#(but they're just going to fuck a whole bunch instead)

[novelconcepts]

Tai always has a plan. Every game they play, Tai wins. And when Tai wins, Van somehow wins, too. or Five times Taissa Turner got her way (and one time Van made a valiant attempt).

“Please,” Tai says, leaning against the doorframe. “I need the break.”

Van pointedly doesn’t look up from her homework. Lottie’s got this.

“Really?” Lottie asks. “Why?”

“Nat’s spraying this shit to cover the smell of her booze or whatever,” Tai says breezily. “It’s fucking with my allergies.”

She’s good. She’s smooth. Van almost believes her, save for the tiny detail of Tai’s not having allergies.

[cursedthing]

.havign lots of thoughts about how npcs are portrayed learning about the nature of their universe in works

[parfaitblogs]

hard times ❀ s. reid x reader

in which spencer reid doesn’t follow through one time, and you really hate that he has a psychology degree.

pairing: spencer reid x fem!reader genre: hurt/comfort tags: daddy issues. shoutout to the girls with inconsistent fathers this ones for you. established relationship. readers mentioned wearing makeup, a dress and heels. rational bf!spencer reid fuck i would hate a profiler bf. word count: 1.8k a/n: not a trauma dump fic not a vent fic do not read into this fic at all don't even start to speculate on my life and where these emotions came from they're all fake made up not real make pretend. no photos no aesthetics just me, a tumblr account, and a dream for this baddie.

In all your months of dating Spencer Reid, he had never forgotten anything. Not a date, not a work event. Or, at least, he's never forgotten to call. Even when you had been so busy one week you could barely spare him more than a ten minute phone call a day, he remembered what was going on in your life enough to be there for you. 

A false blanket of security draped over your relationship, is what it is now. 

A blanket he seemingly had no trouble ripping off you a random Friday evening, throwing it in a fire and watching it — and your trust in him — burn into dust. 

Perhaps a tad dramatic for what was happening, but you were always one for theatrics when it came to your emotions. Usually, he welcomed it. He was (abashedly) similar, after all.

Not that he was even here to welcome it. 

You'd looked pretty. You'd felt pretty. Past tense, for your shoes were strewn somewhere across the floor after throwing them in frustration, and your makeup was ruined after unwelcome tears had streamed down your face an hour ago. You had been ready for a dinner date you and Spencer had scheduled in only three days ago — penciled in, for you never knew what his work schedule was going to end up being.

You're not sure how long you sat in that one spot on the couch, mind going through every single possible scenario that could've happened between the text he sent you that morning saying he was excited to go out tonight, and the lack of his appearance this evening. 

The logical conclusion is that he got too busy, and he forgot. But Spencer Reid's whole thing is that he doesn't forget. Oftentimes he considers it a curse. You never really agreed with him. Until now, it seemed. 

The less than logical, emotionally driven conclusion, is that he actively chose to stay at work to avoid coming home because he didn't want to see you. Or he didn't actually want to go to dinner, and he didn't know how to tell you. Or his team offered to go out and he'd rather hang out with them instead of you. 

Really, the reasons are endless, and any rational conclusion was lost on you. Mind swallowing you whole as you continued to stare off into space, visibly shaking and head beginning to pound from the crying.

A glance at the clock told you it was near midnight by the time you heard the door handle rattle and twist open, tired, puffy eyes blinking to adjust to the light filtering in from the apartment hallway. 

"Hey. Why're you out here? It's late. I thought you'd already be in bed," Spencer rambles absentmindedly, voice so disconnected from you it only made the ache in your chest worse. As he flicks the light on and assesses the state of the apartment, he asks, "What're your shoes doing on the floor?"

You blink a few times. Was he pretending to be dumb on purpose? 

You stand on cramped legs, stretching them for the first time since you'd sat unknowingly on the couch nearly six hours ago, dress bunching around your waist. You didn't bother to fix it. 

Like a switch, he clicks, his bag sliding off his shoulder and falling to the floor with a thud, realisation settling into his features. 

"Our date. Oh, God, I'm so sorry, angel."

"Yeah. I'm sure," you croak, voice hoarse as you pick up your shoes pathetically in front of him, the heels clacking together as you walk towards your bedroom door. 

He calls your name, and after you make no effort to return to him, you hear his feet against the wooden flooring, carrying himself to you.

You're in the ensuite, beginning to take makeup off you probably should've removed four hours ago. It was stupid hope you held on to, anyways. 

"You're upset. I know. It was awful of me to forget our date," he stands in the doorway, staring at you through the mirror. Even indirectly, you can't make eye contact with him. 

"You forgot," you repeat back to him, almost dumbfounded. "You forgot?"

"Forgot isn't... the best word," his fingers dig into his eyes for a split second, and you watch him think. "I got caught up at work. We had a case, then we didn't have a case, then we did, so we started looking into it, and time just... escaped. From all of us."

"Time just escaped."

Your parroting wasn't doing much to further the conversation, and you watch as Spencer averts his gaze to the floor to take a deep breath, before his eyes land back on you again.

"It isn't the best reason, I know. But it's the truth," he says. 

"Uh-huh," you mumble, discarding your cotton pads stained with your makeup into the trash. 

"Can you stop being evasive?" he catches your wrist before you can return to the sink. "Talk to me."

"What do you want me to say?" you ask, almost earnestly. "It's okay that you forgot, Spencer. I won't take it personally at all, and things between us are just dandy!"

"I want to know what you're actually feeling," he replies, voice flat with his irritation, before he forces himself to soften it. "I can't reassure you if all I know is that you're angry."

"Hurt. Forgotten. Disregarded. Disliked. Irritated we're doing this in our fucking bathroom."

At that, he leads you into the bedroom, turning the ensuite light off. "Forgotten and disregarded are synonyms, so I'm assuming that's what you feel the most."

"You're the psyche expert," you mumble, bitterly.

"I'm not trying to be your psyche expert," he quips, and your heart sinks. "Why're you feeling forgotten?"

You stare at him, dumbfounded, for a beat. "Because my boyfriend quite literally forgot about me?"

"I didn't forget about you—"

"—No, you're right. You just forgot about the date that you literally fucking texted me about this morning!" you snap, voice rising in a way that makes you cringe. Yet, you can't stop it. "You! Spencer Reid! Forgot!"

"Don't yell at me, please," he takes a step towards you; you take a step back. 

"Why did you forget? Did you choose to? Are you pretending that you forgot about it all to save your ass?"

"No," he pinches the bridge of his nose. "I didn't. I told you what happened. You're choosing not to believe me."

"How am I meant to believe that? It's a shit excuse—"

"—It's the truth—"

"—God, you can lie, Spencer! Men lie!" 

He goes silent, as do you. You become trapped in an uncomfortably intense staring contest with him, as you watch his brain slowly tick over and decipher what you were saying, and come up with a response. Yours, however, splits open with your own self hatred. Disdain for what you had just said to him.

"Okay," he exhales, very slowly. "I'm going to tell you what I think, and you can tell me how right I am."

"You're going to profile me?"

He pauses. "I'm sure it'll come off that way. I'm not trying to," when you don't protest again, he continues. "I think you're less upset about the fact that I didn't come home for a date, and more about the fact that I didn't message you about it. I've not shown up for dates before. I've always contacted you prior to let you know. And I've promised I would always contact you if something came up that interfered with our plans. Ultimately, I said I would do something, and I didn't follow through. That is on me, and I'm sorry. What isn't on me, is how you're reacting. Which is childish, honey. You're acting like a petulant child, and I don't mean that as an insult, because I'm almost certain I know why."

Your silence is his cue to continue, but he pauses to collect his thoughts. Your lower lip is beginning to wobble, and he feels awful.

"You know how our childhoods affect us," he says, and the second what he's about to say to you clicks in your brain, your teeth clamp over your lip, and your eyes drop to the ground. "Reactions from parents to things we do, things others do, things they do, all builds up in our subconscious. Having a parent who didn't show up for you time and time again, built up in your subconscious. So yes, you're reacting to me not following through with something childishly. I will not take that back. But that reaction is not your fault. It's in response to a trigger, and the person in control of that emotional response is not adult you. It's the little girl who got let down by her father. I won't ever hold that against you."

Your sniffle breaks the deafening silence that follows his tangent. You allow him to envelop you into a hug, at which you break down into a fit of sobs akin to the ones from earlier. 

"I hate you," you stutter out in between sobs, voice muffled by his chest. 

"You can't say that while hugging me," he counters. It was true, as your hands had wrapped around his waist just seconds ago.

"I hate you," you repeat, punctuating your words with a poke to his back. 

"I love you," he replies, instead. His fingers thread through your hair as he cradles your head with his other hand. "I'm sorry I didn't contact you about being busy."

You swallow the lodged sob in your throat with a hiccup. "I'm sorry I acted like a petulant child. And I'm sorry that my dad sucks."

"I'm sorry your dad sucks too," you feel him kiss the top of your head. "Have you eaten?"

"Mm-mm," you shake your head, and he pulls back, hands slipping down to your cheeks, catching the tears. 

"Do you want to eat?"

"The restaurant we were going to is closed," you mumble.

"Maybe. But the Thai place isn't."

"I'm pretty sure it is," you counter, and his eyebrows furrow. "It's past midnight now."

His face falls, he waits a beat, before his hand drops to your own, and he's tugging you towards the door of the bedroom. "Okay. Fine. Well, the Spencer Reid Kitchen is never closed."

"I asked for pasta last night and you said the kitchen was closed."

"You asked at three in the morning," he deadpans, as you make yourself comfortable on one of the stools. 

"The Spencer Reid Kitchen is never closed," you mock his voice from earlier.

"The Spencer Reid Kitchen rules are made by Spencer Reid."

"The rules should be lenient of Spencer Reid's girlfriend."

