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daytaker · 1 year ago

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The Gang React to You Falling Asleep on Them

Lucifer

*deep sigh that speaks volumes to how difficult it is for this man to get any sleep, and here you are, conked out on his shoulder...*

If you don't wake up within a few minutes, he'll have no choice but to move. He is not the sort to be so sentimental that he can't bear the thought of disturbing your precious sleeping face. Of course, he won't be an asshole about it; he'll be careful and try not to wake you up. He might even drape his jacket over you for your nap.

But only if he doesn't need it.

Mammon

"Hey, my arm's gettin' a little stiff, can I just-- ...ah."

Oh. Ah. Alright. Cool. This is happening. Hmm. Damn. Not super comfortable, and it's kinda inconvenient to be trapped here, but, pshh, what's he supposed to do, wake up a sleeping human? He's heard that can lead to...cardiac arrest, or something. He ain't gonna murder you just to move a little sooner.

You did not just start snuggling him in your sleep. Did Mammon score today or did he score today? Too bad his arm's starting to fall asleep, but, well, nothin' in life is free.

Leviathan

"What...? WHAAAAAAT?" (But only in his brain. He doesn't want to wake you up. Mammon says that can lead to cardiac arrest in humans.)

He's pretty sure he's the one who's going to keel over from heart problems at this rate. He hadn't even realized you were getting sleepy. Are you bored watching him tackle this single-player old school RPG? Did you hate it all this time and you never even mentioned it?! Why is your face so close?! Do you not have any idea the kind of mental torture you're putting him through right now?!

Deep breaths, Levi. Deep breaths. This happens in anime all the time. It's...usually a good thing! It means that the main character and their love interest are tripping all the right flags, and... and how long is this scene going to last? Those scenes almost always end with the two still on the couch, then they skip to the next day or something. How long is he going to have to just sit here... suffering...?

After about ten minutes, he's reached his limit and he gently shakes you awake. He is so embarrassed that he insists you go to bed now, and he will not take no for an answer. Good night. Goodbye. *door slams*

AAAAHHHHHHHHH.

Satan

"Hm? Have you been getting enough sleep...?"

Satan would be very pleased with the situation, though probably less intensely excited than Mammon. He'll make whatever small adjustment is necessary for his comfort, then settle in and read for as long as it takes you to wake up. He feels very warm and fuzzy. It's nice. Hopefully you do this more often. But he should really ask you about your sleep schedule. Levi must be forcing you to stay awake too often.

Asmodeus

"Aww, aren't you adorable?"

This is precious. He needs to document it. As soon as he realizes what's happening, he'll carefully pull out his D.D.D., making sure not to wake you up, and start snapping pics. A few of you, a few dozen selfies with you, a few with him pretending to be asleep too, and then a perfect shot of him kissing your forehead. Grammable as fuck.

Er... is that drool he can see in one of those photos? ...You're going to have to wake up. You can't just drool on his brand-name jacket.

Beelzebub

"Oh."

He's used to people falling asleep on him, so this doesn't really throw him for much of a loop. However, he's a bit more careful of waking you up. He knows that if he wakes Belphie, he'll just fall back asleep within a few seconds, but you're not quite so adaptable. So he'll do his best to stay quiet and not move much.

But no matter how hard he tries, he's never going to be able to turn off his stomach. You'll probably wake up with a start as his stomach roars at you about twenty inches from your face.

Belphegor

"...zzzz..."

Who are we kidding, we all know he was asleep first. Probably, he's the reason you fell asleep so easily. He's soft and warm, perfect for drifting off to dreamland...

Diavolo

"Very bold! You really are astonishingly brave."

It's not every day someone has the stones to fall asleep in his presence, let alone fall asleep and use him as some sort of glorified pillow. What a nice change of pace.

He'll continue doing whatever it is he was doing before, but he is a busy demon, running the Devildom and all. He'll slowly and carefully extricate himself when it's time to move, then have Barbatos bring you a blanket and prepare some tea for when you wake up.

Barbatos

"Humans are awfully needy creatures, aren't they."

He can't help but chuckle. You just pass out during the middle of the day? Then again, it's possible you're probably not entirely well. He'll have to disturb the young master to ask what sort of accommodations to make for you. Of course, he's sure Diavolo won't mind. But it's irresponsible to let yourself drift off like this in the castle of the king of the demons, isn't it? This isn't a resort.

Sleep well, human.

Solomon

"You're just looking cute on purpose now, aren't you?"

Oh well! Looks like he's stuck here for now. Too bad. He'll smile, put an arm around you, kick his feet up, and settle in for the long haul. Hopefully you're able to get a good, solid nap in.

Most likely, you both will. He'll pass out too within ten minutes, give or take.

Simeon

"Oh- shh. There, there."

Well, if you aren't adorable... You must be so tired. He's glad you feel so at ease with him that you let yourself fall asleep, and you certainly look cute, but he's also a little concerned that you're this tired. He'll patiently wait for you to wake up. Then he'll make you some tea and gently remind you to take better care of your health.

Luke

"Eh...?! Hey! ...WAKE UP!"

How tired are you?! You need to get better sleep! Sheesh, you need to be more careful too. You almost crushed him.

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jaehaeryshater · 2 months ago

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The King Come Over and his bride Ygritte Firekissed

art by : @shripscapi

Edited to add: I was hoping that people that did not like this ship could still appreciate the art as I gave them two separate pieces, but people have been coming into my inbox on all platforms, so let me encourage you to block the Jongritte and Ygritte tags on tumblr or twt, as well as me so you will not have to see it if this is you. I also would encourage you to create your own AU as it is very fun. My AU is based on Jon becoming King before leaving the Freefolk, so following his psychology as a character, Ygritte is his only choice as consort as long as she’s alive. You can make your own with Val if you want, but I do not owe anyone to pay for commissions of their preferred characters.

Look at my King dawg we’re definitely getting through the Wall!!!

For the last month and a half, I have been working closely with Liesl to design concepts for Jon as King Beyond the Wall and Ygritte as his Queen. Personally, I’m not invested at all in Jon becoming King of the Seven Kingdoms despite him being my favorite character. He’s not very connected with the South and I don’t feel that it’s his birth right or anything, even being the son of Rhaegar. I am significantly more interested in him becoming King in the North, but my interest in Freefolk culture has led me to be far more invested in the idea of him rejecting Southron society as a whole and becoming King Beyond the Wall (this isn’t necessarily mutually exclusive to being King in the North later on).

The motivation for Jon becoming King as opposed to Mance stems from a theory that has been around since AGOT has come out: that the Others will only treat with/negotiate with a Stark. In the prologue of AGOT, when the Others are speaking among themselves before killing the Watchmen, what if they were confirming with each other that Waymar Royce was not a Stark and that they could go ahead and kill him? All in all, it doesn’t really matter if this is true, but rather that this is a plausible rumor that could easily have been passed down among the Freefolk which could lead Mance to conclude that Jon as a leader would give the Freefolk the best chance of survival. It’s not very hard, at least in my opinion, to imagine an AU like this, since survival is the most important thing to the Freefolk during the events of ASOIAF. But is it plausible that under these circumstances that Jon would abandon his Night’s Watch vows? I think so if he can be led to believe that only Stark blood could defeat the Others, but that is not the only factor. Jon Snow is insecure about his bastard status, plain and simple. He’s always lived in the shadow of his Robb, though he loved him. He’s wanted Winterfell, though he didn’t want to nor had any intention to take it from Robb. But he’s known since he was a small boy that he could never Winterfell and that would never inherit anything because he was a bastard. Jon also has thoughts, at least in passing, that Ned loved Robb more than him. He perceives Ned as having been more proud of Robb, of looking at him differently than himself. He’s seemingly always believed this, but there is a sort of confirmation of Jon’s feelings when Ned allows him to join the Night’s Watch without much preparation on what the Watch is actually like. Fully me making assumptions here, not something Jon has explicitly thought, but it’s unlikely that Ned would have sent Bran off at 14 to the Watch without much warning of what it was like, had Bran not become paralyzed. While we never get this exact thought process from Jon, in my opinion it fits into his psychology and insecurity. All this to say, if Jon is offered to be a figurehead, King, a title equal to his brother, but without taking anything away from the Starks or from Robb, that would almost certainly scratch that itch in him. It would be of his own merit, and there would be people behind him that don’t care that he’s a bastard, don’t see him as less than, and are willing to accept him for who he is. Not to mention that it also lets him feel like a hero and as if he is saving something far more precious than himself. And it probably doesn’t hurt that he would be able to remain with Ygritte as well.

We know from the descriptions of Mance and Dalla, as well as from being told directly by the former, that the King and his wife dress like all the other Freefolk, in thick furs. While the Jon and Ygritte arts from above are not particularly ostentatious by Southron standards, they are in obvious contrast to how Mance and Dalla are dressed. My idea was that Jon, having lived South of the Wall in a Lord’s keep all of his life, brought his own ideas to the Freefolk and added a distinction between a King and all other men. Nothing like in King’s Landing, all changes are inspired by his experience at Winterfell. I tried to think of what was achievable by the Freefolk, that would be difficult enough that it can’t be easily replicated for everyone else, but also keeping in mind of what could be done relatively quickly seeing as the Freefolk are focused on migrating South and saving themselves from the Others. The cultures I took inspiration for the clothing from are the Byzantines, Russians, Incans, Aztecs, and Mongolians. I wanted more “open” and flowy clothing, as opposed to more closed off and excessively modest clothing of 1300-1500s Europe that most of Westeros is based off of. Ygritte is still wearing furs, but they are dyed and there is weirwood embroidery in symbolism of the Old Gods and flame embroidery to symbolize her being kissed by fire. Her jewelry are simply clay beads that have been powdered blue. I didn’t want to give her any jewels as I felt it would be too difficult for the Freefolk to cut them directly and just overall would be against the spirit of the Freefolk. However, getting the blue on the clay like that still would be expensive and take a lot of time. I tried to keep the main color scheme surrounding gray as obviously that’s House Stark’s color. Jon’s clothes are similarly nice, with my main concern being him looking intimidating. I want the furs around his shoulders to be black because I wanted to call back to his time in the Night’s Watch without him keeping his psychical cloak, because I’m sure the Freefolk would not want him to do that. The furs are massive and make his shoulders look far larger, in an effort to make him look more intimidating, especially on a battlefield or in negotiations. He also has weirwood embroidery and his sigil is on the front of his outfit (my original idea was for him to have a flag with his heraldry on it, in which case the sigil would have looked far different, with a full length direwolf). There’s a white wolf on one side and either a crow or eagle on the other side (up for interpretation, both are relevant to Jon and one is one of the animals that can be used a symbol of the Freefolk) and the flame in the middle to represent Ygritte, but also defeating the Others as fire is the way Jon originally tried combating them as a steward at the Wall. The sigil is more than about Jon, after all, as it’s for the entirety of House Whitewolf, the House he founds. I thought the name fit far more in to Freefolk culture than something like Whitestark or something along those lines. Ygritte was supposed to have sewn on the sigil herself, and was very adamant about it, and that is meant to be why the thread is uneven and more visible than it ought to be. She’s not very good at the craft!

As I indicated before, crowns are not something common to Freefolk. That would be something else Jon would implement. Ygritte’s crown is very much like a hat, very casual. The beads are nice but obtaining them wouldn’t be unheard of, and holly most likely would not be particularly hard to come by. The reason I gave her a crown with holly is that during Christmas in the Tudor period and even before during pagan celebrations, people would go out into the woods and find holly and ivy to decorate their houses with. Holly was a symbol of masculine energy and ivy feminine energy. If you found more holly, it was meant to indicate that the man would rule the household for the year, and if you found more ivy then the woman would rule the household in the coming year (this was a way to “tell the future” not a rule lol). I liked the holly better for Ygritte so I’m just saying the Freefolk had the opposite belief. Jon’s crown is made of weirwood, which was important to me as I feel like his connection the Old Gods is also important as it is something that him and Freefolk both use to guide them. It ties them together. That being said, a weirwood crown is often used for Bran so I did not want to use a design that was too similar to the one used for him. Bran’s weirwood crown usually is made of weirwood branches, however, and not weirwood bark or logs, so I feel like it’s different enough. The frozen weirwood sap, as far as I know, is also unique to this design. There’s also some ivy to parallel with Ygritte’s holly.

