#(( THIS ASK IS ALREADY TOO LONG AS IS!

[just-null]

Do you ever do requests? If so, do you ever plan on drawing some Yandere with the Hantengu clones? :D hope you have a good day/night!!!

Mentioning an unfamiliar name

yes!! I love yanderes.. and these guys.. these guys are such good material...... nods nods..

I'm not sure about requests..I assume you mean drawing requests? I suppose if it REALLY catches my interest enough, I'd do it, but it'd probably just be line art/sketches.

[choccy-milky]

Hello! When your Seb x Clora pregnancy one-shot is complete, will it be on ao3 or wattpad? (or both?)

waiting with bated breath btw

not pressuring a finish tho, take ur time Choccy 🥰

it'll be on both ao3 and wattpad!! and omg ik its taking long IM SORRRY, its bc its gonna be way longer than i expected LMAO, i just recently finished my outline and the outline ALONE is 41k words💀and im currently at 8.3k written😩🙏 IM GLAD YOU'RE LOOKING FORWARD TO IT THO🥹💖💖i defs hope to get it finished by this month or die trying...but heres a lil sneak peek in the meantime of impatient seb who cant wait to bring baby celeste into the world LMAO🤰👼

(seb is a freak but so is clora)

[pipinpali]

Freezy chilly sleepy cold cold

This took,,,,far too long for what was supposed to be a little doodle,,,, ,

Bonus doodle under cut

[ew-selfish-art]

Dp x Dc AU: Danny and Tim are twins- And Vlad is the first to figure this out in his attempts to get DavlCo a new investor.

---

Tim was getting the creeps from this guy. It was as if the room got colder, the seconds got longer and the room's shadows moved to their own volition. He stared Tim down less like 'You punk kid' and more like 'You'll be mine' in a way that Tim didn't appreciate. At all.

The guy kept setting meetings up despite Tim's direct insistance that Wayne Enterprises would never touch DalvCo- not with a ten foot pole or for all the money in the world. Some how Tim's board of directors kept getting swindled by the guy and... therefore more meetings. More looks from this guy that made him want to crawl out of his skin.

Vlad asked him if he ever went by Timothy- Tim couldn't reply "that's not my name" fast enough. It apparently inspired the guy somehow. More meetings that Tim can't reject because of board members pop up.

It's been long determined that Jason doesn't get involved with Wayne Enterprises, but after the Uncle and a few other paid-actor solutions go up in flames- Tim decides to call up his older brother to act as a bodyguard and tell this guy to fuck off for the final time.

Jason apparently also gets the Heebee-jeebies from this asshole but his message is loud and clear to Vlad. There's a flash of green and then all of sudden it's just Tim and Jason in the room... Only Jason isn't acting like himself.

Putting it together- Tim reaches for his contingency F stash of Knock out gas and doses Jason. Vlad doesn't re-appear so Tim assumes that to mean that he'll be trapped in Jason's person until Jason wakes up.

Walking out of the meeting room with his bus of a brother over his shoulders- Tim quickly asks Tam to reach out to Vlad's Emergency contact. Surely there is someone in this man's company willing to explain what the fuck Vlad was trying to pull. Tim theoretically can keep Jason drugged asleep for a long time- surely that threat can get him somewhere.

The day drags on as Tim continues to keep Jason unconscious and eventually Tam lets him know that someone is here for Vlad. She says it with the addition of one of their codes- He mentally prepares himself for the worst and then... His doppleganger walks through the door? What the fuck?

Tim and Danny puzzle about one another for a little too long and Jason wakes up- Vlad pops out immediately. A shouting match between Danny and Vlad commences and...

"Man I knew our family had unresolved issues but seriously what the fuck has your clone dealing with?" Jason asks, as though he could watch this all day with pop corn.

"You made more clones?!" Danny screamed at Vlad who's only response is "Not this one! This one is actually polite!"

"Fuck you!" Tim and Danny reply in tandem.

[zu-is-here]

I wanna see more of Aim being a dad!!

