Dp x Dc AU: Danny and Tim are twins- And Vlad is the first to figure this out in his attempts to get DavlCo a new investor.
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Tim was getting the creeps from this guy. It was as if the room got colder, the seconds got longer and the room's shadows moved to their own volition. He stared Tim down less like 'You punk kid' and more like 'You'll be mine' in a way that Tim didn't appreciate. At all.
The guy kept setting meetings up despite Tim's direct insistance that Wayne Enterprises would never touch DalvCo- not with a ten foot pole or for all the money in the world. Some how Tim's board of directors kept getting swindled by the guy and... therefore more meetings. More looks from this guy that made him want to crawl out of his skin.
Vlad asked him if he ever went by Timothy- Tim couldn't reply "that's not my name" fast enough. It apparently inspired the guy somehow. More meetings that Tim can't reject because of board members pop up.
It's been long determined that Jason doesn't get involved with Wayne Enterprises, but after the Uncle and a few other paid-actor solutions go up in flames- Tim decides to call up his older brother to act as a bodyguard and tell this guy to fuck off for the final time.
Jason apparently also gets the Heebee-jeebies from this asshole but his message is loud and clear to Vlad. There's a flash of green and then all of sudden it's just Tim and Jason in the room... Only Jason isn't acting like himself.
Putting it together- Tim reaches for his contingency F stash of Knock out gas and doses Jason. Vlad doesn't re-appear so Tim assumes that to mean that he'll be trapped in Jason's person until Jason wakes up.
Walking out of the meeting room with his bus of a brother over his shoulders- Tim quickly asks Tam to reach out to Vlad's Emergency contact. Surely there is someone in this man's company willing to explain what the fuck Vlad was trying to pull. Tim theoretically can keep Jason drugged asleep for a long time- surely that threat can get him somewhere.
The day drags on as Tim continues to keep Jason unconscious and eventually Tam lets him know that someone is here for Vlad. She says it with the addition of one of their codes- He mentally prepares himself for the worst and then... His doppleganger walks through the door? What the fuck?
Tim and Danny puzzle about one another for a little too long and Jason wakes up- Vlad pops out immediately. A shouting match between Danny and Vlad commences and...
"Man I knew our family had unresolved issues but seriously what the fuck has your clone dealing with?" Jason asks, as though he could watch this all day with pop corn.
"You made more clones?!" Danny screamed at Vlad who's only response is "Not this one! This one is actually polite!"
"Fuck you!" Tim and Danny reply in tandem.
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Picture this:
Tommy and Buck do not get straight back together after that first failed date. Buck doesn’t tell Eddie that it was a failed date, doesn’t tell Maddie about Tommy. He’s a little more insecure and never asks Tommy to meet him at the coffee shop.
Tommy is reunited with the 118, starts getting invited to all the barbecues, he’s still spending time with Eddie.
And Buck is on the sidelines trying not to be awkward, trying not to get in Tommy’s way and accidentally make Tommy uncomfortable, all the while trying to hide his longing glances every time he spots Tommy.
During all this, Buck is working on the new part of his sexually that he’s just uncovered. Maybe there’s a small reappearance of Buck’s 1.0 era where he sleeps around a bit with random men, excited to explore his bisexuality. But that probably doesn’t last long, because what our boy really wants is a long-lasting connection with someone. So the hookups, though fun and exiting and new, don’t last long, and he starts going on dates with men who are not Tommy.
Eddie and Tommy are still going to be hanging out together, only now Eddie thinks that Buck was feeling left out, so Eddie starts inviting Buck along with Tommy, and Buck can’t say no, because saying no would mean explaining just what happened between him and Tommy, and Buck’s probably a bit embarrassed by how he behaved at that restaurant.
And though Buck is still being a bit awkward, all that exposure to Tommy is going to make him relax a bit, and he’s going to get more and more comfortable around Tommy, more and more himself. Unfortunately spending all this time with Tommy is going to make him realise just how incredibly cool Tommy is (as if Buck didn’t already know) and how fun it is to hang out with him, and the longing glances are still there, but he’s hoping they’re discreet and he’s desperately trying to avoid checking out Tommy’s ass because Tommy ended things with him, and he’s trying to respect Tommy’s decision no matter how good Tommy’s ass looks in jeans.