The remaining bits and bobs I wanted to explain are the blue rose and then the face paint. The blue rose is obviously something associated with Lyanna Stark, who is widely accepted to be the mother of Jon Snow. I originally wanted to give him a rose somewhere, whether he was holding it or it was in his embroidery, but I forgot to ask during sketching, and then it was too late. But Ygritte holding the blue rose isn’t just about Lyanna. It’s also about Bael the Bard, a most likely fictitious person (or at least, the tale is fictitious, though I personally choose to believe it’s real) that went South of the Wall posing as a bard. He impressed the Lord of Winterfell so much that he granted Bael anything he wished; all Bael asked for was the most beautiful flower in Winterfell. This was granted for him, but the next morning he had stolen the Lord of Winterfell’s only child, a girl, and had left the flower in her bed in her place. He hid in the crypt with her for a year and they had a son together. Bael eventually went back North of the Wall and eventually Winterfell, having no other heir, passed to Bael’s child. Under this story, Jon is descended from Ygritte’s idol (maybe idol is stretching it, but she really likes him), Bael the Bard. Not only him, but all the Freefolk including Ygritte, according to her story. Following the story’s premise, Jon also poses as Bael and Ygritte as Winterfell’s daughter, with Jon joining her home under false pretenses and “stealing her”, as she calls it. So the blue rose has significance regarding both the Starks and the Freefolk. The face paint is inspired by tattooing done by cultures indigenous to North America. Indigenous Americans are not the only groups to use facial tattooing, the Vikings were famous for it as well, but Viking facial tattooing had more patterns based on shapes rather than lines and dots. I didn’t like the shapes so much, but the chin tattoo was one was that observed in all sorts of different cultures. Usually the chin tattoos with the line were on women in indigenous America, but I found some on men in other outside cultures. The dots I didn’t see outside of Native American culture and the claw marks on Jon’s cheeks I found mainly among Vikings. Because these all are an amalgamation of different cultures, we did them as face paint instead of tattoos because it seemed disrespectful otherwise. Not enough research went into it to be a proper representation of any one culture so paint was a better bet than a permanent body modification that is sacred to a number of cultures. The only thing that was meant to be a tattoo was the chin tattoo, which like I said, actually is from an amalgamation of cultures. Among the Freefolk (in this AU), dots on the cheeks are widespread, one of cultural mainstays of their people, and are generally a sign of peace, whereas the claws are meant to look intimidating and is applied to look like blood (Ygritte applies it for Jon) and is specifically used for military leaders. I really wanted to drive home the point that the goal with Jon’s whole look is to look fearsome.

I have so much more to say about Jon as King Beyond the Wall, how he negotiates with the Wall, the different rules he sets in place, how he sets up being King as a hereditary title once his daughter Bael is born, etc etc, but then I’d be here all day and approximately one person total read through all this. Oops! Ask in my inbox if you have any questions because I would love love love to answer them. All in all, shripscapi (Liesl) is so talented and she worked incredibly hard for me. She was extremely accommodating and changed as much stuff as I wanted. She never complained about the million times I decided something was not quite right and she sent me so many updates. I would recommend working with her to just about anybody. It was very cool what she was able to achieve and I got it in time for the holidays so I can enjoy my winter themed pfp on twt. So thank you from the bottom of my heart Liesl, and I hope everyone showers her with compliments because she deserves it. I also hope that people that don’t enjoy Ygritte very much can still appreciate the art and the concept of Jon as King Beyond the Wall. Hopefully I’ve gotten across how much I love and care for these characters to a chronically online degree and nobody accuses me of mischaracterizing them because that would make me!!!! very sad!!!

Bonus Jon with weirwood leaves:

#asoiaf #a song of ice and fire #game of thrones #jon snow #ygritte #jon x ygritte #jongritte #valyrianscrolls #fanart #asoiaf fashion #asoiaf meta

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tteokdoroki · 9 months ago

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𐙚 🪷 TRUTH OR DRINK katsuki bakugou .ᐟ

⋆˙ᝰ about ! “you love me, you take care of me. that’s the most romantic thing you’ve ever done f'me." with the release of your husband's newest album and the announcement for his latest tour, the two of you are invited on set to film a special kind of promotional video for newlyweds. hopefully, this married couple leave without a hangover. ( 4.8K )

warnings ! minors blank and ageless blogs do not interact. sfw, fluff, suggestive, angst if you squint, celebrity!au, all characters are aged up to 20s, mentions of sex, mentions of alcohol, drinking, newlyweds, exes, some family issues, long-distance, idol!bakugou, fem + model!reader - not beta read!

aali’s love letter ! happy birthday bakugou! another splendid year for our lord saviour dynamght !! i posted this late boo but its out!! i hope you guys are still able to enjoy <3 ty to @cuntcure for helping out n motivating me !! - m.list ⋆ read on ao3 ! ִ ࣪𖤐₊ ⊹

“fuck, we’re really doing this, huh?”

across from you, katsuki bakugou shifts uncomfortably — ruby red eyes darting around the plain white set. studio lights glare from all directions, illuminating the slight sweat that beads at the blonde’s hairline. artificial lighting, bright and made to capture everything, refracts of the pearling perspiration and almost creates the illusion of a halo around the crown of your partner’s head. almost as if he’s an angel.

reaching over the small table that the producers have set up between you both, you grasp at katsuki’s rough fingers, toying with them as if to test the waters before you hold them fully — once he’s comfortable enough to accept your physical affection. his palms are warm and a little sweaty, but that doesn’t stop you from giving them a gentle squeeze.

“it’ll be fun,” you whisper, keeping your voice low and calm as the production crew continues to contrastingly flit around you in preparation for the shoot. “and it’ll be great promo for your album!” lifting his hands, you press a kiss to the blonde’s knuckles as though you’re sealing a promise, ensuring that they’re not empty. you smile reassuringly and bakugou returns it awkwardly, drawing back just a tad when a member of production sheepishly approaches the table to set down three different bottles of alcohol, two shot glasses and a pitcher of pineapple and coconut juice as your mixer of choice.

glass bottles of whisky, rum, and vodka glit under the white light too.

“we can back out at anytime,” comes your soft reminder once the crew member retreats to check the sound mic and cameras along with some other staff. “i want you to be comfortable.”

bakugou shakes his head, this time, bringing the backs of your hands to his lips — pale blonde lashes fluttering as he shuts away ruby framed eyes and takes a breath to calm himself. “wanna do it. like y’said it’ll be good. fun.” when he opens his eyes again, he’s looking at you with a toothy smirk that never fails to send a shiver down your spine and butterflies in a flurry through your tummy. “besides, we haven’t been able t’do somethin’ like this together in a while.”

nothing beats your grin after that and with a few more touch ups to your make up ( the both of you ) — you’re ready to begin filming.

“okay guys!” the director on set claps their hands. “wanna start us off? who are you and what are you doing here today?”

you give katsuki’s hands one last comforting squeeze before his crimson gaze slinks towards the camera that’s now rolling, fixating on its blinking red light as it matches his stare. “‘m katsuki bakugou ‘nd this is my wife,” he juts his head over to you gently, muttering your name with love laced between each of its syllables.

you too turn to face the camera, award winning smile settling gracefully on your lips. “and today we’re playing truth or drink!” you squirm excitedly. “we’re really happy to be here! thank you for having us!”

“i’m not.”

“katsuki!”

with a laugh behind the camera, the producer speaks again. “so, you’re some pretty special guests. what do you guys do? how long have you two been married?”

bakugou rolls his eyes at the enthusiasm. “i’m a singer-songwriter slash idol or whatever you wanna call it…and i’m on tour right now. so buy my album or you’re shit.”

“and i’m a fashion model slash content creator. we’ve been together for like…five years? married for half a year? a year?” musing out loud, you switch your gaze from the camera to katsuki — letting him know with your eyes that he’s doing a great job.

“eight months, three weeks ‘n two days.” he corrects you seriously, causing sweet laughter to bubble up on your lips.

“sorry, folks. eight months, three weeks and two days.” you retort jokingly. bakugou rolls eyes ruby framed eyes again.

“okay, so still pretty new. let’s start with a shot, shall we?”

ever the gentlemen, your husband pours you a decently sized shot using a drink he knows you like without even asking. he even tops it off with a mixer because he knows that sometimes you can’t get past a bitter aftertaste if the alcohol is too strong. once done with yours, he fills up his own glass before clinking it against yours — both of you knocking back the shot with practised ease.

“god, that shit’s strong.” the pale blonde grimaces.

despite having a facial expression to match, you somehow make light of the situation. “really puts hairs on your chest, doesn’t it, kats?”

“you like my tits naked and juicy, shut the hell up,” smirking cockily, katsuki slides your shot glasses to the side and toys with the stacked white question cards in front of him. “her words not mine.”

“anyways…first card please.”

doing as he’s told, katsuki flips the first card over — skimming the letters written in bold on the other side before he slams it back down. “‘m takin’ a shot.”

the shoot has barely begun and you already find yourself bursting into fits of adoring, amused giggles. “no! it’s not even your question to answer! you have to read it, it’s the first card!” you whine playfully.

“alright, fine,” flipping the card over again with a dejected air about him, bakugou announces the question to both you and the camera. “when was the last time we had sex and where did it happen?”

“oh god.” you pinch your brow.

“told ya. no shots, it’s the first card. y’gotta answer it, babe.” bakugou teases as he casts the card aside, leaning back in his chair slow and sexy like while he watches you hungrily. it’s like making you embarrassed has made him forget that he’s on camera.

sighing through your nose, you pout at the camera and producers who watch eagerly. “on the way here.”

“on the way to this shoot? oh my god!”

“yes! omg. shut up, this is so embarrassing. katsuki don’t laugh!” you practically wail as the set bursts out into laughter. “god, okay. it was on the way here and in the back of the SUV with the partition up. don’t ask me how we had time. katsuki always makes time.”

said katsuki wiggles two fingers towards the camera knowingly and chokes back a raspy chuckle when you frown in response, scooping up your own card. “next question,” your say as your gaze skims the card. “who is your least favourite parent in law? oooh, spicy.”

“definitely her dad,” your husband points a thumb in your direction without hesitation but mouths his words straight into the camera. “you’re a piece of shit by the way.”

the producer pipes in. “can we elaborate?”

“my dad was never the most supportive of my career…but claims everything i have is because of him. it sucks, he's a narcissist and we don’t really speak because of it.” you answer truthfully, attempting to shrug the weight of your familial situation off. you know that most girls dream of having their father walk them down the aisle on their wedding day…but it’s just not in the cards for you. sensing your anger, your hurt and your pain beginning to rise to the surface, katsuki takes the card from you and grasps at your hand — eyebrows raised earnestly into his hairline while he checks to see if you’re okay. a small, wistful smile plays at your lips and you give your partner a gentle nod. “it’s okay though, my mum, mitsuki and masaru have been great parents. katsuki’s mum and dad kept me grounded throughout our engagement, pretty much designed all of my wedding outfits. they were all custom.”

“outfits? as in multiple?”

“ah yes! mitsuki insisted that i had changes throughout the day.” you beam, a giddiness replacing any negative emotion you once felt. your future mother in law had done everything in her power to make you feel like a princess on your wedding day — to this day it made you feel extremely grateful for your positive relationship with bakugou’s family.

“they still fuckin’ spoil her, ma styles her for a lot shoots,” the blonde scoffs but the adoration dancing in the almost brown flecks of his carmine eyes tell a different story. “no seriously, ma ‘n pa love you so much. you’re like the daughter they never had.”

“aw, that’s so cute. i’ll cry.”

katsuki’s turn to pick a card rolls around again, but he doesn’t let go of your hand the entire time — index finger toying with your engagement ring. “what’s was the most stressful part about planning a wedding?” he reads. “oh, definitely the micromanaging from other people. shit pissed me off,” your husband answers almost straight away, already preparing to fix himself a shot when the producer asks him to elaborate.

he shakes his head and the producer turns to you. “our managers thought that they could have a say in our ceremony since it was like the celebrity wedding of the year,” shrugging, you fix your own shot which makes your spouse grin. “we ended up having one public and one smaller, private wedding to say fuck ‘em. and no, they didn’t fire me for this.”

“so a follow up, when you announced your engagement to the world what was a difficult thing you dealt with publicly?” someone from behind the camera asks.

pursing your lips, you look to katsuki for an answer. “the fan wars? some of my fans were…are still caught up on my ex and others think the great singer katsuki bakugou is too good for an influencer like me.”

“they don’t know shit. you’re too good for the world baby, i don’t deserve you.”

“corny ass,” you snort directly into the camera’s shot. “i’m sure that’s one of his song lyrics.”

“is fuckin’ not!” bakugou pouts, though he’ll deny that he was later. “pick another damn card.”

he pushes the pile towards you once more and you cheekily swipe one from the middle to make the video a little bit more interesting for those watching from home when it comes out. hopefully the viewers get a laugh out of bakugou calling you a cheater and you sticking your tongue out at him in retaliation — he pinches it back.

“ouch! owie, okay! okay, let go!” flipping the card so that the text is facing you, you begin to read it out loud slowly — nearly bursting out into an incredulous fit of giggles at the question printed in thick black letters. “this is so ironic, baby you’re gonna love this one,” katsuki raises a brow, intrigued by the coy smile you’re barely trying to hide now. “i dare you to call an ex and remind them that you’re happily married.”

a small silence echoes throughout the studio as you stare at one another, waiting and waiting, until a loud, raspy and haughty laugh rips through bakugou’s throat.

“what’s so funny?”

the blonde sat opposite you, still as handsome as the day you first met him — with glittering gem eyes that sparkle under the studio lights and a toothy smile that never fails to melt your heart, suddenly grows shy. a rose tint spreads its way over the bridge of his nose and his cheeks that have lost their youthful roundness, katsuki blushes softly but laughs with his entire body — only just embarrassed by the secret he's about to reveal to his most dedicated fans and the rest of the world.

leaning forward on the table, elbows on the edge, while you tuck your chin in the seat of your palm — biting your lip in amusement. “do you wanna tell them or should i?”