And that's how you become a dad :D

Crazy Lace by clownyclowns

[charlie-rulerofhell]

Pick up the pace, pack up the gear Gimme some face, a souvenir Here come the gays, here comes the fear Now we're having fun

[bigfootsmom]

I don’t think you realize the impact you will have on me as an individual when you put grandpa Bobby on my screen, seismic event fr fr

You’re welcome and or I’m sorry? One of grandpa Bobby’s favorite things to do when Annie is still an itty bitty baby is narrate his cooking process to her <3

[elliethefroggy]

Picture this:

Tommy and Buck do not get straight back together after that first failed date. Buck doesn’t tell Eddie that it was a failed date, doesn’t tell Maddie about Tommy. He’s a little more insecure and never asks Tommy to meet him at the coffee shop.

Tommy is reunited with the 118, starts getting invited to all the barbecues, he’s still spending time with Eddie.

And Buck is on the sidelines trying not to be awkward, trying not to get in Tommy’s way and accidentally make Tommy uncomfortable, all the while trying to hide his longing glances every time he spots Tommy.

During all this, Buck is working on the new part of his sexually that he’s just uncovered. Maybe there’s a small reappearance of Buck’s 1.0 era where he sleeps around a bit with random men, excited to explore his bisexuality. But that probably doesn’t last long, because what our boy really wants is a long-lasting connection with someone. So the hookups, though fun and exiting and new, don’t last long, and he starts going on dates with men who are not Tommy.

Eddie and Tommy are still going to be hanging out together, only now Eddie thinks that Buck was feeling left out, so Eddie starts inviting Buck along with Tommy, and Buck can’t say no, because saying no would mean explaining just what happened between him and Tommy, and Buck’s probably a bit embarrassed by how he behaved at that restaurant.

And though Buck is still being a bit awkward, all that exposure to Tommy is going to make him relax a bit, and he’s going to get more and more comfortable around Tommy, more and more himself. Unfortunately spending all this time with Tommy is going to make him realise just how incredibly cool Tommy is (as if Buck didn’t already know) and how fun it is to hang out with him, and the longing glances are still there, but he’s hoping they’re discreet and he’s desperately trying to avoid checking out Tommy’s ass because Tommy ended things with him, and he’s trying to respect Tommy’s decision no matter how good Tommy’s ass looks in jeans.

Meanwhile Tommy is having the exact same problem. He’s getting to know Buck better, and the more time he spends with Buck the more adorable he thinks Buck is. But Tommy figures ‘wrong place, wrong time’, and keeps his own longing glances to himself while being quietly disappointed by what could have been.

Buck’s going to start coming out to people. Does he tell them that Tommy was the one who helped him discover his attraction to men? Does he keep it to himself? He’s far too earnest and honest, but at this point, Tommy has probably been hanging out a lot more with the 118, so maybe Buck doesn’t say anything because he doesn’t want it to be weird especially for Tommy (Buck remembering how Tommy said he was jealous of how close the 118 is, and Buck not wanting to ruin Tommy’s chances at also getting that closeness).

Buck’s going to be out and proud, having done a speed-run through his sexuality crisis, and has no problem talking about his dates with the 118.

Eventually, they’re all going to be at a gathering or something with Tommy there as well. Someone is going to casually ask Buck how one of his dates went, and Tommy is going to silently piece together that Buck went on a date with a guy, and everyone seems be aware of the gender of that date.

And Tommy’s going to be even more disappointing because, in his eyes, Buck is moving on from him, and maybe Tommy’s also a little jealous that it took so little time for Buck to come out of the closest, something that took Tommy decades to do.

But Tommy and Buck are going to be around each other more and more, always with someone from the 118 as buffer. And as they hang out, they’re going to get closer and closer, their crushes on each other getting bigger and bigger as it gets harder and harder to force themselves not to flirt with one another. These two have incredible chemistry together; it’s going to be impossible for them not to unknowingly flirt with each other. Maybe sometimes they accidentally slip up and get close enough to flirting that Hen starts side-eyeing them. Tommy will probably clock the times Buck slips up because he’s pretty observant like that, though he’ll try not to get too hopeful.

Then one night, when they’re meant to be hanging out with Eddie, Eddie bails on them at the last minute, so last minute that Buck and Tommy are already at the bar (maybe it’s trivia night karaoke). And for the first time since the disastrous date, they are alone together.

