#(I have so many I don't use enough)

[poorly-drawn-mdzs]

The indescribable tension between an overworked and underpaid smut writer, and his biggest fan hater.

(for @frummpets)

[uncanny-tranny]

I think it would really benefit people to internalize that mental illnesses are often chronic and not acute. Some of us will never be able to jump the hurdle of managing illness, much less sustaining a sense of normalcy. Many of us will never "recover," will never manage symptoms, will never even come close to appearing normal - and this is for any condition, even the ones labeled as "simple" disorders or "easy-to-manage" disorders.

It isn't a failure if you cannot manage your symptoms. It isn't a moral failure, and you aren't an awful person. You are human. There's only so much you can do before recognizing that you cannot lift the world. Give yourself the space to be ill because, functionally, you are.

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[teaboot]

(I'm a security guard.)

[imerian]

Vr46 academy keychains

Set of five charms that all match in different ways

˚　　　　✦　　　.　　. 　 ˚　.　　　　 . ✦　　˚　

Open for detailed pictures of each one

✩₊˚.⋆☾⋆⁺₊✧ *ੈ✩‧₊˚

ִֶָ 𓂃˖˳·˖ ִֶָ ⋆★⋆ ִֶָ˖·˳˖𓂃 ִֶָ

:･ﾟ✧:･.☽˚｡･ﾟ✧:･.:

˖⁺‧₊˚⭒✮⭒˚₊‧⁺˖

. ݁₊ ✶. ݁ ˖ˎˊ˗

I ran out of tags so I'll say it here but i would greatly appreciate a reblog, especially if you share your thoughts on these pieces in tags (⁠｡⁠•̀⁠ᴗ⁠-⁠)⁠✧

(Also i forgot that bez have matching part with luca so I didn’t add that to tags sorry

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[harzilla]

Honestly can I admit I've been sitting on writing a full God!Yuu fic? I keep trying to turn game mechanics into God skills. I just wanna throw this out there. Sorta a ficlet? It's mostly my kind of stream of thoughts.

Imagine the guys are absolutely clueless that the "magicless" human is a god. Like a trickster god and whatever little thing that follows their amusement and they notice a weird little blip of magic one day and decides to follow where it leads.

they immediately shift into a vessel that fits the world and when Grim busts open the coffin the god realizes it's his magic they noticed. Oh? Interesting....

The dark mirror can't read their soul because the mirror is tuned into the souls of those born in Twisted Wonderland. The body? Yes. Their actual being? No. So for the first time the mirror calls a colorless empty soul since it's creation.

The god soon realizes they're in a school of humanoid mages and they can sense the different flows of magic from everybody. Allowing them to be able easily analyze what kind of magic it is, ties into the world/nature(aero, water, fire) and emotions(void/light)the self.

Our God realizes that things could get boring fast if they push their powers around and they decide to handicap themselves by only using intentional power to prevent somebody from dying. They're not particularly interested in seeing a bunch of kids die. Mortal lives are fleeting but full of fascinating things.

It turns out that Twisted Wonderland is very interesting if you're willing to see where things lead. But, they can still interfere if they do it within the limitations of a magicless mortal, right?

They also can also pick up on the emotions of mortals and the drips of blot they see are literal buildup of negative emotions starting to manifest in a physical world, very nasty little thing. But only they can see it at this point. They stick by Ace and Deuce because they know that the two will lead them to Riddle. The only one dripping blot at this point within their line of sense. They work with Ace and Deuce, so it's only natural they follow because they helped make the tart, right? They know they can only allow the overblot to happen because they limited their powers but the rancid magic wafting off Riddle makes them unhappy. Diving into Riddle's mind they gently pull through his memories and pull the threads of his thoughts in the right direction. Weakening the link to the overblot and allows Riddle's own mind to push forward and ask the question he needed to hear. This Allows Riddle to hit a breakthrough the overwhelmingly destructive negative feelings. It severes the link to the overblot completely, killing the overblot and allowing Riddle to live.

Riddle awakens and now our God slips back into the magicless human act. They know something is off and they're going to follow along because they want to see just what is causing the world to flow in the direction it's going.

The sticker system is them giving the guys blessing. Our God likes interesting things and the entire rewardable cast is their kind of fun. These stickers kind of create a pavlova effect where they feel positive energy/feelings when around the prefect. The emotions trigger the blessings they received that it boosts their magic. Thus the higher the friendship the higher the magic output

Honey? Candies? All the treats? More blessings. Increased lessons is the god blessing them with more lessons by tweaking the flow of time. They can't perceive the change unless the god wants them to.

