#(THERE'S MORE I WANTED TO ADD BUT THEN WE'RE GETTING INTO)

[poguehearted77]

Hi!! I've watched the scene where Sarah is starving and Rafe is pacing around and knowing he has cash in his pocket and doesn't care that his sister is starving and pregnant. I can't help but imagine it if it was reader, and they hooked up once twice or however you see fit, and she's pregnant with his baby.

Would it be any different? Could you write something about that? Take the idea and run with it because im bad at articulating 🤣

Oh yeah, Rafe is a class-A asshole, but he might show just a little remorse if the baby is his.

Love the requests, keep sending em' in!!

The Moroccan sun was beating down on the group relentlessly, sweating you out and drying you up with the shine of its bright light. The only reason your sweat wasn't dripping off you was because it was quickly soaked up into the modest fabrics around your head.

You'd been travelling tirelessly for the last few days, dangerously too, if you might add. The boat nearly capsized multiple times just trying to make it to Morocco. As if the boat ride wasn't abhorrent enough with your seasickness....and morning sickness...

The constant smell of saltwater and the rocking of the ship had amplified the awful experience and you would spend the first hour in the bathroom regurgitating your insides every morning. It was not fun.

None of the pogues know you're pregnant. Although, Cleo was on to you. One pregnancy was more than enough for the group to worry about. You figured this was something you'd keep to yourself despite the fact the father is currently trekking with you through the hot sands.

The day was only getting hotter. You're thirsty, your lungs hurt and it felt like your own organs were weighing you down. You naturally began to fall behind the group, little by little until the gap was hard to ignore.

"Come on, Y/n. We're not far from the city, just a few more miles." Pope encouraged but it triggered a laboured breath. You're exhausted. A small smile crept on your lips when you noticed John B holding Sarah's hand the whole time, never letting her out of his sight.

For what feels like the eighth time, Rafe looks over his shoulder, more annoyed than ever. "Jeez, would you hurry it up?" You scoff, mustering up enough energy to kick up some sand at his legs. "Nice. Real mature, Y/n." His sarcasm rolls off his tongue and you ignore him as you walk past him.

Once you finally made it into the city, you all needed something to eat. Sarah wasn't feeling so great and neither were you. Babies are nothing but greedy entities consuming all the nutrients you need.

You leaned against the cool rock wall, watching the others run off to help themselves to a five-finger discount. With your eyes closed, you tried to distract yourself from the ache in your abdomen. Not sure if it was the baby or your hunger, possibly a mix of both.

Without even realizing it, you let a hand rest lightly over your stomach. It was still early, you weren't showing and you thank god.

"We're wasting time!" You hear Rafe yell, it doesn't even faze you. He's somewhere near you when he mumbles to himself, "Sitting around on the streets when we should be going after Groff, unbelievable."

What was supposed to be a quick glance your way turns into an elongated stare. His eyes raked over your posture, your shut eyes, brows crunched in distress. He slowly looks down at the placement of your hand.

"Y/n." He says, tugging you into a corner out of sight from the others and you swat him. He shockingly accepts the reprimands and backs off, taking a step back. "What do you want, Rafe?" Your arms cross, waiting for him to say something.

"Is it mine?" Your arms fall slowly, caught, but you deny it. "I don't know what you're talking about." Hardly able to take two steps away before he's barricading you in the corner with his body.

"Don't bullshit me, Y/n. The baby. Is it mine?" You chew on your lower lip, avoiding his chilling gaze. Apparently, that was enough confirmation. "How long have you known?" He takes on a defensive stance.

How the hell were you supposed to know the answer to that? The last week alone has blurred together in memories of rough waters and dry deserts.

All you knew was it happened sometime between the various times you and Rafe swore it would be the last time you fooled around. Unsure if it was the time on his yacht, in the back of his truck or one of the dozen times you somehow ended up in his bed when you swore you were only in figure eight for a 'walk'.

The group had no idea the two of you had been involved with each other aside from the occasionally tense argument, but anyone could admit the two of you can't seem to stay away from one another.

"I dunno, a month maybe?" He pressed both hands to his forehead, fingers spread wide, and slowly dragged them down, smearing the tension all the way to his chin.

"Let's go." His grip on your hand forces you to follow his long strides between the bustling kiosks until you land inside a Delhi. You're too stuck inside your own mind to process what was happening until you watched Rafe lift the bottom of his shirt, revealing a fanny pack with a considerable amount of money.

"Of course. Of course, you had money this whole time! Of course, you let the others go stealing--!" He hushes you as the owner flashes you a look of concern, "Listen, I'm not the one who told those pogues to go looting. I've got money for more important shit than their sad jewel hunt." He explains, paying for the items with a small nod of gratitude towards the man.

Turning to you, he placed a sandwich in one hand, and a cool bottle of water in the other. "This," He starts, his palm gently resting against your stomach. For the first time in a long time, his brows relax and his gaze softens when he looks at you. "This is more important."

[alchemistc]

Harry twirls a lock of dark curls between his fingers. Tips his chin against Tommy's head and stares up at the ceiling. He considers not asking, this time.

The sex is good, and Tommy's funny, and if he closes his eyes he could imagine there could be something - Tommy twitches and shifts his hand lower like he might be gearing up for another round, and it breaks the fantasy. That's new.

"Tell me about him," Harry says, and Tommy's eyes tip up to glare at Harry.

"Making an assumption, there," Tommy warns, but Harry just raises an eyebrow. Six years of this and Harry knows better than to expect Tommy would show up at his door for any reason other than to get his mind off of something - someone else.

"So we're both asses," Harry intones. He needs to call the super, see what they'll do about the water stain on his ceiling. "Tell me about him."

Tommy sighs. Twists, drifts away to the second pillow, and Harry's done this enough times not to mourn the loss, exactly. It's not like he's ever told Tommy -

"He's too young. Impulsive. New."

Harry fails to hold in his snort. "Okay."

Tommy at 34 had been a fucking hurricane. Newly out, no holds barred, he'd jumped right into the deep end and let the storm whirl him around. They'd been friends, for the first six months, Harry a watchful presence while Tommy made it his mission to be more than the guy in the dark corner getting a risky blowie fifteen minutes before last call. To be out - not loud, that wasn't Tommy's style - but to at least be himself.

He'd lasted two months in a real, actual relationship before he'd shown up at Harry's door with a six pack and a box of condoms.

"He looks at me and sees this - cool suave guy -" Harry shifts, nearly interrupts because that guy is exactly what Tommy projects, even if he doesn't mean to. Fucking Scorpios. "- and I was falling for him."

Yeah. Harry can extrapolate from that. Tommy fell ass over tea kettle and then got spooked.

"He's just so fucking open with himself. No brainworm goes untouched, and he can't hide his emotions for shit, and he's so goddamn stubborn and so goddamn ready to bulldoze through every hurdle ahead without looking back at the damage, and..." Tommy trails off. One hand shifts down to hitch the duvet up over his hips, and Harry adds the duvet cover to his list of laundry. "I gave him too many chances to slow down on his own."

"What, did the kid ask you to marry him or something?"

"He's the Himbo," Tommy retorts, and it takes Harry a moment to make the connection. He whistles through his teeth just to watch the scowl fall into place on Tommy's face. "And the connection freaked him out so much he asked me to move in. To his bachelor pad loft." Harry waits. "It has two balconies, Harry. Two."

"...he knows you have a mortgage, right?"

Tommy shoves at his shoulder. "It doesn't matter. We're just - the timing wasn't right."

"Did you want it to be?"

That's always the thing he ends up hung up on, in Harry's experience. Tommy's scared out of his mind to be the right person at the wrong time. Always has been. There's probably some mommy or daddy issues hidden in there somewhere he hasn't explored. Tommy's eyes drift up to the water stain. "Don't these apartments all have the same layout?"

This is the shove-off. This is his hint not to push. "Yes, and I really don't want to ask how the upstairs neighbor flooded their bedroom. Back to the guy." He's never been one for acknowledging unspoken cues.

"Buck," Tommy says, and the name sounds harsh in his mouth.

"Buck," Harry repeats, and pictures Tommy's usual type - tall, light-eyed, more smiles than common sense. There was always something distinctive, too - freckles, a scar, weird shaped ears.

"I miss him."

It doesn't hurt the way it had those first few years, when Harry was convinced that eventually Tommy would see him as more than a friend to blow off steam with. Still. There's a twinge there, beneath his rib cage.

"So stop missing him. That's an option, isn't it?"

And Tommy does that thing - that frustrating, enchanting thing, where his whole body seems to hold the emotion flickering across his face. "I walked out on him. I dug the damn knife in just to make sure he wouldn't try to convince me to stay."

"Would you have? Stayed?"

Tommy's quiet. The sweat has cooled on his skin, and the lights coming in through his window dance across the skin of his shoulder, his chest, that stupid thick neck of his.

The phone he left on the bedside table is dark, but that doesn't stop Tommy's gaze flicking to it.

"Cards on the table, Tommy?" Harry sucks in a breath. Blows it out through his nose. "Once upon a time, I convinced myself you were it for me. That I'd be satisfied with what you gave me, and I wouldn't ask for more. I cut you out of my life for eight months when I realized how fucking dumb that was."

Tommy frowns. Harry hadn't really ever expected him to notice.

"I've seen you through shitty relationships, and one sided ones. I've heard all the bullshit you and Greg put each other through. I've been there for every fucking heartache."

And he'd offered up his body like it was absolution for always being fucking thrilled when a relationship ended.

"You called me Evan," Harry murmurs, and Tommy's eyes go wide. That's never fucking happened before. This thing wouldn't have lasted nearly as long if he'd ever heard another man's name in his bed before. "You should shower. Go home. Take a day or two, if you need it. But I know for a fact you wait this shit out, justify coming to me with time and space from whatever guy has you strung out. I know it's been a minute already, and I know you've never sounded so unsure about cutting someone loose."

Tommy's gaze flicks to him.

"Whatever it is that's got you so scared of this guy, figure it the fuck out. Because it sounds to me like you fell fast and hard and hit a fucking wall before you ever thought to tap the brakes. That's not fair to you or him. Call him. Text him. Show up at his door with a bouquet or an industrial size bottle of lube and figure your shit out. Together."

Tommy stares at him for a long, long time in silence.

"Them's the brakes, huh?"

Harry hates that he knows exactly what Tommy means. Still, he clarifies. "This is your forever guy." Six years of watching him flail and learn and grow and hurt and love and fuck. He knows a thing or two about Tommy and his flights of romance. Knows this lonely man has never sounded quite so lonely before. "You don't need me, anymore."

He's quiet as his eyes drift back up to the stain. "I'm not his forever guy." Harry can't actually refute that, considering he's never met the guy. But he knows Tommy. Knows exactly how captivating he can be. Knows Tommy's a sucker for that starry-eyed look that so often has meant not love, as Tommy reads it, but idolization. "What if I'm not his forever guy?"

Harry digs toes into the spot in the duvet where Tommy's knees should be. He shifts Tommy about half a millimeter. "He has a nickname you don't call him except when you're punishing yourself. He dated Abby and that shared history didn't scare him off. You'd never let yourself fall for a guy that wasn't throwing clear signs that it was serious. I'd put my odds on him doing something weird and wholesome every time he thinks about you until his entire two balcony loft is filled with trinkets or treats and he still can't get you off his mind."

Harry's never seen Tommy's face do that before. Not in the throes of a honeymoon phase and not in the worst of a bad breakup. It's some awful mixture between unbridled hope and abject despair.

Harry thinks it's probably fair to hate him a little, for that face. He's earned the right.

"If he kicks you to the curb, I'll take you to one of those expensive wine tastings you pretend to hate, and I'll let you drink all my samples too." It's not an idle promise. Tommy may pretend to hate it but Harry fucking loves wine tastings. "If he doesn't..." Harry shoots him a fond look, "...knowing your type I'm not invited to the wedding anyway, so I guess then I'd been seeing you around."

Something shadows his gaze for a moment, but he's quick to hide it, to smack Harry on the chest like they've just had a good game, to shift out of bed and into his briefs before Harry can blink. He doesn't love Tommy. Not the way he'd have liked to, years and years ago. Still, when Tommy shoots him the dorkiest finger guns known to man and scoops up the rest of his clothes to take to the bathroom with him, Harry still wonders what it's like to have him enough to love him fully.

