#(and probably to an extent after too)

[threeofclubss]

trey clover and responsibilities; a meta after his book 7 dream

[spoilers for jpn server book 7 content ahead!]

as the eldest brother trey has always been the 'responsible' one. but his wish is to live in peace, to never have expectations thrust onto him (hence his constant downplaying) but instead to use his passion and skill (baking), which is the one thing he doesn't downplay, to make the people around him happy. to see them smile while eating his food, to 'grow', for him to be able to see them enjoy themselves and for himself to do what he enjoys without restrictions. yet as cater reveals, not only did riddle freeze him out after his excitement (which as you can imagine, was painful for trey, as if the childhood scolding wasn't enough trauma. ESPECIALLY as he sees riddle as like a, to quote him, 'younger brother' thus 'his responsibility'), but he was voted for vice housewarden as a result. all these responsibilities and expectations were thrust upon him when all he ever wanted was for riddle to be 'free', for everyone to get along, for him to be useful to others. and so trey gets a first row seat to riddle and all his changes and his struggles and his anger, and he's forced to take a role and he ends up taking one of an enabler, someone passive. he ends up 'painting over it' and scrambling for a sense of normalcy amidst all this, and as vice housewarden the blanket of duty he feels heavily falls on him -- trey has always put importance on responsibility and his image, like when he talks about upperclassmen needing to set a good example for their juniors. and so he suppressed his own emotional turmoil and focused only on those around him, on sorting out trouble and pacifying riddle, while ignoring his own feelings on the matter and refusing to take a stand.

all this culminates into the overblot, and trey's book 7 dream with chenya as the dorm leader says it all -- trey wanted somebody to understand him. he wanted someone who knew he would have a tough time, who not just knew but understood his past with riddle and could help him through it, to not just alleviate him from responsibility but enable him to take a role where he thrives best. he needed somebody to rely on. for once, to not be the one being relied on. cater came the closest but cater also mentioned that he kept his distance (their friendship is a whole other can of worms) and trey isn't the type to confide, either. the 3 heartslabyul senpais are a concoction of things unsaid, and so comes ace and deuce and heartshackle to give it to them straight -- leading to the overblot, but also recovery. and so in the dream trey is once again, as leona aptly implied, putting himself in a position where 'he can help grant riddle's wish' or rather he can help riddle in finding freedom from his mother (in this case through sweets), in a bid to wrestle control where in reality he constantly felt helpless to say no or to stand up to riddle. and by thinking of it as something he can control, he indirect puts more responsibility onto himself in reality, despite never having wanted it. so he's stuck in this place where it's emphasised how in 'real life' trey has expectations and responsibilities he never wanted. he never got to have his peaceful life.

and in his dream, it's the exact opposite; the responsibilities he has are ones he chose/wants, and at the same time, he has his peaceful life. he makes those around him happy, and in turn, he is happy too.

[itsajollyjester]

Not too close.

[sukibenders]

Is it just me or does the way Hera is portrayed in the PJO/HOO series feel out of touch? By that I mean, while it plays into the idea of Hera's relationship with her husband's children and ideals of family, it seems like Rick just took that and ran with it without actually wanting to dive into those aspects and develop them more (ngl, his writing for his female characters, especially the goddesses, could use some work even if I do enjoy them). The reason Hera is the way she is with her husband's children is because she can't punish him [Zeus] directly due to him being more powerful (and the last time she turned against didn't he literally hang her from the sky)? And even while I'm not justifying her actions, there's a method to them, so why would she go after other random demigods like Percy and Annabeth? Or at least in a way that was written better than her falling into a trope (I enjoy this series with my heart, but the criticism about how the gods are written holds some value that shouldn't just be ignored either). Like, I don't know, it just feels like there was more that could've been done with her character instead of just immediately writing her off as the cruel, cold-hearted, evil stepmother (a trope that's overplayed, especially when not even bothering to give them any depth). I could write ideas, but then we'd be here all day.

[naamahdarling]

.

[e-adlirez]

Spoilers for Sinsmas/Sinsmas ramble

So I had Sinsmas paused on my browser to do life stuff as usual, I Will Be Okay was in my head, and I walked back to my computer after life stuff and realized the frame I had it paused on was

D

Do you see what I'm seeing

Their positions aren't just similar, they're reversed. In "I Will Be Okay", Via is on the floor and Stolas's shadow is standing up, looking down on her and reaching a hand to her from above, which she swats away. At the end of Sinsmas, Stolas is kneeling on the floor, with Via looking down at him from above, and her hand resting on Stolas's, which she pulls away from.

AND THE PARALLELS AND REVERSALS DON'T END THERE

From what I could see, it seems like there's only one instance where the parallel doesn't totally apply.