Meanwhile Tommy is having the exact same problem. He’s getting to know Buck better, and the more time he spends with Buck the more adorable he thinks Buck is. But Tommy figures ‘wrong place, wrong time’, and keeps his own longing glances to himself while being quietly disappointed by what could have been.
Buck’s going to start coming out to people. Does he tell them that Tommy was the one who helped him discover his attraction to men? Does he keep it to himself? He’s far too earnest and honest, but at this point, Tommy has probably been hanging out a lot more with the 118, so maybe Buck doesn’t say anything because he doesn’t want it to be weird especially for Tommy (Buck remembering how Tommy said he was jealous of how close the 118 is, and Buck not wanting to ruin Tommy’s chances at also getting that closeness).
Buck’s going to be out and proud, having done a speed-run through his sexuality crisis, and has no problem talking about his dates with the 118.
Eventually, they’re all going to be at a gathering or something with Tommy there as well. Someone is going to casually ask Buck how one of his dates went, and Tommy is going to silently piece together that Buck went on a date with a guy, and everyone seems be aware of the gender of that date.
And Tommy’s going to be even more disappointing because, in his eyes, Buck is moving on from him, and maybe Tommy’s also a little jealous that it took so little time for Buck to come out of the closest, something that took Tommy decades to do.
But Tommy and Buck are going to be around each other more and more, always with someone from the 118 as buffer. And as they hang out, they’re going to get closer and closer, their crushes on each other getting bigger and bigger as it gets harder and harder to force themselves not to flirt with one another. These two have incredible chemistry together; it’s going to be impossible for them not to unknowingly flirt with each other. Maybe sometimes they accidentally slip up and get close enough to flirting that Hen starts side-eyeing them. Tommy will probably clock the times Buck slips up because he’s pretty observant like that, though he’ll try not to get too hopeful.
Then one night, when they’re meant to be hanging out with Eddie, Eddie bails on them at the last minute, so last minute that Buck and Tommy are already at the bar (maybe it’s trivia night karaoke). And for the first time since the disastrous date, they are alone together.
Maybe Tommy finally congratulates Buck on coming out and on doing it so gracefully (compared to Tommy who took years to work up the nerve).
Buck will bring up their disaster date, saying that he could have used a lot more grace that night.
Tommy will respond “You’re doing pretty well from where I’m sitting,” while trying so hard not to flirt even though he desperately wants to (Buck would also be struggling not to flirt).
And maybe Buck will mention that he could be doing a lot better actually, and then Tommy will ask what Buck means by that.
Buck will say that despite his best efforts, he still can’t stop thinking about Tommy, “You’re kind of hard to get over,” he’ll add.
“The feeling’s mutual,” Tommy will say, though he’ll probably say something way smoother than that.
“Yeah?” Buck will say, all hopeful, though trying to damper that hope.
“Yeah, I mean, you’re a catch,” Tommy will say, taking one hopeful figurative step to what they both want.
And before Tommy can regret what he said or try to retract it, before he can take that small step back, Buck will take a gigantic leap of faith “Want to try again?” he’ll ask, putting his hand on the table, near the centre, waiting to see if Tommy will meet him halfway.
Tommy will hesitate because he’s cautious regarding his heart. Buck will add “I promise not to mention anything about picking up chicks this time,” all earnest just like he always is. And Tommy will smile, and place his hand over Buck’s on the table, because how could he refuse Evan.
(And then they go make out in the car park)
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can i pls request headcanons for robb stark in an arranged marriage with a princess from the summer isles?? maybe some stuff about cultures mixing, how she struggles to fit in/adapt to winterfell but he helps her, etc. thank u sm!!! <3
yes of course!! i actually had a lot of fun researching the summer isles for this haha, thank u sm for the ask <3
so i definitely think the weather would be a big adapter. the summer isles are hot & winterfell is the temperature of the krusty krabs deep freezer. as someone from an area that runs hot, i can withstand the heat but CRUMBLE in the cold. with that being said, robb would be super kind in trying his best to help you adapt not only culturally, but physically.
he would accompany you to winterfells tailor/seamstress, overseeing having custom furs made for you to keep you warm. you tried to dress for the weather, but you’ve never been the north cold, and your light sweaters aren’t doing it.