---

The name catches him off guard every time he hears it. 'Evan' isn't hard to filter - Evan had been a popular enough name to immediately write it off but Buck wasn't white noise of a name

Buck was a character in a movie, an old grizzled war vet, a dog. The name Buck wasn't popular enough not to hear it every time it was so much as whispered in his direction.

The coffee shop isn't crowded, but it's not dead either. When the girl at the counter calls out an order for Buck, sliding three cups down the counter, Harry can't help but look up.

A tall broad shouldered hulk of a man smiles a dimpled smile at the barista, and Harry watches him palm two cups and grab the third one in one practiced move. He's cute, Harry thinks. Maybe his grandpa ordered, Harry thinks, a little harder, and then caves, following his path through the three-tops littering the lobby.

Harry catches sight of him without being noticed. He's grinning, one of those rare earnest ones that make his ears rise and his face crinkle like a Shar Pei, hand spread out over something lying open on the table. The little girl on the seat to his right is a surprise, but Harry hasn't spoken to Tommy in two years. Maybe he's had enough time to get his mind around the idea that he's nothing like his father. The girl responds to something Tommy says by palming at as much of his face as she can reach and turning to the man now approaching their table.

"Uncle Buck!" he catches, another firm tug at the part of his brain that's been stuck on this for too long. The man barely gets all three drinks on the table before the girl is launching herself up into his arms, and it's too late for Harry to turn away without notice. Tommy's gaze shifts across the room and lands right on him.

He looks like he might wave Harry over, and Harry would rather die than know whether Tommy would introduce him as an old friend, or by name like Buck should know it. He tips a smile Tommy's way. Raises a brow at the man - Buck - and gets lips being sucked behind teeth in response, and then a slow, subtle head tilt.

Good. Good for him. Harry's never wanted anything for Tommy but to see him incandescently happy.

Witnessing it from a distance is better.

Buck twirls his - niece? - flops her back down on the bench seat next to Tommy and bends to say something that includes a pinky promise. He's got a wine-dark stain just above his brow, and Harry can't quite hide the tip of his smile.

Harry's name rings in his ears as he picks up his drink, and he's halfway to the door, feeling proud of himself for not turning back, when he hears the chorus of three laughs erupting from the corner where he'd taken his last good look.

He'd seen the ring on insta, a week and a half ago. Just an uncaptioned picture of two bands balanced one over the other on a rock, a killer sunset sky blurry behind them. No tags. 102 likes and counting.

Harry pushes through the doors and only glances through the window to watch Tommy tip his head back in laughter for a second, before he's cleared the coffee shop and rounded the corner back to his office.

[darkficsyouneveraskedfor]

Meet the Family 3

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as dubcon/noncon and other possible triggers. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: Your boss needs a last-minute favour for the holidays.(petite!reader)

Characters: Lloyd Hansen

Note: I'm feeling very Little Lies about this.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me <3

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Asking for more or putting ‘part 2?’ is not feedback.

Love you all. You are appreciated and your are worthy. Treat yourself with care. 💖

"So this is the reason you missed Thanksgiving," a butter knife jabs in your direction as you poke at the white turkey meat; this? You look up then at Lloyd as he nearly chokes. 

"Uh, yeah," he coughs behind his fist and swallows, "we were out of the country..." 

"Yes, why would you bother to stay. No use in seeing your mother at the holidays, or the rest of your family," she reproaches. 

"Mom," he groans. 

"For ten years," William adds from his wife's side. "Now you show your face and you look as if you're eating rotten apples." 

"No," Lloyd argues. "It's just... I'm busy and I don't get a lot of time away from work." 

"We all have obligations," Gwenyth argues. 

"Well, I took her away so I could propose," he explains as he presses his fork into the whipped potatoes. "And it worked out perfect, right? Cause now I can bring her to meet everyone." 

Gwenyth hums flatly, "I suppose." She clicks her tongue and takes a healthy gulp of wine. 

"So, Pixie," Lillian drawls from further down, "what do you do for work? Oh let me guess. A librarian?" 

You don't let the suggestion bother you. You don't see it as an insult even if she says it like one. You shake your head. 

"No, I--" you begin and Lloyd stomps your foot so you bite down on your voice.  

"She is a corporate consultant. International corporation," he explains.  

"Oh, wow, sounds busy," Gwenyth remarks. 

"Yes, how will you have time for children?" Lillian challenges. 

"I'm sure they'll find time to make them," Benson chortles over his snifter.  

"Ben, please," William rebukes. 

"We're focusing on the wedding before all that," Lloyd says. 

You peer around as you chew your cheeks in frustration. You're annoyed by how they speak of you as if you're not even there, and so intimately. Yet, you don't have much to say for yourself. This whole facade is tiresome and you really don't care what they think about a made-up job. Or marriage, for that matter. 

"That will be done with quickly," Gwenyth sniffs. "And she will need to quit that job if she wants to do her duty as your wife." 

"I can handle a job and a husband," you blurt out. 

The table quiets as if stunned that you can speak. You blink and Lloyd puts his fork down and touches your arm, "sweet pea--" 

"I highly doubt you'd be marrying him for any other reason than that nest egg promised to him," Lillian scoffs. "You don't need to play a saint with us, darling. Marriage is a transaction in more ways than one; affection, money, sex--" 

"Lilly," William warns and she laughs. 

"Well?" She shrugs. "You do know, the wedding only guarantees a twenty percent payout. He needs an heir to get all of it." She pets her stomach smugly and smiles. "I can assure you it's well worth it. Once you meet Lorelai, you'll see." 

"Oh? Maybe when you meet her, you'll consider being a mother too," Lloyd retorts. 

"Excuse me?" Lillian snarls. "I love my daughter." 

"Of course you so," he sneers. "I'm sure she feels all that love right now as she enjoys her turkey and carrots with the nanny." 

"I can't have her around adults and alcohol. You can't possibly understand," she snaps. "And maybe it's better that you never do. I could never imagine you as a father, especially when you are such a child." 

"Takes one to know one," Lloyd growls. 

"Enough," William barks. "Both of you." 

Ransom laughs loudly at the end of the table. Lloyd shifts and Lillian rolls her eyes. You sigh at your plate. You miss your family. For the first time in years, you truly miss them. 

"What the hell are you laughing at, Hugh? The only reason you're here is because your grandpappy exiled you." 

Linda gasps, "He's not exiled--" 

"Oh, right, of course not, Lin, that's why you're here breaking bread with the peasants. That's what you called us at great grandmother's wake--" 

"Lloyd, watch your mouth," William snarls. "Better yet, shut it." 

Lloyd recoils in his chair and stiffens. His features sharpen then he lowers his chin and picks up his fork. His jaw is stone as he stirs the gravy into his potatoes. You wouldn't call him humbled, more whipped like a dog. These people make you feel something for him you never thought you could; sympathy. 

"I don't care about money that much," you say. "It can't buy respect. Besides, I would never marry a man without a prenup. Whatever Lloyd has will remain his." You push your shoulders back as a yawn tickles in your throat. "At this point, he can keep you lot as well." 

You stand up and take the cloth napkin from your lap. You fold it neatly, "Gwenyth, you can tell whoever cooked dinner that it was delicious. I appreciate you all having me but I'm going to go find a hotel and some peace." You step around the chair and push it into the table, "happy holidays." 

You turn, your insides jittering. What are you doing? Where did that come from? You could say you're tired and not thinking straight, but honestly, you're just so repulsed by these people that your head could explode. They're lucky they only got a a few pieces of shrapnel. 

You march out without looking back. Your cheeks tinge hotly with self-awareness. You've messed it all up. After years of harnessing your emotions under Hansen's thumb, you finally snapped. You blew it all. 

"What she said," another chair scrapes as Lloyd speaks. "Mom, dad, good night." 

You enter the hall and head for the entry way. You hear him beside you. You're still foggy with disbelief. It isn't until you sit to put on your boots that you notice Lloyd. 

"I know, I'm done. Fired." You pull on your leather booties. "I'll take the severance and figure it out." 

"I didn't say so," he says as he grabs a coat from the closet. 

"Um..." 

"You're completely right. We can't stay here. They're all a bunch of pricks and they wonder why I didn't come home for ten years," he pulls on his coat as he speaks. He pushes back his hair then smooths his mustache. "We're better off at the hotel. We'll sleep better there--" 

"We? Lloyd, please. Stay with your family. I need space," you stand and reach past him for your jacket. "Besides, I booked a single queen and it's Christmas Eve." 

"Queen's big enough. You're tiny--" 

"Okay, no, no," you hiss. "It's not happening. Stay--" 

"But I don't want to," he whines. 

"Mr. Hansen," you say. "You're out of your mind." 

"Well, after your blow up, I don't think I'm welcome," he puts his hand on his hip. "So this is your last chance to save your job. You made the mess, you clean it up." 

"Me?" You exclaim. 

He hushes you and step closer, "Pix, you already made a scene, let's not do the encore. I'm gonna grab my bags, alright?" 

"You can't be serious." You say. 

"Hey, I gotta play the loyal husband--" 

"And why exactly is that necessary? Why couldn't you get one of those Tinder girls?" 

"Woah, woah, come on, someone will hear you," he covers your mouth with his hand and you turn your face away with a blech. "Go warm up the car. We'll talk on the ride to the hotel." 

You stare at him. He watches you, as uncertain as you've ever seen him. In the silence, you can hear the din in the other room. 

"Always was such a baby," Lillian laughs venomously. 

"He could've chosen someone without an iron spine," Gwenyth adds. 

You grimace and throw your hands up, "fine, get your things." 

"You're the best," he grabs your shoulders but before he can kiss you, you put your hand up to pinch his nose. He recoils and rubs the tip, "ow." 

"No more of that," you say as you pull your keys out of your pocket. "Thank god I only had one glass of wine." 

You stomp out the front door. The frigid winter air hits you like a bus. Once one even ground, the swirling snow flecks onto your shoulders and hair. Great, now you get to drive in the snow with an unwanted passenger. 

You get in the driver seat and push the ignition. You turn on the heater and the heated seats. At least Hansen pays enough for the add-ons. Still, you’re not sure there’s any compensation equal to what you just went through. 

You look over as the front door opens and closes. Lloyd rolls a giant suitcase with him, another smaller bag strapped on top, and a third in his other hand. You don’t move as you watch him descend the steps, easing the wheels over the edge one-by-one. 

He comes down the long walk and jerks as his loafers slip on the icy pavement. It would be funny if you weren’t so damn exhausted. You steadies himself and continues on. You should get out and help him. You don’t. 

You pop the trunk with the button. He loads in his bags as you check the rear view. He comes around the passenger side and pulls the door open. He lets out an obnoxious ‘brrrr’ as he drops into the seat next to you. You shift gears as he shuts the door. 

“Ugh, I feel so much better getting out of there,” he says as he adjusts the seat, making room for his long legs. 

“Why?” 

“Um, why not? My family is the worst--” 

“No, why did you drag me into this?” You ask as you lean into the wheel and squint over it. The dark, the snow, the unplowed roads, it’s like the universe can’t stop throwing you obstacles. 

“You want the real answer or the nice answer?” He replies. 

“Mr. Hansen,” you growl. 

“Right, I had no other choice.” 

“No other choice?” You repeat. 

“Look, those long-legged beauties back home, they’re fun, but they don’t got much else going on. I needed someone who could play along,” he explains. 

“Play along?” 

“Yeah, I mean, you’re smart so--” 

“I’m smart...” 

“I wouldn’t hire you if you weren’t--” 

“Jeez, wow, Mr. Hansen, thank you so much. You think I’m so smart, so you should know I’m smart enough to know better than to believe you. You think I’m desperate,” you turn slowly onto the next street. “You think I have nothing else going on.” 

“No, that’s not--” he shifts in his seat. 

“It’s exactly what you think,” you huff. “Well, I do. I have a flight in...” you pause and check the time on the dash, “five hours so when we get to the hotel, I’m going to sleep and you’re going to let me. Then I’m going to catch my flight and the curtain can be pulled on this whole theatre.” 

“Your words, not mine. I don’t think you’re desperate.” 

You don’t respond. You’re tired. He just can’t leave things alone. He always has to say something. You wonder if he was truly left to his own thoughts, if his head would combust. 

