was that they would go off and work separately. Matt and I worked together in the same room most of the time, riffing off of one another’s ideas for scenes or certain lines of dialogue.

— Ben Affleck, interviewed for eDrive (February/March 1998).

-

Q: But you didn’t compose your stuff separately, as other accounts have said? JOHN: No, no, no. I said that, but I was lying. [Laughs.] By the time I said that, we were so sick of this idea of writing and singing together, especially me, that I started this thing about, “We never wrote together, we were never in the same room.” Which wasn’t true. We wrote a lot of stuff together, one-on-one, eyeball to eyeball.

— John Lennon, interviewed by David Sheff for Playboy (September 1980).

-

[Ben and I] have been bizarrely close for a long time. You know, I was watching Get Back—the Peter Jackson documentary—and at the end of that you see the Beatles playing on the roof in London and it says, “This is the last time that they ever played together, live.” And it made me so sad to think of; because you look at them and they’re so happy! And Ben and I, I called him and said, “Look man, we were talking about doing this and it’s been 25 years or something since Good Will Hunting. What are we doing? We both kind of hit the lottery! Why aren’t we working together more often?” And after my dad passed in 2017—and Ben was very, very close with him—it’s like it changed something in us, I think. You start to see the end game and to feel like, “I want to make every second count.” I don’t want to fritter away time anymore.

— Matt Damon, interviewed by Chris Wallace for CNN (July 2023).

-

I needed to make this post because way before the Matt & Ben brainrot had the chance to set in, John & Paul had already taken complete hold of my being. And even if this hold has gentled in recent years, they nevertheless rewired my neural circuits. And thus, everything now inevitably leads back to Lennon/McCartney. One day I'll make a (probably very tinhatty) post highlighting specific parallels between Matt & Ben and John & Paul. Today is not that day.

For now, I merely wanted to marvel at how it's not only me who inevitably sees same-sex friendships and creative partnerships through the Lennon/McCartney goggles, but, being Lennon/McCartney arguably one of the most famous same-sex friendships and creative partnerships in history, they influence how other friends who are also creative partners—such as Matt and Ben—see themselves.

For example, the Chocolate Bar story. First of all, I can't believe I only realized yesterday that one of my favorite bits of Beatles lore—a story so special Paul hasn't told it anywhere else—was made public by Matt Damon (which is kind of ironic, given how private and protective he is over his own friendship with Ben). But then, it made me re-evaluate one of Matt's quotes. You see, I thought Matt saying "If one kid had enough for a candy bar, then the candy bar was bought and split in half" about him and Ben was one of those crazy coincidences I could see thanks to my Lennon/McCartney vision. Rather, Matt seems instead to be directly referencing the Chocolate Bar story, even if only a handful of people would understand the reference at the time. By drawing this comparison, a candy bar is no longer just a candy bar. It represents the founding principles of generosity and equity on which a great partnership can be built. Like John and Paul before them, Matt and Ben chose to tie their fates together and share what they had so they could make it.

And as soon as they made it, the world started comparing them to Lennon/McCartney, as we can see by Ben's quote. And it's interesting to think how the generalized perception of Lennon/McCartney at the time might have influenced how they felt about the comparison. Imagine you and your best friend/writing partner just achieved your wildest dreams. But that also means the eyes of the world are now turned on you, and your very real friendship is being used as a marketing ploy and starting to be ravenously consumed by the public. Now imagine that people start comparing you to The Beatles, and the very famous songwriting partnership at its core, Lennon/McCartney: two friends who rocketed to the toppermost-of-the-poppermost, but who broke up very acrimoniously in less than a decade. The Beatle-People will know that they deeply loved each other throughout it all, but that was not the prevailing narrative until a few years ago, when Get Back came out. So no wonder Ben's first instinct was to go "RIP to John and Paul but Matt and I are different."

And then, Get Back comes out and it makes them realize that they both are and are not different. They are not different in the sense that the pressure of fame did affect their relationship. Not to the extent of John and Paul's, whose private troubles were made public. Whatever conflicts Matt and Ben might have had throughout the years, they gracefully kept it private, which allowed their relationship to naturally heal without the press poking at the wounds. However, I do believe the intensity of the public gaze made them shy away from collaborating again. They mention working on numerous projects throughout the years (particularly after their Oscar win with Good Will Hunting), but none of these saw the light of day. And even though they say they were working so much they did not have time to write, it's odd that it took them over two decades to even co-star in another movie again. I think that, much like John and Paul in the 70s, the pressure placed on an eventual reunion was so great—both in terms of living up to their past success and of inviting all that scrutiny again—that Matt and Ben opted to remain private friends, at the sake of their creative partnership. Which makes total sense, because, like John and Paul, there's no partnership without the friendship. But this sacrifice is tragic in its own way, because the creative partnership was a big part of their friendship. Acting, writing, directing—creating—was what drew them together in the first place! It's like asking them to amputate one of the fundamental components of their relationship.

Which is why I find the last quote so incredibly moving. While watching Get Back, Matt was not only reminded of the joy of creating with his best friend—he was confronted with the preciousness of it. Because this is where Matt and Ben are most different from John and Paul: Matt and Ben have been granted the luxury of time. Unlike John and Paul, Matt and Ben could get to their 50s and realize, "What are we doing? We both kind of hit the lottery! Why aren’t we working together more often?" They could realize that they didn't give a fuck about what anyone said or thought anymore. That being together doing something they loved was more important. And so, unlike Paul, Matt got to hear his wife say that writing with Ben was the most she'd seen him laugh in many years. And Ben, unlike John, got to feel that total happiness was seeing his children every day and working with his best friend, and that there's nothing more that he wants in life. In fact, working together on Air made them feel so profoundly accomplished and realized, that both Ben and Matt thought they were about to die, since they'd apparently reached the "mountain top".

And so, it is with great joy that I await what lies in store for Ben and Matt. They have just created their own studio, Artists Equity, and are slated to collaborate in some of its future projects. Nothing will ever replace John and Paul in my heart, and their love story is ongoing in its own way; oh, but how wonderful is it to be able to witness a creative partnership and friendship whose future is still ripe with possibility! And how poetic that the tragedy of John and Paul's story played a part in ensuring that?

