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ervotica · 4 months

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Imagine this: youre in college, and after all those boring classes you come to your job at the donaldsons that includes riding him in the couch for as long as your legs allow you.

Tashi just coming home to thats sight and just making herself a afternoon drink unbotherd.

Dbsnhxhsb

omg shut up???🥲

warnings; all smut not much plot, older!art, so much potential for this series aghhh

a/n; art is an ear freak i literally feel it in my balls he loves it when u suck on them ears (he did it to tashi so he likes doing it to others too <3)

the front door clicks and you wander through, in this teensy little white tennis dress that art told - no, commanded - you to wear when you came to work. the dress that shows the strain of your hard nipples through the fabric, swollen into points like diamonds, the one that slips upward and reveals the perky swells of your ass, the barely covered seam of your pussy when you trounce up to him, chirruping nonsense and smiling at him like he’s the only man in the world.

he murmurs something indiscernible - a pleased noise that reverberates at the back of his throat - and you lean over the back of the couch, sliding your manicured fingers across the expanse of his chest, chin tucked to his neck.

“hi.”

“hi, baby,” he murmurs in that low, rasping way that turns your insides molten.

fast forward no more than ten minutes, and you’re both bare, art’s thick fingers curled round your waist as he uses you as a fleshlight, lifting you up and down like a ragdoll and watching, entranced, as your cunt flares and parts for his thick cock; you sob and babble, slumped forward against his chest, nails digging into porcelain skin, teeth scraping along art’s cheekbone.

“i know, baby. i know,” he grunts, and you’ve never heard a sound like it. your cunt clenches, a soft silk wrap around his cock, and he’s turning his head to suck at the corner of your mouth, all spit and drool and tongue, so much of it that it drips from your chin, globs of it pooling between your tits.

the front door clicks and you’re both too lost in each other to care as tashi comes through the living room and enters the kitchen; art hooks one of his huge hands under the crease of your knee, lifting your leg until it’s draped over his forearm, bracing his feet against the leather of the couch as he jackrabbits up into you. you make a sound somewhere between a moan and a scream, and then tashi’s figure is crossing by you once more, drink in hand, lithe fingers nudging at your jaw to examine your expression. she bends at the waist, pinches your pert little nipple and rolls the bud between her fingertips, and smirks - fucking smirks - as your pussy clamps down on him like a vice; art lets out a stuttered breath, pulls you down onto him, and cums on the spot.

neither of you quit writhing against each other; he has at least another load in him, cock already chubbing back up encased in your spasming walls, no doubt an angry red and drooling precum. tashi settles herself on the armchair opposite you, already disinterestedly flicking through tv channels.

“want my mouth on you,” you whisper, face pressed just below his jaw, breathing hot air onto his neck.

“in a minute, baby,” he supplicates, grunting as he sheathes himself further into your tight warmth, balls heavy and swollen and slapping against your ass with every filthy rock of his hips.

tashi crosses one leg over the other, the picture of boredom, and says, “bite his ear. he loves that shit.”

you do just that, teeth rolling over his lobe as you suck the sensitive skin into your mouth.

he almost cums again, hands sliding up and over your back to still your movements so he doesn’t blow his load right there.

oh, tashi’s going to have fun with you. mould you into a perfect little toy for her husband, take some of his intense, fervent pining off of her, let you be the center of his world so she can focus on improving his game.

she might even keep you if you’re lucky.

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plutolovesyou · 1 month

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thinking about loser!ellie who's so vocal during sex...muahahaha. except idrk how to transcribe this kinda talk so LMAO. if you see me put something very similar in the loser!ellie finale...no you didn't. let's just say this is practice for that. 18+

every part of the whole experience would just be blowing her mind. the sights, the smells, the tastes, the sensations—turning her brain to soup. she'd be so obsessed with you, so overwhelmed by the new experience, she wouldn't know what to do with herself.

and at first she'd try to downplay it, stifle the sounds threatening to spill by biting her lip or clapping her hand over her mouth, only allowing quiet huffs and strings of profanities to escape. she'd want you to think she's cool, or she can handle it all smoothly.

however, as time goes on, she loses all control of herself. grunts of effort turn into mewls of your name, which turn into whiny, needy pleas the closer she gets to euphoria. she can't control her sounds anymore, because it's just too good. she even gets so pussydrunk she starts to babble nonsense. she pauses sucking on your clit to push her foggy glasses up her nose and slur through a crackly voice, "mmm, love this— love your pussy s'much babe...so much."

but when she's the one receiving, her pleasureful cries are music to your ears. whatever you may be doing, you'd hear no end of begs for more, until she can't form proper words anymore and all she can produce are loud, melodic moans.

not to mention the look on her face was one so lewd, yet one so clear showing she wasn't holding back. face as red as a budding rose, her copper eyebrows knitted together, her eyes rolled slightly back and screwed tightly shut—even the occasional tear streams down the side of her face. back arched and mouth open, her lips puffy, you wanted to engrave the image of her like this on the inside of your eyelids.

"ah, ah, ah, m'gonna cum—hnn!" is the final shriek of ecstasy before her wails become strangled in her throat—choked, silent moans while she's squirting everywhere and you're working her through it. then her sounds turn into heaving pants as she tries to bring herself back to earth and catch her breath, recover from the sensitivity.

after it all, she grows self-conscious, shyly asking you if she was too loud. but you reassure her quickly that she was perfect, she's so beautiful, and you're glad to have brought her pleasure. even though you're definitely getting a noise complaint from the neighbors. worth it! ♡

never know when to tag or not so: @andersonfilms @ch6douin @aouiaa @sapphic-ovaries @astro-cat2 @paqerings @r3starttt @littlefallenangel111 @srooch @sinfulprayerss @lvlymicha @sunnsh1ine @anniee333 @pinkcwake @marsworlddd @caszzine @saturnsdrafts @ashaynep @flowrmoth @liddysflyer @fortune777 @claude999 @brunaedn @bunnitewsilly @mimasroom2 @deliriousrn @infiniteinquiries @thekill3randthefinalgirl @kissyslut @xysbree tag?

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alicentofhightower · 2 months

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the cost of a dragon

pairing: addam velaryon x wife!reader

synopsis: addam is covered in cuts and scrapes from falling and running in the forest, and now you must take care of him.

includes: fluff, episode 6 heavy spoilers, probably historically inaccurate w some parts but we’re just gonna Let That Slide, not proofread again oops

wc: 1.3k

a/n: i love him so bad. rn my top 3 tb characters are rhaenyra rhaena and addam. he’s so sweet!! i really hope we get to see a lot more of him in the next few episodes

Addam is bewildered when he returns to your home, panting, eyes wide and mouth agape. You’ve never seen him like this, but you guess that it’s the dragon laying beside your house that’s done it.

“What’s happened?” You exclaim when you see the way he’s stumbled in, bleeding from a cut on his cheek.

“…The, the dragon,” He mumbles, locked hair spilling over his shoulders. Addam walks over to where you stand by the kitchen table, hands gently grasping your forearms, as yours do his, thumbs running over your skin to ground himself. He smells strange, like something otherworldly. Could it have been because of the beast outside your door?

“It came to me, followed me through the woods by the shore. I think I’ve claimed him. Yes, that’s what I’ve done. I must go.” Addam attempts to retract himself from your grip, but to no avail.

The pots and pans inside rattle when the silver creature lay its head on the yard outside, no doubt resting from its flight. “Please, my love,” Addam insists. “I need to go and see the queen myself. She is in need of more dragons herself, is she not? If I serve her, perhaps she will allow you and I to live at Dragonstone with her. This is our chance.”

You shake your head, apron ruffling from the beach’s wind blowing through the window. Addam has always been ambitious, has always wanted the best for you and himself. He’s fiercely loyal to you, a quality that made you want to marry him in the first place.

“Addam.” Your hands fly up to cup his cheeks, stopping him from continuing on with his tangent. “You’re covered in gashes and dirt and sand. At least let me lend you a hand.”

He softens at that, jaw seeming to unclench. Addam’s brown eyes have always been expressive, and now they seem to look at you as if you’re the sweetest person he’s ever known. “…I suppose you’re right,” He mutters, “but we must make haste.”

Finally, you let go of each other. You use one of your hands to intertwine your fingers with his, and the other to grip your skirts as you lead him to your room. It’s small and modest, mostly swallowed up by the bed you share. “Sit,” You say, almost commandingly, quickly fetching a spare piece of cloth by the tub in the main room and a bowl of water.

Addam’s eyes almost glint at the way you flounce about before him. He spreads his legs so you are able to stand between them, chin tilting up so he can make eye contact with you while you fix him up.

“Let me see.”

He holds out his right arm, palm up, covered in tiny scratches and sand from his poor attempt to escape from his new dragon. Seasmoke, he remembers. Addam squeezes your right hand lightly while the other cleans him up.

You barely manage to suppress a heavy scoff at the mess in front of you, but you dab gently at it with the towel anyway, soaked with water. “What did you do?” You ask, brows knitting together. “Did you try to run from it?”

“Yes,” He admits, face scrunching together at the fresh memory. You’ve told him to be careful of the sky-beasts constantly looming over the two of you, and he knows he’ll be scolded for trying to escape the damn thing.

You shake your head, mostly to yourself, and Addam’s shoulders deflate. “Well, what would you have done?” He asks, exasperated. “My apologies for wanting to come home to you tonight.”

You pinch his arm. “I only worry for you,” You say, voice soft. Addam and his brother, Alyn, are the only family you’ve left; you’d never known your father, and your sweet mother had died of a fever shortly after your seventeenth nameday. She hadn’t been able to last, to see you wed the man you love so dearly.

“…What will you say, when you see Queen Rhaenyra? She may think you are coming as a foe, to battle rather than service.”

Addam hisses as you brush against a particularly deep cut, eyes squeezing shut. “Sorry,” You say, and he only tips your interlaced fingers up to his lips and kisses the back of your hand.

Your husband pauses after he lets your hands back down, considering the weight of whatever his words to the Black Queen will mean. He almost thinks of it as a duty, to you and his brother. To further your ever so small family.

“I suppose the words will come to me when it happens.” He swallows harshly, eyes averted from yours, darting around like he’s telling himself to fucking think.