"Do you want pasta or not?"

"Yes," you quickly say with a firm nod. "Sorry."

He spends the first hour of that Saturday making you pasta; and making up the missed date.

your reblogs and replies are always appreciated ♡

[unpretty]

not going to tack this onto @derinthescarletpescatarian's post because it was long enough but here is my understanding of some of the various subgenres commonly encountered in light novels/web novels/licensed webtoons:

isekai: another world. if they end up in a different world it's an isekai. it doesn't matter how they got there. sometimes the other world is explicitly a video game the protagonist is playing. they're not dead or anything, just in virtual reality. they go home at night and it's fine.

portal fantasy: it does matter how they got there, actually. they went through a portal of some kind. wherever they end up, they keep their minds and bodies. maybe in the other world they have powers, but maybe not.

progression fantasy: they are going to level up like a video game character. there may or may not be an actual leveling up mechanic. they might just get stronger or acquire more wealth and powerful allies as it goes on. they will always kick more ass. hundreds of beavers is a progression fantasy.

litrpg: western term for 'the characters explicitly have video game mechanics'. there is probably a System of some kind. characters are aware of levels and power tiers. most controversial subgenre, lots of people hate this.

dungeon break/monster hunter: dungeons or portals appear in the real world, some people get powers that let them fight the monsters. lots of people try to tell me this is just litrpg but i argue that they are distinct subgenres with significant overlap. not every litrpg is this. you can probably find traditionally published american versions of this pre-dating video games and the litrpg concept.

transmigration: this is when truck-kun intervenes. there are other ways it can happen, but usually a character dies (hit by a truck is the most common trope) and wakes up in a different body. usually an isekai, usually it's into a story or video game, but it doesn't always have to be.

regression: a character dies, but instead of dying, they wake up as their younger self with all their memories from before their death. this is explicitly not an isekai, except when someone gets fucky with it and reveals that a transmigrator was actually also a regressor the whole time.

loop: if they regress more than once it turns into a loop. this is distinct because sometimes with regressors they just have the one chance to not fuck things up this time. some loop stories also have characters transmigrating a bunch of times.

villain isekai: usually transmigration. oh no i died and woke up as the bad guy in a story! now i gotta try not to fucking die!!!

romfan: romance fantasy. it gets called romfan instead of romantasy because it came first and is being translated probably.

otome isekai: also usually transmigration and also often romfan. you are now the prettiest princess and all the boys want to kiss you. i assume there's a 'harem' version of this For Men but i don't read those and can't tell you anything about them.

villainess isekai: usually a combination of the above three. most likely to be very meta and funny. i have a weakness for these ones.

divorce revenge: there might be a real name for this but i don't know it. sometimes this is paired with regression but not always, but it's very often a kind of progression fantasy. features a woman divorcing her shitty husband and then living her best life, which keeps getting better as her husband has to watch her kick ass and then cry about how he blew it. there are so many of these.

childcare fantasy: i think this includes both the ones where someone transmigrates into a baby, and the ones where they transmigrate to take care of a baby. i don't like this genre enough to check. but 'formerly abused child gets loved and coddled and anyone who tries to hurt them suffers' is a major component of this subgenre.

there's definitely more but my attention span has waned. here's some comics that are on my reading list after the cut, there's going to be undescribed screenshots because i'm lazy. you may need to find these elsewhere if you don't want to deal with tapas or webtoon and their paywalling systems.

The Greatest Estate Developer: transmigration villain isekai and progression fantasy with litrpg elements. architect uses his knowledge to save his own ass and also his new family, gets powers, everyone will unionize whether they like it or not.

Lout of the Count's Family: transmigration villain isekai and progression fantasy. ends up in otome isekai recommendations a lot despite technically not being an otome, on account of the eye candy and shipping potential. the webnovel has turned into like six different genres by now and is asspull central but i read it anyway. protag says he just wants to save his own ass so he can relax but does it by coughing up blood constantly.

The S-Class Hunters That I Raised: regression dungeon break litrpg. guy with shitty powers regresses and has to figure out how to make his power of taking care of people suck less, turns out it's OP as all hell.

Villains are Destined to Die: villainess transmigration otome isekai, maybe a little litrpg? there's definitely a system. protag just wants to go home because the visual novel she's in is notoriously difficult and she is at constant risk of being murdered. i like this one so much i own it in print.

Marriage of Convenience: regression romfan. not an isekai!! protag hated her life and died in poverty and shame after her husband died, this time she's going to try not doing that.

Villainesses Have More Fun: villainess transmigration otome isekai and progression fantasy. protag is very excited to be the villainess because she was the best character. she loves being rich. unfortunately at least one plot point raises the question 'why is that boy white'

Beware the Villainess: villainess transmigration otome isekai, meta as all hell, extremely meme-able faces, does not end in an OT3 but should have.

Baroness Goes On Strike: regression romfan, also not an isekai. protag wanted a divorce on her deathbed but woke up on the first night of her marriage, wants her life to suck less this time through the power of being assertive.

The Perks of Being a Villainess: villainess transmigration otome isekai and progression fantasy. protag has resting villainess face and progresses through the power of advanced math, unregulated capitalism, and abuse of the patent and copyright systems.

I Think I've Been Possessed Somewhere: transmigration isekai starring a main character who's read so much romance fantasy that she doesn't actually know what genre she's in because everything is too generic. meta as all hell.

Your Throne: villainess, sort of transmigrator? the crafty politically-savvy villainess bodyswaps with the naive saintess heroine, shit gets dark real fast, probably not going to end with girls kissing despite my hopes and dreams.

The Remarried Empress: divorce revenge romfan. you see this one referenced a lot in the comments of other romfans because everyone hates Rashta, the waif that the emperor divorces the empress for.

Raising My Fiance With Money: romfan, fake dating, sort of a divorce revenge except it's her ex-fiance. no isekai elements at all, but the protag is ridiculously lucky with money, comically wealthy, and supported by her doting family despite having terrible taste in men. her love interest is a teddy bear with resting murder face.

When The Third Wheel Strikes Back: transmigrator isekai. the protag never actually read the book, he only knows about it through osmosis because it's hugely popular and his sister is a big fan. one of the only things he knows is that in a recent update his character dies. also, it was already a transmigrator isekai before he got there. he isekai'd into an isekai. so much of the worldbuilding suggests a canon ot3 but i refuse to get my hopes up.

Omniscient Reader's Viewpoint: it's sort of a dungeon break. not really an isekai but kind of. litrpg, sure. there's regressors. there's transmigrators. there's a lot going on. kim dokja was the only reader of a terrible, ridiculously long webnovel that now appears to be coming true. the official adaptation appears to be making the webnovel less queer overall. i read the webtoon until i got impatient enough to force my way through the sometimes clunky webnovel translations. it's hard to explain orv because it's a story about stories. consuming stories, telling stories, stories told about you, becoming a story, the cost of a story. it is so long. there is so much happening. the story is resolved in the epilogue you might skip if you didn't know any better. some people find it too confusing while others read homestuck.

[bo0tleg]

One thing I like about Top Gun (1986) is how believable the development with Ice and Mav's dynamic is.

I've seen a lot of the "Rivals suddenly become buddies after traumatic event together" in media, but I don't think I've seen it done better than in Top Gun. Mostly, I attribute it to how much build up it has.

Most of the time, the 'Rivals' hate each others guts throughout the entire movie/series and then they go through an extremely traumatic event that binds them for life and shifts their entire concept of each other. Ice and Mav never once changed how they saw each other, it just changed their understanding of it.

Ice saw Maverick as dangerous and Mav saw Iceman as stuck-up and commanding. And they weren't wrong, by any means.

From the beginning, they have tension between them because of how different they are. And it ends up in the audience seeing Ice as the 'Antagonist' because that's how Mav sees it, and we're seeing it from his perspective as the protagonist. But Ice was never inherently wrong, in fact he was right.

Other than his first scene, Iceman always has a point in what he's saying. He's criticizing Mav, not insulting him. Sure, he does it in a brash way because masculinity, but he's not trying to insult him, he's trying to knock him down a peg and wake him up to reality. All Ice wants is that he starts to act as a team player, start caring about everybody's safety AND his own, rather than being reckless for the sake of being reckless. But Mav sees it as an insult because he can't process criticism in a healthy way (due to how he grew up). The same thing happened with Charlie, for the record.

And so the strife between the two begins. What I like about it is how it bleeds out of them over time, becoming more settled as the movie goes on. In the locker room "You're dangerous" scene, the tension is palpable. It's obvious they're agitated by each other, and feel the need to prove they're the correct one.

If you pay attention, this whole... demand for superiority goes away as time progresses. They're fine with each other's presence, it's not like they're constantly at each others throat all the time. In the shower scene, Ice dropped all of the aggression and competitiveness from his tone and is instead just laying out what he thinks. He's not undermining Maverick, he's not lecturing him like a child. Iceman is just telling Maverick exactly how he sees the situation in hopes that it would make him realize what the fuck he's doing, but with little hope that it'll actually work.

That doesn't mean Ice is always correct either, he doesn't understand why Mav acts the way he does, thus fails to take into consideration the emotional trauma behind it. Which only causes even more strife.

The entire time, Iceman isn't being a dick for the sake of it, he just wants Mav to stop being stupid (by his standards). And Maverick doesn't understand it because all he gets from what Ice says is insults.

Maverick isn't good at understanding what people mean to say if it's implied, you need to say it to his face. This is the reason he stayed quiet in the shower scene, because Ice finally laid everything out in simple words that he can understand without making it sound like a dick-measuring contest.

