#(I think we'd talked about ending it there?)

[kinardsevan]

What is your opinion on Tommy coming back or not? And in they case we see him again, do you think it’ll be just for closure (ex: Abby in season 3) or maybe for a BuckTommy second chance?

fun fact: i was considering doing an entire breakdown with a bunch of Oliver's interviews from the start of this arc until now to point to my opinion:

Tommy is coming back. The romcom theme is still in effect, and we're only about midway through the 3rd act.

Long story short (and without sources right now), I think that the interviews were actuallly pointing in this direction with the wording for a hot second. We have OS telling us that he thinks the best relationships have a "will they, won't they" bit where the audience and the characters are pining. We've seen this play out on the show. And we also have to remember that Oli knew during this interview that the breakup was coming. We also have the interview (I believe it was the Decider one I linked last week) where he mentions choosing to fight for the relationship or not. I feel like a lot of people have taken the context of that and twisted it into "they didn't do it right away, so they're not going to". Except, there's ANOTHER quote of relevance, which is Oliver talking about how Buck's queerness isn't tied to Tommy or Eddie, and only to himself.

Obviously, there have been things said since 806 that would point towards me being delulu, except, here's the issue: TM, OS and LFJr are NOT going to tell us that Tommy is coming back if that's the intention. It would spoil the surprise of it all, and the win of it all. What fun is there in that? What TM has said is that Tommy is Buck's romantic past but that doesn't mean he won't turn up again in the future (all relevant and true facts which do not shut down a reconciliation). Lou never out-and-out said he was done with the show. He's said time and time again that he wants to come back. TM has mentioned Tommy coming around again. OS literally said in an interview "they may run into each other on scene and have it be awkward".

Now obviously we don't actually have the full story with how things went down and the show decided to go with splitting the boys up. I think the fact that Lou has called out the bullying but says he wants to come back suggests that it wasn't him saying it was too much. I have two theories that could honestly run concurrent with one another:

Evan and Tommy break up in 806 at the end of the episode. With 911 having 18 episode seasons, this quite literally only makes up the first third of the season. It set up the beginning of the year for us. We're now two episodes into the second part of the season with a pretty clear idea of where the next three will go and suggestions (by fans, nothing official) that the "soonest" we could see LFJr again is 812. This is reasonable, as it would be the end of the middle of the season. Knowing that TM has suggested he might do a multi-episode season finale, pushing LFJr back into the show in 812 (or even the end of 811 if we go with my theory that Eddie could possibly leave around this time and Tommy helps them pack up/his and Buck's first time spending time around each other again), there would still likely be something around this time period that would be around when they would open the doors to this. As it is, we know that 809 and 810 go together, and then we'd have 811 to really flesh out the end of Buck's fling. I think there's even more possibility of LFJr being in this episode as well because if the plan is to bring them back together (which everything has been suggested so far ON screen in terms of keeping Tommy "in" the story), three-episode arc gives us several things: a. it allows the show to make the point that Buck's queerness is not intrinsically attached to Tommy; that his interest in men is as equal as he know his interest in women is. b. it gives them the ability to also show that his feelings for Tommy are not based in Tommy being his "first", or Evan needing to "discover" more about himself. They're in love with each other, and the show has given us the pieces for that. LFJr has acknowledged it in an interview, Tommy loves Buck. We also know that Tommy's line to Evan is "you'd end up breaking my heart, and I don't think I could deal with that". When I hear that sentence, what I'm actually hearing is "I'm already in love with you, and if I let myself fall more in love with you by being with you every day all the time and this ends, I won't survive it". By relation, we have Josh ask Buck if he loves Tommy and Buck waffles, but I think this has more to do with his lack of understanding of what a healthy love is in a relationship, given his past relationships. He never got to tell Abby. Ali left. and saying I love you to Taylor wasn't about the core of actually being in love with her, which I think is another important piece for BuckTommy: they don't just love each other, they're in love with each other. Still, sometimes it's hard to quantify that feeling, and I think (as I've referenced before), for Evan it was easier to ask Tommy to share a living space with him than to share how he feels about him because historically, things haven't worked out well for him when he's been in love outwardly. Further, the questions Josh asks Evan are directly correlated with loving someone, and Evan answers yes to all of them. (I don't think I need to add this, but he also sees a future with Tommy, talks about being engaged or married. He's serious about Tommy in a way he never has been before.)

There's also the theory that the breakup happened because of scheduling conflicts. Now obviously the show could've found other ways to work around LFJr's scheduling issues by having Tommy go on a trip or what-have-you, but let's remember OTHER things that have been said by OS in prior interviews: a. back in June, he did an interview where he stated that he wanted and hoped that BuckTommy would go through issues that couples normally go through in their first year together. He wanted normal issues. This storyline IS normal. b. he didn't want to repeat Tarlos. By the very definition of what the show is doing right now, we're not. Tarlos and BuckTommy are their own things with their own reasonings.

