#(and the way that love is inherently so much about grief)
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aq2003 · 1 year ago
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ten
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scribefindegil · 1 year ago
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Athoek Station my beloved . . .
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angorwhosebabyisthis · 10 months ago
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i think one of the things that upsets me the most about velma and shaggy's relationship in sdmi--and boy there is a lot--is that not only is her constantly ''correcting'' him for minor, harmless, and usually completely reasonable things with physical and emotional abuse, well. abusive by itself. but so many of the things he does that she treats him that way over are very autistic things, and what she subjects him to is textbook abuse aimed at autistics in particular. (including the part where she gets more and more pissed whenever attempts at said emotional abuse fly over his head, because he's too bad at picking up cues for them to land fully.)
[cws: anti-autistic ableism, ABA, self-harm, physical and emotional IPV, victim-blaming, and abuse apologism. it's a lot and it's really fucking bad lmao]
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like. there's a lot of examples there; shaggy's behavior coming across as autistic is worth a whole post of its own, and a lot of media depicts abuse targeted at autistic traits because ✨️hooray ableism.✨️but she straight up tries to Fix Him (read: force him to perform a Presentable Personality) by forcing him to wear clothes that are sensory hell, and trying to condition him to self-harm every time he does some small harmless, reflexive thing she thinks is Poor Socialization until he stops. and to catch himself doing it, and punish himself, without being prompted. i cannot fucking overstate how fucked up that is.
they even got down the fun little aspect of ABA where the methods of conditioning-through-pain are presented as toys and kiddish things: she gives him a rubber band to wear on his wrist, and tells him to snap it as hard as he can every time he says 'like.' 🙃🙃🙃🙃
like. this does not begin to scratch the surface of the abuse she puts him through in general. and again, characters being abused for autistic traits with the approval of the narrative is a common thing in media, which sucks. but holy fucking shit! they really took the 'violent ableism that is done to autistics irl' to the next fucking level here!
.......and it's portrayed as kind of cringey, immature teen drama on both sides. the self-harm, his dread over how much he knows it'll hurt, and the extreme pain it causes him to the point of screaming are all supposed to be funny. and her arc is all about learning to accept that she deserves better, because she was repressed and had low self-esteem and therefore putting him through fucking DIY ABA didn't make her happy.
🙃🙃🙃🙃🙃🙃🙃🙃
anyway if you couldn't tell i can't fucking stand sdmi velma and i have a lot of words in me about it. when one of your main heroes would have made a way more compelling villain as they are, on a more mundane level compared to all the wild fantastical shit they go up against, holy shit go back to the drawing board you have fucked up. she could have been genuinely good representation of a marginalized person dealing with the trauma of her experiences in some shitty ways she has to grow past, and an interesting flawed character, without being absolutely despicable--hell, she'd have made a great foil to pericles if they'd handled him decently too. they have a lot of parallels, which only gain more depth when you add their respective parallels with cassidy into the mix. and it really fucking sucks that we got this instead.
#sdmi#scooby doo mystery incorporated#velma dinkley#shaggy rogers#SDMItag#cws in post#sdmi velma lies at the intersection of A Lot of Hard Feelings for me; in ways both inherent and personal#so she is viscerally upsetting to me in a lot of ways mostly re: framing; and that makes it difficult to analyze her in a sympathetic light#even though i recognize she is very much a depiction of a hurting; traumatized person lashing out in nasty and interesting ways#but the older i get and the more perspective i gain; and the more i unpack and understand about my own experiences#the more important it feels to me to talk about this stuff#i still want to try writing fic sometime about newniverse velma and how she ends up being a non-abusive; less shitty person#without just *being* a completely different person who's All Nice Sweet Sunshine with No Hard Feelings About What She's Been Through#and about the confusion and grief newniverse marcie goes through when one day her loving girlfriend is gone#and in her place is someone who is so much like her and has clearly been through a lot; but is Different in ways that hurt more and more#that marcie keeps trying to justify and make excuses for; and sits in the pot and slowly boils#until she finally has to face that this isn't the girl she fell in love with; that that girl will never come back; that this is velma now#i'm totally not working through anything here lmao#and a nasty; pretentious; controlling; insecure young adult who's up their own ass about Being Super Intellectual and Telling It Like Is#abusing a teenager to make them stop saying 'like' because it's Annoying and What Stupid People Say and Not Gramatically Correct(tm)(tm)(tm#definitely does not hit dead on some very specific 'hi that scarred me for life and i don't think it's particularly fucking funny' buttons!#anyway. protect shaggy and marcie and daphne while we're at it#SDMIcrit tag#the crit files
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nereidprinc3ss · 24 days ago
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in which fem!reader has been gambling with her life and spencer reid is more than a little concerned
flangst, hurt/comfort warnings/tags: passive suicidal ideation from reader, she keeps risking her life, that really grinds Spencer’s gears, established relationship, existential dread, existential euphoria, lots of stuff about grief and death and self worth, not advocating for this, pretension from the author, blasphemy probably?, reader gets fuzzy from prescribed painkillers, arguing, hospital stuff, mention of sleep paralysis involving spiders, reader gets shot but she’s fineee, I pander to intro to philosophy takers, bau!reader, neurodivergent coded reader, if she’s not exactly like you I’m sorry, bean soup a/n: one day you’re in a writing slump literally the next you are in your notes app for six hours writing whatever the fuck this is but I think I love it even tho it’s weird and I hope u like it too!! btw this was gonna be called cotard's syndrome but then I never once talk abt cotard's but if u care that might be interesting context for the motif of not feeling human/alive, WC 3K
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Spencer hasn’t spoken to you since the doctor left the room five minutes ago. 
The air is antiseptic as you take it deep into the hollows of your lungs and trap it there for a moment, trying to optimize oxygen intake without actually having to breathe very often. Hospital smell is as universal as it is suffocating. It reeks of everything but death—flowers, blood, bleach, vomit. A humiliating, desperate scramble to defy the very thing that defines mortality. It’s pathetic. It reminds you of the worst instances of failure and loss and denial in your life. It curdles your blood. Literally rots you from the inside out. 
You’ve had ample time to ponder that smell over the last few months because you keep ending up here, and some time ago you decided the institution of the hospital is inherently absurd. It’s stupid to think you could avoid the one absolute condition on your corporeal form: impermanence. It is the only thing that is promised, and people still waste their lives away running from it. It is the ultimate self-fulfilling prophecy. 
So around the time you acknowledged that hospitals are simply monuments to the self-importance of man, you gave up on trying too hard to preserve yourself. You’ve seen death too much and too often. You’ve tried staving it off with prayer and the miracles of modern medicine, and it never matters in the end because it’s all magical thinking anyway. All the wallowing and the bargaining and pleading never got you anywhere. 
You’ve accepted that from the moment you were born, you were marked for death. 
But you’re not a complete nihilist. You’re not even totally resigned to the abject certainty of death—because you’ve found a loophole.
Everyone has as many chances at escaping death as other people are willing to offer them at the cost of their own lives. Not many people are willing to make that trade—someone else’s life for their own—but you’ve decided you are. Because if not you, then who?
It’s not that you don’t see the value in your own life, as Spencer keeps making it sound. It’s just the opposite. You understand that you’ve got an extremely valuable resource, and you don’t just have to sit on it. There are things you can do. Choices you can make. Ways to defy death. 
Just… not yours. 
Or maybe you’re just in deep denial. 
Either way—this is a philosophy your boyfriend intentionally refuses to understand. He gets mad, or some kind of upset, every time you try to explain it. Usually he ends up leaving the room close to tears. You never feel good about it.
Right now he’s presumably trying to give you the silent treatment and not doing a very good job. 
“Stop holding your breath. Why are you—stop that.”
Spencer’s frowning, skin sallow and milk-blue under fluorescent lighting. Purple seeps from around his eyes like spilled wine on a white table cloth. Your stomach turns. 
“Sorry.”
He doesn’t tell you not to apologize. You don’t expect him to. 
“Why are you doing that? Does something hurt?”
Other than your entire bicep being on fire due to the 9 millimeter Luger it recently came into contact with?
“Not really. I just don’t like the smell of hospitals.”
At that, he gets stony again. Like, Medusa stony. You feel a tightening in your chest that has nothing to do with a lack of air. His arms are crossed. A silk lined blazer drapes over your lap, and you wonder if he’s cold in just that white button up. It’s translucent in this light, like onion skin, or maybe something less organic—the folds and wrinkles look like fabric, but lots of things look like something they aren’t. In the Pietá, Jesus lounges dead on his mother’s lap, his cheek pressed to her arm like either of them have warm flesh, and her skirts drape from her knees and fall to the ground in delicate folds just like Spencer’s jacket and looking at pictures of it you swear you could find comfort there too—but if you wanted to make space for yourself next to Jesus you’d have to do it with a chisel and mallet. You’re starting to think that’s what it’s going to take with Spencer, as well. 
“So stop walking into active gunfire. You’ll spend a lot less time here.”
Every deep sigh (of which there have been several) calcifies you further. Ironically, you never feel less alive than you do in a hospital. 
“I didn’t walk into active g—”
“I’m not debating it with you. It’s not a discussion.”
“So you’re just going to be pissed at me for the rest of forever? I mean, if it’s not a discussion—what are you gonna do? Break up with me?”
You feel yourself dripping poison in the well. Even as you say it. As his head tilts toward you slowly and intently from his spot against the wall, and his warning gaze is cold and unforgiving and weighs 3.35 tons.
“Don’t.”
“Don’t what? Talk?”
“Don’t try and manipulate me by implying that there are no options between permissiveness and dumping you!”
“I’m not manipulating you. And I don’t need your permission to do anything.” 
The first part is an incredulous scoff as well as a blatant lie. You are manipulating him. Chisel and all. At least, you were trying to. It clearly doesn’t work very well. His jaw clenches.  
“Is this worth it to you? Fighting with me like we’re children solely so you don’t have to take accountability?”
“Accountability for what? I made a choice. I don’t regret it. You’re upset because I did my job.”
A beat. 
Silence always makes you feel the gravity of your words. 
“Do you believe that?”
His voice softens so much, so quickly, it splinters down the middle. 
You’ve never been known for your light touch. For someone who sees eviscerated bodies nearly every day, and prides herself on her evolved understanding of mortality, you often forget other people are not, in fact, impenetrable marble—they are flesh and blood and bone, and you’ve splattered yourself in the evidence of that. 
“What?” You murmur. You easily turn timid, when you’re afraid you’ve been too heavy-handed. Spencer’s seen you sob over the birds who hit the windowpane and never reappeared from the shrubbery—their delicate wings, their little beaks—he didn’t mean to, Spencer, and now he’s dead! He’s seen you spend forty minutes catching a spider with a cup and an envelope rather than smush it, even though you have reoccurring episodes of sleep paralysis wherein a giant arachnid is sitting on your chest, hissing and clacking its pincers. He knows you are, at your core, kind and good. 
It’s a little scary for someone to know that about you. It’s a little scary when you see your own vulnerability reflected in their eyes and the way they speak to you, the way you see it in him now. 
“Do you believe that the choices you make regarding your safety don’t concern me at all?”
“They’re… my choices to make,” you whisper, but you’re less sure than you were a minute ago. 
“I’m not talking about that—I’m talking about how it feels like you are trying to kill yourself every time we’re in the field.” His voice shakes. You swallow. “You have been hospitalized for four serious injuries sustained on the job in the past five months. Every time I bring it up, you—you talk about life like it’s optional for you. Like you’re not only willing to give it up but are actively looking to throw yourself in harm’s way every chance you get. You think that doesn’t terrify me?”
There’s a small chip in the paint on the wall next to him roughly the shape of Africa. 
“It’s not like that. I’m… I’m just having an unlucky streak.”
He snaps. 
“Luck isn’t going to get between you and a bullet. Ever.”
“It’s my job, Spencer.”
“No. It is a risk of the job. Not a defining feature or requirement. But you keep running toward gunfire like you have a quota to meet.”
“Spencer, I’m not doing it at you. I’m not trying to get myself hurt.”
“Well it doesn’t really feel like you’re trying to avoid it, either,” he shoots back immediately, and you feel the anguish radiating from him until it lodges in your own chest, like it was always yours. Maybe it was. 
You want to make it better, but you don’t know how, and even if you did, he’s pushing off the wall and crossing the room toward the door. 
“Where are you going?” You call, a little too desperately for your liking. 
“You need to eat something.”
Which translates roughly to he’s pissed and upset and he needs to leave the room. You’ve done this song and dance before. 
However, food and an absence of him are contenders for the absolute last two things you want right now. 
“Spencer, please don’t—”
But the door is already whooshing closed. 
You stare at the grey and white checkered floor. Light bounces off the waxen reflection—some sort of parallel universe you can’t reach, perhaps. The whole room is desaturated. A mechanical humming threatens to drive you insane. It doesn’t feel like a place for living humans. You’re not convinced you are one. 
When he comes back, maybe ten minutes later, nothing’s moved at all. In fact you’re not even sure you’ve been breathing. 