You’ve moved onto his other arm, now, and suddenly the odor of him has become unbearable. It’s nothing like anything you’ve smelled before.

Grimacing, you drop the washcloth and cover your nose with your hand, taking a step back. “What?” questions Addam, clearly confused. “What’s the matter?”

“Gods, you fucking stink. What is that?”

Addam laughs. He laughs, tension seeping out of him as he does. “It must be the dragon,” He claims, reaching out to grab your waist and pull you back towards him. “Don’t mind it, please.”

You’re unable to fight the smile you feel blooming, because despite the fact that your husband reeks of his new dragon sleeping outside your home, and your feet are sore from walking to the markets, only to find nothing, and your nerves are set ablaze thinking of his meeting with Rhaenyra, Addam is here. He’s here with you, holding you, safe in the comfort of your humble little home.

The feeling is fleeting, only settling in you for a moment, but you tip your head down to press a kiss to his mouth. “You must be vigilant,” You plead when you pull away, ignoring the way Addam’s lips seem to chase after yours. “And you must return to me. I do not know what I would do if I were to lose you.”

“I will be. I swear it.”

You brush away the dried blood on his cheek with the cloth, frowning. “We should leave, shouldn’t we? Fly to Essos, where we will be safe without the threat of war. That dragon is large enough to saddle three, isn’t it? We can go-“

A thumb soothingly presses against your lips, silencing you. “…If I can put the thing to use, it will strengthen us. Strengthen whatever I have with my father.”

Addam had always been desperate to get the same attention from Lord Corlys that Alyn had always seemed to receive after he’d saved the man. You’d never spoken to the Lord Velaryon yourself before, but it was hard to miss the way he’d stare at you when you visited your husband in the shipyard, almost melancholically.

“I do not care for jewels and gowns and for you to be gilded in glory, Addam,” You state, pushing his wrist away from your face. “I care for you. Should we not go now? I could find your brother.”

“No.” He shakes his head, standing from the bed, now towering over you. His fingers, callused from his seemingly never-ending work on Lord Corlys’s ship, caress your waist almost reverently.

Almost every inch of your skin heats up when Addam leans down to kiss your chest, right where your heart is. The skin is covered by the sea-blue gown you wear, a white apron tied about your waist, and you shudder at the feel of his lips on such an intimate spot.

He kisses up from your bosom to your mouth again, firm and sweet and longing. There’s no guarantee you’ll ever see him again, but some strange part of you feels that all will be well. It’s a naive thought, perhaps, but one you welcome nonetheless.

“I will come back to you,” He promises, voice rasping. “I love you.”

#hotd x reader #house of the dragon x reader #addam velaryon x reader #addam of hull x reader #addam velaryon fluff #addam of hull fluff #hotd fluff #house of the dragon fluff #team black x reader #the blacks x reader

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rafeandonlyrafe · 6 months

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angel of a daughter

words: 2.2k

warnings: 18+ only!, smut, stepcest, stepdad!rafe, p in v sex, unprotected sex, virgin!reader, female receiving oral, fingering, breeding, fertility issues (from mother), reader is described as having big boobs, kinda pregnancy kink from rafe but more talk of sex while pregnant, cheating (no daddy kink)

“i got the results back.” your mom says, her voice low and sad, revealing her results with her tone alone. “the doctor says theres no way.” “i’m sorry, mama.” you pout, wrapping your arms around her shoulders. you hate that you feel a bit of relief. your mom had you young, a teenager knocked up by another teenager who ran off the second he heard his girlfriend got pregnant.

your mom raised you until you were a teenager yourself, doing everything by herself until your stepdad came into the picture. he inserted himself perfectly into your life, but expected to have kids of his own.

“whats the plan then?” you question as your stepdad comes into the living room, setting a glass of water down in front of your mom. you sit on either side of her, showing your support. “adoption? surrogate?”

you like being an only child. you like it just being you, mom, and rafe, but at the same time, you want your mom to be happy, and if a baby gives her that, you'll adjust for her.

“actually…” rafe clears his throat. “we were hoping you’d be willing to help out.”

“yeah, of course.” you nod. “anyway i can.”

you don’t realize what rafe means until later. you assumed it was just help researching adoption agencies, or finding a surrogate, but as rafe hovers over you, you realize he means to breed you.

“m-my mom can’t be okay with this.” you stutter out, body stiff against the bed, trapped as you blink up at rafe, body caging you over the mattress.

“she thinks you’re going to get inseminated.” he huffs out, breath warm against your face. “and in a way you are. a natural way.”

“i-i-” you stutter out. “i don't know about this.”

“come on, i see the way you look at me.” rafe shifts his weight to one hand, gliding down the other down your torso, squeezing your hip gently. “i know you want this.”

“you're married to my mom!” your eyes are wide, but a spark does ignite inside of you. “you're my stepdad!”

“and you’re going to be doing both of us such a big favor, pretty girl.” rafe coos, his fingers running along the material of your shorts, stroking closer and closer to your center every time.

“i-i guess it would be easier than going to a doctor.” you’re sure it involves waivers and legal shit that your mind just can’t even wrap around.

“exactly!” rafe smiles down at you, glad for your naivety. “besides, im making you feel good... you’ll get pregnant, and both of us will feel real good.”

“how many times will we get to do it?” you whisper, hands reaching up to touch rafes cheeks, running your finger down the smooth planes. “like, it probably won’t take the first time.”

“as many times as we have to babygirl. and i’ll take real good care of you during your pregnancy. rub your feet, buy whatever you are craving, eat you out.” rafe loves the way your eyes blow wide.

“thats not appropriate!” your mom has lectured you long and hard about sexual experiences and above all how important it is to wait so you don’t become pregnant young like she did. and now she is asking you to allow your stepdad to breed you when you’re freshly out of your teen years.

“its okay, its just you helping us out so im helping you back out in return.” rafe moves his hand up to cup your cheek. “let me show you.”

he leans down to press your lips together in a kiss. you lay frozen for a moment before beginning to move back, reciprocating the kiss as your hands fist into his shirt, tugging him lower.

you let out a moan into his mouth and rafe has to pull away to chuckle. “see, i knew you wanted me babygirl.”

“yeah.” you nod. “okay, lets do this.” damn the consequences, you can think about them later.

“good.” he coos out, lips back against yours quickly as his hand gropes at your breast, rubbing them through your tanktop. you’ve always been insecure about the size of your chest, but as rafe lowers down to look at them, you think about them in a whole new light.

“these are gonna feed our baby so well.” he says, tugging at the hem of your shirt, lower and lower until it breeches the swell of your breasts and they pop out the top. you don’t ask who he means by ‘our’. you can indulge in the fantasy that it’s just you and rafe. that your mom is still in the picture, but only in the role as your mother, not the one of rafes baby.

rafe wraps his lips around your nipple, sucking deeply into his mouth, so in contrast to what it must feel like to have an infant feeding.

“i-more.” you gasp out as rafes fingers play with your other nipple, rolling and pinching at it until they’re both stiff peaks.

“i can’t wait to fuck you baby.” rafe says, helping you sit up just slightly to pull your shirt off, the small pajama shorts the only barrier you have left on your body. rafe also tugs his shirt off. you’ve seen him shirtless before in the pool or on your boat, but its different in this low lighting, so intimate and close.

“gonna eat your pretty pussy first though.” rafe tugs your shorts down, your thighs pressing together to allow you to keep that part of yourself hidden for a moment longer, before rafe is pushing at your legs and slotting himself onto the bed in between them.

“aww.” rafe smiles, looking much more like a boy your age with his grin rather than your stepfather. “i knew she’d be cute.” his hands stroke over your inner thighs. “have you ever had a guy eat your pussy before?”

“no.” you shake your head. “never done anything with a guy.” you’ve kissed past boyfriends, but it never went beyond that.

“im gonna be your first?” theres a spark in rafes eye when he realizes that you’re a virgin. that he’s going to deflower you, fill you up.

“y-yeah.” you nod.

rafe wants you to cum once with his mouth and fingers first to open you up and get you wetter before he fucks you, so he wastes no more time, pushing his face forward between your legs, tongue swiping over your folds as you scream out in pleasure.

rafe is glad as your moans increase with every flick of his tongue and glide of his lips that he chose to sneak into your room in a time when your mom was gone, off to the spa with her girlfriends, no doubt sharing to them her recent doctors trip and how her angel of a daughter agreed to be a surrogate so her and rafe could have a baby of their own.

“you taste so good.” rafe says. he isn’t one to enjoy giving head often, but you really are the sweetest taste on his lips. he focuses in on your clit as your entire body stiffens before relaxing, sighing out as your head becomes fuzzier and fuzzier with every touch of rafes mouth.

“do you touch yourself here?” rafe asks, pressing kisses to your clit, making out with it just like he did you mouth.

“no.” you shake your head. you occasionally grinded yourself into a pillow stuffed between your legs to get off when you got too overwhelmed, but you never reached your hand in your pants to feel yourself.

“what about here?” rafe brings his hand to your cunt, finger circling around your entrance.

your eyes widen again, that gloriously innocent startled look that has rafe grinding into the bed to give his cock some sort of relief.

“never!” you shake your head.

rafe just smiles, going back to focusing on your clit as his finger pushes in. you’re so wet it’s not difficult at all, but he can feel the way you squeeze around his digit, getting used to the feeling of the intrusion.

“relax for me, princess.” rafe says, sucking at your clit as he begins to move his finger in and out until he’s able to easily pump, the delicious squelching of your wetness filling the room with his every movement.

“gonna add a second, okay?” rafe talks you through the process, not wanting to do something to scare you into changing your mind. “gotta open you up for my cock, baby.”

rafe pushes a second finger into your entrance, working you open until he feels your body stiffen, his concentration going to your clit as he works you through your orgasm, your high so suddenly breeching that your body locks up and you let out a scream.

“shh, i got you.” rafe kisses along your mound as you work through it, pussy clenching around his fingers as he scissors them, knowing he needs you looser to fit inside.

“that-” you gasp out, mouth suddenly feeling dry. “that was so good.” “yeah?” rafe smiles up at you. “i can keep helping you feel that way, baby.”

“mhm.” you nod, not sure how you’ll ever go without now that you’ve felt the high that rafe can get you.

