#(<- another lie but can you imagine)

[xxplastic-cubexx]

bro the feminine wiles aren’t even a joke like. im with that anon who thought hellfire gala charles was a woman when they first saw him bc same, that design is insaaaane (/pos). how could u not think that when u see it lmfao. idk whose choice it was to give him a corset but the hourglass figure + female coded jawline combo do not lie. i saw it on pinterest and i was like ohhh don’t lie to me i know an anime girl when i see one- WAIT PROFESSOR X????

and that’s not even to mention movieverse charles ofc. we’ve all seen james mcavoy and his big sparkly kawaii anime eyes, i shouldn’t have to say it. charles xavier is never beating the allegations, i fear

gonna need this ask hung in the louvre i fear

[twinstxrs]

there’s something so personal about the scene in fantasy high s1e7 where gorgug calls himself stupid & fabian, who up to that point had basically entirely been acting like the bad kids (especially gorgug) were beneath him & had also been the one calling ragh stupid two lines ago, instantly says “okay, do not put yourself down like that. don’t you dare do that to yourself.” like it was obvious he liked the bad kids at that point but the instinct to protect his friends manifesting as an immediate strong refusal of gorgug’s self-deprecating talk kills me. that boy loves his friends so bad oh my god i feel sick.

[feelo-fick]

chilaios or something idk ive never heard of these people ever (<- lie)

[lesbianfakir]

To elaborate on my ruekirtho throuple thoughts, sometimes I think about a world where their shared love for mytho brought rue and fakir together instead of driving them apart. They’re both incredibly lonely kids who have lost too much and, as much as they care for mytho, a heartless doll isn’t replacement for real human companionship. So they find each other.

Rue knows it will never last. No one beyond her Prince will ever love her. She sees the way Fakir throws rocks at the flock of crows that gathers around her. When he discovers her identity—and she knows he will discover her identity one day—they’ll go back to being enemies. He is the Knight and she is the daughter of the Raven, his killer. Still, it’s nice to have a friend even for a little while. So she lets herself forget. She forgets who, what, she is. She forgets that there was ever a before. She forgets that they won’t last.

Fakir knows there is something very, very wrong in Rue’s life. He sees the deep scratches that stand out against her almost unnaturally pale skin. She speaks in a hushed tone with a haunted look in her eyes when it’s time to go home. She won’t tell him anything, though. He doesn’t even know where she lives; it’s as if she disappears at the end of the day. He just hopes that one day, when it comes down to it, he’ll be able to protect her from whatever haunts her.

By the time the story goes into motion, the two, along with Mytho, are near inseparable. When Mytho begins regaining his heart, Rue and Fakir work together to put a stop to it. When Rue begins losing track of the days, feeling as if someone else is trying to claw their way out of her chest, she almost goes to Fakir for help. Almost.

It is, of course, Fakir who shatters the illusion that is Rue. Her one and only friend calls her an ugly crow, and in that moment she remembers what she is. What she’s always been. They’ve been enemies from birth. This “friendship” was nothing more than the a sad illusion created by a lonely girl—a girl who no longer exists. And she knows now, in her father’s absence, her “friend” will die at her hand. This is their fate and fate cannot be changed. Still, it was nice while it lasted.

[jamiethebeeart]

ooh yeah me? totally normal about spinner and his devotion to shigaraki, absolutely. yea. totally average about them. Definitely not thinking about Spinner having to fight his way across a battlefield only to get to a downed Shigaraki, who appears lifeless and Spinner's frantic grabbing to see if there's any life left, maybe shake him, maybe tear up over his body with head bowed, begging him to come back and show him that horizon that Shigaraki promised him. haha totally normal and not at all upset that they didn't get a scene together during the ending of the final war arc. haha. yeah. i'm definitely not thinking about heart wrenching scenarios.

[acourtofquestions]

Dont be angry, Finnula said. Be smart.

[morganmnemonic]

Having just come out of season 4, with people repeatedly saying "don't wait too long" and variations thereof to both generate a general atmosphere of creeping dread and highlight the parallel between martin's arc and basira's in which they both work with the enemy for the sake of their favorite person for just long enough to doom the world, I have to wonder what the hell they meant with this

like. what are you trying to say here?

[kittlyns]

I had yet another long, strenuous day yesterday and didn't finish work until super late and then I couldn't fall asleep until well past 2am cuz I was in so much pain from standing literally all day

[camellcat]

if I put ten as gale weathers does that mean I get to have tentoo has my favorite girl jennifer? ...giggling

[galacticlamps]

it's 3am, and somehow, in the last ten minutes, I went from being midway through watching a production of 12th night to somehow relistening to one of the most heartbreaking jamie/dr scenes big finish has ever produced (it's a long list, i know) completely by accident, all while trying not to cry over a song from a completely different play I haven't touched in about 8 years

[todayisafridaynight]

Firstly, thanks so much for your patience with my ramblings haha, it's always an absolute pleasure to read your responses even if I get more unhinged with each one of mine! Of course, I'll continue to do my best with the wiki! (Actually, I think it's because of you that I noticed Daigo's age(s) were a year off haha, so thank you for that as well.)