The door closes as quietly as it opens. 
This time, wordlessly, Spencer comes to you. You see his shoes first—his serious adult shoes. You wish he was wearing his Converse. 
Then you see the bottle of apple juice he’s cracking open for you. Blue lid. Same kind you always get. 
“You didn’t bring food.”
“You wouldn’t have eaten it.”
Fair enough. 
You take the bottle with your good arm and sip shallowly—all that adrenaline and the subsequent interpersonal strife has left you nauseous. The drink is too sweet. It clashes with the tang of metal in your mouth. 
Still, you drink enough to satisfy him, and then you’re tossing his jacket aside before balancing the bottle between your thighs so you can screw the lid back on. He doesn’t go back to the couch or his spot on the wall. 
Spencer doesn’t pull away when you lean into him, but it does take him a moment to reciprocate. You’re still grateful all the same when he cradles the back of your head to his stomach like you’re made of porcelain. 
“I don’t think you understand how upset I am,” he says quietly. 
Only Spencer Reid could be furious with you and still hold you like this. 
“I’m sorry,” you murmur. 
“That’s not good enough. You need to stop risking your life like that.”
He doesn’t get it. Your brows flutter as they try to furrow but even holding that expression saps you. Maybe the pain meds are finally kicking in. 
“I just wanna help people.”
“That doesn’t explain to me or justify your urge to do it at the cost of your own life. We all want to help people, angel. The whole team. That’s why we do what we do. But we don’t run into shootouts. We don’t split off and provoke people with guns when we’re unarmed and unprepared.”
“But it worked. She got away.” You feel a spark of fulfillment at the memory of Gloria Sanchez in JJ’s arms just before the ambulance doors had slammed you into your first cage of the night. 
“We don’t know if he was going to kill her. He might not’ve fired at all if you didn’t go running toward him. That wasn’t strategic, it was reckless and irresponsible and you know that. I know you do. So something else is going on.”
The pressure in your nose that usually precipitates tears comes as a surprise. 
“I just—if that’s how I can save someone, why shouldn’t I, you know? Why do they have less of a right to live than I do just because they’ve been deprived of the choice? If I have a choice, and they don’t, I should choose to… to help them. That’s my job.”
For a long moment, you listen to your own breath, muffled by Spencer’s shirt, and the mechanical humming, and something dripping, and the low, buzzy chatter of nurses far down the hallway.
When Spencer next speaks you get the sense he’s holding a lot back. His voice is taut enough it wavers slightly. Taut enough that if he weren’t speaking so quietly he might be yelling. It’s like pinpricks all over your body—not enough to hurt, but enough to make sure you’re paying attention. 
“You can’t help anyone if you’re dead. Do you understand me?”
And yes, in theory, you do. But that doesn’t negate your original point. It only takes one life or death moment for you to utilize the most valuable resource you have. What happens after is no longer your concern. 
“On the psych evals you helped develop it asks if you think it’s appropriate to sacrifice the one to save the many. The answer is supposed to be no. If you say yes you get flagged. The FBI frowns upon… lever-pullers. And that’s exactly what I’m doing if I let one person die when I could’ve potentially saved them.”
“Protecting your own life is not pulling the lever. What you’re doing isn’t smart or morally righteous. You’re just throwing yourself across the tracks, too. If you were to fail a psych eval right now it would be because you’re passively suicidal. And you know what? The FBI also tends to frown upon self-immolative delusions of grandeur and girls who like to play sacrificial lamb.”
“’M not a… sacrificial lamb…”
“No,” Spencer agrees quietly, stroking your hair. “You’re not.”
And you can’t react to the fragility in his voice, or the content of his words, and the fact that when he says it he means something different—you can’t do anything about it. You can only catalogue it. You can only know that he loves you, and feel a little guilty about it.
Some time passes. You don’t know how long he remains standing so you can doze against him. He does not smell like the hospital. He’s the antidote for whatever grief they distill from widows and orphans before aerosolizing it through the whole place. 
“Baby?” He asks eventually. You know the lilt of it. He’s been thinking. 
“Hm?”
He hesitates. 
“Can we talk about you maybe taking some time off of work?”
“You heard the boss,” you mumble. “I can’t come in for at least a week.”
“I mean beyond that.”
You intend to respond, but by the time you open your mouth you’ve lost the prompt in all the brain fog. 
“You’re so comfy,” you murmur dreamily. “Thank you for being mad at me.”
If he responds, you miss it. 
You’re imagining the bed waiting for you at home, once the doctor is done observing you—warm, neatly made. Blankets woven with soft fibers. A mattress that will sink under your weight. You think of Spencer, who’s shaping himself to you, Spencer, who intentionally inhales when you exhale at night to make room for the rise and fall of your chest against his. You think of the imprint of his buttons on your cheek. You are both flesh and blood and bone. 
Strange, pill-induced half dreams and visions and memories take over. You’re in that alleyway again. That man fires. You don’t blink or scream or feel. 
Just before the bullet makes contact you’re standing in front of the Pietá. It’s massive. Spencer is there, too, holding your hand. 
You can’t actually see him, only, you know he’s there. You feel his warmth, his presence, when he leans over to whisper in your ear. The way you know him goes beyond sight. 
The Pietá—meaning the pity, in English—is 6’7” and six feet wide. It weighs 6,700 pounds. Michelangelo had to quarry the block of marble himself. He was only 25 when he finished. The Basilica keeps it behind bulletproof glass. 
Jesus and Mary behind bullet proof glass. 
God. Who’d try to kill Jesus a third time? He’s already dead. 
Besides—they’re both made of stone. Bullets would probably just ping right off of them. Or maybe they’d shatter just like you did. 
Probably not though. You’re not actually made of marble. You’ve no idea what it feels like to be a statue and get shot at. You sure know how it feels as a human, though—and it feels like shit. You don’t really know why you keep doing it. None of your reasons are good enough for Spencer, and he’s, generally speaking, pretty smart about some things. 
Maybe you’re tired of being human.
Maybe you’re tired of sleeping on your arm funny and waking up to a hand in your bed that doesn’t feel like yours and remembering all the hands you’ve held moments before they couldn’t hold yours back. Or tired of those moments where you are being held and it’s so unbelievably perfect and then someone has to let go, or when someone you love hugs you goodbye and you realize that there will always be a final I love you, or simply getting older and watching potential life paths fall away like rotten fruit to the ground. Maybe life is sometimes so good it hurts and you can’t bear it. So you tempt fate. You walk a tightrope because even if you fall and it can’t ever feel good again—at least it can’t hurt either. At least you won’t lose anymore. 
And yet. 
It does feel good, sometimes. Sort of often, actually. Even when it’s awful. 
Dead Jesus and Mary, with their marble skin and their bulletproof glass and their holiness and their virginity and all the other things they have that you don’t. Nobody can hurt them anymore. Not ever. 
Maybe that’s something you envy.
But you doubt they’ve ever been so terribly, wonderfully alive as you’ve been, or as comfortable as you are like this, leaning into Spencer’s warmth and his softness, in the hospital, or the Vatican, or your dreams. Your bicep was ruined but it’s healing. You are capable of ruin and rebirth in the same lifetime. In the same day, in the same hour. 
You doubt that in 520 years, behind bulletproof glass and unyielding, eternally flawless skin, they’ve ever felt as invincible as you do now. 
You doubt they ever could. 
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bigfatbreak · 4 months ago
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Something I've been wondering for a while in the ML fandom. But after Season 5 ended, I saw a lot of authors coming to the consensus that Emilie is a "bad parent".
Where did that come from? Did I miss a fandom meeting where that consensus was reached? Or is that a consequence of Gabriel being a bad parent, having her as a bad parent by proxy?
I am mostly curious about where this headcanon came from, for some many different authors following the same path.
the series tries really hard to make Emelie seem like an angelic woman, but the problem is, it constantly steps on its own toes doing so.
even before her death, Adrien didn't go to school, wasn't socialized around others, never had a "real birthday gift," was only socialized around Chloe and his "cousin" sometimes, and though he yearned for school, was still denied that. The show says "oh she's a good person," but doesn't SHOW her being a good person.
the show contradicts itself. Emelie has to be good, because she's a dead mother who sacrificed her life for her child, but the show reveals the quality of life for that child was basically zilch, like owning a dog. The general idea of her being a bad parent is because being self-sacrificing doesn't make someone inherently good, in fact in Emelie's case, it made her all the more selfish.
if she knew she was dying and still had the audacity to keep her son from making connections with other people, all she was doing was saddling him with an immense amount of grief he would have no real way of processing, making her death the only thing he could ever revolve around for the rest of his existence.
Not only that, Gabriel seemed to follow the mindset of "oh she's just gone, not dead," which would only make things worse - and if Emelie suspected Gabriel might act the part of the fool, why didn't she ensure there was a support system for the both of them? To be fair, she doesn't have Gabriel on strings, but she literally has complete control over Adrien and just... decided to make him her emotional support child? a crutch through her death? an accessory to show what a good person she was???
maybe we really are missing parts. maybe she actually was an exceptional woman - but that SAME woman could be cattled and convinced to keep Adrien alone for his developmental years??? if we're following the idea that she was actually super good and kind, then we have to accept that she's also immensely stupid for allowing her husband to convince her that Adrien should be a bird in a cage.
Either she's loving but overall selfish, keeping Adrien for herself in spite of the damage it would cause, OR loving and stupid, letting Gabriel convince her to keep Adrien in the dark in spite of the damage it could cause.
the show may WANT us to route emelie down the path of overall "good," but considering her husband was such a miserable excuse for a parent who's attitude really hasn't changed that much from the past, like draws to like and we can only draw our own conclusions.
honestly i think Zoe put it better here, but there's my two cents on the matter.
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zara-renata · 29 days ago
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Q&A with Sylus Qin | ao3 | the Sylus series
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Summary:
Sylus cares for your injuries and feeds you a meal. After he shows you a part of his home that you didn't know existed, you finally ask him why he was so cruel to you when you first met him. Sylus does his best to answer with as much honesty as he can right now.
Notes:
Sylus x gn reader, Sylus x mc, second person POV Enemies-to-friends-to-lovers slow burn This story contains: hurt/comfort, allusions to wild speculation regarding Sylus's lore, mention of bodily injuries, canon character death, grief, canon violence toward mc, a meal and drinks laden with heavy-handed metaphors because the author has no self-restraint, lots of plants, sexual innuendo as a treat, alcohol use, and promises to treat each other with more care and honesty moving forward. I wrote this before I did Sylus's POV, and then both parts together seemed a little too long to force readers to endure so I split them. I hope the continuity makes sense.
“Can we talk?” you ask Sylus, as he leans against the doorframe, a lovely dream of silver hair, otherworldly eyes, pale skin and silver fur across his large pecs, arrowing from his navel to beneath his black, silken pants.
“Sure, kitten. Right after I bandage your feet.” He strolls into the bathroom, heading to the large black marble-topped vanity. He opens one of the cabinets and pulls out a large first aid kit and brings it over to where you’re sitting.
“So I’m not wandering around, bleeding all over your nice floors?” you ask, laughing softly, as he once again kneels before you, silver head bowed over your injured feet. You let your gaze drift from his soft hair to his strong shoulders, his big hands cradling your foot. Sylus on his knees does nothing to diminish his formidable presence. If anything, this position of supplication seems to highlight the inherent threat in the broad line of his shoulders, his powerful arms, his long legs folded beneath his big body. It’s like witnessing a dire wolf on a leash, a prehistoric creature bound only insofar that it’s willing to let itself be bound. You find yourself wanting to pull him to his feet, because you never want to see Sylus at anyone’s mercy, ever. Not even yours.
“Because the only blood that should be soaking your feet is that of your enemies. Otherwise, I refuse to see blood anywhere on you,” he answers, as if that’s a totally normal thing to say to someone. You just stare at his bowed head.
As he gently spreads some kind of soothing balm on the bottoms of your feet and wraps them securely in long stretchy bandages, you hear soft piano music drifting in from the bedroom. He must have put on a record while you were finishing up in the shower.
After the final bandage is secured, he rises to his feet. “Are you hungry?” he asks. You hadn’t thought about it, but now that he has mentioned it, you find yourself feeling almost dizzy with hunger. You nod, and shift to stand, but he just makes a “Tch” sound and scoops you into his arms.
“Are we done asking for permission to touch me already?” you ask him without any heat.
“You can just assume that until I’m satisfied that your feet are healing well, you will not be walking on your own two feet,” he informs you, which is such an absurd thought that it makes you laugh. “And from now on, you will tell me no if you honestly don’t want something from me.”
“Is that so?” You stare into his serious face, trying to figure out what is going on inside his head.
“Deal?” he asks gravely. He’s not joking. He wants this from you, and you realize that this is his way of asking for it.
“And if I say no, but don’t mean it?” you ask, curious.
“Don’t,” he says softly, with that same strained tone in his voice from the roadside. “I could use my aether core, and figure out what you really want. But I promised you that I wouldn’t, unless you ask it of me. Guessing whether you seriously don’t want something from me is a game I’d rather not play going forward.”