This.

Merry Sinsmas, Helluva Boss fandom :D

:'D

[jichanxo]

playing LJ and idk what’s in the japanese water but Yagami is INSUFFERABLE!!!

He’s so fucking annoying his only argument is “muhhh sawa sensei” when Kuwana, Reiko or Ehara say the horrible things their kids endured like SHUT UP!!!! Reiko and Ehara’s children killed themselves bc they were bullied, I understand and support them fully for getting revenge, especially since the justice system is shitty when it comes to such cases

Did you feel the same or am I tripping?

putting this under the cut

sorry i know you sent this days ago and maybe your opinion has changed since then but i'll answer the best i can? (also i hope i don't accidentally spoil anything ahahah)

this take is not uncommon (and i felt the same at some point, though i've since changed my mind) so no, you're not tripping lmao. despite changing my mind, the fact that people say this pretty regularly probably means the writers didn't execute the idea as well as they could have. i would say that it feels clumsy and almost like a joke (cue sawa-sensei counter) to the point that it detracts from the point they're trying to make. i think some people will disagree with me on this -- rather than the writers, it's the players who aren't fully understanding what's being said to them in the text -- but regardless of whose "fault" that is, yes it's a Known Thing

(funnily enough, during my first playthrough, my sister mentioned seeing a meme about "sawa sensei" getting repeated a lot, and by the time the 2nd/3rd time hit we were like OH MY GOD THE MEME WAS REAL. which is a funny memory to me. lmao)

i think the thing that's getting lost here is that the "sawa sensei" argument is not meant to discredit how kuwana, reiko and ehara feel about the injustice. this part is not in question. yagami's stance on doing illegal shit is also not relevant to this conversation (and i'm not sure i could provide a compelling argument on this front anyway, aside from that he's very anti-murder, lol. clearly he does illegal shit himself so he's not against doing illegal shit based on principle alone. depends on circumstances probably)

sawa gets brought up because she clearly did not deserve to die. almost everyone agrees that sawa was a good person. kuwana puts her on a pedestal for confronting him about kusumoto being bullied, idealises her and muses that she would've understood him for what he's doing (killing people. and this is clearly a stretch). reiko says that sawa was the only person who visited kusumoto in hospital without an ulterior motive, which is one of the best testaments of character that she could give, really, imo. ehara probably holds a negative opinion of sawa for her false testimony about there being no evidence of bullying -- but this was clearly done under pressure of the people around her, and ehara's opinion is the exception to the rule.

so, sawa is a good person. so what? who cares? what's the point of bringing her up?

the point of what kuwana is doing is that he sees it as a way of righting the wrongs that the justice system leaves unaddressed. he needs to believe that what he is doing is right, because it gives him purpose and distracts him from his guilt.

sawa's death contradicts this. even if he and reiko didn't kill her themselves, it's proof that their extreme actions have negative consequences. they can say that the system is wrong, look what this monster did to my son, etc etc. but what they are doing also harms innocent people. the justice/revenge/whatever they pursue is at the cost of other innocent people. sawa herself represents the unforeseen cost of kuwana's self-imposed mission to kill bullies. they can justify themselves all they want, but sawa's death is a reality they can't talk around. they acknowledge she was a good person, but she died because of their actions. is this a worthwhile cost? yagami doesn't think so.

and the thing is, kuwana and reiko can be persuaded.

at least, that's kuwana's opinion about reiko

and later he says this about himself.

these screenshots are pulled from a youtube video w/ english dub so take it with a grain of salt, but you get what i'm trying to say here.

i think the repetition is the point. they agree sawa was a good person. they can be persuaded away from their current stance (that murder is an acceptable response). by repeating himself, yagami is using the argument that's most personal to them, mostly likely to convince them. repetition is not a bug, it's a feature. whether or not this was conveyed well by the writers is another argument altogether, but yagami's point itself is sound.

truthfully, i think LJ could have benefitted by leaning into what makes this case personally compelling to yagami. if you're not paying attention, the "but sawa sensei" argument can feel pretty flat, but putting emphasis on yagami's experiences would help it feel more rich and justified aside from "innocent people dying is bad" (even though that is a sound argument on its own). he does mention emi, i believe it's only once, so it's not like they don't do it at all, but i would like more. the impact of emi and of JE specifically is that yagami doesn't like to leave things unaddressed when he can do more, and that's clearly a motivating factor here. he won't leave kuwana alone for as long as there is 1. something yagami can do about it and 2. kuwana still intends to keep killing

think about the fact that yagami's parents were killed by someone seeing vigilante revenge, both a deeply personal tragedy, and a life defining event that set him on the path he walks now. leaning more into that would have helped, or at least been interesting, in my opinion. obviously it's not 100% the same since yagami's father was the lawyer and not the accused, but the key parts (vigilante justice + collateral damage) is there. of course yagami is trying to change kuwana's mind. not only does yagami understand kuwana's pain wrt the pain of inaction (yagami's regrets about emi) but he's experienced the aftermath of collateral damage, himself.