he would try & make sure you didn’t have to spend a lot of time outside/in the cold when you first arrived, wanting to give your body time to adjust. making sure you always had your fire lit on cold nights, being by your side when you did have to brave the weather, pushing back if his mother/father wanted you to make appearances out in the town before you were ready.
but, after a little while, he would definitely take you out himself. to the godswood, watching bran & arya train, to ride horses (if you ride) etc. little things that are quality time for you two & also get you used to the cold.
i’m not sure how this works with princesses of the summer isles, but the summer islanders are said to be “famed as expert archers, and their bows made of goldenheart wood are capable of firing arrows hard enough to pierce steel plate armor, even from a very far distance.” with that being said, i think these skills would help you really hit it off with everyone in winterfell.
you’re a better archer than theon, which sparks contests between y’all (literally all the time). he claims he’ll win (he doesn’t. ever.) he says it’s the sunlight hitting his eyes (it’s cloudy)
you help bran with his archery, and he flourishes under your guide. this would also make robb fall soooooo in love w you 😭 he’s standing there watching you guys with his arms crossed, imagining what you’d look like with children of your own (gorgeous) (he’s daydreaming)
& ned would love for you to accompany them on hunts, or anywhere he could watch your skill. you remind him of arya & give him reassurance that she really will be okay. speaking of arya, she would ADORE you omg.
the summer islanders are also known as the best seafarers in the world. watching you with a bow & hearing of your stories at sea would make arya look up to and respect you SO heavily. she wants to be around you all the time. she & robb fight over you LMAO
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I think for all the discussions we have of "everyone hears the jokes and the piano; after that, they stop listening" surrounding Louis, we tend to still simplify his connection to the piano.
Yes, it's very cute that he sings Clementine a little song when they first meet, and it's very cute that he plays a little prank on her while "tuning" the piano. It's super cute that they carve their initials into the piano and Clementine carves a heart around them. It's mega cute that he names his song he wrote after her when she confesses her feelings. Louis playing Don't Be Afraid at the party is, in my opinion, one of the best moments in all of TFS.
But here's the thing: That piano is Louis' heart.
I don't mean to go all metaphorical on you, but I'm dead serious—the piano is Louis' heart, and when you think about his arc and his romance route with that in mind...?
That piano is his one comfort in a world where the dead walk. It's been with him from the beginning of the outbreak. We know from his backstory that Louis wanted to take singing lessons so he could be a real musician, and his father denying him of that was what set him off to be a "vindictive fuckhead." Louis never got those singing lessons, and it's a very real possibility that Louis taught himself how to play.
Sure, others could've taught him; we know Minerva was musically talented, perhaps she showed him a thing or two. But learning piano, or any instrument, is brutal even with professional guidance. It takes hours of practice until numbness wears fingertips raw; dedication to memorize every key and finger placement to make music pleasing to the ear; self-discipline to keep going through every fumble, every failure, every single cruel thought of self-doubt; intelligence and a creative ear to write his own songs.
And yet, it's severely under-appreciated by everyone. It's annoying. It's distracting. It's unimportant. It's an excuse for Louis to mess around and not do any real work. He doesn't have any actual talent. The music and the piano are brushed off, unheard.
Yet, Louis keeps playing. He keeps singing. He keeps making jokes.
Creating music, the one thing he wanted so badly as a kid that he destroyed his parents marriage, was possibly the greatest comfort he had... a welcome distraction to disassociate from the horror and death happening around him.
It's bittersweet, like a purpling bruise that you can't stop pressing on; it hurts, but there's something else below the pain. The piano is out of tune and it's something that brings him joy... but will always act as a constant reminder of who he was and what he did, why he's at Ericson to begin with.
We first meet him while he's playing; Louis' heart is exposed, but is it really? Is he playing to his true potential? Louis hides behind the mask of a charming, charismatic goof. It's what is expected of him, so he plays a silly song intended to poke and prod at Clementine, to gauge a reaction. That's something we see him do at multiple points in episode one. In fact, we can consider a majority of episode one to be like the song he's playing when we meet him; it's mostly cheery or fast-paced.
Louis is able to soothe AJ with his "alluring" music after the kid bit Ruby is an indication that the two of them will share a bond. Louis is a natural at communicating and bonding with the younger kids [another talent that's overlooked] so it's interesting that he praises AJ for being a natural at piano, as well.