If you agree in good faith, then you will be agreeing to allow him to do the things for you that you want from him. And in doing so, it will serve as an admission to him regarding what you want from him. There will be no flimsy cover of token protest to shield yourself from the vulnerability of revealing your true desires—there can be no more lying to him, nor to yourself.
This idea terrifies you. But you’re so tired of being afraid. And it’s not like Sylus hasn’t been able to see through you regarding so many things, even after he stopped using his aether core on you. Is it so unfair of him to ask that you are honest with him, when all you’ve wanted from him this whole time is to figure out what he wants, which is essentially his honesty in return?
You’re terrified, but you feel brave, held tightly in his arms right now. Maybe you’ll regret it later. But that’s for future you to deal with.
“Okay, Sylus. Deal.” You rest your head against his warm pillow of a shoulder, and feel the way his chest expands with a big breath. “But as much as I’d like to use you as my personal mount until my feet don’t hurt anymore, you really can’t carry me everywhere for the next week. I have to get back to Linkon City. Work starts again the day after tomorrow.” You pause, trying to figure out what day it even is. Everything is such a blur since what feels like last night, but has it been longer? “Or even tomorrow,” you mumble. You feel so, so tired just thinking about it.
“Personal mount, huh? I guess I can offer personal mounting services upon request,” he says thoughtfully as horror rushes through you at what you just said. But Sylus seems unruffled as he continues. “And no, you don’t have to get back to Linkon City.” He strides into his bedroom and settles you on the freshly made bed, which apparently has had its silky black sheets changed because they’re not damp at all from your nightmare sweating. You blink up at him as he turns to fetch a large silver tray from the low table in the sitting area, and then brings it over and sets it on the bed next to you.
You’re so relieved that he treated your accidental innuendo so casually that you just pretend it didn’t happen. “Yes, I do. This was the last weekend of my leave. I’ve got to get back to it on Monday,” you counter, eyeing the food on the tray—thinly sliced steak, chunks of steaming baguette slathered in what looks like herbed butter, and strangely, an entire pomegranate, split in half. Some seeds have already fallen from the rind, and lay scattered like little jewels around the plate.
Sylus ignores you and sets a large glass of water on the nightstand next to you. “Do you want anything else to drink? I have a full bar,” he gestures to one of the huge, heavy pieces of wooden furniture that you didn’t recognize as a vintage booze cabinet until he pointed it out. 
“Damn, Sylus, is your liver okay?” You eye the size of that thing.
“Asks the hunter whose feet are shredded to bits after a midnight jaunt in the cold with no coat or shoes,” he sniffs. “Fine, but I’m making myself something. Eat.” He stands and heads over to the cabinet, opening it to reveal bottle after bottle of topshelf liquor. He tilts his head and hums a little tunelessly as he makes a selection.
You don’t have to be told twice to eat. You take one of the beautiful silver forks lined neatly next to the plate and start shoving steak into your mouth.
Having finally selected something and dumped a few fingers’ worth of liquor over a tumbler filled with ice, Sylus returns and sits next to you on the bed, back against the huge black leather-padded headboard. He quietly waits for you to finish stuffing your face while sipping his drink.
After you’ve demolished the steak, a few chunks of bread, and half the pomegranate’s seeds, you lean back as well, just basking in the feeling of calm, sated exhaustion. Sylus turns his head against the headboard and regards you with his bright, bright eyes.
“You wanted to talk,” he says.
“I wanted to talk,” you repeat.
He peacefully takes another sip of whatever he’s drinking. You close your eyes. Breathe deeply. The scent of the alcohol is heady, spicy. You open your eyes and return Sylus’s gaze. The words are stuck in your throat. You let your focus drift over to the bookshelves lined with books that look like they were chosen for aesthetics rather than content. They all have some combination of black and red designs, it’s ridiculous. 
Your thoughts on the stupid books are interrupted by the sensation of calloused fingertips running along your jaw. “Look at me,” Sylus says softly.
You have to do this. But you can’t get the image out of your head of Sylus’s long fingers drifting down the spines of those books just as they’re now drifting along your face. The way your heart was racing as you tried to sneak up on him for the brooch, which was your lifeline out of the hell you were in. Your only ticket to the auction, to answers to questions that had plagued you for months, to going home on your motorcycle instead of in a body bag, according to Sylus’s threats at the time. You don’t want to be in this room. You don’t want to be in this house.
You turn your head to look at him, and he must see it in your face. Suddenly his evol is lifting the glass from his hand, and at the same time he is leaning over, pulling you back into his arms. He lifts you, as he did before, one arm under your legs and the other cradling your shoulders. He pauses, slipping back into his houseshoes, and carries you out of the bedroom. This time, he takes you further into the house, down hallways you don’t remember walking down before. Eventually, he brings you into some sort of large …mudroom? The worn tiled floor is shockingly colorful, with a drain in the middle. Stacks of pots and bags of what look like dirt or fertilizer sit haphazardly on a long wooden table. An extensive hose is coiled beneath a huge farmhouse sink along one wall, and the wooden counter is covered in gardeners’ tools and watering cans. Wide windows above the sink look out into the dark night. Galoshes and rain boots are lined up neatly along the wall near the door. It’s homey in a way the rest of the house isn’t. Lived in. A bit messy. You like it very much.
Just as you think Sylus is going to make you have this conversation in the equivalent of a gardener’s shed, which you honestly wouldn’t mind, he continues to the door on the other side of the room. Again, he pauses to switch out his house shoes for a pair of galoshes. He looks a little silly, wearing the garden shoes with his silk sleep pants and nothing else, but as usual, he doesn’t seem to care what anyone else may think. The scarlet-ink tendrils of his evol then throw open the door and all of the thoughts in your head evaporate like rain on a hot summer day.
Because Sylus has just thrown open a door to another world—the heat and humidity hit you first, a soothing contrast to the chill air of the rest of the house. And then the smell—earth, decay and growth, a cacophony of floral scents. You turn your head and take in the slate-colored pebbled pathways leading in different directions from the door Sylus has just brought you through, winding through huge tropical plants, leaves heavy and dripping with moisture. Colorful birds twitter and shriek and coo as they shift in the trees overhead, flying under the soaring ceiling of what you now realize is a huge greenhouse. At periodic intervals along the path, torches in a modern, savage style, similar to the chandeliers in Sylus’s house, illuminate the way forward and the surrounding plants.
You just take it in, overwhelmed by the riot of life and colorful beauty of this veritable oasis in the desolation of the N109 zone and the contrast it poses to the austerity of Sylus’s dark, sophisticated home. Eventually the plants along the path Sylus has chosen thin and part to reveal a large pond, covered in gigantic flowering lily pads, a fountain in the middle. The fountain itself is a flowing sculpture, two figures locked in either battle or embrace. You’re overcome with a strange sense of familiarity— something about each figure’s proportions in relation to the other—how one has to look up into the face of the other—you look away. The flow of water from the fountain is a constant, soft hush underlying the birdcalls and swaying leaves, the skittering of little animals unseen under the vegetation. 
Next to the pond is a clearing built from the same bright, multi-colored patterned tiles as the mudroom. In the middle, there stands a large blond wooden garden bed, complete with a canopy and flowing gauzy drapes half obscuring the bed itself. As Sylus carries you closer, you realize the bed is also a swing.
“What in the garden fuck-bed, Sylus?” you breathe, because what the hell else would he use this thing for? Is this where he takes his dates for romantic wooing?
He looks at the bed. And then looks back down at you. “Well, kitten, it can be if you insist. That wasn’t my plan for tonight, but I’m nothing if not adaptable.”
You roll your eyes and poke him in his big man bosom. “You can’t tell me that you didn’t have that thing installed specifically to seduce dates out here in your own wild sex jungle.”
“Not everyone gets as excited about plants as you do, sweetheart. And I had it installed because even I like to relax in nature sometimes, without having to go for a ride north of Linkon.”
“But a… swinging bed?” You look back at it dubiously. It just seems so wildly romantic to you.
“Do you like it?” he asks, settling you down on the surprisingly soft mattress, covered in white linen sheets. Unlike his bed, this thing is piled high with pillows. You immediately roll over and bury your face in them. You hear a soft laugh from above you. “I’ll take that as a yes.” You just sigh happily.     
“Are you sure you don’t want a drink? I also have a bar here,” he says, and you laugh out loud. 
“Of course you do.” You finally look up from the pillows and see him through the bed’s drapes as he stands behind what you now see is very obviously a bar, built from the same light-colored wood as the bed, wooden stools lined up along its counter, torches on either side providing ambient light that is reflected off the neatly lined bottles of liquor.
“Okay, Sylus. I want a cocktail, with a little umbrella and a fruit skewer.”
“That can mostly be arranged. But you’ll have to be more specific. What kind of cocktail?” he asks with a slight lift to his full lips. He opens one of the cabinet doors and you see bottle after bottle of juice and other mixers.
“Surprise me,” you say, rolling onto your side so you can watch his big hands pull out a deep red bottle of juice and some sort of storage container. 
He nods. “Fine, but if you don’t like it, I don’t want to hear any complaints.” 
“No deal. I reserve the right to whine very loudly if I don’t like it.”
“Is that so? Not really the whining I’d prefer from you,” he says, smiling in a way that reveals one sharp canine. As your brain short circuits, he continues. “I guess I’ll have to do my best to please you, to spare the birds from having to endure the consequences if I fail.” He proceeds to competently mix the drink, shaking it in a cocktail shaker and pouring it over ice in a low, heavy bottomed glass.
You’re shocked as he digs around in a drawer and pulls out a little black umbrella, plopping it into your drink as a final touch. He then grabs a glass for himself, pours from the same liquor bottle that he used to make your cocktail, and brings both glasses over to you. He sets his own on a little table next to the bed, and hands you yours. He then sits next to you on the bed, one leg crossed beneath him, one foot on the ground.
You sit up, taking the offered glass carefully, and stare down into the ruby colored liquid. “Where’s the fruit skewer?”
“The fruit’s in the drink, you spoiled creature. Try it.” He picks his glass back up, but just looks at you. Waiting for you to drink.
You take a sip. It’s delicious—not too sweet, a little bitter. And strong. You can feel the warmth of the liquor spreading through your belly. You swirl the liquid, and little pomegranate seeds bob to the surface.
“I’m sensing a theme,” you murmur, looking back into his satisfied face.
“Must be your imagination,” he sniffs. “It’s an Old Fashioned, made with pomegranate juice. In case you were wondering.”
“I was,” you smile. “And thank you. It’s delicious.”
He looks pleased. He holds his glass up. “Toast with me.”
You eye him. “What are we toasting?”
“You,” he says simply. You wait. He just looks at you. 
“And what have I possibly done that deserves toasting tonight?”
“You’re here right now, with me. That’s enough for me.”
Your heart, which had been quiet ever since you crossed the threshold into the greenhouse’s mudroom, kicks a little. He sounds so terribly sincere. You lift the glass to his, and he gently taps his against yours.
He then brings his glass back to his lips. He pauses, inhales deeply, and takes a drink, closing his eyes. 
You both sip quietly, listening to the sounds of the fountain, the fluttering of birds’ wings. Your gaze drifts over the array of orchids growing at the edge of the clearing, nestled under huge palms drooping over clusters of fruit you don’t recognize. You love it here. You don’t think you’ve ever felt so relaxed while being surrounded by nature. There have always been other people present in the public spaces you would visit to try to get away, on your precious days off. Their presence, the possibility that they’re observing, judging you, as you try to enjoy the botanical garden or hiking trail is always a constant itch under your skin. The closest you have ever gotten to this feeling of riotous life, space, and peaceful solitude is from the houseplants hanging in your bedroom.
You’ve had half the cocktail now, and a pleasant heaviness weighs down your body. You look at Sylus. “I think this is enough, for now.”
He nods, and takes your glass from you. He sets his own down, and goes to the bar again. When he returns, he hands you a glass of water. “Drink.”
You nod in turn, and empty the glass. And then you sit, fiddling with it.
“It’s time, sweetheart,” Sylus finally says. “Tell me what’s on your mind now.”
You take a deep breath and clutch the glass. You can do this now. You can’t look at him as you speak, but you can say what you need to say amidst all this life, with the soft linen against your skin, and Sylus’s steady presence at your side.
“I don’t understand how you can treat me with such kindness now, when you were so cruel to me when we first met. You scared me, Sylus. You hurt me. You treated me like something inconvenient that you had stepped in and needed to scrape off the bottom of your shoe, except you also needed something from me. And now, you wash my feet for me. You hold me when I’m tired. You treat me like I’m someone you care about.” You look back at him, suddenly overcome again with the images flooding into your mind again, of what it was like to be in his grasp the first time you were in this house. You take another shaky breath. “But nothing has changed. I’m still me—the same person you strangled within five minutes of seeing me for the first time. I resonated with you after the auction, so you didn’t have to do anything else to ensure that I’d be able to resonate with you again. I can’t reconcile these two Syluses,” you finish.