of course, yagami's personal experiences are only relevant to us, as viewers. sawa is still the best argument to convince kuwana and reiko (and i can easily imagine reiko brushing yagami off if he talked about his backstory LMAO), so that's what we get. sawa is what matters to them, so sawa is what he will keep reminding them of. that's why the sawa argument is what it is.

we can get into discussions about the inevitable failure of the legal system and what that means for "real justice", but we would never come to a consensus. instead, i think it's better to look at how kuwana and reiko are impacted on a personal level by their actions: neither of them have moved on, even after seeking their justice. they remain stuck in the past. their actions grant them no closure, and robs them of a future (reiko as a politician and mother, kuwana as a humble handyman: but as far as we know, a pretty damn good one considering how well he was able to leverage his connections to avoid being caught this whole time... at least in my opinion)

when kuwana argues, he asks how they should seek justice if legal avenues don't grant it to them. he asks, "what about the reiko kusumotos and akihiko eharas of the world?" he is right to point this out.

when yagami argues, he asks how revenge can be justified if innocents will suffer (and die) for it, even unintentionally. he asks, "what about the yoko sawas of the world?" he is also right to point this out.

there is no easy solution. they both have a point. that's what the story is ultimately about. kaito says it straight up at the end of the game:

well, that's my take. admittedly i'm not as well versed on LJ as some people are, so i could be remembering and paraphrasing some things wrong. i've seen people who really like LJ's writing, and others who straight up hate it LMAO, so yknow, your mileage may vary. hopefully this will at least help you understand the other perspective

if you want to hear another take on the sawa sensei argument, i'll put this here. i drew on it quite a bit while writing this, so yknow, credit where credit is due.

[phant0m-ch3rry]

I said it before and I will say it again that Wicked from Boq's perspective is so funny and ofc tragic like everyone else because he goes from liking this one girl to being stuck in a situation with another who becomes the Wicked Witch of the East and takes the rights of him and his people. Then to save his life he is irrevocably changed by the Wicked Witch of the West, (possibly bc book canon?) achildhood friend just to find out that his other college crush ran off from Glinda to be with the Wicked Witch of the West and then died??

He assumes the identity of just the Tin Man, cries and rusts,is found by a kid and a Scarecrow. Probably thinks okay it's fine I could have this romance with the Scarecrow kind of seems similar to me (the vibes of u were not always like this like me) and having to take care of a little girl from a star and a Lion that is afraid of everything. And then finding out that the wizard that everyone holds in high regard is a fake after killing The Witch and then going off with a musical timeline presumably being stuck just with the Lion and possibly Glinda the only other person that knows that also does not know like that is so wild

[hauntingblue]

ARCANE EPISODE 7!!!!

MY GOD I WASNT READY FOR ANY OF THIS!!! WHAT WAS THAT!!!

Also ekko wallpaper I got with my fries lmao

[forbiddensiren1]

okay i’m half asleep so i probably am not wording this right but. i don’t think naoko was really as vain or bad as people say she is (especially on the wiki). siren fans really out here acting as if she killed their entire family for fun .. imagine saying that naoko is an evil & cruel person when in the same breath you’ll say that shiro is worthy of redemption looool

[vv-ispy]

XiaoVen and ZhongVen content is really funny to me sometimes because it's often "this guy who is the archon of Mondstadt and loves his nation and his people? Let's put him in Liyue"

[drpeppertummy]

a fun fact about me is when i sleep on my back a ton of air gets trapped in my stomach & occasionally makes me dream about food

[ID: a sequence of four simple drawings featuring an anthro fly dude. the sequence shows him asleep in bed, with his belly slowly swelling up. as this happens, dream bubbles show that he's dreaming of eating until his belly is enormously bloated, until he finally wakes to discover that his belly is actually bloated in real life, although not as much as in the dream.]