“i wanna take a fuckin’ short first. can i?” katsuki asks, almost innocently. he knocks back a glass of dark, bitter whisky once he gets the go ahead. “she’s my first. my first everythin’. girlfriend, time, wife—“

“i sure hope i’m your first and only wife, kats.” you cut him off swiftly, a mischievous lilt layered thick on your tone.

he slings an arm over the back of his chair, waving you off lovingly. “—you know what i mean, sweets.” bakugou shrugs in the direction of the producers. “i don’t have an ex to call.”

“okay, we’ll have your wife call one.”

at the film crew’s suggestion, your voice raises an octave, notes of surprise littered through out your melodic voice. “me? who would i even call?” you can’t help but snicker, trying to reach for the juice used for mixer so you can plan your escape route out of the dare.

your husband snatches the bottle from your reach, holding it protectively against his broad chest. “call shindou.” he grunts out low but highly amused.

“oh no, i’m not doing that. let me take the shot katsuki.” comes your instant response, tone turning slightly serious.

“who’s shindou?”

“her ex.”

“my ex.”

the both of you announce in unison, though you’re a little less entertained by your menace of a blonde husband — still guarding the drinks as he chucks the used question card to the side.

“why not?”

“cause it’ll be mean? he still hasn’t recovered from finding out i’m dating the idol he used to train with. yanno, the one who debuted over him.”

bakugou clicks his tongue cockily. “he’ll get over it. call him. c’mon, it’ll be funny and you love making me laugh.”

“alright fine but you have to swear you’ll answer the next one.” you turn to the camera. “he’s right though, his laugh is the prettiest in the world.”

bakugou blushes as you pull out your phone and scroll to the bottom of your contact list, surprised at yourself for not blocking and deleting the number. holding up the sleek device for everyone to view, you jab a thumb into the speaker button and watch with baited breath as it begins to ring throughout the studio.

“hello, yo speakin’,” a voice a little higher pitched than your husband’s filters through the speaker. it’s familiar, but doesn’t hold any of the comfort that bakugou brings. it’s been years since you ended things with your ex, the relationship was rocky and full of miscommunications and mistrusts before either of you skyrocketed to fame. there’s no malice between you both or a reason to cause katsuki why worry, you hope, but talking to yo shindou nowadays is akin to talking to a stranger.

giving the camera an awkward thumbs up, you reply shyly. “hi shin, what’s up?”

“oh hey sweetheart, this is a nice suprise.” your ex purrs through the line. you click the buttons side of your phone to turn up the volume — making sure his every word is picked up by the mics in the room.

bakugou chimes in, clearly looking for an opportunity to show off. “hey asshole, don’t get too excited.”

“hello to you too kats, what can i do you for princess?”

“shin, don’t call me that. also we’re shooting truth or drink right now — newlyweds edition with kats. they wanted me to call, tell you i’m married or something… which i’m sure you know by now.” explaining in a rush, you push at bakugou’s forehead, right between arched, dark blonde brows to keep him and his laughter at bay.

“it’s all anyone can talk about these days, especially when i’m on set. married couple of the year.”

the producers mouth to you to ask shindou a question, in which you almost miss underneath the sounds of your newlywed husband suppressing snarky jokes and giggles. “they’re telling me to ask you if you’re happy for me ‘n kats. you don’t have to answer—“

“i am. happy for you. katsuki, as big as of an asshole as he is, makes you way fucking happier than i ever did. he’s good to you, but you’re better to him. the world wants to see you guys grow old together… i hope it stays that way or else i’ll have to swoop back in—“

cringing along the millions that will be watching in the near future, you slice through his words politely before bakugou can blow a gasket. “thanks, shin. you’re sweet.”

“anything for you, sweetcheeks—“

“alright, alright. you’re pushin’ it now, freak. r’member i’m the one clapping these sweet cheeks and i’ll always be a better fuck than you—“ abruptly, your newfound husband snatches up your phone — growling possessively down the line as if to ward your ex off.

“okaybyethankyou!” squealing you hang up the phone and breathe a heavy sigh of relief, head banging on the table in front of you as you try to hide your flustered face. “that went better than expected.”

the blonde before you shrugs nonchalantly as if he wasn’t seconds away from reaching into the phone and tearing shindou’s head from between his shoulders. “i do love an opportunity to show you off, rub our marriage in people’s faces.” alas, he pours you both a shot, adding a mixer to yours, sort of as a reward for making it through the call. “kay, next card,” he swipes one from the top of the pile once more, carefully murmuring its contents into the studio’s cool air. “can the both of you name one person you would have invited into your marital bedroom on your wedding night? see if you’re both thinking of the same person. easy. on three?”

“sure! one, two—“ you count, the temperature of the room raising as it awaits your big reveal. “kirishima.”

“kirishima.” katsuki says at the same time before smirking cockily at the film crew. “next!”

you join him just as your foot flirtatious slides up his leg from underneath the table. “kats says eijirou is packin’, by the way.” your husband’s smile fades into an embarrassed look, everyone in the room laughing along with you. of course he’s seen it. of course you’ve talked about this before. “anyway, my turn! most romantic thing i’ve ever done for you? c’mon now kats, you can think of something. i’m pretty sweet.”

reaching for your hand for the nth time during the shoot, bakugou laces his fingers with yours — decadent dark red eyes instantly drawn to the big rock on your engagement ring and the simple gold wedding band that sits above it as he recalls everything you’ve ever done for him. every gesture; every text, every act of physical touch or service. it would be hard to choose just one romantic thing.

the silence as he ponders almost fills you with dread, a nervousness fluttering about in your chest like a butterfly whose wings are beginning to fail them. they’d have to edit this part out if he couldn’t think of anything.

but then, those plush pink lips that kiss you and call for you, part gently and a soft sentiment escape’s from between them. “you love me,” is all bakugou can say, eyes wide and genuine. “you take care of me. that’s the most romantic thing you’ve ever done f'me…and, if we’re talkin’ specifics, you remember that time just before my album came out? before our wedding? i was fuckin’ stressed ‘n i was always locked up in the studio, trying to figure out the track list, the final song…”

you nod slowly, exhaling deeply through your nose. “yeah?” the background noise from the crew, cameras and mics wither away until it’s just yourself and bakugou in the room — holding hands as though you’re one another’s life lines.

“it was three am ‘n you were in another city for a shoot but…you still made the drive over to have dinner with me. to make sure i ate,” the tip of katsuki’s rough and calloused thumb brushes over the bumps formed by your knuckles. “just to help me run through things even though i was freakin’ the fuck out and you had a flight to milan the next day. you ate with me and that meant a lot.” he seems wistful as he talks, forgetting that the world will be able to see his heart beating all tender like when the cameras are put away and the footage is polished up.

perhaps he doesn’t care if the world sees him being so vulnerable with the woman he loves on screen. they’ll usually find such openness hidden between the lyrics of his songs. so, perhaps it’s the little alcohol running through his system. nevertheless, quiet love and appreciation seeps from katsuki bakugou’s pours into the quiet atmosphere of the set, the emotions crash over you in waves that you welcome — almost reducing you to tears brewed just for him.

“you asshole,” you sniff, lacking all the spite the insulting nickname carries. “i didn’t think that night meant so much to you… i just wanted to see my baby. wanted to make sure you were okay.”

cocking his head to the side fondly, the blonde singer uses the back of his hand to wipe at your free falling tears you hadn’t realised were there. bakugou doesn’t let go of you the entire time. “don’t cry sweets, you know i hate t’see you cry.”

watery laughter bubbles up on the seam of your lips. “don’t tell me what to do,”

“you said she drove from another city, would you guys say that distance made things difficult for you?”

“sometimes,” you answer the director truthfully. “while we were engaged we’d plan our wedding across different time zones. when i was awake walking for fashion week he was sleeping in his studio making songs.” you explain, looking to katsuki to confirm.

he nods along with another squeeze of your hand. “it was hard yeah, but we got through it. now she has my ring on her finger ‘n she’s stuck with me.”

“send help.” you mouth to the camera.

resuming the game, you snatch up a card and secretly hope that the question is a little more light hearted than the previous. “has my line of work ever made you jealous? oooh, good one,” adding the card to the ones already discarded, you squirm in your seat — excited to know your husband’s answer. “no shots! i want you sober and honest.”

“i’ve hardly had anythin’ to drink!” katsuki snorts. “what’s the sayin’? a drunk man’s words are a sober man’s thoughts? let me have something.”

“no! i want sober words and sober thoughts, that’s the aim of the game, stink.”

katsuki rolls his eyes so hard you fear they might drop out of his skull. “spoiled brat,” he mumbles begrudgingly, sucking his teeth. “okay before anyone says anythin’, i’m a secure guy. i trust and value my girl’s word above anyone else’s. i love seein’ her on billboards in every country i visit, on magazines at every airport I’ve ever flown from…”

“it feels like there’s a but coming.”

“wait for it…” you hum gleefully.

“but i hate that one cover shoot you did with that nerd, izuku, for vogue. that’s it. never do that shit again.” bakugou finishes, crossing his arms over his chest like a petulant child.

nearly leaping out of your seat, you point at your husband — bewildered. “i knew it! you said it didn’t bother you!”

“of course it did! he had his grubby arms wrapped around you! he stinks.”

“you did not just call izuku stinky, he’s got a feature on your album!”

“his feature can kiss my ass,” you know that bakugou is only half serious, the two have written some beautiful songs together and the cover hardly meant anything — izuku models from time to time as well. it just so happens you also work for the same brands. “my turn again, rate my proposal on a scale of one to ten. how good did i do?”

“nine point five.” you nod assertively, speaking to your audience with love bursting through your heart. “he proposed to me at his first sold out concert, like literally stopped singing and apologised to all of his fans because he had something important to say. that’s when he asked me, in front of his entire world. kats’ is real private so it meant so much to me…”

the blonde leans back in his seat but brings your hand to his lips, pressing a kiss directly to your wedding rings. “only nine point five? cheeky fucker.”

“it’s only ‘cause your genius-self decided to chuck my ring into the crowd?” you scoff.

“oi! i have good aim, you’re just shit at catchin’ things!” katsuki scoffs back, nudging you with his foot under the table.

“back to the game love birds.”

the two of you put your playful little spat on the back burner and you grasp the next card. “how many years into our our marriage do you think we’ll stop having sex—?”

“never,” katsuki cuts you off, looking directly into the lense as he jabs a thumb in your direction. “i can’t ever get her off my cock. she’s fuckin’ insane.”

heat flares up underneath the surface of your skin in embarrassment. “fuck you.”

“right after this shoot, sweetheart.” he winks right back at you before nodding down at the cards. “last two, yeah? did your life turn out as expected?”

chewing on your bottom lip, you give the question some thought. life has an unpredictable nature, no matter who you are or where you come from. if someone had told you a year into your college degree, that you’d be in front of sorts of cameras as a profession for the rest of your life — you wouldn’t have believed them. if someone had told you that you’d find the love of your life shortly after, you would have called them a liar too. your past has been heavy, a dark cloud you never thought you’d be able to escape — hauntingly daunting.

and even though you know that it’s a burden to place the weight of your happiness on someone else’s shoulders — but you know that katsuki has always been your golden, blinding light at the end of the tunnel. he’s something you never expected, but someone you entirely deserve after everything life has thrown at you.

“no, it hasn’t,” you whisper softly, ever so slightly distinct. your lover leans in, watching you curiously from over stacked question cards and bottles of barely touched alcohol. “i never expected to be so famous so young, that a silly little dream of mine could come true. that i never expected, i still can’t believe it…but, it’s like… meeting you. falling in love with you, on top of all that? it’s like i was destined to be with you, kats. you’re my soulmate. i knew that from the start.”

just like you earlier, emotion wells up inside katsuki. it breaches the cavity of his chest, slows down the rate of his heart and lungs and brings a slight shine to his beautiful blood red eyes. he sniffs but doesn’t dare look away from you — reading deep into your soul despite knowing the pages of it off by heart. “i feel the same,” he mumbles, reaching over to cup your face even with all of the cameras around. “i never expected to go on tour, sell albums and make music…but i feel like my heart always knew you were waitin’ for me.” quietness fills the space between the two of you, neither of you needing to say much. you cup the wrist of his hand that touched your face, leaning into his palm and pressing a kiss to it. “we’re so fuckin’ corny.”

“you love it.” you reply instantly. “i love you.”

“see?” katsuki asks the production crew as he draws the last card for both of you — holding it out for you to read. “cornball.”

“it’s cute! she’s cute and corny!”

“what about the rest of our marriage do you look forward to most?” since the video shoot is coming to an end, and you hardly want to cry any more, you both decide to make your answers short and sweet. “i look forward to spending forever by your side, taking over the world one continent at a time.” you gush, meaning every single word, smiling adoringly.

“ditto, can’t wait to grow old with you, brat.” bakugou mirrors your expression and finally, finally ends the shoot by pressing the ghost of a kiss to your awaiting lips. you feel warm knowing how comfortable he’s grown over the course of filming, even more so at all of the truths he’s given you tonight.

“that’s a wrap! thank you so much guys!”

katsuki salutes the camera, finishing up for you. “we’ve been the bakugous playin’ truth or drink. buy my album, see me on tour, buy a magazine with my wife’s beautiful face on it. like and subscribe.” all the while, you reflect on everything that you’ve learned about your husband whilst filming — that he loves you a lot more than he lets on, that you have his heart for all of eternity, that nothing in this world and cause his love for you to waver,

and as your matching wedding bands continue to gleam beneath the dimming studio lights, you only hope that he knows that you feel the exact same way about loving him too.