You wanted to have this conversation. And now you’re having it. You watch as he gently takes the glass from your hands and sets it on the side table. He then turns on his side, so he’s fully facing you. He leans down and gently coaxes you down next to him, so the both of you are sharing a pillow, sharing the same breath. The bed slowly sways with the movement of your bodies. He runs his fingers from your jaw, down your neck and over your shoulder, until his hand comes to rest in the dip of your waist as you lie on your side facing him. The tie of your silken robe has loosened, and the dark fabric pools in the small between you.
“I will answer your question, as best as I can right now.” He pauses to make sure you’re focused on him. “I didn’t realize at the time how much I was hurting you when we… first met. All of my intel led me to believe that you’d respond better to a challenge than to honey. Especially because you were convinced that I was behind the bombing that killed your family.” He runs the hem of your tank top between his fingers, knuckles brushing the skin of your stomach. “Would you have believed me, if I had insisted that what the Association had told you about me was wrong?”
You think back to your certainty, at the time, when you first kneeled in front of this man. The months leading up to that moment, hearing rumors about Onychinus, how dangerous and ruthless its leader was. The certainty, and the hate that underpinned every move you made as you prepared to infiltrate the N109 Zone. No. You wouldn’t have believed him if he had tried to deny everything you were convinced was true. You shake your head, just a little, still searching his face. He looks so soft, in the warm glow of the torches and the riot of green surrounding the bed.
“No. You wouldn’t have. So, I weighed my options in terms of strategy. I couldn’t quickly convince you that I wasn’t the completely depraved boogeyman you had been led to believe, nor could I convince you that I wasn’t responsible for what happened to your family. But I needed you working with me, and not against me. If I couldn’t ask you nicely, I needed to leverage whatever I could get to force you to help me. Answers to your questions, the other half of the aether core, and your own freedom from my terrible clutches was that leverage. I also needed to see just how strong you were, because I knew the aether core was in your heart and that you probably had capabilities you weren’t even aware of based on the discrepancies between my intel about you and what I know an aether core can do. So I was placing all my bets on … motivating you to fight back, forcing you to reveal the true extent of  your strength so I knew what I was working with. I was also hoping that you would come to realize the true extent of your strength that you weren’t even aware of in the process.”
You soak in everything he has just said. It seems so preposterous. “So that’s why… you threatened me? Taunted me? Called me a disappointment? Threw me in front of that huge mech to see if I’d live or die? Deprived me of water? Starved me?” You clench your teeth, trying to keep the tears from flowing again. You’re so done with crying for the next century.
“Yes,” he says, simply, red eyes seeming to glow as they search yours. He moves his hand back to your face, cupping your cheek in his big, warm palm. “What you didn’t know at the time was that I was prepared to intervene the moment it looked like you couldn’t handle it. But I knew you could handle it. I knew you could handle everything I did to you.” You feel your lip trembling, and his gaze drops to your mouth. “I just didn’t realize how much it would cost you to handle it.” His thumb runs down your cheek and sweeps along your lower lip, pressing gently. “I believe that the end justifies the means. That a certain level of collateral damage is inevitable, and even acceptable, if the reward is big enough. But if I could go back and do it again,” he pauses, watching his thumb as he continues to caress your lip. “I don’t think I’d be able to do it again. Even if it was the most efficient method at the time to find out what I needed to know, and to compel you to work with me.”
Despite the aching tenderness of his touch against your lips, you scowl at him. “Sylus, you choked me until I blacked out. In what universe is that just ‘challenging’ me to realize my inner strength? I can’t respond with some sort of magical anime transformation into some final badass form if I’m fucking unconscious!” you bite out. For the first time in this whole conversation, he looks a little sheepish.
“Sweetheart. I’m not a good man. You know this. Even if the Association’s intel is exaggerated and wrong ninety percent of the time, I do bad things to get good results. And… sometimes, I get carried away. And I was…” He pauses, and you’re flabbergasted that this typically smug, arrogant, self-assured asshole is actually at a loss for words. “Would you buy it, if I told you I was excited to meet you?”
“You’re asking if I believe that you were excited… to meet me. And so you choked me?” you ask dubiously. 
“Maybe I was excited to meet you. So I might have misjudged how long I could… squeeze before you really blacked out. Usually I have much more control,” he shrugs, as if discussing his golf swing and not his knack for strangling people.
You try to imagine that he was so excited to meet you and therefore choked you out in the same way an overeager puppy will bite too hard and pee on your shoes. How nice would that be? If this was all some huge misunderstanding. That his cruelty was an accident, and not intentional. But he asked if you’re willing to buy it—he has not said that it’s the truth. And you’re not buying it. He was so intensely cruel, from the very beginning. It wasn’t fake. His reputation as Onychinus’s brutal leader is not a misunderstanding, even if it’s not the whole truth. And neither is the fact that he strangled and starved you.
“So you want me to buy the assertion that you were so happy to meet me that you accidentally strangled me to the point of unconsciousness and so committed to the bit of being a villain that you then proceeded to traumatize me with starvation and violence for the next three days.” You stare into his ridiculous, beautiful, red eyes and feel that same sense of unreality that is so often paired with this man. Wine and cheese. Guns and ammo. Absurdity and Sylus. You let yourself believe this comforting lie, just for a moment. “I wouldn’t even know how to process that.”
As always with Sylus, you can’t help it. The noise that comes out of your throat isn’t human. You snort, the laughter violently trying to escape your body. You laugh directly in his stupid handsome face, because you’re so close to him on the pillow, and you’re loud. You hear the sound of birds suddenly taking flight, probably startled by the sounds coming out of you. You laugh, and laugh, and laugh. He watches you carefully through it all, as if he can’t quite believe how easily you’ve swallowed his lie.
After a long, lovely time where you just release the rest of all of the months of tension that you’ve been carrying, deep deep down, you raise your hand and bop his nose. “Do I need a rolled up newspaper to swat you if you ever get over-enthusiastic again and decide to put me in a full nelson or garrotte me because you’re so excited to see me?”
“If you’re ever on the other side of my garrotte or in one of my full nelsons, sweetie, the newspaper will not help you,” he grumbles. He slings his arm over your waist and scoots closer to you. “And I’ve seen you with little dogs. Mosquito, was it? Termite? You’d never swat one with a newspaper.”
“Cricket, you barbarian. But you’re not a little doggy, are you?” you tease, bopping him on the nose again.
He catches your finger in his teeth, and this time he bites down. You shake your hand, trying to dislodge him with a laugh. He lets go. “No, I’m a big, bad man,” he smiles softly at you.
“Yeah, you are,” you agree, just lying there, taking in his long, uneven nose, the dark sweep of his eyelashes. “So you get the newspaper.”
Sylus groans. “I can think of other things I’d much rather get,” he murmurs, eyes trailing from yours to your mouth and back again.
For a moment, you’re paralyzed, caught in the intensity of his gaze. Even now, how he manages to make an innocuous statement sound so… you refuse to think about it. He’s your friend . You’re having a serious conversation. A conversation that needs to be finished, properly.
“But Sylus, I don’t buy that explanation. At all. You need to try again. And be honest, this time. It’s only fair, since you’re asking me for honesty moving forward. I don’t believe you when you tell me that you never would never have let me actually get hurt. That you were just so eager to meet me that you lost your self control. Because you did actually hurt me. And I don’t believe that you were just testing me, and that you just wanted to be my friend, all along. Because you could have tested me in other ways. You didn’t have to go to such extremes to see what I am capable of.”
The amusement fades from Sylus’s face as you speak, and when you’re done, he looks… relieved. “It’s true, I didn’t want to be your friend,” he begins, and absurdly, your heart hurts a little. Well, that’s okay. You didn’t know you wanted to be his friend back then, either. He’s quiet for a long breath, and then he sighs. “You’re right. I was eager to finally meet you, but nothing I did to you was an accident. I needed you to believe that I was your villain. I thought you would collapse without the hatred keeping you strong. I was mistaken. That is the truth. And that’s the only part of the truth I can give you, right now.”
You close your eyes. Is this enough for you?
He speaks into your silence. “For what it’s worth, I’m sorry I treated you with such violence when we first met. If I could go back and do it again, I’d do it differently. You didn’t deserve to be treated like that, no matter how confident I was in your ability to handle it, and no matter what I was feeling at the time.”
You open your eyes and search his face. He just looks back at you, a sincerity in his expression that rarely comes through. “So are you telling me that this is the real Sylus? Who you’ve been to me, since the auction. And the Sylus I first met… that’s just you when you wear the mask of Onychinus’s leader?”
“No,” he says, to your relief. Because you don’t believe that he’s only one, and not the other, no matter how much easier that would make having him in your life. His denial proves that he is having this conversation in good faith—he’s not trying to convince you he’s only a good man who sometimes does bad things, and that all the horrors are simply a mask. “I’m insisting that I never expected to be able to hurt you as deeply as I did. That no matter what, I didn’t want to hurt you as much as I ultimately have.” He strokes your side with his thumb, for once not looking into your eyes. His gaze elsewhere, somewhere past you. “I am not a good man. I am not the supervillain you thought you were facing during those three days, but I am Onychinus’s leader, and all that such a role entails—it’s not some mask I put on. It’s who I am.” His gaze returns to you, as if asking a question.
“I know.” You whisper, and you think the relief intensifies in his eyes. “I just needed to hear you admit it.”
He nods, just once. But you’re not done.
“But you need to understand. Although you’ve explained what you did to me, your reasoning behind it… and although you’ve apologized for it—it doesn’t erase anything.” You watch him carefully, trying to read into every breath, every lift of his brows, the tightening around his eyes, the dilation of his pupils. “You did hurt me. I trust you when you say you didn’t intend to hurt me to this extent, but you did intend to hurt me. You didn’t stop yourself. And that was when we hadn’t even really met, when you had no reason to hate me. I hadn’t done anything to you at all. What happens, when you do finally get angry with me? What happens, if I ever manage to hurt you?” You’re shocked when you see an almost imperceptible flinch when you say that he had no reason to hate you. But it’s so brief. He glances away, but looks back at you almost immediately. He moves his hand to your cheek as if he just wants to feel your skin under his fingers, and then grasps your jaw in his rough hand. Gently, but firmly. And then he speaks, with the solemnity of a knight pledging an oath to his sovereign. 
“I would let you carve out my heart with your blades before I would ever intend to truly hurt you, regardless of what you make me feel. And you can’t hurt me in any way that would change that fact.” When he finishes, he lets his hand fall back to your waist.
There’s more to this. There’s more to what he has explained. The feelings he mentioned earlier, after he explained his strategy. You don’t believe that his brutality was a result of over-eagerness to meet you—it was some other emotion. Something that felt a lot like barely controlled rage, or grief. His subtle reaction to the idea that there was no reason for him to be so malicious towards you. The fact that he seems to be so invested in you, when you’re just… you. An average hunter with no special qualities besides the aether core in your heart. An aether core which is more of a liability than an advantage at this point, judging by the way your heart is aching. Just you, with enough emotional baggage to sink a warship. 
Your mind races, trying to sift through every mission you’ve ever been on for the Association. Trying to pinpoint if you could have ever crossed paths with Sylus before, without knowing it. But there’s nothing. He was a phantom to you, ever since you first heard his name. Something in you knows that he will not answer, even if you ask. So you don’t. This has to be enough, for now. You have to choose to trust the parts of the truth he’s telling you now, even if it’s not the whole truth, or you have to walk away.
“I know there are things that you’re not telling me. And that’s okay. There are things that I don’t want to know—now, or ever. Partially because if anyone ever figures out that we have a connection, and they want me to roll over on you, I don’t want to have that information in my head. I want plausible deniability. Not only for my work, but in case someone else tries to pry something out of me with force. I don’t want to be able to give them what they want even if I wanted to, if they break me.” Sylus’s brows furrow, and his hand tightens on your waist. “So I’m not going to ask you to explain. And I’m telling you now—I only want to know the details of your life as Onychinus’s leader that you think I absolutely need to know.”
“And the details of my life, apart from being the leader of Onychinus?” he whispers.
He sounds so different when he speaks softly like this. Accessible, instead of so far away. Within reach, instead of flying so far ahead of you.
“I want to know everything you are okay with sharing,” you answer. Because it’s true, and a lot less unhinged than saying, everything, everything, everything .
“Does this mean that you’ll stop trying to leave me?” 
You think back to earlier tonight, when you thought Sylus was going to tear you apart for hurting Kieran. For damaging the car. For simply being a nuisance. You were prepared to let him, because you care for him and you felt like it was deserved. You’re tempted to tell him the rest of it. Because even if you accept the punishment as just—your parents leaving you behind, probably because of your fucked up heart. Your partners cheating on you, because you were physically or emotionally unavailable. Sylus’s fist, for hurting someone he treats as more than an employee. You have always been willing to accept the punishment. But after, you never let yourself be caught in that same situation, with that same person, ever again. If you ever knowingly run into your parents on the street, you’d just keep walking. Past lovers who cheated, you cut so thoroughly from your life that it was like they never existed in it at all. You know yourself. If Sylus ever treats you the way he did when you first met—he will never see you again. If you deserve to receive pain from him, you’ll take it. But then you’re gone. Your heart hurts, considering saying these words. As a warning, and a promise, that you’ve never offered to anyone else. 
