#(dont want to say the word bc of tags)

[s-sextape]

i am writing an accidental haiku to attract haiku bot

[employee052]

turns out a brief moment of feeling ok doesnt mean im done grieving

anywho, heres a vent doodle with a pose i saw online, might not reblog the road trip thread posts for a bit (i feel bad for not being able to participate in my own trend but as long as people enjoyed it then i dont mind all too much)

i dont wanna call it a break bc i cant help but be on tumblr, but things might go quiet in terms of art or me talking.

hope yall are doin well today/tonight/timezone n ill see yall when i see you :3

[crescentfool]

graduation day 🌸

[supahstarrr]

so i was just thinking about whit's behavior in chapter two; he's trying to be so secretive about david's secret to the point of disrupting the flow of trying to survive in a life or death situation. this behavior from him is likely an extension of his behavior in chapter one, where he tried to keep the reason behind charles behavior and the interactions between the two of them a secret as much as possible.

what motivated the secrecy was him being emotionally aware about trauma; how trauma is such an intimate and personal thing. so here in chapter two, could this flaw be in root of him being emotionally aware of how mentally (and life) damaging it could be on david's life if his career, which largely financially supports his life, is suddenly tarnished?

he values privacy so much to the point it becomes a flaw. the root of this flaw is his emotional maturity and awareness towards other people (i can't word this in a way that also acknowledges his awkwardness with dealing with people). and then i think about his relationship with romance, commitment, detachment and his career. the reason he is an ultimate at what he does is because of his heightened awareness towards the emotional aspects behind romance. his patience and consideration of others suggests emotional awareness.

yet despite how serious and aware he is about romance, him flirting as a joke—thus burying down how prudish he actually is (confirmed by drdt dev)—suggests he attempts at somewhat detaching himself from the concept of romance by treating romance as a joke when it's applied to him and his interactions with others. in other words, this behavior can show you're not putting your full commitment when it comes to romance. hinted by treating your romantic words lightly to detach them from romance.

that trait isn't always an immediate deep thing, but what makes it deep for him is that this is an extension of him constantly joking about serious things in general, thus expressing detachment from dealing with the weight of an impactful situation. as he is aware of the impact about romance, this means he is aware of the commitment—and responsibility, which connects with commitment—that intertwines with romance (the commitment can be vary to little or a lot).

so in a way, it appears he has some sense of aversion about commitment and responsibility that he is very aware of. he acknowledges the responsibility with revealing other people's secrets, so he avoids that, even if it means hes heightening up the risk of a deadly situation by being secretive. in fact this interests me because i can take it far and say this aversion of his could very much be linked to his mother's death and neglectful childhood.

i dont want to say too much tho so i wont go on about how. if anyone does want to hear more thoughts then ask me. anyways any other people who analyze characters way more better than i do/get his character way more than me PLEASEE talk to me what do we think .. i usually dont trust myself with deeper thoughts on characters so im just gonna say this is more like an interpretation than a serious analysis

[skitskatdacat63]

2023 Abu Dhabi Grand Prix - Fernando Alonso

[megumi-fm]

.

[moeblob]

Deacon loves two things: Ymber and digging himself a grave.

Fulj hates one thing: Deacon.

[mollyrolls]

MOLLY I HOPE YOU’VE BEEN WELL ♥︎

I just caught up with hey cupid & I don’t think I’ve ever ran to a taglist form so fast ,, I wish I could write tension (?) the way u do and I’d kill to have the vocabulary u do to say I’m excited is an understatement </3 i had a list of specific parts from the chapters to mention but it flew out of my brain the moment the cafe interaction happened

more invested in this than my life !!!

ree :((((( <3333

i genuinely think you might be a godsend bc i have been feeling so bad about literally everything i write and it was GETTING to me. like kid you not i was on the verge of a little kid meltdown when i saw your first like and then i had one of those breaking the fourth wall moments from the office. like what are you doing getting upset over fanfiction on tumblr . com. anyways im so glad you like it <33 truly means more than u know

[danykvyat]

So I finished Gintama and I've already started rewatching a couple of my personal favourite episodes (yeah I’m hyper-fixating) but how GOOD some of those earlier arcs were really emphasises how stagnant the ending was. The ending was ok, it wasn't awful, but it was....Meh. I’m late to the party so I’m sure it’s been said a million times before but having all the characters regress back to how they were at the beginning sucked. Nothing changed. For a series that always preached about life being worth living in spite of the change, pain and grief living brings, that sucked. It sucked. 

Shogun Assassination and Farewell Shinsengumi are the high points of the series because the events in the arcs are personal for ALL the characters. By Shogun Assassination our core characters have all come to know and care for Shige Shige so wanting to stop his assassination is a poignant goal for everyone. Farewell Shinsengumi deals with the fallout of failing to achieve that goal, culminating with the Shinsengumi willingly becoming rebels to save Kondo, again, one of THE core characters in the show. Both arcs feel high stakes because they are. They’re centred around established and pre-existing characters we've spent hundreds of episodes with. Our characters' actions feel meaningful. The battles we get feel meaningful. It all feels like it'll build to something even more meaningful because what happens in those arcs force our characters to grow and change.