One of the other things I also keep being pulled back to is these issues: first of all, we know how LFJr plays with the 911 demo, given that they got to see it last season. It's why he was written into more episodes after his initial four episode arc and brought back. ABC has also used BuckTommy in their own adverts, which suggests that they are very supportive of the relationship continuing because it draws in viewers. Truly giving that up for good feels like dousing yourself in gasoline and then considering striking a match. Second, people also keep calling out that TM only plans a few weeks in advance. I believe this is true with story beats. We know that the writers room has a general idea on character arcs, thanks to some of the discussion on the cheese page post-806. I really struggle to believe that TM didn't know going into going forward with the breakup whether or not he wanted to bring LFJr back. We know he waffled back and forth on the idea of the breakup, meaning he probably had other solutions on his mind for whatever LFJr's schedule needed adjusting for, and this is what he decided on. Also, even if 8b hasn't been broken down yet (we know it hasn't), they would still know at this point what they do or don't want, what their ideas might be. Solidification for why Tommy should be brought back is directly shown in the reaction by the GA and the fandom to the breakup. They may not know exactly how that reunion happens yet, but what they have suggested is that Buck's new relationship will be short-lived. That he's using it to cope. We also know he's still processing the break-up and still misses Tommy. These are all things that point to the story not being over. Plus, I feel (once again), if the story really was over and they didn't have plans to continue this in 8b, LFJr wouldn't be talking about wanting to go back. It be far more "yeah that sucked, but it's over now and what can you do? I'm off to this new show and I'll never be back." (I've commented also on the fact that the fangirlish interview comment about his "i'm going here, doing this, have some opportunities" statement is very run-of-the-mill. Obvs I could mean something. Or it could literally just be a canned answer.) (This might feel a little off-center, but I think his commentary on trusting TM and knowing what he's doing in one of his post-806 interviews directly suggests that he believes the story is going to be handled properly.)

I realize at the end of the day, all of what I'm piecing together could mean zilch and Tommy could possibly never come back. They could truly just drop the story and never circle back around, set fire to a beautiful arc and lose thousands (possibly millions) of viewers. I've certainly suggested myself being one of them. But I don't see BuckTommy only getting an Abby fix for two reasons. LFJr wants to come back and continue the story, and Connie Britton only ever intended to do one season. Also, the fling has been called out as being planned to be short-lived. Why bother mentioning that if you don't have other plans for the story.

The last thing I'll leave you with is my commentary from the interview Oli and Aisha did with the guy from Chicago. That reporter obviously liked the BuckTommy storyline and said he's choosing to believe that the relationship is paused, not over. By relation, we had Oliver say three things: (1 and 2) Buck is still looking for love, both in himself and with another person. (3)The season is only half over. Circle that back to 806-808. Buck is finding love in himself by dealing with it in a healthy way (so far) with the baking. We've also seen the "cracks" Oli mentioned with his continued urge to want to text Tommy, as well as him fighting it off by baking (referencing the "pendulum swinging"). Looking for love in others will likely be this arc where he tries to deal/move on. I feel like we collectively watched the end of 806, and then 807 and 808 yelling at the TV "you're in love with him, piece it together already!" (or maybe that was just me???). But truly, whether it's a fling, his therapist, or Bobby/Maddie/Eddie who finally spells it out of or him, I think there will be a point at which we see that come to fruition. The seeds were sewn in for it in the scene with Josh. Now it's just about watching those seeds sprout.

Final note: we've had a good run up to this point with these two. Did we truly thing that the honeymoon phase would last forever? (I didn't. Conflict and the pink bubble popping have to happen eventually.) If we really want to suggest that what BuckTommy has is real, they have to go through this and come out the other side. I think everyone is justifiably frustrated due to the 4 month wait on new episodes (I personally would not have left people hanging quite like this, but that's just me), but the narrative does lead us toward what the show is doing with the suggestion that it does have a natural (and good) conclusion. (Possibly with a helicopter/truck/jeep crash?!)

And just as my singularly LAST note, here's my other thing: Evan and Tommy both have abandonment issues. (Tommy's are clear based on the break up and we know Buck's.) By that correlation, when these two finally get back together, they're never going to fucking let the other go.