Thing is, the tension mellows out. At the beginning, you could see the tension and cut it with a knife. By the middle you can see them getting used to each other without jumping to constantly trade jabs (namely: the volleyball scene, it's just a bunch of guys being dudes, and the scene where Charlie says that Mav flew recklessly in front of the whole class, Ice doesn't comment on it in any way). Over time, they've settled down into their tension without needing to address it all the time.

Then Goose dies.

And the tension between them is still there.

Just because Goose isn't there anymore, doesn't mean their whole dynamic vanishes all of a sudden. You can see their hesitation towards each other (especially Ice), and that's great! It demonstrates that Goose dying doesn't magically resolve their problems with each other in solidarity.

Ice tried to give his consolations to Mav, and is awfully awkward about it. You can see on his face that he wants to say more, but doesn't because he knows it's not his place given their history. And not much is said, but a lot it communicated. (Val Kilmer is a killer actor for this, OH MY FUCKING GOD BLESS THAT MAN)

Even in the graduation scene you can see how out of their depts they really are with each other. A stilted congratulations, that was it. But they're trying, and that's what matters.

A scene I think gets overlooked a lot is the scene right before the Layton, where Ice expressed his worries about Mav to Stinger, and Mav heard him. Because I feel like that was a shift that was more drastic than the Layton itself for them.

What Ice was doing in that scene wasn't doubting Maverick's flying abilities, it was his mental health. Sure, he passed the psych eval, but that means next to jack shit when in a real combat situation so close after his backseater dying. And Ice might be worried that he's gonna be left hanging, but with the way he was speaking I'm more inclined to believe he was more worried about Maverick's wellbeing than himself. Ice almost looked resigned. He knew it was gonna get dismissed because that's the military for you, but he still wanted to try to vouch for Mav to stay groundside, if only to keep his mind at bay.

But Maverick heard him, and as usual, he read it as an insult. He wasn't wrong to assume Ice didn't believe him capable of flying the mission, which wouldn't be a lie, but failed to realize that he had more than one reason to want Maverick on the ground rather than in the air. And for the first time, Maverick believes him.

Up until this point, Mav dismissed all of Ice's so called 'insults' because he was certain in and of himself. But now he isn't anymore.

And it affects his performance in the air. I'm not saying he was as shitty as he was at the start of that combat because of what he overheard, but I am saying that it certainly didn't help matters in the slightest.

So their weird 'stepping-on-eggshells' situation is all over the place by that point. Because they started to care about each other despite not being what one would call proper friends yet. It's establishing a potential friendship by implying that 1. Ice cares about Mav's wellbeing and 2. Mav cares about what Ice thinks.

On the ground, they have the wingman exchange, and their suddenly buddy buddy. Thing is, it wasn't sudden at all.

They've been setting this up the entire fucking movie.

Going back to what I said at the beginning: Ice thinks Mav is dangerous and Mav thinks Ice is stuck-up and controlling. After the Layton, they still think those things because they weren't wrong to begin with. What changed was that instead of seeing it as something that pitted them against each other, it was seen as something that simply was about the other, and that there was no changing it. It could be good.

Mav being dangerous could be good and Ice being stuck-up and controlling could be good, because those were just traits of who they were. By the end of the movie they didn't change how they saw each other, just how they interpreted each other.

And it was built up during the entire fucking movie.

There was a reason to why they acted the way they did with each other because of the stilted interpretation they had of each other. From rivalry to friendship (and perhaps more later down the line), it's glaringly obvious throughout that it wasn't a sudden shift, it was exponential.

That's why I think it was so well developed, because you could see it coming.

[grzybobranie-zaniechanie]

Batman crack fic idea Janet Drake used to date Lady Shiva when she was in college, they break up when Janet marries Jack for social and money reasons.

Tim is born. When he's old enough the Drakes fuck off to do archeology and Janet hires a bunch of increasingly bizarre people who "owed her a favour ". There's a disgraced Russian ballerino, a mad chemist, the worlds best loclpicker, John Constantine, a black and white noire detective, some Welsh guy she found in the woods. Tim learns from all of them. Janet doesn't believe in public schools, so all of this is "homeschooling".

Flash forward, Tim is 11 Jack Drake dies on a dig in Australia, because a bird dropped a coconut on his head. Suddenly Tim has a new stepmum. Lady Shiva's nice, weirdly intense, but nothing he hasn't seen before. Janet takes over complete control of Drake industries, expands her business empire and destroyes her enemies with extreme prejudice. She teaches Tim all she knows about business. Shiva teaches him how to fight. Tim is happy he now has two mums who love and pay attention to him.

Stuff happens (I haven't figured out what yet) they find Cass and Tim gets a sister. Now, because this is DC and the children canonically yern for the streets (im thinking they're like 13 & 16 at this point), Cass and Tim become a new vigilante duo (I'm thinking Crows, one of tims nannies was an animal handler and he befriended all the crows in Gotham, they follow him around) and have perfected non verbal communication and creep out everybody with horror movie twin behaviour.

While sneaking around Gotham, they meet Steph, and she takes one look at them and decides that she likes Cass and that Tim needs to be bullied relentlessly. She is, of course, correct.

Meanwhile, Bruce is not having a good time, Jason is dead, and WE has competition for the first time in his life. He'd like to spiral into a pit of despair and find out who the new vigilantes are (and why are there so many birds?), but if he does that, Lucius will kill him or, worse, quit his job. So, instead, he and Dick are sent to therapy.

Jason comes back fully expecting to have to do a whole production out of this situation, takes one look at Bruce being forced to sit in a meeting with Janet and decides that he's fine actually, and why the fuck is Lady Shiva just hanging out at this gala with two kids hanging onto her?

By the time Damian is dropped off, everyone except for Bruce knows who the Crows are, Cass and Tim come over to hang out all the time. Damian is confused as to why The One Wo Sees All is in his father's house and how her brother manages to somehow be scarier than her. Damian does not like to be confused, so he still tries to kill Tim. This devolves into a roadrunner situation where Tim pulls out increasingly niche skills to get out of Damians traps. Later, this becomes enrichment for both of them.

When Tim is 15 and Cass 18, their mums decide they're old enough to be fine living with Bruce while they go off on their own adventures. Dick brings the Crows over to meet the Titans. He's told them about his cute baby siblings (Bruce is not the only one with an adoption problem). These children are not cute. They invoke fight or flight responses. Kon has one conversation with Tim, gets info dumped on, and falls in love immediately. He's finally found someone with an equal, if not greater, amount of weird, eclectic knowledge. Young Justice adventures are somehow even more bizarre than yj98. They are having the times of their lives.

Since Tim was never robin, Duke never started the We are Robin gang. But the Crows do have a cult, and he might be in it. His parents still get jokerised, and he starts living in Wayne manor proceeds to fit right in with the insanity (Bruce has given up on trying to control any of it).

The Justice League dreads whenever they have to meet with any of the younger Gotham vigilantes. Somehow, Jason ended up as the most almost well-adjusted one. He doesn't know how that happened either.

[ddiidi]

bf!Bangchan x gn!reader (ot8 mentioned)

Masterlist

When he calls you clingy, so you distance yourself

Previous Pt. 1

Pt. 2

Next Pt. 3

!Warnings: angst, swearing, fun at the end bc reader needs fun in life (lmk if i missed anything)

Important!Side-Note!: Should I do a happy ending for them?

It has been 3 days since that incident. 3 days and still not a single message from Chan, not even an apology for yelling at you, nothing. You've been texting him every now and then, to ask if he's okay, eats and sleeps. He never replied to any of them, nor has he seen them, so you spend most of the time packing your stuff and working from home. You were glad you had a job you also could work from home for. Every now and then, you went over to the building, to check a few things, walking extra detours, to make sure, you won't bump into Chan.

A few of the other members texted you the past days, asking if everything is okay and why the haven't seen you around for a while, to which you just replied with "Busy with work and private stuff, dww:)". It made you happy they actually care that much about you, just because they haven't seen you in a few days, but also anxious and sad, since they care, but chan hasn't even shown any intress in you the past days. You weren't even able to tell him that you're moving.

More days pass, and a few days, turn into a week of no textes from Chan. At this point, you wondered if he even knew that you still exist.

So here you were, in your old apartment, stuffed with boxes, not being able to get your mind off chan and his well-being, even though, you're still deeply hurt from what he said, you couldn't just not not care about him....He pointed out two of your insecurities, just like that as if it was nothing and he doesn't even care...not about you not your feelings.

You let out a deep sigh. You should be getting ready for a day with your friends. Not think about some man, who happened to be the love of your life, who calls you his partner, but doesn't even know how to cherish you.

You let out another, heavy, sigh as you drop to the floor to put on your shoes, Let's just focus on having a great time today, you thought to yourself and left the apartment.

Well, maybe it was not the best decision to go out today...

Chan for his part, had to listen to a lectur from Felix, after you ran out, crying. "Chris..you really shouldn't have said all that to her. I understand that you were annoyed or whatever, but that was no reason to yell at her" "Really now? They were just being a fucking, clingy and annoying crybaby that couldn't take no for an answer, for whatever reason." chan sighed out, at the younger member. "That crybaby...was really uncalled for chris. They're your partner, not some random person on the street you can yell at. I wouldn't wonder if they took that "Leave me alone" to heart and actually leave you after that action." "But I-" chan starts, "I'm just saying chris. You better fix this before it's too late. After what you pulled, partners are faster gone than you could blink" with that, Felix leaves the room, leaving Chan alone, again.

Since that talk, Chan locked himself in his studio, thinking about the best way to apologize for what he said. But he couldn't find one. No matter how long he thought, days, a whole week, there was nothing but regret. He just had to apologize in person and beg for forgivness, hoping that you'd actually forgive him.

So there he was, with a giant bouquet of flowers, fresh clothes and hope.