I think you hit the nail on the head, and I adore how his relationships were executed in Y7 as well! I was initially a little bit apprehensive when trailers for 7 were coming out since RGGJo (and Mine, of course) were my favorite antagonists, and Jo is by far the character who's changed the most between games, but I can safely say both… Joes… are right up there for me.

I think a strong early subversion/conversion/something is that RGGJo really does just go and shoot up a rival office for attacking Arakawa (even though Arakawa was fine?). With Y7Jo, even though he's covering for Masato, the fact that's still the story Ichi gets told and he doesn't question it sort of speaks to Y7Jo having a similarly "protective" streak even if it's not actually what happened in that instance. That's also demonstrated in The Eye Scene as you mention later.

Like, I think that story is fairly clearly something he and Arakawa discussed. Masato got in contact with Jo first, and the mess Ichi tries to clear up when he comes in the morning after is indicative of a very long, stressful conversation between two people. Given Masato absolutely should not be smoking, process of elimination would suggest it's Jo. And it's a story they would've aimed to make as believable as possible, so the fact it is believable (Ichi being a bit gullible notwithstanding) says something to me.

For two characters who hardly even speak to each other onscreen (criminal btw), there's a lot to dig into when it comes to Arakawa and Sawashiro's relationship. That aside, I'm super excited to see you analyse Jo's psyche, and I can't wait to read it! I've been reading Japanese psychology texts myself and noticing a number of concepts that apply to Mine, but may apply to the Arakawas as well. There's a great deal I want to share once I get my thoughts in order.

I totally agree Mine's influence on RGGJo was the strongest of the three! I mean, y'know, that's why I acquired brainworms for RGGJo/Mine specifically. (Still 1000% going to commission you by the way when I've got my refs together + am not in danger of being unable to afford Gaiden and 8 lol). Sort of like with Masato and Daigo, I think characters who are clearly based on each other work quite well together even if it's seen as crack. You can come up with pretty compelling ideas trying to rationalize those similarities from a Watsonian perspective.

The devotion is absolutely the strongest point (having the exact same relationship tag for Arakawa and Daigo respectively + similar wording for it in the 15th anniversary book is a nice touch), but for me it's also what's done with it in terms of presentation. For both Mine and RGGJo you're supposed to believe they're actively working against Daigo and Arakawa's interests for most of the story.

And they probably kind of are, but they're convinced the pros outweigh the cons (as with the resort gambit, which you're remembering correctly!) Though it may not have the same effect nowadays for various reasons (spoilers, plot points becoming predictable on account of other games, etc), the devotion was originally supposed to be a twist.

There are other things, of course; they're both the "treasurers" of their respective organizations, they're both third-in-command of the Tojo and Omi, they're both talented people who possess overwhelming strength and influence and are regarded as geniuses (despite scenes to the contrary). If I wanted to reach design-wise, they've got mirrored ahoges, and Mine's "Legend" costume is probably based on characters like RGGJo and Nishiki. Their first cards were even officially stated to have synergy on account of their very similar skillset.

You end up noticing a lot of things like that if you're clinically insane like I am, but the one thing that's really stuck with me is that the render used for RGGJo's office is specifically a new render the Hakuho Clan office. It's missing the stuff that's supposed to be missing, the stuff Kanda broke, but only that. Mine's art collection, which is very personal to him as is also revealed in RGGO, is preserved in full.

There are a number of newly-rendered locations in RGGO and they could've just done that, or they could've picked any location that's not (imo) one of the most iconic, but I don't know why they didn't. And I don't know whether it was just convenience, whether it's simply meant to be reflective of them having similar tastes without being the same office, or whether it's just honest to God the same office. I mean, it's not like there's any reason to acknowledge it in-game.

But I think, in a weird way, that this is one of the things that carried over to Y7Jo alongside the devotion and The Eye Scene. A lot of people don't notice because there's so much going on in Y7's finale, but the Arakawa Family office the finale takes place in is specifically Y7Jo's office. And if you examine the Hakuho Clan office and the Arakawa Family office as spaces Mine and Y7Jo have created for themselves, there are very few aesthetic similarities other than being pretty tasteful two-storey offices, but both are, in their own ways, designed for companionship.

There is the obvious fully-stocked bar and main seating area in both, but that's sort of whatever, that's entertainment and hospitality. What really catches my eye, at least on the first floor, is that every piece of gym equipment in Mine's office comes in pairs; similarly, there's the pair of armchairs that are just by themselves behind Y7Jo's desk.

