#(............................ i have no energy to write anything)

[matchamiko]

Teaching Dabi how to eat pussy the way you like it but he’s so desperately sloppy and messy about it that you just hump his face with one hand gripping his hair and the other tight on your own throat.

He’s inexperienced, mostly, he doesn’t give often if not at all to the partners he’s had in the past, few and far between; but then you came along and all of a sudden he’s offering and begging and demanding. He’s so used to seeing pussy eating in porn, in magazines that he’s got no rhythm, no method, no thought behind his guzzling and slurping and biting. So when you anchor yourself to him with a frustrated little whine, lifting your hips and grinding smoothly and sweetly against his tongue and his nose; Touya swears sees new colours and hears new sounds. The wet click of your cunt against his lips and chin, the shuddering of your thighs either side of his head, your mumbles and gasps against your constricted throat, and your encouraging praises of him just staying right there, just like that Touya. He cums loud and wet as he looks up at you through his lashes, half angry that you’re not teaching him like you said but half insane over the state of you, using him to your heart’s content.

[bacchuschucklefuck]

they tried to rebrand as The Criminals but riz is literally the city council's treasurer and also turns out people in their late 20s don't really name their friend groups. so now they're The Intrepid Heroes

[cozylittleartblog]

lil columbo sticker design i made for my etsy :) i'm not sure what the market is for columbo merch but if the demand is high enough i'd like to make an enamel pin in the future!

[panthermouthh]

And I said, “Hello, Satan

I believe it’s time to go.”

[logosbot-tm-fics]

Peak "Came Back Wrong" from this session. Especially if you view it from Grumbo perspective imo

Mumbo died, and Grian reacted with horror. He screamed when he realised it had happened, and he almost immediately tried to arrange a grave and a funeral. Then Jimmy laughs at his death, and in response, Grian shot him. No one disrespects Mumbo.

Then Grian manages to bring both Mumbo and Skizz back, by some miracle. Sure, he can't summon them, Cleo can, but they're back!

And he's actually really happy when they first show up to interact with him, and then... they just start insulting him. His team mates. His boyfriend and his friend are both insulting him.

But hey, he forgives them, it was their task, so not really their fault.

Though, that should've been the first sign that they weren't quite right. That they had come back wrong, and Grian ends up getting killed by the person be basically trusts the most.

Mumbo kills him when Grian is getting food out of all things. He just kills him, and sure, he says that he's sorry, but he still kills Grian.

And never before has Grian felt that betrayed.

[just-null]

Fr bro I love your energy! Noritoshi is so pretty and so criminally underrated. Keep up the good work in making more of us lusting publicly for him. You've done amazing job! That boy well-deserved it :)

tysm!! I try to open the eyes of the public to his qualities. join my cult yall, Noritoshi is so good listen to me.

but on the topic of energy, whether you're high or low energy, Noritoshi loves it. the only difference is how he reacts to it.

Let's say you're low energy or prefer subtlety in your affection..

Noritoshi will initiate first! ..after a while... in his own way.... He needs to gather enough courage and collect his thoughts properly, then hes good to go! He prefers more subtle displays of affection too, but if needed he'll be blunt about it. He'll learn to adapt to slightly teasing remarks, going as far as to banter and tease back, moreover he's just very loving. So loving it can be embarrassing from time to time because of how intense the atmosphere can get.. the best way he can be described here is princely.