He had the code to your apartment, so he opened the door, ready to be greeted by the warm, wide open hallway, but was greeted with the cold gray of bunch of boxes instead and the first thing he felt, was panic."Y/n? Y/n are you there?" he yelled, as he ran through your whole apartment, but as he saw that even all your date polaroid pictures where gone, he couldn't help but panic even more.

He let's the flowers fall on the floor, running to your room and nearly collapsed when he found..nothing. Where were you? Did you actually go? Did you actually leave him? All these questions consumed his head and that's when he broke, crying to the point he couldn't breath. He took out his phone and called the first number he saw in his recent calls. It peeped a few times, before someone took the call.

"Hey Chris everything alr-" "They're gone! Felix they're gone, they're not here i don't know what to do! I've never meant it I was just-" chan cried and gasped out at felix on the other line. "Woah there calm down, try to breath I don't understand a word. Relax, I'll be there okay? You know there is an explination for everything, that's what you always say, so try to relax it's okay" Felix tried to soothen the older man, while grabbing his keys and running out to his car. Chan didn't reply anything to that and continued soobing.

I have your location, I'll be there in 5." that's the last thing chan heared from felix, before he collapsed on the floor in your apartment.

And you? You were drinking coffee with your friends, while your bestie told you guys a story how she saw a horse that nearly drowned.

‧͙⁺˚*･༓☾✧༺🖤༻✧✧༺🖤༻✧✧༺🖤༻✧☽༓･*˚⁺‧͙

@finnbbl @wolfs-howling

[gay-dorito-dust]

Can I request headcanons for Remy, poly! Logan, and Wade reacting to gn crush telling him that they had been told by their crushes that they're not good-looking and interesting please?

Poly! Wade and Logan

Bullshit! That is such utter bullshit! You’re so sexy don’t cry! - Wade

The idiot doesn’t know what he’s missing out on if that’s how he thinks - Logan.

Want me to kill them?’ - Wade

Logan would smack Wade on the arm ‘pack it in.’

Both of them didn’t like the prick, they never did but didn’t say anything about it for your sake.

Now? They’ll gladly drag that bastard through the mud and more for making you feel as though you weren’t shit. You are the shit when Logan and Wade are concerned.

Wade will be your hype man during this sensitive time but his affirmations were mainly things like:

You are sexy, you are fierce, you will crush that fuckers skull with your thighs the next time that fucker opens their mouth!

Dog pool likes you more than that fucking disappointment.

Emotions are neither of these men’s strong suit so they’re not going to be the best in comforting you but that doesn’t mean they don’t try to take your mind off of the whole thing.

Logan would be your shoulder to lean on for the teddy bear of a man wouldn’t bring himself to move as you openly ranted to him and Wade about the now former crush.

‘What did I do wrong?’

‘You didn’t do anything wrong and you know it, so stop trying to find a plausible way to blame yourself when the fault falls upon the fucking idiot who rejected you.’ Logan would say as Wade hums in agreement while painting his nails.

Pookie is right- Wade

Don’t call me Pookie- Logan

Pookie and I don’t want to see a cutie like you cry over yesterday’s news, if anything you should be strutting down the hallway to show that you don’t give a fuck.’ - Wade continued with a smile. ‘You don’t need someone like that who’ll abandon you upon the first sign of hardship and instead people who’ll gladly get their hands dirty regardless.’

These two may not know what they’re doing or whether they are doing it right but they’re doing their best to make you feel better and make you feel special, which they already do with Wade’s surprise cuddle piles, but that’s all that counts for you.

Out of the two Logan gives the better advice out of the two whereas Wade will want to trash your former crush’s stuff without getting caught. They both show their care in vastly different ways but you always come out of them with a smile and tad more confidence in yourself.

Remy LeBeau

‘They lie mon Cher, you are far from what they say and more.’ Remy would say while trying to bite back his own tongue.

This crush, or former crush now, must’ve been the most stupidest person to have ever lived to have called you uninteresting and not good looking.

To Remy you were by far the most beautiful souls he has ever come across and had nothing but love and respect for others you acquaint yourself with, not to mention you had anyone and everyone paying close attention on what it was you had to say.

He didn’t like seeing you become so unsure of yourself from one persons words and would do anything and everything just to prove that they were a bunch of lies made up by someone who doesn’t see you the way he does.

Remy would shower you in affection and praise that didn’t overstep any boundaries.

He’d spend all day and night with you if he must to show that you were more then some words made by someone else, he’d look at you as though you hung the stars in the sky, he’d look at you as though he could see you rather see through you.

It was beautiful to be seen and or looked at the way remy looks at you that it made you forget all about your former crush. He’d remember everything you’ve ever told him, would greet you in the morning with a tender kiss to the back of your hand while comparing you to the most beautiful rose in the garden.

How are you not meant to fall for him when he’s done nothing but sing your praises and listen intently to everything you’ve ever said.

‘Don’t let people like them get to you mon Cher, that’s what they want. They want you to be as miserable as them instead of flourishing like you should be.’ Remy said as he held your hand.

‘But I thought they-‘

‘Were the one?’ Remy asked. ‘We all think the first people we met are the ones for us, until we are proven to only have been blinded by the sweeter aspects of the relationship that we forget that the person we think we will love forever is as flawed as every other human.’ Remy adds as he lets you rest against his side, pressing a reassuring kiss to your forehead. ‘You’ll find your person.’ He smiled at you.

‘I hope they’re like you then.’ You said as you melted into his side.

‘Or you could just have me yourself.’ Remy would reply.

What’s your answer, will you have him Or wait.

[minus-plus-zer0]

One Good Grovel

♡ Genre: Fluff (trust me), little crack ♡ Pairing: Bakugou x Reader ♡ Tags: Established relationships

You and Katsuki had your biggest fight in a while.

Both sides fought like they were out for blood. You two said things you shouldn't have, things that were hard to take back. It ended with Bakugou storming out of your shared apartment.

The moment he did, he regretted it. But he didn't know how to go back inside and say it.

Hours later after he came home from doing errands, Bakugou found you on the couch. You hadn't answered any of his texts, and Bakugou never felt so helpless before. He was already losing you fast, and he couldn't dawdle now. Bakugou dumped his groceries on the kitchen counter and then approached you. Neither of you said anything.

You still looked torn up about your earlier argument, your hair a little messy in a way that Bakugou liked. He'd prefer to be the one messing it up himself, but he knew he didn't deserve that privilege now. Bakugou threw an extra blanket over you, because you looked like you needed one.

"Yo," Bakugou said, sitting down beside you on the couch. "How've you been holding up?"

"...I don't wanna talk about it. Not with you."

Your voice was frail, quiet. It broke Bakugou's heart, knowing that he put you in this position.

He had to make it right.

"I'm sorry," Bakugou said. "For everything I said. I wouldn't be surprised if ya never wanted to talk to me ever again after this." You looked at him suspiciously. "It'd kill me if you did, but that's fine. 'Cause I value your feelings over mine. When I was out today, all I could think about was you and what I said to you. So I bought you some gifts and I really hope you'll love 'em."

Bakugou reached out to stroke your hair. "And I promise you, I'll never say that demeaning shit to you ever again. You mean more to me than winning that stupid argument, and I don't know where I'd be in my life without you by my side. I was wrong, okay? I was dead wrong for treating you like that, like anything less than the best. Most of all, I just want ya to take me back and love me. But I won't force ya to do anything. I can walk out that door again and leave you alone if you asked. And if you hate me forever... I understand."

You smiled at him. "...Okay, I hear you."

"...So do ya hate me now?"

You still smiled. "Only a whole bunch. You monster." You playfully punched him in the face.

"Sorry," Bakugou said, matching your sweet expression. "I deserved that. Punch me all ya want. Won't even stop ya."

You gave him several more feather-light punches. "You're soooo dead."

"Ya gonna call the cops on me too? Make sure I never do that shit again? Make sure I learn my lesson instead of forgiving me too easily?"

"Yes." You fluffed his hair. "They're already on their way. The conviction of a famous Pro Hero is gonna be the scandal of a century!"

Bakugou fixed his hair. "Well I'll still love ya, even while in jail."

You crossed your arms. "Only after you've served your 10-year sentence and repent through hours and hours of community service will I finally forgive you. Then you'll be free, we'll start all over, and we'll fall in love again."

"Deal," Bakugou said, kissing your forehead. "But I wanna skip to the end."

"No, that's the easy way out!"

"The hell? You're not actually gonna send me to jail for saying it was wrong to like Pepsi over Coca-Cola, are ya?"

"That's how the roleplay is going!"

"It ain't that serious! I said I was sorry babe! I'm sorry!"

You recalled what you originally fought about quite easily...

"Alright," Bakugou said. "I'm gonna head out for groceries. Any last minute changes to the shopping list?"

"Oh yes!" You rushed out to meet him in the entrance. "Could you get me some Pepsi? Pretty please?"

"What the fuck?" Bakugou looked at you like you grew two heads. "'Pepsi'? You want freaking 'Pepsi'?!"

You shrugged. "...Is that so bad? It'd be nice to have something besides Coca-Cola for once..."

Bakugou's eyes narrowed into slits. He shut the front door and approached you. "I didn't realize we had a freaking problem here. You're telling me I've been buying the wrong soda for you this entire time?!"

"Well... It's just not as good as Pepsi. It's not the same. I'm sorry... but I've always felt this way."

"Since fucking when?! When did things change?" Bakugou slapped a hand over his eyes. "What the hell did I miss?!"

Bakugou couldn't believe this. He thought he knew you better than anyone, just like how you knew him better than anyone. You two were the tightest couple ever. Bakugou had an engagement ring hidden in his dresser because he had already long since decided that what he wanted in life was you.

But now, he didn't feel like he knew you at all.

He'd still marry you though.

You remained silent. Bakugou couldn't stand it. He shook his head, then walked back to the front door, opening it. He stopped before he left, turning to you.