[a-shadowedvales]

when jane's powers return in season four (and because they were regained by her confronting and accepting her past, rather than being retraumatised with it!) they're stronger than they ever were. when she starts getting a handle back on them, she very quickly comes to realise not only have they affected her, but her mother, too. one of the biggest losses that came about with her losing them was the fact that she could no longer visit terry in the void; while there was no real communication there, it did allow jane to sit with her, and gain a little more connection than she could in the real world. when she first visits the void after their return, it takes her three hours to find terry, something that is both unexpected and incredibly worrying. but when she does, it's something of a miracle. jane's increased strength and control over the void actually wakes terry up from her catatonic state, but only in the void. there's no way to help her mother physically, but she does do so (unbeknownst to her) mentally. terry is reborn in jane's newfound control over the vale of shadows; she becomes the woman she once was, and while her body remains frozen in a "good dream", her mind connected to jane's own allows her some freedom. jane is able to speak to her mother in the void, is able to be held by her, and while it's still unfair and jane cannot stay in there forever, it's something. this only lasts for about eight months, as each visit slowly begins deteriorating terry's physical and mental state, and jane's health begins declining after spending hours upon hours in the void each and every day.

when jane finds out these visits are actually killing her mother on the outside, she deems to stop, but terry expresses the importance of them being able to speak, that she'd prefer to die on the outside, if it meant she could have just a few months with her daughter like this. terry and jane's connection was always so strong, which ultimately led to terry "waking up" in the void, but even jane's newfound strength cannot save her from the harsh realities. each visit nearing the end of those eight months, terry fades more and more, becomes weaker in the void, and her real body eventually gives up. jane's in the void when her mother eventually passes on, and physically feels their connection weaken, like some part of her suddenly becomes lost in the shadows, a part she'll never find again. jane falls into a depressive state for weeks after her mother's death, given she's technically lost her a second time, but soon comes to realise she was lucky to have even shared those eight months together. it was better than nothing at all. there is a proper burial and funeral, (and when jane dies, she's buried next to her mother) which allows jane some sense of closure. she never fully recovers from losing terry, nor from the fact that she never had a proper relationship with her, but she does eventually find some peace with it all.

[bat-the-misfit]

i LOVE spanish or vanish and we got a glimpse of french or the trench and now duo has done korean or get eaten which was also funny

but the only thing my heart wants is

PORTUGUESE OR THE SQUEEZE

duo pls

[deadrlngers]

save me scrambled eggs save me scrambled eggs save me

[grenriv]

I wish I didn't feel so violently alienated from my own religion sometimes. like I really do believe in what I believe in and I want to have a better and deeper relationship with God and I would like to build relationships with other christians and then whenever I hear other people talking about doctrine/scripture/God it just feels. so cold to me. or even just the way they act in general. it's very hard to explain but it always sounds like they're reading from a script instead of voicing genuine thoughts and feelings and it makes me feel like there's a barrier between me and them or I'm doing something horribly wrong, even if at the root of it I do agree with what's being said

[arcane-vagabond]

.

[getvalentined]

An open letter to @staff

I already submitted this to Support under "Feedback," but I'm sharing it here too as I don't expect it to get a response, and I feel like putting in out in public may be more effective than sending it off into the void.

The recent post on the Staff blog about changing tumblr to an algorithmic feed features a large amount of misinformation that I feel staff needs to address, openly and honestly, with information on where this data was sourced at the very least.

Claim 1: Algorithms help small creators.

This is false, as algorithms are designed to push content that gets engagement in order to get it more engagement, thereby assuring that the popular remain popular and the small remain small except in instances of extreme luck.

This can already be seen on the tumblr radar, which is a combination of staff picks (usually the same half-dozen fandoms or niche special interests like Lego photography) which already have a ton of engagement, or posts that are getting enough engagement to hit the radar organically. Tumblr has an algorithm that runs like every other socmed algorithm on the planet, and it will decimate the reach of small creators just like every other platform before it.

Claim 2: Only a small portion of users utilize the chronological feed.

You can find a poll by user @darkwood-sleddog here that at the time of writing this, sits at over 40 THOUSAND responses showing that over 96 percent of them use the chronological feed*. Claiming otherwise isn't just a misstatement, it's a lie. You are lying to your core userbase and expecting them to accept it as fact. It's not just unethical, it's insulting to people who have been supporting your platform for over a decade.

Claim 3: Tumblr is not easy to use.

This is also 100% false and you ABSOLUTELY know it. Tumblr is EXTREMELY easy to use, the issue is that the documentation, the explanations of features, and often even the stability of the service is subpar. All of this would be very easy for staff to fix, if they would invest in the creation of walkthroughs and clear explanations of how various site features work, as well as finally fixing the search function. Your inability to explain how your service works should not result in completely ignoring the needs and wants of your core long-term userbase. The fact that you're more willing to invest in the very systems that have made every other form of social media so horrifically toxic than in trying to make it easier for people to use the service AS IT WORKS NOW and fixing the parts that don't work as well speaks volumes toward what tumblr staff actually cares about.

You will not get a paycheck if your platform becomes defunct, and the thing that makes it special right now is that it is the ONLY large-scale socmed platform on THE ENTIRE INTERNET with a true chronological feed and no aggressive algorithmic content serving. The recent post from staff indicates that you are going to kill that, and are insisting that it's what we want. It is not. I'd hazard to guess that most of the dev team knows it isn't what we want, but I assume the money people don't care. The user base isn't relevant, just how much money they can bring in.

The CEO stated he wanted this to remain as sort of the last bastion of the Old Internet, and yet here we are, watching you declare you intend to burn it to the ground.

You can do so much better than this.

Response to the Update

Under the cut for readability, because everything said above still applies.

I already said this in a reblog on the post itself, but I'm adding it to this one for easy access: people read it that way because that's what you said.

Staff considers the main feed as it exists to be "outdated," to the point that you literally used that word to describe it, and the main goals expressed in this announcement is to figure out what makes "high-quality content" and serve that to users moving forward.

People read it that way because that is what you said.