Maybe Tommy finally congratulates Buck on coming out and on doing it so gracefully (compared to Tommy who took years to work up the nerve).

Buck will bring up their disaster date, saying that he could have used a lot more grace that night.

Tommy will respond “You’re doing pretty well from where I’m sitting,” while trying so hard not to flirt even though he desperately wants to (Buck would also be struggling not to flirt).

And maybe Buck will mention that he could be doing a lot better actually, and then Tommy will ask what Buck means by that.

Buck will say that despite his best efforts, he still can’t stop thinking about Tommy, “You’re kind of hard to get over,” he’ll add.

“The feeling’s mutual,” Tommy will say, though he’ll probably say something way smoother than that.

“Yeah?” Buck will say, all hopeful, though trying to damper that hope.

“Yeah, I mean, you’re a catch,” Tommy will say, taking one hopeful figurative step to what they both want.

And before Tommy can regret what he said or try to retract it, before he can take that small step back, Buck will take a gigantic leap of faith “Want to try again?” he’ll ask, putting his hand on the table, near the centre, waiting to see if Tommy will meet him halfway.

Tommy will hesitate because he’s cautious regarding his heart. Buck will add “I promise not to mention anything about picking up chicks this time,” all earnest just like he always is. And Tommy will smile, and place his hand over Buck’s on the table, because how could he refuse Evan.

(And then they go make out in the car park)

[holy-reference-in-a-username]

POINTS

ANOTHER POLYSWORLD ENJOYER /pos

REJOICE!! POLYWORLD BE UPON THEE!

[soundleer]

*Gives Simon some sushi. Most of it is raw fish and tempura shrimp to help with cravings. Includes wasabi, ginger, and soy sauce. There's wood chopsticks aswell.*

Here you go! I heard you struggle with heavy meat cravings, so I thought I'd give you a light lunch to help ^^!!

[simon didnt expect anyone to acknowledge his overwhelming difficulty of his cravings...]

[he sighs in relief and accepts the offering, happy that he got something to tranquilize his raging carnivorous desires... at least for now]

therapeutic sushi :33 🍣

[newttxt]

hi quip! i really like your one piece comics and i am curious how you do them! i'm not good at comics and want to be better at drawing them! how do you learn how to make comics?

thank you!

uh oh... im afraid u have caught me at the perfect crossroad of "bored at work" and "unrelated task ive been meaning to do but keep putting off."

this is long. i hope you like reading (and grayscale progress pics). and of course!!! disclaimer before we begin that this is just how I, personally draw comics. there is no "right way."

quip's comic-making process!

Switching my typing to make this more legible...

My process can kinda be broken down into 6 steps:

Brainstorming

Thumbnailing

Sketching

Panels & Text

Lines

Tones/Colors

1. Brainstorming

My brain is a leaky sieve on a good day, so I sloppily jot down ideas in my phone notes the moment I have them. This helps me when it's time to draw too, because if I feel art blocked, I can look through old concepts and see what catches my interest.

Otherwise, I love drawing for other people's writing. :) And if worst comes to worst, doing manga/comic page redraws in my style teaches me new things every time.

Once I have my idea, I'll usually make a bulletpoint list of "plot points" or "story beats" I want. Then I plan the comic with this format that I've adapted from a tutorial I read once. I'm going to use my most recent comic (original comic post) as an example.

I start in the third column, writing notes of what I'd want to see in each panel. I also include the dialogue (in this case, I didn't have to write the dialogue! it's from the fanfic linked in the original comic post!). I usually write the whole name like [Luffy:], but at this point I've drawn so much of these guys, just the first letter works.

I like to handwrite these notes to get an idea for how much text I'm putting in a single panel.

After I describe all the panels, I go back and separate them into pages. I can't tell you how to know how many panels to a page. It's whatever works for you. I just kinda know about how big each panel will be, and so I can feel when I'm probably running out of space. (Also. You can change things later. I don't in this example, but I add/drop pages/panels all the time.)

2. Thumbnailing

Thumbnailing—as the name suggests—should be done tiny. Too tiny to accidentally get sucked into details.

This is about marking down blobs where items/characters go, and figuring out the paneling. I'll draw and redraw these a bunch of times too.