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grandline-fics · 1 month ago

Note

I'm so in love with your writing, I'd love to see the "one bed trope" from you! Maybe a little suggestive, as far as you're comfortable, of course.

DESCRIPTION: There was only one bed

WARNINGS: nothing too suggestive, more on the fluff side

CHARACTERS: Mihawk, Shanks

WORDS: 2,065

A/N: Thank you so much for this request. I didn't know which characters you wanted so used the most popular form the recent poll. I had intended to do Ace as well but only had the energy to get something done for Shanks and Mihawk. I love this trope so much that i'll probably do more parts in the future. I hope you're happy with what I came up with and I'm sorry I didn't make it suggestive.

*REQUESTS ARE OPEN*

DIRECTORY | PROMPT LIST

———————

MIHAWK

You were going to kill Crocodile. Not only did he order you to the tiniest island you’d seen in a long while, were the only thing in abundance seemed to be gloomy expressions but he also insisted you go to ‘keep an eye on' Mihawk. Since you considered Crocodile your main superior-a perspective you hadn't dropped since your Baroque Works days- you couldn't exactly refuse the assignment but it just made zero sense for you to be here. For starters Mihawk worked alone and efficiently enough that he didn’t require anyone to look out for him. Plus ‘observation’ wasn’t your usual role in Cross Guild. Normally Crocodile handed you a bounty list, told you to pick one and go get them.

This was just one big headache and to make matters worse after scouring the entire island a call came through from Crocodile saying the bounty had already been completed and just handed in. Now you really were going to kill your boss, but from the look on Mihawk’s face it seemed you would have to get in line. From the receiver, Crocodile’s laugh caught both of your attentions. “Look these things happen so stop pouting. Just make your way back to Cross Guild.”

Mihawk didn’t offer a response and ended the call, walking out of the alley you’d both stopped at to take the call. Silently you fell into step beside the former Warlord, walking the streets of the island for what felt like the hundredth time already. You let out a sigh of relief to see the inn come into view, now the only thing on your mind was trying to get a good night’s sleep and calm your annoyance at the whole situation. You couldn’t even muster a polite smile to the receptionist at the desk. “Two please.”

“Oh.” The receptionist glanced between you and Mihawk, her expression trained with years of experience to appear calm but you both saw the flicker of nervousness in her eyes for the smallest moment. “I’m sorry but we’re booked almost to capacity.”

“You’re joking.” You muttered. Why was everything going against you today? “You have nothing left?”

“W-well we’re a small island. Rooms go fast but we do have one room available.” You and Mihawk exchanged a look, both composed. Then the receptionist had to uselessly add. “Only one bed…” With a sigh you held out your hand for the key, knowing there wasn't much choice. Muttering thanks you glanced at the number of the keyring and headed for your room for the night. Stepping inside you found it lived up to your very low expectations but at least it was clean. Silently you eyed the bed you would have to share and looked to your stoic roommate. “So which side of the bed do you want?”

As expected Mihawk was mature and respectable about the whole thing. Calm as ever he chose his side-the one closest to the door- and settled in for the night. Mihawk’s ability to fall over to sleep at ease was enviable because in the dark you could hear his deep, even breaths as he slept facing away from you. As tired as you were and as comfortable as you normally did feel in Mihawk’s presence you just couldn’t fall asleep. While the bed you lay in wasn't the worst you’d ever had to sleep in, it wasn’t the comfiest and living at Cross Guild had practically spoiled you. You’d gotten so used to stretching out, something you couldn’t exactly do at this moment.

Deciding to just make do with your half of the bed and not disturb Mihawk, you rolled onto your side with the intention of getting comfortable. The only problem was you’d vastly overestimated the room you had to move and could only gasp as you felt the bed disappear from under you. In a split second as you braced to hit the ground, you were instead caught by a pair of hands. With ease you were pulled back onto the bed and you tensed to feel your back make contact with the warmth of Mhawk’s chest. “Sorry for waking you.”

“It’s fine, just sleep.” He told you while pulling one arm back to tuck his hand under his pillow. You tried not to react to how sleep brought Mihawk’s voice to a lower register that made it so much more attractive to you. You only nodded at his instruction and shifted slightly, already so much more comfortable than you had been all night. The only thing now was you noticed Mihawk still had one arm loosely draped over your body, not quite holding you but still enveloping you in his touch. “This is only to keep you from falling out of the bed again.”

“I didn’t say anything…” You mused, lips curving into a teasing smile that Mihawk could practically hear in the dark. “If you wanted to cuddle all you had to do was ask.”

“Don’t make me kick you out of this bed.” Mihawk warned in your ear, despite the threat you smirked to feel his arm over you tighten just a little.

“Relax, your secret is safe with me.” Ordinarily you would have teased him a little more but between the tiredness finally winning over you and the warmth of his body against yours being so comforting. For a moment Mihawk wondered if you were genuinely comfortable against him, ready to release you at the first sign of unease. Yet you surprised him when you yawned and lazily placed your hand over his arm and smile in satisfaction as your eyes slid closed, your breathing evening out as you fell asleep.

Mihawk had been taking his time to slowly get to know you and let you in little by little, but now watching you roll onto your other side and curl up against his chest he began to reconsider his actions. Perhaps a few more missions away from Cross Guild’s base wouldn’t be such a bad thing after all.

SHANKS

This type of situation should not be happening in this day and age. Not with your crew and Captain having the reputation and fame they had. Drawing names to see who was sharing rooms of all things reminded you of when the crew was only just forming and the coin to pay for individual rooms was a luxury. Some of the others on the crew shared your slight annoyance but you all knew that there wasn’t much you could do about it. The ship needed repairs after getting damaged in a ferocious storm with the sleeping quarters affected and unusable for now. You were all pirates after all and you supposed you needed to be reminded of that.

Still though you were secretly hoping you were one of the lucky ones who got their own room. You mentally cursed when Ben pulled out a slip of paper and read your name out. Resigned to your fate you grabbed your drink and took a plentiful mouthful as the vice-captain grabbed another piece of paper to announce your roommate for the night. As you wiped the stray remnant of the liquid from your lip you spotted the man pause and fight a laugh, disguising his amusement by rubbing the lower half of his face. “Captain Shanks.”

Your back went rigid and you ignored the burning stares of the rest of the crew as you instead turned your attention to the man in question. Even he seemed momentarily thrown by the announcement but he recovered swiftly as expected of the laidback man. His dark eyes met your gaze and he offered you a cheeky smile and a wink.

That night when all the drinking had been done you and Shanks stepped into your shared room. Without needed to consult on anything you both instinctively went to your preferred side of the bed to sleep on. You sat down and worked on kicking off your shoes and shrugging out of your coat to at least be a little comfier. You looked over your shoulder when Shanks lightly cleared his throat as he pulled back the cover to settle down on the mattress. “Problem Cap?”

“Not really.” Shanks mused with a sly smile. “I usually sleep naked is all.”

“Poor baby, I’m sure you can be brave and at least keep your trousers on for one night.” You teased, used to your Captain’s antics and knowing he was only making jokes to ease the slight tension at having to share like this. With a tired groan you settled down on your side of the bed as Shanks flicked off the light, bringing the room fully into darkness. “If not the barmaid should still be about to help you.”

“And downgrade my sleeping partner? I’d rather lose another limb.” Shanks told you dramatically, offended you’d suggest such a thing. You let out a huff of amusement and rolled your eyes as you stared tiredly at the ceiling, letting yourself grow more comfortable against the mattress. “I lost count how many of the crew wanted me to swap with them…”

“Uh-huh.“ You mused with a lazy smile before breaking out into a long yawn, sleep coming over you quickly now. “Well aren’t you lucky? Now go to sleep, ‘kay?”

“Can I at least get a good night kiss?” Shanks teased lightly, playfully tapping your nose and grinning in the darkened room to see your tired face scrunch up slightly. He’d said it as a joke, something for you to barely register in your mind as you drifted off to sleep. What he hadn’t expected though was you to roll onto your side and push yourself up with a low hum of sleepiness, not even bothering to open your eyes fully.

He watched silently, completely overcome with curiosity as your hand reached out to skim your fingers against his face, searching for him in the dark. Your hand settled against his cheek and slowly you drew closer. With half-lidded eyes Shanks couldn’t take his gaze off of your slightly parted lips.

“Shanks…” your voice was barely a breathy whisper but it was clear as a bell to Shanks, his attention raptly on you and only you. Quickly you pulled back just enough and opened your eyes to smirk slightly to see Shanks had leant in slightly to chase your lips he had been quietly eager to taste.

“You’re killing me here, love.” Shanks protested with a small pout, his hand dropping to the small of your back, fingers flexing slightly a gesture, to request you close the distance. He wasn’t forcing you, you had all the power here. You tilted your head and smiled at the sudden pet-name. You couldn’t deny the temptation to give in to your own idle curiosities about your handsome Captain. Given how you were sharing a bed and he'd requested a kiss you would have been foolish to throw away the opportunity you had. Still you had to at least get a little bit more fun out of it by keeping Shanks in momentary suspense.

Finally you relented and kissed Shanks, your lips moving languidly against his; it being no surprise to you the he was already returning the action with no hesitancy. There was no fight for dominance in the kiss you shared but you could feel the power and command of Shanks’ presence over you but he left the pace, duration, and intensity entirely up to you. As much as you wanted to take it further, to push your curiosity and attraction towards the man against you for your own satisfaction you had to pull away reluctantly, knowing you wouldn’t have been able to enjoy what would follow fully with how tired you were. “Satisfied with your good night kiss, Captain?”

“You have no idea.” Shanks grinned pressing a quick kiss against your head as you settled down on the bed again. “I can now sleep peacefully and dream the sweetest dreams.”

“Good.” You grinned sleepily, opening your eyes just enough to fix him a playful smile. “I expect a good morning kiss in return by the way.”

“You’ve got yourself a deal, love.” Shanks grinned at you, already counting down the hours until he got to feel his lips against yours again but for now he would enjoy the time he had to sleep beside you.

——————————————-

TAG LIST (If I’ve missed anyone or if you want to be added just let me know) @3v37773, @tsaaps , @i-am-all-love-puns-and-lazy , @sanemisnonexistenteyebrow , @fiery-captain-spider-santa@kabloswrld , @atanukileaf , @ane5e , @stuckinthewrongworld , @deathsmajestysworld , @cloudysunset04 , @extremely-ashtridic , @decayingpizza , @liesatemyocean , @ace-for-ace , @nerium-lil , @destynelseclipsa , @dreamcastgirl99

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n4nikeni · 25 days ago

Text

Over? We're far from over.

——————————————————————

Characters : Satoru Gojo x Reader x Suguru Geto

Summary : your father had hired two bodyguards for you. Fortunately, they were both your type. One was strict and rough and the other one was carefree and soft. No one knew what goes on behind closed doors.

A/N : I might turn this into a series because bodyguard gojo and Geto!! Hell yeah

——————————————————————

“Gojo! Do you see her? Anywhere in this room?” Geto asked as he looked around everywhere into the crowded club. Flashing lights hitting everyone's eye and the loud music that could be heard from miles away. Gojo on the other hand, was getting tipsy already. A girl came up to him and offered him drinks and who was he to decline such a beauty?

Geto pushed through the crowd and grabbed on his shoulder. Snatching away the small cup in his hands “Gojo you can't be serious right now, she just left without telling us anything and she's nowhere to be found in here! Her height doesn't help either.” Gojo let out a sudden laugh after hearing Geto's remark about their client's height. It was quite true. You were bold enough to sneak out of your place and disobey your father. More than that, your personal bodyguards. But it wasn't really your fault either. You had been bugging them to take you to your friend's birthday party and they can even tag along into the club, Satoru did agree, but Suguru isn't easy to convince.

You weren't drunk, well, not yet. Your friends dragged you on the dance floor and got you enough drinks to be carefree and dance away with ease. Gojo stood up, easily towering over everyone there, he immediately found you swaying your hips with your friends, one was behind you with their hands on your hips and the other infront of you, too drunk to process anything. “There she is, her height might not be helpful but those eyes? Yeah.” Geto followed behind Gojo and finally got to where you were dancing. Suguru is a patient man. After all, you're his client. So, he has no choice. He picked you up by your waist and threw you over his shoulder. That's when you finally realized what you were doing and where you were. Gojo was behind Geto, grinning at you and as you looked up to see your surroundings and process what's going on. “What are you two doing here?! How'd you find out where I am!” you hit on Geto's shoulders. Though your light punches were not effective on him

“We have our ways.”

Satoru opened the car's door as Suguru got in the backseat with you, looking behind to make sure that you don't accidentally hit your head on the way. He placed you down on his thigh as Satoru got in after you two, closing the car's door behind him. Suguru shifted you on his lap, making you face him entirely. His big hands gripping onto your hips, you knew it'll leave a mark with the way he was digging his fingers in your milky skin. “it hurts!” you squirm in his lap, trying to escape his rough hands. “Oh it should. You didn't think once before going out on your own, did you think about what could've happened to you? How it would affect us?” He said, his voice laced with anger and concern. You wanted to speak up but you knew you shouldn't. There's really no explanation for your behavior. You felt Satoru's palm snaking up on your thighs, squeezing each part before moving upwards. “We'd like to remind you about the rules we had set when we became your bodyguards, right sugu?”