*The final results of the poll, after 24 hours:

136,635 votes breaks down thusly:

An algorithm based feed where I get "the best of tumblr." @ 1.3% (roughly 1,776 votes)

Chronological feed that only features blogs I follow. @ 95.2% (roughly 130,077 votes)

This doesn't affect me personally. @ 3.5% (roughly 4,782 votes)

[corkinavoid]

DPxDC Shit Fae!Danny Has Said While Living With Waynes

Danny, making a 'got your nose' gesture: Hey Jason, look, I've got your name!

Red Hood, who suddenly can't remember his own name: What the fuck

Bruce, in a tired dad voice: Danny, please, we talked about this, return your brother's name back

Danny: Oh, come on, it's not like he even uses it

Jason, thankfully remembering his name: And I repeat, what the f u c k

Steph, at dinner: I was wondering, what do faeries even eat normally? Like, flowers and stuff?

Danny, his eyes two black voids inside his eyesockets: The souls of the innocent

Steph: So that's a 'no' on the flowers?

Danny, back to normal and shoving a bagel in his mouth: I mean, I can, but would you want to stay on the crumbs-only diet when you are in a 5-star Michelin restaurant?

Tim: It's actually 3-star. Michelin rating system only has three stars, not five.

Dick: Are you saying that people are basically food joints for Fae?

Damian, at Constantine: It would do you well to choose your wording better when speaking to fair folk-

Danny, very much a fair folk, appearing out of thin air in the Cave: Yolo, s'up bitches, guess who's back in town!

Damian: -even when they do not necessarily do so themselves.

Constantine, looking between them: Are you sure you're the human and he is the changeling?

Tim, 46 hours of no sleep: Hey, if you can take a name from someone, does it mean you can take, like, other things that have no real shape or form?

Danny: Names do have shape and form, they even have taste. Yours is like a ping-pong ball made out of really dense cotton candy with banana-caramel flavor.

Tim, losing his touch with reality: Dense banana cotton candy...

Danny: By the way, I know you wanted to ask me if I could take your need to sleep from you, and theoretically, the answer is yes.

Tim, his whisper full of hope: ...will you?..

Danny: No. Either go to sleep or keep suffering. I'm not here to make your life easier.

Danny, after a half-an-hour rant on the Fae customs and traditions: -and Fae never tell the truth, but also never lie. It's a work of art, you know, say what you want but never in a way that makes sense.

Jason: So Fae just like to fuck with people.

Danny, looking him in the eyes, smiling and winking: Sure, humans are very fuckable.

Bruce, trying very hard not to pay attention to this: Can you make an example?

Danny: Sure. I lied.

Bruce: Where?

Danny: :)

Bruce, feeling like he is about to lose his mind: W h e r e ?

Alfred, right after he heard Dick's muffled screaming in the hallway: Young Master Danny, would you mind returning Master Dick his ability to talk in coherent sentences?

Danny, obediently standing up and walking out of the library: ...okay.

Bruce: How come he always listens to you?

Alfred: He knows what I will do if he doesn't.

Danny, returning to the library: He will change all the silverware to iron-ware. As well as the doorknobs and hairbrushes and lightswitches and everything else.

Alfred: Did you fix Master Dick's shoes?

Danny: I did. But I still think that making all of his shoes left ones was funny.

Alfred: Indeed, it was.

| <-prev | next-> |

There's also a fic now.

[thingswhatareawesome]

have super torn through the materials from the $bp, nice to make good progress on some characters though (like march/himeko/yukong and their light cones as I mentioned earlier). also did a ton more work again on evaluating relics. making sure to max out any gold ones that have 2+ needed substats. been trying to be conservative with the resources but that's holding my characters back, they're weak bc of low relics. so i think i've been too picky waiting. so yeah, so long as it's got the right main stat and at least 2 substats, i'm upgrading.

also then had to take a ton of time to do more with salvaging to then generate more of the material, and i really struggle with salvaging what really isn't a great item vs but what if a future character needs it or what if a 2/4 pc bonus combines with unexpected stats and gets recommended in the guides, like i wouldn't have suspected healing stats being needed on what looks to be non healing relic types. so hard to know what's trash and what the guides are going to suddenly say is useful. (and jfc is everyone going to end up in hackerspace?)

but doing my best. trying to use mats and not just hoard them for 'just in case' when characters need them now and i can tell it's why i'm so much weaker than other players. and trying to learn, like i know it takes me so much longer to pick up this information (just finally getting to where i understand pity and 50-50). wish there were a bit more info on this stuff for those of us who're new to hoyo games (like my dabbling in genshin never got me to gearing and evaluating stats so sr is basically my first).

not that many levels left on the battle passes, i'm in the 40s, so yeah, it'll be a bummer when that dries up. bc there's quite a while left before the new one.

[sleepy-little-stars]

andy speaks: caleb and the what r we thing cuz i wholeheartedly believe he's so down bad that he forgets to ask u out n just start planning ur wedding .. happy new years post in march 🫶

“get out of there. now.” 

after being apart for a long time, caleb was looking forward to finally spending new years with you again. it’ll be just like before! except, the two of you are well past the friends stage. long story short: upon reunion, he kissed you like it’s his last day on the planet and days and weeks after that, he doted on you every minute of every hour. he was always there tailing you like a puppy. you’re hungry? he’s already cooked your favorite meal and it’s waiting there on the table, still warm. bad day? he’s already at the door with his arms wide open for you to step into. need a distraction? no worries, caleb will never pass up on a chance to devour your lips (and soul) just so you can forget all your stress and worries.

all of those actions are really sweet of him. but there’s just one tiny problem. 

caleb has never officially asked you out. 

but here’s another problem. caleb already thinks the two of you are dating. you already do what lovers do, exclusively doesn’t that make you two.. well, lovers? while he’s out here thinking up your marriage and honeymoon place, you’re out here on the verge of crashing out because just what the hell are you two? you can’t just ask him outright, “caleb, what are we?” no, no. you don’t have enough backbone for that. is everything just casual? no, you can’t let chappell roan get into your head. but.. what if he’s just being friendly? a little too friendly. you’re confused, you're going insane, and you just wanna cry.

so what’s the best solution to your lovelife problems without confrontation and just the perfect timing of new years?

eat grapes under the table at exactly midnight in hopes that the romance aspect of your life flourish and prosper. in other words, finally have a boyfriend this year. or to be more specific, finally have caleb as your boyfriend this year.

which leads us to now. you shoving grapes into your mouth under the table, choking and cursing whoever started this tradition because who thought it was a good idea to make someone finish 12 whole grapes in one minute or else your wish ticket is void. 

