#(and exploring one explores the other

[asterronomical]

dance battle<33

[ryssbelle]

Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎

[aroaceleovaldez]

Nico referring to his mom as "Mama" implies he most likely at least used to refer to Hades as "Papa" and i 100% headcanon he still does but mostly in the manner of him having the entire Underworld wrapped around his finger for being the baby of the family

[bixels]

Posting a sneak-peak of this now because I'm about to be In The Shit school workload-wise, so this'll take me a while to finish.

Doing some character design exploration/expression sheets for Celestia and Luna. Figuring out Celestia's weird ass anatomy while I'm at it.

[letsduneit]

thinking about paul saying "we're harkonnens. so this is how we'll survive. by being harkonnens" and about jessica saying "your father didn't believe in revenge" and paul replying "yeah well i do" and how things can die even as they continue to draw breath and how the harkonnens really did kill off all three of the atreides that night not just leto

[strangertheories]

I really despise the Marvelification of Stranger Things, because all the interviews nowadays are constantly referencing how fast paced and epic and big the finale will be but the reason people fell in love with the show wasn't special effects or long episodes; it was the plot, it was the characters, it was the mystery. Stranger Things 1 may have been a story about a government conspiracy and a monster, but that's not why we stuck around. The show can throw amazing CGI, Russians, a battle within the American army and an apocalypse at the audience with the biggest budget known to man but if they forget to ground it and keep it central, it'll just get lost amongst a plethora of other "epic" blockbusters. We want Steven King, not Avengers.

[ilynpilled]

it frankly pisses me off that what is essentially “rapists and abusers should be depicted as monstrous caricatures because humanizing them is inappropriate” is considered a very moral and enlightened position to have on art by so many people. a rapist can feel pain, have moments of vulnerability, be amiable and charming, express remorse and compassion at times, be a victim themselves, and so on in real life. they are even capable of doing good things. they can have different sides to them and have individuals in their lives that they are kind to or have a decent relationship with. they will be a human being, and that fact encompasses a lot. conflating that with the claim that they are entitled to and deserve forgiveness or absolution is an issue. nurturing a mindset that believes they need to be one note and uncomplicated to be a correct and tasteful depiction of a rapist inadvertently falls in line with the logic of “how could they have possibly raped you? they are so normal and kind to me. they did all these good things here and there.” ok that doesn’t change that they are a rapist.

[chloesimaginationthings]

oughh.. your movie william affers design is too silly… love him ❤️

Tbh I haven’t drawn him nearly enough, gotta fix that

[lucabyte]

A belief in Nominative Determinsim

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[turbo-tsundere]

*superglues them together*

Aka, eeeeh fok it. Here's some ougoku stuff I've been sitting on. Happy THOSE GUYS day.

[mumms-the-word]

Tav Banter and Dialogue

What would your Tav/Durge say if they could say unique dialogue?

Drop an ask with the name of my Tav or Durge and a few numbers, and I'll respond with a few lines they would say in that scenario! Or, tag someone to take on the Tav Banter/Dialogue Challenge and see if they'll answer a few of these prompts!

Combat/Movement

1. Clicking on them once (non-combat) 2. Spam clicking on them too many times 3. Directing them to attack/move in combat 4. Hiding/sneaking/hidden movement 5. Taking a short rest 6. Low health/asking for healing 7. Attacked by a party member 8. Companion/romance death reactions 9. Going to buff/heal a companion/romance 10. Sending them to talk to an NPC 11. Sending them to talk to their romanced partner

Interacting with Items

12. Encountering a locked chest/door 13. Picking a lock 14. Looking at a globe 15. Looking at an astrolabe 16. Looking at a telescope 17. Looking in a mirror 18. Looking at a nonmagical lamp 19. Noticing a trap 20. Can’t fit into a small hole

Location Comments and Party Banters

21. Comments/reactions near an Act 1 location 22. Comments/reactions near an Act 2 location 23. Comments/reactions near an Act 3 location 24. Lines said in the Morphic Pool or High Hall 25. Party banter with Astarion 26. Party banter with Gale 27. Party banter with Wyll 28. Party banter with Karlach 29. Party banter with Lae'zel 30. Party banter with Shadowheart 31. Party banter with Halsin 32. Party banter with Jaheira 33. Party banter with Minthara 34. Party banter with Minsc

Bonus (Misc, some companion dialogues)

35. How would your Tav/Durge greet a player character if they were a companion at low, neutral, high, or romanced approval? 36. What are some situational dialogues they would say when something happens to another companion or you talk to them while in a quest-specific location (such as commenting on Karlach's heart, Elminster visiting Gale, visiting Cazador's mansion, etc)? 37. How would they respond to a player character prompting them with, "Tell me about yourself"? 38. If a player character asks them to consider consuming tadpoles or using the Astral tadpoles, how would your Tav/Durge respond? 39. If romanceable, what lines would they say if a player character prompted them with, "Can I kiss you?" 40. If romanceable, what would they say if a player character asks for a "last kiss" at the Morphic Pool/HIgh Hall?

[artgletic]

case study of the self-identified god

[silvermun]

sonic fans choosing a specific iteration/universe to follow is so funny it's like we're picking a major or smth like "i major in game sonic lore" "i specialize in archie sonic comics" "i have a minor interest in the sonic movies"

[your-fuccked-up-dad-volume61]

The urge to kidnap her & rape her in the woods. Chained against a tree & split open on my cock. The screams in pain drowning out all the pathetic cries for help. Carving our initials inside of a heart on, “our” tree afterwards so everyone knows what a sweet couple we are. 🔪🌹

[tommystummy]

People got mad that Tommy brought up his jealousy of the New 118 again during the Date Scene but as someone who Understands Media I think that’s what we call Planting because it seems like Tommy’s arc next season will be about trying to find his place in the 118 family and thereby resolve his jealousy/desire for a family so the writers wanted to emphasize that character motivation as set up for next season.