The second floor of Mine's office basically consists of only a TV, a table, and a set of couches, but I think the second floor of of 7Jo's is the more telling of the two. You walk upstairs from this very snazzy, richly decorated first floor (btw, like Mine's gym equipment and art, I would like to think the fact it's decked from top to bottom with books isn't just for show) to a second floor that consists of… absolutely nothing.

Nothing except another pair of armchairs, echoing those on the first floor, facing out into this gorgeous (RGGJou would--and has--said "romantic") view of Kamurocho. Maybe it's just to have this dramatic, spacious arena for the very last fight, but I just think that visual is potentially such a strong bit of storytelling via set dressing.

I also think with RGGJo being split into Y7Jo and Masato, some of the Mine influence kind of ended up with Masato too, specifically as Aoki. At least insofar as all the catastrophizing about not truly being cared-for despite evidence to the contrary, and I kind of felt like the moment where he shoots at and narrowly misses Ichi's head, then throws his gun away for a good ol' fistfight was Something.

Completely agree on your assessment of the link to Nishiki as well! There's the surface level design similarities with young RGGJo back when he had long hair and accessorized less, but yeah, no notes. I definitely think Y7Arakawa's line applies perfectly to the dynamic they were going for, too.

I thought the implication was that Masato wouldn't have survived at all in RGGO on account of Arakawa being unable to open the locker, but it's super interesting to think about how things might've turned out otherwise! A Masato who's Just A Guy and treated sort of like RGGO Mitsu's offscreen wife and kid is such a concept.

I really do hope there's a continuation to the story; as it stands, it literally ends with Jo in a coma lol. But I'm grateful RGGO is still accessible and actively updated, in comparison to the previous mobile titles, which also had original stories that are all gone now.

Jo was actually in a very recent event, even. The event spent its whole runtime talking about how cats are sensitive to smell, and evidently, according to the ending, Jo is incredibly sensitive to smell himself. I'm not sure which Jo it was even supposed to be since he was offscreen, but uh, catboy confirmed? Nyawashiro…? It's fun trivia.

Mentioning Arakawa's "sons" line in such close proximity to talking about Tsutsumi reminds me! There was this Y7 interview with all three actors (that has since been privated and that I kick myself every day for archiving) where Nakai and Tsutsumi were talking about how they usually play father and son.

So there's this very, very long history of them co-starring (as I'm sure you're aware lol), like from way back when Tsutsumi's voice was actually higher. And I think the casting choices absolutely are informed by the history and context there, both as individuals and as co-stars, both in terms of filmography as you say and not.

One particular anecdote that just Gets Me is that this was Tsutsumi's first time voice-acting, and he honestly wasn't even sure he'd take the role, but he accepted once he heard Nakai was on board. And he went on to actually enjoy it so much he read the rest of the (gargantuan) script, far beyond his own dialogue, and ended up forgetting the lines to the play he was doing at the time.

He also went on to voice-act a second time in The Deer King, where he plays… another iintimidating man with a violent reputation and a "soft"/deeper side (who is of course a reluctant father), actually. I actually have seen most of his other roles, and Jo really is almost one-of-a-kind. Though it's hard to find any one character he's "like," I can absolutely see what you mean with regard to Oda Nobunaga and Kanda.

I think that actually really works with regard to audiences having an idea of what to expect from his character and to an extent from Y7 if you look Jo as more of a culmination of Tsutsumi's career up to that point. In addition to what you've mentioned already, I also detect a lot of Koda (Good Luck!!) and Ogata (SP)'s themes with regret and making amends and vengeance in particular.

There's a little bit of Appare (Kagerou Touge) and Shibata (Keiho) too, I think, in terms of presenting yourself as worse than you actually are. And I think Tsutsumi's own struggles with mental health lend a lot of gravitas to characters like Ishigami (Suspect X) and Jo, who you can't really argue Isn't Depressed, especially at present.

And of course, y'know, he's played yakuza (to great effect), he's played dads (to great effect; btw, I would say the worst fathers/father figures he's played are probably in Fable II and My Blood & Bones in a Flowing Galaxy, Jo somehow doesn't even compare lol). Also, pretty much every Tsutsumi character either ends up dead or in jail, being a villain in an RGG game notwithstanding. There are often very strong critiques of police and politics present in his work as well, Y7 being no exception.

It's similar with Nakai, maybe to an even greater extent than with Tsutsumi, since Y7 borrows more heavily from his works and his personal life aligns surprisingly well with Arakawa's. They're both actors who are sons of actors, lost their fathers at a young age, were raised by abusive mothers, and ended up with a sort of unlikely father figure in adulthood. So I think it's sweet that Nakai ended up enjoying Arakawa as much as Tsutsumi did Jo. It's kind of funny being more or less typecast as a dad without actually having any children (unlike Tsutsumi), though.