"Coca-Cola is better than Pepsi. That's just a fact."

Then he turned, and left. Instant regret washed over him, but he continued down to the front lobby. As Bakugou looked down upon his cursed shopping list, he couldn't in good conscious buy Coca-Cola anymore. Not when you hated it so much. He had to make things right.

He was getting Dr. Pepper instead.

"This is fucking disgusting, Katsuki," you said, halfway through your delicious can of Dr. Pepper at your dinner table.

"It was on sale, alright?!"

(I've read that a lot of people are unsatisfied with grovels in romance novels because they don't feel that the love interest apologizes well enough, so I wrote this just in case anybody needs one good quick grovel with none of the baggage attached. Btw, my favorite is Coke and it's not even close)

[lapdogchase]

fascinated and distressed by chase's disordered relationship with sexuality + his emotions abt his own trauma & abuse

thru the beginning of the show he doesn't even realize he's hot despite being objectively attractive. when he finds out he's hot he then realizes people pretend to be interested in him as a person in order to have sex with him and gets super upset about it

he starts having a bunch of meaningless sex as a coping mechanism when cameron leaves him. and also a lot of other times. whenever something bad happens, basically, he starts going out with a bunch of women, just to feel something, presumably

^to the extent where hes known within the hospital as a slut. and has had sex with an insane amount of nurses. as well as presumably women who are not at his place of work.

he says doing this made him hate himself so he stopped. it's the b-plot for an episode and then he's back having meaningless sex again by the end of the episode

even his coworkers know this about him. and have called it out, masters even says she thinks he doesn't respect women bc, in her words, he's with a different one every few days or maybe he finds comfort in meaningless relationships

goes back to having meaningless sex within weeks of getting stabbed. which is really bad for wound healing reasons too. genuinely it seems like such compulsive behavior for him considering he keeps doing it even when its objectively not only a bad idea but actively dangerous

house even directly says he's "a serial slut" because he's "terrified of intimacy." incredibly accurate assessment

his relationship with his sexuality reads so heavily as someone who thinks they're not good for anything else

see also: dissociation & avoidance

we know he has a lot of trauma especially in childhood- he never really gets into it let alone into how he Feels about it but what we know is already bad & that's just the stuff he's okay with sharing with his coworkers or patients

in general he's very avoidant of his own trauma- when he gets stabbed he says he "can't change what happened, can only make better choices from here" as if it was his own fault, and refuses thru the whole episode to acknowledge that being traumatized by this would be a really normal reaction that he is definitely having. instead he just blames himself

also, he dissociates from traumatic things that happen to him - says "there was a stabbing" rather than "i was stabbed" for instance

when he's talking abt his childhood trauma he does it in a very similar way - he talks about it very bluntly and doesn't ever get into how he actually feels about it.

see also: dr. fawn response

general passive willingness to go along with anything- when cameron says they should have sex in s3 he's surprised and then he just kinda goes along with it. not bc he didn't want to bc he obviously did, but he's just generally very much someone who does whatever other people want him to do. i feel like he and cameron both tend to seek validation thru sex in an unhealthy way that i'm still gnawing on like a dog with a bone i have to go rewatch s3 to really articulate it though

he has a sort of desperation for praise and approval especially from anyone he views as an authority figure. he does whatever authority figures tell him out of this idea that it'll bring him approval and therefore safety

like no matter what house does or says to him he doesn't argue or retaliate or anything. even when house punches him he collapses on the ground in pain and then just keeps talking about the patient like nothing happened.

the scene in 3.10 after house punches him where he's in the ddx room and house walks in and throws the file at him and chase is startled and tries to pretend he's not. and he looks up with this huge fuck ass bruise on his jaw swallows heavily and pretends not to be upset. and house asks if he got that looked at as if he wasn't the one to give it to him and chase just swallows and says he's fine. dr fawn response :(

[dreaisgrayte]

Hello there, I hope your day is going well. I have a nsfw oneshot request for Mitsuri from KNY if that’s okay. (Preferably female reader)

HEAR ME OUT. Okay so I’ve seen a lot of fanfiction where Mitsuri is a bottom, but I can’t get Soft Dom Mitsuri out of my head- like you know she’s gonna be worshipping the readers body and praising her throughout everything and AHHHH I just know the aftercare is heavenly. (and also let’s just say strap-ons exist in her universe)

*ahem* Anyways, take as much time as you want on this and have a wonderful day mate!

ABSOLUTELY, AMEN, AHHHHHHHHHH (was screaming the whole time I wrote this) Soft Dom Mitsuri lives rent-free in my head. I want to live in this story >:( Why can't I ever get izakied into a story????? DAMN IT Sorry, this took a little longer than I had intended, I was working then a bunch of things happened to where my pregnant cat had three beautiful kittens which I've been co-parenting (since she's a stray and they're outside...which I so badly want to take them inside and cuddle them so nothing happens) Also! The next anime convention I attend, I will be cosplaying Mitsuri! So I'm BEYOND excited about that!! Thank you, annon!!!

Warnings: NSFW, MDNI, kissing, fingering, cunnilingus, face sitting, strap-on, Mitsuri has a thing for fucking reader with her new toy, body worship, cowgirl, Mitsuri is skilled ;) , wholesome aftercare

Word Count: 3.3k

A Secret Technique | Mitsuri Kanroji x fem!reader

As always, Mitsuri Kanroji was grinning ear to ear, the apples of her cheeks a rosy pink. She was captivating, a distraction to the trick you were trying to show her. Ever since you’d met the love Hashira her flexibility had always vexed you. Her ability to twist and contort mid-air was admirable, to say the least. “Is this what you were so excited to show me?” She inquires, walking around your attempt at doing the splits. She hums, a giggle bubbling out when you wince as she pushes on your ankle. “You’re super close YN! We can practice together if you want?” She pops up in front of you, hands clasped together with that fucking adorable excited smile she always wore. 

You tilt your head, closing your legs to wrap them into a sitting position. “Uh, sure.” A stupid smile tugs your lips upward as she squeals, sitting down gracefully in front of you. 

She spreads her legs easily to each side of her hips, her green socks pulling down on her thighs. You gulp as your gaze revels in the plush pink of her skin. Thank the gods her black skirt dips down to cover in between her legs or you’d have a hard time listening to anything else except your heartbeat. “Open your legs,” Mitsuri starts. You choke out a laugh, looking up expecting to see her playful expression, instead, you’re met with a more hungry emotion crossing her face. You do as you’re told, pushing them apart and watching with tensed breath as Mitsuri scoots closer to you. 

She delicately touches the muscle of your upper outer thigh. You gasp as her hand travels down the length of your leg and she makes steady eye contact with you. Goosebumps are erupting down your body as if your flushed cheeks weren’t enough of an indicator of how you were truly feeling. “You know YN,” She lets her gaze drop to where her fingers are tantalizingly traversing their way back up your leg. “I find that using a secret technique helps out immensely when it comes to stretching out.” Mitsuri professes, her electric green eyes flickering up to meet yours. 

A secret technique? You’d been friends with the love Hashira for a while now and she’d never once mentioned a secret technique to you. Here you were, thinking that there were no secrets between you two. Obviously, you were too blinded by how blissful every moment spent with her felt. “Oh, don’t feel pressured to tell me if it’s such a secret or something I wouldn’t want to-”

“YN,” Mitsuri’s gentle hands grab your face, mushing your cheeks to get you to stop talking. “You’re so cute when you start overthinking, but I’m going to need your express consent for what comes next.” The way she’s gazing into your eyes nearly makes your body go numb. How could one person be so perfect? 

She lets go of your face, placing her hands back on your thighs, this time with a little more command of where she grabs. You glance down, worried she might feel how erratic your pulse is through your skin. Between your thighs was a vortex of neediness, pleading with your brain to be fucked by the woman in front of you. Every time she got near your cunt, things got a little complicated inside your body. Hopefully, this secret technique would require you to climb a mountain far away from your growing desire. “I trust you Mitsuri, you can do anything you want.” 

Her lips twitch in a grin, but before you have any time to wonder why in the hell she was bracing your feet against hers, she pulls your thighs against hers – and swiftly kisses your lips. You groan at the burning sensation of your body feeling like it’s being torn apart, but as you lick your lips you can taste the sweet honey Mitsuri had eaten earlier. Somehow, it’s even sweeter than when you shared in the delicacy. Your fingertips brush against the tender skin of your lips, a stuttering breath blowing out of your mouth. “Do you understand what I mean now?” She inquires, letting your legs return to a less painful stretch. You gulp, blinking up to meet her gaze. 

You feel hazy, your skin is burning – but in the best way possible. “Not really, but I’d like to do more of that,” You putter out, swinging yourself into a kneeling position. Mitsuri giggles, doing the same, walking over to you on her knees. She smiles gently grabbing your hands.

Her uniform leaves little to the imagination and you are looking… disrespectfully. Have you always felt this draw toward Mitsuri? You’d assumed it was the desire to be her friend – and while that’s been enjoyable – you can’t help but wonder if you had an underlying motive for getting so close to her. “You do understand the secret technique is…sex, right?” Your eyes widen as you jerk your head to take in the expression on her face – completely serious. Whatever your motives were, it didn’t matter, all that mattered was pressing your lips into hers, so that’s what you do. Her fingers card through your hair, humming in delight as your hand finds her chest, tracing the curve of her cleavage. 

Your heart is beating like crazy as your chest swells with something akin to excitement. To think this was how you were spending your day. Kissing Mitsuri was like praying to a shrine and the gods blessing you with eternal riches and splendor. The way her plush lips formed against yours, trailing kisses down your cheek and neck, surely this is the paradise sought after. 