(This was so much longer than I intended it to be, but that's my answer 😂😂😂😂😂😂)

[felassan]

David Gaider on Dorian, under a cut for length:

"Now this is a fun one. It's no big secret I have a lot of feelings about Dorian, not least of which because he was my first (and only) gay male companion. There's a lot more to him than that, of course (as there should be), and it was quite a trip. So let's go! Now, DAI is a story all its own, but I'm sticking to the characters. In this case, back at the beginning, the writers were going to try something new: we were going to let the artists take a more active role in the companion creation process. Why? Because not doing so had caused a lot of problems. See, here's the thing: writers and artists speak two different languages. When talking about characters, we talk about their story. Who they are. What they want. We'd write up these briefs, huge and full of information... but it was never the information the artists needed. They wanted visual cues. I don't mean describing their appearance. Sure, we'd usually provide that, especially if there was a story case to be made, but often the artists vetoed us on appearance stuff anyhow so meh. No, I mean they looked for visual language while we tended to only talk about who the characters *were*. What would happen is they'd hone in on something visual in our write-up not intended to be a focus. The first write-up for Anders in DA2, for instance, mentioned he was "haggard" after his journey... and the first concept we got was this pale, shriveled man. "What... is this?" "YOU SAID HAGGARD!" 😅"

"That was the other trick: sometimes when we DID try to be more descriptive, we had to be extra cautious because the words could be interpreted very differently. You encounter this recording VO, too. A VO note says "hysterical" and you *meant* "really upset" but the actor read "scream like a banshee" Thus this caused problems, like I said. The artists would struggle, sometimes conjuring details just to give the character *something* but which would change the character... and, to us, the character was created. Done. We were already invested, probably already writing them. Something had to give. So this time we wrote a bunch of character briefs - but short. One paragraph. We stuck to vibes and the *emotions* we wanted the concepts to evoke. And we didn't name them. They got titles like "Slick Con Man" or "Ice Queen", so we wouldn't get too attached. Then we handed these off to the artists. And it worked nicely. The ones that just weren't inspiring we'd discard, no problem. The others had juice... and the artists felt free to play and offer lots of variations because we weren't set on anything yet. A lot of times, what they produced ended up inspiring US. It was a neat back-and-forth."

"This is what led to Dorian, in fact. He came from a short write-up entitled "Rock Star Mage" and it really boiled down to "I'm cool and I know I'm cool, so take that you cretins". And just like that, the first sketches (by Casper Konefal, I think? I bet I'm wrong) were all amazing. Instant fire. Me: "He looks kind of like... Freddie Mercury?" Him: "Is that bad?" Me: "NO ARE YOU KIDDING THIS IS AMAZING" Plus there was a monkey. Sadly, we had to lose the monkey. There were iterations to come, but this was really where Dorian was born: Tevinter mage, noble, savant, and too cool for school."

"When did he become gay? Not right away. Like I said elsewhere, we didn't talk romance and sexuality until after the concepts were more in place. But as we were brainstorming about why this hot shot mage left Tevinter, the idea DID come up that maybe it was because he was gay. Not directly, however. Homophobia isn't really a thing in Thedas, after all, so at first blush I didn't think that could work. "Rich kid gets kicked out of the house for being gay" wasn't a trope I wanted to explore. But, then again, magister families in Tevinter are *obsessed* with the appearance of perfection, so...? Any deviation from the "norm" is considered scandal-worthy. It said weakness. It said you couldn't control your house. Now... THAT had real promise. The writing pit discussed it a lot. So I think it's fair to say that the gay fairy was already circling Dorian even before we got to the romance talk. I think it's also fair to say that the rest of the team realized I low-key wanted to write him, because when everyone started calling dibs, who was left standing for me? (I pick last, remember.) I gleefully snatched him up and got to work... ...about six months later. I was very busy at the time. 😅 That late start meant I had to design and write VERY quickly. And I did. Somehow, though, this one... it came easily. "Catty gay man" isn't digging very deep, no surprise to anyone who knows me, and it had an extra layer of being so fun because Dorian was confident. He sparred verbally. I loved it."

"There was more to it, however. The conflict between Dorian and his father... ugh, how do I say this? Let's be clear: Dorian's story is not MY story, but it's also not far off. I wrote the entire confrontation scene in one go. After I was done, I probably cried harder than I ever have in my life. 🫠 I was unsure whether it was any good, however. I just didn't feel objective. I passed it over to Cori May - my friend but also Dorian's editor - and asked her to please tell me and be honest. She read it. She walked into my office after, tears streaming down her face, and just nodded. "It's good." Here's the thing. Not everyone is going to agree with this, but: I don't think a writer NEEDS to be a minority in order to write a minority. Sometimes those characters should simply exist, and we want them to. But if that character's story is ABOUT their experience as a minority? That's different. Dorian's story didn't need to revolve around his sexuality - and, honestly, it only did so as a tangent to his family issue, but they're so bound together it's probably irrelevant to split them - but my writing him meant it could be. It allowed me to SAY something. That felt good. It felt right. Ramon Tikaram came on board after a lengthy casting process (so many British Indian accents, oh god). I sat in on a few recording sessions... the confrontation scene, though? Ramon: *says line* Me: (curled up on a nearby sofa in fetal position) *shaky thumbs up* Caroline: "Yep. Great work, Ramon!""