This is also the most time-consuming/brain-working part for me. If I were in a zine that did progress percentage, I'd try to finish thumbnailing around the 50% mark (but I'm also a moderately fast artist, so your mileage may vary).

I think the terrible quality makes them charming, actually. I really like how silly they look. :')))

I will add, when you draw your "page" rectangle, make sure it's the same proportions as your actual canvas for the final image. You want an accurate idea of how much space each panel will take up, especially if you have a lot of text.

3. Sketching

This is my most recent change to my usual workflow, and it's saving me a lot of time. I make my thumbnails a bit bigger (each one about half the size of the final canvas), and I sketch these basic body forms right over them.

It just helps give me placement for my actual lines!

I usually draw these in a paleish color so I can lower the opacity and not get distracted by them while lining. The random darker parts are to either help keep two forms separate (like when two characters have their limbs all over) or to better define sections that were too sloppy/poorly proportioned.

I also think this helps my poses stay looser, because I have more dramatic/wriggly shapes that aren't too bogged down by proportions yet.

Sidenote: I CANNOT show this here, but sometimes this is when I take videos. Of myself. I prop my phone camera up and shoot a video of me acting each panel. :/// It looks really dumb, but it also shows me fun body language ideas like hand gestures, expressions, weight distribution, etc. Just pretend you're an overdramatic cartoon character, and try not to worry about your roommates or mother walking in on you doing odd things. (You can also use the video for anatomy reference later, but I usually just capture the vibe and don't try to copy the actual video frame.)

4. Panels & Text

Oh, boy. So, the panels are usually just straight lines (though it's fun to make creative exceptions, like a round panel to mimic looking through a spyglass), but there are some fancy rules that I don't strictly adhere to.

I believe (I have no technical training in this. Take everything I say with a grain of salt) the vertical gaps (between two side-by-side panels) should all be a consistent width and the horizontal gaps (between two panels on top of each other) should be another. The vertical ones? Should be thinner? Because you want the eye to easily glide between them, whereas the horizontal gaps should be a visual barrier to keep you from jumping ahead. Just something I've vaguely noticed.

There are lots of fun "default layouts" you can look up. Or keep it a consistent grid. I think it's fun to sometimes have characters/objects sticking out of panels and overlapping others. This is just a matter of taste, creativity, and inspiration. (Read Witch Hat Atelier... It has some of my favorite paneling...)

You may also notice I have already done the speech bubbles. This is, to me, a crucial step. This helps me catch early if I don't have enough room for all the words. It also lets me plan the art in each panel with the speech bubbles in mind. There's nothing worse than working really hard on a panel, and then you realize there's no room for the bubbles.

I also try to lay them out in a way that guides the eye! Even without art, can people tell where to go next? Better yet, if I want people to look at panels out of order (aka not left to right, in my case), can I use the speech bubble path to make them? Here's just a vague example of what I mean.

As an added bonus, doing speech bubbles early also allows me to be lazy! :) Ignore the comic; I'm not supposed to post it yet oops,, There's a whole lot of drawing to do on each comic page, and I am not wasting my time on stuff that will be covered up. So yes, if I hide my bubbles, there are a lot of unfinished lines trailing off into nothing. (As a bonus, if there's a part of a character you're struggling with—and it won't look weird to do so—you can move speech bubbles to just hide the problem area yayyy)

Making the actual bubbles could be their own whole tutorial, tbh, but there are some general guidelines I use.

Zoom out when you choose your font size. You want to know how it will look to the average reader, so it isn't super teeny tiny or way too big. You generally want to keep the same text size for all your pages/bubbles.

When I draw bubbles, I try to size them about one vertical letter height (and some change) around the words [left side]. This isn't always the case though, because humorously large or funny shaped text bubbles can convey different feelings [right side].

On Procreate, I set my bubble lines to Reference and just drag-and-drop the white fill on a separate layer below the lines. (Remember to turn Reference back off again when you're done, or your fill bucket won't work right when you're drawing.)

