#(arguably. I think it is anyway)

[nnobodoodles]

Huh.

So I randomly remembered Croc is pretty much Italian.

[aftg-and-random-things]

Just what was Andrew doing the entire time during night practices?

[aandriskobold]

*chanting* if you didn't see the body the character isn't dead, if you didn't see the body the character isn't dead, if you didn't see the body the character isn't dead

[zoe-oneesama]

Can't remember if it came up; in the Scarlet Lady verse, now that there's no longer the danger of anyone being brainwashed into a supervillain, do the other superheroes learn each other's identities?

It's Scarlet Lady Canon that Adrien and Marinette know each others identities (and all the other heroes identities), Alya and Nino know each others, Juleka and Luka know each others, and Sabrina and Lila know each others. Everyone else is unknown to the rest of the team.

Since Mayura is still out there and there's just a general un-safeness about random people knowing your identity, most of the cast keeps it to themselves (though it's very tempting for some of them to wanna brag - Kim is basically white knuckling it through any Hero talk in his civilian life). They'd probably only tell if they found out another hero was also one of their close friends, but as of now, the other Heroes are work colleagues, minimum.

However, if any of them were to figure each other out, it'd pretty much go the way it did for Juleka and Luka:

As long as it's between heroes, Maribug and Adrichat would let it slide while feeling a growing pit of anxiety deep in their being.

[captain-astors]

The Crown Prince

[turtleblogatlast]

I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

[starry-bi-sky]

im on my hadestown bullshit again but im also still on my SVSSS bullshit too so au where Shen Yuan gets transmigrated into a nameless NPC sometime after Bingge merges the realms and becomes the demonic emperor over like, basically everyone. And Shen Yuan manages to become an immortal cultivator and has a few years to himself to explore the world he's in, conveniently avoiding Bingge the whole time. Until eventually Shen Yuan joins what is essentially a traveling theater group.

They all love the strange stories he tells, ones he claimed he learned from far away places, and eventually ask him to write one as a play so that they can share it with the world. He does one better and writes a musical and slightly xianxia-izes Hadestown so it fits with the times better.

Eventually they learn everything, the music is st up, their lines learned, and the group rents out some kind of low-class stage for a night in a town that's neither too big nor too small. One that Bingge is conveniently passing through.

The actor for Orpheus falls 'sick' the opening night, and Shen Yuan gets convinced into taking the role by his. He has the prettiest voice, and he knows Orpheus' lines and character the best! Shen Yuan agrees.

Bingge attends that night too, and sits in the far back, in a seat where nobody can see him that well.

There is nothing to prepare him for the Tale of Orpheus and Eurydice.

Not the actor, who looks distressingly, uncannily similar to Shen Qingqiu, from the sharp curve of his jaw to the sound of his voice. It's Shen Yuan's saving grace that he has just enough differences that Bingge doesn't fly to his feet immediately.

Not the character Orpheus either. Who shares a distressingly similar worldview to the one Bingge once had a long, long time ago. A young man, a boy really, with so much hope for the world around him to near the point of naivety. Who believes that there is still good in the world and the people around him.

There's nothing to prepare him for Epic III. A song the lone Orpheus sings to convince Hades to let him and Eurydice go, one that rends Bingge of his flesh and leaves him feeling raw and wanting.

Suddenly he's no longer watching the stage; he's on it, standing in Hades' place, jaded and bitter and cold and reigning over all. Having become cruel like Shen Qingqiu once was. He stands in Hades' place, tall and imposing and powerful.

And there is a shadow of the past sitting at his feet. A boy in love with the world looking up at him, stripping him down to his soul, and asking him where he's been. Bingge stands in Hades' place, and just like that, becomes a man again.

[cryptocism]

new digs... 2!!!

from chapter 18 of frequency

[rabbitcrimes]

When people are like Wei Wuxian was NOT suicidal it’s like. Ok sure. He just believed that his debt to the Jiangs should be paid with everything up to and including his life. And also that the moral and obvious thing to do in any situation is to put himself between anyone and harm's way. This is because he thinks he’s unkillable but he makes himself unkillable for the same reason he’ll die for a good enough reason: because it’s a way to have worth!

And then famously once everything goes to shit he does beg Lan Wangji to let him die as part of the moment where he is either destroyed by his own evil magic or lets his own evil magic tear him apart, a distinction I don't personally think matters very much at that point. Less explicitly textually, his mentally ill ass behavior after he gives up his core says to me that he wishes that he'd died honorably for Jiang Cheng when he had the chance and doesn't know what to do with himself since he hasn't.

Again I’m aware that he’s operating under a pretty specific set of culturally informed norms as a cultivator and member of a sect but like. TO ME. Everything about how Wei Wuxian conducts himself indicates that he has a box in his mind at all times that says 'in case of emergency break glass' and what’s inside the box is his own death. All the sound of mind actions of a man who has a normal and not suicidal relationship to death.

[cautiously0ptimistic]

And we go beyond the farthest reaches, where the light bends and wraps beneath us. And I know, as you collapse into me, this is the start of something.