I touched on it a tiny bit before but that's a really insightful take on RGGJo's splintering, as well! And you're most welcome. I've always found it fascinating just how closely their backgrounds tie in to who they end up being. I completely agree having his dad around did a lot for Arakawa in terms of having the confidence to stick to his guns.

But yeah, you know, it's just tragic. I think it's also one of the less talked-about ways abuse can perpetuate itself. Because Jo treating Ichi the way his father may have treated him is sort of the tip of the iceberg when it comes to the topic, but Jo's learned avoidance also goes on to make Arakawa a scapegoat for Aoki's abuse.

I'm always a fan of your takes and insights, so I don't mind the wait: thank you so much for writing as much as you have, it's really wonderful being able to discuss Jo and RGGO v. Y7 as a whole! (I have to be embarrassed about the Daigo's-Age bit though: I'm glad I was able to help point it out, but I remember being so sassy and rude in the post where I mentioned it 😭)

It's great that despite their differences, both Jo's are still incredibly enjoyable; the roles each Jo fulfills, although different, are still executed in ways that keep the character in a close beat with each other, but of course effectively fill out their new purposes in new interesting ways!

As a bit of an aside, I've always been curious and nosy about the full details about New Years Day, 2001 and what happened after that. Anything I can say about the night tiptoes more into theory territory than anything solid, but if we're to go off the notion Masato really did head straight home afterwards, then it is fair to assume Jo had to have met with Arakawa that same night not long after the call in order for Arakawa to be ready to talk to Ichi the same morning (it must have been the biggest shock afterwards for Masato to hear he's gotta run to America if the three of them didn't talk about it together- which I'm assuming is what happened since, as you said, Masato shouldn't be anywhere near cigarettes, and the ash tray is definitely indicative of a stressful discussion). BUT Jo's preexisting devotion to Arakawa (plus the nod to/rework of RGGJo actually attacking a rival gang) nonetheless definitely helped in making their story digestible to the people they had to tell.

The fact Jo and Arakawa interact so little on screen really is unfortunate, even if it's understandable as to why. At the very least, I'm grateful there's so many bits of context clues through the game/s that can at least offer a peak into their dynamic! Segwaying away from that though, I can't lie I was already thinking of some bullet points regarding Jo's brain as I was falling asleep, so it's definitely something I want to put to paper when I get to: I'm glad to hear I have your interest on it when I write it! In that same vein, I'd be more than happy as well to hear about these notes you've seen that can apply not only to Mine, but to the Arakawa family. As you note later on, Mine and Aoki share similar philosophies, so I'd love to see your full take on that if you get to it!

About Mine though, it was really hard for me not to joke about the two being similar whenever the chance arose: I mean, two men who lose their fathers (admittedly, Jo chose to leave his dad but Dad Lost is still a bullet point on the venn diagram... that now I actually feel like taking the time to make later...) turn out to become their respective clan's most trusted asset (and handler of assets) who are volatile when it comes to the ones they care about (I don't have to clarify Mine, but as for Jo, aside from The Eye Scene and even the book wording, he definitely overreacts to Ichi having Masato's money. Of course, part of his anger could be due to his belief in the honor of being a yakuza, but I wouldn't say it's a reach to also assume that the idea of Ichi pestering Masato- if not assuming the worst for whatever reason from Ichiban of all people- might have irked him) and ironically act out in ways that would go against what the ones they care about want (more so strictly about RGGJo, of course)- it's hard not to see the notes borrowed from Mine to make Jo. In that, I do really enjoy their devotions being twists; even if that twist might not work nowadays as efficiently, I'll still enjoy it for what it's able to provide and how it can deepen a character.

To continue on to visual similarities, I actually did notice RGGJo's office being the same as Mine's (I stopped reading for a bit just to make a mini thread about it on my private Twitter)! Whether it was intentional or a simple reuse of assets, it's a great nod to Mine's influence on his character.

As for Y7Jo's office in comparison to Mine's- if I may accidentally go on a bit of an analytical rant- it's a little funny how different they are despite being tangential in wanting a space for companionship (like you mentioned for Jo's case, it might have been for dramatic purposes, but it wouldn't hurt to try and examine the room at face value for a second).

Mine's office is comparatively brighter and more apparently inviting, and it's not just due to the nighttime setting of Jo's office as his office's walls are painted black- but at the same time, the contrast almost feels intentional. Mine's apartment, even if spacious, has the social pieces close to each other, especially in relation to his personal desk. On the flip side, Jo's desk is considerably isolated away from the grand table in the side of the room. In these differences, I think it does lead to a great representation of their relationships with people and what they wanted out of life: with Mine, despite wanting people to be close to him and in his proximity, he's ultimately alone and by himself. On the contrary, Jo appears satisfied with- at least- only having Masato in his life, the second chair undoubtedly being honorary to Arakawa in a similar vein. He isn't too concerned with getting close to anyone else, thus no need for his table set to be so nearby. I could just be talking about nothing though- yet I think these differences is a great way to show how despite inspiration from Mine, they divide off into different characters still (honestly I might steal from this ask and make a separate post about this because now I've gotten myself invested in set design- it can go in the same post as my venn diagram I guess lmao).