Mitsuri seemingly knew all the sensitive parts of your body – you weren’t sure if this was because you were both women, but as a Hashira Mitsuri knew the inner workings of how the body reacts. She was damn good at putting that knowledge into practice. Her mouth works against yours, lips slightly parting allowing her to slip her tongue into your mouth. The kiss was passionate, Mitsuri guiding you all the way onto your back. You’re both panting as she hovers above you. “Have you ever been with a woman before?” She inquires, looping her leg over your waist. She now sits on top of you and fuck was it a view. Her cheeks are red, her hair messy in parts, her chest heaving, and her warmth was spreading all over your body. 

There was a time when you had a mission in the entertainment district and having haven in one of the tea houses, you were alone with a gaggle of courtesans who were happy enough to show you how fun it could be to share intimacy with the same sex. One of them spoke of having a certain tool able to render men practically obsolete if you were into that sort of thing. You did think some men could be the absolute worst, but being evil wasn’t in their core, that much you could tell. The world can twist and confine anyone into becoming something they’re not. Just like demons, not all of them asked to be that way, yet the corps eradicated all demonic creatures. Needless to say, the company of men would not be forgotten by you, but if the only person you ever laid with again was Mitsuri – you’d be fine with that. “Yes, more than one.” Mitsuri’s eyes widen, then her face slowly curls into a grin. 

She places the palm of her hand flush against your chest. “Then you won’t have a problem,” She moves up your body, lifting her skirt up. Your breath catches when you realize her pussy was on you this whole time. Your gaze flits up to meet hers. “Stick your tongue out, darling. I’m going to test just how much you know.” She fluffs her skirt out over your head, hovering above your mouth with her bare cunt. Her thighs muffle any sounds from the outside world but amplify your beating pulse. Gods this was going to kill you – but what a way to go. 

Your tongue laps at her folds, enjoying the way you can feel her shiver above you. Her arousal was heady but a sweet tanginess floods into your mouth. Of course Mitsuri Kanroji had a delicious pussy. Your hands wrap around her thighs, locking her into position as you taste her again and again. You lift your skull off the ground to suck on her puffy clit, swirling your tongue around it with precision. Her thighs shake and then she’s pushing your head back down by sitting on your face. You happily make work of her clit, using the flat of your tongue to glide through her slick folds. Your face is soaking, a mixture of drool, sweat, and arousal coating your skin. The sounds you can hear are the sucking and slurping of a job well done for Mitsuri lets out a cry loud enough for you to hear. Her fingers are suddenly intertwined in your hair, pulling on the strands. A shiver runs through you as you smack your mouth against her pink pussy. Her muscles tense and she shutters, shaking as she cums all over your face. 

Mitsuri swings her leg over your face, a delightful moan rumbling from her chest. “I only wish you could’ve seen what a perfect job you did. You should’ve warned me about how good you are at eating pussy,” She presses the heel of her hand into her forehead as she laughs. You join in, sitting up to get a better look at her. 

She’s blushing, but the main difference you take note of is how her uniform is pulled open, revealing her perfect breasts. It sends a spike of want through your chest. She notices you gawking and squeaks. She shyly turns her back. “What are you doing? I want to see.” You reach out to grab her shoulder but she tosses a glare at you instead. 

You’re shocked. What happened? Gods, did you mess up somehow? You’re about to ask her what’s going on when she turns around, an adorable pout present on her face this time. “It’s not fair YN, you’ve gotten to see all of me and I haven’t seen more of your, frankly, gorgeously perfect body.” She twiddles her fingers together, nervously looking into your eyes. You can’t help but grin widely and Mitsuri slaps your shoulder. 

“You can’t be serious, you’re the one perfect thing in this world.” You exclaim, watching as she shakes her head.

“Well, that’s fine because your body is like a goddess’. In fact…” She drags a hand down your body, stopping at the hem of your skirt. “I think it’s about time I reward you for doing such a good job.” You bashfully watch her unbuckle your belt and pull it out of the loops slowly enough to drive you mad. She tosses it to the side with a smirk, pulling your skirt down your thighs. Her eyes meet yours. “Sit down,” She instructs, pushing at your chest until you’re in a laying position yet again. Your skirt is yanked off the rest of the way and there’s a long beat of silence. You lift your head to peek at Mitsuri who is gazing down at you lovingly. “YN, you’re so beautiful, may I?” She nods to the apex of your thighs, a giddiness in her voice. You nod and she wastes no time in spreading your knees apart. “You’re so wet already.” She giggles, reaching out to stroke some of your arousal that had accumulated from eating this gorgeous woman’s pussy. You hiss as her fingers dip into you, spreading the slick around until she slips inside your entrance – smiling the whole time. “Your pussy is such a pretty color YN, you’re doing such a good job for me.” She praises, sending a wave of a gooey feeling through you. 

Mitsuri braces herself on your knee, which is bent upward, as she works her fingers inside of you. Her gaze switches between observing your reaction to her hooking her fingers or swiping at a sensitive spot, to watching her fingers get eaten up by your greedy cunt. It made her thighs clench together watching how well you took her fingers. You were perfect and Mitsuri couldn’t think of anyone better to experiment with her new toy than you. 

Your hands are clenched, jerking your hips upward onto her fingers. She chuckles lowly, taking in how cute you were when you were desperately chasing your climax. She uses her free hand to rub your clit in small circles, edging you closer to orgasm. Mitsuri was curious how you would look and how you’d sound after she made you cum. You were certainly moaning up a storm as you bucked against her. You whimper and then groan as she works your clit directly. “That’s it, my pretty girl, you can cum now.” Her fingers are pumping in and out, overstimulating you as you careen off your crest of pleasure. Your throat is scratchy as you scream out, trembling against her gentle, yet relentless,  touch. The world is full of bright colors – a brilliant spectrum of satisfaction. 

As you try to catch your breath Mitsuri enjoys watching your body still shudder in waves of your previous orgasm. “YN…” She plays with a strand of your hair, curling it around her fingers with an absentminded expression. Your attention is on her – as if you could focus on anything else. “A little while ago I had to go to the swordsmith village and while I was there I got talking with a special smith. She has a shop that creates amazing things and I’d like to share with you what I bought there,” Her eyes gleam with an excited glitter. 

You raise a brow, sitting up from the floor. “I’d love that.” You exclaim, following Mitsuri into a standing position. She grabs your hand and leads you through the halls of her manor until she stops in front of what you remember to be her bedroom door. Your thighs are sticky and as you walk into the room Mitsuri rummages through a cupboard. You peer at her room, but you don’t have much time to admire how it’s decorated because Mitsuri drops her skirt and removes the rest of her clothing. Your pussy throbs with desire watching her muscular yet curvy body move around the room. 

She gathers what looks like a belt in her hand. “YN, my sweet, I’m going to need you to undress and get on your knees.” She chirps, fastening the belt around her thighs and waist. You hesitate for a moment, then scurry to follow her orders. Once you’re on your knees she turns around with lust-filled eyes. Your eyes travel down her body, stopping briefly to hungrily gaze at her tits, but something catches your attention. 

Attached to the belt she had latched around herself is a long pink phallic-shaped apparatus. Your lips part, your heart ramming against your ribcage as you look back into Mitsuri’s eyes.  “Well? Open your mouth, sweetheart.” You do as you are told, the image of Mitsuri with a cock causing you to reach down in between your thighs. You play with your sensitive and puffy clit, moaning as Mitsuri hits the cock against your face. “Mmm, you’re so pretty YN, so pretty and perfect for me. You make me so horny.” Then she places the tip against your lips, groaning softly as the head pushes into your mouth. “Gods, you have no idea what you’re doing to me,” She moves her cock in your mouth, grabbing a fistful of your hair. “That's it, choke on my cock,” She huffs, throwing her head back. Spit dribbles down your chin as the surprisingly soft cock rubs against the corners of your mouth. You abuse your clit, hungry for a crest. This was so hot, you would never forget this in all of your life. 

Mitsuri takes note of how you play with your clit while sucking on her length. Her mouth twitches up in a grin. “Ah, hungry for more?” She pops the tip out of your mouth and rests the wet toy against your cheek as you pant, dazed eyes pleading with her. “Lay on the bed with your gorgeous pussy in the air.” 

On your back, legs hooked around Mitsuri’s arms, she pushes her cock inside of you after spitting on your pussy. Your eyes roll back as she thrusts into you, cooing about how you’re so good, so perfect, you’re doing so well. You ball the sheets in your fists, moans gasping out of your throat. “Ah, ngh, please m’gonna, oohngh,” Your tits are bouncing up and down, Mitsuri can’t look away. Hearing your noises of pleasure and seeing how you squirm under her, it was all so perfect. 

She wanted to see you on top of her, cum all over her cock. “One second baby,” With how strong Mitsuri is she’s able to pick you up, fucking you still, then flips herself to be laying on the bed. She gasps as your weight settles on her, riding her like a good girl. “Fuck,” She hisses, digging her nails into your thighs, you play with your tits as you bounce on her cock. 

Your nipples are bruises, a splendor of painful pleasure radiating through your body. “Feels s’good,” You hum, but Mitsuri hasn’t had enough yet. She presses the pad of her thumb against your clit, rubbing it relentlessly. 

“Does it? You’re taking it so well,” She coos, excitedly watching you shudder in ecstasy from her musings on your clit. “Good girl,”

Her words send shocks of electricity coursing your veins like your very blood. “Gods, Mitsuri, m’gonna,” You plant your palms on her stomach, slapping your ass against her thighs. You hang your head while panting crazily. As Mitsuri stimulates your clit and pussy the cool magma washes over you as you jerk her cock deep inside of you. You cum hard all over her, laying down against her chest, breath rapid. 

She’s breathing hard too, but she pets your head, kissing your forehead. “You’re so perfect YN,” You giggle against her skin, lifting your head to look her in the eyes. 