“I’m actually impressed,” you says, “you held your own.” 

“Sir,” you utter. 

“It was good. Entertaining. I mean, all these years, you never once talked back to me but wow, that was... majestic, really. You didn’t even wait to see my mother’s face. Or my sister’s.” 

“Your family is weird,” you blurt out. “Sorry, uh, I didn’t mean--” 

“I mean, yeah, we probably are but I don’t really have anything to compare it to,” he says. 

You nod. He has a point. Yet, while that horde of entitled brats might explain his personality, it can’t excuse it. 

The hotel’s marquee shines like a beacon as you steer into the lot. You yawn and shut off the engine. You let yourself out and drag your feet around to the trunk. You take out your carry-on as Lloyd hovers at the other side. 

“All of your stuff, out,” you say. “I’m going straight to the airport in the morning. Checkout is ten so as long your gone by then, I don’t care what you do.” 

He’s quiet but he obeys. He takes his bags out and sets them on the ground. He pulls the rolling bag and slings his smallest bag on his shoulder. You snap the trunk shut and turn, shuffling across the icy tarmac. 

You enter through the automatic doors and cross the desolate lobby. You check in with your ID but as you look for your credit card, Lloyd flicks his between his fingers and offers it up to the clerk. 

“It’s on me,” he insists. 

You won’t argue. You really don’t trust him to leave by checkout. As you head for the elevators, he takes a deep breath. He doesn’t speak until you’re behind the sliding doors of the compartment. 

“You know, I’m still your boss so you can’t just order me around,” he says. 

You glance over at him. “Right, won’t happen again, sir.” 

“It could have been worse, you know? I could’ve actually had you come all the way out here just to drop off some gifts. If you think about it, you got a free dinner and some wine--” 

“Yeah, it was a great time,” you say dryly. “Mr. Hansen, I’m too tired to lie any more. Tonight was one of the worst nights of my life so no, I don’t think it could be worse.” 

The doors open and you stride out. You swipe the card at the door corresponding to the number written in the folio and let yourself in. He follows closely, nearly running over your heels with his suitcase. 

You take your bag to the bed and take out the cotton pajamas stuffed inside just for tonight. You bring them with you into the bedroom, doing your best to ignore your guest. Lloyd wanders along the wall and finds his way to the mini fridge. 

You’re in no rush to change, only to get to bed. You trade your dress and stockings for the cotton two-piece and emerge. You shove your bag and clothes beside the night table and slide under the blankets. You pull them up to your shoulders. 

“They got wine, tequila, beer--” 

“I’m going to sleep,” you insist. 

“The alcohol will help.” 

“No, it will make waking up even harder.” 

“After tonight, I think you need a shot.” 

“Mr. Hansen,” you grumble and cover your head. 

“Fine, more for me.” He snickers. 

You’re happy he can’t see the irritation on your face. You might just be better off to let him drink whatever. Eventually, he’ll have to pass out. At least, you can only hope he does. 

[courtesons]

Was there anything better than watching Fabian be so overwhelm with want and need? The man's hand drifting down slowly as his young lover spoke, brushing against his chest and stomach before brushing his fingers against that growing bulge underneath. Just a gentle brush of a hand, nothing more - a tease and toy to get him even more excited with no promise of pleasure or sex to satisfy him in this moment. His fingers reaching to grab that hair and give it a rough tug so his head tilted back at his comments about it being overkill.

"Don't think I forgot about you being bratty earlier, think of the second part as an add on from that...and I'll dare to do whatever I wish with what I own" He hummed, lips brushing against his throat, hot air tickling the sink as he did so. "And just so you know, no matter how hard you get - that pretty cock of yours isn't getting a release...at least not until we're at the club" He hummed, before slowly letting go of his hair and slipping a hand into his pocket and holding out one of his credit cards from his wallet.

"Now you're going to change back and pay for the clothes because we have our outfit prepared, I already own some cuffs that would be perfect for you" He instructed before giving the boy's ass a good slap for measure. "You'll carry the bag of clothes to the car like a good boy and think about all the ways you're going to make it up to be me tonight" He smiled before stepping out of the changing room and heading to the car.

Ethan was an evil genius. A punishment right now, in this dressing room, would be pretty satisfying. Fabian clearly wanted one, and had stepped over the line to see how Ethan would react. But Ethan was postponing his punishment, so instead of getting an immediate response, he'd have to wait until they got home. The entire rest of the trip he'd be distracted thinking about the punishment to come.

And fuck if Ethan didn't make it all sound so hot. Fabian wanted to be offended that he'd call him a slut, but he wasn't. Ethan was right. Fabian did like being Ethan's slut. Being a little slut just for Ethan was exactly what he'd been doing these past couple days, and he was finding it more and more thrilling to do so.

And the more Ethan talked, the more Fabian got turned on. Fuck, how was he turned on by the descriptions of punishments he was going to receive? Then again, he had already admitted that sometimes he wanted Ethan to treat him like a kinky sex prisoner. They even had a trigger phrase for it...so maybe it shouldn't be that unusual to him.

"I would say that's a little overkill for disparaging my own looks one single time, but don't you dare take any of it back because that sounds so hot." Sure, he was nervous to receive his punishment. He wasn't sure exactly how bad his spanking would be, for instance. But the idea of the punishments was turning him on something fierce. In the mirror his crotch was starting to bulge a bit, his cock starting to grow inside his triple-layer underwear.

[sometimesthereishorse]

Okay so technically I got this ask over on @only-horse-polls but it feels like it belongs here more.

Step 1. Draw your creature. I'm old school so we're doing this in flat white, no transparent or layering.

Step 2. Put down the 2 primary colors that you're gonna fade between. Make sure to get all those tiny pixels.

Step 3. Note the two colors' RGB values. When you know the RGB of both colors, note how big the difference in values is.

Step 4.1. Now if you don't feel like taking out each transition color one at a time, you can open whatever art program of your choice be it SAI, photoshop, mediabang, all you need is the gradient tool.

We're gonna use 14 transition colors so we're making a 16 by 16 canvas. If you want more or less transition colors size your canvas accordingly.

Select the gradient tool, apply your two base colors, and make a gradient. Make sure the two utmost colors are your base colors. Now you can simply copy and paste that gradient into paint.

Step 4.2. If you want to only work in paint or can't be bothered opening a new program you first have to figure out how much your RGB values are gonna have to change with each transition color. Do this by dividing your value difference by however many transition colors you want. In our case, it's 100, 87, and 80 divided by 14.

100/14 = 7.1 (round to closest, 7)

87/14 = 6.2 (round to closest, 6)

80/14 = 5.7 (round to closest, 6)

These are the numbers we're gonna add or retract, depending on which base color we start at.

If you land on #.4 or #.5 or #,6 I'd recommend altering between rounding up and down for every color.

For example; you have 8.4, round to 8 for the first transition color and 9 on the second, then 8 on the third, and so on.

Step 5. Section out where the transition is going to be using other colors and assign each section color to a transition color.

Step 6. Select your section color in your first color slot (you can do this by pressing 'I' to get your color selector and then left-clicking the color you want to select), and your corresponding transition color in your secondary color slot (can be done by right-clicking with your eyedrop/color selector).

Then press 'E' to select the eraser, make it a decent size, and then right-click and drag it over the transition areas!

Step 7. Continue until you've covered all section colors with your transition colors, after that you can add whatever else you want to your creature and you're done!

[3hks]

How to Write Emotional Dialogue Without Being "Cringy"

Did you ever want to write an emotional scene between characters but suddenly felt so conflicted because you're worried it might seem cringe? I, for one, have (and still do) worried about this! So today, I'll share some tips on how to make your dialogue LESS cringy and MORE emotional!

But for starters, what exactly makes something "cringe"?

Our media actually plays a big part in shaping what we find to be cringe, so certain words or phrases tend to stick out to us as "cringe". But when it comes to writing, it depends mainly on the context given.

So, with that being said, something that's meant to be emotional might seem cringy and awkward because the scene falls flat. Now that you understand the base cause of this, let's explore some ways to avoid it!

>>> OMIT, DON'T SAY

If you ever found yourself writing out a line that, no matter what, still seems awkward, then the problem may lie in the line itself. Sometimes it's unnecessary to say everything; your readers are smarter than you might think! There's a lot you can omit in dialogue while still maintaining a natural feel, whether it be through body language or hidden meanings behind certain words!

EX:

Prompt: "You're so fake, you think you can hide from the world, but you can't. What if someone finds out the real you?"

"I'll just put on another mask."

V.S

"What do you think?"

Regardless of whether you find the first response cringe or not, you can also see that the alternative response hints at a similar answer despite not confirming or denying anything!

>>> BE BRIEF

Unless your character is ranting or you're strategically elongating their dialogue, try to keep their lines concise. Many people will speak briefer as a result of uncomfortableness, sadness, and/or anger.

If a piece of longer dialogue looks odd to you in a certain situation, that might be because your character seems to be trying to explain something too much when it wasn't your intention to create that effect. Filler words (uh, um, oh,) are fine because they're a part of natural speech, but sometimes it's better to get straight to the point!

>>> FILLERS

Speaking of filler words, they can become really useful when writing emotional dialogue because they can portray a variety of emotions! (They can depict feelings of anxiousness, sadness, and more.) Additionally, stutters and ellipsis are helpful for the same reason! Overall, these incorporations really spice things up! Unnaturalness can be a cause for cringiness, and fillers assist in making dialogue feel more natural!

>>> ITALICS FOR RANTS

Okay, but what about rants and purposefully long dialogue? How do we make these more meaningful when essentially, we're just talking about big blobs of text?

Here, it's important to add dynamic to catch the reader's attention. When we read, it's like a voice is talking in our heads, and the voice is ultimately determined by subtleties like italics!

So, with that being said, use italics (I suggest incorporating them regularly, actually) when writing LONG texts! It creates a flow and rhythm for our reading, and most importantly, adds emotional weight to certain words/phrases, which highlights what your character prioritizes and cares about most!

EX: "I-I thought we promised! You said you wouldn't leave--so why are you leaving now? Was it my mistake? I'll change, I swear! (etc...)"

V.S

"I-I thought we promised! You said you wouldn't leave--so why are you leaving now? Was it my mistake? I'll change, I swear! (etc...)"

See? With just a few italicizes here and there (although you do want to be strategic about which ones you italicize), the simple dialogue quickly grew more weighted!

>>> DON'T RE-READ TOO SOON

In the end, the most effective way to tell whether something is cringy or not is to have someone else read it and tell you! But if you don't like the sound of that and prefer to check on your own, I suggest to not re-read your dialogue over and over. Instead, give it some time!

When we re-read our work too soon, we already know what to expect, which influences our decision making and opinions. By approaching it after you refreshed your brain, it'll feel more like you're reading it for the first time; and therefore, you'll form more effective ideas!

***

Still, it's also important to keep in mind that something that's cringe to you won't be cringe to someone else and vice versa! It's ultimately based on the readers, which we have no choice but to accept. However, if you were concerned about your writing because of such reasons, I hope this has helped!

Happy writing~

3hks <3

[perseidlion]

So I am a certified Catwin shipper. I have written a series that currently sits at 90k words that is casefic but also them getting together. But I am also a multishipper and have written some Payneland stories as well.

So I was understandably quite happy to hear we would've gotten Catwin in S2 because I love the dynamic and I love Lukas Gage and his performance.

But it has made me very sad to see how some people are genuinely upset by this news. I don't think it's justified, frankly. People are doing a lot of filling in the blanks, guessing, and supposition. Just because Catwin would have happened doesn't mean Payneland wouldn't have. Also, we have no idea the context in which all of this would have gone down.

It's important to remember that The Cat King also went on a journey and changed as a person throughout season 1 (as did all the characters.) He is not the same person who slapped the bracelet on Edwin when they first met and not just because he died and was resurrected.

He's matured, settled and grown. It's very possible this arc would have continued. Even if you hated TCK in S1, you may have come to love him in S2, or at least hate him less. Redemption arcs are great fodder for stories and I have no doubt the writers and Lukas would have done that kind of arc justice.

Or maybe Edwin would have had his hot girl summer and TCK was the same old lothario. In which case, he'd definitely be no threat to Payneland endgame. This scenario would make me sad for TCK because he does seem to have genuine feelings for Edwin beyond the sexual, but that was certainly a way they could have gone with it.