“can i fuck you now?” he questions. as much as he’s ready to go right now, if he has to build you up to allow him inside bare, he would wait.

“yeah.” your voice is dripping with eagerness. “yeah, yes please. just need a drink of water first.”

you sit up slightly, going to reach for your water bottle on your bedside table, but rafe moves quicker, helping you bring the bottle to your lips and suck the water down, pulling away with a gasp as a drop of water glides down your chin, reaching your throat before rafes tongue is on your skin, tasting the sheen of sweat as he follows the wet trail up to your lips, kissing you to keep your mind occupied.

he works his pants and underwear off while you’re wrapped up in the kiss, your hands stroking through his hair, playing with the strands.

rafe moves your legs to wrap around his hips as he holds onto his cock, swiping it through your folds. he taps the head against your sensitive swollen clit, making you pull away with a gasp.

“stay nice and relaxed for me, baby.” rafe says, pressing kisses to your jaw as he lines up with your entrance. he pushes in slowly, your eyes clenching shut as your chest moves up and down with each breath, trying to keep your body relaxed like rafe said.

“there ya go.” rafe says, halfway inside your cunt. “good girl.”

he pushes as far in as your pussy allows, both of you sitting in that moment, relishing in the feeling of being joined together as you stretch to accommodate his large length, shifting your hips side to side and up and down to get used to the feeling.

“i gotta move, baby.” rafe says, his voice sounding strained.

“yeah, go ahead.” you nod. despite your affirmation, rafe continues to move slowly, his hips swinging back before pressing forward, carefully building up a rhythm.

“it feels really good.” you tell rafe, your cheeks flushed bright pink, hair fanned out on the pillow around you like a glowing halo.

“yeah, yeah.” rafe nods rapidly, his grip on control quickly loosening. “you feel so good too.”

rafe knows he should stop, but he loves the way your body reacts to his dirty words. “you’re so tight around me. i love this pussy. so much better than your mamas. gonna give me a baby, right?”

“i-yeah.” you nod. “fill me up.”

rafes loosening control shatters, his hips swinging forward fast, burying his cock inside of you as the pace instantly triples. you let out a squeal, the sheets gripped in your hands as he pounds into you.

“gonna fill up your pretty little cunnie, baby.” rafe grunts out, his own forehead sheening with sweat from his effort, his muscles straining as he pushes up then down, up then down.

“want it so bad.” you whine.

“fuck.” rafe gasps out, mouth dropping open, his lips shiny from eating you out. “can’t last much longer. gonna cum.”

you experiment, clenching your pussy around his cock, and judging by rafes reaction of a loud moan and curse, you can tell he likes it. you continue, squeezing every time he pulls out, wanting to keep his cock wrapped in your warmth.

“i-im cumming.” rafe gasps out, his cock growing inside of you before your eyes widen, suddenly feeling warmth spreading as his cum fills you, his cock pressing in even harder, hoping it reaches your womb.

“god.” rafe groans, lowering his body on top of yours, but you don’t care about the weight as you smile.

“we’re gonna keep doing that?” you ask, running your hand down his back.

rafe looks up at you. “oh, of course baby. gonna keep fucking you while you’re pregnant too, maybe you’ll give us twins.”

you roll your eyes and giggle at rafe. “thats not how it works, silly!” “oh, what do you know?” rafe smirks at you. “you haven’t even had sex before!”

“well… i have now.” you mumble, shifting your hips from side to side, rafes cock still lodged deep inside of you.

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creatingblackcharacters · 4 months

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“Why’s she so rude?” (She’s Not)- Stereotypes, pt2

So I'm sure that you all thought I was going to give a blow-by-blow list of "visual stereotypes to avoid". I'm going to be honest here, I thought about it, and figured it would be redundant. My page already includes sensitivity on depicting Black people. So instead, I'm going to focus on stereotypical "character" concepts, so that you can 1) not write it in your stories and/or 2) recognize it in media (fiction and reality!) and in life!

Two major resources: the Jim Crow Museum website is an EXCELLENT resource to understand the imagery of antiblack racism in U.S. history and society. The other, White Tears, Brown Scars by Ruby Hamad. The book focuses on the many racist stereotypes projected onto women of color and how that purposeful, systemic negative perception of us bleeds into every aspect of our lives- specifically by white women/white feminists who believe that they are not contributing to said oppression.

I'll start with Black women, just because I’m passionate about it (obviously) and there are so many things I wish I had and hadn’t seen growing up. We deserve better by the year of our lord 2024.

TRIGGER WARNINGS: mention of sexual assault, assault

Misogynoir

What I want everyone to understand, before I get into this, is the concept of intersectionality, and more specifically, misogynoir. Misogynoir is the specific type of contempt and prejudice that Black women face at the intersection of race and gender. I say this because you might read these things and go “oh, as a woman, I experience these things!” I get it, but I want you to PAUSE, and remember, that right now, we are talking about Black women’s experiences. And those will often be different, due to that intersection of identities. And that understanding will have an effect on how you understand (and thus, write) those experiences.

The Jezebel

The link goes into much deeper detail, but the Jezebel is the idea that a Black woman or girl who is sexual is somehow “fast”, “salacious”, “a hoe”, “driven by desire/doesn’t understand purity”, and at its worst, unable to be r*ped/a victim because she is less valuable yet somehow inherently seductive to men.

This gets thrown around CONSTANTLY in media and life for Black women (my first experience of treated like I was ‘fast’ was when I was like… twelve?) One major, visible example is Megan Thee Stallion. Meg has a college degree, she likes anime, she’s a brilliant rapper, and has an entire personality and struggles she’s shared… But she also likes to dress scantily clad and have sex. By doing those things, she ‘lessened in value’. And because of this, when she was shot at and assaulted, even Black people questioned her character, rather than understanding that she could have been anyone, and she still wouldn’t have deserved to be assaulted. She's not allowed to be multi-faceted; she "brought it on herself".

Black girls and women who happen to take charge of their own sexuality, to the discomfort of society, are treated as Jezebels- as whores. Think about it- if one of Taylor Swift's recent boyfriends shot at her, would the media question her value or her word? Question her equivalently high ‘body count’?

Question how you write your Black woman- she can enjoy sex! She can be sexy! We love to see it! But if you're punishing her specifically, or judging her within the narrative, versus your other characters who are allowed to safely explore and act upon their sexuality… Check your judgment! Why do you feel the way you do about this character? Why do you think that your Black character is the one that should be judged for her actions. Would you feel this way if it were a nonblack character?

The Sapphire/Angry Black Woman

Ohohoho, I have infinite amounts of feelings about this one.

This is the "sassy Black friend", the "aggressive Black boss", “step on me angry mommy”, the one who does the z formation and makes everyone "uncomfortable". She’s not allowed to be confident, assertive, or self-assured- she’s arrogant, rude, and aggressive.

I discussed it in part one, but I'll reemphasize it: your Black woman doesn't have to be an ‘Angry Black Woman’ in order to be angry! Just like any other human being on the planet, we are allowed to be mad. (In my honest opinion, we have a lot to be mad about, but I digress 😅)

If the only character that ever gets angry is your Black character, I want you to consider why. What is she angry at? Was this something you wanted the reader to understand or empathize with? Are we supposed to disagree? How does everyone around her treat her anger? Is her anger righteous? Is she always shut down or dismissed for it? Is it only meant to defend her friends, but never herself? Does the narrative suggest that it’s only good in use of others and not herself? Would this be the same reaction if one of the nonblack characters was angry? Is this something you did on purpose?

Very often, we're called 'angry Black women/girls' to invalidate our emotions. My therapist once said anger is a protective emotion. We might be hurt, overstimulated, sad, depressed, frightened, anxious… But we are often not allowed the grace of others digging deeper to see that. Even if the other characters do not understand her anger, even if her motives are not meant to be understood at the moment… you as the writer should be aware. But if every time it’s time to show anger or upset, it’s your Black character… consider why this is the one you thought would best convey that message, and how your Black readers might feel seeing that this character (who may not even be the ‘bad guy’) is the one that is ‘only’ angry. No other development, no other emotions, just… there to be mad.

I take this one to heart, as someone who feels very passionately about things… this is one of those things where I wish, in life and in media, people would have more grace for Black women. We're human, too. We have feelings, too.

The Mammy

This one isn’t as visually blatant anymore in media as it was in the past (like every Mammy doesnt look like Aunt Jemima), but you may have seen this one as "the mommy figure". The "lesbian that parents the silly gay boys". The one that’s always encouraging the ship of the white boys, but never the one allowed to be in the ship (especially when her ship is canon!)

A good example of this was how people expected Jessica Drew from ATSV to be "more loving" to Gwen, rather than the mentor and boss she was (plus, as a Black woman with a Black mother… trust and believe, she was quite direct and gentle). And in comparison to her counterpart, white man Peter B. Parker, was decried far worse for similar detrimental actions.

The Mammy often serves in opposition to the Jezebel and Sapphire/Angry Black Woman. What makes the Mammy particularly annoying is that it implies that the only good Black woman character is a ‘nice’, demure, unthreatening, homely, motherly figure whose job it is to make sure to center the (usually) white ones. The Mammy is expected to coddle everyone, to her own detriment. She's a ‘good Black’ because she causes no issue, raises no fuss, never shows a negative feeling, knows that she has to ‘be strong’ but to always defer because the white characters know best. She’s ‘not a threat’, and that’s why she’s ‘allowed’ to be around. We shouldn’t have to be those things in order for our stories to be heard and understood, in order to be empathized with or treated like someone of value.

The Strong Black Woman

If I never hear this phrase again in my life, if we eradicate it from future generations for Black girls and women, I'll cry of joy lmao. I hate it, and it's not for the reasons most nonblack people would expect. Lord, this one. Anyway. The ‘strong Black woman’ is meant to protect everyone, no help needed! Whenever something is wrong and we all need a pickup, here she comes to ‘let me do it’ and everything is going to be okay! She did all the necessary suffering so that your characters don't have to! She can sweep in and save the day!

Now here's the dissonance kicks in. This one on its surface probably sounds like a good thing. She's a hero! She’s resilient! She's great! Who wouldn't want to be superwoman? Who wouldn't want to reject being a love interest, all women are always love interests! Let us be the badass that kicks ass and shows the men what for! Who wouldn’t want that, 24/7?!