Nevertheless, RGGJo and Mine borrowing from each other design wise is also another fun bit- it's as if Yokoyama's grabbing people by the shoulders and practically begging us to realize Jo's influenced by him (don't worry Mr. Yokoyama, I see you). Ergo, Y7Jo and Masato being split from RGGJo is such an interesting take of the two characters: it not only helps highlight Jo's traits it really also heightens Mine's extended influence on Masato (their inability to shoot people standing still is probably going to be a new favorite comparison I hadn't noticed before LMAO).

Moving on though, that lost interview with Nakai and Tsutsumi's going to haunt me now: I'd love to be able to see it, I love actor interviews, especially when the actors featured are already so familiar with each other! It's so sweet how connected the two are- it's what makes it a little more unfortunate that we didn't get to see Jo and Arakawa on screen together more. On that note though, I actually had a similar conclusion that Jo was a solid representation of Tsutsumi's career thus far: his ability to play deep and sentimental characters that have a rough exterior while also possessing some action to the role that he initially sought after in his career really encapsulates his ability as an actor! All in all, I'm glad that Nakai and Tsutsumi were able to have strong connections to their characters in Y7- and I can't really argue against Nakai's dad-typecast: there's just something about him that screams 'father' to me even if, ironically as you said, he isn't a father to any kids.

[aletterinthenameofsanity]

#THIS WAS MY QUEERBAITING#and if you try to say it wasn't queerbaiting SHUT UP SHUT UP SHUT UP#i only started watching this show because this fucking episode promised proof of concept.#it promised whenever i get out of here#I'm telling you i was only brave because of you#AND THEN IT KILLED QUENTIN BEFORE ELIOT EVEN WOKE UP MUCH LESS CONFESSED HIS FEELINGS#IT PUT QUENTIN BACK TOGETHER WITH ALICE ONE EPISODE BEFORE THE FINALE#IT TOOK QUELIOT OUT BACK AND SHOT IT STONE COLD DEAD#the fucking GALL of those writers#they will NOT be seeing heaven - via @khruschevshoe

Took the words out of my damn mouth!

Peaches and plums. Peaches and plums, peaches and plums, peaches and plums. […] Did it happen? Fifty years. It happened. […] I know this sounds dumb, but…us. We-I don’t know think about it like we-we work. And we know it ‘cause we’ve lived it. Who gets that kind of proof of concept?

[unproduciblesmackdown]

chicago shelob puppet is crushing it like horrible lol which is great. look at this giant thing just static in an image in full house lights on, audiences only know what it's like emerging from the dark Moving Around live & in person Giant & Gnarly in front of you

[dragon-seahorse]

Kunichuuzai but it's that infamous train scene in Space Dandy. Sokoku are Dandy and Kunikida is Scarlet send post (scene in question if you've never seen it/need a reference)

[oreo-creampie]

“𝐲𝐨𝐮 𝐜𝐚𝐦𝐞 𝐬𝐨 𝐟𝐚𝐬𝐭, 𝐈 𝐛𝐚𝐫𝐞𝐥𝐲 𝐞𝐯𝐞𝐧 𝐭𝐨𝐮𝐜𝐡𝐞𝐝 𝐲𝐨𝐮”

𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: Suguru’s pov, he has a fat crush on you, reader has breasts, Suguru sucks on your nipples and bites your breasts, caught masturbating, stoner!suguru, Suguru is hypnotized by your beautiful ass self, heavily praise/smallest hint of condescending/teasing, fingering, begging, daddy/mama/princess/sweetheart name calling, smoking a blunt, face fucking, using his dick to masturbate, ‘just the tip’, becoming friends with benefits, some cock sucking and face fucking, begging, edging, squirting, he uses a vibrator a little towards the end, hints of suguru's size kink, mutual masturbation, controlling when you can cum, he spits in your mouth once, one pussy slap, light pain kink on both ends (biting you, digging your nails into him)

𝐫𝐞𝐪𝐮𝐞𝐬𝐭𝐞𝐝 𝐛𝐲 @devilsfavouritelamb; I'm so fucking predictable and reading through those I could imagine so many lines with other characters BUT 'you came so fast, I barely even touched you' with Geto would send me into space😭🫶🏻

𝐥𝐞𝐧𝐠𝐭𝐡; 1.8k / 6 minute read!

𝐧𝐨𝐭𝐞𝐬 𝐟𝐫𝐨𝐦 𝐟𝐞𝐲; I’m sorry for how long this took 🥲 I hope you enjoy it!

"Suguuru mnnnn!" Your sweet moan makes Suguru's cock throb. Throwing the blanket off and getting out of bed. Grabbing the blunt from the ashtray along with a lighter.