My point is, we're missing a lot of context. If you were to take plot points of S1 out of context as well, it would be very hard to envision the final product.

I mean:

Niko gets infested with dandelion sprites that nearly kill her. These sprites manifest with cartoon sparkles around her head and they feed on attention. When they get out of her brain, they're tiny snarky humans she keeps in a terrarium.

Jenny gets set up by Niko with a quiet librarian who turns out to be psycho killer stalker.

People jump off a lighthouse and get swallowed up by a giant angler fish who is siren-ing them to their death. Their ghosts linger, and this annoys the ghost who mans the lighthouse so he hires the boys. Charles yeets the Night Nurse into the fish, and inside she has a talk with an oddly calm and optimistic man. Oh, also the fish is called Angie and she didn't do any of this maliciously.

My point is, this show is camp. That's part of the charm of it. Camp plotlines sound absolutely wild when you distill them to one-liners. When you add in inciting incidents, context and character interactions, these turn from wacky scenarios into full, entertaining stories.

Please don't catastrophize based on crumbs! Whether we get a S2 or not, it's really not worth getting that worked up over. We can't draw conclusions based on what we've been given. It's all guesses, and it could have changed a million times before the episodes were finished.

Also please don't get upset at Catwin shippers for being happy about this. We just wanted to see more of Lukas and George interacting. Most of us are Payneland fans, too and understand that would be the most likely endgame.

[s4bbatical]

Please, Please, Please, Let Me Get What I Want | Part 1. (Rivals Declan O'Hara x Reader 18+)

Part 2. Part 3. Warnings: Profanities, sexual tension, alcohol and cigarette use.

Author's note: I'm not exactly staying on top of the timeline of rivals, bare this in mind as you read. Of course with any self inserts, it's an AU with a bit of tweaking. No smut involved in this chapter, just fluff until I post more parts. AGE GAP (22!Reader). Thanks for reading.

━━━━━━☆━━━━━━

It was your first week at the Corinium. You were a fresh-faced journalist straight out of Washington State University who had accepted an internship at the independent commercial television station in the county of Rutshire, England. Far from home and comfort, you strived to be the best at what you were asked to do. The pay was good, and the idea of being in another continent where anything was possible kept your drive at an all-time high. You were practicing your decorum quietly to yourself at your desk, fiddling with your pen.

"Already going mad, are you?" Your co-worker and new friend Seb asks, grinning as he puts down his homework on your desk.

You laugh awkwardly, crossing your leg over the other as you lean back to look up at the ginger. "If I have to hear Tony Baddingham cuss out another person because Declan O'Hara is too stubborn to take his lead," You quip, closing your own folder of paperwork. "I think I'll start drinking more." You exasperate, recalling the sudden outburst from Tony's office a mere five minutes ago. Seeing Declan O'Hara riled up was never a great sign, but you couldn't help but run your eyes over his sculpted arms when he took off his blazer in frustration.

"I think you need to start drinking more in general, y/n. You're in England now. We all have a problem." Seb comments, half-sitting on your desk. "You should come with us to Bar Sinister. It's owned by Basil, Tony's brother." He says, crossing his arms.

You raise a brow. "I thought we were assigned to get dirt on the next guest on Declan's and have it in by Monday. Wouldn't that cut into our research time?" You query.

Seb laughs. "You Americans are such workaholics." He shakes his head. "Come get a drink with us!" He pleas, hitting your arm lightly. "Those reputations aren't going anywhere. Besides, we're all going, you'll be the odd one out if you don't."

"All of you?" You say, looking across the room at Declan O'Hara. He's speaking to someone on the phone in his office, the blinds open enough to allow you for a peek. God, what a man he was.

"Yes, all of us. I can't speak for Tony or Declan, though." Seb hums, the feeling of disappointment washing over you. "I'd like to see you there, though." He adds, the both of you sharing a lingering gaze before he gets up and walks away.

If you didn't know any better, you'd think your colleague was flirting with you. You didn't mind it, really. Seb was attractive, and only a year younger than you. Unfortunately, you just had a taste something a little more aged. Everyone seemed to want to fuck each other in this office. You barely managed to avoid the claws of some of the older men yourself, not that you were complaining-- besides the fact none of them were Declan O'Hara.

You decide to stand up, grabbing ahold of your folder before boldly heading over to Mr. O'Hara's office. You slowly knock on the ajar door to get his attention before you step in.

"-We'll discuss this later. Goodbye." Declan says into his phone, hanging it up when he notices you. "Y/n, hello. What can I do for you?" He asks, putting his hands behind his back as he leans back in his chair.

Many things. You think to yourself, trying to look away from his stretched out torso before speaking. "I was just wondering if I could help you with anything else before I leave today Mister O'Hara? I just noticed you seem a bit stressed, maybe I could take something off of your plate if possible." You say, smoothing out your skirt.

He chuckles lightly, leaning forward to take a sip of his whiskey on the rocks. "Call me Declan, love. No need for so much professionalism." He sighs, your heart skipping a beat at his words of endearment as he runs a hand through his hair. "I'm 'fraid not. Tony's up my arse, and my wife's trying to throw this ridiculously expensive party for my son's birthday which also happens to be New Year's and..." He notices your glimmer of concern in your eyes, staring into them as if he got distracted. "I uh," He shakes his head. "Don't worry about it." He says, waving it off.

"I'm sorry, that does seem like an awful lot." You say, your cheeks reddening from his stare. "You don't deserve that, you know. The way Mister Baddingham treats you." You mutter, toying with the folder in your arms.

Declan chuckles, pulling out a cigarette and popping it into his mouth. "Try telling him that." He says wryly, lighting up the smoke.

"Well Declan, there's a group of us going to Bar Sinister later, if you'd like to unwind. God knows we both need it." You try to joke, laughing awkwardly as Declan gives you a look. You clear your throat, straighten your spine. "Sorry, just a suggestion." You mumble.

He laughs genuinely this time, inhaling his cigarette again. "You're funny, y/n. I thought it would be intolerable hiring an American journalist-"

"Hey!" You interject, gasping playfully.

"But!" Declan holds a hand up, stopping you from speaking further. "You're quite lovely to have around. I enjoy your presence." He says, smiling at you. "I hope you consider a permanent placement in the future."

Your face lights up, a big smile on your face now. "Thank you Mister- Declan." You correct yourself. He laughs again. "But I would have to become apart of your personal board to get approved for anything like that." You add.

"Well," Declan says, putting out his cigarette in the ashtray. "I hope you don't mind if I consider that possibility y/n. You have a lot of potential, and I admire your drive." He admits, clasping his hands together and putting them on his desk.

"I am very flattered, Declan. Thank you." You say, looking down before meeting his gaze again. "It's been a pleasure working for you." The undertone of your words hint at something beyond, causing Declan to tilt his chin up a bit to analyze you.

There was something about you that had caught his attention since you first set foot in Corinium, and he couldn't seem to shake his mind from it. It was like a guilty pleasure he could never acknowledge out loud.

The phone rings. Declan nods towards it, signaling for the conversation to end. "See you tonight, y/n." He finishes, taking the phone off it's mantle as you feel heat beginning to simmer in your abdomen, nodding before leaving his office and closing the door behind you.

You have a wide grin on your face as you make your way back to your desk, hastily returning to your work in order to keep the evening free.

-

Much to your surprise, it was karaoke night at the bar. There was a good mix of random patrons and recognizable faces taking turns singing out ballads.

You and Seb were sat at the bar, him sipping on a Guinness as you had a vodka soda. Classic American, he commented when you ordered it.

“You gonna go up there?” You ask Seb, gesturing towards Freddie Jones who was pouring his heart out on the mic.

“Mm, possibly. What’d you reckon I sing? I’m tone deaf but maybe if everyone gets drunk enough no one will notice.” He jokes, earning a fit of laughter from you both.

“I love The Cure if that’s any help.” You suggest, finishing your vodka soda.

Seb quickly gestures for the bartender to bring over a bottle of wine. He notices your curious expression, shrugging his shoulders. “Company’s paying for this shite, not me." He explains. "Also, The Cure? I like 'em, but they’re not gonna translate with these guys.” He says, drinking his pint. He pours you a glass of wine as you glance around the space, trying to spot Declan anywhere.

“What about Last Christmas? You know, by Wham? It’s almost Christmas after all.” You say, already pouncing on your glass of wine.

“I do like that one, maybe I’ll do it yeah.” Seb says nonchalantly, finishing his Guinness. “I’ll go right now, actually.” He suddenly gets up, walking through the crowd.

You grab the wine bottle itself and take a swig from it, feeling the alcohol flush out your face. You hated how it made your cheeks red like you were ashamed to be plastered.

You finally see the man you were waiting for enter the place, scanning the room before his eyes landed on yours. You give Declan a timid wave, causing him to walk over as Seb began singing on stage. “You made it!” You exclaim, returning to pouring the wine into your glass so you seemed classy in front of your inappropriate work crush.

“Yes, sorry. Had to stay later at the office to do more flawed research.” He jests, nodding towards the bartender who already knew his regular. Declan referred to finding dirt on his guests as flawed research, mainly so it didn’t seem so inane in conversation.

"You're very dedicated to your work, I'm surprised you have time for any of this." You say, allowing yourself to speak more freely now that you were definitely tipsy.

"My wife would say the same." He sighs, taking a sip of his glass of whiskey.

You take another sip of your glass, trying to conceal your distaste at the mention of his wife. "Is she not very pleased with you, Declan?" You ask, causing your boss's face to harden. "I'm sorry," You quickly add. "That's personal I shouldn't have said that, that's so stupid of me-"

"Y/n." Declan says, putting a hand on your arm. You feel your body burn up at his touch. "It's okay, really. It's actually relieving to know you don't know anything about my martial problems. Everyone does." He says dryly, taking another sip of his whiskey. "She's not too keen on me being obsessed with my job. She compares it to cheating on her, which I find rather hypocritical considering..." He trails off, smiling at you. "Forget it." He raises his glass, clinking yours. "To you, for being an amazing intern." He slams back his glass, putting it down and grabbing ahold of the aged bottle of whiskey to pour himself.

You smile awkwardly, raising your glass before taking another sip of your wine. You piece it together in your head, realizing that his wife must've committed adultery; just like almost every other married person you've worked alongside so far. "Jesus, Declan. I'm sorry." You mumble, hearing Seb's singing end in the distance.

"Please, don't apologize. It wasn't your fault." Declan says, a look of yearning in his eyes.

"If I were her, I'd never do anything of the sort. If I was with someone like you I'd cherish it everyday." You say, finishing your glass of wine.

Declan raises a brow, chuckling heartily. "And someone would be very, very lucky to have you y/n." He replies, the two of you locked in a stare.

You were definitely drunk by now, and wine always gave you an edge to flirt with whomever you found most attractive in the room. You place a hand on his arm, finally knowing what it was like to feel his muscles through the thin material of his button up. "You deserve better, Declan." You say, rubbing your thumb along his bicep. You watch as the corners of his mouth twitch into a smile, placing his hand over yours on his arm.

"How'd you think I did?" Seb asks, returning the bar and interrupting the moment between you and Mr. O'Hara. You pull back, turning yourself to face Seb.

"You did great, Seb." You say, pressing a kiss on his cheek, causing his face to go as red as his hair. "I think I'm gonna give it a shot, show the English what talents an American has." You grin, unable to make eye contact with Declan out of embarrassment for trying to flirt with a married man. However, the commonality of cheating on spouses here still gave you a sliver of hope as you walked towards the stage, a mask of confidence due to alcohol consumption.

"What song are you gonna do?" Seb asks, following in suit.

"You'll see." You say. You walk up to the host, whispering a song in their ear. They nod, giving you a thumbs up as you get on the stage.

Head Over Heels by Tears for Fears starts to play, causing the entire place to riot with excitement. You grin madly, grabbing ahold of the microphone as the lyrics begin to play. You watch as Declan makes his way through the crowd, standing between Freddie and Seb to watch you perform.

"I wanted to be with you alone And talk about the weather But traditions I can trace against the child in your face Won't escape my attention."

You dance along to the music, singing freely like no one was watching.

"You keep your distance via the system of touch And gentle persuasion I'm lost in admiration, could I need you this much? Oh, you're wasting my time You're just, just, just wasting time..."