"Dorian's sexuality isn't all he's about, but that's certainly how some viewed it. When the character was announced in 2014, his being gay was mentioned as the last of a number of points, and the instant response from some gamers was to act as if we'd called a press conference just to say THAT. 🙄 It was annoying. Still is. Overall, however, the reaction to Dorian was very positive. The number of straight men who said they romanced him still pleases me. The number of fans who privately contacted me who'd been through conversion therapy, some who said Dorian helped them survive? Well. Gosh. 😭 I did write him for Trespasser - though I hear that a late scope cut meant every conversation had been chopped by 1/3rd or more, and that meant a lot of nuance lost. Which is sad, if true, because it sounds like the result of that left some Dorian romancers a bit cold. Such is how game dev rolls. 😔 If you need more proof of how it was hard for me to let go of him, a short story I wrote after Trespasser came out where Dorian has a bit of closure with his dead father: medium.com/@davidgaider... So yeah. He'll always be my boi. And I'll always be thankful Bio gave me this opportunity. ❤️"

[source thread]

User: "I'm not going to lie, it's hard to take my mind off Dorian almost having a monkey." David Gaider: "If by “almost” you mean there was a picture of a monkey that the concept artist put there as a whim, and which would almost certainly have taken more cinematics and modeling time to put in than we could ever afford… then yes. 😉" [source]

[captainsophiestark]

Worth The Risk

Jason Todd x Reader

Masterlist - Join My Taglist!

Written for Fictober 2024!

Fandom: DC

Day Twenty-Eight Prompt: "Just say what you want"

Summary: Jason's teammate has been trying to ask him out for a long time now, but he's always ducked the question before it's officially been asked. Now, it seems he's finally ready to talk about why.

Word Count: 1,955

Category: Fluff, little bit of Angst?

Putting work into an AI program without permission is illegal. You do not have my permission. Do not do it.

"I'm telling you, Art, I'm starting to go a little crazy! He'll flirt with me all day long, but the minute I try to turn it into a date or a kiss or even a fucking conversation, he pulls back like he's been shocked!"

I could hear Artemis, one of my best friends, trying to stifle a laugh on the other end of the line. I narrowed my eyes, but didn't call her out on it. I had bigger problems right now, as far as I was concerned.

"Okay, when you say you've tried to turn it into a conversation...?"

"I mean I've gotten as far as 'so, Jason, I've been thinking' before he suddenly has a call coming in from Bruce or an urgent cramp in his leg or a super interesting bird outside the window that he has to go look at right now!"

This time, Artemis didn't bother trying to hold back her laugh. I scowled even though she couldn't see it.

Jason Todd and I had been friends for a while now, working together as vigilantes. We'd hit it off from the first time we met, and our relationship had always been a little flirty. More recently, though, it had felt on the verge of something more. And I wanted that. I liked Jason, a lot, and I wanted to see where we might be able to go, if he was interested too.

Most of the time, it did seem like he was interested. But for whatever reason, he kept pulling a 180 on me and defaulting to more platonic behavior than we'd ever had with each other any time I tried to bring it up. I'd decided to talk to Artemis about it, to see if she could give me any advice or anything, but so far she'd been absolutely no help.

"Alright, Art, I'm glad I've been able to entertain you tonight, but can you please-"

I stopped short at the sound of a knock on my door. I frowned. I hadn't ordered anything, and I wasn't expecting anyone. So who the hell was at my apartment?

"Hey, you still there? You alright?"

I hummed, standing from my seat in the kitchen and heading for the door.

"I'm fine. Somebody just knocked on my door, hold on."

I leaned forward to peer through the peep hole, and to my immense shock, I saw Jason Todd standing on my doormat. After a few moments of stunned silence, I finally managed a few words into the phone.

"Yeah, Art? I think I'm gonna have to call you back."

I hung up without waiting for her reply. I'd owe her an explanation later, but I knew she'd understand. Whatever this was about, it seemed pretty serious. Jason had never once shown up at my civilian residence, despite both knowing each other's identities.

I cleared my throat and stuck my phone in my pocket, trying to get a handle on the nerves that had suddenly exploded in my chest. After a moment, I couldn't stall anymore. I took a deep breath and opened the door to find Jason fidgeting almost as much as I was.

"Hey," I said, giving him a weak smile. "What's... what's up? Everything okay?"

"Yeah. Yeah, everything's fine," Jason said, glancing down and rubbing at the back of his neck. "I just... wanted to talk to you. About something. Didn't want to wait till the next time I saw you on the rooftops, hunting somebody down. I hope that's okay."

"Yeah! Of course, yeah. Come on in."