A small smile forms on Noritoshi's lips when he feels you're around. He turns to you, already memorizing each and every quirk you have so that he doesn't waste any time setting his sights on you again. His hands reach out to tug on your sleeve as he looks at you with a gaze so needy you can practically tell what he's about to ask. "May i hold your hand?" His voice comes so smooth that if you didn't know him, you would've missed the twinge of desperation it carried. You couldn't help yourself, you shook your head, a mischievous grin slowly creeping onto your lips at the sight of Noritoshi's pouted lip. Of course he'd do as you say even if it was clearly unfair, but not without some complaints. He clicks his tongue, a quiet mutter of "cheeky.." escapes under his breath. He knows you do this on purpose to mess with him, he was tempted to beg a little, but decided against it. it was an embarrassing thought to begin with. Seriously, how mean can someone be to make a guy think like this? ..Extremely, if the guy's pouting is cute enough! Noritoshi lifts his hand to his chin, thinking of the many ways he can try to get around this obstacle you cruelly placed in front of him. He leans in close, hovering next to you as he usually does when he thinks. He faces you as who knows what goes on in his head, his closed eyes not even giving you a hint as to what he could be thinking. "Ah, pardon me, I got lost in thought. I suppose i can keep my distance, so long as you keep looking at me with that charming gaze of yours." Ah, so he was just winding up for a pick up line. How lame, but.. get used to it. He's going to shadow behind you the entire day with more one liners like that unless you shut him up yourself. Wait.. was that his plan? The faint sly smirk tugging on the corner of Noritoshi's lips and the warm hue on the apple his of cheeks are all you need to figure out the rest.

If you're high energy or prefer more blunt methods of affection..

Noritoshi gets overwhelmed and flustered from such raw approaches from you that he comes off as a bit rude. It's only because you make his heart so full that he needs to shut you down or else he'll do something embarrassing!! He wants to impress you, of course he enjoys your advances very much, but it's not very slightly to see someone like him act like a crushing school girl!! or so he thinks.

Noritoshi yelps in surprise as you snake your hands around his waist from behind. He doesn't push you away or even move for that matter, he's frozen stiff. Is he still alive? Like any good lover would, you benevolently press your ear against his back to listen for a heart beat. ..You didn't hear anything until the sound of Noritoshi sharp inhale came through. That was unexpected, but it works. He squirmed a little, seemingly trying to shrug you off but quickly giving up, accepting the fact that you've got him trapped. "You imbecile, e-enough of this!" he scolded, though he made no actual effort to stop you. Noritoshi remains stiff for the most part, but looking at the back of his increasingly flushing neck reassures you that he is, indeed, alive. He's just being stubborn! Not turning or even a greeting, just rude name calling again! You raise one hand and place it over his heart to hold him tighter in your embrace. As expected, its practically pounding against his chest. He swats your hand away and finally turns back to you with those cute furrowed brows and rosy cheeks. "You're such a bully, you know that?" he huffs out, any semblance of sternness failing to take effect as his jutted bottom lip quivers. Mercifully, you finally let go and spare him by not pointing out the quiet whine he let out. He stumbles forward and turns around to face you fully, trying to keep an eye out for any more of your stunts while he catches his breath. He felt so dizzy from being in your arms, if he were held for a moment longer, he surely would've melted right then and there. Noritoshi's hands trembled as he smoothed out his clothes, his mouth opening and closing as any and all words died in his throat. He wanted to yell at you for being so forward, for giving him no chance to prepare, for letting go of him, for a lot of things..! Yet he just pouted as he tried to calm the flush on his face. His hands instantly whipped up in front of him when he noticed you took a step towards him. He can't handle another display of affection right now, he'll go weak at the knees! But how can you hold back when he's just so damn cute?

The most likely outcome is a mixture of both with a heavy leaning towards one. Either way, you're very right!! He's extremely pretty.

[thethiefandtheairbender]

Had a good chat with my partner about it today that maybe let me put a finger on what's always bugged me about "we're here to fix canon" attitudes being so prevalent in fandom (especially in the past 10ish years) throughout my life. This is not to say there's never a time or place for that (I've written fix its myself, or the occasional meta on how something could be fixed/improved) or that people are wrong to (we're anti fandom policing). It's also not an issue to me on the basis of "I love my blorbo in canon and fandom mischaracterizes them in the name of 'fixing' them" etc as it is just... coming from a fundamentally different perspective for story analysis / interaction than most (not all) people in fandom, I think.