You now make eye contact with Declan O'Hara, singing the chorus. Everyone's dancing around, paying no mind to where your attention was.

"Something happens and I'm head over heels I never find out until I'm head over heels Something happens and I'm head over heels Ah, don't take my heart, don't break my heart Don't, don't, don't throw it away..."

Declan watches you in admiration, realizing you're singing directly at him. You look away for the rest of the song, only returning your gaze when the chorus comes up again. When the song ends, you give a little curtesy, putting the mic back on the stand as everyone cheers madly.

"That was brilliant, y/n!" Seb exclaims, holding you in an embrace. You laugh, hugging him back. "Thanks, Seb."

"Seb, can you do one with me?" Daysee asks, causing Seb to pull away from you. "Course, what're you thinking?" The two of them walk away, leaving you be to earn compliments from the rest of your colleagues.

"You have a great voice." Declan says, causing you to turn and face him. "Great song, too." He adds.

"Thanks, it was a personal choice." You say, the next song starting up. Dreams by Fleetwood Mac starts playing, Seb and Daysee's choice. "Fuck, I love this song." You exclaim, looking over at the stage as your friends begin to sing along.

"As do I," Declan says. "Care to dance?" He asks, causing your gaze to return to his outstretched hand.

You smile. "I'd love to." You place one hand on his shoulder, the other in his hand as he places a hand on the small of your back. Your breathing becomes more shallow as the two of you rock to the music, staring into each other's eyes.

You didn't know if you were simply too drunk to acknowledge the reality of the situation, but you couldn't help but wonder if Declan was starting to like you a little more than just an intern that was great at her job.

The space between the two of you becomes insignificant, your head slowly leaning onto his chest as his hand moves down to your lower back, staying at the top of your skirt. You close your eyes as the two of you rock in sync, hearing his heart beat rather triumphally. Your stomach is full of butterflies, and the heat between your legs is almost unbearable as he rubs small circles on your lower back.

He smelled like Tom Ford cologne and Marlboro Golds with an undertone of whiskey, the scent of him nearly more intoxicating than the alcohol itself. You feel his chest vibrate as he quietly sings along to the song, causing you to pull your head back to look at him. You both start singing along, your faces merely inches away from each other.

"When the rain washes you clean, you'll know You'll know You will know Oh, you'll know.."

The song ends, everyone erupting into applause as you register the proximity of you and Declan, taking a step back as you notice the stares of your colleagues.

"Thanks for the dance." You mumble, looking down at the ground. "I uh, need to find Seb he's my ride." You say abruptly, leaving Declan stunned on the dancefloor as you hurriedly approach your ginger colleague. "Can you drive me home now?" You ask, putting a hand on his arm.

"Uh, yeah. Sure. Do you need a ride too Daysee?" He asks, the blonde shaking her head.

"'M alright. I'll see you lads on Monday." She says, grinning as the two of you grab your coats from the bar stools.

"Goodbye, Declan." You say, making eye contact with the brooding man who simply looks at you.

"Goodnight, y/n." He responds, inhaling his cigarette before looking away.

You feel a pang in your chest as you look at Declan for another moment, expecting more. He says nothing else. Seb leads you away from the bar, allowing you to let go of any longing between you and Mr. O'Hara.

Declan knew it was wrong to think of you in any other light outside of work. Even if Maud had cheated on him before, with the tendency to keep going at it, he still couldn't shake the guilt away just yet. He retreated to disregarding you as a means to hopefully make you both forget about the whole ordeal, as if he wasn't thinking about what it would be like to have his hands underneath that tight pencil skirt of yours.

He groaned and ran a hand through his hair, lighting another cigarette. The holiday season was about to be a real hassle, and he was afraid of asking Santa for what he really wished for this time around.

-

guys... i finally did it... declan o'hara i want you so bad. i think im just gonna write a part two to this maybe three, and leave it at that. if you have any requests pweaseee leave them for meeee this show has me in a CHOKEHOLD.

much love as always, isabel

[mohntilyet]

I want you to know you’ve indoctrinated both my friend and I into your path of thinking when it comes to Illario and the Envy demon.

I raise you this, since Illario isn’t even a mage before the Ossuary, consider the fact that Zara convinces Illario into also harboring Envy (like Spite, since Lucanis says he just ate something and he was stuck with Spite after that. Like she tells Illario he needs that dawg in him to become first talon, a double edged knife there (you aren’t good enough on your own you need that dawg in you aahhhh)). That would add a level onto why he kills her, Lucanis taking a crack at Illario and asking if he’s is good enough (I would’ve crashed out too tbh), and the lines in at the party with a romanced Rook (since that man also doesn’t have a healthy love life)

Envy is also twisted form of admiration/generosity/contentment, like how Spite was a spirit of determination, and the freak out Lucanis would have over his little brother’s admiration for him (an admiration he would NEVER admit to his big brothers face) becoming so twisted (by the same person!) that it’s also destroying him from the inside out.

Also Spite and Envy shenanigans would’ve been so fucking funny

YEAH!!!!!! i have been rotating this around in my mind and had the idea of that admiration v. envy thing for illario, especially if we're thinking about wigmaker's job where they cover for each others weaknesses. like a week ago i googled what the corresponding virtue for envy was and it was kindness and i was like yeahhhhh illario does not have that. we're going to have to go with something else. and i was thinking of admiration so this ask kind of made me cheer <3 thank god i am making some sense and someone else agrees because at any point i'm checking myself going 'actually would he do that'

i think they both have some level of 'i wish i could do that like them' but illario's is negatively tinged because their fuck ass grandma is right there saying all that too . like regardless of how great i think my brother is, there is no fucking way his accomplishments don't start looking twisted and unfair if my only parental figure obviously likes him more than me

i also like the idea of in some world where illario is less of a traitor and didn't set lucanis up (i have a rewrite powerpoint going on for my friends. so this part makes perfect sense to me but maybe not as much to you. i'm so sorry), and they both get kidnapped and possessed, spite-envy are the ones with serious beef vs. their unwitting hosts, who would actually prefer not to kill each other.

this messy au i have assumes a very fraught house dellamorte, trying to defend treviso while the crows splinter and follow either son. caterina refuses to let lucanis give up power and names him first talon, while illario has consolidated power in the year lucanis was gone and has several other loyal houses pledging to him instead. spite and envy exacerbate this situation, spite refusing to give up power + envy coveting it. this hypothetical plotline ends with uniting the crows under a single first talon (welcome back bhelen v harrowmont), and reaching an agreement with the others to work together. crow-on-crow violence you cannot be solved but you CAN reach a momentary tense agreement to protect antiva and the world <3

[catboybiologist]

on the order of: denying E makes it easier to cry or hrt changing sexuality

I think these two examples in particular may be repeated and accepted so much is because they don't fit nicely with other political arguments.

For the former, E making it easier to laugh and cry would mean, simplistically, that T makes it harder to cry. Or, at least that going from a T dominated system to E dominated makes it easier to express emotion, then going the other way must make it harder. If not thought about carefully, this could easily reinforce the idea that women are emotional and men are emotionally stunted not because of socialization, but because of ~biology woooo~. Whereas if it's a lifting of some kind of emotional fog, well then it could go either way, T and E would both equally make it easier to express one's emotions because they are ~in balance~ or whatever. This is of course also assuming there is a "right" or "predesitined" way to be a certain gender, that trans people were always the gender they identify with now, which is still gender essentialist in a way I think. BUT The narrative that we've had to build, medically and politically, is that we've always been our gender and we're just trying to "correct" it. And to throw this out would also mean losing political ground, possibly.

As for the latter, it's pretty much the exact same I think, a lot of people want to describe hrt changing sexuality as a consequence of change in confidence or self image or anything like that would counter the "born this way" political narrative that has been built up over time where we're just they way we are and there's nothing you can do to change that, so there's an instinct, because I don't think it's even necessarily that people are doing this consciously, to fight anytime someone implies sexuality can be changed.

Anyway, I do very much agree with your stated opinions, just wanted to possibly add something

So you sent a follow up that was like "wait no you already said this don't respond" but you have good points here that I didn't make

Namely, the socialization vs hormones thing. A lot of people view these as in contention- eg, men are solely socialized not to cry, T has no role vs the opposite. Male socialization makes it harder to express any emotion and testosterone makes it harder to cry are coexisting statements, however, and the crushing weight of men having less "visible" shows of emotion combined with the societal expectation that they shouldn't have emotion at all means that it's hard for men to get emotional help.

Vice versa for women being "overemotional", which is generally the more oppressive societal issue. Women's displays of emotion are excused as unserious, or downplayed, because "women are like that". The ability for hormones to cause physical displays of emotion to be different affects how society demands we repress those emotions, either through personal "stoicism" or societal excusal. And we learn habits of how to navigate those systems in turn.

[jelzorz]

197.

It feels like treason to think it. Opeli would feel guilty for it on a normal day, she thinks, but the situation is dire and she wonders if anything will ever feel normal again. The Banther Lodge is a far cry from the castle, and it is crowded enough without the kingslaying elephant in the room.

She watches Soren fight Rayla over it.

She watches Ezran hide his tears.

She watches the Kingslayer walk free.

Well, she thinks. There are certainly worse things than thinking it. There are worse things than talking to her friends, her family, who also happen to be part of the council. Worse things have been done than calling a meeting behind Ezran's back, who is the King, yes, but a child first, and he has enough on his hands without this too.

"I don't think Prince Callum can continue being a part of this council."

Soren grimaces. Corvus shifts uneasily on the spot. Barius makes a face and fiddles with his hands.

Opeli stares them down. "Do you disagree?"

A pause. A sigh. Soren huffs and glances through the cellar kitchen window to make sure Callum is still preoccupied with defending Rayla and her murderous father from anyone who dares to look at them the wrong way. "No," he mutters after a moment. "You're right. You usually are, but this... Is Ezran's decision, not ours."

Opeli scowls, some misplaced maternal instinct raising her hackles. "He's dealing with enough," she says shortly. "He's eleven years old, his home has been destroyed, and his own brother returns with the elf that killed—"

"We get it," interrupts Corvus tiredly. "And we're not disagreeing with you. You're right. But what are you asking us to do, exactly? Kick Callum off the council? Is more internal conflict really what we need right now?"

"With respect, High Cleric," says Barius, "are we even supposed to be having this meeting? Isn't it breaking some sort of law to be talking about this before talking to King Ezran?"

Opeli wrinkles her nose at that, the wrongness of this heavy in her gut. "It's not illegal to bring up a concern with members of the council in confidence," she grumbles. It's a weak argument, but it's been played in court before, and she's not above playing the same dirty tactics to keep her king safe. "We are Ezran's council," she asserts. "Our duty is to him and to Katolis and I don't believe Callum's priorities are quite the same. He—" She grimaces too and locks eyes with Soren. "He's starting to remind me of your father."

Soren snorts at that. "Don't I know it," he mutters, and Opeli sees the truth of it in his eyes. Soren would know better than anyone what magic can do to people, the kind of power it gives them, the cleverness they think wielding it grants. "But Opeli, seriously, what are we going to do? We can't just arrest him. All this aside, he's still the prince. He's Ez's brother."

"One might argue that King Harrow was his stepfather, and you can see how much he cares about that."

Another pause. The room flinches because they all know that it's true, what an insult it is to Harrow's memory that his murderer would be allowed to dine at his son's table.

"Have you asked Ezran what he wants to do?" asks Corvus at last.

Opeli winces. "I didn't want to burden him with it," she mumbles. "I don't know that he knows what to do and frankly... I don't either."

"A first," says Barius, not unkindly. "It's all right to be concerned, High Cleric. It's all right not have all the answers."

"Yes, well." Opeli clears her throat and bows her head, hiding her weakness in the way her hood falls over her eyes. "I'm not particularly good at not having answers. I've come to you three hoping you might have them instead."

"I don't think we can help anymore than you," says Corvus wryly. "But our duty is to Ezran, the same as you. Soren and I won't let anything happen to him. The same way Barius won't. The same way you won't. Okay?"

"Call it a secret council pact," adds Soren with a grin. "If Callum does anything else stupid, we step in, no matter what. Deal?"

Hardly, thinks Opeli, even as she nods. She takes what little solace she can get.