Another erotic moan from your bedroom, “Guru!” His cock getting heavier and thicker in his sweats. His name couldn’t sound better then when you moan it.

Suguru quietly steps into the hallway, your door is cracked. Easing it open. You’re so damn sexy with legs spread apart stroking the prettiest clit he’s ever seen. A vibrator charging next to you.

Grabbing the top of your doorframe, "Anything I can help you with sweetheart?” Ripping your eyes off the muted faceless guy stroking his fat cock. Tugging the sheets over yourself, your eyes wide with adorable embarrassment.

Suguru laughs, “Aw look at you beautiful, playing with your cunt.”Walking into your room, pointing at your screen, “Were you pretending that was me?” Hooking his thumb in his sweatpants, slowly pushing them down showing you an inch of his cock.

Letting the band go, it snaps back into place. He croons, “Don’t tell me all shy on me again after moaning my name. Did ya forget I was here?” You can't meet his gaze but you can stare at his cock, its so damm cute.

You huff glance away and clutching your sheets tighter, “Yeah, I thought you left, you’re mean!” Pausing the porn playing on your bedroom tv.

Suguru scoffs, “How? I was taking a nap. If anything you’re the mean one playing with your pretty cunt moaning my name, all without me.” He pushes his sweatpants down, kicking them to the side.

Smirking as you glance over then stare at his heavy cock swinging as he walks closer. “Then you cover up when I come to watch. With how you were you moaning my name I thought you wanted my attention.” Spitting in his hand smearing it over his fat cockhead. Suguru’s abs flex as he fucks his fist.

Encouraging you, “Lemme see how you play with yourself when you’re thinking about me mama.” You push off your covers lie down and spread your legs. Sliding your finger in between your soft-looking lips. Soaking your finger to rub your soft clit easier.

Suguru gets on the bed, you have the sexiest cunt his ever seen. “Your cunt ‘s gorgeous mama, ‘s wet thinkin’ about me.” His mouth is watering looking at you. Whilst his cock drips pre-cum onto your sheets.

Smearing the pearling drop of pre-cum on his cockhead’s small slit with a slow swirl of his thumb. “Look me in the eyes mama n’ keep moaning my name when you touch yourself.” You’re eyes are beautiful, alight with an intense lustful passion and needy

Moaning “Suguru please touch me.” It almost makes Suguru cave. “I wanna cum on your fingers.” It’s beautiful how needy you sound begging him.

Suguru’s cock softly twitches in his palm. He needs to feel your soft wet cunt rubbing and squeezing his cock till he bursts. “I’ll pay for plan b fuck I wanna cum in ya.” Swirling his fist stroking his cock faster. Your hands around his cock would make him look so much bigger.

He feels massive kneeling on the foot of your twin-sized bed. You’re soft, supple body and vulnerable state play on Suguru’s size and power kink. His mind is racing things he can do to you and the ways he can tie you up. He wants to test your soft body out with his, find your limits. And make your eyes roll back with body-shaking pleasure.

Begging him, “Daddy please.” Sitting up and grabbing his wrist, sliding it off his cock, slipping two of his thick fingers in your mouth. Swirling your tongue around as you play with your clit.

His cheeks flush with heat. Your warm wet tongue around his fingers, your beautiful body so close to his, he can’t think straight. Suguru is seconds from pinning you to the bed when you glide his fingers out of your mouth.

Grabbing your hair and yanking your head back, “Open your mouth beautiful.” Spitting in your mouth for you to swallow, sticking your tongue out for more. “Fuck me, I wanna stuff my cock in your pretty mouth.” Dipping your head down to take him in your mouth.

You’re beautiful bent over, your soft ass looking so damn smackable. When your sweet lips press against his cock head Suguru's breath hitches. This is really happening. His eyes roll back as he groans when you take him into your hot mouth.

Rolling his hips fucking your mouth. He has always adored your pretty lips. Seeing them wrap around the butt of a blunt was hot. Plaguing his mind when he'd jerk off. But this. watching your pretty lips gliding along his cock, seeing each inch vanish inside of you is memorizing.

Fucking your sweet mouth faster, his balls softly hit your chin with each quick pump of his hips. You grab his thigh digging in the nails he paid for last week when you got stressed.

You suck in your cheeks, stick your tongue out straight, taking his cock like a good slut whilst touching yourself. "Lie back n use my cock like a slut to masturbate. Rub my cock head on your pretty clit but don't cum." The more he slips out of your mouth the harder you suck, making his tight remble.

Leaning forward his broad shoulders curling in. Groaning your name his cock slips out with a pop! "I hope you can go multiple rounds in one day, I'm gonna get horny again thinking about your pretty mouth mama." Admiring you as you lie back down on your back spreading your legs welcoming Suguru.