One of the reasons I enjoyed getting my English degree was because I was finally being encouraged to and taught in alignment with what my brain had always be inclined to do: you always assume that there's a reason, and a good reason, for the story to do whatever it's doing. It assumes that the story is already exactly what it is supposed to be as it is supposed to be, and it's up to you to find the reasons Why.

The story was boring, or made you feel uncomfortable/bad, or you couldn't root for a character or relationship? All of that, at least at the beginning, doesn't really Matter. You assume that the story is paced fine, you assume the discomfort was intentional or part of something broader (historical shit that hasn't aged well) or that the dichotomy of "I feel invested or not invested" isn't useful. And in doing so, you replace all that with asking why.

An example I'll use is 1984 by George Orwell. I read that book in high school and I fucking hated it. Normally, I like the protagonist the most in anything I watch/read, but in that book, I loathed both the two leads and were actively rooting for them to be captured and tortured so the book could end faster; it was an actively miserable affair. I don't think that was necessarily the author's intention (certain amount of death of the author is baked in, but for a lot of the texts I was reading, we didn't even know the author or anything substantial about them, i.e. Beowulf) but, more importantly, I don't think any of those things are Flaws or downsides in the text.

Part of this is because 1984 is a dystopian novel (if a romcom book breaks genre convention that badly where you're miserable reading it, yeah, maybe something went wrong, but more on that in a minute) but even then it doesn't really matter on the basis of genre; I'm sure some people read 1984 and felt fascinated/excited while reading.

Rather, the focus becomes: what do I find so unlikeable about the protagonists? Why would they be written that way (on purpose)? What does it say about the society they live in? What does it say about their characterization, social stratification, etc etc? If a character does something that I think is non-sensical, why? Have I missed something? Should I watch retrospectively for clues? Is there another way to engage and to understand? Is what I label as confusion potentially a, or the, Point?

It is only after finding the reasons, and/or finding them unsuitable, that I let my subjective feelings into play. While a story can have great merit on the basis of relatability, relatability or "this aligns with my worldview / expectations / desires / etc." is not the be-all end-all of discerning quality

For example, I'm never going to be a fan of Jane and Rochester (she's 18, he's her 40 year old employer who routinely lies to her) but there are reasons, Good reasons, they get together in Jane Eyre (a book so subjectively boring I struggled through it twice) in response to both when the book was written and with the book's themes / symbols / their characterization. If they didn't end up together, it would be a fundamentally different story; it would not be Jane Eyre. So objectively, it's fine and an understandably massive influence on the western literary canon; subjectively, it's so fucking bad and I'm so glad I never have to read it again. But if I stopped there with my lack of interest or dislike of the main romance, I'd be missing out on what the text has to offer as well, the text.

This applies to more modern day stuff as well. I don't like Double Trouble from SheRa as nonbinary representation, and I'm nonbinary myself; however, I can acknowledge that the things I don't like about them were probably simultaneously empowering and exactly what the author (who is also nonbinary) wanted to be per his own experience of gender. Having a "I assume the text is right" mindset means that I can hold space for my own feelings/analysis (i.e. I also did not like Catra's arc, as I think she needed to learn other things / be written under a different lens) while holding space for the text as is (under the canonical lens of Catra learning it's never too late to be saved, I think her arc is conclusive and well done). And these two viewpoints aren't fundamentally opposed, but can coexist as analytical soup, being equally true / having equal value under the subjective (my view) and more 'objective' (the canon text's construction, or what I / the scholarly consensus, if it exists, believes it to be, anyway) at the same time.

Again, none of this is to say that you can't take issue with a canon text, or want to change something. I remember one time I was watching a show where their refusal to explore a romantic relationship between the female lead and her guy best friend was actively making the show worse; I understood their reasonings of wanting to put them with other people to explore their relationships, and wanting to emphasize a male-female friendship at the core of the story, and I still wanted them to put the two together as a Ship instead for various reasons. But that doesn't mean my line of thinking would've been Objectively Better—assuming if they had been paired together would've been executed in the manner I'd enjoy, or that them being paired with other people couldn't have been executed in ways I would've enjoyed more—merely that I likely would've enjoyed the series more per my own subjective preferences.