They enjoy learning new things about everybody and seeing their progress. They like studying the different dynamics between everybody and are always curious about what's running through their head. A bunch of hormonal teenagers with way to much power at their fingertips always attracts trouble. But also they find them all endearing in their own weird ways.

Of course our god sometimes creates it's own trouble, oh my it seems the tsums felt the gods power somehow and they showed up at specifically Ramshackle? oh my how odd? The God permits it because, well it's interesting and the tsums are harmless if not as chaotic as their counterparts. Just the right kind of mischief they're looking for. Of course maybe our god might have felt a tiny bit bored, saw this adorable magical creatures by staring out into the infinite void of space, magic, and existence and was all "Visit this world please? 🥺"

I just have so many ideas for this I honestly feel like I should try to make a long fic of this idea. But I just want you to think about the absolute crisis all of them go through when they're revealed to be a god that has just let the guys do everything that has happened throughout the entire plot and events because they're amused?

But oh what fun they can have now! Now that they can mess with the guys openly. Only the ones they permit can tell anything is happening.

Pay backs fun now isn't it?

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[dxxtruction]

"Louis acting like a pimp to Armand" And what is a pimp exactly? Quickly. And, oh so sexual trauma survivors can't engage in kink now without it being all about that? Pet names? They can't be submissive anymore? Consensually? Sexually healthy? Be serious. I'd hardly say there's much power difference between them during all this anyway, except that Louis is freer than Armand and it's been putting a strain on their relationship. Louis wants more from Armand, and less of this 'being his past' for them both, and so helping Armand with this could fix that. It's healthy to want to help your partners get out of a rough patch?

I mean, the whole exchange was very clearly set up as a "I want to help you" after such a great moment of vulnerability Louis feels just how much Armand is desperate for it. Louis called Armand so they could work out a plan together.

And the bit with the umbrella was Louis' way of asking 'are you willing to listen to me?' and Armand said yes by unfolding it. Louis goes on and explains, Armand is allowed to argue against it, but Louis makes his point. And then he gives Armand a way to make his own choice in it too. Armand's already decided 'I want you, more than anything else in the world', but Louis still asks after if he's sure of his choice, and with a name, Arun, that is the one of his fullest agency, running the point home. Honoring the situation Armand calls Louis Maitre - as a way of being like 'I'll do as you've said then'. To make this work he's going to have to give Louis some of the control, yes. But it's the first time such a role is ever established, and it was his choice to do it. So so what if they do it in a very suggestive way? They can't like doing that? I think it's them having fun.

I struggle to find how Louis is being overly domineering here when really he's giving and offering Armand the most agency he's ever had. Same with finding it manipulative. The manipulation was more earlier in the episode I think, when he was stringing him along, giving mixed signals. He's no longer toying with him like that. Louis might be pushing Armand, leading him on to make a decision, but he doesn't mean bad by it.

But back to this pimp thing. I find it frankly offensive that this is where people are going with this. I get it, but to run with it being the case is, on many levels, wrong.

Louis told us episode 1 this was the only sustainable line of work to support his family and keep their standing, at the time. It was never his choice to be doing this either but his blackness allowed no other options. He did what he did so his family could stay in that house and maintain all their same comforts. It gave him privileges most black men didn't have at the time that he wanted to maintain and even have more of. Anyway, it doesn't and had never defined him the way 'being good at running things' had. And in that case he just likes having that kind of control where he can get it, which makes sense.

The world is what placed that kind of role onto him of what he was allowed to be able to run, not himself. And on that he actually treated the sex workers he employed well and respected them enough to give them more opportunity.** He recognizes they don't have much in the way of options either.

Louis employed sex workers, yes, but he didn't subject them to abuse, (like how Armand was)*. He didn't oversee things in a way that would go against their consent (see; episode 1 again)**. Sometimes a job is just a job. And Sex work is work.

Armand's particular past with sexual abuses may strike a particular cord with Louis, given all that, but the very last thing either is thinking is that Louis' pimping Armand out here. This is merely their decision as companions, and had nothing to do with adding another line in a laundry list of selling Armands body out to people at the command of someone else. Armand rescinds some of his control to Louis' wishes, because he wants him, and he trusts him, that's all.

If you aren't allowing Armand that choice, and are doubtful it's fully his, you're putting him right back in the box of being defined by his abuses. Putting him back into that space where he isn't given any agency over what he does. (Which is exactly opposite of what the intent of this scene is for)*.