The answer: US. 👍🏾🤣

This is a long, separate conversation on its own, but we have to understand that Black women (women of color, really) and White women do not always share the same end goals and understanding of "strong woman character" or even feminism. We certainly aren't always the love interest. Very usually not, in fact. We are always pushed to the side. We are already the hero in our lives, we're already the "strong woman".

Not everyone yearns to be the Singular Hero who will Fix It All as many of us are already expected to do. It's exhausting having to swallow your own needs for everyone else all the time, especially when it's suggested that you have no value otherwise if you don't. Heroism is Exhausting, and it's something worth looking into when you’re characterizing your Black girls and women. I’m not saying that we can’t be strong! We are, and it’s impressive! But I also want us to add some nuance to that strength, the way we would for any other character. What it means to have community, rather than to do it all alone. How even if she wants to be the hero (and that’s okay! That’s fine!) how it would still wear on her. Surrounding your Black girl character with unconditional support, to have a lover that actually wants to pull some weight- that's something many of us actually would like to see, because we're usually shafted to the side as 'someone who can do it all herself' (in order to hide that no one thinks we need or are deserving of the help).

It's okay to let your Black woman and girls show weakness, to rest, to be taken care of! It's not "less feminist" to accept that we're humans that need help and can't carry it all, too. That it’s okay to want to feel valued and protected. Because god knows, I wish I didn’t grow up strong and resilient, I wish I grew up knowing that the world cared that I was safe.

Standards of Beauty

These standards are not the same! I've mentioned it before in my lesson on skin tones, but very often when we think of "beauty", it’s easy to fall into the idea of whiteness. Pale skin, thin hair textures, etc. If those are our existing standards of beauty, then it doesn’t matter what any of us look like- we’re ugly! When I was in high school, I remember a classmate saying that Swedish people were the most beautiful people because of "white hair and pale skin". Without even meaning to, that guy basically said everyone darker than a stack of loose leaf printer paper was ugly by proxy of not being Nordic White (no matter how pretty they actually might be!!) 🤣

It’s also of note that whiteness/paleness tends to be connected with innocence and cleanliness in western culture, while blackness/darkness tends to be considered dirty, sinful, fearful. Now, while the origin of this idea may not be racist itself, when you spend hundreds of years implying that Blackness is bad- to the point that, in the U.S. they came up with an entire slur one step past “negro” (meaning ‘Black’) to deem you less than- it’s hard to say that the societal connotation didn’t apply.

Now we've already discussed working on describing our Black characters better! I continually remind you all that you should be describing them as wonderfully made as you do your white characters. Keep in mind that we live in a world where from day one when we enter the world, Blackness and Black features are not seen as beautiful nor emphasized. Whiteness is the standard of beauty that we, for a long time and still, are expected to adhere to. If you'd like to do better by your characters, remember that you don't have to give them "white features" or use "white" as an adjective to do that!

Black Women as Women

“There was literally nothing, not a thing, that a white woman could ever have that was worth more than her sexual virtue, and this obligated mandatory chasteness and sexual vulnerability… If the most important thing a woman has is virtue, and only white women can have virtue, then by definition, only white women can be women.” Ruby Hamad, ‘Only White Women Can Be Damsels’, White Tears, Brown Scars

Often, Black women by definition are not included under the societal banner of “women”, from our features, to our personalities, to our 'role' in life. "True Womanhood" is denied us, cis and trans, because of our Blackness. The things that make women ‘women’, we are not included under, because systemically, the only ‘women’ that were meant to mean anything were white.

I bring up Megan Thee Stallion again. Meg is probably one of the most beautiful, feminine women I've ever seen in my life. Men still call her a man, due to her height, due to her confidence, and due to their insecurities. Same with Serena Williams; Serena is damn near built like a god in my eyes. She was told she was manly from the beginning of her career, no matter how beyond skilled she was in women's tennis. Even when she damn near died giving birth- the most basic of 'tasks' women are seen as having in this society, it didn't matter. Black women are 'less womanly', 'less valuable', 'less in need' of that protection and identity that society swears Women™ need (and not in the honest way that we do need protection).

Consider that you're making sure that your Black women have the options of range of gender expression and emotions (and if they aren't allowed to, is that on purpose). If you're only ever creating us and we're in service of some dainty white woman and never the other way around... consider how that may reflect what you think our role is in your story, and in your mind.

Adultification

“Awkward moment when Rue is some black girl and not the innocent blond girl you imagine.” twitter: sw4q

It has been shown that Black girls the same age as their white girl counterparts are deemed older and less in need of protection, and supposed to 'be more mature'. Imagine that. Deemed inherently less innocent, due to your skin color. Having to parent our siblings, get jobs to contribute, do all the cleaning, and more. Yet, when we act with the maturity that we've been forced to grow into, we're "fast". A little 12-year-old girl, now to society, the Jezebel. All because she wanted to try pink lip gloss or wear a skirt; things that little tween girls might try to understand the big world around them and push boundaries. Now she's a woman, now she can never be a victim. Now she can be beat on and hurt and it's her fault.

I explain this for two reasons: One, for you to think about how your write your Black girls, and Two, for you to hold more grace for Black girls- real and fake. Do you hold her to a higher standard than your white characters of similar age? Does she inherently seem less innocent to you for reasons outside the plot? Is she as human to you as your other characters? Is she allowed to be a child? To act like one? To make mistakes? Are you as empathetic or understanding about that childishness as you are towards nonblack characters? Do you make these decisions on purpose?

It's not like Black girls can never be YA protags or anything- ofc we can. But keep in mind that she's not somehow automatically "stronger" by proxy of her Blackness, that she'd "be tougher". She's a kid. Let her be one.

Conclusion

There’s a LOT you have to consider when writing Black girls and women. I’m not going to sit here and say it’s easy, because being Black, and being a Black woman, is not easy. If you’re stressed reading it, imagine being stressed living it lmao. It’s a constant chain of quick-time events every day of your life to prevent nonblack nuclear meltdown in response to your every single action. I’m not going to apologize for it, either.

That being said, I don’t expect you to understand everything, especially not all at once. I just want you all to keep these things in mind, to question yourself when you’re writing your character- are you treating her differently on purpose? Or are you treating her differently because of a bias you might not even notice you have? It might help to go back, to read how you treat all of your characters. Or, if you’ve never written before, to maybe outline the traits of your characters and figure out where things balance out. As always, all you can do is practice at it. Because it's the thought that counts, but the action that delivers.

Whew, I'm actually emotionally strained after this one. My chest is beating fast. Let me go get some groceries now.

#creatingblackcharacters #character design #black characters #black character design #writing #creative writing #stereotypes #antiblackness #racism

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tacticaldiary · 1 year

Text

It All Comes Crashing Down

Pairing: Simon 'Ghost' Riley x Reader

Genre: Hurt/Comfort

She presses the metal radio against her lips and mumbles her final words, hoping that although he has not spoken, he would hear.

"I love you, Simon.

A/N: The classic 'bomb my location' fic you've all been waiting for! This has been sitting in my drafts for weeks, so I'm glad I finally got it out- I'm thinking about a part 2 where she wakes up and it's some extra fluff, maybe?

Masterlist

She takes a shaky breath in as her hands grip her rifle tighter, but when she speaks her voice is as steady and firm as ever.

"Bomb my location."

The words are acrid on her tongue, but they feel right to her heart. Her mind is in disarray, trying to piece together any other solution that won't have her ending up under dead under pounds of rubble, but she knows deep down that there's no other way out of this.

An entire enemy organisation eliminated at the expense of one soldier.

It was a win-win for everyone but her.

And that was alright. She's made her peace with it, made it the moment she signed her name on those documents giving her life away to the tang of blood and the scent of gunsmoke.

"Level the building." She continues, wincing at another hail of fire that rains upon her. Heavy footsteps and orders barked in Russian move around her location. Steadily being surrounded, there was little hope for a smooth extraction or escape anyway. "Have Soap blow the charges, Captain. Then send in the airship and raze this hellhole to the ground."

"Like hell we're doing that." Gaz's voice comes through her comms, frustrated. "We're not leaving her, Price." They must have rendezvoused successfully, because Gaz doesn't speak through the comms, rather it sounds as if he's turning away his head to speak to the man directly.

It brings a small smile to her face despite the circumstances. Her boys would get out of this, at least.

Simon. Her mind flashes to her Simon and she thanks whoever's above that they had split up before everything went to shit.

It had been fine at first. She was setting the charges they needed to bring the building down while he fetched the intel from somewhere else, and really, she should have been suspicious when it all went smoothly.

She'd planted the last charge before the enemy started closing in.

Like rats, they seemed to emerge out of nowhere shooting her down and pinning her until she had no choice but to slip away and barricade herself in one of the nearby rooms. The entrance and exits were likely swarmed with people and here she sat, in the heart of it all.

Unreachable, untouchable.

She sort of tunes out the muted conversation on the other end, lets the ringing on her head take over. Loud angry cursing, yelling in distinctive Scottish, the harsh rasp of her Captain telling everyone to calm down...it all floats through her mind.

Everyone but Ghost.

She doesn't hear his voice...but he was alive, wasn't he? She'd seen him slip out of the building through the window in front of her, so she knows he must have gotten out. The thought makes her gut curl up, brings her back to the present.

"Negative, Sergeant." Price's voice cuts through her thoughts, much louder than the others. "We're mapping out a route to come get you-"

"Price, it'll be suicide." Perhaps it's the way her voice softens and quiets, the gentle way she talks so different from the harsh way she's spoken earlier. It's as if she's accepted it, is content to lay down and allow herself to be swallowed by the dirt she came from. "I'm one soldier. Don't make yourself visit more than one coffin."

"I'm going to-"

"Set off the charges."

There's a beat of silence, painstaking silence where nobody speaks. Even the gunfire outside the room she's barricaded in seems to fade out for a moment.

"Copy."

A death sentence coming from the man she considered family.

It cracks a smile out of her. She squeezes her eyes shut, lets her head fall against the blood spattered wall behind her.

"Make sure my replacement's just as much a pain in the ass to you, alright?" If the way her voice breaks at the end of her last sentence is noticed, it's not brought up. "Simon's gotta have someone to push around, yeah?"