“you’re going to choke to death.” caleb kneels down, tall frame bent and trying to fit under the table with you. when you retched on your eighth grape, caleb took away your cup and made you spit out on his hand. 

“why are you even eating grapes— choking on grapes? are you trying to start the year off with a bang?” he chuckles, his hand rubbing your back in circles. 

“i'm trying to get a boyfriend this year.” you replied between breaths. you take the cup of water from him (when did he get that? you don’t know) and gulped it down. 

caleb's brows furrowed, “a boyfriend? don’t you have me already?”

you look at him and sighed. “i'm trying to get you as my boyfriend this year.”

his brows furrowed even more, “.. are we not dating? i thought i was already your boyfriend?” he tucks hair behind your ear, hand lingering on the side of your neck.

“you haven’t asked me out yet.”

“do i have to ask you out?” he hums. “i could've sworn i was already too obvious.”

caleb leans in, lips grazing your cheek and a grin painted on his. “so, can i?”

“can you what?” 

“be your boyfriend, of course.” and there it is, that handsome boyish smile of his that never fails to make your heart skip a beat. instead of a verbal answer, you closed the gap between you two. 

guess that grapes already worked. despite you only being able to finish seven. oops.

bonus: 

“see, pip. grapes are more delicious if you eat them one by one.” he places a piece on your mouth. you chew with a grumble. “shut up."

“yeah? shut me up, then." he smiles, already bending down to nip at your shoulder.

"caleb!"

[sqgeism]

Omg i just read your touch starved! reader with anaxa, mydei, and dan heng and loved the way you characterized themmm!

could you please do one with anaxa (and anyone else you like), maybe theyre comforting their s/o (reader) when theyre so stressed they kinda go nonverbal? maybe curl up somewhere comfy

plz dont do if this makes you uncomfortable in any way!! please and ty

keep up the great work!!!!!

𐙚 𓏵𓏵𓏵 𐙚 𝐢 𝐬𝐰𝐨𝐫𝐞 𝐢 𝐜𝐨𝐮𝐥𝐝'𝐯𝐞 𝐟𝐞𝐥𝐭 𝐲𝐨𝐮 𝐭𝐡𝐞𝐫𝐞 | various hsr men x gender neutral reader

love mail — hiiiii anonnie!!!! thank you thank you so much (o´▽`o)ﾉ ♡ i'm more than happy to do this, gosh i've missed writing for hsr ! mydei's a bit forced since i wanted to do jus anaxa and phainon, but i tried regardless (*´∇｀)ﾉ posting this at 1am i'm going crazy.. when was the last time i posted four times in one day.. inspo for the song is zombie girl by adrianna lenker. characters in order: anaxa, phainon, mydei

anaxa knows there are times where words can fail a person, and there's no real way to express the way one is feeling in a moment. he's spent so long grieving in silence, he'd understand that feeling better than anyone.

so when you're sitting alone on the couch, just laying there, staring at the wall.. anaxa doesn't try to immediately get you to talk. instead, he sits on the floor by your head, leaning his back against the couch and looks at you. "bad day?" he watches you nod, and continues. "is there anything you need? blankets, water, anything?"

you shuffle on the couch a bit, making enough room for him to lay with you as you pat the free space. his one good eye shows hesitance in his reflection, however he slowly makes his way and slides up next to you. the best he does is one arm wrapped around you and the other is used as a pillow underneath his head. (he figures you need all the couch pillows)

"i don't mind the one sided conversation, i.. i know what it's like, just wanting to be understood without speaking." anaxa already knows, rubbing your sides since your back is pressed up against the backrest. he doesn't care that he's about to fall, just as long as he hasn't. "if you need me to do anything to help you feel comfortable, i'm.. here. research can wait."

with those words, it's followed by you reaching out to him and having your fingertips halt, just before touching the edges of the star-shaped hole in his chest. he stares down at where you're about to make contact, then he looks back at you — with trust never seen in him before.

you slowly trace the outline of the galaxy-like void, and anaxa can't help but feel his heart race. he's never been vulnerable like this before, even if he was your lover. it was all slow, steady steps as you both navigated your relationship.

but in this moment, consumed by delicate touch of your fingertips and completely yours, he can't help it. he can't stop his heart from racing and he can't stop the undoubtedly, ever growing love for you.

he loves you, he loves you so much. and in that moment, he's slowly realizing he'll be ready to do anything for you. anaxa just needs to come to proper terms with that, in his own time.

phainon knew something was wrong the moment you walked through that door, and he immediately started calculating in his mind what to do. get you good food? make you a bath? do all your chores?

he's found a solution when you practically toss yourself at him, catching you in his caring arms as he feels his heart melt. he always knew you as — not exactly a ray of sunshine — but definitely not as gloomy as this. the silence is new, but he pays no mind to it, letting out a subtle grunt as he begins to carry you to the bedroom.

he slips off your shoes for you, clumsily tossing them to the shoerack while giving you a smile; promising to fix it later. "was that red bastard giving you a hard time again, asking you where i was?" phainon tries to joke, not minding the fact you don't answer, and relish in the way you lean your head against him.

it isn't long till your boyfriends warmth is replaced by a comfy mattress, but it also isn't long for it to come right back — as he positions himself between your legs, and has his head pressed against your stomach — head tilted up to you like a lovesick puppy.