But the song stutters just a bit when Louis and Clementine are in the woods together, though; "There's only one guarantee: this moment. That's the only you got, only thing any of us got. Might as well enjoy it." ...Only for Louis to compose himself and send her away.
It's only when Clementine has a gun in her face, held by Marlon, that the music isn't fun anymore; it's rainfall and thunder and the words "I thought you were more than that" sung through the wind in a melody only Louis can hear.
Then Marlon's dead. The song is over, and reality has arrived.
I've talked at length about Louis in ep2 and his vote in the past. It's one of the most compelling things about Louis' arc and romantic route. It's a tragic mistake driven by trauma and guilt. It's people simultaneously telling him to shut up and telling him to be angrier than he is. Telling him to stop burying his head in the sand when he's never been more aware of everything happening. It's AJ peering up at him with pleading eyes that Louis can't stand to look at. It's Clementine wrapping his heartstrings around her fingers and tugging just enough to hurt, but not break.
Louis missed Clementine. He says as much when Clementine admits she missed him first. I don't even know where to begin with that! I can think of no other way to describe it other than they are half agony, half hope over this... and if you get that reference, you get a gold star. I just- the ache, the tension, the conflicting feelings of finally having a quiet moment to talk but Louis not being ready yet.
Y'know how someone carved "you suck at playing" in the side of the piano? It's something you might not initially notice while playing the game, just as Louis' insecurities aren't apparent at first.. but they're carved in him; never fully healed, still scabbed and bleeding... Until Clementine offers him a bandage.
She won't clean the wound for him, but she'll be there. She'll help him figure out how to do it himself so he can heal. She'll listen to him, not belittle his feelings or pain. She'll make an effort to know his keys and notes and practice playing his song until she understands.
When Clementine chooses him to spend time with him, it's a mirror of their first time meeting... but this time, Louis plays something real: a song he wrote, one that I believe he crafted during the two week time skip... a song he wrote with Clementine on his mind, for better or worse.
If the piano is Louis' heart, he literally asks her to sit there and try to tune it, which ends up being a joke but I say she's already tuned your heart, my guy. It's there before them, changed in the warm candlelight. He plays for her and opens up about how no one actually listens, but Clementine did.
And remember, this is the night of the raid. They don't know it's coming, but they know it'll be soon. Louis understands that he could very well die, so what does he do? He carves his initial into the one thing he's always had, and he asks Clementine to do the same.
I'm sorry, how are we NOT more feral about this? Prior to this scene, the only thing we see carved into the piano, into Louis' heart, is an insult. This thing that Louis cares so deeply about, this instrument that's become so intertwined with who he is... he wants to leave his mark on it just in case he dies. A reminder that it was his and he belonged to it just as much. Something so important, and he asks Clementine to carve herself into his heart where no matter what, they will be immortalized together in this moment.
And when Clementine carves a heart around their initials? Yes, his reaction is very cute and that's great... but she's not ashamed of him, or her feelings for him. She wants everyone who looks upon his heart to know that. She tells him how she feels and Louis is so giddy, and warm, and he names the song after her and I am going to start biting anything that moves, I can't-
Oh, and let's discuss the party scene in episode three, shall we? Y'know, where the heart covered initials are on full display? Where Louis tells the story of why he was sent to Ericson to everyone?
Louis is so... vulnerable. Sincere. Ashamed of what he did. This is the exposed nerve, the one he was so afraid of showing Clementine but there it is... and she doesn't reject him. Sure, she can say it's fucked up if you choose to, but she doesn't break up with him over it.
Also the fact that everyone sitting around him finally listens when he's at his most unshielded only for Tenn to ask him to play Don't Be Afraid for them after...? How do you not see the connection? Are you trying to make me cry? In that moment, Louis' heart was heard and appreciated and beautiful and strong and-
Listen. I am fine. I'm so normal about this. And fine. I'm fine.
But I also have to add that during the walk in episode four, if you let Louis choose what to add to the imaginary house, he picks a brand new piano because he wants a new heart to reflect the confidence and growth Clementine helped him achieve and because he loves her and AJ so much that wants the new heart to not just be his but also theirs and I am so fine with this, okay.
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