I took a quick step back from the door, holding it open for Jason and trying not to let him see my nerves. He walked through, but stopped in the entryway between the kitchen and the living room, looking a little lost. All I could do was stare at him for a moment as I shut the door. It was strange to see Jason in the middle of my civilian apartment like this, but it was also the kind of strange I could get used to.

"Here, take a seat," I said, heading to the kitchen and motioning towards one of the stools at the counter. "Can I get you a water or something?"

Jason cleared his throat, moving with me after a moment's delay.

"A water would be great, actually. Thanks."

"Sure thing."

I used the time it took me to get some water from the fridge, with my back turned to Jason, to take a few deep breaths. I was a vigilante, for god's sake, I knew how to keep myself from panicking in stressful situations. I wasn't going to let this impromtu visit unravel me.

I returned to Jason with a water for each of us, then sat down at the stool next to his. I was still a little nervous, but my heart had at least stopped pounding quite so quickly, and my hands weren't shaking when I set down the waters.

"So... you wanna tell me what's up?"

Jason cleared his throat, shifting in his seat before meeting my eyes. I gave him a little smile, and it seemed to help him relax, at least slightly. He smiled back.

"Listen... I really like spending time with you. And working with you and talking to you and... and everything. And Roy has been telling me he's sick of listening to me talk about you, so I'm taking his advice and coming to talk to you."

My heart did a backflip in my chest, but I refused to get too far ahead of myself. Jason still looked grim and stressed out of his mind, like he did when I tried to ask him out, which didn't exactly match the positive topic I was hoping this conversation might have.

"So... what are you saying?" I asked, trying to keep my tone light. "Because it sounds like you're building up to one thing, but your tone and your body language is pointing to something very different. Are you trying to ask me on a date, or trying to tell me you're not interested."

"I'm not not interested," Jason responded quickly. I raised an eyebrow, but he looked more stressed than before.

"Okay... so then, what is it? Just say what you want, Jay."

Jason took a long, deep breath in, closing his eyes for a minute and apparently trying to get in the right headspace. When he finally opened his eyes again and met my gaze, he at least looked marginally calmer.

"I want to ask you out."

"...I feel like there's a but coming."

"...But... I don't know, I just feel like you should be fully informed. I'm not necesserily the most... stable potential partner. I'm still working through a lot of shit from before and after the Lazurus Pit, and I'm a regular letdown to my family. That whole experience... I think it broke something in me. And I've been trying to fix what it broke, but I'm not sure I can. I don't want you agreeing to a date or anything else without knowing exactly what you're getting into."

I frowned, which Jason seemed to take as an expected bad sign. His shoulders slumped a little, and he looked resigned. I shook my head.

"Jason... what the hell are you talking about?" Jason opened his mouth like he intended to speak, but I held up a hand to cut him off. "That was mostly a rhetorical question. Believe it or not, I've gotten to know you pretty well in the time we've spent together, working side by side in life and death situations and passing days upon days with each other. And frankly? I like you. A lot. If you hadn't sent up the signals for a hard no everytime I tried, I would've asked you out a long time ago."

Jason sighed. "I still feel like you don't know what you're getting into. I don't want to go down this road and have you end up regretting it and hating me."

"Okay," I said, letting out a sigh of my own. "First of all, let's clear something up. Not once have you disappointed me or let me down, not in all the time we've known each other and worked together, even though you've had plenty of opportunities. And Jay, I didn't know you as Robin. I don't know the old you that you're so intent on comparing yourself to. But the guy sitting in front of me right now? He refuses to see it, but he's a wonderful person and friend, and anyone would be lucky to date him."

Jason flushed and looked down at his lap, but I didn't stop.

"Second, if I ever hear Batman or another one of your family members calling you a disappointment, it's game over for them. I'm punching them in the mouth like they deserve, and that's the end of that."

Jason snorted, briefly picking his head up to give me a look. I grinned back at him.

"And third..." I let the smile fall from my face, adopting a serious expression instead as I gently reached out to take one of Jason's hands. To my delight, he let me. "Third, nobody knows how things're gonna go when they go on a date with somebody. There's no real predicting that, there's no garuntees that we'll be perfectly matched and instantly work out and never have trouble forever and ever. But I know you're a good person, and I love spending time with you, and I trust you with my life, and my heart likes to do a gymnastics routine whenever you're in the same room as me. So if you feel similarly about me, and you want to give it a shot...?"

Jason sighed, chewing on his lip for a moment as he stared at me. Finally, he nodded.

"Yeah. Yeah, I really do."

"Good. Then that's that, Jay. There's no garuntees of anything, but that doesn't mean we shouldn't try. The only way to really lose is to let fear keep us from taking a shot at happiness, right?"

Jason shook his head, but he was smiling all the same as he took my other hand in his, too.

"I guess you do make a pretty convincing argument. But seriously, are you sure you want to do this? It... feels like it could lead to a lot of complications."