What I see in fandom sometimes is that people, understandably, aren't approaching at the start from a "the story always has a good reason" as much as they are speed-running from a "this didn't make sense to me or felt bad/off" and maybe examining why (which is supremely useful!) but not going back to examine the other side of the coin as to why the story would do it anyway.

Because sometimes the story—or a part of a story—is still 'bad' to us. It's just worthwhile to look at why it's 'good,' too.

[durchdenspiegel]

28.03.2024

A little over a month left to finish my BA thesis, so in reality, a few weeks to get a decent product to send to my friends to read over… I am determined to actually have a first draft at the end of the week (utopian) because I really want some space to breathe before the next semester sweeps me up again.

Roughly one third written - I‘m testing if „study with me“ videos help me stay productive long term to meet my goal 😮‍💨

[phonification]

im just being hopeful HERES WE CAN WIN GUYS (COPE)

i think. mephone4 was the first creation with shimmer energy, cobs screwed up and gave him a high dose on accident, keeping him alive after he made the show when he realized the extent of the abilities the energy granted him. later making mephoneX to be the opposite of everything mephone4 could do now that he knew how to properly manipulate the energy he was harvesting from the egg ..???

[zecoritheweirdone]

okay so i have, like. a lot of msa doodles that i just haven't posted anywhere,, mostly of aus i've barely talked about, if at all,,, and like. i've mostly been waiting on posting some of them until i writes lil smth 'bout 'em,, since i have a habit of sharing art for aus and then never doing anything with them again,,, but like. haven't been in the mood to write for a while 👍. so i might as well share 'em now instead of letting them rot,, dkdjsks. so here's a peek at what goes on inside my mind!

(the last doodle was colored by sap @/pinesented my good friend sap)

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[aroaceleovaldez]

Mark Oshiro confuses me a little bit not going to lie. In the press tour for the first book all they ever talked about was how Nico is their son and Will is fine I guess. Then they said like 2 weeks before TSATS came out that they didn't understand Will's character at all and it's one of the main reasons why Will has so little POV.

Possibly unpopular opinion but I don't think it's a good, encouraging sign when the writer admits to not really caring about the deuteragonist or not even having a sense of how to write them...

Yeah, no. If you have no interest in 1/2 of the POV characters of your book, you REALLY shouldn't be writing it (or at least, not have that be a main character). Especially when the main way TSATS could have been improved is if it was primarily Will-centric instead of Nico-centric. Will basically had next to no established character prior to TSATS! He was practically a blank slate! But all the new stuff we got for Will in TSATS was so clearly disinterested and had no regard for his previously established traits (or the established timeline/canon). Which is annoying because fleshing out Will would have been the PERFECT opportunity to actually incorporate a lot of the topics that Mark Oshiro specializes in as a sensitivity reader, which was the ENTIRE REASON THEY WERE BROUGHT ON AS A CO-AUTHOR!!!!

As TSATS stands, there is no reason for Mark Oshiro specifically to have been the co-author instead of someone else. It's so clearly just a PR move from RR following the huge backlash Rick received due to his response to criticism on how he wrote Piper and Samirah (and Reyna and etc etc). This was immediately following Rick saying he wasn't going to write what would become TSATS because "it [wasn't his] place to." Most of the topics that Mark Oshiro specializes in either weren't relevant at all to TSATS or written very poorly (to downright offensively) in TSATS, so either Mark Oshiro wasn't doing their job or was not able to do their job for some reason, but either way it basically makes the theoretical justification for Mark Oshiro being the co-author/sensitivity reader irrelevant.