*: (edit) added for clarity.

**: (strike through) numerous people are saying I'm misremembering these points so disregard it. (Thought he was siding with Bricks, it was the other way around). (Technically one aspect of those opportunities were for getting around the law). I don't have a perfect memory, it happens. Let's not get mad about it. Doesn't change much of the point which is that Louis, now, Louis then, was always considering more about the running things and for stated purposes. So I guess I'd say he may only have respected the SWers enough sometimes for what allowed him to do that, and there are moments he certainly expressed remorse over the fact, but he has a great deal higher respect for Armand that is genuine. It's incomparable. Please read my added notes in the tags, it should address most other concerns.

[pigswithwings]

never go into the notes of a post that asks people to consider why they hate specific animals so much. anyways if you think a specific animal should go extinct I will explode you 😁👍👍👍👍👍

[runawaycatwalker]

Part 31. Perfect Dichotomy (Midnight Rendezvous, Part A)

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Description below the cut

Chat Noir attempts to sit on the rolling chair by Marinette’s computer, but Ladybug pulls his tail and points at the chaise lounge instead.

Ladybug: Over here.  We can sit on the chaise lounge together.

Chat Noir: Oh?  You want me to be closer?

Chat exaggeratedly sprawls out onto Ladybug’s lap, arching his back and flinging his arms above his head.  Ladybug looks down at him with a teasing grin.

Chat Noir: How about this close?

Ladybug: A cat lying on my lap, huh?  That sounds...

Ladybug scratches the top of Chat’s head as he grins with deep pleasure.

Ladybug: Purr-fect.

Chat turns over and hugs Ladybug’s shin while she gives Chat more head scritches and rubs his back.

Ladybug: So… wanna tell me what's got you so spooked about Mayura?

Chat Noir: She and Catwalker… talked.  About me.  She mentioned some things that not many people would know.

Flashback to “Glaciator”: Marinette and Chat Noir rest on the railing of the balcony and look at each other as the moon shines over the city.

Ladybug (voiceover): But Marinette knows?  I suppose you have visited her a fair bit.  It's not all that surprising that you've shared some personal things with her...

Chat looks up at Ladybug and holds his finger and thumb an inch apart.

Chat Noir: It’s a bit more complicated than that.  Though I suppose I am missing some key details...

Ladybug puts her fist on her chin in contemplation (Her other hand continues giving Chat scritches).

Ladybug: So Catwalker’s been hiding things from you too...?

Chat Noir: More like Mayura was being extra cryptic—or lying.  All I really know for sure is that she’s looking for me.

Ladybug: I still don't understand why she cares so much...

Chat holds his hands out in a self-satisfied ‘Oh well!’ gesture.  (Ladybug stops giving him scritches).

Chat Noir: I like getting on villains' nerves, what can I say? I'll just have to keep frustrating her in our little game of 'Cat and Mouse'.

Ladybug pulls out the pillow from under her leg and ‘bonks’ Chat Noir on the head with it as he tries to placate her with a large grin.

Ladybug: Why do you make it sound like you’ve been doing something really stupid?

Chat Noir: Just because my methods are ridiculous, it doesn’t mean they don’t work!

Ladybug: That is not reassuring.

Chat leans against the chaise lounge next to Ladybug, hands clasped.

Chat Noir: Don’t worry, LB.  I’ve got it handled. I think the bigger problem is what prompted you to bring me here.  Wanna tell me what's wrong?

Chat kneels a leg next to Ladybug and places one hand on her arm and the other on her back.

Ladybug: I'm not sure how to explain...

Chat Noir: Start anywhere.  I think I can keep up.

Ladybug closes her eyes and holds her head in her hands with an expression of longing.

Ladybug: It's... Catwalker.  He's too perfect.

Chat Noir: ...You lost me.

A series of flashbacks with events shown pretty much as they occurred:

Flashback to “Kuro Neko”: Catwalker peeks around the corner at Kuro Neko, while Ladybug leans forward, catching her breath.

Ladybug (voiceover): He notices things that I'm too blind to see.

Catwalker (flashback): If that was Chat Noir, don't you think he'd talk to you?

Flashback to Part 6: View of Catwalker and Ladybug from below as they travel across the sky.

Catwalker (flashback): I can’t rule that out, but… my gut says that’s not it.

Ladybug (voiceover): His instincts about akumas are much better than mine.

Flashback to “Kuro Neko”: Ladybug looks at Catwalker as they kneel on a rooftop.

Ladybug (voiceover): It's like he already knows the answer I need.