To get the white outlines I use to keep the bubbles from cluttering up the art, I literally just Gaussian blur an all-white copy of the lines + fills... and then I copy and merge it 5 times until it's opaque enough. This is a terrible way to do it, but it works for me. :')

5. Lines

This is the part that I can't tell you how to do. I literally just. Draw right over my wacky sketched body forms. Boom. Comic drawn.

I'll make three suggestions:

Don't focus on making every panel perfect. Give a little extra love to big ones or ones you want people to linger on. Otherwise, know that people are typically speeding through the art. It's way more important to focus on storytelling than art technique. In my opinion, a good story that's told well will always be better than a beautiful one told poorly. (Some comics are beautiful AND well-written... Alas, I am just a hobbyist who needs to get the ideas out of my head at top speed.)

Put your background lines on a different layer. Put your foreground lines on a different layer too, if you have those. Basically, I try to keep the main part of each panel (usually a character or object) on my lines layer so I can erase background/foreground/etc lines to ensure clarity/focus.

You can make background lines lighter colors too. I have too many numbers sorry. (1) Background. The stuff that's farthest away. Lightest lines. Few details; more focused on shapes and the suggestion of a background (I'm not good at backgrounds). (2) Midground. Same distance away as the characters are. Lines can be black. (3) Also midground, and also the same distance away. But they're very detailed, so I lighten them so they aren't so distracting. (4) The characters. Black lines for focus. For people who haven't seen the comic, I swear they are just hugging. This is SFW. D:

6. Tones/Colors

Do not. Do NOT ask me. I don't understand colors. I hate working with them, but I try because I want to improve. I hate doing anything beyond the simplest grayscale shading. Please go elsewhere for your coloring/tone advice. This is how my color picker looks 95% of the time. I have pre-set "percentages" of black that I got by lowering the opacity of a black layer and just color picking it. I don't even know the exact percentages I used. Good luck out there. Be better than me.

7. Sharing

This is a bonus step that I didn't mention earlier, but it's actually the most important of all of them.

You need a friend. Or maybe a groupchat or discord. A family member or coworker if you're really close like that. I don't know.

Find SOMEWHERE you can spam wips and be cheered on. Drawing comics takes a while, especially if you're trying to tell longer stories than I'd dare to attempt. If I don't force someone to praise me for every line I draw, I shrivel up and die.

Also if and when you post online, add alt text. I'll admit I'm the first person to complain and drag my feet on this, and I literally use a screenreader myself when my eyes hurt (strong prescription glasses wearer). Comics should be accessible, because stories are fun and everyone should be able to enjoy them.

***

Learning???

And I guess lastly, how do you learn to make comics? Two steps: 1) read them and 2) make them. This is the tragedy of creating things.

1) Reading them: I grew up reading comic strips, western serialized comics, and webcomics. I've always loved graphic novels too. Then in late middle school, I started reading manga (Death Note and Haikyuu were my first two), and now I'm trying to read more webtoons (sorry im so slow bree)!

I also... mass-consume doujinshi, thanks to proxy mailing services and bilingual friends/Google Translate/knowing some Korean. (I have an entire bookshelf of doujin, actually,,)

The thing is, it's not usually enough to just read comics. You also need to be thinking. :/ I notice paneling, comic devices, clever comedic timing, etc. as I go. It's just a lot of studying/learning while also enjoying the story.

2) Making them: You just have to start. :( Even if you think they're "bad." My first comics were actually just drawings placed randomly all over the page, connected by speech bubbles (yay... I was already practicing how to place bubbles to lead the eye around the page...). I was going to post a pic here, but I'm a coward. Backscroll my account and you can find some older ones though.

I also know my art in general improved dramatically when I did ten comics in ten weeks for my friend's fic. Don't do this. It hurt my hands/wrists. But do practice in moderation.

***

If you actually read all that... I hope it made even a modicum of sense. And maybe it was even helpful? Just know at the end of the day, there is literally no right way to draw a comic.

And if you aren't ready to go for it yet, you can start by just adding a couple speech bubbles to your illustrations or doodles! It's a way to add storytelling and dialogue writing to things you may already be making.

Yay. I love comics. :))))

[poorly-drawn-mdzs]

ORV is about enduring the horrors in real time.