Sylus’s strained voice interrupts your thoughts. “Is this your answer?”
You follow his furrowed gaze and see the swirling gold and scarlet shackles tying your wrist to his.
Apparently it wasn’t a choice at all, to answer him truthfully. “Yes,” you say, and feel like crying at the thought of having to leave him behind. But you will, if you ever fall from this strange pedestal he seems to have placed you on, and turns on you in the way you’ve seen him turn on those he considers not worthy of his respect or his generosity. “If you ever hurt me like you did when we first met again. Do you understand?”
He closes his eyes, inhales sharply. As if something hurts. When he opens them, you’re shocked by how bright they are. “I understand.” He pulls his hand to his chest, dragging your linked wrist with it. He then presses your hand over his heart. “If I ever hurt you again, you have my permission to rip this out, with your bare hands.”
The idea of Sylus hurting in any way—and worse, the idea of his pain being at your hands, upsets you so much that you feel like crying again. You press your hand gently into his chest. “Why can’t you do anything like a normal person? Do you always have to be so extra?” He lets out a little huff of surprise. “It’s enough that you’ve said you’re sorry. And that you’ve promised not to treat me like that again. I don’t want your heart on a platter.”
“Too late,” he murmurs, leaning in until his forehead is resting against your chest, right over your own heart. He’s still clutching your hand to his own chest.
You have no idea how this happened. You have no idea what he means when he says that it’s too late. As if you’ve already ripped his heart out, and carry it with you on a silver tray like the one he served you food on earlier. How did you acquire the affection of this wild, dangerous creature when all you’ve managed to do is not get killed through the blur of grief-filled days since you met him? You can’t make sense of any of it, right now. You’re so tired, from tonight, from all the nights before, stretching back through the months since your family was murdered. But you have the feeling that right now, Sylus is also exhausted, and is carrying a sorrow that you’ll be lucky if he ever shares with you. All you can do is press your hand more firmly to his body, to lean into him in return, to let him take whatever comfort he can from your own body, as you both lie here, tied together by shimmering strands of energy and heartache, surrounded by all this thriving life nestled in a barren wasteland.
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shorthaltsjester · 1 month ago
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no but i really can’t stop thinking about like. the intricacies of a sending spell. the fact that liliana tells imogen she loves her but doesn’t tell imogen she trusts her. the fact that relvin doesn’t say he loves imogen but does tell her he thinks of her often, he misses her, and he hopes she’s happy (and suspects she is, given how she was in gelvaan). and the fact that imogen is so filled with love in all the complicated and imperfect ways that she would have to be with the examples set out for her. my head is in my hands about the fact that though imogen is a homebody type, she was a wanderin’ spirit in gelvaan because gelvaan was never going to be a place she could stay with her powers and those people (as made clear by imogen’s attestation that she wouldn’t have lasted if laudna hadn’t come along) and the fact that we know relvin did in fact, to imogen’s words, do his best trying to mitigate the relationship between her and the town. even after she’d left, it’s clarified that relvin tried to limit the rumours that grew about what imogen did in her exit, despite the violence of it that imogen admits to.
there’s just something about the contrast of the two sendings that is really punching me in the chest in terms of like. something with the temults that i find especially compelling is the kind of . idealizing that can come when you have a distant parent, especially when the contrasting closer parent is obvious in their imperfection. because i think what’s compelling about the liliana and imogen dynamic is that, on both sides, what they’re each reaching for is an idea; imogen for the saviour from her dreams that told her to run and liliana for the toddler from her past that she set off to save. what’s compelling about relvin and imogen is the exact opposite; they’ve both seen too much of the other, imogen facing the realization that all children have eventually about their parent’s humanity, pushed to 11 because she can hear his thoughts. but i think the sending spells speak to the reality that, though the relvin relationship is certainly the one with the most obvious ache, it’s an ache comprised of presence and grief for an actual relationship that has devolved, versus the one with liliana which was never truly there, and is more melancholia for something they do not have.
the messages relayed between imogen and liliana literally say “i love you” but they’re also the update messages of a soldier conveying her perhaps ill-given trust to a potential turncoat. with relvin’s message, though he doesn’t say i love you, there’s a history to the relationship they have inherent in the contents of the message and the words imogen initiates it with. speaking to her father, imogen can say the words “thank you for doing your best” and feel the truth of them, but she does not extend that to her mother. and like. that’s It for me. that’s the deliciousness of relvin and liliana and imogen. that relvin stayed and was imperfect but there, and the reality is what stains and strains imogen’s relation to him now, but that liliana left and maintained the perfection of Protective Mother in imogen’s dreams, and the reality coming into conflict with the dream — where liliana is protective mother but for a daughter that’s as imagined as imogen’s dead mother was — is what both gives imogen hope and keeps her from committing entirely to any idea of who her mother actually is. the temults can be something so awful and wonderful and human and monstrous actually.
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brujahinaskirt · 1 year ago
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WAIT A SEC. I want to cut some credit to player drunkenness in rdr2 and how it works as a vehicle to reveal something about the main character of this story.
Usually drunkenness in games is played off for cheap laughs, and there are plenty of slapsticky drunken antics in rdr2 (LENNAY). But happy-drunk Arthur gives SO MUCH INSIGHT into his real personality, too -- even when he's being a giggling, property-damaging, cancan-dancing terror. When he's drunk, he forgets a little of his mean bastard enforcer mask, the primary role he must play in the gang, and his loving nature becomes laughably obvious.
[spoilers under the cut]
From his sudden determination to teach Jack mathematics to his declared affection for Hosea; from his worrying about Susan getting a break to his insistence that newer gang members are "one of us now"; from his innocuous little compliments tossed around thoughtlessly ("Mary-Beth! Sweetest outlaw in the West! Javier! Best-dressed outlaw in the West!") to his more genuine praise for Abigail's inherent goodness, drunk Arthur is a fuzzy but honest look at a truer Arthur, one who is not thinking about the part he must play in a criminal outfit. Strip that awareness of his station away, even if just for a while, and we wind up with an Arthur who is surprisingly fun-loving, sometimes downright silly, and who lives to fuss over and dote on the people around him.
My favorite moment, perhaps, is a tipsy interaction with Sadie in Horseshoe Overlook during Sean's welcome home party. Arthur meanders over to her, this woman who is not a gang member or a close friend at the time, but simply a grieving widow he doesn't know very well. And he and asks, loudly: "MISSUS ADLER. DO YOU NEED ANYTHING MISSUS ADLER. DO YOU WANNA DANCE WITH ME MISSUS ADLER."
And she just sounds so tickled when she says no thanks to this goofy-drunk gunslinger. And I think maybe, just maybe, watching big bad gang lieutenant Arthur slamming a couple bottles of whiskey and so transparently doting on everyone gave her some of the first laughter at the world she had in what must feel like a very long time.
In Chapter 6, Arthur can again approach Sadie while drunk, and he encourage her to smile. Sadie hisses you're drunk; no woman likes being told this, and on the surface, this seems like a proper Antagonize line. But then Arthur -- who knows he is dying -- says, blearily, to this friend he met at her lowest point of grief and who seems to be in danger of plunging even lower in rage, "I just want you to be happy."
Drunkenness is not a liquid clarifier. Often times, alcohol garbles and distorts a person's personality. But with a character like Arthur, whose heart is so poorly matched with his 20-year lot in life, drunk-writing becomes a powerful tool. It's a quick, non-transformative way to believably peel off the snarl he wears around for a while (without him knowing it), letting players access an easy, silly, soft interior that sober Arthur is much more guarded about showing the gang.
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eroguron0nsense · 1 year ago
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Garp, Fascism, and Parental Failure
Garp is truly one of the most interesting One Piece characters for me because of the extent to which his dogged, relentless devotion to a fascist system–and the supposed "order" it promises to uphold in the face of anarchy or rebellion–perseveres no matter how many times it fails him and his son and his grandsons. He's fully aware of the deep-seated corruption and atrocity, and feels some kind of moral obligation to bend its rules to protect the innocent (as we can see with his attempts to protect Rouge and Ace), but when faced with widespread femicide and infanticide, genocide, slavery and endless examples of egregious cruelty, he is unable to comprehend the notion that the system is indefensible, or that the only moral choice he can possibly make when faced with that level of atrocity is to leave and resist it. His son recognizing the inherent, inexcusable failures of the World Government and its armed enforcers–literally quitting the force to start a revolution– changes nothing. The order to slaughter pregnant people and infants at Baterilla can't convince him otherwise. The countless instances of bribery, the tolerance of atrocity from state-sanctioned privateers, everything about the history of the Valley of the Gods are all things he's aware of, and takes issue with, but never comes to the conclusion that he cannot affect positive change within a system designed for oppression. The public execution of his grandson–a prime example of the marine's fundamentally irrational, arrogant, vindictive cruelty clearly bound to blow up in all of their faces even before their Pyrrhic victory at the summit war–makes him waver, but even when confronted with this obvious, indefensible injustice against a child he raised and rescued by people seeking to murder him on live TV and desecrate his corpse as a show of power, he cannot bring himself to act against it in any meaningful way no matter how much it hurts him to leave his grandson to die. If he can't veto it, he'll stay Vice Admiral and suffer through Ace being sacrificed on the altar of fascist state control, and functionally leave Luffy for dead in the process while he's at it. He fails every single person he wanted to love–Ace, Luffy, and almost certainly Dragon–and allows himself to be reluctantly complicit in countless crimes against humanity again and again and again because he's so deeply steeped in this notion of preservation of order through state control that he convinces himself that even this disgusting, atrocious, fundamentally flawed and untenable excuse for a government is better than abolition, better than revolution, or just the act of expecting accountability or literally anything better from the systems that issue false promises to protect you. Dadan beating the living shit out of him and calling him a failure as a grandfather, as a self proclaimed defender of the people, is one of the most important scenes in the Postwar Arc because a lesser series might frame Garp as a tragic, helpless figure suffering more than anyone else due to conflict of love and duty, but One Piece refuses to whitewash his actions/inaction or allow the grief and suffering caused by systems he's complicit in to take precedence over its real victims: the D brothers.
There's so much I could say about statism and anarchism and the ways people have internalized the supposed necessity of state violence to the extent they can't oppose that violence even when it ruins them or their loved ones, but that horrible indoctrination and its devastating consequences for both him and his family are what makes Garp so fascinating to watch and so thematically/politically important to One Piece as a whole.
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mambodork · 24 days ago
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Hi, me again! In the buttercup HOA au, does Grian need to eat in his code bodies? Or is he like one of Martyn's lore Watchers where he only feeds off of emotions? Or maybe every time he makes a new body, he cannibalizes the code of the old one if Scar doesn't need it for snacking? I assume Scar eats normally with the exception of occasional flesh, and Mumbo, being a sort of parasite, either can make his host eat to sustain himself or just slowly eats the host and changes them every once in a while.
Also is there a reason Grian needs to keep making new bodies, like the code can only hold itself together for a short while before it starts decaying, or maybe because he can't eat it starts to die and that'd why he builds new ones?
I did not, in fact, find motivation to write anything today because my roommates distracted me with watching pirates of the carribean, but the ideas have been bouncing around in my brain all day long.
Anyways, sorry for the ramble can you tell I'm obsessed with your aus <3
In concern of Grian eating... I really like Martyn's interpretation of it with the watchers feeding off of emotions. Would also explain why Grian loves to make games and pranks all the time since he primarily feeds on positive emotions. Although I do believe his primary reason is always to make his friends happy, the benefit of being able to absorb their happiness for his own gain is an added bonus. I like to think the more emotions he gets, the more powerful he can be. Meanwhile, if he doesn't get enough to feed, he'll just dwindle out and fade back to become part of the universe.
My headcanon for the Watchers are that they're the main force to drive the world so it can continue living by making things interesting. Consider it like a book or a movie or even a game. Nobody would play it if nothing good happens, and if they stopped playing, the world within that game would just stop altogether. This is the primary worldbuilding I use when using the concept of minecraft inherently being a game as their actual world. The watchers are creatures created by the universe to keep it going by rousing powerful emotions like sadness, grief, or happiness. In this note, I am also a firm "the watcher's are morally grey" believer. They simply have their own goals and do what it takes to get it.
I think you're quite spot on with Scar and Mumbo's way of feeding! Mumbo is definitely a parasite and I agree with the fact that he makes his host eat for him to eat aswell.
As for Grian's body, my current headcanon of it at the moment is that unlike normal players who treat the world as real life and bodies, etc, as organic, Grian has ascended when he became a watcher and could see the world as what it truly is (code, for simplicity). As such, he treats his body and how he uses it more like an actual minecraft skin. Normal rules of real life and logic that ground a player also don't really apply that much to him now.