“Ah!— too rough!” you protester against suguru's violent thrusts. You were laying on top of Satoru. His cock buried nestled deep inside your velvety walls. He didn't move. He couldn't move. Geto's heavy cock was pounding in you. He couldn't wait no more. Prepping you to take both of them at once wasn't easy. Gojo laid there and enjoyed suguru's base rubbing on his length as he ploughed into you with no mercy. “fucking take it— You have to take it all.” Geto says as he grunts from the way you clenched so deliciously around him. Trapping both him and satoru inside you. Meanwhile, Satoru flicked on your sensitive nipples with his fingers and kissed you to shush you up. Even though anyone who walks or drives past your car would know what's happening inside. “Mmh..you taste like liquor. How many shots did they give you hm?” he asked. You struggled to answer him as suguru pulled you by your hair, your back hitting his chest. Satoru's eyes widen as he notices the small bulge that forms everytime suguru thrusts inside and disappears when he pulls back. He licked his lips and moved his hand from your plump nipples to your swollen clit, rubbing and pinching on it like it's a small toy. You felt the intense pleasure from his fingers and the two cocks already overwhelming you. Before you could moan out, suguru placed his free hand on your mouth, muffling any noises that were about to come out of your mouth. “I'm close..I'm so—close princess...I'm gonna fill you up with all I have. And you're gonna take it.” he punctuated the last two words with hard thrusts. Your head falling on his shoulder as your eyes rolled back. Satoru sits up and kisses on your body, sloppy kisses all over your neck to your chest and stomach, while his fingers kept on fumbling with your puffy clit. Suguru's pace was getting sloppy. You could feel him getting closer and closer to his release. You weren't as close as him. After all they did make you come twice before getting in. It'd take time for your third release. Geto shot his thick and warm semen all the way up to your womb. Filling you up. Your legs went numb as you shuddered. Geto let go of your hair and as you fall on top of Gojo. He slowly pulls out and sits back down, gasping for air. It was finally. Or, was it?

Gojo sighed and placed my legs down, shifting you too as you were now on his lap. “He sure took his sweet time with you baby, but what about me?” Satoru grinned as he slowly thrusted up in your creamy walls. It was far from over.

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narnian-neverlander · 2 months ago

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What Could’ve Been [Viktor x GN!Reader]

Plot Summary: In which you find yourself in a world so similar yet so different to your own and are simply too tired of life knocking you down again and again to still play the selfless hero.

Word Count: 3,9k

Warnings: spoilers for Arcane Season 2, talk about character death and illness, suicidal thoughts, slightly suggestive at the end

A/N: I saw that alternate timeline and went ‘Ekko’s a stronger man than I am’ and went with that; actually wanted to write sth fluffy and happy, and this is wholesome-ish, but with some very bleak undertones so I might have to write some actual fluff to compensate. Also, the religious imagery wasn’t planned from the get go but it kinda happened and it is on brand for this man, I just decided to turn it on its head a little 🤷

I’m also very much using a translator for the Czech parts, so please bear with me and absolutely lemme know if you spot anything wrong!

“Interesting. When I told you about this last, you advised the exact opposite.”

You freeze mid movement, plate hovering an inch or so over the table you were setting. “Well I… I suppose I’ve changed my mind.”

The soft tap of a cane against the floor alerts you to him crossing the room, appearing in your peripheral as you put down the porcelain with shaky fingers. “A rather… hm, siginificant change in such a short time, wouldn’t you agree? Not to mention you acted like I was telling you for the first time.” He doesn’t receive an answer, so he keeps going. “I’ve had a theory for a while. I don’t believe I’ve told you about it, because really, it’s only a pipe dream at this point, but entertaining for the duller moments nonetheless: alternate timelines. The possibility of several different realities, all co-existing with each other simultaneously. Some would call the mere idea preposterous, I’m fully aware, but then again, how would we know for certain? How could we know? Unless one or more of said timelines happened to… overlap.” The silence that follows is deafening and heavy; a precursor of what’s to come. “You’re not originally from this world, are you?”

While he knows this is a conversation that needs to be had, the way you curl into yourself and seem to wither and grow small before his eyes makes him wish he could take it all back. He tries to catch your gaze, but you purposely avoid his as you drag yourself over to the couch. Body heavy and tired, you all but slump down into worn cushions, blankly staring into space as you weakly reply with “No. I’m not.”

He doesn’t move, nor does he speak, cause while he’d been expecting your answer to a degree, now that it’s out in the open he’s… unsure what to even do with it. It isn’t a worry for long, though, as you continue speaking, slow and weary. Like you had been expecting, dreading, this moment just as much as him.

“It wasn’t a… conscious choice. To come here, I mean. It was an accident really, I didn’t even know what had happened at first.” A weak chuckle. “This was a shock to me as much as it must’ve been for you.”

And what a shock it had been for you. To have been standing with your friends in the bowels of the Hexgates one minute and to wake up in an unfamiliar bed the next. Dizzily traipsing through a space that had felt familiar yet foreign all at once; pictures and mementos from times you couldn’t remember staring at you from every surface. And to have had Viktor come through the door, bag of baked goods under one arm, to find you in the living room of what should’ve been your home, looking every bit as lost as you felt. It had been a miracle you’d stayed standing then and there, with the way he’d looked: same lanky figure supported by a cane, same messy chestnut locks, same two beauty marks against the pale skin of his sharp face, same concern in his honey colored irises when he took in your state. But no dark circles borderlining bruises under his eyes, no hollowed, sunken in cheeks, no blood on his lips to betray another attack. And no Hexcore devouring him whole. Your downfall had come in the form of slender fingers gingerly wrapping around your forearm to try and steady you; a silent question and a gentle offer of help. One of those fingers wearing the very same ring you usually kept on a chain around your neck, because you’d always been too busy or too in your own head to just ask him. To offer him your heart, your life, your everything, if only he wanted it. Always too terrified of rejection, of losing him to his illness; too scared of fucking something until it was too late. And when your hand had come up in search for said necklace, a nervous habit that had developed at some point, and you’d found a matching ring on your own finger instead, you’d finally dissolved into a wailing, sobbing mess against his chest, never wanting to let go again.

And what a shock it had been for him. To have talked to you, not twenty minutes prior, an exchange of sleepy, lazy kisses and quiet murmurs, telling you he’d go get breakfast and be right back, watching as you’d curled back up under the blankets with a content sigh. To come through the door, expecting you still in bed and instead finding you in the middle of your living room, looking utterly lost and misplaced in your own home, an almost manic look in your eyes, staring at him like you’d seen a ghost. He’d approached you, carefully, like one would a wild caged animal, and then a simple touch of his had sent you into a meltdown. And at an absolute loss, he’d simply held you. Let you cry yourself to utter exhaustion in his arms, the both of you a heap on the floor, propped up against the back of the sofa. When you had finally, finally calmed down, you’d played it off as the aftershocks of a nightmare. The kind that makes you believe they’re real and keeps you trapped in them for what could feel like a lifetime. And Gods you’d looked like you had aged a lifetime while he was gone. And ever since that night you’d been… different. Getting lost in your own head more often than not. Suffering from nightmares almost every night. Migraines and something akin to epileptic seizures every once in a good while. He had let it go on, assuring you that if you needed anything he would be there for you, and in the following months, you’d seemed to settle and things had gone back to normal. Relatively. But it had been the memory loss that had made him suspicious. Or more so the fact that while some things remained, others seemed to have happened differently for you and some had never happened at all. Never having been able to leave well enough alone, he’d started digging for explanations. And now, at the end of his research, his most impossible theory proven right - he’s yet again at a loss of what to do. How to help you.

“I didn’t know how I got here, much less how to get back. From what I do understand about all of this, and it ain’t much, the thing that sent me to this world doesn’t even exist here. So at first I didn’t have much of a choice but to just… live. To pretend like everything was normal and I belonged here. But eventually I realized that even if I got the chance to go back, I didn’t want to. I wanted to be selfish, I wanted—“ Your voice cracks, thick with emotion and he watches your head drop forward like a doll’s whose strings have been cut, eyes downcast at your trembling hands. “I wanted to be happy again. And for once in my damn life I wanted it to last. It just never fucking lasts…”

Stride over to you and hold you tight, kiss you and tell you that everything would be alright, that you would figure this out together, like always. That’s what he should be doing. Every bone in his body tells him to, but just like so many other times in the past, his oh so brilliant mind prevents him. Tells him that there is no ‘together, like always’ because the person in front of him isn’t the person he’s known his whole life. Isn’t the person he married. Everything’s an ugly mess and he doesn’t mean for his next words to come across as cruel, doesn’t perceive them that way; blissfully unaware of the implications, he’s simply, truly curious.

“What would you do if you were to go back home?”

An inelegant snort leaves you and you wipe the back of your hand over your eyes in a desperate and vain attempt to stop the tears from flowing.

23 seconds.

You were counting, just to give you something to occupy your spiraling mind with, really.

23 seconds.

That’s how long it had taken him to no longer refer to this world, this apartment, him as your home. To prioritize whatever might be going in your other life. And you know it’s not fair, to be this upset with him, this version of him that you’ve been deceiving from the start; even though he has never wronged you. But you can’t help it. Guilt and regret would soon be all you’d have left again, so might as well leave him with some, too.

“Well… if I hadn’t gotten sucked into this mess, I would’ve killed myself by now. I guess I’d be getting back to that.”

The breath that escapes him sounds like you actually just sucker punched him in the gut and immediately makes you feel terrible about how casual and bitter you’d made it sound, but he’d wanted the truth and that was it. Limbs heavy und unsteady, you rise from your position on the couch and make your way over to the front door. “I’ll go take a walk or… you know, go do… whatever. Give you some space, time to think.” Your hand’s already on the door handle, but you pause and somehow find it in yourself to turn around and at least give him the courtesy of looking at him for what you’re about to say. “For what it’s worth, I never meant to let it go this far. It just became so… easy to pretend like things had always been like this. You made it easy. And while I’m sorry that I lied to you, tricked you, intentional or not, I got the chance to fall in love with you all over again. And I could never be sorry about that.”

You’re fairly certain you’ve never seen him move as fast as he does now and before you know it, you’re wrapped in a hug almost too tight, his cane landing on the carpeted floor next to you with a dull thump. “You cannot say things like that and expect me to just let you walk out of that door, I-“

Readjusting his hold on you, he cradles your head against his shoulder and loops his other arm around your middle, continuing in a hushed, gentle tone. “I can’t bear the thought of harm befalling you. Even worse, you harming yourself. In any timeline. Please, just stay. No matter what might happen in the future, just… stay with me. Right here.”

He means for it to be reassuring, comforting, loving, you know that. It’s not his fault that it has the exact opposite effect.

Wincing, a new wave of tears springs to your eyes and you remove yourself from his hold, but can’t bring yourself to let go completely; hands now linked between the two of you. “Viktor, I stole the body and life of a person you actually love. I don’t want you to force yourself to try and love me out of pity.”

“And why are you so certain that’s what this is?!” It surprises you, how genuinely upset he sounds, and a gasp is forced out of your throat when he wrenches his hands out of your grasp and his palms find your face, to force your gaze onto him and keep it there, wether you want to or not. The expression he’s wearing almost scares you; thick brows furrowed in anger and lips curled back in what could nearly be a snarl, but as soon as gold eyes find yours, red and puffy and so very desperate and grieving, whatever fire seemed to have been burning him up inside goes out all at once.

His shoulders drop and he rests his forehead against yours with a sigh, warm breath fanning over your face. “I’m sorry, moje lásko, please forgive me. I’m not angry with you, I just… I can not comprehend why you are so ready and willing to accept rejection, but will not even entertain the possibility that loving you comes as easy to me as your affections for me do to you. Why can you love every version of me, but I’m not allowed the same with every version of you?” He watches you blink owlishly, your mouth opening and closing several times and he’s not sure wether it’s endearing or heartbreaking, how clear it is that this possibility never even crossed your mind. “You act like this entire situation only penalizes me, when in reality, I’m not actually your Viktor, either, am I?”

He expects this to help, to give you a new perspective. To make it clear to you that you are both the same; you are not a villain in his story. And there is a smile on your lips, but it’s so small and sad that his stomach drops at the sight. “No, you’re not. You couldn’t be. My Viktor is gone.”

And all of a sudden, it makes so much sense. How sometimes you’d stare at him with the most haunted look in your eyes, like he was a dead man walking, ready to collapse at any given moment. How you’d grow frantic when he came back late from the academy. How you’d insisted on tagging along on the most mundane of tasks, always under the guise of wanting to spend more time with him, but really just keeping a close eye on him at all times. Though he suspects the former to be true; the chance to spend even a few more precious hours with a loved one you’d thought lost, who wouldn’t jump at that chance?

His world would simply seize spinning if you were no longer in it, he can’t even begin to imagine how you feel. How tormenting it must’ve been to see him everyday, a second chance dangling right in front of you, but never certain if you were to wake up back in a world where he was gone.