"There's no replacing you."

There's arguing. Soap and Gaz are yelling, and it's startling because she's never heard either of them shout the way they are, at their Captain nonetheless.

It's comforting to know she was cared for, even if she's about to die.

A sudden bang on her door makes her jump. Muffled Russian filters through the old wood. Someone ramming at it with something, trying to break it down.

But it doesn't really matter, does it? She'll be going out on her own terms even if they find her now.

Ghost...Simon. Where was he? If there was one thing that'd settle her mind right now it'd be hearing that gravelly voice, even if it was merely yelling at her, telling her how stupid it was to suggest what she has.

A desperation claws at her chest, deep down. She wants Simon, wants to spend the night in his bed again, wants to hug him, feel his skin, wants to see those rare smiles of his one more time.

Just once.

Just one more time before she-

"Charges setting off in 5-"

How cruel was the world?

She hopes Simon knows that she didn't mean to leave him. That she wanted him to go on without her, to not fall into the void of 'what-if's.' It wasn't his fault.

Her eyes burn but she refuses to let out the helpless sob clawing its way up her throat. She wants...she wants so much. Wants to do so much more, wants to live, and breathe and smile and laugh and experience and live. Simon. She wants to tell him so much more.

If she could go back in time and fill their silences with all the words she wants him to know right now, she'd do it in a heartbeat.

It's an impulsive decision, how her hand shoots up to grab at her radio frantically. Switching it to the private line between just the two of them, she presses the metal against her lips and mumbles her final words, hoping that although he has not spoken, he would hear.

"I love you, Simon."

The ground crumbles beneath her, the world turns to black.

· · ─────── ·𖥸· ─────── · ·

Slipping out of the small shed, he tucks the papers into his vest. For a multi-national organisation, they sure were stupid as hell when hiding their intel.

Scanning the grounds for any movement, Ghost moves out, keeping to the shadows until he reaches the edge of the field that morphed into the woods farther down.

"Intel secured, moving to rendezvous point now." He says into his comms. He frowns when he doesn't get an answer back, grabbing his radio and speaking again, casting a glance back into the foliage in the distance where he knows the others have staked their place to operate from.

Price, Gaz, and Soap were operating remotely, dealing with drones and distant detonation devices, whereas the other two had infiltrated the building separately.

Plant the charges and secure the intel. Simple tasks made difficult when they both realised that the intel wasn't in the building, but instead in the shed attached to the side of the complex instead. Splitting up had been the most logical thing to do, even when Ghost had refused at first.

"It'll be fine. Quick and easy, right?" She'd told him with a grin. "Get that intel before I'm out of the building and maybe I'll give you an extra treat when we get back." Ghost had rolled his eyes at her suggestive wink.

"Does anyone copy?" He says into the object. He's met with nothing but muffled crackling and garbled speech, tinny and indecipherable. Ghost scowls at the machine, ripping it off of his vest and turning it over. It crackles and pops with bursts of sound but nothing cohesive enough to interpret

"I-...ou...Simon"

"Fucking thing's busted." He mumbles to himself, shoving the item back into his vest, his hand brushing against the folder of intel he's successfully recovered from the shed attached to the main building.

He can spot one of the convoy vehicles near the edge of the woods, but he doesn't let his guard down even as he crosses the field towards it.

Ghost barely takes a step through the dead grass before the building behind him goes up in an explosion that makes even him unsteady with the force of it. Flames lick up the east side of the massive structure and Ghost takes a second to watch as it crumbles in on itself sending up clouds of dust and debris.

Good fucking riddance.

He's looking forward to getting the hell out of this place once he rendezvous with everyone else. This mission had stretched on for far longer than it should have, the elusive bastards slipping away through their fingers time and time again with dirty, underhanded tactics.

The foliage grows thicker as he steps into the woods, rifle at the ready. A click of a safety had him raising his weapon and spinning around immediately.

When he sees a very familiar mohawk, however, he lowers his weapon instantly. "Blue!" He says loudly, bringing up a hand to half Soap. "Just me, Johnny."

Soap follows suit and lowers his weapon, his shoulders visibly relaxing the tiniest bit. "Welcome back." He says, but something about his voice makes Ghost uneasy. "Price and...and the others are prepping exfil." He gestures towards the clearing.

"Everyone else made it back?" He asks as they push through the meager trees and into the open space where soldiers are rushing around tying up loose ends.

"Aye." Soap chokes out.

Ghost would question it, but he's too busy doing a sweep of the clearing, putting names to faces. Price and Gaz were there, going back and forth over something. It strikes him a little odd how furious Gaz looks, Price looking so resigned but he pushes it away in favour of catching a glimpse of the person he's more inclined to spot.

"We tried what we could, but she was pinned down." Soap breaks the silence, misinterpreting the reason behind his silent staring at Gaz and Price. "We didn't...Laswell's insisting immediate evac, but Gaz wants to at least find a body to bury." A bitter laugh that makes Ghost's stomach drop like a stone.

"What?"

Soap rakes a bloody hand through his hair, shakes his head, and continues on like he's in some sort of shock. "I don't want to. I think she'd rather us leave her buried there than dig out bits and pieces and bury her again." His voice cracks.

Bury...?

There's only one woman in their team.

There's only one person he hasn't accounted for in the clearing.

There's only one person he hasn't reached on his comms before they broke.

The world spins, his mind screams and falls silent, a crescendo of noise and denial. The ground shifts beneath his feet, rocking him into a state that makes him feel like he's walking on string.

"MacTavish." His words are so calm and even, it's eerie. "Is my girl still in the building?" He feels detached from himself, perhaps a way to distance himself from the pain of the implied.

Soap looks at him for a long moment, then croaks out one, broken word.

"Was."

And it all comes crashing down.

He's been through torture before. Had his skin marred, his fingernails torn off, been hung from his ribs but nothing, nothing has ever come close to the way his heart twists.

Nothing had ever made him panic in a way that has his throat closing up.

"Christ." Johnny breathes, and it's a sound that drags him back from the brink of something horrible. Soap's eyes are fixed on the empty spot on his vest that holds his radio on normal days, horrified. "You didn't bloody know." He states.

Wasting time answering is useless. Talking, speaking breathing is useless because not a moment later Ghost is sprinting towards the rubble.

The rubble that he had just watched fallen. The building he'd stood there and watched fall down, had felt pride and relief in seeing.

His gear digs into him, the air thickens with smoke and dust but he doesn't stop. Vaguely he hears people yelling after him, hears Price and Gaz and Soap and every other motherfucker who stood by and detonated the charges. Friend or foe it didn't matter to him right now. If someone dared to get in his way he'd mow them all down, grind them into nothing and keep going.

They blew the charges.

The airship would be here any minute to finish the job.

No, he'd get to her by then. Ghost slams down into the ground somewhere near where they split off. He'd find her by then, and he'd bring her back, bring her to medical and she'd be fine in a week or two.

There was no other fucking option.

The debris rakes off the fabric of his gloves, splits the skin on his fingertips as he hauls and pushes and pulls and digs through stone and metal and wood, leaving evidence of his efforts in the form of his own blood behind.

She had to be okay.

Not her. Not like his mother, not like his brother, not like his nephew.

Not her.

He digs, calls out her name until his voice is hoarse, pulls away piece after piece of rubble until his fingers are torn to shreds.

Just as he hears the sounds of incoming aircraft, he spots something that makes the knot in his chest slam against his ribcage in pure and utter terror.

It's been a while since Simon has felt fear this pure.

Hair that he's familiar with, strands that he's gripped and gently soothes his fingers through peek out from under the piece of metal he's just lifted.

Unable to breathe, his attempts at moving the earth increase tenfold. He picks off stone after stone, brick after brick until more of her body is uncovered. Still, unmoving, bleeding. Once he's gotten her top half free, he hesitates for one horrible moment because what if he looks down to see a still chest?

Steeling himself, he bites the bullet and curls an arm around her waist, pulling her out of the debris.

The relief that slams into him when he feels her shallow, breaths against his palm is almost enough to send him to his knees.

"I've got you, love." He mumbles, half to himself as he adjusts her in his arms. She's dead weight, pulse barely there but present.

Cuts and bruises, Ghost can name at least five lacerations and countless other places she's bleeding from, a broken arm, leg, and who knows what kind of internal bleeding.

Alive.

But still alive.

And that was enough because like hell Ghost was going to let the one good thing in his life slip through his fingers ever again. He'd drag whoever he needed to her aid, he'd go to hell and back just to make sure she got to open her eyes again.

With limps that ache and a heart that's heavy, he quickly moves them out of the rubble, just in time to see two aircraft circling their location. They hadn't dropped any explosives yet, which a far part of Simon's brain thinks might be Price's doing.

Uncaring of whoever was watching, because frankly everyone could fuck off right now and it would be preferable, Ghost presses his lips to her hair as he moves into the clearing with her.

"Medic!" He barks out. "Right fucking now!"

He ignores Gaz's strangled gasp, ignores the way the entire team approaches them and tries to help. Ghost is a little concerned that if he let the adrenaline that's pumping through his veins go, he might just collapse as well, and that was unacceptable at the moment.

A weak hand grasps at the front of his vest, his eyes snapping immediately to her at the movement.

"S...'mon?" She says, words so faint he barely hears them?

"I'm here." He confirms, pressing his face to her hair harder. "I've got you, darling." He whispers. "I've got you."

It soothes her, because she nods against him and lets herself relax. It's only then that Simon notices she's holding something in her good hand in a deathly tight grip.

Upon closer inspection, it's a radio.

"I-...ou...Simon"

Fucking hell. His grip on her tightens.

She'd been trying to contact him in what she thought were her last moments, and he'd never have known because his fucking radio was broken.

It doesn't matter, he tells himself, chants it over and over again in his mind. He's got her again, and like hell is he ever letting go now.

When the medics bring out a stretcher, Price has to talk him into letting her go down into him, practically ordering him to let the bloody medics do their jobs. He doesn't stray far, however, keeping a hand on her at all times. Sat next to where they were working on her in the helicopter back, never once do his eyes stray from her unconscious form.

She wakes up once or twice, whines, and fights against the medic's hands with a panic-induced haze. Every time Simon is there, holding her hand, muttering rough, soothing praise and assurances.