"i wonder what could've made you upset today," he wonders aloud, tracing patterns on your stomach as you close your eyes, just letting yourself drown in the sheets and the familiar weight of phainon ontop of you. "whatever it is, just know you're here now. i'm here and i won't be going anywhere, okay?"

he smiles at you, hands caressing your hips as he hums to himself. "if you need me, i'm all yours."

when a battle goes wrong, it doesn't tend to affect you. yes, you worry for comrades and the final outcome — but it's never been enough to completely make you freak out. after all, you know you'll win eventually.

that changes when you watch someone get close enough to mydei's weak spot, the only way to kill him for good. and the sight haunts you deep to your core, dropping everything to stop that blade from going through the last person you had.

and mydei understands that, he likely would've had the same reaction in your position. but the battle had taken such a toll on you, that you had just.. gone quiet on him.

he doesn't mind, not at all. he won't blame you for being horrified at the idea of losing someone you love. so he has you safely tucked in his arms, your back pressed against his bare chest and both his arms and legs 'cage' you. he's got a book infront of you, and he's been reading it out ever since you two got back home.

you once told him that despite being a man who yells out war cries, his voice is surprisingly.. gentle. like he could bring even the fiercest warriors to a deep slumber. so he's made it a habit, reading to you until you fall asleep. it's a deadly combo when he opts to hold the book with one hand, and decides to play with your hair using the other. which is what he's doing right now.

mydei can feel your head slipping against him, and although you've said nothing to him the whole day.. it's the most reassuring thing. that despite your stress and terror, he is yet again, your safe place. just as you are his sanctuary amidst a war.

as your eyes close and you're welcomed into the arms of a good nights rest, mydei drops the book completely and instead wraps his arms around you. falling asleep with you too in hopes to meet you in a better place, your dreams.

[sheeezu]

.Shift by channeling.

Go to your DRs by channeling, again, step to step guide.

This can be used as a separate method, or you could use this when you need a final push.

This isn't the spiritual type of channeling, nor do you need to use AI or something, nor do you get possessed.

Step 1:

Before attempting to shift, choose a person from your DR. It could be your S/O, you can choose to channel multiple people, if you have a friend group or something, but i recommend picking someone whom you have a close connection with in your DR.

Have a voice claim ready, take some times to look at the person's pictures, remember their physical attributes, focus on their personality.

(You can listen to songs which remind you of your relationship with that person)

Step 2:

Lay down, when you're prepared to shift. You're going to start off saying affirmations like it's a normal shifting method.

If you can visualize, i recommend you think of visual affirmations which relate to your DR.

Its a method to affirm, where you go around your DR, whether it's your DR house, room, or a memorable or nostalgic place in your DR, and see your normal shifting affs, carved, written around, for example, your affs formed by clouds, carved into pillars and tables, written on your clothes, finding papers or letter which say your affirmations (so Affirmations ∝ Your DR)

You should try to be hype fixated, so if you are fidgeting, can't stay still, you're too engrossed in what's going on inside your mind to notice your body itching or twitching.

Do this until your symptoms intensifies or reach a peak, everyone feels differently, for some it's more physical (seeing light flashes, tingles, floating) for some it's mental (having a gut feeling, feeling euphoric) so don't get discouraged.

You aren't doing anything wrong.

Step 3:

This is where we come across our special person. While you're seeing your affs, make yourself meet them. Now, if you're confused and going to say this isn't channeling, then just stop. You're creating this reality and undoubtedly every moment you're experiencing, so when you're in a deeply concentrated phase, the only thing that could possibly stop you from having a very real and authentic meeting with your SP is your own self-doubt (anyways, if you're having self doubt then say an aff or two to combat them)

Your SP is standing right in front of you, let yourself loose at this point. No need to force anything scripted, but if you want then you can.

Have a conversation with your SP, whether it's initiated by you or your SP.

Maybe even invite them to drink tea, sit outside, take them to a secret spot.

Now you're having a conversation with them, starting off with your conscious thoughts doing the talking from your part, whatever your SP says is your subconsciousness speaking, or you're directly channeling them (both of which are the same thing, i hate being repetitive, you're creating reality if you believe you're being channeled by your SP, then that's what's happening)

Start off with a normal conversation, like how'd you talk to someone, someone you love and know very well.

Right now, you're going to say a very specific affirmation:

"(your SP's name) is just about to ask me what i was doing in my OR/void reality."

Then let the conversation take a natural turn. That question will eventually be asked, your loved one is just very curious about why you were away from them.

Now, what you will answer back will be the way how to shift.

"Oh, must be a fever dream, i had never had a dream so real, i was touching everything, each and everything felt legit." (best for permashifters, don't be afraid of using this if you intend to come back)

"I guess it was out of responsibility, but don't worry, i'm here now."

"I don't know myself, all i know i didn't like being there."

"I was curious, that's all; you know i like exploring new things, and come on, it was a whole new universe, but now i want to rest at home."

Whatever your SP says in response, whether they're asking you to come join them, or how they're glad you're back, just nod back.

Step 4:

Go to sleep in your DR, if you recall, you're in your home. Go towards your bed, crash down, close your eyes.

From this point onwards, you're going to embody your DR self and fall asleep acting normal, completely abandon the fact that you were shifting, or that you have shifted to your DR, act like a person (your DR self) living in any other world (your DR)

I described this in details in the third phase of my pinned post, you're supposed to do all that.

You'll wake up in your DR.

Why is this method supposed to work?

Connection to your DR environment ✔

Logically explains your involvement with your previous reality, why you were there for so long ✔

Reminds your consciousness that you've successfully shifted ✔

Connection to your loved ones in your DR ✔

Most importantly, connection to your DR self ✔

...

That's the method, you can also shift in between the method as well. There really isn't any reason for you to wake back in your CR, listen to some subliminals to remove intrusive thoughts, then you're good.

You could also make it so your SP had more control over your shift, like they brought you back, you can modify the method according to your wishes.

It's a short and sweet method, believe in your abilities and you'll be out of here faster than lightning.

...

This method is heavily focused on visualizing, if you have aphantasia then your DR SP can just speak to you, when you eventually cross over to your DR self's state of mind (if they can visualize) you'll get the ability to visualize like them, or get flashes of images.

...

Also thanks for everyone who gave me compliments in my inbox I have no clue how to receive them, but I am very grateful (:

[clarkeybabey]

❝ i need you to fill the void ❞

# summary; someone spoils your secret

# playlist; void, the neighbourhood, nothing's gonna hurt you baby, cigarettes after sex.

# word count; 1.2k

# note; freya, faith, and talia cameo, I didn't proofread and I hate this oops.

Have a wedding they said, it'll be fun they said. You can't name a time when you've been this stressed out and anxious in all your years of living. To make it even worse, the one person who could help you breathe through all of this wasn't going to able to see you for another three and a half hours.