For why he has to change it every few days or so... I just think that Grian is just too weak or simply doesn't know that much about code yet to make a sustaining body (think of him like a highschool intern developer that's still learning how to code). I like to think that Grian's current bodies are being held together by duct tape and glue 😭 he doesn't really know what he's doing yet, hence the body malfunctioning or just simply disintegrating back to the universe's code (at this point, he would just give the body to Scar for him to snack on. Just because it's all useless code to him doesn't mean that it's not organic fresh meat for Scar). I also like your suggestion on the body decaying because it couldn't eat... maybe this can also be integrated since the entire organic world & code stuff is separated much like the 4th and 5th dimensions. It would SEEM that the body is rotting due to lack of nutrition, but it could also be a code error on Grian's part, who knows :3
Tysm for the interesting questions and ideas !! These are all just my headcanons atm and you're free to take anything you want from it, or not use them at all ! Again, I really appreciate it that you're willing to expand on this world lol <3 take your time on it !
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wangxianficfinder · 8 months ago
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In the mood for...
March 12th
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1. hi! for the next itmf could i please get lxc being called out on his bs? i was obsessed with “weep no more, sad fountains” but i still wanted to see him actually having to come to terms with that fact that he put his trust on jgy above his trust on his brother and was complicit on all of it. thanks!!
break by justdoityoufucker (T, 3k, WangXian, Canon Divergence, LXC Critical, JC Critical, Canonical Character Death, Guānyīn Temple Scene, BAMF WN, Protective WN)
Ghosts Shouldn’t by ShanaStoryteller (Not Rated, 15k, WangXian, Grief/Mourning, Canon Divergence, Angst with a Happy Ending) also contains many "FU"s against Lan Xichen but more for how the Lan Clan treated Lan Wangji when he protected Wei Ying & took in Yuan.
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2. Hi! For ITMF, can you please recommend wangxian fics where other people (could be other canon characters, OCs or outsider pov) find out about wangxian’s marriage and are jealous of how lan wangji is the most devoted, doting husband or even just surprised/ awed with their relationship!
Thank you always for your efforts and time 🫶
Life before you was tragic by covalentbonds (Not rated, 4k, wangxian, Fluff and Humor) The part that’s relevant to the ask is in the second chapter
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3. Hi again. ITMF two sets of fics a) where wwx and lwj end up taking care of yuan er after they find him on the door step, a family member leaves him in their care etc b) wwx and lwj having loads of kids adoption or birth wise maybe even a few of the children finding them and just kind of latching on and it's kid fics, the longer the better @thatperson0-0
3A)
The Simplest Way Forward by harriet_vane (E, 70k, WangXian, Modern AU, Accidental Baby Acquisition,Kid Fic, explicit in much much later chapters, green card marriage (but not really), pining for your own husband, endless pining, Slow Burn, Happy Ending, Nothing else bad or traumatic happens to the baby, [Podfic of] The Simplest Way Forward by knight_tracer) maybe? WY & LZ aren't together when Yuan shows up but get together days later.
🔒💖 so take my hand (take my whole life too) by cicer (E, 92k, wangxian, Modern, Accidental Baby Acquisition, oh my god they were roommates, Idiots in Love, Mutual Pining, Implied/Referenced Drug Addiction, Implied/Referenced Child Abuse, this fic is not about trauma, it's about the yearning, slowburn, some characters have a pretty strong bias against folks with drug addiction, (this does not reflect the author's opinion of people with addiction disorders!), none of the really grim abuse/drug use affects our main characters, and it takes place offscreen) should be a good fit
3B)
🔒💖 love, in fire and blood by cicer (E, 360k, wangxian, Canon Divergence, YLLZ WWX, Arranged Marriage, political scheming, Gratuitous Domesticity, Mutual Pining, EXTREME SLOWBURN, the inherent eroticism of the forehead ribbon, The Mortifying Ordeal of Being Known, neither wwx nor lwj want to be Perceived, but sorry kids! it's gonna happen!, rated E but the the NSFW stuff doesn't begin until chapter 19!, bottom lwj in chapter 20 and 27)
❤️ Attempting the Impossible by Ariaste for williedustice (T, 36k, WangXian, JC & WWX, Post-Canon, Yunmeng Bros Reconciliation, Adoption, Family Fluff, Kid fic, Family drama, Fluff, 🔒[PODFIC] Attempting the Impossible by Ariaste by lunatique)
🔒and having a marvelous time by varnes (E, 108k, WangXian, Yúnmèng Siblings, Sound of Music AU, (i know!!! i know. stay with me on this.), Slow Burn, Mutual Pining, Family Feels, spies to lovers???, Protective Siblings, Sometimes You Just Want Your Dads To Admit They're Your Dads, Angst with a Happy Ending, podfic of and having a marvellous time by varnes by Spinifex) this story has WWX adopting a bunch of kids (or maybe them adopting him), but LWJ loves then as soon as he meets them do hopefully this will work for the request.
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4. Hiiii thank you for all your hard work!!!!
For the next itmf do you have any
A. Child abuse / neglect wwx where lwj realize something is wrong like in the shadow of moonlit flowers by Reverie(cl410) or works that mention the fact that wwx is not giving his all in exams / is being disruptive on purpose (maybe he corrects lwj on something super complicated) and after he stops his grades gets so much better…
B. Anything where wwx safeword out of a nonsexual situation? Like a meeting with the Jiangs or something triggering??
Anyway thank you so much for everything ✨✨✨✨✨✨ @ihaveasoftspotfora-yuan
4A)
Just Say Yes series by edenwolfie (M, 338k, wangxian, canon divergence, matchmaking, pining, cloud recesses study arc, getting together, fluff, humor, hurt/comfort, everyone lives au) Wei Ying misbehaves because he's not challenged enough
🔒 Warming up (to him) by barisan (T, 9k, LQR & WWX, WangXian, Hypothermia, Cloud Recesses Study Arc, Temporary Character Death, Medical Inaccuracies, YZY Abuses WWX, JFM Bashing, pre-wangxian, Good Uncle LQR, Angst with a Happy Ending, Hurt/Comfort)
Company by WithBroomBefore (T, 29k, wangxian, canon divergence, not YZY friendly, pre-relationship, getting together, fix-it, hurt/comfort, light angst w/ happy ending)
🔒💙 Holding shreds by barisan (T, 5k, WangXian, Cloud Recesses Study Arc, No Sunshot Campaign, Body Swap, Not for sexy shenanigans, Chronic Pain, Hurt WWX, Hurt LWJ, Implied/Referenced Child Abuse, Abusive YZY, Bad Parent YZY,  Bad Parent JFM, Good Uncle LQR, Hurt/Comfort, Medical Inaccuracies, POV WWX, Angst with a Happy Ending, Jiāng Family Bashing, Tooth-Rotting Fluff, Getting Together, Smart WWX)
please don't let me be misunderstood by sysrae (T, 3k, WangXian, Modern AU, College/University, Emotional Hurt/Comfort, getting hit by cars, Past Child Abuse, Friends to Lovers, Abusive YZY, Caring LWJ, Injured wwx)
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5. ur favorite darkji fics? thanksss
A Matter of Time series by mrcformoso (E, 84k, wangxian, time travel fix-it, graphic depictions of violence, underage, LWJ pov, JC pov, dark LWJ, manipulation, grooming, teen body adult mind for LWJ, happy ending for wangxian, problematic consensual underage sex, blood & violence, insane LWJ, manic LWJ)
💖 Ominous by 3neetee (T, 5k, wangxian, pre-relationship, established relationship, character death, fae & fairies, changelings, dark LWJ, dark WWX, BAMF WWX, graphic description, suicide, implied/referenced domestic violence)
Like stones on an unseen board by Vir_Abelasan (Not rated, 11k, wangxian, Canon Divergence, Dark LWJ, Older LWJ, Teacher LWJ, dark twin jades, Age Difference, Manipulation, Protective LWJ, Implied/Referenced Abuse, Corporal Punishment, Relatively canon-typical abusive Jiangs, WWX Get a Happy Ending, WangXian Get a Happy Ending, Not JC Friendly, Not Jiang Clan Friendly)
💖 I just wanted to see you so bad by Blackberreh, ThatOnePlatypus (T, 1k, wangxian, canon divergence, dark LWJ, minor character death, blood)
💖 Somewhere Sits an Empty Throne by Siamesa (E, 19k, WangXian, Crossovers & Fandom Fusions, tgcf fusion, Gods & Goddesses, Ghosts, Romance, vengeance, Dark LWJ, Grief/Mourning, Explicit Sexual Content, Angst with a Happy Ending)
💖 Do you want to hear by allollipoppins, dameauxgentianes (T, 12k, wangxian, time travel fix-it, canon divergence, not everyone dies au, epistolary, Madam Lan lives, minor character death, dark LWJ, Lan WWX, bad parents JFM & YZY, good uncle LQR, no sunshot campaign)
💖 demons run when a good man goes to war by Miranda_Aurelia (T, 20k, wangxian, LWJ & NHS, JYL/JZX, canon divergence, angst w happy ending, NHS & LWJ friendship, not JGY friendly, dark LWJ, revenge, (presumed) major character death, not LXC friendly)
💖  Like the sea loves the shore by Say (E, 15k, wangxian, LQY & WWX, implied/referenced WWX/WC, F/F, rule 63, dark LWJ, protective LWJ, sirens, childhood friends to lovers, fluff, angst w/ happy ending, eventual smut, human WWX, siren LWJ, age difference, non-human genitalia, minor character death)
💖  Buried in the Sky, Hallowed by thy Depths by themunchking (T, 9k, wangxian, supernatural elements, sirens, dark wangxian, canon-typical violence)
💖 The Way You Tremble by themunchking (E, 6k, wangxian, murder husbands, vampires, blood, violence, supernatural elements)
At heart by apathyinreverie (M, 8k, wangxian, WIP, Dark LWJ(Ish), Amnesia, WWX gets to be Not Okay after the BM, Hurt WWX, Recovery, Caring, Protective LWJ, Possessive LWJ, some definite manipulation, but not everything is as it seems, not nearly as dark as the tags make it sound, Canon Divergence, Golden Core Reveal, Golden Core Transfer Fix-It, Domestic WangXian, Fluff, WWX Goes to Gusu, WWX happily atticwifing away, Sunshot Campaign, BAMF WWX, BAMF LWJ)
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6. Hi!!
It's been a while since I asked here, but I can't help but to come back for MXTX stories jahaha
I Was wondering, for the next "I'm in the mood fof", may I ask for fics where WWX is good friends with HC from TGCF? I need their bromanceeeeee
Tysm!! @nia-rarita
🧡 The Red Ribbon by Xiao_Hua (M, 21k, WangXian, HuaLian, Canon Divergence, Ghost City, a bit of beefleaf, Immortality, Cultivation Partners, Juniors, XL and HC find a child who happens to be WWX, Fluffy wangxian, WWX is a Supreme Ghost King, First Time, TGCF)
🔒Can we skip to the Good Part? by pink-lotus-pods (kkomaism) (T, 107k, HuaLian, WangXian, Canon-Typical Violence, Crossover, YLLZ WWX, HuaLian are in Love , Married HuaLian, Slow Build, Canon Temporary Character Death, Ghost WWX, Fix-It of Sorts, Canon Divergence, Blood and Violence, Character Study, Panic Attacks, WWX Has a Mental Breakdown, It Gets Worse Before It Gets Better, unbearable amounts of sexual tension, Suicidal Thoughts, mild but it's still there!, Additional Warnings In Author's Note, Genius WWX)
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7. Hiiii for the next itmf do you know any alpha to omega wwx ??? Like Juste A Taste by anxiousTypist or any omega wwx and alpha lwj being “roommates”
Thank you for your work !!!!! 🤍🩵❤️🖤
Blissful Ignorance and All Its Benefits by DrPanda99 (E, 20k, wangxian, WIP, A/B/O, Non-Traditional A/B/O Dynamics, Oblivious WWX, Alpha WWX, Alpha LWJ, Bitching, Self-bitching?, Masturbation, Size Difference, of the penis variety, Anal Fingering, Anal Sex, Knotting Dildos, Large Cock, Small Penis, Size Kink, Accidental Voyeurism, Size Queen WWX, LWJ & WWX Have a Breeding Kink, PWP, Compulsory Heterosexuality, Humor)
Two Alphas, One Ship by fenaly (E, 6k, wangxian, Graphic Depictions of Violence, Rape/Non-Con, A/B/O, Bitching, Rape/Non-con Elements, Non-consensual sex, Non-Consensual Bitching, Aliens, Non-Human Genitalia, Blood and Gore, Murder Husbands, Feminizing genitalia terms, Among Us AU, Sci-Fi, Explicit Smut, Tentacles, Shapeshifting, Dead Dove: Do Not Eat, Monsterfucking, Violence, Alpha/Alpha becomes Alpha/Omega, Breeding Kink, Wank and Tell)
🔒 Unpreventable Happened by 3neetee (G, 15k, wangxian, Modern, A/B/O, Alpha LWJ, Alpha WWX, but not for long, Bitching, Roommates, baby acquisition, fostering, Pre-Relationship, Mutual Pining, WWX is irresponsible with himself, Domestic Fluff, Kid Fic)
Changing by Dixielis (T, 2k, wangxian, A/B/O, Alpha LWJ, Alpha WWX, Omega WWX, Bitching, Mpreg, POV Outsider, Hurt/Comfort, Good Uncle LQR, Modern)
Mutual Nurture by NinaCarow (E, 9k, wangxian, Mentions of Character Death, mentions of abuse, Mentions of Rape, no rape occures tho, A/B/O, Non-Traditional A/B/O Dynamics, Omega WWX, Alpha LWJ, Past Alpha WWX, Biting, Bonding, Mating Cycles/In Heat, Knotting, WWX Has a New Golden Core, its just sex and cuteness, mostly)
what home feels like by callmeb6104 (E, 7k, wangxian, Canon Divergence, A/B/O, Alpha LWJ, Alpha WWX, Omega WWX, changing of (secondary) gender, Whump, WWX Whump, Cloud Recesses Study Arc, No Sunshot Campaign, Aged-Up Character(s), Domestic Violence, Bad Parent YZY, Anal Play, Anal Fingering, Ass to Mouth, Multiple Orgasms, sex tears, Hand Jobs, First Time Blow Jobs, First Time, Nipple Licking, Nipple Play, Body Worship)
I care for you by Lanwangjisnights (M, 27k, wangxian, WIP, Modern with Magic, Magical Pregnancy, Unplanned Pregnancy, Alpha LWJ, Omega WWX, Alpha WWX, Fox WWX, Knotting, Nesting, Dual Cultivation, Mpreg, Non-Traditional A/B/O Dynamics)
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8. Hey!!