It calms her down immediately, the trust in those far away pain-addled eyes when they meet his is enough to make his heart twist.

Simon stays with her the entire time, and then takes residence in a seat next to her hospital bed on base, ready for when she wakes up.

Hell would freeze over before Simon would ever let them be apart again.

If that makes him selfish, then so be it.

Requests Are Open! Reblog, Like and Comment!

(12/08/2023)

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writersdrug · 8 days

Note

no thoughts just waitress!reader showing up for shifts like nothings wrong after the date situation

just keeping it calm and professional. working her shifts efficiently and no longer bantering/flirting with ghost, who would rather reader melt down and tear into him than putting up the walls around herself hehe

Ok I'm combining some asks here that had some different ideas - I got so many of you guys demanding reparation for making reader cry 😭 here's the comfort chapter! (Still a tad angsty at the beginning)

Ghost had finished your tips for you that night. He had half a mind to slide a hundred in your payout folder as an apology for ruining your date... but what good would that do? That would make you quit for good, if you hadn't already.

He lays in his bed, eyes stuck to the ceiling, still in his jeans and black shirt. He wishes he could snuff out the guilt that sits heavily in his gut. He wonders what you're doing - probably crying, possibly making a half-assed voodoo doll of himself and stabbing his chest with a dull steak knife, because that's all he feels right now.

He gets up early the next day after a rough three hours of sleep. He lumbers down the stairs to the office - Price is there, sorting out cash and working on the next supply order. He looks at Simon, who's rubbing his eyes and looking worse for wear.

"Mornin'." Price says, turning back to the monitor. Ghost grunts in response, dropping himself onto the couch behind Price. His head aches from the lack of sleep, thoughts circling in his mind about how to apologize to you. He can imagine you won't want to talk to him - or, if you do, it'll most likely be profanities wedged between insults. He'd love for you to berate him right now, and make him feel like he got what he deserved.

Price sighs. "You sleep alright?"

"I've had better."

"Nightmare?"

"... yea, somethin' like that."

Price huffs. "I'm workin' front of house today." He says, grabbing the bag of tips and standing up. "Goin' down to drop these in the safe, then I'll help you stock up."

Simon opens his eyes, looking at Price with confusion. "You?"

Price nods. "Dove called out sick. Sounded like she's got the lurgy."

That delivers the final blow to Simon. He knows you're not sick - you're avoiding him now. All plans to apologize are now out the window, and the more time passes, the harder it'll be to do it.

"You've only got yourself to blame, Simon." Price says, heading down to the restaurant floor.

He curses under his breath as Price leaves. How he heard about what happened - he could only assume it had been from Soap. He drops his arm over his face and groans. He wants to call out himself, but then they might as well shut down the entire pub for the day.

Should he try phoning you? Would you answer, let alone allow him to get more than five words out? What would he say? "Sorry I ruined your date, I was jealous tha' ya got a life outside of the pub." There is no variation of an apology that feels like it would be enough. He made you cry, for fucks sake. That was a punishment in and of itself, but he still had to own up to what he'd done.

He sighs loudly; his body feels heavy as he drags himself off the couch, trudging down the stairs. He still has a bar to run.

It had to have been the longest shift of Simon's life, and he even wrapped things up a bit earlier than usual. He didn't have the gift of your incessant chatting or being able to tease you to make the time pass. Price was a solid companion in front of house, but there was hardly a conversation to be held - even with the usual bar crowd. The patrons had a look of confusion for the majority of the night, wondering why Soap wasn't popping his head out of the kitchen to chat every once in a while - and why the hell the owner was serving tables, and not the chipper, spunky waitress.

When Simon had locked up for the night, he noticed your bike was no longer in the alley. Johnny must have dropped it off on the way back to his place.

Today isn't much different - at least, not for Simon. He's still suffering from a lack of sleep, he's irritable (he had a spat with Johnny in the morning, over something he can't even remember), and his work ethic is suffering. He's not worried about slicing bar fruit; it'll give him something to do later, when he needs it. Maybe the rush will kick him back into shape.

He stares at the dishes on the edge of the bar - they're all in need of a good polish, but he finds himself stuck on staring at the bar fridge. There's nothing else he needs to stock up on - it's packed completely full with wine, champagne, and cans of beer. He gently kicks the side of it with his boot. He should be checking the to-go boxes, helping Soap with setting up the condiments and soups, making sure the tables all had full salt and pepper shakers. That's what you would be doing. But, you're not here, and neither is Price. He can only hope tonight isn't as busy as the previous night, otherwise he'll have to close some tables. Which would make customers mad. Which would make Price mad. Which would-

Suddenly, he hears three loud bangs against the back door. He freezes, the sound triggering a Pavlovian response. He immediately looks up to the kitchen window - Soap opens the door, and you come jogging inside. You greet him with a smile. He asks how you're feeling, and you say "much better".

He doesn't know what to do with himself, but he just stands there like an idiot as you hang your bag and jacket on a hook. Stands there as you push your way into the restaurant, barely sparing him a glance as you scurry by him. Stands there as you run up the stairs, two at a time, diving nose-first into your chores so you can avoid Simon.

He can't speak. Should he? What can he say? "I'm sorry," for starters, but it isn't that simple. He thought you might have quit, and was preparing his heart for the worst. But now, here you are, running back and forth through the pub and setting up your tables - and it feels like you've never been farther away from him.

In all honesty, you can't bring yourself to talk to him either. You're feeling just as ashamed with your behavior two nights ago as he is about his own. Why the fuck would you expect someone - let alone your boss - to do your chores so that you could run off and have fun on a date? Not only that, but you'd made a scene; you felt like you had half-assed the ice bins in your scramble to get them cleaned, and then you sobbed in the middle of the restaurant. The cherry on top, however, was when you called Price yesterday and told him you had a cold, calling out of your shift. It was a cowardly thing to do, and you could tell he wasn't buying your story.

But: bills need to be paid, rent is due, and you can't lose this job. So you sucked it up and came in today - Simon is easy enough to ignore, separated from you by the bar.

At first, the quiet bartender was relieved that you had showed up for your shift - he wouldn't have searched for a new waitress if you had quit, instead choosing to deal with the consequences of his actions. But he's quickly getting more and more irritated with the silent treatment you're serving. You only talk to him when necessary: a simple "thanks" when you grab your drinks and run them to your tables. You busy yourself between rolling silverware, (over)stocking napkins and condiments, and even going so far as to spray the menus down and scrub them with a rag. You spend more time in the kitchen with Soap; each peal of laughter shared between the two of you is another arrow in Simon's chest. He's stuck behind the bar, listening to woes spilling from drunken lips, forced to watch you flit around and pretend he doesn't exist.

You can't keep this up forever.

Still, you do for most of the night. Even when your shift is coming to an end, the kitchen closed while you close the tabs for your remaining tables, you don't cave and sit at the bar with Simon. You sit at the farthest table from him, the farthest chair, in fact, skimming over your tip receipts - and talking to Soap (who was only able to sit with you since you had helped him knock out his tasks).

Simon's never been as angry with Soap as he is now - and the worst part is he knows it's not justified. He's watching from behind the bar, polishing glasses so hard they might wane into cups. He wants to talk to you. He will talk to you before the night is over. He doesn't expect forgiveness, but he expects that you'll at least let him offer an apology.

One of the regulars at the bar looks to whatever Simon is glaring at, chuckling quietly when he sees you. "Trouble in paradise?"

"Stuff it, Mike." Simon grumbles.

Meanwhile, you walk back from closing out your last table, plopping back in the booth with Soap. "What are you doing after this?"

"Sleepin'." he replies instantly, tossing back an onion ring. "Been dealin' with a grumpy bawbag since early this mornin', and I'm beat."

You glance over at the bar; Simon's back is facing you as he organizes the beer glasses. You really should apologize to him... you just couldn't figure out when the right time would be. He'd still be working by the time your shift ends, and you don't even know if he wants to speak to you at this point.

"Is he mad at me?" you ask, tapping your pen on the table.

Soap sighs. "I'm not goin' t' be the middle man, Bonnie." he says, looking at you intently. "If ye feel like somethin' needs to be said, go talk to 'im."

You groan, leaning back against the seat. "It's not that simple."

"Why not?"

"It just isn't! He's already pissed at me, and he probably thinks I'm a slacker. What good is an apology?"

"Ye won't know 'til ye talk to 'im, hmm?"

"What if he fires me?"

Johnny barks with laughter, and you frown. "I'm being serious."

"He'd never fire ye." he says, getting up out of the booth. He stretches both arms above his head and lets out a grunt. "In fact, he was throwin' a fit yesterday n' today 'fore ye came in. Bitch took it out on me."

You winced. "I'm sorry-"

"Save it fer 'im." Soap interjected. He left you at the booth with the onion rings and your tips, disappearing into the kitchen. You huff, hunching back over your tips and scribbling through them.

Deep down, you know Soap is right. If anything, you could just apologize to Simon. If he chooses to be grumpy about it, so be it. You've got tough skin... still, you can't stand the thought of him being upset with you - not because of your work ethic, but because you liked him. A lot. And you wanted him to like you back, even if it was in the most platonic way.

But that didn't change anything. An apology was due, and you were going to give him one before you left tonight.

You grabbed an onion ring and popped it in your mouth, grimacing when you realized they were cold. Out of the corner of your eye, you saw Simon making his was across the floor to your booth.

Great. Guess the apology is coming now.

He stops at the edge of the table, wiping his hands in a rag. You pretend to punch numbers into your phone's calculator, but they're all random - you just want to look like you're busy.

"May I sit?" he asks, tucking the rag into his back pocket.

You mumble out a "sure", still not looking at him. You hear his large frame slide into the seat across from you, polyester squeaking underneath his weight. You continue to do random equations on your calculator, letting a thick blanket of tension settle between the two of you. You can feel his stare burning into your head, his arms folded over his chest... and you notice that his mask is in his hand. You finally look up at him.

It's not the first time you've seen his face - you've caught glimpses of it when he smokes in the alley, or when he eats whatever Soap throws under the warmer for you and Simon. But this time, he's not taking it off to be convenient. And, dear god, you're just now paying attention to how scarred, rugged, and handsome he is - but now's not the time for those kinds of thoughts. You feel like he's reaching out an olive branch, showing a possible vulnerable side to himself. So, you place your pen on the table and lean back.