[sunshine-overload]

[BSTS] Main Story 5th Anni 'Painted Planets' - Team B Chapters

Team B Chapter 1

-starless lobby-

mizuki: You're here, Saki!

saki: Wah, Mizuki-san…!

mizuki: What's wrong? How come you look so down? Today is the start of B’s show. All of our penlights sold out already, Unei’s reaction was so funny.

saki: Fufu, I can imagine.

mizuki: It ain't even surprising right? It's obvious our merch would sell out, we're the best.

saki: The other guests must be really excited. I’m looking forward to the show too.

mizuki: Right? Watching our performance will help you forget whatever’s on your mind. You’re seriously in for a treat this time.

saki: Is that so?

mizuki: Since you're one of us, I’ll let you and only you in on it. Get this, we're gonna perform as a group of six.

saki: What?

mizuki: Whattaya think? Surprised right? With Hinata performing B will be complete.

saki: Is that allowed though? If I remember correctly you can only perform as…

mizuki: Oh, that dumb five person rule? Who gives a shit about that, we're Team B! We're different from the other teams, we do whatever the hell we want.

saki: If that's what you’ve all decided then.

mizuki: No, I decided it myself. I’m the leader after all.

saki: (Mizuki-san decided it by himself?)

saki: Um, are you sure it's going to be ok?

mizuki: Course, we rehearse as a group of six too. It's gonna be great so make sure you're watching! C’mon, I’ll take you to your seat, come through this way.

saki: Ah, yes. Thank you.

–end

-

Team B Chapter 2

-rehearsal room-

-team B rehearsing-

ran: Oh!? We got the steps perfectly just now!

kongou: Right? If we keep this up the show is sure to be a blast.

lico: Of course it will be. We're the ones performing after all.

ran: Ahaha! It's great how that confidence of yours never changes, Lico!

lico: What's that? Are you making fun of me?

-mizuki appears-

mizuki: Yo, you all here? I’ve got something I wanna say. For our fifth anniversary show, we're gonna perform as a group of six.

kongou: Oh really? … Wait what?

hinata: Six? You mean like what you were saying the other day? Are you super actually seriously serious right now?

heath: …Mizuki.

lico: Didn't we tell you that's not going to happen? Why are you talking like you're going through with it?

mizuki: I had a long think about it and decided we're gonna do it. I’m B’s leader after all. This is what I’ve decided.

kongou: W-wait a moment here. This is the first I’m hearing of this. Did you know about it already, Lico?

lico: Mizuki mentioned it to Heath and I during the anniversary eve event. We were firmly against the idea.

heath: Exactly. I’m against it.

ran: Ya, there's no misinterpretin’ that response. Oi Mizuki, these two are clearly against it?

kongou: Not to mention it's in the store rules that we can only perform as a group of five.

mizuki: B are gonna have the best fifth anniversary performance of the lot. So obviously we should take to the stage all together. The five person rule can get fucked, the six of us are Team B. Don't get all stingy on me.

lico: Are you an idiot? We're not being stingy here.

mizuki: Shut up! I’m the leader and this is the decision I’ve made.

hinata: So that means… Um… I’ll be standing on B’s stage?

mizuki: Yep, that's exactly what it means.

hinata: Seriously!? Hell yeah~! I get to be on B’s stage!!

kongou: Slow down, Mizuki. The show’s script was made for five people. What are you going to do about the roles?

mizuki: Chill, I’ve already thought about that. The story is set during a war, yeah? And we're the resistance that's currently in a town that's being occupied by an enemy country.

kongou: Well, yes, that's more or less the story.

mizuki: I’m the leader of the resistance, and I use a local bar as our hideout. The owner of that bar will be Lico.

kongou: A bar owner called Jiro does exist in the script but… Are you saying you're going to add a new role?

mizuki: Yeah, that's what I’m doing. Jiro’s our friend so it's perfect.

kongou: Wait, Mizuki. You can't just do that.

lico: Excuse me? My role is that bar owner? The hell are you saying? This role you’ve just made up on the spot is nothing but a minor character! 

No, wait. Then what about the role of Paul who betrays the resistance? You can't mean…

mizuki: Hinata will play Paul. He’s the newest person to join the resistance so it fits.

hinata: What? You're seriously letting me play that role?

kongou: You can't allow that. It's the second position’s role, it's very important. You need to think this over more, Mizuki. We need to strike a good balance here.

lico: Why the fuck should I have to give up the second position!?

mizuki: Oh shut up, all I said was that you're gonna be playing a role on our side instead of the traitor.

lico: Don't fuck with me, that's obviously not the problem here!

kongou: Mizuki, this really isn't–

mizuki: I told you already, this is what your leader has decided! That's all! I ain't changing it!

lico: You… Asshole…!

heath: Unbelievable. Adding more characters, changing the roles, all on a whim…

ran: Man, what a messy order of command. I dunno about this.

mizuki: Hinata, you're playing the role of the traitor. Make sure you go all out.

hinata: Y-yes! I will, I will! I’ll do my best, I’ll do my veeeery best!! Thank you, Mizuki!

mizuki: We’ll show ‘em all that B’s the best. They won't even be able to refute it.

–end

-

Team B Chapter 3

-starless hallway-

heath: Mizuki. Are you serious about us performing as six?

mizuki: Course, it's a great idea isn't it?

heath: I’ve asked you this already, but do you want to put on shows, Mizuki? Or do you just want to play ‘family’?

mizuki: I want to put on a show, so we’ll perform with everyone.

heath: (annoyed sigh)

mizuki: We already performed as six for ‘Somewhere’. Just what the hell do you and Lico have such a problem with? I even properly went and told Kei that we’d be performing as six.

heath: Do you not remember? During the anniversary eve event when you told me and Lico about the idea, both of us were against it. Did you consider why we were against it? Not to mention, you never even mentioned it to Ran and Kongou.

mizuki: And so? What's your problem? Ah… Don't tell me it's cause you still dislike Hinata?

heath: –No. I’m talking about you right now, Mizuki. This isn't about him. I’m telling you not to selfishly change our show.

mizuki: Huh? Selfishly…

Shut the hell up, you're the ones that have been doing this selfishly. When you collapsed too, Lico added Akira in all on his own too.

So, what? It's fine when y’all decide shit on your own but not when I do it?

heath: Mizuki–

mizuki: Shut up! Your decisions were clearly the more selfish ones! I’m B’s leader, the one who decides how the team operates is the leader, not you!

heath: (frustrated breath)

heath: The leader decides the team's matters. That's what you're insisting then?

mizuki: Yeah, got a problem with that?

heath: No. Do whatever you want.

mizuki: What, you still got more to say?

heath: …Nope, there's nothing. I don't have anything to say. You're right, I had no reason to bring up my complaints. Just do whatever you want, Mizuki.

mizuki: Sure, leave it to me. It's gonna be an awesome show!

-heath leaves-

heath: An awesome show, huh? If it turns out that way it would be awesome, sure. 

Fine, Mizuki. If you’re going to be like that then I’ll steel my resolve as well.

–end

-

cw: suicide mention

Team B Chapter 4

-break room-

hinata: Ah, Lico! There's something I wanted to ask you~ How come Paul kills himself at the end of the story?

lico: …Huh?

hinata: I don't understand the reasoning behind it. Paul was Louis and the rest of the resistance's enemy from the start. And it's thanks to Louis that he becomes friends with everyone.

So shouldn't Paul want to be with Louis, who was so kind to him, forever?

lico: …As if it would be that simple. It's your own fault that the entire resistance fell apart.

hinata: But everyone else dies, Paul is the only one left that can be by Louis’ side.

lico: ……..

hinata: Hey, did you hear me?

lico: Can't you think about it yourself?

hinata: But I don't understand it, that's the problem here! It's a super important scene isn't it?

lico: And why should I have to be the one to guide you through it?

hinata: …Wait, could it be you’re mad at me, Lico? Cause your role was given to me?

Our leader Mizuki is the one who decided it all though. That's why I’m giving it my all here.

lico: You're seriously so…

Right, since Mizuki decided this, why don't you go and ask him? Go and ask for our leader’s opinion.

-time pass, behind starless, day-

ran: Ah, you’re out here Lico!

lico: …Yeah.

ran: Our rehearsal is startin’.

lico: …I’ll come once I’m done smoking this.

ran: Huh!?

lico: What's with that reaction?

ran: I’m surprised that ya comin’. The old you definitely woulda skipped out. Since y’know, considerin’ what happened.

lico: …I’ve had it. I’m seriously pissed at Mizuki.

ran: Well, makes sense after what ya had to put up with.

lico: Hinata annoys me too. He’s way too insensitive.

ran: Yeah, I get that. But goin’ after him is a little lame.

lico: (seething with rage noises)

lico: I’m seriously so pissed off.

ran: Hm~ My method of stress relief probably wouldn't work for ya. But if ya wanna go pick a fight with someone I’ll join ya!

lico: As if I’d do that, are you stupid?

ran: I expected as much!

lico: …I can't not stand on the stage. If I’m not there then Kotori-chan would be sad, wouldn't she? And… I’m our team's number 2.

–end

-

Team B Chapter 5

-starless stage-

mizuki: At this point Hinata will come forward– Hey, that's wrong! I told you that's not how it goes, before Heath steps back you step in from behind him.

hinata: Huuh…? I don't understand the timing.

mizuki: Yes you do. Heath steps back and you're supposed to appear like ‘bam’!

hinata: Didn't I appear like ‘bam!’ just now? Or not?

mizuki: I’m telling you just do it like Lico does.

hinata: Uu…

lico: That's impossible.

kongou: Right, with six people the amount of stage space we have to move around on is different.

mizuki: Tch… I know that obviously, shut up.

lico: We're so tired cause you don't know that.

mizuki: Huh? You got a problem, bastard?

kongou: Mizuki, Lico, calm down.

lico: I am calm. It's our leader who’s letting the blood rush to his head.

mizuki: Shut the fuck up…!

kongou: Jeez… We can't continue the dress rehearsal like this. Ran, could you say something to them?

ran: Nope, I don't make my appearance yet. Mizuki’s the one who decided to perform as a group of six. So it's his job to figure out how to make it work.

mizuki: I told you I know that already.

ran: Ya, so make it work~ If not we won't have a show ready.

mizuki: Tch…!

-akira appears-

akira: Wassup, good work out there~ We’ll be closing up shop soon.

-B all glare at him-

akira: Huh? Everyone’s so serious. Hey now, did something happen?

lico: Nothing important.

heath: It has nothing to do with you. Stay out of it, Akira.

ran: Ya, this is our own problem.

kongou: Sorry Akira, I know you were just trying to be considerate.

akira: Ah, s-sure… But hm~? You said it has nothing to do with me but aren’t I also a B member for the time being~?

mizuki: You're not part of B! Lico added you himself, I never approved of it.

lico: Oi Mizuki, you…

mizuki: This is perfect actually. I’ve been meaning to tell you that we don't need you. Heath is back in good health. Akira, your time as our understudy is over!

–end

-

Team B Chapter 6

-starless lobby-

ran: Yo, Nee-chan, ya came to watch us again today. Thank ya!

saki: Good work on your closing show. It was nerve wracking every time I saw it!

kongou: I hope you mean that the contents of the show were the nerve wracking part.

saki: Hm?

kongou: Ah, no, it's nothing. I’m fine as long as you liked it. Thank you for watching, Lico said he's sorry he couldn't come to greet you after the show.

saki: Is Lico-san ok?

ran: He's off sulkin’. Not that I can blame him.

saki: Huh? What do you mean by that?

kongou: Well um, a lot happened. But it's fine, sorry for worrying you.

ran: We're gonna go and get changed then.

-ran and kongou leave-

saki: (I wonder what happened, they're all smiling but something seems off…)

heath: Thank you for coming to watch today, Saki. Did you enjoy it…?

saki: Of course. Your lyrics were really strong… Thank you for such a wonderful show.

heath: I see. I’m glad. Hearing you say that has saved me. Thank you for watching, I’ll see you later.

-heath leaves-

saki: (Heath-san too… What's going on?)

hinata: Heyo, Miss~! I stood on B’s anniversary stage. I’m SUPER happy! I'm so happy I can't even right now~!!

saki: You were great. I was surprised you had such an important role.

hinata: Right? Me too, me too. I want to keep standing on the stage from now on too~!