I hope youre doing well <33 i wanted to read something similar to how to fall in love with a catfish - a guide by wwx in terms of humour. Im fine with whatever premise/canon/non canon/au etc etc i just want to read something witty-ish funny like how that was.
Thank you in advance!!!!
Inter-Sect Politics for the Absolute Beginner by Elpie (Horribibble) (M, 3k, wangxian, Canon Divergence, Brothels, BAMF WWX, Chaotic WWX, Humor, JGS Being an Asshole, Justice, JGY & WWX Friendship)
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9. Is there a fic where wwx becomes pregnant through artifical insemination. He doesn't know it's lwj and neither does lwj. They end up getting close and falling in love and later lwj learns he's also the bio dad?
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10. hii :D im in the mood for some magical girl/hero AU fics, preferably wangxian but i dont mind other ships or a lack of thereof. what i mean by "magical girl AU" is a modern setting in which cultivators are more or less vigilantes/heroes who can transform using their powers. hellinglaozu on tumblr has an AU similar to the genre im looking for btw, if you'd want a more concrete idea as to what i'm looking for you could refer to it (it's called seventeen romance). thank you!! ^^ @harapecowee
Wei Wuxian Makes a Wish series by natcat5 (M, 119k, wangxian, major character death, underage, madoka magica au, modern w/ magic, time travel, high school au, body horror, self-harm, angst w/ bittersweet ending, time loop, mental instability, suicidal thoughts) absolutely phenomenal madoka magica wangxian au
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11. Hey! I’m in the mood for fics similar to Impossible Remains on AO3, aka wangxian fics where WWX dies after the golden core transplant or just earlier than canon! thank u so much to all the mods and the lovely work u guys do! 🥰🫶
Blood of the Black Earth by wirevix (M, 48k, WangXian, Canon Divergence, Xuánwǔ of Slaughter Cave, Sunshot Campaign, Sad with a Happy Ending, Ghost WWX, Monster WWX, Canonical Character Death, Although not at the canonical time, Grief/Mourning, Good Sibling JC, Horror)
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12. thanks for ur hard work! any pregnant wwx fic recs?
Accidents Will Happen by vesna (mrsronweasley) (E, 45k WangXian, Post Canon, Mpreg, Fluff, Light angst)
🧡 Brilliant Mistake by brooklinegirl (E, 53k, WangXian, Modern AU, Sex Pollen, Mpreg, dubcon, Modern Cultivators, Dubious Medical Science)
All I Want by Selenay (E, 47k, wangxian, Modern, Mpreg, Post Holiday Romance, Consequences, Reunions, Idiots in Love, wangxian attempt to be sensible adults about it, they are very bad at it, Teacher WWX, Handwavey Biology)
Impermanence, Transience, Permanence by Best Bepsy (BepsyGray) (E, 39k, wangxian, canon divergence, unplanned pregnancy, mpreg, gore, sunshot campaign, assumed miscarriage, medical procedures, childbirth, golden core reveal)
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13. Hello! I need your help in suggestions. Can you suggest me a Wangxian fanfiction where Wei Ying hurts Lan Zhan for jiangs or others and latter reunited with him. I have read various Lwj hurting Wei Ying fanfiction but not Wei Ying hurting Lan Zhan @abz18699-blog
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14. hii, this is for itmf!
fics where they struggle w remembering things, not like memory loss, maybe where they disassociate. forgetting things which r not so nice and then starting to forget small random details?
thank you!!!!
to the river of rivers by haysel (T, 26k, WangXian, Character Study, Post-Canon, Mutual Pining, Dissociation, Getting Together, Misunderstandings, Trauma, Angst with a Happy Ending, tw for dissociation, sort of sickfic, Hurt/Comfort)
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15. I'm assuming that this is where I ask about ITMF recs? If it is, do you have any fics focusing on like, the past characters reacting specifically to Nie Huaisang's 10 year revenge plan, or to how differently Nie Huasang acts after everything? Or at least any fics where the past characters react to the future (whether it be through watching the show, or going to the future, meeting future selves, etc.) that has some amount of focus on Nie Huaisang along with everything else? Thank you!
💖 The Path by Seastar98 (Not rated, 279k, wangxian, JC/WQ, JYL/JZX, fix-it of sorts, CQL verse, golden core reveal, angst w/ happy ending, BAMF NHS)
Nie HuaiSang's Diaries - When Spirits Drift in Time by IlnaHers (T, 37k, wangxian, WIP, Heavy Angst, Hurt/Comfort, Emotional Hurt/Comfort, Reveal, Time Travel? only the diaries though, Characters Watching the Show, Serious WWX, Hurt WWX, Hurt JC, Hurt LWJ, Protective LWJ, Protective JC, Protective WWX, Hurt NHS, Protective NHS, Character Death Reveal, Progressive Reveal, Melancholy, Twin Prides of Yúnmèng Feels, Twin Prides of Yúnmèng Angst, Twin Jades of Lán Feels, Sad, Shock, Mentioned Junior Quartet)
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16. Hewwo!!!!! For the next ITMF could i pretty pls get recs for Wen remnants/burial mounds era???? Bonus points if there’s the Wens and/or Yilling people loving their patriarch and extra bonus points if there’s the sects realizing they’re wrong and leaving them alone but not necessarily requirements, i just want Wei Wuxian and his found family being happy making a dire place their home!
🔒 the thread may stretch or tangle but it will never break by RoseThorne (E, 91k, WIP, WangXian, Canon Divergence, Soulmates, Self-Esteem Issues, Fix-It, Angst, Hurt/Comfort, Nightmares, PTSD, Handfasting, Panic Attacks, Getting Together, First Time, Aftercare, Implied/Referenced Alcohol Abuse/Alcoholism, Implied/Referenced Torture, Scars, Chronic Pain, Golden Core Reveal, First Time, Switching, sex-related injury, LWJ Stays at the Burial Mounds, LSZ is a Wèi, Good Sibling JC, Dissociation, Burial Mounds Settlement Days)
Until It's Dark by suzvoy (M, 120k, WangXian, Canon Divergence, LWJ Finds Out, Pining, Fluff and Angst, First Kiss, First Time, Tooth-Rotting Fluff, Hair-pulling in chapter 23) also has Lan Wangji in the Burial Mounds but has a great depiction of the Wens and how the sects could have responded better
💖 Return to Sender by Thesaurus_with_no_words (M, 72k, WIP, WangXian, Canon Divergence, BAMF WWX, Golden Core Transfer Fix-It, Temporary Amnesia, Slow burn)
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17. Anyone wanna rec me some light-hearted time travel fics? I like the serious ones fine but it's hard to find ones that are funny.
Thanks in advance! o7
🔒 ripples spread out when a single pebble is dropped into water by RoseThorne (G, 1k, wangxian, JYL/JZX, JYL & WWX, JC & WWX, WWX & WQ, LQR & LWJ, LQR & WWX, Time Travel Fix-It, Implied/Referenced Character Death, Past Character Death, Future Character Death, Timey-Wimey, Truth, Honesty, Guilt, Crack and Angst, POV Third Person, POV WWX, Cloud Recesses Study Arc) kinda
Wrong Turn, Right Place by diamondbruise (E, 71k, WangXian, Time Travel, kind of, it’s more reality travel but there’s modern wwx and cultivator lwj, Mutual Pining, Angst with a Happy Ending, Jealousy, Idiots in Love, Slow Burn, Misunderstandings, Cultural Differences)
rerun from the outside by Eicas (T, 2k, WangXian, Canon Divergence, Time travel, Crack, Cloud Recesses Study Arc, JC POV)
River Stones by littlesystems (M, 18k, WangXian, Time Travel, Post-Canon, Cloud Recesses Study arc, Junior Quartet, Oblivious WWX, Suffering LWJ, Voyeurism)
Wangxian's Time-Travelling Shenanigans Series by pupeez4eva (Varies, 18k, WangXian, Time Travel, Humor, POV Outsider, Love confessions, PDA, Everyone Lives/Nobody dies) most of their wangxian fics explore lighthearted time travel fix it
🔒An Arrow Through Time by syrus_jones (M, 166k, WIP, WangXian, Crack Treated Seriously, Time Travel, Reverse time travel, into the future, Potentially a Fix-it-fic?, Time Travel Fix-It, Mistaken Identity, POV LWJ, Angst, Gay Panic, Falling In Love, Fluff and Humor, Hurt/Comfort, Canon Divergence, Post-Canon, Canon Compliant, Young LWJ, Older WWX, Internally Screaming LWJ) though it is not been updated since long
💖 vinegar jug by dandelion_san (G, 7k, WIP, WangXian, Time Travel, Humor, Awkward Crushes, Jealousy)
Look forward, the future looks back by SerlinaBlack (T, 1k, WangXian, Time Travel, Fluff and Humor, Attempt at Humor, Dialogue Heavy, Crack Treated Seriously, Madam yu's a+ parenting mentioned, Oblivious WWX, jealous LWJ, WWX in WWX's body)
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If you didn’t get an answer to your ask here, don’t forget to make use of @mdzs-kinkmeme and MDZS KINK MEME on Dreamwidth. Authors actually do use them for ideas. You may get what you order!***Your prompt doesn’t have to be kink! Fluff, crack, whatever - it’s all good!***
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cartoonistcoop · 1 month ago
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ShortBox Comics Member Interview: Otava Heikkilä
Throughout the month of October, the Cartoonist Cooperative will be sharing interviews with members of the Co-op who have a new comic available at the ShortBox Comics Fair 2024! 
NOTE: The Cartoonist Cooperative is not affiliated, associated, authorized, endorsed by, or in any way formally connected with ShortBox.  
Today’s spotlight is Otava Heikkilä and their new comic for ShortBox, Home by the Rotting Sea 
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We’d love it if you could introduce yourself and tell us about your background in comics.
Otava Heikkilä: Hey, I’m Otava, a thirty-something comic artist from Finland whose work focuses on narrative, usually historically inspired, usually dark fiction, for queer adults. I’ve been self-publishing comics online since 2010, and my works have been published by indie publishers like Iron Circus Comics and Quindrie Press from 2016 onwards. My piece for ShortBox Comics Fair 2024 will be my 14th comic to see a release. I don’t really know why I make comics, but it’s the primary driving compulsion I have in life. Sad, or awesome, or both!
Tell us more about your new comic?
OH: Home by the Rotting Sea is about two former playthings from the Human King’s harem. This world has ended after a climate event, and the ice caps have melted, and everything that’s left is this hot, rotting world without trees. The usual things still thrive there: Kings with big enough armies to confiscate land for themselves. But after the ice caps melted, humans have gotten in contact with another humanoid species who used to live behind the glaciers: the Väki, who the humans call giants, because they’re bigger than us. The territories are under dispute, and to smooth over the latest injury, the Human King sends those two former playthings, Ilta and Laulu, and a cart full of jewelry and furs, to the Väki as an appeasement. The comic itself starts here, and we see Ilta and Laulu learning to live among the Väki. It’s an existential slice of life.
Tell us about your creative process; how did you develop this comic and what are the steps you took to bring it to the final stage?
OH: While developing a new comic, I usually have a few interests that compel me, and a few more that bother me, and I end up alchemizing those together. In recent years I’ve been interested in prehistory and the other humanoid species that lived alongside us in the past. Everybody wants to make a story about how we might’ve felt about the Neanderthals, and I think I’d like to make it too. This is kind of a go at that story, but I wanted to make it fictional and unrelated to our real world relatives. Chasing historical accuracy with a story about prehistory is inherently kind of an impossible, funny thing anyway, and I’ve understood I’m not well-read enough for it (If you are, and would like me to illustrate it for you, hit me up).