"Jason, I'm sure." I laughed. "Honestly, I have been for a long time now. Are you sure?"

I saw Jason take another bracing breath. Then he straightened, shoulders back, and gave me a genuine smile.

"Yeah. I'm sure."

"Great! Then what do you say we turn tonight into our first official date? I was just about to make dinner, and I've got some good movies we can pick from."

Jason's smile grew, taking on a little bit of an edge.

"That sounds perfect to me. As long as you promise to let me take you out for our second date. Somewhere nice."

"Believe it or not, that's not going to take too much convincing."

The two of us shared a smile again, and I gave Jason's hands a squeeze before standing and heading for the kitchen. He joined me, and when I stood at the counter to lay things out, Jason only hesitated for a second before coming up behind me to wrap his hands around my waist. He leaned in to place a soft kiss on my temple, and I leaned back, a smile on my face.

This time, my heart didn't do a backflip. Instead it radiated warmth through my chest and into the rest of my body. I knew we were at the beginning of our road, and there were no garuntees about what might be at the end of it. Still. I couldn't help having a good feeling.

****************

Everything Taglist: @rosecentury @kmc1989 @samreich @misshale21

DC Taglist: @gaychaosgremlin @v1ckycheesue @lavender-dinos @g0atmansbridge182

[soft-sunbird]

‼️Save Hilda's Pregnancy‼️

💥🚨 Pregnancy in War🚨💥

🇵🇸🍉🇵🇸🍉🇵🇸🍉🇵🇸🍉

🔥💥Am pregnant 🔥💥

Please read our story carefully and imagine the situation we are living in. 400 days of war and genocide. 😥

There is nothing in the markets, and if anything is found, it is extremely expensive. 😭

The weather is very cold, and the leaky tents are worn out from the summer heat. 🔥

The children cry from the intense cold and the darkness of the night 💥.

There is no electricity, the water is contaminated, no education, no healthcare, and no medicine. 😓

Pregnancy has exhausted me, and I wonder how my child will survive in these conditions if they arrive. There are not even vaccinations or clothes for children. 😥

Some of my relatives are covering their children with pieces of plastic to protect them from the cold due to the lack of any income sources. 😰

In addition, the sounds of bombing, gunfire, and drones mimic the sounds of wild animals and screaming to frighten people in their sleep. We don't know how long this suffering will last or if we will truly be able to endure it. 😔 🇵🇸🍉🇵🇸🍉

We want to reach our goal, we're still in the beginning 🙏🙏

Plz visit the pinned post on my page to donate or reblog ♻️

https://gofund.me/b845968e

✅verified by @gaza-evacuation-funds

✅bilal-salah0

✅khanger

✅ana-bananya

✅dlxxv-vetted-donations

✅a-shade-of-blue

Hey, Tumblr. This is Hilda, who I care about so so so much. So much that I'm willing to be brave and vulnerable and share my own story under the cut. I ask that you make a donation to either of the below links if you can; Gofundme minimum €5, Ko-Fi minimum $1 AUD. Link to her Gofundme | Link to our Ko-Fi (Ko-Fi proceeds are split between the 20 families I'm supporting, but you can ask that your donation goes to Hilda directly) TW: loss

I was around Hilda's age when I got pregnant, too. I wasn't expecting it. I wasn't ready. My life was just beginning, and I had no money, and I had just escaped from a household that wasn't being very kind to me. I was NOT ready to be a parent. I was extremely distressed. My partner and I talked about it. We decided that, although it broke our hearts... it wouldn't be fair to bring up a child in the circumstances we were living in. We promised that one day we would try again, when things were better, when we'd both grown up a bit. So I booked an appointment, shamefully borrowed $1,000 from a friend, had a surgery... and I wasn't pregnant any more. And that was 9 years ago. I am still sad about it, because I think about what my child would look like, what their favourite animal would be, what their favourite food would have been. I will never know.

In those 9 years, I've been living my life. I'm 30 now, and I have only just started to feel like I understand myself, and what's important in life, and how to participate in the world. I am strong, I am brave, I am good.

But it's not the end of my story. I still get to look forward to meeting my child. I feel capable of raising a kind, gentle, creative child that becomes a passionate, strong, thoughtful adult. The thing is, although they were still overwhelming for me, my circumstances then were so much better than Hilda's are now. I had food, I had a safe place to live, our hospitals are free and operational. I WISH Hilda had that privilege right now. How will she cope, if she's already struggling to find food, taking vitamins in place of meals because she has no other choice? If her tent is already flooding, her bedding soaking wet and freezing cold? Will she have a safe birth with medical care, or will she be alone and afraid and in pain? Maybe Hilda would make the same decision I made, if she had the choice. I think she's very brave. I know she's very lovely. I have no doubt that if her child makes it into this world, she'll do an excellent job with the limited resources that she's got. I would be overjoyed to know that her soul carries on in the spirit of the next generation. I would hope so dearly that her child might grow up in a safe environment, that the war will end soon, that this crisis is something that her child is taught ABOUT, rather than having to live through and experience firsthand. I hope so. I really hope so. What I do know is that we are Hilda's best hope to survive this monumental life change, as safely and comfortably as possible. Whatever happens, I want her to know that she is loved and supported. That she matters, and so does her unborn child, whether they make it into this world or not. That they are worth fighting for. Give a little, or give a lot.