You’re in his arms again in a heartbeat, one hand carding through your hair, the other rubbing soothing patterns into your back; whispering sweet little nothings into your ear as you bury your face into the crook of his neck and sob. All so much like the day you arrived and saw him for the first time, and yet… softer. More intimate.

You stay like this until your bawling dies down to whimpers and sniffles at which point he gingerly coaxes you to look at him.

“Miláčku, listen to me. As it stands now, you have no way of going back to your original world.” He doesn’t call it your home anymore, you notice. “You did not ask for this, you did not choose this; you had it thrust upon you while going through enough pain and grief you considered taking your own life. For the love of everything, you needn’t feel guilty for wanting to use this chance to find happiness again. And you shouldn’t feel guilty if you continue to do so.” Still sniffling you gently caress his face, thumbs running over his chiseled cheekbones and heart stuttering when he leans into your touch. But then you catch sight of the ring on your finger again.

“I’m not… I’m not the person you married, Vik.” Unknowingly, you parrot his own thoughts back to him, but surprisingly enough, he finds he doesn’t much care anymore. He’s flabbergasted how he could ever even doubt for a second that it would matter which timeline you were originally from. Because it’s still you. Damn it all, it’s still you. “Maybe so. But I’ve seen the same kindness in you in those past few months that I’ve always known. The same wit. The same ambition and passion. All the things that made me love you in the first place. You said this gave you the chance to fall in love with me again; would you allow me the chance to do the same?”

The truth is, while you want to try and build a life here, you feel guilty. Guilty about the friends you left fighting a war. Guilty about taking over the life and joy of someone else, even if they are a different version of you. Guilty about forcing the man you love into a relationship with a person he technically doesn’t even know. All these months, you’d only ever reciprocated his affections, never initiated them, had barely let him touch you at all, because you’d always felt like somehow you were coercing him into cheating on someone he actually loved. But here he is now, telling you that he wants you, this version of you, all of you. Could you really do it? Leave behind everything and everyone you’ve ever known, for a chance at happiness, a fresh start? You had no guarantee that things would go smoothly in this universe either, after all. Wouldn’t you just be playing pretend for the rest of your life?

“So what, we’ll just… pretend like it’s the first time then?” you ask, a quiet breathless laugh accompanying your question. He shrugs and smiles at you. “Something like that. Falling in love with you again and again and again? I could imagine a worse fate.”

So could you. Much, much worse, in fact.

Your expression shifts somewhat without you even realizing and he immediately recognizes that he must’ve triggered some form of painful memory. He places tiny little kisses all over your face, murmuring apologies all the while and when you sigh in contentment it finally dawns on him that this is very much the first time you’ve let yourself enjoy being close with him since you got here. He doesn’t blame you; the moral dilemma that was forced on you would put anyone on edge and make them anxious about what they could allow themselves to experience without some form of consequences. He would prove to you that there would be none, he’d make sure of that; singlehandedly destroy them if they did decide to raise their ugly heads. That you didn’t always need to give and give and ask for nothing in return. That you could take what you wanted and not be punished for it. You’d taught him that after all.

“Moje světlo…?”

Gods have mercy on your soul, you never could say no to him when he used those damn pet names on you.

You crash your lips to his, desperate and practically starved; in direct contrast to all the sweet promises and gentle reassurances you just shared, there’s nothing romantic about it. It’s all tongues and teeth and absolutely filthy and it’s exactly what you need right now. Your back makes contact with the door you’d been oh so insistent on walking out of not even fifteen minutes ago, that thought now the furthest thing from your mind as his hands are already under your shirt, leaving goosebumps in their wake.

Your head falls back against the worn wood with a thump as his lips find your neck, leaving marks and bruises for everyone to see and maybe the moan that escapes your throat with a broken version of his name coupled with how weak your knees already feel could’ve been embarrassing, but you don’t have it in yourself to care; it feels like it’s been years since he last kissed you like this. Touched you like this. The whine of protest as he pulls back is cut short when he drops to his knees in front of you, hands on your hips to keep you in place and placing on last kiss on your stomach before he puts some distance between you both, not more than a few inches really, but still too much for your liking. One hand goes to cover his own, while the other cups his face, trying to tug him closer again, but he refuses. Brows knitting together in confusion and frustration, you’re about to ask him what he thinks he’s doing, but he beats you to it.

“I won’t go further unless you tell me you want this.” You almost laugh, because he can not be serious. How much more obvious could you be? Your own body is doing half the talking for you, really. But of course that’s not exactly what he means. “I want you to admit to me, and more importantly to yourself, that you want this life. I want you to realize that it is perfectly alright for you to be selfish every now and again.”

His words trigger a memory from long ago, when you’d found him passed out on the desk in the lab one too many times. After you’d been done yelling at him, you’d told him that he couldn’t just always give and give and give until there was barely anything left of himself. That it was okay to be a little selfish and take things for himself every once in a while.

Take your own advice, liar.

A voice somewhere in the back of your head purrs bewitchingly and it’s right. You are still lying. Not to him though - to yourself. Telling yourself that you feel guilty for wanting to stay here, when in reality that’s how you should be feeling. But the truth, the real truth, is that you’re scared.

Scared of how little you actually care. About the friends you left fighting a war. About taking over the life and joy of someone else, even if they are a different version of you. About forcing the man you love into a relationship with a person he technically doesn’t even know. You haven’t truly cared about any of it from the get go; always too self righteous to admit it to yourself, though.

Practiced fingers slip from his cheek to the hair at the nape his neck and pull; he goes along willingly this time, head forced back and his eyes lock onto yours, right as fresh, hot tears start to travel down your face. But you’re done grieving; you are livid, plain and simple. “I want this…” you breathe out, so quiet he almost misses it. You don’t stay quiet, though, you can’t anymore, and your voice rises in volume with every sentence spoken. “I want to stay. I want a life with you. All blissful boredom and domesticity. It’s all I ever wanted. Why…? Why was even that too much to ask?!”

He doesn’t have the answer, but he does have the solution, delivered with a slight turn of his head and a kiss to your wrist.

“It wasn’t. It isn’t.”

Breaths heavy and irregular, you simply take in the sight of him: all disheveled hair and kiss swollen lips, pretty blush all the way down to his neck, eyes dark and pupils blown wide, only a thin ring of gold left, looking at you so longingly, on his knees for you and you alone; like a worshipper ready to commit any atrocity for the sake and love of their god.

“You can take what you want, anděli. No one will punish you for it. I won’t let them.”

Angel. Oh, the irony. Irony turned certainty. Certainty turned reality.

So take you would. And you wouldn’t bother looking back at the things you’d left behind.

#arcane viktor x reader #hurt/comfort #arcane #gender neutral reader #viktor x reader #arcane x reader #arcane imagine #viktor arcane #league of legends #arcane season 2 #pretend like it's the first time

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mylittleredgirl · 2 months ago

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buckle up folks, it's deep dive about chakotay hours!

season 2, "initiations"

@isthereintruthnobeauty1968 asked a question about chakotay in this post about the scene above:

for an infamous leader of an anti-federation rebel group he seems to firmly believe in its authority and ideals And to have (at least externally) adjusted to the blended crew seamlessly. what's the deal?

see, i don't think chakotay ever wanted to be a rebel, or even a leader for that matter.

he wanted to be a starfleet officer.

season 2, "tattoo"

chakotay enrolls in the acadamy as a teenager as young as he legally can ("tattoo"). he tells seven ("one small step") that he joined starfleet because of his love of paleontology, and he only turned away from that out of responsibility to the maquis and now to voyager.

[get a snack for this one y'all]

season 6, "one small step"

it doesn't come up often, but whenever chakotay talks about his pre-voyager starfleet career, it's always about first contact or archaeology. in "emanations," he compares their exploration of an alien burial moon to a mission he went on as an ensign, all while demonstrating his anthropology expertise. add that to him nerding out in "blink of an eye," "one small step," the dinosaur episode, and a bunch of other examples, he's a social scientist both by training and by inclination.

in the original star trek, they had an "A&A officer," a specialist in archaeology, anthropology, and ancient civilizations:

tos season 2, "who mourns for adonais?"

we never hear that term again, but that's the role chakotay often fills on voyager, and he's very happy whenever he gets to do it.

now, realistically, i don't know how much time pre-maquis chakotay would have spent in a blue uniform, because those skills would not make him an obvious choice to lead a maquis cell. ro laren sets up his character (unnamed) in tng as a tactical specialist who resigns to join the maquis:

tng season 7, "preemptive strike"

(which is a very polite and noble way to do it, as compared to eddington's defection in ds9.)

if he was in fact ro’s teacher (i think so, despite a stardate conflict in some later dialogue), it seems very in-character to me that chakotay could have started out pursuing a sciences path before showing an aptitude for piloting, strategy, and/or command. given what we know of him, regardless of his own passions or preferences, if a senior officer noticed his skills and encouraged him to change career tracks, he would do it.

teen angst era aside, he respects authority. he argues against dogmatic ideology when it's inflexible to the needs of the moment, but he likes working within a command hierarchy, and for better or worse, he is easily swayed by charismatic leaders.

season 1, "caretaker"

not only does he yield to janeway's authority on voyager before she even asks him to, and then molds himself into the kind of first officer he thinks will help her most, he does the same thing with annorax in "year of hell." tom is the voice of ethical conscience and reason in that episode, and he organizes the rebellion—against chakotay's orders!

there's so much going on here:

season 4, "year of hell part 2"

despite his father's perceptions of him as a contrarian, chakotay only rebels as a last resort. he would genuinely rather not. he clearly talked about the maquis cause with ro and others before he left—and i bet that's why he resigned to a starfleet admiral in person, to make one last appeal. his preference is to try and change systems from within.

not to west wing about it, but chakotay is only The Guy when he has to be—he wants to be the guy the guy counts on.

(hot take: with how he rationalizes the calculated sacrifices annorax is making in "year of hell," i don't think chakotay would have left starfleet for the maquis if it wasn't personal. but it was personal, so here we are!)

maquis chakotay is a disillusioned idealist, but he's never that disillusioned. he believes in the stated ideals of the federation, sometimes more than janeway does.

season 3, "scorpion part 1"

and it's a fundamental character trait that he looks for the best in people and situations, often to his own detriment (tuvok, seska, annorax, that time janeway and tuvok and tom all lie to him for half a season, the list goes on).

and it's easy to see good in starfleet, especially when most of his career was during the height of federation utopia before "the best of both worlds," at which point starfleet remembered it's also a defensive force and started building the defiant—which was the very first starfleet ship ever designed solely for combat.

the cardassian situation in tng is shown as an aberration in a largely peaceful era. the off-screen "border wars" were fought by officers who expected to go their entire careers never firing a phaser.

tng season 4, "the wounded"

for decades since making peace with the klingons, and with the romulans keeping to themselves, starfleet has been mostly goodhearted nerds who are committed to exploring and making friends. even if chakotay was a tactical officer, that was the starfleet he signed up for and served.

and, in fact, the reason why the federation abandoned the colonists in the dmz in the first place and wouldn’t help bajor during the cardassian occupation is because the federation and starfleet are devoted to the ideals of peace and noninterference to a fault.

tng season 5, "ensign ro"

chakotay doesn't object to starfleet's actions, but its inaction.

which, side note, is why janeway's choice in "caretaker" makes it easy for him to rally behind her. by choosing to protect the ocampa, even though it's a huge sacrifice and puts her in a prime directive gray area, janeway specifically addressed the exact trust gap he has with starfleet.

season 1, "caretaker"

that's what he wanted them to do back home!

chakotay defends his starfleet uniform in the kazon scene that inspired this whole essay, and he believes what he's saying, because he's right: that's not what a starfleet uniform represents, either in theory or in practice. especially in the mid-24th century, regardless of the political issues, the federation and starfleet do not conquer planets or enslave alien cultures by force.

(of course, they wouldn't have helped the kazon free themselves either, but that's not the question on the table.)

to op's main question: it's an interesting (or boring?) doylist choice to make chakotay such a platonic ideal of a Starfleet Officer™️ (which, for the record, has always included going off-leash at the expense of one's career whenever ethics overwhelm regulations).

season 1, "prime factors"

star trek went to a lot of trouble to create the maquis for the voyager premise of two crews... and then quickly brady-bunch'd them into one happy family and let deep space nine wrangle the maquis problem instead. ¯\_(ツ)_/¯

chakotay being so willing to put himself and his crew into starfleet uniforms (even though some members of both crews objected to it) cheated us out of some potentially rich drama, but it does hold water with what we see of him as a character on screen, and his relationship with starfleet. it has disappointed him, but he still believes that it's a force for good, and chakotay will always err on the side of seeing the good in something and thinking he can change it for the better from within.

tl;dr: chakotay is a starfleet officer by training and at heart, who was temporarily out of uniform because his family and tribe happened to be directly in the middle of starfleet's messiest ethical quagmire.

he made a personal, moral decision to join the maquis, not because he was anti-federation, but because that was the only way to protect federation civilians—which was part of his starfleet oath to begin with. he worked hard when he was younger to earn this uniform and i think, in spite of everything, he feels honestly proud to get to wear it again.