Last night, for the sake of tradition, you slept without George for the first time in more than a year. He texted you about a thousand times after you finally fell asleep about how he couldn't wait to be tied to you for the rest of your lives, which meant you woke up in the best of moods despite the lack of his presence.

Keeping everything a secret wasn't hard, since everyone had done it before for Simon and Talia. Unfortunately, some people you thought you could trust with an invitation weren't the most reliable. Your friends were sat off to the side some snapping pictures of you and themselves, others scrolling social media. Freya gasps, she's unable to control the way her lips purse, and brows crease as she turns the volume of her phone down as quick as possible.

You're sat in a chair, your makeup artist hard at work. "Something wrong?" In the blink of an eye, the girls are all standing around Freya, staring at the screen in disbelief.

Talia chews at her bottom lip before speaking, "Y/N, sweetheart, I'm gonna show you something, but I want you to try not to freak out."

You swear you feel your throat begin to close at the slight waver in her voice, now it's your turn for your brows to knit together, "I'll try," you mumble, absentmindedly picking at your manicure.

She makes her way to you as slow as ever with Freya in tow with her phone, which she hands off to you after turning the volume back up, swiping up and back to the video to restart it. You recognize the username as a girl George had introduced you to a few months ago at the sidemen's anniversary party, you don't recall sending her an invitation...

The video begins with a screech from her, "Hi, guys! This get-ready with me is extra special, this time my friend George is getting married," you feel your stomach drop, cheeks warming as she talks about only being a plus one to someone whose name goes in one ear and straight out the other.

"This better be a fuckin' joke," bile begins to rise in your throat and tears threaten to melt away every bit of the 45 minutes spent on your nearly Pinterest-perfect makeup. When you click on the comments you notice there are some from mere seconds ago and steadily continue to pour in, you shake your head hoping someone will pinch you and wake you from this atrocious nightmare, "God, I really wish this was a joke," you whisper, your bottom lip trembling uncontrollably.

You look up at the girls around you as you slowly start to crumble under the weight of it all. Faith is typing away furiously, jamming her fingers against her phone screen, you hand Freya her phone back, wordlessly reaching for your own that was laying screen down on the vanity.

When the screen comes to life you see messages, notifications from dms, posts, and tweets you've been tagged in. Nothing really catches your eye aside from two missed calls from George and a few texts just under them.

my fiance 😝😈: call me when you see this please, darling

And you did exactly that. He answers on the first ring, his soft, accented voice filling your ear ripping another sob from your throat, "Y'alright, love?" He asks knowing the answer, hoping to god you weren't on tiktok to see what he'd seen a few minutes ago, but as you cry into the speaker he understands you have.

You shake your head, before remembering that he can't see your actions, "No," you croak, making him sigh and shake his head. This is your day and somehow someone's managed to ruin it for you.

To be completely honest, George couldn't care less about everything being secret, but all you wanted through the whole planning process was privacy, no huge party after the ceremony, nothing.

You didn't want to post anything until you were boarding the plane for your well-deserved nearly three-week honeymoon. And your fiance was more than happy to oblige.

"Can you come here? Please, I couldn't give two fucks about tradition, we're fuckin' tiktokers for god's sake." you pause a second until you hear shuffling on his end, followed by a snort. "I'm already outside, baby," you hear the smile in his voice, you keep your phone pressed to your ear with your shoulder.

When the door swings open, he's standing there looking so damn good in the suit you picked out together so many months ago and it makes you cry even harder, knowing how much of a snotty mess you probably look now all because everything not going the way you imagined.

He wraps you into his arms before you're able to say anything, breathing you in. "You look beautiful," he steps back from you keeping a comforting hand on your hip as he looks you up in down, "this satin?" He asks pinching at the material of your dressing gown, to which you simply nod, your throat still feeling tight.

Of course, he notices how much everything's eating you alive, "I handled it, sweetheart. I figured out who invited her, they know we don't think its a good idea for her to come," he gives you a reassuring squeeze, watching your face closely for any change of expression.

You pursed your lips taking a deep breath through your nose, "Thank you, I missed you so much," he smiled, the corners of his eyes crinkling, instead of responding immediately, he chose to envelope you into his arms. Your ear is pressed against his chest so close you can hear his heart thumping against his ribcage, "Missed you more, could hardly sleep without you."

This time when he pulls away, his hands cup your face, and his lips meet yours in what you swear is the best kiss you've ever had, he doesn't keep you like that for as long as you'd like, leaving you chasing after the feeling. He rests his forehead against yours and his hand slips from your cheek to your neck where he feels your pulse quicken.

He breathes you in, this time stepping back for real knowing the girls are waiting for you, "Now go get in the dress I've been hearing about for months, wanna hurry up and make you mine for life."

You smile, the first real one you've worn since reading his messages this morning, "So impatient," you mutter and he shakes his head, swatting at your bum, "I can show you impatient," he quirks a brow, his voice is laced with suggestiveness that's unmistakable

"Later," he raises his hands in surrender as you turn back to the door that's ajar, his hand catches your wrist, turning you around quicker than you could let a gasp escape you. His lips find yours once more and you exhale out of your nose, relaxing against him as he smiles against your mouth. "Now you're free to go," your fingers dance along your now tingling lips, as you watch him disappear down the hallway,

When you return to the girls you almost have forgotten the original situation at hand aside from the fact that maybe every little thing about him is the best.

[willbyersabyss]

It's calling you...

El saw Will in the void when she opened the 1983 gate. He was the one calling to her the whole time.

Brenner told El that the demogorgon was calling her, but what if it wasn't the demogorgon at all... what if it was Will.

The lines are constantly blurred between the demogorgon and Will in s1. Will talks through the lights, the demogorgon comes through the wall. They follow the demogorgon's blood trail, they find Will instead. Will calls Joyce, the demogorgon intercepts. We can never really tell whether it's Will or the “demogorgon.” This blur could carry over to the opening of the gate.

Speaking of phone calls, almost every missed phone call in the show is related to Will in some way. When people try to reach him, they fail. Only when Will calls them does it go through.