And then we get Utsuro’s introduction and it all goes downhill from there. Sorachi wrote himself into a corner by making Shoyo Utsuro. The second he did that he had to commit to the ending being Gintoki, Katsura and Takasugi shaving Shoyo. Anything else would not be thematically fulfilling. And he didn't do that. 

It means Silver Soul is (un)intentionally reduced to a really straightforward good vs bad story for all the characters EXCEPT the Joui 3. The rest of the characters (mostly) have no personal ties to Shoyo. They’re stopping Utsuro et al predominantly because they're bad people out to destroy the Earth. That's it. It doesn't feel high stakes because Utsuro is never going to blow up the earth. That's just not going to happen. So it’s not interesting. You could replace almost all of the characters in Silver Soul with no-name background characters and nothing really changes. 

Which makes the ending we did get even more baffling to me because Sorachi clearly realises that or else he wouldn’t have pushed for the ending to go past what had been the agreed end date. And yet the narrative still essentially punishes Gin for his choice to behead Shoyo by having both Takasugi and Shoyo die in the end. Shoyo doesn't get to save his student. Katsura doesn't get to stop Gin from having to cut down someone dear to him again. Takasugi never gets to heal and move on from his trauma. There is zero catharsis. 

And then we flash forward with no reflection from any of the characters on what just happened and to make that worse we find out every character has failed to achieve their goals and everyone has regressed back to being the same character as they were at the beginning. Except we’re meant to be happy about that. It’s…..a choice.

Like I said, I’ve seen worse endings, and if I’m being generous it’s a nice safe ending for the Yorozuya. But I never felt like GinTama was a safe series. Utsuro being Shoyo caused a fundamental flaw with the story that Sorachi never really resolves so just wraps it up with a ‘See! It’s still a hijinks comedy series!’ which by the end, no it was a lot more than that.

Also Sorachi did the Shimuras so dirty. SO dirty.

[thecherrygod]

i just saw a post for a ship and in the tags op was asking "what do we call this one" and they accidentally came up with a word that in here it colloquially means work/job. it is work. especially if it is you

[toytulini]

Okay i have yet to see a post about this that isnt filled with ppl being Annoying as Fuck on it, but,

theyve found wreckage of the submersible, it imploded (thank god, thats better than a drawn out suffocation over the course of several days, implosion means it was pretty much instantaneous) and the us navy have revealed they heard a weird sound on sunday from about where communication with the sub was lost, that was probably the sound of the implosion, [implied that they didnt say anything cos they didnt want to jump to conclusions without evidence of a wreckage, if there was a chance they were still alive.] no idea what the banging sounds were.

I do hope rescue efforts are extended to the migrants off the coast of greece, and am angry and horrified at their mistreatment, and that the media clearly cares less for their fates than that of the billionaires on the sub.

also, while i have you here,

The difference between a submersible and a submarine is not that one is safer. The titan was a submersible that was unsafe, but that is not because it was a submersible.

A submarine (or sub) is a watercraft capable of independent operation underwater.

A submersible is a watercraft designed to operate underwater, usually supported by a nearby surface vessel, platform, shore team or sometimes a larger submarine.

submarines generally dont go as deep as our deepest submersibles, but some can be down there for months at a time bc it is like. a self sufficient Ship. not all submersibles can go crazy deep, but to my knowledge, the only crewed vessels that can go that deep, are submersibles. (Alvin, deepsea challenger, limiting factor, trieste, fendouzhe or "striver").

[babybeel]

if you support ai work (in any form, be it art or writing) pls unfollow me!

[svnflowermoon]

when my best friends are talking about how amazing she is and i'm just like... uh, about that

[pheonix-inside]

It's very amusing being a fan of a series with subpar writing because people will call it hot garbage and like. Yeah it's not phenomenal. But it's My hot garbage. Don't judge me.

[cherrirui-official]

Are your gijinkas (race wise) based on the actors for the most part or the pokemons design for the most part? I'm curious to know :3

I don't really have a definitive answer for this, but when think abt it, it's a bit all over the place if that makes sense??

Like some of them aren't really a specific race (Like 4est, Pastey, and Lark), some are based on the actors (Like Jayweed and the Mykyie redesign I plan on posting soon) and some are based on the Pokemon's design (Sara and Braidy I think are good examples of this)

Tbh the only one who doesn't fall into either one of these categories is Grunpilo, that weird little freak.

[edsheerankinnie]

Being a swiftie rn is so hard like. Maybe you are Wretched. Maybe you are Fearsome. Maybe you are Wrong.

@taylorswift SPEAK NOW🍉🇵🇸