She smiles sweetly back, pressing her forehead against yours. “What a secret technique,” Mitsuri blushes and laughs as she looks away. 

“Yeah, not my best pick-up line.” You shake your head and nuzzle against her again. 

“I thought it was great.” You mumble. Mitsuri shifts out from under you, sliding her cock out of you as she does. You pout with the empty sensation. 

She stands up and smiles down at you. “I’ll be right back.” Mitsuri returns a couple of minutes later with a steamed towel and a plate full of honey butter toast. She sets the plate next to you and lifts your leg to clean your thighs and slick cunt. You moan lightly at the warm sensation and her eyes darken for a second. “Careful you whore,” She slaps your ass with a playful grin. You hum, shoving toast into your mouth with careless hunger. Mitsuri tosses the towel to the floor, sitting down gently next to you. “Maybe next time I can teach you-”

“Another secret technique?” You interrupt, a few crumbs of toast spitting out of your mouth. She chuckles, wiping away the slight mess on your mouth with her thumb. 

Mitsuri brings her finger to her lips, her tongue darting out to taste the honey. “Mhm,” She gazes at you like you’re the sweet treat. 

You grin, kicking your feet in the air. “Yes please,” 

[elbiotipo]

Also, the point I always make: Jurassic Park is all about "PLAYING GOD!!!1!!1!!" because of cloning dinosaurs, and then sequels are all about "we must save the poor dinosaurs!" while canonically taking place in large islands off the coast of Costa Rica. Those islands, or at least the inspiration for them, actually exist, though much smaller.

And you know what they are? They are strictly protected reserves, because of their unique ecology and endemic species. In fact, one of the main worries is precisely the introduction of invasive species.

Could you imagine if instead of Isla Nublar, Jurassic Park was set in say, the Galápagos Islands? Could you imagine someone in real life trying to build Disneyland in the Galápagos or the Great Barrier Reef?

I know that joke that Jurassic Park is about "capitalism gone wrong" but it's even more fucked up if you think about the imperialist part too. A first world billionarie tycoon comes to a third world country, somehow achieves control of islands (it's implied that the Costa Rican military is at Jurassic Park's call; fun fact, Costa Rica has no military) which by all means should be protected as fragile ecosystems, to build a gigantic theme park with all the ecological disruption it implies, for first world tourists too. The theme park just so happens to be cloned dinosaurs, but Hammond might as well have razed the whole island and planted soybean fields and it would be the same horror story we in South America are very well acquainted with.

And then the sequels are about "saving the dinosaurs!" like they're a natural part of the ecosystem! No man, fuck the dinosaurs, they're giant walking GMOs in the most literal way possible. Hammond SHOULD have built it in Orlando, at least Florida (which has its own deep ecological troubles) is large enough so you can actually set preserved areas, wildlife corridors, better ecological practices... building a park in Isla Nublar is the same as destroying the Galápagos.

And no, the movies don't adress this fact, that Isla Nublar and etc. HAD A PREVIOUS ECOSYSTEM BEFORE JURASSIC PARK that is most likely wiped out. The book does worry a bit about dinosaurs introduced to the mainland before returning to its main message: "GENETICS IS PLAYING GOD!11!!1!!!!", yeah man, I'm a bit more concerned about the islands you're destroying for your stupid theme park. I don't mind you cloning the dinosaurs so much as much as the fact that you're destroying whole natural ecosystems to host them and then there are a bunch of freaking kids who want to preserve them even if they're THE case of an invasive species, you might as well try to preserve Pedro Escobar's hippos in Colombia.

(I did learn about island ecology and I'm reminded that during the Cold War, the paradigm of island ecology was used to use actual islands as test laboratories, including for nuclear weapons. Islands are never truly 'isolated' or 'blank slates', and at the same time they're incredibly fragile ecosystems, but if I keep writing I'm going to search actual papers and I have to do my actual work)

[velnna]

What are the races in your under garden comic? And how did you come up with them?

Oh oh oh juicy question

We're still exploring what "races" we have, how mixed they can get, etc etc, but I love yapping about this so I'll give a bit of a TL:DR

The Under Garden started off with me and my cowriter having a couple of DnD characters we got very attached to and didn't want to dispose, so the "basis" for their races was attached to DnD somewhat - namely drow and tiefling

HOWEVER when we decided to make it its own world we basically broke off with that and decided to, for starters, have a basic "elf" like race for humanoids. The range is basically any vaguely human creature with pointy ears, and then other physical attributes might determine where they're from but wouldn't exactly count as a whole separate thing.

When we worked out some of the large scale history of the world, we decided as well that the people we first interact with, with skin in shades of purple/blue and hair in shades of silver, would have been dominant at some point, then driven to seclusion in small pockets of the world. Meaning that if someone were to look vaguely.. "drowish" I suppose, they'd be linked to this ancient powerful people and the few places they're known to still exist in. They've got the longest lifespan (~250 years) and are also more intertwined with the high level magic system in this world.

For example:

From here we sort of made room for types of elf we haven't pinned down yet, and will probably parallel anything from bluer "sea" elves to stockier more dwarf-like people, and for all intended purposes even if someone just looks like a human they're a flavour of elf. For example:

And again, the further you go from the silver hair - purpleish skin combo the less connection you have to the OG magic dwellers. There's more nuance to the magic system but that's the gist of it.

ASIDE FROM ELVES HOWEVER we now get into what we decided to do with the "tiefling" side of it. The thought process here was funny because we had a character inspired by a cyborg but no way to have actual cyborg shit justified in this world without an extra layer of complication. So I was like yo what if he's like a bug instead. Exoskeleton vibes n all. So then we decided fuck it out more wack looking people will be mostly inspired by bugs. Within them you DO have a bigger variety of "races", lifespans, physiologies, etc, and there's a lot of room for us to wiggle. They're generally non magical and can cross breed with elves so bugness is also a spectrum.

Some bugs:

Some bug hybrids:

Basically anything with a weird number of limbs, eyes, odd scleras, exoskeletons, wings, etc is some flavour of bug or bug hybrid. They tend to be as far removed from magic as possible.

Obviously there's a bunch of more and lesser known types of bugs and the sheer diversity makes for some interesting worldbuilding questions and dynamics but as a whole it's a work in progress

*takes a bow*

[sixstepsaway]

so here's the thing

i've seen a bunch of people say on twitter and stuff how... ed's behavior is very abusive and his anger is dangerous and he isn't romantic lead material because of it

and i get where they're coming from

but to me the main issue isn't putting ed in the position of a romantic lead, but not crafting the narrative around his characterization so that it allows for a spicy romantic pirates-in-love narrative instead of...whatever this is.

i'm going to try and explain this. idk if i'll do well but i'll try

the way she show presents stede is as an innocent baby who isn't really equipped for pirate life. he goes into a fugue/disassociative state whenever there's any real violence, apparently, and needs protecting by other characters when things get too rough - for example when ed is telling ned lowe not to take the poker to stede.

that's fine! it's honestly adorable to see a masc character being so soft around the edges and being protected by other characters this way.

(i'm not going to touch on stede's... eh... not great characterization this season rn)

then there's izzy, who is shown as a bit violent, a bit rough around the edges. he's more likely to draw a sword or throw a punch or hit someone with a chair or take a punch like a champ. violence is just part of life for him and that's okay, it just Is, from small things like smacking stede on the ass to bigger things like being wall slammed, it's not all that big or bad for violence to happen around and with him, he tends to give as good as he gets (there's some nuance here but i'm talking the macro themes not the micro of what izzy does vs is done to him)

and finally there's ed

ed is presented as violent (stabbing knives at guys, telling fang to use the snail fork etc) and used to a life of violence, and then in season 2 he's presented as really violent, his anger coming out in dangerous and terrifying ways

and frankly, i'd be super into it if he and izzy were the main ship and that twisted dynamic from the first two episodes of s2 was explored and fleshed out into something deeper

friends to enemies to lovers who fight and fuck. angry pirates who lay hands on each other, who break the whole ship with each other in the heat of passion.

except instead, s2 gives us... abuse. it gives us izzy cringing and lowering his head and trying to protect the kids crew from ed's angry outbursts.

so when stede comes back and he's still soft around the edges and ed headbutts him and it's deliberate, it's... not a great look, and the vibes are a bit skewed

if stede fought back, if when ed struck out at him he struck back, if they fought rather than it being one-sided, if it was friends to enemies to lovers and not presented as healthy, but maybe they can work their way there, who knows, maybe even more like anne bonnie and mary read because hey, they were doing something very similar?

except they were both into it. they were both enjoying the fighting and the fucking and the burning down the house.

stede's not enjoying it.

i cannot describe how much i hate this sequence just because of the way stede flinches

anne and mary don't!! mary jumps at the unexpected bang but she doesnt flinch, she doesn't cover her face like she thinks the vase will be coming for her not the wall and anne? looks so into it

and the thing is that in real life, no, you don't want to date someone who throws shit around, or headbutts you

but in fiction when it's two fucked up people doing this shit together like anne and mary?

that can be fun.

but instead what we've been given is stede flinching and apologizing to ed and then all of ed's...what, semi-redemption???? is done away from the other collection of people he abused, and then he spends some time on a fishing boat wearing a dog collar and everything is fine because he's good now and won't be doing anything bad ever again

and it's just... poor writing. the vibes are rancid.

i spent a really big chunk of time between s1 and s2 defending ed. i kept saying how what he did to izzy by making him eat his toe wasn't abuse, it was a one-off and abuse isn't a one-off thing it's a pattern, and then s2 made it a pattern.

explicitly. explicitly a pattern.

not just one toe but three.

jim saying "you're in an unhealthy relationship with blackbeard"

and all ed offered izzy was a "sorry about your leg" which might've been fine if izzy survived and they could work on this more, but instead that's all the apology and closure izzy will ever get

ed threw a chair and a vase and made stede flinch in fear and stede was right to do that. what part of any of this implies this will never happen again? that stede won't press the wrong button at some point and be on the receiving end? none of it

and if we'd been presented with a s2 stede bonnet who could handle himself and stand up for himself and fight back, then maybe i could imagine that turning into a weird sexy fucked up anne/mary like thing and maybe that could be why they put that episode in, but instead it feels like that episode was going, "look, see, ed's violence is fine because these two are fine with it with each other"

but stede isn't

ed and izzy or ed and stede in an unhealthy battle of a relationship could be such a fun, interesting and downright sexy thing to watch unfold on tv, and could honestly end somewhere far more down the chill end of the spectrum, but that's not what we've been given here

i cannot argue that ed isn't an abuser anymore, and not just of izzy but of the whole crew. he terrified frenchie.

it's not good writing to try and lean into the idea that ed and the pirates are violent and live a life of violence, so it's okay that ed's been violent, while simultaneously presenting his violence as traumatic and abusive, and then less than three episodes later saying oh it's fine now, he's just a little meow meow who can do no wrong, see?

especially considering they had him murdering people at the end of the season. and sure, you can say the english are just cannon fodder and they dont 'count', but they did before. ed explicitly did not kill before, and that included the english, or the spanish, or anyone else. so either they count or they don't, but flipping him on a dime makes no sense.