(for @everyonesfavoritebastard)

[starrysnowdrop]

Heyo! So I happened to see your recent ask response regarding Zenos randomly, and, honestly, I'm kind of curious on what people miss about his character! I'm not a personal big fan of him(ngl he kind of creeped me out with his, projecting himself on the wol it felt like? Note I say that as a WHM main who plays as truly heroic WoL(s) most of the time admittedly, so most of his stuff made me go no? alot XD I don't mind people who do like him tho! They're cool!), but I'm interested in understanding him better if possible, cause I know I miss things that others don't and I don't think I've seen anyone explain his intricacies without being somewhat rude about it, but you explained what you did without coming off as that. So I'm kind of curious on that essay you almost wrote if you'd be alright writing it XD (Sorry for being on anon, I am, very shy qwq)

In case you’re not familiar with what this anon is asking about, this is in response to my answer to this ask HERE. Feel free to go read that one and come back!

So, I first want to say thank you for being brave enough to reach out to me about this, even on anon!! I’m really glad that you didn’t find my comments to be rude, as that is the very last thing that I would want! If anyone did find me too abrasive in my previous post above, then I wholeheartedly apologize for that. I would never want anyone to be afraid to reach out to me because I came off as rude at some point, so I appreciate you letting me know that you didn’t think I was. 💖

Alright, now let’s get to the topic at hand: Zenos, and why I truly think that he is the most misunderstood character in FFXIV.

Zenos: The Most Misunderstood Character in FFXIV

((I wrote way too much, so it’s under the cut.))

Alright, so let’s start with what I have seen as the popular take on Zenos that I see as wrong: A lot of players see Zenos as a one dimensional character that has no depth, and doesn’t have a character arc in which he grows as a character. They see him as the annoying antagonist who has a battle boner for the WoL and that’s it. They only see his bloodlust and nothing else. They don’t think there is anything else to him, and that’s where I must strongly disagree.

So, how is he not a one dimensional character? Well, that’s because he really is a complex character, but you need to be paying close attention to what Zenos is actually saying and what his actions are throughout the story.

One can piece together Zenos’ complexity purely from watching the cutscenes, but just in case anyone is curious about going into more depth on his backstory, then I highly recommend that you go read his side story from the Chronicles of Light book entitled “The Hunt Begins”. It shows how Zenos was raised, and it reinforces why he thinks the way that he does.

Without going into his backstory too much, for brevity's sake, Zenos is actually a prodigy, someone who was born with not only incredible strength, but also incredible intelligence, and you know what happens when gifted kids don't get enough of a challenge? Yup, they get easily bored. So keep that in mind as we move along. Now, mix that boredom with a good dose of Anhedonia, or the inability to experience pleasure or joy. Now we aren't sure if he was born with Anhedonia, or if he acquired it through some mental health condition, such as PTSD, depression, etc. I'm no psychologist whatsoever, so I'm not here to diagnose Zenos with any particular disorder, but it is clear that he suffers from the lack of feeling joy or pleasure in his life.

This is actually what characterizes Zenos the most when we first are introduced to him in 4.0; he is suffering from Anhedonia AND Ennui, which according to Webster's Dictionary, is not just a feeling of weariness and dissatisfaction, but its a profound sense of boredom that arises from feeling jaded with one's life.

Zenos is suffering from a lack of joy and pleasure in his life, seeing the world as meaningless and dull, and he has found only one sole pleasure in all of it: The Hunt*. But what he means by The Hunt, is that he wants to fight the most challenging foes, challenging enough that he must put his all into the battle and be pushed to the brink of death. Only this kind of challenging battle will give him any sense of joy at all. For him at this point, there has been nothing else which has brought him joy, so he seeks out this sole pleasure.

And THAT is what Zenos' motivation is. He is not mindless in his pursuit of battle. His bloodlust stems from the desire to feel some kind of happiness at all, and unlike what some might think, not any foe will do. Zenos does not fight mindlessly against anyone at any time. That is not true. If an enemy is no threat to him, unless they purposely get in his way, he will not fight them.