He stays quiet for a moment longer, trying to figure out how to start this. He wants to make sure that you know he's here to apologize, not to ask for forgiveness. From his silence, you assume he's waiting for you to go first.

"I'm sorry about Tuesday night." you say, eyes dropping to the table. Simon's astounded that you're the one apologizing, but you continue. "I shouldn't have reacted the way I did, and I'm sorry for trying to dump my job on you."

He feels worse, now. Was that even possible? He was expecting anger, insults - a detailed, frustrated explanation of what you did last night since you did not go on that date. But you're the one saying sorry? You think you're to blame for all of this unspoken aggression? Oh, you really do confuse him, sometimes...

"You don't need t' be sorry, luv." he says, gazing at you with a softness you'd never seen before, not in his brown eyes, at least.

"No, I do." you say, nearly pleading with him to let you be apologetic. "I was being a brat, and whether you usually do the ice bins or not, I shouldn't have expected you would do them without asking." You push your pen on the table, doing your best to convey your feelings. "And yeah, I was late for my date, but... well, he sounded like a dick, anyways."

Simon chuckles, watching you stare at the table. "Well, I owe you an apology, too. I jus'..." he sighed heavily, running a hand down his jaw. "I don' even know. Guess I was bein' lazy, or... I got jealous tha' you've got a life outside of this pub. Feels like you belong here."

He immediately regrets saying that - it sounds way too possessive and... just straight up weird. But you smile, taking comfort in the fact that he still wants you here. That this was the whole reason behind the mess.

"Soap called you a bitch. Said you were an asshole all day."

Simon scoffs. "Yea... 'm pretty sure Price would tell ya the same. And he wants ya back, too. Couldn't stand waitin' on tables, he was tryin' t' trade places with me all night."

You laugh. The world seems alright again - not perfect, but good enough. It might take a night of sleeping the tension away before you're fully back to your normal self, but this is a leap in the right direction. You look at Simon, into his brown, steady eyes, as they stare right back at you.

He breaks the silence. "I really am sorry for ruinin' your date."

You smile softly. "Thank you, Simon. I forgive you."

And just like that, the weight of his guilt is lifted away. The lingering sourness remains, a reminder that he had made you cry. But you had forgiven him, which was more than he was hoping to get tonight.

"Are we better?" you ask timidly.

He nods once. "Better."

You smile - you slowly slide your stack of receipts to him, biting your lip. "Cool - can I have my money?"

Just like that, his smirk drops - but you know it's all in good humor. He huffs, snatching the stack from the table and scoots his way out of the booth. "Always got money on the mind, eh?"

"I've always got rent on my mind." you retort, following after him with the bowl of onion rings. You plant yourself at your usual spot on the end of the bar, right near the POS where Simon cashes out your tips. He tries to hurry up, assuming you want to dip and go home after such an intense conversation. He slides the mask back over his face and punches his code in, trying to edit your tips into the system as quickly as he can.

"Simon?"

"Hm?" his response is instant, turning around to look back at you. You've got your phone on the bartop, and your back and jacket on the unoccupied seat next to you.

"Can I stay for a drink?"

He's melting on the inside, only held together by his own skin. He sets your receipts down and opts to do them later, right before whenever you decide to leave. He won't miss on an opportunity to have you stay longer.

"Course, luv. What's it gonna be?"

"You know how to make a cosmo?"

He chuckles, grabbing a glass from the shelf behind him. "Sure do."

#bartender ghost #simon ghost riley x reader #simon ghost riley x you #simon ghost riley #simon riley #simon riley x reader #simon riley x you #ghost #ghost x reader #ghost x you #ghost cod #cod x reader #call of duty

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entitled-fangirl · 22 days

Text

The crown.

Aemond Targaryen x Velaryon!wife!reader

Summary: the reader must attend the coronation of her mother's usurper. At least Aemond eases the blow.

A/n: this is so short but too long to be a drabble so 🤷‍♀️

Masterlist

........................................

She stood next to Aemond. Not confident, as he was. Not nervous, as Helaena was. Not arrogant as Otto.

She wasn't like any of them, really.

How could she be, she was a Velaryon.

She was married to Aemond when they were both five and ten. It was Rhaenyra's idea. She wished to bridge the gap between the families.

And the two grew to love each other well.

But like all marriages, there came strife.

Like Aegon usurping the throne.

So there they stood, watching as Aegon walked through the crowd to be coronated.

Aemond looked to his wife, his fingers reaching to brush hers. His voice was soft in her ear, "Please pretend to be joyful. At least give me that."

She turned her face to him, their breaths mixing. "You'd have me lie?"

He hummed. "I'll not see what happens to you if you do not. I will not allow it."

…

She opened her eyes, cringing when the light from the window blinded her.

Giving a light yawn, she stretched and sat up in the bed.

Aemond had already left.

It was not uncommon. His favorite time to spar was the morning.

She waited a while, frowning when her handmaiden never came in to help her dress.

She stood on shaky legs and moved to the door.

Locked.

She shook in vigorously. "Ser Erryk?!"

No response.

She banged her fist on the door. "Please."

She stepped back, growing frustrated. "I am locked inside!"

"Ser Erryk?"

"Aemond?"

"Please! Take me to my husband!"

She finally sighed and tried one last effort, placing her hand gently on the door, "I do not know what I have done. Please."

When nothing came, she huffed and moved to dress herself.

…

"What?" Aemond asked lowly.

"The Princess, your grace. She has been calling for you."

He shrugged. "Why? She can come to me. She knows that."

"Her door has been locked, my prince."

His gaze hardened. "You've locked her inside our chambers?"

"By the Hand's command, my prince," Ser Erryk said. His eyes held remorse.

"Why was I not made aware of this?" Aemond growled. "She is my wife. If she is of any consequence, it should be mine! If she wishes out of her room, bring her to me."

"Yes, Prince Aemond."

…

Aemond spent the next hour holding her as she wept.

Her grandsire gone. Her mother's right taken from her.

And this poor girl was stuck in the midst of it all.

"You and I both know… V…Viserys did not… want this," she cried into his chest.

He hummed in thought. "No. But it does not change its coming."

"Your family sees no reason," she sniffled.

"Hey," he warned lowly as he cupped her cheeks to force her to look at him. "Our family. You must be more Hightower than Velaryon now."

"I hold none of your mother's blood in me, Aemond."

"If you stay a Velaryon, you will not last. You are married to me. You have my name. You have my titles. You have everything."

"I have you. I shall make that enough, dear husband."

…

She felt tears form in her eyes as the crown was placed on Aegon's head.

The crowd cheered, but she saw nothing.

A rubble stirred through the ground and the silver hair siblings all gazed at one another in confusion.

Rhaenys and Meleys emerged from below the boards, causing a shake to move though the building.

Gasps and screams were heard.

Aemond's eye widened, and he immediately was on guard.

Alicent moved to Aegon, shielding him from the dragon's jaws.

In turn, Ser Criston shifted himself between the dowager queen and Helaena, ready to interfere anywhere he needed to.

But only when Meleys turned her head did Aemond move.

He grabbed his wife's wrist in a desperate grip, pulling her behind him as his other hand was held near his sword.

They watched as Rhaenys and Alicent stared at one another, waiting for the other to make a move first.

Meleys reared back, preparing herself to attack.

When her great jaws opened and they believed fire would escape from it, Aemond turned completely to his wife, wrapping his arms around her waist and the other holding her head against him. He was intent on shielding her from the horrors that laid on the other side of his body.

But when a mighty roar came from the dragon instead, Aemond relaxed slightly. His hands remained, but his body was eased.

He turned when Meleys finished. His eye met Rhaenys'. It was clear she was thinking about something. Not something, someone.

His wife stood behind him still, her eyes peeking over his sturdy shoulders.

Rhaenys tilted her head at the sight of the two of them, mourning the loss of Rhaeynra's daughter to the Hightowers.

And Meleys flew away.

Aemond let out a breath, pulling her head to him to kiss the crown of it.

...........................................

#fanfiction #aemond targaryen x reader #prince aemond targaryen #prince aemond #aemond one eye #aemond targaryen #game of thrones x reader #house of the dragon fanfiction #game of thrones fanfiction #game of thrones x y/n #game of thrones imagine #house of the dragon #hotd aemond #aemond x reader #aemond targaryen imagine #aemond targaryen fanfiction #aemond targaryen x you #aemond targaryen x female reader #aemond targaryen x velaryon!reader

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mellowsadistic · 2 months

Text

"Mmmmmm!"

"You hush, little girl!" Veronica's mother snapped, bringing the hairbrush down again on her daughter's rapidly reddening backside. "And don't you glare at me like that! I am your mother, young lady, and you will learn to treat me with respect by the time your regression punishment is over!"

Veronica squealed behind her pacifier again as another stinging blow landed on her rear.

Over on the bed, Kylie mewled in fear around her own soother, knowing she'd be next over her auntie's knee. Why had she agreed to sneak out and go partying with her cousin? Her aunt had made it quite plain there was to be no drinking, smoking, or any other 'inappropriate' activities as long as she was living under her roof, but ever since she'd moved in to attend the nearby college, she'd been desperate for a bit of adult excitement.

"Bad girl, Ronnie!" Veronica's mother scolded, delivering swat after swat with the hairbrush. "Very bad girl! You are not a grown-up. I don't care if you're legally an adult! I decide when you get to grow up, not you!"

Kylie would've felt bad for her poor cousin, twenty-one years old and kicking her legs and crying over her mother's knee, if she wasn't more worried about her own hiney. Veronica had lived with those infantilizing rules, along with many others, her whole life. She wasn't even allowed to dress herself in the mornings! Her mother picked all her clothes for her, and she even had a number of outfits specifically designed for punishments, like the kind the two girls were wearing now...

"Six months under toddler rules, Ronnie! You know what that means!"

"Nnnnnn!"

"Yes, little girl! You will wear pull-ups at all times. No more using the toilet for tinkle! You will wet yourself the moment you feel the urge, and you will ask permission, politely, to be escorted to the potty to do your number twos when you need to go. You will wear childish clothes. You will go to bed at eight o' clock. And the same goes for you, young lady!"