#heyyyy guess who spent all day on this #chakotay #star trek voyager #star trek thoughts #star trek #deep dives

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infinitelystrangemachinex · 2 months ago

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Jayce and the fallacy of the butterfly effect in Arcane's narrative

If Jayce's symbol is the butterfly, then my theory is that we're going into a full "butterfly effect" narrative in Act 2. Either we'll watch it happen, or we'll only see Jayce come out the other side of it changed by the experience, knowing - or more importantly, THINKING he knows - what to do to change the future. Literally, to "defend tomorrow."

tl;dr: Jayce will encounter the butterfly effect in season 2. Viktor and Mel both foreshadowed this in season 1. I think Jayce will fixate on Viktor and will believe that stopping or changing Viktor either in the past or the present - most likely the present - will mean he can save the future. I believe this will lead to an even worse tragedy and may have the same effect as a self-fulfilling prophecy. Ekko's approach to changing the future by sticking closer to the present - considering only tiny increments of time to alter more immediate future outcomes - will be the superior approach. I also think that Jayce attempting to change the future will create the conditions that push Viktor to become the Machine Herald.

One of the most common reactions even the casual viewer had to Arcane season 1 was this: "If [character] had just done this one small thing a little differently, [tragic event] wouldn't have happened!"

Arcane has been called a Greek tragedy for the main reason that because of how well built up the characters' personalities and reasonings are, there's no other way season 1 could have gone. There was no stopping the multiple tragedies that occurred, because with one event leading to another, the chain of seemingly inevitable events goes too far back to identify what one singular event caused everything, what one character made what one decision to put our characters on the terrible paths they walked.

Arcane is about to investigate this idea in its own narrative, and I think that Jayce will be the character to stumble into the flawed idea that you can change one event, or stop one character, and change the future for the better. This is because Jayce struggles with a few very interesting character flaws, one of them being that he believes himself to be the main character, and it is therefore his responsibility to intervene, be a hero, and fix things.

Viktor and Mel both foreshadow Jayce's future encounter with the butterfly effect.

Recall that Viktor said: "There is always a choice."

Jayce sees choices in black and white, believes that he has no other options but to go along with what he's persuaded and pushed into, and acts too boldly with too much power multiple times.

Recall that Mel said: "We can't change what fate has in store for us, but we don't have to face it alone."

Jayce tries to solve big problems on his own, and though he delegates to Enforcers and the like, Jayce relies on his reasoning and his alone to make important decisions if he doesn't simply become persuaded - usually through strong emotions like fear - by other characters. In addition, since Mel is specifically talking about Viktor's plight here, it's worth mentioning that while Jayce did say that he would help Viktor in acts 2 and 3 of season 1, Jayce does wind up leaving Viktor to face his fate alone. When Jayce tries to change that fate in s2 ep1, ep2 shows that only tragedy can come of this as well.

Viktor and Mel's statements here are not contradictory. Viktor makes the point that you can always make a choice. In context, he's literally referring to the classic "secret third option," because given a choice between aggression and passivity, war and surrender, Viktor chooses to defuse the bomb instead. Mel, interestingly, seems to believe that destiny is fixed in a broad sense, and she operates as a politician and diplomat and investor who navigates that line of destiny in the most optimal way possible. In reality, in context, she is referring to the fact that Viktor can't change the way he was born and so he has no way to change his fate and therefore must face it, which is true - she's only missing the information that Viktor actually does have the means to change his illness and his body. Her wisdom still applies however, because he'll have to accept the hand that fate deals him after he makes that choice. Will he face it alone, or not?

There is always a choice, there's even secret third options, because having a fate doesn't mean that you are doomed to make only one possible series of choices. What it does mean is that each choice comes with a hand that fate deals you. It is impossible to know what all of these branching choices and consequences are in advance, and it is just as impossible in hindsight - the branches are too complex and the end outcomes are all equally meaningful, just different. If Arcane season 2 is to be a tragedy, it may show us that each possible outcome is still tragic if you fall for the fallacy of the butterfly effect.

Jayce is counseled by some of the wisest, cleverest characters with the deepest life experiences in Arcane, but he hardly ever takes that counsel to heart. If he does, he still acts on that counsel in flawed ways that have unintended consequences. This will come to a head in season 2.

Viktor and Jayce both have a butterfly following them around in season 1. The butterfly effect refers to one small seemingly insignificant event changing the course of history, and changing that event therefore changes history. Viktor bled over the railing of a Hexgate in season 1:

And Heimerdinger sees what we can only assume is Viktor's blood contaminating (?) the Hexgate in s2 ep3:

This might be the seemingly unimportant "inciting incident" that Jayce (and Heimerdinger and Ekko) settle on as something that should be avoided or erased by changing the past (if they time-travel with Ekko, for example).

I doubt that, if this is what this crew chooses to fixate on, it will be the only event that is considered as something to change. But let's take this and run with it for the sake of discussion.

As silly as it sounds, how do you stop Viktor from allowing his blood to come into contact with the arcane? Stop Viktor's involvement with the Academy entirely? Don't invent Hextech at all? But what if someone else invents Hextech besides Jayce? What if future tragedy befalls Piltover because it didn't invent Hextech?

The possibilities and what-ifs could branch on forever. But because Jayce is who he is, and because his tragedy with Viktor is still raw and recent and frightening, I think Jayce's butterfly effect experience will have to do with Viktor.

My personal prediction is that the timeskip between s2 ep3 and ep4 will be Jayce experiencing a timeline where Viktor, taken over by the Hexcore, brings about an apocalyptic event similar to what Heimerdinger experienced in his past. Either Jayce and co. can't go into the past to change the present, or Heimerdinger and/or Ekko advise strongly against it to avoid a paradox. This will lead to them re-entering the canon Arcane timeline before this apocalypse, but still after the timeskip. Jayce, believing that destroying Viktor and his cult will save the future, and believing that resurrecting Viktor was Jayce's mistake to fix, attacks him. But the consequences don't unfold the way he hopes, because trying to change fate once the cards have already been dealt has led to tragedy before.

The butterfly is a symbol of something other than just the butterfly effect - change, evolution, and rebirth. If the butterfly symbolizes the butterfly effect for Jayce, then I think it has a different meaning for Viktor - the change and rebirth meaning.

I've always found it very interesting that we see a similar-looking butterfly on Progress Day... but made of metal.

Every time Viktor's situation changes, he adapts and evolves. If Jayce attacks him, if his cult is destroyed, if the Hexcore is causing Viktor to decay, if all of these things happen at once - he'll just evolve again, and I think the Machine Herald is the next step. And the Machine Herald will be a triumph for Viktor, but Jayce will believe that he's created something even worse. The resulting feud will be a personal nightmare for both of them.

I think this still allows Viktor to use his own agency to choose to become the Machine Herald (the MH will probably be the "secret third option" that saves Viktor, or there will be a secret third option that ends the feud) while still allowing Jayce to be offended and horrified at whatever the Machine Herald represents or is trying to do in the undercity. Introducing the element of time travel allows Arcane to explore the meta concept of tragedy and fate that season 1 was built on while showing that you can't "solve" a tragedy, because there are other terrible possibilities lurking behind alternate choices. Especially if what you're trying to change is singular people or events and not systems of power.

This is why Ekko's approach with his Z-drive will be superior to Jayce's sweeping attempt at changing the future. Ekko's goal has always been societal change. He creates his own punk society in the undercity, more progressive and successful than anything Vander or Silco ever created, and a better bastion of safety, hope, and progress than what Heimerdinger founded in Piltover. Trying to change systems by going back in time is most likely futile. But taking what Ekko has already built in the Firelights, curing his tree, and fighting for the Firelights' survival bit by bit by optimizing the present with the Z-drive shows that:

It's more worth it to focus on becoming wise (Ekko's mask is an owl) and making choices you won't regret

It's best if you don't face your fate alone (act as a collective and take care of each other)

Consider every option, not just the obvious black and white choices

Maintain and fix what you've already built instead of abandoning it once things get difficult

Adapt as needed if the choices you made lead to dark consequences, and once again, stick together and take care of each other when the bad times do come

That's my Act 2 but, ultimately, my season 2 prediction based on the butterfly symbolism we've already seen. Ekko's involvement is what will give the series the at least partial happy ending that the creators have referred to. I personally don't think that the Viktor/Jayce feud will end quite so well, but maybe, they will still survive.

#arcane #spoilers #arcane s2 #arcane spoilers #jayce talis #ekko #viktor #viktor arcane #long post #meta #jayvik #arcane meta #heimerdinger #I'm positive that Mel will be deeply involved with this too considering her comments on fate #honestly the thought of her being caught in the Viktor/Jayce feud is terrible to contemplate so I'm just gonna pray for my girl #I did not like the time travel implications when i first watched act 1 but after thinking about this i feel way better about it #Another reason I think this will come down to Viktor is because Heimerdinger has distrusted Viktor since season 1 and he will focus on him #Ekko will see the faults in focusing on one person #Jayce is least likely to survive all this considering how fast the consequences of his actions are catching up with him #but there could also be a chance here of viktor choosing to spare him - if only to curse him with the Defender/Herald feud forever idk #anyway i am feral for season 2 so far can't you tell

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literaryvein-reblogs · 5 months ago

Text

Writing Notes: Plot Method

The Save the Cat! Beat Sheet was originally developed by Blake Snyder to help screenwriters plot movies, but it works just as well with novels.

It breaks down the 3-act structure into small, specific sections (sometimes just one scene long).

Each section pushes your story forward in its own way.

The exact word count/page count of each section depends on how long your novel is and what type of story you’re telling, but you can use the colored chart below and the percentages in the instructions as a guide.

Context Note: This method is based on the concept of the Three Act Structure, which is an inherently Western approach to plot. It can be a useful way to tell a story, but it is by no means the only one.

ACT 1

Opening Image (0-1%)

Show a “before” snapshot of your protagonist and their world.

What is life like before the adventure begins?

It represents the struggle & tone of the story.

Set-up (1-10%)

Expand on the “before” snapshot.

Explore your protagonist’s life, including the internal flaws and external challenges they’ll have to overcome in order to change for the better by the end of the story.

Present the main character’s world as it is, and what is missing in their life.

Also introduce important supporting characters.

Theme Stated (happens during the Set-up)

What your story is about; the message, the truth.

Usually, it is spoken to the main character or in their presence, but they don’t understand the truth/lesson…not until later, when they have some personal experience and context to support it.

Thus, include a scene where a character says something that hints at what the protagonist’s big life lesson will be - how they’ll have to change and grow by the end of the story.

Catalyst (10%)

The moment where life as it is changes.

Examples: It is the telegram, the act of catching your loved-one cheating, allowing a monster onboard the ship, meeting the true love of your life, etc.

There’s no going back to the “before” world from here… What is the inciting incident that pushes the protagonist into the next phase of the story?

Debate (11-20%)

But change is scary and for a moment, or a brief number of moments, the main character doubts the journey they must take.

Show the protagonist questioning themselves and resisting the path ahead - wondering whether they have what it takes, or whether or they should just run home and hide under the bed.

“Should I just…?” “I really shouldn’t because…” “But what about…” Can I face this challenge? Do I have what it takes? Should I go at all?

It is the last chance for the hero to chicken out.

ACT 2

Break Into 2 (20%; Choosing Act Two)

The main character makes a choice and the journey begins.

We leave the “Thesis” world and enter the upside-down, opposite world of Act 2.

They make the choice to begin their adventure/transformation/journey/new thing.

Show your protagonist deciding to plunge into Act 2.

The Promise of the Premise (21-50%)

This is when the reader thinks “Ah, now we’re getting to the good stuff they hinted at on the back cover of this book!”

It’s also one of the longest sections in your book.

Show your protagonist getting used to their new world - loving it, hating it, making mistakes or doing well, meeting new people (see more below) and keeping the reader entertained.

This is when the main character explores the new world and the audience is entertained by the premise they have been promised.

B Story (happens during The Promise of the Premise)

This is when there’s a discussion about the Theme – the nugget of truth.

Usually, this discussion is between the main character and the love interest.

So, the B Story is usually called the “love story”.

Introduce a new character or characters who will eventually help the protagonist learn their life lesson.

Friends? Mentors? Love interests? Nemeses (nemesi?)? Who are they? How will they help?

Midpoint (50%)

This moment is when everything seems “great” or everything seems “awful,” depending on your story.

The main character either gets everything they think they want (“great”) or doesn’t get what they think they want at all (“awful”).

Either the Fun and Games section has lead to a false victory for your protagonist (they think they’ve been doing great so far) or a false defeat (they’ve been having a hard time so far).

What happens in this moment, halfway between beginning and end?

But not everything we think we want is what we actually need in the end.

Bad Guys Close In (51-75%)

Get ready for a bumpy ride. If your Midpoint was a false victory, now things start to go wrong for your protagonist.

If the Midpoint was a false defeat, well, things seem to be looking up, but the bad guys are getting closer and will have something to say.

Note: Bad guys can be actual physical enemies, but they can also be emotional enemies, like doubt or jealousy or fear.

Doubt, jealousy, fear, foes both physical and emotional regroup to defeat the main character’s goal, and the main character’s “great”/“awful” situation disintegrates.

Show the protagonist’s newly-built world beginning to unravel.

This will also be one of the longer sections in your novel.

All is Lost (75%)

This is when something happens to make your character hit rock bottom.

It’s the absolute lowest part of your novel.

Maybe someone or something dies (either literally or figuratively).