So the speculative anthropology was the compelling part. The bothering part was/is the genocide in Palestine that broke into a hell on earth while I was developing the comic. I want to make it clear that my comic doesn’t matter in any meaningful way under this terrible light, but the events are inside all of us and making us sick; my comic is about the death of a people and a land because somebody at the top can’t stop eating the world until there’s nothing left. It’s impossible to make it and have it be unaffected by what’s happening. This was the hardest story to make for me because I’ve bagged so much grief inside it, and hope too.
I’ve also been through chronic pain this year, and I made a lot of the backgrounds of the comic with my left hand, which is in somewhat less pain than my right one. It’s kind of stupid to suffer for pictures, and I will try not to do it going forward, but probably I will.
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Does a sense of audience, even if it’s just an audience of one, enter into your creative process? If yes, how so?
OH: Yeah, of course. It’s the need to make a connection to somebody and to feel and see the same thing with brief but great precision. It’s a kind of truth-sharing, because I find it hard to share my real self in my personal life. Or maybe those two things aren’t connected, I don’t know. I’m always thinking about the individual on the other side.
Can you talk about your visual style? How did you develop it?
OH: I think art comes to me easily and because of that I’m lazy about it. I don’t use as much reference as I should, and there’s a general ground floor chaos to everything; my work is worse for it. I’ve tried to tighten the ship and learn better fundamentals as I’ve gotten older, and the result is, I guess, interesting. I do big compositional color blocks first, then lines and detail. I went to art school for my Bachelor’s degree and retained nothing from there except a general superiority complex about having an art degree and some painting fundamentals, which make my workflow slower than it should be for digital comics. Sense of dimensions and scale, color, and clarity of the reading experience are important to me.
Read the rest of the interview HERE! And dont forget to check out the Shortbox Comics Fair to support these lovely creators!!
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thefabledpheasant · 8 months ago
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I watched a video of Jensen ackles opinion on the scene in 7x17 where Dean returns Cas’ coat, and he said it was out of character for Dean to have it folded up like that. Which I thought was really interesting because I disagree completely. Dean, as a character, is extremely emotional. He feels a lot and he cares a lot and so much so, that he has to repress so much of it to get through his life.
Whether you ship Destiel or not, Dean obviously cared tremendously about Cas. During Cas’ very brief stint as Emmanuel, Dean tells him: “I used to be able to just shake this stuff off. You know, whatever it was. It might take some time, but... I always could. What Cas did... I just can't - I don't know why.”
While I do interpret this as an indication of his romantic feelings for Castiel, either way, this line is Dean stating very obviously that what happened with Castiel has been weighing very heavily on him and he thinks about it a lot. It also shows just how deeply he cared for Castiel.
The trench coat is the last thing left of this person he cares about. What’s he supposed to do with it? He wouldn’t throw it away. THAT’S out of character. I think it’d be in character for Dean to burn the coat as as a final goodbye, the traditional hunters funeral, but it’s canon that a part of Dean believed Cas would come back. The line is in the promo for the episode and Jensen & Misha even mention it being in the original script. Which means no burning the coat.
Then what is he going to do with it? He wouldn’t just throw it somewhere haphazardly. When you lose someone, you treat whatever is left of them with the love you have for the person that’s gone. That’s grief. So, OF COURSE he folded it nice and neatly. I don’t think it’s out of character at all.
When it comes to the fact that he had the coat with him in a stolen car, that’s when we definitively cross the threshold into romantic territory. I think the place the coat made the most sense, from a platonic perspective, is stored somewhere in either their cabin or Bobby’s house.
Dean had to constantly, purposefully transfer this coat from stolen car to stolen car. The coats only purpose is to remind him of Cas. It’s not like the coat actually does anything. Cas doesn’t NEED the coat, so it’s not like he kept it on him at all times because it’s important that Cas have the coat if he were to come back.
I don’t personally think it is out of character for Dean to do what he did. I think Jensen thinks it’s out of character because he viewed the whole thing as romantic and doesn’t believe Dean is in love with Cas. And while I agree the whole thing feels romantic, I don’t think the act of folding the coat neatly is inherently romantic or out of character. It’s just grief.
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isagrimorie · 1 month ago
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Watching YouTube reactions to the last Agatha All Along episode I'm struck by how many people seem to disregard Agatha's actual grief and regret over, IMO, accidentally draining Alice to death. (Question mark?)
The Nerdy Nightly channel's review on the episode had a more nuanced take recognizing not only Agatha's complexity but also the metaphor of addiction that applies not just to Agatha, but to almost everyone in the coven.
I'm glad more people are discussing this metaphor for Agatha. It makes Agatha so interesting.
Also, in light of this, I think we can't push past that Evanora's ghost meant for Agatha to drain someone in the coven so they would all turn against her.
It's almost like pushing an addict off the wagon, except pushing Agatha off the sobriety train means people die.
Jac Schaeffer was never interested in simplistic morality plays. She is committed to exploring characters in all their complexities, allowing them to be their fullest, often flawed, selves.
Schaeffer explained her character writing approach while writing WandaVision:
“It was important to us that it be all Wanda and that it would be her responsibility because we didn’t want—we weren’t doing Mephisto, Nightmare, the Grim Reaper, or any other people or entities,” Scheffer explained. “If we’re not going to take the cheap way out that there’s this other force, right, if we’re going to give the gift of storytelling to Wanda, I give the whole power, she also then has the culpability and has the accountability.”
(source: Gizmondo) (hat tip to: @ennn)
(Emphasis mine.)
And it seems Schaeffer's views on writing have changed with Agatha All Along. She doesn't want an easy answer for Agatha's character, and that's genuinely refreshing. For a Disney+ character to be allowed to have her flawed and authentic self?
It feels right. It feels real.
Schaeffer mentions this in a recent interview with Script Mag:
I think the fun of Tony Stark is that he wants to be bad, but he's a hero despite himself. But Agatha is not that. Agatha is not a hero, despite herself. Agatha is entirely selfish and self-serving. I don't know, I feel like it should have been harder. It should have been more like, 'Oh, gosh, how are we going to make this villain sympathetic?' But it wasn't that challenging because she's not. It's never her aim to hurt someone. She doesn't hurt anyone just for the fun of it. She's interested in two things: She’s interested in what serves her and she's interested in witchcraft, specifically, enormously powerful witchcraft.
Schaeffer goes on to say that all main characters in Agatha All Along function as anti-heroes. And the writers go on lengthy debates about the story beats and character choices.
Later on in the same interview with Script Mag, Schaeffer discusses Agatha's hidden motivations.
The way I defined Agatha—prior to the room, prior to anything—is that she's a liar, that it's just masks. This show is about pulling that mask all the way off. And what do we see? What is under the mask? It's hard to talk about at this point because there's so many spoilers inherent in that. 
But I think what you can get from the earliest episodes is that, yes, she wants power, right? That's her superficial goal. That's her super objective. But that can't be it, right? That's boring. What's underneath it? And it's fairly clear from the beginning that she reluctantly wants community, that this is a covenless witch who, deep down, wants a coven. And that's fascinating to me. What did Wanda want? She wanted to be safe and cozy with her family. That was a that was a very clear, true north. But there, the friction was the sort of logistical trappings were untenable. For Agatha, she's in the way of her own thing. And it's much more of a subtext and a fabric that we then exploit and explore deeper into the show.
I love that we haven't been reading Agatha wrong -- Agatha does want, deep down, to have a community but she's been wearing her mask for too long that Agatha's also her own worst enemy. Her reputation and defensive persona push people away.
When backed into a corner, Agatha slips on the mask of a villain because if she hurts them first, then no one can hurt her.
It's so fun and interesting to have a character like Agatha again! Especially within Disney+ Marvel's ecosystem of shows.
Netflix Marvel used to feature similarly complex characters but Disney+ Marvel shows have struggled to find that line.
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agentrouka-blog · 4 months ago
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Sometimes I think GRRM is much more sensitive to Sansa than he is to Dany, regarding their dynamics with older men.
I think he's trying to say something about Dany by the way she perceives these men and their interactions, and not in an unsympathetic way.
The Stark children aren't somehow inherently better or "made different" than other characters in the series. We see them face horrible things, but often times we also see them magically spared from sharing a fate that is depicted happening to their mirrors. Take the miller's sons dying in the place of Bran and Rickon. Take the horrible tales of rape and murder that Arya only ever overhears. Take Lollys vs. Sansa during the riots. Some of it is happenstance, some of it is their noble status, some of it is prior relationships, some of it is simply plot armor.
But the key of their emotional resiliance lies in the fact that their parents loved them, modeled a reasonably stable and loving marriage, and raised them with attention and principles. They were not perfect by far, and utterly products of their time, but they were solid and they were present. The Stark children have a sense of how the world can work and they have a sense of self that is fairly secure, even through hardship.
Characters like Dany, or Tyrion, or Cersei, tend to become what they are because they are not spared in key ways. And they did not have that crucial foundation.
Dany is not raised lovingly. She is not spared marital rape. She has no home to cling to in her memories, no model of healthy family dynamics - and literally no one who ever bothers to try and genuinely help her for her own sake.
So she doesn't know what healthy dynamics are. Not true justice, not consent, not a relationship of equals, not genuine tenderness. She can't take refuge in her inner child, she killed her in chapter three. She has no healthy outlet for her grief and her rage. She has no concept of a happy future that isn't tied to power. She has no framework for a different reality. And that is what we see play out in her arc. And that is also why her relationships with men are depicted as they are. The misery she experiences in reality is unmitigated by even a sense of injustice and validation of her pain by anyone around her. So she erases that misery from her reality. She invents an uneasy pretense of equality based on her queenship and later her dragons that leaves her feeling empty and powerless without understanding why.
She may never ever understand why.
It's a tragedy. It's the tragedy, that, I think, GRRM is trying to tell through her. She should have been given help. Any scrap of love, and she may not have become what she did.
So when Sansa is spared and emotionally survives on a privilege of having been loved, we must also imbue her character with the obligation to pass it on, to show mercy, to love, to help. Same with the rest of the Starks.
And when they fail, like Robb did, they will not prosper.
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thebloodredraven · 1 month ago
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I've just thought of something about Itachi and Sasuke that makes me wanna cry.
Tobirama, the OG Uchiha hater himself, states that the Uchiha have the ability to love deeper than anyone else. He incorrectly makes the conclusion that if an Uchiha loses someone to death then that love is replaced by hatred.
The thing is: it was never hatred. It was always grief. A hollow, destructive grief that tore them from the inside out and made them act out in ways that were detrimental to their being because they had nowhere else to put it. That misinterpretation stayed with the Uchihas throughout their entire time in the Hidden Leaf village and became their legacy.
Which brings us to Itachi and why what he did to Sasuke went against everything that made them who they are.
We know that Uchihas love deeply and create deeper bonds than any other person. We know Itachi was growing to hate the clan and everything they were. We know that even though he hated his clan, he still carried that deep love and grief inside of him that was passed onto him hereditarily.
Sasuke also has these traits, too, though. In fact, he was never shy about expressing how much love he had for his family and what they meant to them, specifically Itachi. He was filled to the brim with deep love and affection because it's inherent to him to feel so.
Itachi was filled to the brim with love, and then Shisui died in a horrific way right in front of him. That love was replaced with grief disguised as hatred.
So when Itachi tells Sasuke that love and bonds are weak after slaughtering his entire family and tells him that the only way to get revenge is by filling his heart with hate, it creates a permanent mark on Sasuke that activates that grief.
Let me rephrase this: Sasuke is subconsciously being told that inherent ability to feel deep love and affection is what makes him weak, therefore in order to be strong enough to exact his revenge he needs to become the total opposite of who he is at his core.
Why do you think he became such a cold person? Why do you think the only way he can feel closer to Naruto (who is a walking example of everything his brother told him not to become) is through aggression and fighting and arguing? Why did he become quiet and silently affectionate instead of loud and verbose like he used to? Why does he have a difficult time expressing himself unless he's angry? Why do you think his jealousy towards Naruto festered the way it did? Why do you think it took so long for him to even acknowledge that he loved Sakura, or why he actively ran away from romance in the first place? Why do you think he literally lost his mind when the truth about Itachi was revealed and he discovered all of what he knew was a lie?
If he gave into any part of him that felt the love that he knows he's capable of, he'd be showing weakness.
Sasuke having a single child that was a little girl is so narratively smart because it shows that Sasuke is the person that changed the trajectory of the Uchiha by embracing the deep love and affection he was taught to repress. Sarada is the first person in the entire history of the clan that awakened her Sharingan through pure love and passion for her loved ones.
Which exposes something that has always been in hidden plain sight: hatred and death doesn't make the clan powerful; love does, and it always did. It was the self-fulfilling prejudice against them that turned them into what they ended up being.
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