Lying his fat cock on your soft wet lips. Instantly obsessing over the color and feel of your lips against his pale cock. Along with watching his cock head nudge your perfect clit.

Sliding his hand along your side, gently squeezing. Suguru cups your soft breast, sliding his thumb over your beautiful nipple.

Sliding your hand down his chest, groping his thick pecs, tracing the lines between his abs. “You’re so damn handsome Suguru, you can fuck me like a glory hole whenever you want.” Following his dark happy trail to his cock, holding him still, grinding your hips. Your hands and cunt are so soft.

Grabbing your headboard leaning over your short stature feeling massive as he looms over you. "Next I'll tie you up, after I cum on ya I'll leave ya there like a sex doll for me to come fuck whenever I want" Slowly swiping his cock from side to side getting yourself off with his cock like he's one of your toys.

Sucking on his thumb gently rubbing your soft nipple. Slowly twisting your hardening bud, you sound so hot crying in pain. Gently rubbing your soft nipple, massaging your breast.

Your eyes flutter shut, and your sweet bottom lip trembles. It’s memorizing watching the pleasure overwhelming you. Pleading with him, “Suguru, Daddy, please! I was about to cum before you came in. Please tell me I can cum!” Clenching him with your supple thighs, grinding your hips faster. You’re getting so close.

Suguru pulls away and slaps your wet cunt. The way your body tenses as you cry is stunning. “Watch me, I love seeing passionate lust in your pretty eyes.” Gliding his fingers in, rubbing your sensitive clit with his thumb.

Your squishy, soaking wet cunt quivers, clenching his thick fingers. Dipping his head between your legs. Watching your beautiful, squelching hole take his finger. “Fuck I can't wait to see you take my cock.”

Curling his finger searching for your sweet spot. Biting by your knee, licking up your thigh towards your cunt. Adding a little more pressure on your sensitive cunt.

Arching your back, digging your hips into the bed, grabbing the sheets. He’s found the perfect spot. “There we go beautiful.” Wrapping his hand around your neck, nudging in a second thick finger.

Leaning down to bite your breast, flicking your nipple with his tongue. Rubbing your sweet spot with with fingers, playing with your clit. He adores how you tremble beneath him.

Pinning you by your throat, biting down on you as he finger fucks you. It makes Suguru feel primal like he’s claiming you as his.

Digging your nails into his back, Suguru softens his bite letting your breast go. Grabbing the blunt resting in your ash tray, “Spark it for me mama.” Putting it between his lips for you to spark after you catch you breath.

Taking a slow drag, the end burning red. Taking it from his lips, leaning down to blow the sweet bitter smoke into your mouth. Smoke wisps past your beautiful lips as you moan.

Squirming, spreading your legs, pleading with Suguru, “Please lemme cum I wanna-needa! Nnnn!” You’re getting wetter, tighter, clutching his fingers with soft spasms.

Leaning over you, “Whose are you?” Taking a hit off his blunt before ashing it. “Tell me mama whose fingers are you about to cum on?” Stroking your clit a little faster, finally pushing you over that sweet edge you’ve been seeking.

Sensually moaning, “Your's daddy! Nnn fuck I can't stop it!” He could ruin it for you one more time. Make you cum on his cock being such a naughty slut you moaned his name whilst you touched yourself. But the way you’re pleadingly looking at him.

Taking another slow hit, there is nothing better than this. You trembling, moaning about to cum on his fingers whilst he smokes a blunt.

Smoke drifts past his lips as he croons, “Cum mama.” Thick warm cum gushing on his fingers. Smirking, “You came so fast, and I barely touched you, n' ya came so much.” Finger fucking you through your high, slowly dragging his fingers out, sucking them clean.

Dipping his head, swiping his tongue between your lips groaning in your cunt. Grinding his hips into the bed, his cock aching. He needs to feel you.

Kissing your plush, wet lips, lifting his head to look down at you, taking another drag. “Ya taste so sweet mama.” Gliding in just the tip, moaning as he watches your beautiful little hole stretch for the sloping shape of his fat head. The thick soft ridge of his cock’s mushroom head shape vanishes inside you.

He wants to savor this, draw out the first time he gives you his cock. “Beg for more than just the tip while I smoke my blunt. N’ you can make a mess on my cock mama.” With the blunt between his lips Suguru unplugs the charging vibrator.

Clicking it on keeping it in a low and steady setting, swirling it on your wet, sensitive clit. "Go ahead, focus on begging." Your back arches, driving his cock a little deeper. It takes everything in Suguru to glide his cock back out leaving just the tip.