I can't even give all of the examples because there are too many, but Will is always associated with phone calls. Will called Joyce in s1, Mike has had multiple missed calls to Will, Nancy tried calling Will in s3, etc. Will has to call, he has to reach out.

When Max calls the Byers, it doesn't just go to voicemail, it's busy. Someone is using the phone despite no one being there. That someone is Will. One of the first scenes we see is Will calling the police, but he doesn't call them, he calls... someone else. Whoever it was, they picked up. But there's no sound other than screeching. Who was screeching? We'll get to that in a bit...

El was called to. The "demogorgon" wanted her. So we have Will who is constantly associated with phone calls, but he's also mixed up with the demogorgon. Why? El answered his call.

The phone call Bob tells Joyce to let go is immediately followed by the lab's lights going haywire, then a door to the Upside Down opens for Will. They also cut to a faucet dripping and a clock going unusually fast. El's void is made of water and there's a clock ticking sound just before she opens the gate. These scenes parallel. The 1983 gate was opened for Will. He was calling out to her, just like the phone.

"All I needed was someone to open the door. And you did that for me without even realizing it." Ok Vecna I'm pretty sure El noticed the giant gate in the wall. So what didn't she realize? El didn't know Will was the one calling to her.

When Mike asked if El saw Will, she flipped the DnD board to the back. We assume she means the Upside Down, but what if that's not what she meant. What if she meant she saw him in the void? The back of the board is pitch black just like her void.

She places Will's character right next to the demogorgon. How does El know that Will is where the demogorgon is? She had to have seen him NEXT TO IT. This is the first time in the story where we see El sensing Will, so why would we assume she saw him in the UD before this point? She hasn't used her tracking power since she opened the gate. There's only one time she could have seen him. When she contacted the demogorgon, there might have been someone else there, lurking behind. Will!

When El puts Will over the walkie, Lucas says this. The name Blackburn means "black stream." The void is black and made of water. Could this be hinting at El tapping into the neighbor of the demogorgon in the void? Mike follows this with "Did that sound like a baby to you? That was Will." Hm that's interesting because we can actually hear Will in the void when El sees the demogorgon for the first time.

Yeah, that's right. You can hear him.

I can only add one video to this post so the number in the corner will align with the text accordingly!

I'm going to sound like a broken record because I've talked about this a few times already, but I think I finally put all the pieces together:

1 - When it cuts to the speaker, you can hear a faint voice come through. This sounds just like Will when he tells El to hurry. So we have a real "Did that sound like a demogorgon to you? That was Will!" moment. If you line up the hurry clip with the speaker video (not pictured), Will starts to disappear in Castle Byers at the exact time El breaks out of the void in the other clip. They're connected.

We don't actually see what's making the noises in the void the first round, we only hear it. What would the reason for this omission be?

I think the moment we see Will in the Upside Down Castle Byers is the beginning of everything. That's when the gate opened.

2 - The scream we hear when El opens the gate is the same scream that breaks Castle Byers. While this is just a demogorgon sound, it's interesting that they used the one that sounds the most human. Especially when this is the least common sound it makes. It has the same cadence and length in both clips!

I would also like to note that this sound has played when a demogorgon wasn’t directly seen. When Nancy emerges from the tree gate, we hear this weird scream too even though the demogorgon clearly wasn’t coming through with her. Gate, scream, invisible demogorgon.

The egg the demogorgon is eating when she touches it is about 20 feet away from Castle Byers. It can't be a coincidence that they placed them so close. They could've had Hopper come across that egg anywhere, why Castle Byers?

Dustin used an egg to test if the deprivation bath was ready. El then found Will in UD Castle Byers using this bath. Eggs are associated with the gate opening, they used an egg just before she finds Will, and THE egg is outside Castle Byers. Will being in Castle Byers is related to the gate opening.

So what if the scream Will hears was the same scream from the gate opening? We don't see a creature on the other side of the blast, just white fog, so can we be sure it was the monster opening the door? Maybe the force of El opening the gate is what broke it. When people disappear from the void, they leave behind the fog we see outside of Castle Byers after the blast. This fog doesn't usually appear in the UD.

Most people don't sense El when she reaches out to them in the void, but Will did. He was reaching out to her. When El opens the gate, Will was already in Castle Byers in the UD. There's time shenanigans here. Time doesn't really flow how it should in the void. El was able to see a pregnant Terry in there before she was swept into her memory loop. Time also is weird in the UD. It wouldn't be crazy for El to be able to open the mother gate after Will got kidnapped in a weird paradox way.

3 - Coming back to phone call weirdness for a second, Will hears screeching over the phone. This may be a stretch, but it kind of sounds like a distorted version of El's screams when she opens the gate? Then Will's phone call was interrupted by the creature unlatching the door. So when Will's call goes through, a door opens. And he's met with the answer to his most fateful call. He hears El screeching as she opens the gate because that was the result of him reaching out.

In their respective universes, both Will and the demogorgon destroy Castle Byers. So that's another mix up between the two. If Will really was the one calling out to El before she opened the gate, his destruction of Castle Byers is not only a physical representation of how he inadvertently destroyed it, but also an emotional representation. Will accidentally created his own kidnapping by asking El to open the gate. He created the trauma that led to his childhood destruction. The rod imagery at the end of this scene proves that.

Another possible reach, but we know that it was raining the night Castle Byers was built and the night Will destroyed it. If El's journey through the watery void also indirectly caused the destruction and creation of the UD Castle Byers, there's more water connections there. The UD isn't just mirroring visuals, but scenarios too.

When Hopper inspects the remains of Castle Byers, he finds a lion plushie. El was cuddling a lion plushie when Brenner told her she was going to make contact with whatever was calling her. The lion causes Hopper to flashback to Sara and El was in a flashback when we see her with her lion. So what if UD Castle Byers is a "flashback" to when the gate opened?

Just before UD Castle Byers was destroyed, Will was singing Should I Stay or Should I Go. While these were not the lines he was singing, the song makes references to time weirdness. "I'll be here till the end of time" implies that Will is stuck in a time loop when he's in the UD. This song being sung during this scene may hint at its significance in the time loop.

Then there's lines alluding to kneeling in a black void with something on your back. Interesting how the demogorgon was crouched down in the void when El touched its back.