[javierduffy]

would we like to talk about how hosea also contributed to arthur’s entrapment in and eventual demise due to the van der linde gang because he was constantly affirming to arthur that he was “dim-witted” and “a fool”, and we can assume he’s been doing as such since arthur was very young, and therein causing arthur to internalize the narrative that he is nothing but a dumb brute who could never make it as anything other than a “born and bred” killer or is that too controversial

[mamawasatesttube]

society if the timkon tag wasn't just a roulette wheel of a) homophobic batfam members, b) bernard for some reason, c) lex luthor, and d) bart-related ableism for flavor, but instead contained actual posts about tim and kon and their relationship as written in the comics they came from

[deeply-unserious-fellow]

I know Robbie is supposed to be one of those edgy ass losers who constantly talk about how fucked up they are in the head despite having a completely normal homelife, but like... Idk man, he lives in a graveyard with parents who use glass caskets WITH BODIES INSIDE for tables, casually call him by his full legal name when they aren't even mad for some fucking reason, and are just kinda. Scary in general. I think he kinda has a right to be Like That, y'know? Obviously I'm not trying to excuse him being a douche or whatever(seriously who the fuck beefs with a 12 year old because the kid has a crush on their girlfriend?), but I think a lot of his personality makes much more sense when you look at him through the lense of "this is a 16 year old who was raised in a relatively isolated and scary part of town, with parents who do not treat serious things like death with the gravity those subjects deserve". Nobody that was raised in that kind of environment is gonna turn out well adjusted are you kidding me!?

[leifyposting]

Rosaria is not usually this transparent.

She isn’t Barbara, who wears her heart on her sleeve, or Jean, who does not count lying among her many talents. She isn’t even Kaeya, whose intricate masks and careful dissembling only hold up as long as the wind doesn’t blow too hard.

Rosaria is impassive, unreadable, barely even there. She’s spent enough years learning how to let people’s eyes slide right off her. It turns out that you can wear fishnets and claw rings and people will still let themselves ignore you if you give them the right excuse.

But she has been drinking, tonight — not quite to the edge of tipsy, but close, right on the line where the lights are warmer and the wine is sweeter and the chatter of the bar patrons tips from grating to almost melodic.

And so maybe she lets her eyes linger, just a little, on the broad back and flaming hair of tonight’s bartender. 

No one would blame her if they caught the way her gaze flits over to him and away, one stolen glance every couple of minutes. Diluc cuts a dashing figure in his bartender’s uniform: all straight lines and stark contrasts, his red hair bright against the white of his vest. He carries himself with a quiet composure born of physical power and a bank vault full of cash. Half the people in this tavern have been ogling him all evening; she’s still not sure if he’s truly oblivious or willfully blind. 

As she watches, he slides a drink over to the Traveler at the end of the bar, waving away the offer of payment. He wipes down the counter with a practiced hand before tossing the cloth over his shoulder once more. Then he turns back, and Rosaria doesn’t look away quite quick enough to stop their gazes from catching and holding. 

Diluc’s gaze burns like the embers of a campfire, low and controlled, but with the promise of destruction unleashed. For a long second, he watches her watching him. 

Then he smiles. 

It’s a different smile from the confident one he gives her in the middle of the night when they’re on a manhunt, or the rueful shouldn’t-have-let-my-guard-down grin he sports when he’s taken an injury he should have been able to dodge. 

This smile is small, meant just for her: the corner of his mouth quirks up, boyish and almost shy, and for a moment Rosaria catches a glimpse of the young man who’d brought Mondstadt to its knees. 

He’s so godsdamned pretty it makes her throat tight. Despite her better judgement, Rosaria finds herself smiling back. 

She suppresses her smile as soon as she registers it — but Kaeya has always been too perceptive for his own good. 

“Playing with fire there, Rosaria,” he murmurs once Diluc turns away. He leans an elbow on the bar counter and fixes her with an unreadable smile. 

“What do you mean?” she asks evenly, taking a swig of her wine.

Kaeya looks unimpressed by her attempt at deflection. “Falling in love with him is a bad idea.”

“I’m not in love with him,” Rosaria says. She realizes too late that this too is a confession. She ought to have asked who he meant; she’s shown her hand too early.

“Sure,” Kaeya says, serious for once. “But you’re getting there.”

“Am not.”

He shakes his head at her. “I wouldn’t get too close, if I were you. He burns everything he touches.”

Kaeya was her first real friend in Mondstadt. She knows what Diluc did — in broad strokes, if not in detail. It definitely makes her a bad friend that she likes him anyway. 

Kaeya’s lone visible eye tracks Diluc’s movement as he weaves his way through the bar, clearing tables. “The thing is, he doesn’t mean to,” he says, his voice low and almost affectionate. “He tries so hard, you know? He’d try, if you asked him to.”

“I’m not asking him shit. There’s nothing going on between us.”

“He just always ends up destroying things anyways,” he continues as if she hadn’t spoken, his fingers tracing lines of frost on the condensation of his glass, his eye still fixed on the back of Diluc’s head. “It tears him apart, but good intentions don’t restore what’s been broken.”