Catwalker (flashback): Cats sometimes eat grass, it helps them spit out their hairballs.

Flashback to Part 8: A close-up of Ladybug looking right next to a close-up of Catwalker looking left.

Catwalker (flashback): You still have a multitude of people who can help you.

Ladybug (voiceover): And he's just nudging me to think of it myself.

Flashback to Part 18: Ladybug, still falling, throws her yo-yo through one of the holes in the lower conical barrier.  In the cone above, Catwalker places his hand against its barrier.  Both barriers begin to disintegrate.

Ladybug (voiceover): He always finds the right moment to use his powers.

Catwalker (flashback): Cataclysm!

Flashback to Part 26: Ladybug uses her yo-yo to flee as Oni-Chan lunges towards her.  But behind Oni-Chan, Catwalker has backflipped into the room behind her, his finger touching the amok with his Cataclysm.

Ladybug (voiceover): But I just ruin the opportunities he gives me because I never expect him to live up to you.

Flashback to Part 15: Ladybug turns back to looking down at the city below.  Catwalker holds up a hand to offer a friendly suggestion.

Catwalker (flashback): If you’d like to talk about anything, I’d be happy to stay and listen.

Ladybug (voiceover): And even when I can't do anything, he still acts so unbelievably kind...

Flashback to “Kuro Neko”: Catwalker, illuminated by the moon, reaches his hand before him for Ladybug to hold.

Ladybug (voiceover): He's just so... perfect.

Catwalker (flashback): Now I want to take care of you.

Ladybug (voiceover): But then I learned the truth:

Another series of flashbacks, with events depicted slightly off from what actually happened and Catwalker showing more malice.

Flashback to Part 12: Catwalker almost pointedly looks towards Carapace, who looks away guiltily.

Ladybug (voiceover): He lies and bends the truth with ease.

Catwalker (flashback): We only assume Adrien wants to be found.

Flashback to Part 17: Catwalker looks down towards Ladybug, the hand in front of him leaning on one of the barriers between them.

Catwalker (flashback): If he was dead, no one would know.

Ladybug (voiceover): And his lies lead to people suffering.

Flashback to Part 19: Catwalker steps forward, his hands palm upward in front of him, trying to explain himself.

Ladybug (voiceover): He'll use his heroic duty as an excuse to hold back.

Catwalker (flashback): I can't be as lax as Chat Noir was.

Flashback to Part 14: Catwalker grabs the end of Rena’s flute and pulls up the phone screen. Embedded flashback bubble from Part 20: Alya looks away and rubs the back of her neck.

Alya (flashback): He stole my phone number from my flute.

Ladybug (voiceover): But he crosses boundaries he shouldn't with no excuse.

Flashback to “Kuro Neko”: Catwalker pauses as he leaves Ladybug to finish everything on her own.

Ladybug (voiceover): He pretends to do what I want.

Catwalker (flashback): I won't make another move.

Flashback to Part 28: Astrowalker, wrapped tightly in yo-yo string (even his wings have been folded in on themselves and bound), hangs upside-down as Cosmobug points angrily at his face.

Catwalker (flashback): I followed you in case I needed to stay in your way.

Ladybug (voiceover): But he goes rogue once I'm not watching.

Flashback to Part 8: Catwalker lays on his side next to Emilie, reaching away from her.  Embedded flashback bubble from Part 20: Marinette clenches her fists in front of her, looking haunted.

Ladybug (voiceover): I can only guess at what other awful things he's hidden beneath my nose.

Marinette (flashback): What if he used his powers on his mom?

Flashback to Part 4: Catwalker grins at Ladybug with perfect posture, his hands on his lap.

Ladybug (voiceover): His perfection is an illusion.

Catwalker (flashback): I considered what I needed in order to be your 'ideal' partner.

Ladybug (voiceover): And I don't know what prices were paid to uphold his illusion.

Flashbacks end. Chat Noir kneels next to Ladybug on the chaise lounge as they embrace.

Chat Noir: I'm sorry, m'Lady. It's unfair that you've had to go through all of this.  If Catwalker is so wrong... would it be better if I was your Chat Noir again?

Ladybug: I wish I could let you. But I can't let Mayura target you.  Even if you were careful, she'd probably go after your loved ones in retaliation.  I won't let that happen.

Chat Noir: Alright.  Then what's the best way for me to support you?

Ladybug: Tell me how to fix everything?  *sob* I'm sorry, I don't think there's anything you can do.