ALSO

having ed be the son of an abusive man who threw plates at his mother and made her cringe and then having ed kill his father to protect his mother and then a season later having ed become the kind of man who throws chairs and vases and makes his love interest cringe is, again, not bloody optimal

i want to say again i dont CARE about tv always presenting healthy relationships or tv always giving us aspirational goals. i want messy fucked up dynamics and terrible people making terrible choices, and still, to this day, i fucking love ed teach. i would honestly love to have seen them continue with ed's darkness and bring stede into it and see where they went with that, to have stede kill ned lowe and not just bury his feelings in ed but get off on it, enjoy the violence, and see where that led, but no

and so instead all we end up with is a protagonist who is being set up for a lifetime of abuse from an intimate partner, and a romantic lead who abuses his love interests (and yes. izzy is a love interest, he is set up like one and positioned like one and treated like one), frightens his love interests with his violence, is erratic and most of all inconsistently written. he was so sorry about scaring fang as though he hadn't been deliberately terrifying the whole crew for fuck knows how long? what?!

the whole fandom has spent so long saying, "no no, i know stede bonnet irl was a slave owner, but ofmd is using the names and not any real piracy, it's more disney piracy, you know? so that kind of stuff doesnt exist!" and then they flipped around and went "blackbeard is blackbeard and so he is evil and does all these horrible things" and i dont know how to rationalize the two sides of that because it feels so out of place

i'm getting rambly, this isnt a particularly well constructed thought process, i just feel like we were robbed both of a toxic, violent relationship that could be fun to see explored on tv and a soft and sweet love story between two middle aged men exploring their first loves in one fell swoop and there's no way for s3 to bring either of those things back because they got utterly torpedoed by making ed a horrible person

ugh

[level2janitor]

tactiquest structure

so i've posted a lot about tactiquest's classes and monsters and everything on here but i haven't really talked about the non-combat subsystems much yet and i wanted to go into detail about them, bc tactiquest has very different goals from most heroic fantasy systems.

tracking inventory, travel time, worrying about actually running out of your adventuring budget, are things a lot of big-damn-heroes fantasy systems throw out because they're just paperwork that gets in the way of your cool fights. that's not the case in Tactiquest! these systems are so core to the experience that removing them will make a lot of classes unusable. the game is built around them.

travel & exploration

tactiquest explicitly assumes you're running an open-sandbox hexcrawl and is designed to support that, including the fact the game is designed around random encounters. this is the sort of thing D&D 3e expected you to do, but people ditched random encounters because they thought they were boring and tedious. so classes balanced around that attrition of resources ended up with a huge spike in power other classes couldn't match.

the boring-and-tedious problem is mostly addressed by trying to make combat really good and resolve really fast. if i fucked that up the whole thing falls apart, but so far people are liking it

the second thing that helps with random encounters is your resources don't fully restore immediately at the end of each day like they do in 3e. resting is less effective in the wilderness and resources expended are a tomorrow problem, not just a today problem. so you don't have to have 3+ fights every single day just to maintain parity - 0-2 fights per day still adds up to difficult resource management.

because the game has such a focus on it, you can have classes like the ranger actually be good at travel and exploration instead of just giving them vaguely-naturey combat abilities.

economy

in most D&D-likes, even usually OSR ones, you accrue so much gold. just as a side effect of adventuring. to the point money no longer actually matters because you can throw piles of it at any problem. this is bad. it's a system that defeats its own purpose; there are no interesting choices involving money when you have so much the only real expense is like, 50,000-gold-piece magic items.

i don't just want players to care about money, i want them to worry about money, like a normal person. you're not batman who's a billionaire as a side hobby, you're spiderman who has to deliver pizzas in between superhero work because he's got bills to pay like everyone else. so a whole lot of effort has been put into actually designing prices and treasure amounts around this dynamic.

i also hate how games will usually go "oh adventuring gives you 900,000 gold for existing but a normal person's living wage is 2 gold a month". i don't want to be fantasy jeff bezos, thanks

inventory

this is something i just lifted from OSR games outright. you can carry ten things (and tiny things don't take up an item slot). that's the whole rule.

tracking inventory can add a lot of interesting decisions to a game and adds a new lever for abilities from classes and magic items. having a character play the merchant class which gets a bunch of extra inventory slots feels really impactful. finding a bag of holding that doubles your carry capacity feels so good when you actually have to watch your inventory.

supply

the only thing i felt was really unenjoyable when running games with strict inventory limits was tracking rations for each character that you eat every night; it felt too much like busywork with not enough payoff. so in Tactiquest rations are abstracted into a single Supply stat that's tied to the party rather than any individual character.

you can only restock Supply in towns, and it drops by 1 each time you rest. you can sleep without resting and this won't cost supply, but you won't regain any HP or other resources. this gives you the impactful decision-making of tracking rations without the annoyance of "okay it's been a day of travel, everyone make sure you dock a ration from your sheet" like twice per session

Supply is one of the things that slowly drains your funds and gives you a reason to keep seeking out treasure, tying back into the economy. it also gives merchants and rangers some extra mechanical levers for their class abilities to pull on.

Edit: in the time since writing this post, tactiquest's been released as a public playtest. if this sounds interesting to you, play it here!

[toaarcan]

Hi, hey there, did you know that the whole "Jedi can deflect blasters so Mandalorians used solid-shot weapons to kill them because blocking a bullet with a lightsaber just results in molten metal spraying the Jedi" meme is actually bullshit?

Like, first thing you have to know about that lore is that it was written by Karen Traviss. Traviss is fairly infamous for writing a shitton of military wank and really hating the Jedi, portraying them as cruel, cold, fascist idiots, who are much, much lamer than the cool Mandalorians, who are badass military types and definitely haven't carried out multiple genocides in the past (they have). She was also known for not exactly playing ball with other writers, and ultimately ragequit the franchise when TCW started to include Mandalorians and portrayed them differently. This was not a detail that basically any other writer in anything Star Wars ever actually backs up.

And like, here's the thing... this exists.

That's a Jedi using the Force to deflect bullets with her bare hand.

This is Tutaminis. And/or Force Deflection, it's not really clear whether they're the same thing or not. It's a pretty standard Force ability that a bunch of characters have demonstrated. Obi-Wan blocks both bullets and a flamethrower with it in the 03 Clone Wars microseries. It's how Yoda catches and redirects Force Lightning during his duels with Dooku in Attack of the Clones and Palpatine in Revenge of the Sith. It's how Vader absorbs Han's shots with his hand in The Empire Strikes Back.

It's also evident from the amount of times that the Mandalorians fight the Jedi with normal blasters instead of breaking out their "anti-Jedi" weapons for their ancient enemies. And the fact that the Mandalorians lost their wars against the Jedi.

If solid-shot guns/slugthrowers were the amazing anti-Jedi weapons that totally always worked against Jedi, then we'd see a lot more slugthrowers and a lot fewer Jedi. We see the CIS' Droid armies fight against the Jedi for three years, we see the Clones being designed from the get-go to kill the Jedi at the end of the war and being highly successful at it, we see the Empire hunting Jedi for the next 19 years and the rest of the Galactic Civil War after that, and y'know what they have in common? None of them use slugthrowers. They all just keep using blasters.

The answer to "How to kill a Jedi" equation has traditionally been depicted as "Use more blasters than they can actually physically deflect."

There's also the detail that Jedi are precognitive space wizards who can move with superhuman speed. If you're actually in range to shoot one with a gun, they'll sense you, evade or block with the Force, close the gap before you can chamber the next round, and revoke your Hand Privileges.

Even the "You'll kill them with a spray of molten metal from the melted bullet!" thing doesn't actually track with what we see on-screen. At the climax of Revenge of the Sith, we see Obi-Wan and Vader fight in the middle of an active volcano. They get splashed with showers of lava a couple of times, and at the end of the fight, both of their clothes are scorched and burned from the embers. Obi-Wan continues to wear his charred robes throughout the rest of the movie. And he's fine. No lava burns. Neither of them actually gets hurt by the lava until Obi-Wan cuts Vader's limbs off and he can no longer move or protect himself, and even then, Vader survives getting burned to a crisp by being really fucking mad about it.

So yeah, it's nonsense. A dumb "Hurr, Jedi are so lame and my unproblematic genocidal warrior race could totally kill them super-easy" take written by Star Wars' own version of Ken Penders.