Speaking of kneeling, El approaches Billy in the void the exact same way she does the demogorgon. Billy, who is literally named William. I'm telling you the Will demogorgon mix up never ends. Billy makes himself disappear the same way Will does in the void scene. Oh and when El is looking for the source in Billy's mindscape, the song "William" plays. Very subtle (sarcasm). Will is the source.

Ok but how did the gate open?

Will died.

In s4, we find out that gates can be created by killing people. We also find out that music can open gates in the mind. Interesting how both of those things happen to Will around the UD Castle Byers scene. Will was singing to himself, then he got taken to the library where he died.

The big boy gates all meet at that library where there's a giant clock. Will was the fifth and final sacrifice. But wait! The original gate opened at the lab, not the library. Perhaps Will died twice... once at Castle Byers for a split second, then again at the library. The Castle Byers death opened mother gate, but the library death had delayed effects.

Or Will didn't die twice and it was just a joint effort between El and Will.

El and Will have opened a gate together before. Every time El contacted Will up to this point, it didn't open a gate. Only when Will reached out himself did a gate open. We're right back to Will being the one calling out. He had to try for it to work.

Will was on the brink of death in Castle Byers. Maybe he wanted a gate to open right then and there so he could be saved. But time had different plans. So when Will called out to El in the void, she answered, and they opened the gate together, not knowing that this actually causes his suffering rather than heal it.

In s2 when they figure out that Will spelled out "close gate," the phone rings. They rip the phone off the wall. Another missed call associated with the gate. But this time, it was Will telling them to close it. He had to tell them to ignore the call. They destroy the call, they close the gate.

It's also possible that Will's call for help was manipulated by Vecna. Maybe Vecna showed El the demogorgon to hide his true intentions. Will has something Vecna needs to open the gate. Not to make everything about Will's mind theory, but if the UD is Will's mindscape, it could explain why Will’s call for help resulted in a gate. Max's call for help through music opened a gate to her mind. So is it really that far off to say that Will's did the same?

Alright lets get a run down of the timeline:

El reaches out to Will in Castle Byers, Will tells El to hurry. This aligns with the first call El hears in the void.

A bit later, El revisits the call, assuming it was the demogorgon. In a startled scramble, she accidentally makes contact with Will who was on the brink of death about 20 feet away. Their joint energy opens the gate and destroys Castle Byers.

This energy attracts whatever took Will to the library. Will is kidnapped once more and dies. This joins the gates in 1986?

We know that the scene of Will getting taken from Castle Byers to the library is the opening scene of s5. Both s3 and s4 begin with a gate opening. Wouldn't it be fitting for the s5 opener to be the gate that started it all?

[bountycancelled]

(un)secret admirer

luke castellan x child of aphrodite!reader

tip me on kofi, if you feel so inclined

requested: nope, I'm just currently obsessing over pjo (aren't we all?) and Charlie bushnell is my pookie so luke is also my pookie (what about all the people he murdered– what murdaaaa?!)

warnings: none I believe!

content: probably ooc luke becusse I haven't read the books, I don't know if demigods even nap, I don't remember the movies and he's barely in the show lol, some cuddling, lowercase intended because fuck grammar, also I know demi gods are dyslexic i just dont gaf because i thought this concept was cute, that's all!

a/n: SEND ME PJO REQS! please. also this is short and I'm sorry, I've been having horrid writers block.

"I don't get what the big deal is." Lukes voice could be heard from where he sat on your bed, as you gazed at the piece of paper in your hand, pacing back and forth in your room as you analysed its every minute detail to the best of your abilities. "you get letters from the other campers all the time."

"I already told you Luke. this handwriting isn't the same as any other letter I've gotten, so that means it's from someone who's never sent me a note before, and I need to know who it is."

you had recieved a myriad of letters ranging from 'I think you're pretty' to 'I would sacrifice my right arm just to get a hug from you' during your time here at camp. beyond being drop dead gorgeous, you were kind, always wearing a charming smile on your face, and having the ability to comfort people with your presence alone.

that (coupled with the facts that most kids here had some kind of parental baggage and your kindness definitely filled some kind of void) meant that you recieved many a words from not so secret admirers. you were sure that you knew the identities of the people who had given you sealed envelopes and tightly folded papers, but you were currently stumped.

you were startled out of your staring contest with the scribbled ink by the feeling of Lukes arms around your shoulders as he spoke. "I'm sure you'll figure it out eventually, now can you please come back to bed? you know that I can't nap if you're not with me."

you sighed, letting him lead you back to your bed so that he could rest before you two inevitable of the two of you needing to help around the camp occured. you stared up at the ceiling as he slowly started to dose off beside you, before you gasped and shot up, effectively spooking him out of a peaceful moment.

"it's Percy!" you shushed Luke before he had the chance to complain about your sudden exclamation or the fact that you weren't letting him get a wink of midday sleep. "I mean, he's just met me, and one of my friends probably told him some stuff about me–"

"it's not Percy." Luke deadpanned, pushing you down by the shoulder from the upright postpone you were sat in to make you lay back down, and wrapping his arm around your waist. you were shocked into silence, because although Luke was an affectionate friend, he had never cuddled you while he was still awake. he would always wake up and discovering that he had wrapped around you in his sleeping state, apologising sheepishly while retracting his limbs.

after a few moments of stunned silence, you furrowed your eyebrows in confusion at his statement. "and how do you know it's not him, huh?" he simply blew air from his nose, tightening his grip around your waist.

"because it was me, sweetheart."

now that shut you up fairly quickly, as you bit your lip to try to hinder the giddy smile that wanted to form on your features. you opened your mouth to speak again, only to be interrupted by Luke placing a small kiss on the back of your neck.

"we'll talk when we wake up, alright?" but you weren't having any of that. "okay... but, before you go to bed. how long have you liked me? is this actually the first letter you've sent? why wouldn't you just tell me, you idiot. obviously I like you too. I know you said some stuff that you like about me in the letter, but I want you to tell me about everything you like about me, like every feature, every trait-"

Luke chuckled, sporting a big grin as you spoke. he would tell you all of that and more, he would do anything you asked of him, just as long as he got to hold you in his arms just like this.