We managed fine with six people. Next time I’m going to be performing I’ll tell you right away!

-hinata leaves-

mizuki: You were watching the curtain call weren't you? Everyone was so pumped. It's cause we performed as six, isn't it? See, my suggestion was great.

saki: Congratulations on your closing show, Mizuki. Um but, everyone else looked a little down…

mizuki: Ah… That's cause we had an argument, they told me we shouldn't perform as six.

But with how much of a success it was they shouldn't have any more complaints about it, right? A little fight is no big deal, we're the best of friends after all.

saki: Is that so…? I hope you can all make up with eachother soon then.

mizuki: I'm telling you, it's no big deal. The show was a success. All’s well that ends well, right? B’s still gonna be the best from here on out!

–end

[rekino2114]

[Me checking tumblr this morning]

Oh hey neat I have 500 followers now

WAIT I HAVE 500 FOLLOWERS NOW?

Genuinely, I never thought this would happen, and to think I started this blog just because I was sick and bored one day.

I cannot express my gratitude for all the support you've shown me. It means so much that you like my stuff and every like,reblog request and follow is very much appreciated and means a lot. Thank you so much. I'll definitely continue writing stuff for you.

And here's to another 500

So I have an announcement now. To celebrate this milestone I'll add two fandoms to the masterlist, one of which I'll let you guys choose(because as a yttd fan there's few things I like more than a good old fashioned majority vote)

The first fandom is gonna be from one of my favorite things to write for:fanganronpas. I've narrowed the choices down to three of them and I wanted to let you choose which one you'd like to see me write for the most

Don't worry I will still add the fangans that don't win the vote later, probably when we get more chapters or I reach more milestones

I'll leave you with some small drabbles/incorrect quotes with the main girls from the fangans you can choose from for today's post.

Thank you so much again for the milestone and hope you have a great day

Cancel(drf:sh)

[You and cancel are making out on the couch in your dorm]

Y/n:usually you're never this affectionate, what's up?

Cancel:What? Can't I show you my love once in a while?

Y/n:awww, you love me?

Cancel:yes, don't I say it enough?

Y/n:definitely not

Cancel:uh, just shut up and kiss me

[You continue making out until enigma walk in the room]

Enigma:Hey cancel have you see-

[She immediately pulls out while blushing intensely]

Cancel:Why are you here? Do you not know how to knock?

Enigma:geez sorry I didn't mean to-

Cancel:you still did, so go away

[He walks out as cancel looks away, still embarrassed]

Y/n:......guess you couldn't predict that

Cancel:[blushing] s-shut up

Akira hayasaka(dr:hd)

R/g/n:Call me, cutie~

[She says while handing you a piece of paper with her number]

Y/n:.....I actually-

[She walks away before you can even finish]

Y/n:[sigh]

[You throw the paper away and approach akira, who's still glaring at the girl]

Akira:what a bitch, she didn't let you finish half your sentences

Y/n:Yeah,you're way better

Akira:Did you really have any doubts~?

Y/n:[giggle] no

Akira:Good.......by the way, do you know what her name is?

Y/n:No, she didn't even tell me that can you believe that? Why do you wanna know anyway?

Akira:..........no reason

Y/n:.....Kira, you're not thinking about killing her....right?

Akira:No,I'm a hitman, not a murderer

Y/n:Oh good

Akira:.....that being said, I wouldn't mind someone putting a hit on her

Y/n:.......

Anko hibana(bdr:cp)

Anko:[gasp] How can you tell such things about me, hiro!? and I thought we were friends, I am not clingy with y/n!

Hiroto:.......

[You suddenly walk into the room]

Y/n:Hey babe do you wanna-

Anko:[gasp]

[She immediately runs to hug you tightly

Anko:Oh,how are you, my sweet and cute pookie

Y/n:....g-good thanks

Anko:I bet it's better now that I'm here riiiiiight~?

Y/n:y-yeah

Anko:[giggle] good answer

[She starts peppering your face in kisses]

Hiroto:You seriously don't see what I mean?

Anko:hm? What were we talking about again?

Hiroto:........

Anko:sorry it's just that y/n takes up all the space in my mind when I see them, in fact, we're going out now

Y/n:w-wait we are?

Anko:so call me if you need me ok hiro?

Hiroto:.......

Anko:I'll take that as a yes

[She grabs your hand and drags you outside]

[kailoraurelius]

📣📣📣 AND ANOTHER THING ABOUT SWAN, I shout into my empty room. @sun-mo0nshine reblogged my post about Swan being the baddest bitch and said they love the way Jasmine says, "Swan". And I have a headcanon about it that idk maybe y'all would like?? So here it is lol. Sorry it's monsterously long.

We all have animatics in our heads, I'm sure. Or full stage or cinema productions or whatever. We're picturing it as we listen. I have a full stage production in mine. There's a few parts that are questionably possible with today's technology, but whatever. It's entertaining and gets me through very long hours at work sometimes.

POINT IS, in my head, Swan almost never smiles. She sounds nearly bored the very first time she says her name in Survive the Night. But we know her better now! We know she was worried even then!! And all the girls are saying their names in ways that seem to match how they'd be feeling in that moment.

Cochise, vibey, positive. Shown by her share of the lyrics in the rest of the song, because she's the one that sings about Cyrus holding the crown and wanting to see what happens with Cleon.

Cowgirl, more excited and rambunctious, down for a good time. That one is simple lol.

Fox, short and fierce. She's already trying to show she's tough in the first moment of her in this. You can hear her lifting her chin when she fuckin' says it.

Cleon, the loudest and most open voice of all of them. Representing basically her whole character in her intro. She is the one that believes fully in Cyrus and is open to her dream.

Ajax, just above monotone, a little extra emphasis on the "s" sound. It feels a little darker, even snake-like for a moment. Not to say she's a snake by any means, but she is ALMOST an antagonist for her own crew throughout—questioning Swan over and over, picking the fight that ends up taking her away—and this bit of darker voice and imagery kinda hints at that to me.

Rembrandt, always saying her name in two parts, the last syllable usually leaning more toward her feelings. (For example, the first time Mercy adds herself to the Roll Call later, Rembrandt speaks after her and there is very clearly a ???? In the middle of her name and an annoyed emphasis on the T at the end, like she's thinking, "who is this bitch? It was MY turn next.") And in this first Roll Call, her voice seems to fall somewhere between Ajax and Swan's vibes. Not as worried or displeased, but in between. Which makes sense because she is the one that echoes Ajax when she openly questions the plan throughout this song.

NOW. Swan. Worried. Monotone. Mind elsewhere, on what the future is about to bring them. I do not picture her smiling in this.

In Warriors' Cypher is the first time we hear some brightness in her voice, but even then she's talking about "peace so far" and stating that she has everyone's backs if that changes. She's STILL worried, even while they're fooling around and having fun. I do picture her almost exasperatedly laughing at the others' parts or smirking at Cowgirl's line, but not full on grinning. She's still focused on her worry, but she's allowing the bit of fun. And, in If You Can Count, I do see her starting to smile as it seems like the peace is going to be a real, lasting thing.

But, as Swan later says in A Light or Somethin', everything goes wrong from then on. Cyrus, running for their lives, the Turnbull ACs trying to kill them, the track fire. In Track Fire and a Phone Call, everyone is again kinda goofing off. Blowing off steam, razzing each other. But Swan is serious and stern. "When we get there, that's when we've made it." No smiling. She's too focused on protecting her crew.

Then we get to Orphan Town and THIS is where I think Swan's first full, genuine smile would come in. Again, she's worried, she's strategizing. The Orphans are taking some convincing. Swan and Fox start their flirting, where I imagine she would have a placating smile on, at least. Then Mercy comes in.

And I think Mercy amuses Swan. I think she comes out, singing about the Orphans, saying "Witcha hand on your BCACK" and, in my head, Swan laughs, startled into amusement, then quickly hides it so Sully won't turn on her. Then Mercy turns on her.

She starts demanding Swan's vest and this is the first and only time in the album that we hear Swan sound a little dumbstruck. That "What?" absolutely sounds like 0.0 She recovers, offers to try and get Mercy one if she helps them through, and Mercy says she wants the vest off of Swan and what do we hear? A laugh. A small one, entwined with her, "No chance" but a laugh. The only amusement we hear in Swan's voice until A Light of Somethin'. So yeah, I think Swan finds Mercy ridiculous and unhinged and kinda hilarious. Still though, I don't see a full-on smile happening here.

But then everything goes sideways, Swan defends Mercy, Sully changes his mind about letting them pass, and Swan decides to blow their shit up. They start putting together the molotov and it's when Swan calls for a piece of fabric and Mercy offers it up that I see the smile happening. The line "Let's make their world a little brighter" is the brightest we've heard Swan's voice be. In my headcanon, feature film, stage adaptation, I see Swan asking for the fabric and Mercy jumping forward to offer it up and Swan, startled again into amusement and gratefulness, fully grins.

I think it goes away very quickly as she focuses on her task and puts back on her leader face, but I think that quick look is when Mercy starts falling.

Back to everything is hard and sucks for a while. Swan is busy trying to ignore Ajax and Mercy's beef and protecting her crew. Her sole focus is getting them home. Then they lose Ajax and she has to lead the cops away. Mercy goes with her and they end up alone.

Which brings us to A Light or Somethin'. We know Swan was likely freaking out inside. Her Warriors are out there somewhere and she can't help them, can only hope they're waiting for her at Union Square. Ajax is gone, Cleon is gone. So she's quiet as they walk through the tunnel, understandably. But, again, Mercy manages to amuse her. You can HEAR the amusement in her voice. She laughs, saying Mercy won't like initiation. She is playful when she says, "Well, you split from the Orphans, are you loyal?" It's a legit question, but it's said with such a lighter feel. You can tell Mercy has broken through the stern, stoic face she's been putting on for just a moment. I think this is the closest we get to another real smile before the Finale. Not the full blown grin I picture in Orphan Town, but a smile nonetheless.

And when Swan rejects Mercy, her voice drops back down to that more monotone, worried voice we're used to. Except it also has a bit of a rasp to it now. A pain. She doesn't want to be pushing Mercy away. Desperation and agitation fill the rest of the song and then it's, once again, everything sucks and we're running. They lose Fox.

And I feel like there's a smile after the kiss in Same Train Home. It definitely feels like there's a few in the Finale, when Swan says "Anyone sick of runnin", when she tells Mercy she's a Warrior, when Cleon shows up, when Swan and Mercy sing "When I am with you" together.

But I think the only full, unguarded or untinged with sadness/worry, grin is in Orphan Town. When this woman Swan doesn't even know shows up and startles her into genuine happiness she wasn't expecting to find anywhere. Much less on the run for her life.

[hyperpotamianarch]

Well, the one part of the question I didn't answer yet is what isn't part of the Tanach. Which, while it's a group that contains a lot of books (Harry Potter and the Lord of the Rings aren't part of the Tanach, for example), we can still have a look at some books that potentially could enter but didn't. In addition, explaining why the Talmud isn't a part of the Tanach might also be helpful. So let us start talking about the codification and canonization of the Tanach!

Now, the codification of the Tanach, as in organizing the books that would enter and perhaps editing some of them, was a work done by Knesset HaGdolah - the Great Assembly of 120 Jewish rabbis and leaders that formed at the start of the 2nd Temple era, around 516 BCE (according to historians. There are some disagreement between them and traditional Jewish chronicles around this particular time frame). No decisive date can be put to the end of it, though. Some books that ended up in the Tanach were written around the early days of the Great Assembly - Ezra, for example - and the finalization of codifying and canonizing the Tanach likely happened some time after the books in it were written. It's likely that by the time Alexander the Great conquered the Land of Israel - around 332 BCE - there was a loose canon of texts, though I can't really say for certain. I would like to note, for example, that I've heard from Rav Aviah HaCohen that the book of Daniel contains words of Greek origin, indicating it has some degree of Hellenistic influence and thus was likely written when they controlled the land. From the perspective of a non-believer it also makes all the prophecies about the wars between the North and South kings more obviously about the Ptolemies and Seleucids. If it truly was written that late, it might well be the latest-written book of the Tanach.