With Will, it was HUGE fanon back in the day for him to be trans. Trans!Will and photokinesis!Will were basically the two biggest headcanons for him (both largely popularized by Cherryandsisters). We know Rick is aware of this old fanon because he canonized photokinesis!Will. If we had gotten trans!Will, that would have been great! And then made sense why we specifically got a trans co-author! (Instead, if anything, TSATS canonized Will being cis.) If we had gotten Will being latino, that would have been amazing!!!! And also then made sense as to why they chose Mark Oshiro for the job as a latinx author/sensitivity-reader, versus potentially choosing an Italian co-author since Nico being Italian/Venetian was emphasized so much in the book (and done poorly! Yknow what they could have done to fix that? GOTTEN A SENSITIVITY READER FOR IT)! Based on the themes and focuses actually present in the book, it would have been most logical to get a queer, neurodivergent, Italian co-author or sensitivity reader who specializes in those three topics at least. But we didn't! So why was Mark Oshiro chosen instead when they only specialize in one of those topics? PR reasons. It's blatantly entirely PR reasons and no actual thought or care was put into this book (or, likely, TSATS 2 either).

It doesn't help that we're also actively being told that the published version of TSATS was a rough draft. Or that their editor blatantly isn't doing her job. Or that "The Sun And The Star" was the working title that they just kept cause they didn't bother to make an actual title. And that the final version is full of explicitly last-minute scenes that weren't checked over at all (the final Bianca scene, for one). Or the ACTIVELY ADMITTING TO SOURCING IDEAS AND INFORMATION FROM FANS! That last one is kind of important because at this level of publishing that is a HUGE no-no for legal reasons. You can get into a lot of trouble for that and there is a reason why it is Ye Olde Fandom Law to never try to pitch your ideas or headcanons to the source creator(s) and keep fandom separate from the creators. There is a REASON why Rick Riordan is so distant from the community these days and it's for PROTECTION AGAINST LEGAL REPERCUSSION. Mark Oshiro being the exact opposite while also ACTIVELY ACKNOWLEDGING sourcing concepts from fans does not bode well! It has to do with copyright stuff.

It's just. So. Sighhhhhhhh >->o <- me lying on the floor about all of this. It's sad being able to see the glimmer of what could have been at the very least a decent book underneath all this. If anyone involved in the process had actually cared just the tiniest amount.

[salty-an-disco]

[Approach the mirror]

...

It's You.

Something finds me in The Long Quiet, and brings me the gift of a fragile vessel.

It approaches me. Feathers cover its eyes. It cannot see me, and I cannot see it.

And something else. Something that seems similar to me, though not familiar. It occupies a space that isn’t occupied either by me or you.

It speaks words to me. I’m sorry, I don’t understand them. Though we are similar, we speak in different dialects.

You though. Though you don’t speak, your words are the same as mine. I can understand them. Can you understand Him?

I see.

These stories help widen my horizons and fill the creeks within my knowledge. And may yet make this language He speaks on known to me.

This one is short and sweet. She doesn't know anything of the world other than the kindness and mercy you showed her. Her hopefulness and curiosity born out of inexperience is something that'll never leave her. She will make for an open heart.

Do not mourn her. Her story has only begun.

[gemharvest]

(id in alt - do not repost, please ask before using as icon/ banner etc.)

habby pride. it says, 12 days in.

[bayetea]

I don't like the judo flip in moa as much as the next guy but in my eyes it's largely the result of rick not taking female violence half as seriously as male violence (a result of viewing women as weaker and inferior to men such that their acts of violence don't need to be taken as seriously) and not so much anything about annabeth herself. like I do genuinely feel that annabeth is a complex heroine and definitely one of the better ones in the realm of ya action-adventure fiction produced in the past 25 years but she is still a girl being written by a man and all I'm saying is that her writing clearly reflects that sometimes (more in tags)

[anonymocha]

finally coming out as a dyke in 2023 is realizing i dont need to pretend to simp that Guy just because everyone else in my friend group does