The initial goal now looks even more impossible than before. And here, something or someone dies.

It can be physical or emotional, but the death of something old makes way for something new to be born.

What does this moment look like for your protagonist?

Dark Night of the Soul (76-80%)

Your protagonist now has time to react to their “All is lost” moment, to mourn what they lost and wallow in hopelessness.

They’re worse off than they were at the beginning of the novel.

Show how low things have gotten.

Mourning the loss of what has “died” – the dream, the goal, the mentor character, the love of your life, etc.

But, you must fall completely before you can pick yourself back up and try again.

ACT 3

Break Into 3 (80%; Choosing Act Three)

The “aha!” moment; the “lift yourself up and try again” moment.

Show the protagonist realizing what they need to do in order to tackle their problems, both external and internal.

Thanks to a fresh idea, new inspiration, or last-minute Thematic advice from the B Story (usually the love interest), the main character chooses to try again.

Finale (81-99%)

The protagonist does what they decided to do in the Break Intro 3 beat, and (because of all the learning/growing they’ve done and the support or insight from the B Story), their plan works.

This time around, the main character incorporates the Theme – the nugget of truth that now makes sense to them – into their fight for the goal because they have experience from the A Story and context from the B Story.

The Bad Guys are defeated, the world is changed for the better.

What are the battles? How will the protagonist triumph (or not)?

This is another longer section, so you’ve got the space to make things dramatic and intense.

Act Three is about Synthesis.

Final Image (99-100%)

This is the opposite of the Opening Image, the “after” snapshot instead of the “before.”

Show the reader how the protagonist and their world have changed.

THE END

Sources: 1 2 ⚜ Writing Notes & References

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sheep-from-rad · 2 months ago

Note

Idea! Neglected bar singer darling.

The joint they sing in is on the very outskirts of Gotham. The bars in the basement of a restaurant.

Its pretty clear darling is saving up money to slowly inch away from Gotham and from there neglectful and sometimes (often) cold family.

So they dress as a Him/femme/them fatale and saunter up to the stage and sing there lil heart out and get both the thrill of all the attention in a room being on them and the money in there tip jar to boot.

Imagine what happens when a clip of darling singing goes fucking viral. (I'd like to think it's would be "be your baby tonight" give it a listen if you want. I like norah jones' cover)

What I'm saying is there is no way any of the batfam would approve of darlings career choice.

I love this kind of asks!~ Requests are now open again but we warned, I'm a snail paced writer T__T This took a while because I have this habit where I write it down first on paper before typing it. Like I make a draft first and reread before typing it to see if I should add more or remove some. First fic about singer reader: here and part 2 here. 😅

**DC characters belong to DC and I don't give permission to feed my writings to AI. Thank you**

Masterlist(Batfam)

Masterlist (All of my other fics)

divider by: @k1ssyoursister

Okay okay, here me out. I know you said secret bar under a restaurant but my brain read the word ‘bar’ and ran away with it 😭.

You know what this smells like? Scandal and maybe even a disaster waiting to happen too. You know what's a famous bar in Gotham? The Iceberg lounge that is run by Mr. Cobblepot (Penguin) and is frequented by rogues such as Riddler.

Life in the Iceberg Lounge isn't that bad, maybe intimidating at first but it became a small comfort. Mr. Cobblepot lets you keep the tips, the lounge beauties (Raven, Lark, and Jay) are great companies, and workplace harassment? You don't really have to worry about that. If you ever get flirted on or harassed by small fries and drunkards and then rest assured a bigger, scarier person at the back of the crowd will beat the harasser and throw them out. They might be villains but they have standards and harassing the lounge’s songbird is a big no no!

The clip of the singer reader went viral for a ton of different reasons: (1) The singing and the amount of simps you raked 24 hours after the clip has been posted. I have a headcanon that Mr. Cobblepot will nickname you as either Nightingale or Songbird to fit the crew because the lounge beauties are nicknamed after birds.(2) People can see villains just chilling at the background of the video. Riddler's nursing a whiskey at the counter, Two face is playing chess with Penguin who is multitasking in helping mix some drinks. Hell, even Harley and Ivy are in the background having a moment with the strippers.

(3) Why is Bruce Wayne’s kid at the Iceberg lounge? I have a teeny tiny headcanon that even though the reader was neglected they are still forced to attend galas once or twice because Bruce won't and then it will be like a big media scandal. Also reader's public appearances with Bruce or with the other Wayne children might be low but they still have hundreds of followers. The Wayne name alone is basically a celebrity name because of Bruce being heavily revered by the public. Think of it like nepobaby shit. (4) That stage presence and sheer seductiveness. Being a Wayne, I'm sure the reader was taught etiquette by Alfred and was taught how to dress properly. They are also taught how to behave. However on that vid, you look like you were dressed by the Gotham sirens (Ivy, Harley, and Selena) themselves. All those good boy, good girl, good child stuff are out of the window. If the reader was just blending in the background before and the video is the opposite. It's almost commanding every viewer to look at them, pay attention to them, worship the very ground they walk on, and love them! At this point just expect simps.

The family loves the video but at the same time they also hate it. They had their copies downloaded and saved and then they'll immediately task Barbara into scrubbing the video off of the internet but it's too late. The video has been re-uploaded to hundreds of different accounts and some news outlets had already published articles about it. The articles ranged from sweet ones like praising the reader for their awesome stage performance and singing to downright insane clickbaits like ‘Bruce Wayne secretly allied with Gotham rogues?’

The whole thing is very stressful and I pray to the DC gods that Bruce Wayne is very healthy because this guy's blood pressure might as well go high up. Imagine trying so hard to keep up with the ditzy playboy public persona to hide your vigilante secret identity only for your kid to be filmed singing and being cozy at the Iceberg lounge. Not only that! You also placed yourself in danger too! It's not a secret that a lot of rouges knew Batman's real identity (Joker knows it, he just doesn't care. He's so cool for that). Sure they don't attack Batman when he's Bruce and sure they are a sweet pseudo-family to you right now but who's to say that they won't use you when push comes to shove?

While Bruce deals with the media, Barbara and Tim work on the damage control and tracking every video, expect heavy guilt tripping and interference from Damian, Dick, and even Alfred (in his defense, he wants you safe and will only ask for you to get a better job or at least work in a place not frequented by villains). Dick will be actively poisoning the well. He'll make you sit down and read the crime archives with him (starting from the heaviest crime down to the pettiest crime) and will tell you stories about their encounters with each of them. Damian will try to keep you from getting to work and will try to keep you in your room if you haven't moved out of the estate. He'll ask you to go around with him, feed his pets with him and even asked you to watch him train (he doesn't know how bonding works, please be understanding). If you had left the estate and then expect him to show up and walk in your place like he owns it. He's one of those cats that you feed once and then suddenly shows up and won't leave you alone anymore.

Oh, you still won't come home? You still wanna continue that dangerous job of yours? Pick your poison then. Do you want them to call Jason to get to the bar and take you home, knowing him some heads will sure go flying. Or do you want the family to stage a stakeout, infiltrate the bar, and capture and lock up all the villains forever. Go on, go choose.

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felassan · 2 months ago

Text

David Gaider on Kieran, under a cut for length:

"CHARACTERS - DAY TWO: Kieran (Technically this is an addendum to yesterday, but I make the rules here so nyah!) Heading into DAI, I had a bite-sized problem on my hands. I knew Morrigan would feature. I also knew we were importing previous choices. So now I had to contend with: the Old God Baby. Here's the thing about honouring previous game choices, from a design perspective: it's a sucker's game. What many fans picture, when you mention it, is divergent *plot* -- the story changes path based on those major choices. How exciting! But you will never be able to deliver divergent plot. You can deliver flavour differences (usually in the form of divergent dialogue), character swaps (character X appears instead of Y), and extra content (such as a side quest) -- but plot branching, particularly the critical path? It's a question of resources, and there's never enough to go around. "Here Lies the Abyss" in DAI was about as good as it gets, and even that was a far cry from how I originally pictured it (hello last-minute insert of Stroud when a DAO Warden import got cut). The Old God Baby was one of the main choices from DAO -- Morrigan has a baby? With the Archdemon's soul?! Most DAO players who flagged that choice surely expected *monumental* consequences. World-shaking consequences! And we talked about it. We did. There were, like, three different designs of the DAI ending where OGB Kieran could cause complete divergence: new path, cutscenes, the whole nine yards. But it wasn't going to happen. It was a decision from *two games ago* that only a small minority (hello telemetry) would even choose. To the rest, they probably neither knew about it nor cared... so how many resources could you invest? To do what? Set up an even bigger divergence for the NEXT game? The other writers acknowledged my anxiety with a grim nod every time it came up, but they had no solutions. Finally, I realized there WAS a solution, and that was changing how I thought about the choice: don't make it about Kieran. The players don't know him, never have. Make it about Morrigan. Thus began a feverish three days where I wrote probably the most complicated scene of my career: Morrigan's reckoning with Flemeth in DAI and the fallout after. Three different versions (OGB Kieran, non-OGB Kieran, and no Kieran), each with branching for other choices (like the Well of Sorrows). I did it all at once. There was no other way to wrap my head around the complexity of it. It was also a tough sell to the team, considering the amount of cinematics work, but they agreed we had to do *something*. And still it felt... underwhelming, insofar as divergence goes. But it was also good. I remember when I first spoke with Claudia, about how this was Morrigan's story. This was about how motherhood had changed her, how she'd grown up. Claudia got a bit teary-eyed. It was a journey she was familiar with, she said. Her first son, Odin, had been born in 2005 not long after DAO came out. And, man, she killed with that performance! Kate, too, but I'll get to her later. Claudia dug down, and that scene where Morrigan tells Flemeth she'll never be the mother Flemeth was to her? That came from someplace very raw. It was devastating to witness in the booth. There were tears all around. Not long after, Claudia called and asked if maybe - just maybe - Odin could play Kieran? He was a bit young (not yet 5, then), but it felt... right? We agreed. Claudia was in the booth, gently coaching him through his lines, and I think that was the first moment I felt I'd done the right thing."

[source thread]

User: "Do you find it an odd choice that Kieran hasn’t been mentioned at all in Veilguard?" David Gaider: "If there’s less reactivity in DATV, I’m unsurprised. Continuing choice from up to 3 games earlier is… unsupportable. Yet DA established the expectation they would so… damned if you do, damned if you don’t?" [source]

User: "EA is one of the biggest game companies ever. I don't think more complex diverging plots are impossible." David Gaider: "Well, if only more writing was all it took. Sadly, it's also cinematics. Art time for all those reappearing characters you probably want to look *just* right. And let's not forget we have to test all those permutations! So I don't disagree with you in spirit, but I don't think it's the answer here." [source]

User: "is there a possibility of future kieran appearances in a book or something similar outside of the games?" David Gaider: "I'd have no way of knowing that." [source]

User: "I’m actually shocked so little people chose the dark ritual. That was basically the main reason Flemeth sent Morrigan with the wardens, no?" David Gaider: "The impression you get of what "most" players do - in almost any game, not just DA - is very different if you're online a lot. Consider here that it's not just the % of DAO players who chose the Dark Ritual, it's the % of DAI players WHO PLAYED DAO and cared to import that choice 5 years later." [source]

User: "Is there anything you wish you had done differently, in hindsight?" David Gaider: "Probably just to not ever do importing choices between games in the first place." [source]

User: "Kieran only existed in my DAI state b/c Morrigan as a mother really appealed to me. I wasn't expecting to be devastated by those scenes 😭 I guess when we complain about lack of consequences from prev choices in DAV we must also ask how MUCH are we willing to pay for those branches to exist?" David Gaider: "That's indeed it. Content directed towards reactivity would have to come from somewhere else. So essentially a shorter game overall for the sake of those hardcore fans who'd import - who would, I imagine, REALLY enjoy that... but it's a tough cost/benefit analysis to make." [source]

User: "mr gaider im gonna keep it real with you if i had to choose between my hof and hawke i would've simply passed away" David Gaider: "Right? That was the ENTIRE idea! I was very excited, and for a while it seemed possible." [source]

User: "This has been a very interesting read but I have to ask why they decided to use Stroud instead of the HoF" David Gaider: "1) Complexity of providing means for a player to build a Warden (which they did in DATV for the Inquisitor). Also spoiled the surprise. 2) We’d have needed to give the Warden a voice. Add these to the cost and it was deemed not worth it." [source]

User: "Genuine question, not a critique - but what made the OGB decision one that couldn't be handwaved as canon no matter what was or wasn't chosen? Leliana and Flemeth being around no matter what come to mind. Was OGB simultaneously too major and too minor of a decision?" David Gaider: "Flemeth and Leliana being alive were easily explainable, and we knew we were doing it even back then. Circumventing the Dark Ritual… that would be too cheap. We did talk about it, but it just felt too dishonest. Too high a price for what we’d get in return." [source]

David Gaider: "If I’d known the Well of Sorrows would only see reactivity in the confrontation with Flemeth, I’d probably have made a much bigger deal of it." [source]

David Gaider: "We could maybe have gotten past the need to "reconstruct" the Warden, much like the Inquisitor was reconstructed in DATV (so I understand), but the need to give the Warden a voice was the final nail. Too potentially disappointing for the very people who'd be excited about it, aside from the cost." [source]

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