Chat Noir: You're underestimating me.  And I think that you're underestimating him.  You're right that he's not perfect.  But I do think he's trying to be good.

Ladybug: I wish I had your ability to believe in people.  But Catwalker is too good of a liar.  I can't really know if he cares about anyone.  But I have to keep him as my partner.  I just have no idea how.

Chat Noir stands and rubs his chin in thought as Ladybug looks on.

Chat Noir: What if... What if I showed you the truth about Catwalker?

Ladybug: The... 'truth'?  You don't mean his identity, do you?

Chat Noir: No, of course not.  But this could fundamentally change how you see him—you wouldn't even need his name to trust him again.

Chat smiles down and touches his chest with both hands.

Ladybug: I can't see how that's remotely possible.

Chat Noir: You trust me even though you don't know who I am, don’t you?

Ladybug: Because I know you.

Chat Noir: Because you got to know me.  And if you knew the truth, you could know him too.

Chat scratches his head sheepishly and holds up a finger.  Ladybug turns away with hands raised, exasperated.

Chat Noir: There's just one itty-bitty catch.

Ladybug: Of course there's a catch...

Chat looks away, rubbing his arm.

Chat Noir: If I share this with you...?  My identity would make it dangerously easy to figure out who he is.  And a part of me was kinda hoping that I could show you who I am tonight.

Ladybug’s eyes widen in astonishment.

Ladybug: You wanted to share identities?

Chat Noir: Just mine.  I know his identity, so I shouldn't risk learning yours too anytime soon.

Chat leans down to touch Ladybug’s shoulder and holds up his fist encouragingly.

Chat Noir: But if you want to be absolutely certain of Catwalker's loyalties?  To understand the person who is hiding behind the mask?  I'd need to keep my identity from you a little while longer.

Chat Noir raises both hands to offer two options.  Above his right hand is the image of Catwalker.  Above his left is the image of Adrien Agreste.

Chat Noir: But it’s your choice, Ladybug: Learn the underlying truth about your new partner?  Or learn the civilian identity of your old partner?

Below is the same image as above, only without text:

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[uncanny-tranny]

One of my perhaps unpopular opinions is being a full-time at-home caregiver (to a parent, a child, whomever) should absolutely be considered work and should absolutely be paid like having a conventional job.

Giving caregivers the financial stability and freedom to live as independently as possible is important, especially in terms of being somebody's caregiver. Both the carer and caree deserve to be stable, independent, and have their needs met.

[twilight-deviant]

Watcher fans sure are entitled and a little insane, ngl. "No one is going to sign up for your service! We're all poor! You've made the worst decision, and you'll be back in no time!" Saying this directly to the creators really reminds you of how low the respect for people you don't personally know has gone. I miss the forth wall between creator and audience.

I get and fully understand not having the money to support them, but... Watcher does have fans with money. A lot of them actually. They have merch sales. Their live tour sells out most venues. They have thousands of supporters on Patreon, where the cheapest tier is $5. They're able to gauge the rough finances of their staunchest supporters; that's how they landed on the subscription price. Yes, this move will reduce their viewership in sheer numbers, but to say all of their fans are broke and none will follow/support is factually incorrect.

It may not be a decision everyone agrees with, but severing the limitations of advertisers and youtube in favor of artistic freedom is a good thing. Yes, even if it comes with a loss of revenue. They understand that risk.

Also, I'm begging people to stop treating this like "another Netflix" or something and instead look at it as, "I am supporting a creator I like, similar to Patreon." They literally said in the video that they don't care if you share accounts. Get five friends, and you'll pay $1/mo.

I hate feeling compelled to rant in favor of their decision because I have my own reservations about whether it's the best move. However, I know it's not a choice they made lightly, and I like to think they understand that they'll need to branch out like crazy to entice subscribers.

[m-a-r-i--c-h-a-t]

but who told them all my distorted thoughts lmao

[makingshortstorieslong]

So, my new 'apartment' has no kitchen.

This is obviously not something I would have chosen, but it's what was available within a reasonable distance from work.

I've bought a steamer/rice cooker and an induction ...whatchamacallit... a plug-in stove burner basically. I need to get a table for counter space and then I'm good to go, washing dishes and stuff in the bathroom is okay.

Anyway. The point of this post is: I'm a boring cook anyway so this isn't a big deal to me. HOWEVER I do want to be *a little* less boring. One thing I realized at my last place is that ever since I moved out of my parents' house I've had a very limited spice cupboard. No wonder my meals get boring, I have like. Two possible flavors I can give them.

So I have a request: recommend me a seasoning!