Oreo’s creampie

[silkentine]

Me when they are the sisters ever: 😭😭😭 They came out soooo freaking well. I won’t lie, they took me a thousand years to finish but through the constant support from all of my buds (and my latent bisexuality), we made it 😤

Hopefully you guys know the deal by now: design choices, easter eggs, and (NEW!) closeup shots below the read more. ⬇️

I wanted Ace to have a very down-to-earth vibe and looked at Aussie beach-girls, coastal cowgirls, and vaqueras for reference. (IDK, I’ve just always envisioned Ace as part-Australian🌺 and Mexican 🏴‍☠️) Her clothing choices are mostly natural or utilitarian materials like the painted wooden beads on her top, her woven fabric and leather belts, and her denim jumpsuit. I gave her bikini top a zen-garden kind of feel because I read the first Ace’s Story Novel and I loved how idyllic and peaceful they made Sixis Island sound so I wanted to invoke that in some way.

Speaking of her painted wooden beads, they hang off the back of her top and represent her connection to Sabo and Luffy. They watch her back once she sets sail. She only wears one red glass bead earring because the other one got ripped out of her ear when a child, leaving her earlobe torn (don’t think about it too much 😢). Also, YES! she does wear a hibiscus flower just like Rouge (because I hate you and I want to make you cry, muhwahahahaha).

Also, I really wanted her to have super textured curly hair that licks behind her like flames. I am always considering whether or not a character should have long hair or not because I don’t want it to be a hindrance if they’re in a fight (or if they ARE a fighter with long hair, how to they avoid an enemy making use of that?). Ace is, of course, a Logia-type Devil Fruit User so I think she wouldn’t have trouble with people grabbing it LOL I get the feeling that she doesn’t take very good care of it even though it looks amazing. Like you’d think it would be soft and bouncy just by looking at it but if you ever get the chance to run your fingers through it, it’s a total rat’s nest and there’s sand and food all up in it. She still falls asleep while eating 😂 but she tries her best to only do it around people she can trust (woman moment 😔).

Honestly, her design is not that different from Ace’s canon look. It feels really vital to Ace’s character to have a lot of skin showing. And he’s always hanging all over himself with his hips all cocked like the weight of the world is too much to stand up straight. It is certainly not my OWN preference to make her an absolute smoke show. That’s just the character, okay? (I’m partially lying and the proof is that I turned the emblem on Ace’s hat strap into a sternum tattoo for no other reason than that it is sexy af.)

Here are some closeups of Ace:

Now for Sabo, I’ve made her very girly. I tried putting her in pants or something more militant but she told me that she’d wear the big poofy sleeves and hiked-up ruffled skirt. I think Sabo has always had a strong grasp on his fashion sense and individual flair and I truly believe that his personal style is one of the major influences for the rest of the Revolutionary Army resulting in the very flashy, queer, steampunk aesthetic (aside from Dragon’s plain-ass cloak). So of course I had to implement her nonconformist look when reimagining her as a woman and dress her up to the nines.

I’ve given her very ornate jewelry that is there to tell a story, even if she herself doesn’t know it. I like to think she picks up stuff from her travels that resonate with her, such as a damaged set of earrings with one stone missing or red cup-shaped shells featuring three nestled pearls. Another accessory that cannot go unmentioned is her dragon claw hat pin that keeps her top hat resting on top of her hair (and is definitely used as a weapon when the situation simply doesn’t call for trusty metal pipe). She also has a veil that obscures her prominent facial scar. I imagine she’s not very keen on the reminder of the incident from her childhood that took away her memories. I also kept her chipped toothed because 1) it’s fucking adorable and 2) is a visual reminder that she no longer aligns herself with the nobility who would have gotten such a thing fixed. She is so poised in almost every outward facet of her life from her dignified role as the Chief of Staff to the elegant materials in her clothing that it can be easy to forget she was also a rough and tumble forest dweller. Every time Koala remembers this, he lets out the biggest sigh.

Her hair is inspired by Gibson Girls and Elizabeth Swann from the first Pirates of the Caribbean movie. I wanted it to be fussy and tidy but fall apart when she’s in moments of distress. For example, when she remembers her sisters, her hair starts to look like Ace’s flaming mane. I’m so in love with her, I think she looks like an adorable little porcelain doll that would fuck you up. I made an effort to keep her eyes a little bit manic. I get lost in her steely black orbs (and also Ace’s warm brown ones, but we’re talking about Sabo rn).

Here are her close-ups:

Plot notes for this AU:

For this series of character designs, I wanted the expressions and outfits to be aligned with the canon plot but I don’t know if I have the heart to kill fem!Ace in my AU. I’m too attached and ASL has suffered enough!!!!! But Ace’s death is also a major defining moment for Luffy so it feels disingenuous to completely avoid it. Also a huge aspect of Sabo’s character is carrying on Ace’s will and I have so many thoughts about how the Dressrosa Colosseum scene would play out if they were all women. Oh well, I’ll cross that tragic bridge when I get to it. I’m definitely going to draw some Modern AU Girl Piece ASL though. They deserve to hang out with no stakes 😭 They are sisters!!!

Check out the tag “girl piece” on my blog for my other One Piece genderbends! 🥰