He looks back at her. For a moment she thinks she sees wildfire flames licking at the deep blue of his visible eye, before they resolve into the gentle glow of the lamps that light the Angel’s Share. “I know you’re not going to listen to me,” he says, and smiles mirthlessly. “You can make your own decisions, of course. But be careful, alright? I’d hate to see you hurt in the course of protecting Mondstadt.”

It’s the wrong thing to say. Rosaria knows it as soon as it leaves his lips. 

Because no matter how bad Diluc is, Rosaria is worse. Kaeya has forgotten that frost burns too. 

Diluc is a fine, upstanding citizen, the uncrowned king of Mondstadt. Rosaria is a scrappy orphan at the mercy of the Church. Diluc has a bent for justice and a mission to take care of the weak. Rosaria only knows revenge.

Kaeya forgets — or ignores, because he is a good friend, and he cares for her in his own way — that Rosaria deserves nothing but destruction and pain. Everything she has received from Mondstadt has been at the cost of its citizens. She owes a debt she can never repay; if she takes some injury in the course of protecting this country, it will simply be what she deserves. 

She lays a hand on Kaeya’s arm and watches him jolt. “Getting burned is part of the job.”

“Of protecting Mondstadt?” He sounds skeptical. “The nation has never asked that of you.”

She raises an eyebrow at him. “Someone’s gotta do it. Don’t act like you haven’t sacrificed for Mondstadt too.”

“Oh, I won’t pretend I haven’t,” he says lightly. “But I’m a hedonist, you know — I’ll always pick pleasure over pain.”

She laughs, opting not to call him on this obvious lie. “I guess that makes me a masochist, because I don’t care if I get hurt.” 

“I care,” he mutters, then sighs. “Look, you’re a grown-up. If you want to flirt with the sun, I won’t stop you. I just reserve the right to say ‘I told you so’ when your wax wings go up in smoke.”

“I’ll be careful,” Rosaria promises. 

(Across the tavern, Diluc laughs at something Venti says, low and rolling and resonant. The eyes of half of Mondstadt follow the sound, and Rosaria has never been one to go with the crowd, but in this and this only—)

Kaeya rolls his eyes, shrugging her hand off his arm. “No, you won’t.”

“No,” she agrees, and grins. “I won’t.”

[deaddove]

slow cooking a lighthearted modern au where esen and baoxiang are pining after their friends ouyang and ma, respectively. but due to a ~wacky misunderstanding~ (read: chronic heteronormativity) they think ouyang and ma are dating each other—obviously that’s why ouyang is always going over to her place, right?

esen is in denial about his feelings and extremely supportive of ouyang’s relationship (he avoids talking about it or thinking about it—out of respect to ouyang’s privacy ofc). baoxiang thinks ouyang is in denial about his own sexuality and using ma (he has formulated a 12-step plan to Remove Ouyang that he will enact When The Time Comes).

then one day: baoxiang and ma are hanging out (spa day), esen and ouyang are also hanging out (sporting event(?)) and they all decide to meet up at that new restaurant afterwards. as they arrive, ma and ouyang are texting, they tell baoxiang and esen “hey my partner got us a table.” so baoxiang and esen follow them to the table expecting to see the other couple already seated there. but it’s just zhu.

(they both have met zhu—they thought she was just ma’s roommate. in reality she’s ma’s fiancée and ouyang’s queerplatonic d/s situationship.) (they also realize neither of them has ever actually seen ma and ouyang interact for an extended period of time. it becomes immediately apparent that ma dislikes ouyang and ouyang doesn’t even know her name.)

[mockiery]

Once Upon A Time 3x05 "Good Form" my beloved, I know the text and shots and scene transitions directly parallel Hook saving David's life to Killian's loss of his brother, and Killian's pained expressions of seeing David succumb more and more to the same poison Liam did. Killian's insistence David tell his family, give them the chance to say goodbye that Killian didnt have with his brother. Of Killian himself sayinf David reminded him of Liam, his canonical hero. I know the ep's dialogue speaks of Killian's want to be seen as a man of honor, to be that man of honor.

And I know Killian would absolutely have been a deflective ass with the "I didn't do it for you" to David about saving his life, bantering teasingly that he did it for Emma like David has accused all of his actions to get to and be at Neverland as - just a selfish attempt to have Emma.

And I know Killian's half-joking flirtation with Emma later with "Is that all your father's life is worth to you?" is in character bc for his entire presence on the show previously he has used compliments of himself and flirtatious remarks as deflection, jokes, and to be actively antagonistic/inflammatory/annoying/playful.

I know all of this. I know this is all perfectly in character and the nonspoken motives informed by the flashbacks to his past and his performance are deeply in character. But christ alive I wish that a tiny little line would've been added in somewhere that made it clear that his motivations in this ep and the Neverland arc as a whole weren't just about Emma bc it feels like the writers partially forgot this in 3a, despite the strength of this episode and all its parallels. They say characters' feelings out loud or allude to them more directly in dialogue all the time like pleeeeeeease, you could've made it a lil more obvious it's not solely bc of Emma like. i just wish it wasn't easily misread if u didn't read into it deeper with Killian's characterization, beyond his contradicting words