[messrsrarchives]

Coming here as someone who loves your stuff on Mtok because three of my favorite trans creators left today and two more left the day before and I'm worried. You must see that more people talk about things when you do and it feels like they're all following you because of that video and idk if you considered that we'd lost more creators before posting it? Hope you're doing okay though and I'm sorry Mtok got rough

okay i typed out a very passive aggressive response here, then considered deleting this like i do most anons like this, then ended up settling on yapping - i promise gang, i talk about other things than being trans but that seems to be the forefront right now. back to regular scheduling soon <3

first of all, this tumblr post here is from when i made my original video discussing the reboot. the number there say 47 trans people but it's well above that now with the amount of conversations i have had with trans people in this fandom - it may be worthwhile to read some of the points and see how widespread this feeling of isolation and helplessness is, and has been for a while now

secondly,,, once again it's influence not individual :/ like wow! this person has a certain number of followers ! that must be why this is happening ! when actually,,, a lot of trans people in this fandom feel like shit. you can see it in the comments of every video i've made about the reboot, you can see it in the comments of the video where i get asked how i feel about fem sirius, you can see it under Every video where transness is brought into question in this fandom.

most of all, you can see it when Talking To Trans People. and viewing them as individuals, not just "creators".

because i've seen multiple videos of trans people stepping down today and i could sit back and apologise for "influencing" that, or i could be glad that people are leaving a space that doesn't feel safe, and i can reach out to them like i have done and applaud them for looking after themselves.

also,,,, more passive aggressive i think, but people Aren't talking about this. they are on tumblr, yes, but on tiktok it feels like me and three other people MAXIMUM that are talking about it, all of them trans. when i talk about fics? yes, i watch them circle around. when i say a headcanon? i watch that circle around - when i say that i, and many other trans people in this fandom, feel like it's unsafe? barely anything on that app. (and yes, tumblr is a better platform for this, tiktok isn't built for long-form discussions but wow it's tiring being The One to speak about it over this, which sounds big-headed but,,, i have been. and it sucks.)

i think you, and many others, have a very warped perception of what i do because i just,,, post. for me. not for traction or influence or blah blah blah, i pop on and talk about something i enjoy because i like talking.

idk man. maybe it isn't because messrsrobyn posted a video.

maybe it's because this fandom has a massive transphobia problem when discussing character discourse, gender presentation, the infantilisation of trans members of the fandom, the support for jkr, the hyping up of hp cast members that haven't shown us support, the marauders fans posting at studios/with official merch, not deleting harmful comments under posts, crying about trans characters "heterosexualising gay couples", the arguing over heights and top/bottom, the debates about makeup and clothing and- i could go on and on.

maybe it's not because messrsrobyn posted a video. maybe it's because y'all need to do better.

and mostly, the cherry on top, maybe it's because trans people are tired of fighting this alone and making up 99% of those speaking out again jkr on that app.

maybe we're tired of fighting to belong, speaking out about it, and then being asked for fic recs.

idk! food for thought

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[evelynpr]

Might be a hot take as a bkdk and tgck truther here, but I find izuocha endlessly fascinating, beautiful, but also tearfully tragic.

I see their love for each other as something representative of their innocence and naivety when they only knew so little about who they were, and what was to come.

I think the main barrier of their relationship is that its rooted in how they see each other very idealistically, specifically that they're attached to the image of their Best Heroic Selves, and not the deeply selfish, destructive, freaky, and egotistical parts of them. To each other, they need to keep fulfilling that image or else that same person they looked up to would almost die in front of them, and that would be too cruel. Although that hero is still there, that same person they looked up to is not the same now because of...well...everything.

Izuku had barely even talked to girls when he first met her. She was Izuku's first ever real friend (Sorry Kats, everyone and him knows he was terrible), so he saved her in that entrance exam even if it was so dangerous. She gave a new meaning to his derogatory nickname just by being a friend that believed in him. After that, she saved him several more times (Blackwhip and Megaphone are the biggest samples iirc). It makes perfect sense that she is Deku's hero.