Either way, there are evidence that by the time of the destruction of the 2nd Temple, the canon of the Tanach as we know it existed. It does not mean that it was undisputed - within the Pharisees, the 2nd Temple sect that gave rise to Rabbinic Judaism as we know it, there were still some disagreements about books that should be kept. Other sects (such as the Qumranites) wanted to add books, while yet others didn't accept the Tanach at all - the Samaritans still only consider the Torah as scripture, to this day. However, the Pharisees became the mainstream and thus based the canon.

So first, what disagreements were among the Pharisees? Well, for the most part, there were two books in dispute: Kohellet and Shir HaShirim. Now, there's also a disagreement regarding on which of them there was a dispute in the first place, which can get a little confusing. We'll just avoid that point for now and note that the problem with Kohellet was that it contradicted itself multiple times, and Shir HaShirim... well, it's kind of a romantic-erotic love song that doesn't exactly seem like it belongs in scripture, if we're being honest. However, both have stayed in canon - the Sages have explained the contradictions in Kohellet and Rabbi Akiva would have my head for suggesting the love song (commonly seen as a parable for G-d's love to the Israelites) doesn't belong in scripture. So that is that.

Now, another question that needs to be answered is what books could have entered, but didn't? There are many books that fit that title even if we only discuss Jewish religious books from that period (that aren't disqualified for reasons similar to the Talmud, elaboration on that later). To make things easier for me, I'm going to limit myself to talking about three particular books: the Book of Enoch, Ben Sirach and Maccabees. I could (and possibly should) stop here and not try explaining why they didn't enter the Tanach. However, if I had done that I could've just looked up a list of the Apocryphal book and paste it here. So, I'll attempt to get into the why. (In case you're wondering what apocryphal means, it appears the literal translation of the word is somewhere along the lines of dubious or inauthentic. In Hebrew those books are called Sefarim Ḥitzoniyim, meaning "outer books". Essentially - books that aren't a part of the Tanach's canon.)

The most problematic of these three is Ben Sirach. And I mean "problematic" in the sense it seems to have gotten the closest to entering. Ben Sirach is a book of proverbs and saying by a Jewish scholar, I think from Alexandria? Who wrote them around the time of the 2nd Temple. And this book is quoted in the Talmud a few times, with at least once that it's seemingly referred to as if it's a part of scripture. On the other hand, in the tractate of Sanhedrin (100B) Rav Yosef includes it among the books that reading in leads to exemption from having an afterlife. The weird part is that even he himself quotes from it a couple of lines later.

Well, a common explanation I've seen of that is that Rav Yosef there - as well as the Mishnah he comments on, which talks about Sefarim Ḥitzoniyim in general - don't actually mean one shouldn't read those at all. They merely mean that one shouldn't read it in the same way one reads scripture, and should remember it's not scripture. The reason Rashi gives to what the problem is with Ben Sirach is that it has some nonsensical or empty sayings (it's a little hard to translate, maybe it would be more accurate to say some of its sayings are rubbbish).

The Book of Enoch is an intersting one. It talks about the hierarchy of angels and the proper order of the world, from what I understand, and much of the lore in it is accepted as canon by both Christians and Jews (I think, though I didn't read the book). However, only one existing group in the world has it in their canonical Bible and those are Ethipean Christians. Well, I might be wrong - it could be that the Assyrian church also has it, as while modern editions lean heavily on the Ethipean version they still have other sources to lean on. Either way, this book - likely written during the Hellenistic period in the Land of Israel - is not a part of the canon of the Tanach. Why? I don't really know. Maybe the attribution of the book to such an old figure didn't sit well with the rabbis working on the canonization. Maybe they didn't believe it was written with any divine inspiration. Maybe it was written too late into the Hellenistic period, at a time when the canon was already set. Either way, it didn't get in, leaving Daniel as the only book in the Tanach that gives angels names.

Now, regarding the Book of Maccabees: there are actually four of them. I really don't want to get into all of them, so I'm going to focus on the first - which was likely written the closest to the actual Hasmonean rebellion, by someone who may have participated in it, and in Hebrew. And it still didn't get into the Tanach, though it gives much-needed context to the holiday of Hannukah. Why is that? Well, the most likely answer is that it wasn't written with divine inspiration. It's not something easily provable, and for a non-believer it's not going to mean much, so to rephrase - the people who canonized the Tanach didn't think it was divinely inspired. It just seemed like a chronicle of a war that was written after the prophecy was gone from among the Jews. Without prophecy, this book wasn't deemed a legitimate addition to canon and thus remained outside.

There are quite a few more books that didn't enter but you may have heard of - the book of Judith, the book of Jubilees, and many others. I have written a list in the first post of all the books in the Tanach - if it's not one of those, it's not inside. Usually under the assumption it wasn't written with Divine inspiration.

So, what about the Talmud? I am aware that you didn't ask this question. The Talmud is known to not be a part of the Tanach. But why is that? If it's a Jewish religious book, shouldn't it be included in the collection of our scripture? Well, to explain that we need to explain about the Oral Torah. This post is long enough as it is, however, so I'll try to keep it brief.

Basically, Orthodox tradition has it that Moshe got two Torahs on mount Sinai: one Written and one Oral, with the Oral one explaining the Written one and getting into the finer details of the law. Conservative Jews consider the Oral Torah to be a later addition by the Great Assembly, I think - if a Conservative JEw in the audience knows otherwise please do correct me. Its role doesn't change, however: it's always to explain the Written Torah, add some prohibitions to help avoid doing anything forbidden, and such things. The Oral Torah was codified into the Mishnah by Rabbi Yehudah HaNasi around the 2nd century CE, including in it various discussions and disagreements on details of the law. A couple of centuries later, a series of discussions and interpretations on the Mishnah were codified in the Talmud. In addition to these two books, the various Midrashim can probably also be considered a part of the Oral Torah.

You might notice I used the word "codify" and not "write". Even if you didn't, well, you should know that there's a reason for that: the Oral Torah truly is Oral, or at least was. It's very different in nature and purpose from the Written Torah and the Tanach. And that is why the Talmud isn't a part of the Tanach - because it's a part of the complex collection of interpretations on it.

I hope this was helpful! Thank you for asking (and for reading that), and have a good day! If you had trouble understanding something I wrote here, please don't hesitate to ask!

Secular jew here with a really stupid question about the tanach

What exactly constitutes the tanach? I think I've heard it's an acronym, so would the Torah be the t? what's the rest of the acronym? Which writings does it include? I'm pretty sure the talmud isn't part of it, what else isn't? Apologies if this is too basic of a question for you!

Hello! Thank you for the question!

The Torah indeed is the first part of the Tanach. Tanach is an acronym for the Hebrew words Torah, Nevi'im and Ketuvim. Roughly translated, those titles mean "Instructions", "Prophets" and "Writings", respectively. The Tanach, then, consists of 24 books divided into those three categories.

The Torah is the easiest one to define: it's the Pentateuch, the Five Books of Moses, however else you choose to call them, and they are generally known to be set apart. The books in it are Bereshit (Genesis), Shemot (Exodus), Vayikra (Leviticus), B'midbar (Numbers) and Devarim (Deuteronomy). Those are the books traditionally given to Moshe directly by G-d, and mostly focus on the formation of the Israelite people and its time under his leadership. It also includes all the commandments, basically.

Nevi'im are supposedly the books written by prophets, and half the books there are specifically books of prophecy (which is more messages from G-d than necessarily predicting the future). However, the first four books - Joshua, Judges, Samuel and Kings - are more historical in nature, chronicling the events from Moshe's death to the destruction of the 1st Temple. The last four books - Isaiah, Jeremaiah, Ezkiel and the Twelve prophets - are primarily books of prophecies and visions, with some stories sprinked in between. Most of them are concurrent with events in the book of Kings - except for the last three of the Twelve Prophets, who have lived around the building of the 2nd Temple. The Twelve Prophets are (by this order): Hosea, Joel, Amos, Obadiah, Jonah, Michah, Naḥum, Ḥabakuk, Zephaniah, Ḥaggai, Zacharias and Malachi. Names are written more or less in their traditional English spelling.

Then we get to the Ketuvim, Written texts, which are... a little more vague. It's hard to say if there's a uniting theme. A couple are books of parables and songs are there, yet others are more chronicles of events, either ones that occured after the time of the book of Kings, before it or concurrently with it. A common assumption is that the difference between those and the Nevi'im is the level of prophecy in writing them - where the Nevi'im were written under direct prophecies, while the Ketuvim were only written in Ruach HaKodesh (roughly translated as "the holy spirit", but I don't want to cause any confusion with Christianity). Either way, the books in the Ketuvim are, in order: Tehilim (Psalms), Mishley (Proverbs), 'Iyov (Job), Shir HaShirim (the Song o Songs/the Songs of Solomon), Rut (or Ruth), Eichah (Lamentations), Kohellet (Ecclesiastes), Ester (or Esther), Daniel, Ezra (and Neḥemiah) and Divrey HaYamim (Chronicles).

If you count, you'll find there are 5 books in the Torah, 8 in the Nevi'im and 11 in the Ketuvim - 24 in total. Ther Twelve Prophets, known as Trei Asar (which just means twelve), are considered one book, The division of Samuel, Kings, Ezra and Chronicles into two books each is relatively late and only makes sense in Ezra due to the obvious PoV shift. Which kind of reminds me, maybe a brief explanation is required as to what each of those last 11 books is.

Tehilim is a book of prayers and religious poems, traditionally written by King David (though they were probably collected long after his time). Mishley is the proverbs of king Shelomo (Solomon), some of which were definitely written long after his time (as in, it's directly stated inside the book). 'Iyov is possibly a parable, possibly a real story which serves as a background to a conversation on the problem of evil that doesn't seem to be solved within the book. The five books from Shir HaShirim to Esther are considered the Five Scrolls, but actually share very little in common: Shir HaShirim is a love song that sometimes become rather erotic, written by King Solomon. Ruth is an origin story to King David's family that occurs during the Judges period, and is about his Great-Grandmother and her conversion to Judaism (she was from Moab, which was a neighboring nation). Eichah is a book lamenting the destruction of the 1st Temple and of the Kingdom of Judea, traditionally written by Jeremiah. Kohellet is a philosophical book pondering the meaning of life - it either finds none or finds solace in faith, depending who you ask - also said to have been written by King Solomon. Esther is famously about the first organised Pogrom in recorded history - one against the Jews of the Persian empire, occuring during the Babylonian exile in Persia. Daniel is about the vision of a Jewish slave in the court of Nebuchadnezzar, who somehow succeeds to stay in a position of power after multiple switches in the government. The story of Daniel isn't half as interesting as his weird visions, though. Ezra is about the rebuilding of the Temple and Jerusalem after the return from exile, more or less - Ezra and Neḥemiah are the major leaders of this time period. This is pretty much a chronicling book - as is the last one, appropriately called Chronicles (Divrey HaYamim). That one basically attempts to sum up everything that happened to the Jewish people throughout history until the building of the 2nd Temple.

I've already written a lot and am too tired to explain why those books were codified and others weren't, so I'll just leave it at that for now.

[egophiliac]

I always though Mal's mom was meant to be like "Eleanor" but they stuck an M at the start honestly, Sobbing Emoji. But "Maleanor" also makes me feel less insane since in that scene where she's just handed egg Malleus to Lilia and went to battle, it sounds more like Lilia is saying "Maleanor" than "Meleanor" (Japanese accent pending). Mayhaps they went more with what it sounded like the characters were saying :0 (we don't talk about Doodle Suit to Paint The Roses)

the transliteration of her name is Marenoa (マレノア), which is what all the voice lines are saying! all the Draconias' names start with マレ (Malleus' grandma is Maleficia/マレフィシア) as a nod to Maleficent. :D it's almost certainly a take on Eleanor, which is Erenoa (エレノア), but her name is written in English at a couple points, and I was pretty surprised to see it was Mel instead of Mal!

and, like, that's fine, it wouldn't be first Twst romanization that's tripped me up (like Keito for Cater, I know that's something to do with the loanword specific to playing cards(?) but it's just not how my brain wants to read it). but now Eng has given us Maleanor! and someone else said it was spelled inconsistently between Maleanor and Maeleanor??????? so WHO KNOWS it's a SPELLING FREE-FOR-ALL

I AM torn on which I want to use, because Mel just sounds so cute to me (and is what I'm used to now), but...the Mal consistency is kinda too good to pass up. alas, alas, truly these are the most difficult conundrums of our times. 😔