This is true from the first time you see Zenos on the battlefield. At Rhalgr's Reach, Zenos sought out only the strongest fighters there, and two of them (Lyse and Y'shtola) got in his way first, and he defeated them easily. When he fights the WoL, the one who he has heard so much about, and definitely the strongest opponent among them, he becomes curious and hopes that we will give him what he wants. But in that first battle with him, he swats the WoL away like a fly, and they pose no challenge to him at all, to which he calls them "Pathetic", and then he immediately leaves, ultimately disappointed.

Note that Zenos had every opportunity to kill Lyse, Y’shtola, and the WoL if he wanted to, but he doesn’t. He leaves them alone after he defeats them. That’s not the sign of someone who is so sadistic that he’s only out for blood. The fact of the matter here is that Zenos is trying to feel something from battle, something that he has never experienced before: pure joy.

Zenos doesn’t experience this joy until he fights the WoL again several times; first he gets just a hint of it, a tiny spark, when the WoL breaks a piece of his helmet off, and he feels it even more later on when Zenos fights the WoL in the Ala Mhigan throne room. This is when Zenos goes into his monologue before he releases and takes over Shinryu, and note that the joy and pleasure he is describing seems to have a sexual tone to it, which I promise I have a point to make about that in a bit.

After the battle with Zenos as Shinryu, he finally feels the joy that he has never felt in his entire life, and because he doesn’t think he’ll ever feel anything like it ever again, Zenos takes his own life, happy to have played a bit part in the story of his “first friend”.

But as we know, Zenos doesn’t stay dead. He finds himself alive once more, and he has a singular goal: to feel that pure bliss, that overwhelming joy that he felt when he fought the WoL in the Royal Menagerie in Ala Mhigo. From ShB through EW, Zenos’ goal doesn’t change, but he does change in his understanding of what it means to have a “friend” and how he can feel happiness.

During EW, Zenos has several scenes where his understanding of his feelings seems to grow, and though that sexual tone to his descriptions of what he’s feeling towards his battle with the WoL is still there, I would argue that over time, it seems to have more and more of a romantic tone to it as well. And with this shift in his tone when describing his feelings, he also seems to question his understanding of it all.

Zenos’ character growth is the whole point of two very important scenes: the Scions and Jullus encountering Zenos in Garlemald while fighting the blasphemies, and later when Zenos goes to the Royal Menagerie alone. The first of these scenes reinforces the themes of EW with Zenos’ philosophy of life, but it is also the first time that someone says something that makes Zenos question his beliefs.

Alisaie’s words to Zenos hit him hard, and Zenos goes back to the Royal Menagerie, to the scene of where he had his one transcendent moment, his one time in his life when he felt joy, pleasure, and happiness. He realizes in this moment that, whatever you believe Zenos’ true feelings are for the WoL, which I personally argue that it is love that he feels for them, but regardless, Zenos cannot continue to be selfish and only think about his own wants and desires. He must act selflessly, and assist in the WoL’s battle against the Endsinger and stop the Final Days, in order for the WoL to give him what he wants in return. He finally realizes that it’s this give and take, this reciprocation between people, is the key to building bonds with others… Zenos finally learns what it is to be a “friend” to someone. After this moment, Zenos goes to Sharlayan to find a way to help out the WoL in their mission to save the star, and to finally be a friend to them.

And you know what that is? That’s growth. That’s having a character arc. That’s Zenos in all of his complexity. Which I still say that it’s perfectly fine to not like his character, but I only wish that people would not like him with a clear understanding of what he really is, and not what others think he is.

Alright, I think I have blabbed on long enough, but I hope that I have answered your question anon! If you need me to clarify anything further, please don’t hesitate to ask me! Thank you so much for your ask anon, and thank you to all who have read this! 💖

[clownsuu]

Mini psa:

Please stop comparing my au to a preexisting au in the undertale fandom-- it's getting really tiresome and frustrating to constantly be compared to it

[invye]

I have watched all of three episodes of House MD and I am delighted to report I am absolutely sold on this asshole and his secretly-just-enough-of-a-bastard best friend.

House: *says the most out of pocket sarcastic thing*

Wilson: *rolls with it without even blinking*

I see through you and what I see is love and devotion.

[fireyartccoon]

ok so I might’ve forgotten to get something ready for Wednesday BUT-

you can have Nine and Chaos Sonic from my Sonic Prime AU being siblings instead