[hexados-on-a-string]

mylene is so interesting to me bc like. she just chucks elico out as soon as she gets a mechanical replacement with macubass. and i think she's the only villain so callous about their guardian bakugan???

most villains still care about their bakugan and usually actually share the same goals and are on the same wavelength, birds of a feather and all that. like even characters like kazarina, cruel as she is, still are fond of their guardian bakugan. and theres characters like spectra and barodius who's plans center around their guardian bakugan, and are actively encouraged by those bakugan.

even characters who's guardian bakugan dont necessarily get along with them all the time, like avior and mason's constant bickering, are still friends. meanwhile mylene just. throws elico out. and also takes brontes from volt and throws him out as well. i think whats also interesting, since the show likes to bring up spectra and mylene parallels, is how spectra uses machines to upgrade and evolve helios, while mylene outright replaces elico with a machine.

but it's not like she's shown to be like. completely heartless either. she calls volt her friend even though she threw out brontes beforehand. she stands up for hydron when zenoheld takes his anger out on him. she has some weird friendship with shadow prove.

i think she was the vehicle to show the general vestal opinion on bakugan, since mylene only sees her bakugan as weapons and when she loses she blames the loss on them. (meanwhile i think volt is supposed to show that not all vestals are THAT bad, even if they are part of the king's entourage of fucked up teenage celebrity theatre kids). and i think she's very interesting bc of that. anyways i love mylene.

[phagodyke]

was gonna say smth else but this turned into a vent sorry everyone just ignore. typical weekend post on this blog u know how it is here we go👍

[lucalicatteart]

Poll adventure (paventure? lol) Day 12: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

Yesterday's poll decided that The Adventurer should rest for the night in an abandoned barn ...

~

Somewhat nervous about being out in the woods alone at night, he decides to try finding a more hidden sleeping spot, further off from the path. Though with his injuries, and his exhaustion, he knows he shouldn't walk too far. He tells himself that he'll just adventure a little, only an hour or so, and if he can't find anything better by then, he'll just give up and set a tent in some bushes somewhere......

After 30 minutes, he finally stumbles across an old barn. He can't see it very well with just a trickle of moonlight and the dull glow of his flickering lantern, but it seems to have not been used for many years. Structurally sound enough (at least he hopes), yet shrouded in moss and blankets of various overgrowth.. It takes a few moments to pluck away all of the ivy blocking his path, but he soon closes the rickety doors behind him to focus on the interior. There's no space to light a fire or set up a real tent, and he'll have to block a few holes in the walls so wild animals don't sneak in, but, there are a few surprisingly clear looking sections scattered amongst all the musty hay bales and cobwebs. He chooses a "cozy" spot in the corner, hidden behind a few dusty crates. Though he tosses about uncomfortably in his bedding for quite a while, he's eventually able to fall into a peaceful sleep.….....

.. Suddenly, he's startled awake by rustling, catching a dark blurred movement in front of him. He's smart enough to always sleep wearing his backpack over his chest so nobody could just grab it without him noticing, but it seems for the first time in all his travels... someone is actually trying to. Still half asleep, he clings to the bag and yelps, pushing and tumbling away into a moldy wooden barrel after an initial struggle. He pulls himself up to face the hooded figure now looming above him, entirely obscured aside from their vague cloak-ish shape outlined by the faint moonlight behind them.. The Adventurer calls out in a shaky attempt at an aggressive tone, "Wh-wh.. whAT are YOU DOIng? WHo-whu..UHHH??? aahhhG" "Give me the bag." The hooded figure speaks in a smooth, stern, yet calm voice, slowly taking a step forwards. The cat scrambles to The Adventurer's side, hissing and giving a low growl.. "w-WELL , uh,, sORRY , n-NO , I would rrrather not DO THAT, I h-- I uh-- I don't have even anythi- I don't even have ANYTHING, I mea- wh-wh HWaAt d-do I look RICH to you?? EUggh-" he gulps loudly, holding back nervous vomit, "B-BACK OFF!! you-.. f- uh.. THIEF!!!!!" The hooded figure pauses for a moment, as if re-strategizing how to approach the situation. "Look, kid, I don't want to hurt you. But I need you to give me that egg." "WHWh-what egg? I-I don.. DON'T have an EGG, I'm uh…aCTUALLY a-allergic to eggs, s-sso-" "The egg that's in a wooden box. In your bag. Don't waste your time bullshitting me.. Come on, let's make this quick." The hooded figure extends their arm, motioning to be handed the egg. Still desperately fighting not to throw up everywhere, The Adventurer simply sits on the floor, staring up at the hooded figure blankly as he tries to think.. Is he seriously being robbed for the first time? Is that like, a cool milestone, or a bad one? He's read about it in adventuring books before but... the reality feels so much different.. How can he get out of this? Strategies scatter through his mind, but he's too shaken to find any clear answers.. What should he do?

-

Additional Information

the adventurer's current main quest: follow his map to reach the abandoned castle ruins and see the rare animal specialist about the mysterious egg he has

[kkujo]

are gyms fucking allergic to setting the ac below 20 degrees or something

[cryptidm0ths]

moth needs to read obbligato again