Ochako hardly knew what it meant to be a hero when she first got into UA. Just by reaching out to some kid tripping, she made a new friend who would then save her in that exam, then save him again in return. This boy then became someone who was always working so hard to save everyone in trouble, and she realized she wanted to be just like him too. "I want to save people"

But...Deku changes. The weight of One for All is on his shoulders and he needs someone to carry this burden with him. He continues to want to save other people at the expense of himself, still not letting his true selfishness and ego ever show- and it only grows more and more unbearable.

Then...Ochako fell in love with Himiko. Truly, relentlessly, selfishly and devotedly in love with a girl who then dies giving her blood to her- the greatest expression of love Himiko could ever give.

Not that they can't love each other because of this happening (and...so many other things oh god), I'm honestly not sure how to explain it- But them ending up together after losing that innocence and naivety? After Ochako will forever grieve the girl who showed her love in its most beautiful and ugly form? After Izuku changed so fundamentally as a person that the butterflies of a nice girl talking to you doesn't exist anymore? After that simple image of being a hero and being in love has completely changed for them both?

Even so, I believe they still love each other. There is no label I know of that can properly describe them though. They are each other's image of being a hero when it comes to saving people. Aside from Shoto, no one else can grasp the grief of the person you tried to save dying in your hands. They would no doubt try to cope with these losses together, and just try to get better together...but so much has changed. They've changed. The world changed. What are they now? Who are they now?

"What happened...to us?"

[badn3w]

In all honestly, my ideal ending for iasip is a simple one. The gang would play Chardee Macdennis one last time, bringing back a beloved concept with lots of references to the show brought up in the trivia portion. It'd be fun and light. It'd give us one last glimpse into these characters' dynamics, playing a game they invented in their 20s now in their 50s. Still a gang, still together, in the bar of Paddy's on a slow day, passing the time with a game they invented out of boredom.

Maybe they'd invite some old friends to form new teams. Maybe we'd see Cricket, the Lawyer, the Waitress, the Waiter, the McPoyles, Artemis, Ponderosa, and Gail the Snail all join in on the fun. Surprisingly, everyone shows, probably because they have nothing better to do. Maybe Frank and Pondy would form a team. The Waitress, Artemis, and Gail would group up, bringing the Fridge-It Bitches back. Maybe we would finally learn the Waitress' name. We'd get to see each member of the gang at their best, deranged, manipulative, and evil as always. Charlie would probably fail a task because the Waitress made him nervous. Cricket would join forces with the McPoyles because they're the only ones not disgusted by Cricket. Their group would be really good at the pain and endurance portion. The Lawyer and the Waiter would form a team, bonding over the years of strife the gang had caused them. They would grow very frustrated at not understanding the rules of the game. They're the only group that is normal enough to find the whole thing preposterous, but for some reason they see it through.

The episode would wrap with Mac and Charlie finally beating Dennis and Dee after losing to them for 30 years. We'd close on the pair stomping on Dennis and Dee's dolls, victorious at last. Dennis and Dee would be sore losers, complaining that Mac and Charlie must have cheated. Frank would be celebrating with Mac and Charlie, telling them he was proud of them. Mac and Charlie would realize that perhaps Frank really had become a father figure to them. They would allow Frank to smash Dennis and Dee's dolls with them and Frank would be over the moon. We would pan out, through the front door of Paddy's, still able to hear the gang rejoicing and bickering, only now from a distance. The last thing we would see is Paddy's sign, old and decrepit as ever, never to change, as the gang's arguing begins to fade out, transitioning into the final end credit theme.

[eorzeashan]

lana's conversation with eight after 5 years had to be the most jarring thing bc most outlanders would be shell shocked or upset they lost that much time. eight just compartmentalized it all and went mmhm. no I don't have any more questions. this is my life now I guess /empty blank stare

[lee-blogs]

Still packing stuff and now i'm looking for a box for this.

My dad and i made it a few years ago for halloween, probably 2015/16 if i'm remembering right. It's made from a lays can, a wipes container from his work, and paper maché. I don't remember what the wires and front metal bits are from, but the middle actually lights up! It has one of those long battery-powered emergancy lights in it and some colored tissue paper

[nyan-bynary]

I kinda disagree with humanising characters to the point of going "this thing happening in the story would not be what they want" bc that's not a real guy they don't really want anything. like yea I don't think a character like gojo would WANT to live in a world where he's no longer the strongest but I think that breaking his character down and building him back up like that would've been an interesting move? it certainly would fit him thematically, finally allowing him to move on in a way he never could have and all

[mildmayfoxe]

72 movies 75 books. becoming closer to even.......

[kxllerblond]

and if i said this mfer was my super late game clark development inspo??? what then huh

[yaoicrack]

soo snork mimimi u wouldn't get it

[the-physicality]

.

[the-acid-pear]

One of the most beautiful things Deltarune story has is the fact that you cannot remove its tragedy, because it's thru that very same that hope and love is born. You cannot change the past but you can take what you learnt and thru it build a brighter future.