Kylie wet her pants a little in fright as her auntie's head snapped around to look in her direction.

"Some time as a toddler ought to do my naughty little niece some good too!"

Kylie whimpered. She could feel the warm, slightly soggy padding pressing against her crotch. It was awful and disgusting and babyish, and the thought that it would become a familiar feeling, that she would be peeing herself every day for the next six months, not to mention being supervised on the toilet while she pooped, made her almost faint with embarrassment.

Veronica had started to bawl. Whatever dignity or resistance she'd tried to hold onto at the beginning of her spanking had gone, and she was left wailing like a little girl, her dummy dropping from her lips as she pleaded. "P'ease, Mama! I sowwy! P'ease dobbit! I be a goo' giwl! I p'omise!"

"You understand why I'm spanking you?" her mother asked, still raining down smacks with the hairbrush.

"Yes, Mama!" Veronica sobbed. Her pale bottom had turned a bright, sore red. "Ronnie was a bad giwl!"

"You admit you deserve to spend the next six months wetting yourself and being treated like a very little girl?"

"Yes, Mama! P'ease!"

"Alright then. Good girl." Veronica's mother lowered the hairbrush and helped her hiccupping daughter off her lap. "Go stand in the corner with your hands on your head. I have another little girl to deal with before I send you to bed."

Kylie started to suck her soother for comfort. Maybe she could talk her way out of this! Then her auntie turned to face her with a look that made her bladder control fail, and a stream of pee-pee flooded into her training pants.

"Your turn, missy. Over my lap. Now!"

#mellowsadistic

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jihyoruri · 5 months

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❚ ❚ ❚ ❚ ❚ ❚ ❚ ❚ 𓍢BUBBLE GUM kang haerin x reader

↳ warnings yn is a member of new jeans, fluff, haerin being confused with her emotions, soon to be girlfriends, black cat and golden retriever

with all the windows open in the house letting the natural light shine, the air hung heavy with humidity, wrapping around every surface like a blanket, yn reclined upside down on the worn out couch, her body glistening with sweat, the sticky warmth clinging to her skin like a second layer.

she wore a delicate tank top adorned with whimsical flowers and trimmed with intricate lace, it was paired with loose cloth shorts draped comfortably over her legs, offering minimal spare from the relentless heat.

with each exhale, she blew a bubble of pink bubblegum, you’d think she’d grow tired of blowing bubble gum since the group has got here to film the music video but boredom got to her this was the only thing she could think of doing as a distraction from the fact that they had no service.

she gazed upwards, she basked in the gentle caress of the fan's oscillating breeze, making eye contact with the cat like girl who sat across from her with a fan in her hand.

haerin immediately broke eye contact and shifted uncomfortably fanning herself faster,she reluctantly acknowledged to herself that she had been fixating on yn for longer than she cared to admit. despite her best efforts to ignore it, she couldn't deny yn’s undeniable beauty,even when they’re tired from filming over these past couple of days in an unexpected heat wave.

it wasn’t that she hated yn, she just wasn’t a big fan of the girl like everyone else is, yn was a late addition, she was added to lineup for the group only a month before they had to start recording and filming, so haerin never got the chance to get close to the girl.

well, she just didn’t allow herself, all the other girls immediately made it their job to get to know yn, so they can all feel like a family, there was something about yn that always threw her off, she could never pin point what emotion she was feeling so she just declared it being dislike for the annoyingly pretty girl.

and unfortunately to haerin’s luck, the rest of the girls went to go see the water and left the two alone for the day and to be honest it was pretty awkward, yn and haerin are barely left alone and when they are most of the time both girls just stay in their rooms, so this was new.

“it’s so hot.” yn whined as she fixed her self from her upside down position and got up from couch making her way to kitchen, the same kitchen that they filmed in yesterday, she grabbed two bottles of juice and made her way back to where her and haerin were lofting.

“here” she said softly passing the cold drink to haerin who looked up at her from her seat and gently took the bottle from her hand their hands touching for a split second, “thank you.”

“no problem.” they sat in silence they drank their drinks, desperately trying to cool down, haerin was waiting for yn to say something since the girl was always to talkative

“I’m bored.” yn said out loud, haerin only gave the talkative girl a nod in agreement, taking another sip from her drink.

haerin flinches when she hears a loud gasp from yn who darted over to the nearby table, her movements quick and purposeful as she retrieved a box and settled herself on the floor. a sense of confusion filled haerin as she observed yn patting the empty space in front of her, a silent invitation that hung heavy in the air.

reluctantly, haerin rose from her seat, her footsteps hesitant as she approached yn. sitting opposite of yn on the floor, she regarded the box with curiosity, unsure of what to expect. yn’s infectious enthusiasm filled the rooms, her eyes sparkling with childlike excitement as she eagerly explained her idea.

“let’s make bracelets!” yn exclaims flashing a cute smile to haerin who gives the girl a puzzled look, her smile was radiant, a stark contrast to haerin’s lingering skepticism. "I forgot Hyein packed this," she continued, gesturing towards the box with a flick of her wrist. "since there's nothing to do, let's make some."

haerin’s initial puzzlement melted away, replaced by a flicker of reluctant amusement as she observed yn’s unwavering enthusiasm. with a sigh, she opened the box, her fingers sifting through the assortment of strings, beads and cute charms yn’s grin widened at haerin’s reluctant participation, a silent victory in her quest to break through the barriers of their strained acquaintance.

“so, filming has been fun right?” yn says as they make their bracelets, if there was one thing about the girl it’s the she could never not not start a conversation, she loved to talk, she loved to break shells of other people and ever since she met kang haerin that has been her ultimate mission to win the girls heart over.

haerin nodded as she focused on the bracelet, “yeah.” she says quietly, as time went on she listens to yn’s rambles about the filming for the music video over the past couple of days, transition to the girl raving about her favourite character in a new show that she started watching and the girl can’t help but feel at ease at yn’s presence and talkative ways.

it was sweet.

haerin laughed quietly at yn who started a rant about the character that was mean to her favourite character, “I don’t mean to be mean, but I wouldn’t be sad if they kill him off.” yn says guilty causing haerin to shake her head in amusement as she adds the finishing clip to her bracelet.

“oh my gosh.” yn gasps looking at the bracelet, “that’s so pretty.” she says reaching over to admire the bracelet that had a flower charm hanging from it.

“I like yours as well.” haerin responds her cheeks heating up slightly as she admires the bracelet yn made with a star charm hanging from it.

a sense of confidence powers over her and she grabs yn’s wrist and clips the bracelet she made on the girls wrist resulting in yn gasping and giving haerin the biggest smile known to man.

yn then grabbed haerin’s wrist and does the same clipping on the bracelet she made to the girls wrist, “now we’re matching.” she says happily.

as haerin’s hesitant fingers grazed over the vibrant array of strings and beads, a small smile tugged at the corners of her lips, mirroring the infectious enthusiasm radiating from yn. caught off guard by the unexpected warmth of the moment, she couldn't suppress the soft giggle that bubbled up from within her, caused yn to giggle as well.

their gazes lingered, curiosity and vulnerability meeting in a silent exchange of understanding. for a moment, the walls that had stood between them crumbled, replaced by an unspoken connection of their shared laughter.

the sound of the door opening cuts off their soft moment the sounds of the other girl’s voices filling the house.

“we’re back!”

yn gets up from the floor and stretches her hand out to haerin who looks at it before softly placing her hand in yn’s, they smile at each other when yn pulls her up but watch shocks her is that yn doesn’t let go of her hand.

instead the girl interlocks their fingers and drags the girl along with her towards the door way.

“did you guys bring food?!”

“yn we’re in the middle nowhere, what food are we going to bring?”

#new jeans #kang haerin #kang haerin x reader #haerin #haerin x reader #new jeans x reader #new jeans fluff #girl group fluff #girl group imagines #new jeans imagines

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joannechocolat · 2 months

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Two Boxers Walk Into the Ring...

No-one can have missed the absolute scenes on social media, both before and after the boxing match between Imane Khelife and Angela Carini, from which Carini withdrew after just 46 seconds, having received a blow to the face.

Social media had already been abuzz with unfounded claims that Khelife was a man, largely based on her athletic (and to Westerners, “masculine”) body type. (The same rumours had also been spread about Taiwanese boxer Lin Yu-Ting; also a woman, assigned female at birth, who got into boxing to protect her mother from domestic violence.) From this explosion of misinformation came increasingly wild claims from all the usual suspects: that she was trans (in spite of coming from a Muslim country where transitioning isn’t allowed); that she had “self-identified” as a woman in order to win (again, not possible in Algeria) plus some quite ghoulish speculation about her sex organs, her medical history and the type of puberty she might have undergone.

But here’s the thing.

Khelife is not trans. There is one trans boxer at the Olympics, a trans man called Hergie Bacyadan, who for some reason has gone almost unnoticed in this desperate attempt to prove a conspiracy that just isn’t happening. Imane Khelife was assigned female at birth, has a passport confirming it, and has spent her life as a woman, fighting against her country’s patriarchal ideas of what women are supposed to do. Not only this, but she is an ambassador for women and girls, who originally took up boxing to protect herself from those who disapproved of her interest in sports.

She was disqualified from the 2023 women’s world championships because (according to a Russian source that becomes less and less trustworthy the more you look into it) tests apparently showed some kind of unspecified anomaly, which may have been either elevated testosterone (quite possible in a woman) or the presence of XY chromosomes, once more altogether possible for a cis woman.

Nor does her condition (if she even has one) mean she is automatically likely to win against her opponents. In 2020, she made it to the quarter-finals of the Olympics, where she was defeated by Kellie Harrington, and she has been boxing on the international circuit for years without any of her wins or defeats gaining much attention.

Until now.

But her fight against Angela Carini on Thursday made her a magnet for some truly disgusting hate, largely, it seems, from the kind of men who enjoy threatening women, whatever the reason or excuse. In fact, there were distinct parallels with this and the recent anti-Muslim riots in Southport after the murderer of three little girls was falsely rumoured by agents of the far-right to be a Muslim immigrant.

Let’s be clear. Even if the attacker had been a Muslim immigrant, this violence would have been completely unacceptable. But the mob just wanted the opportunity to scapegoat and attack a community, in exactly the same way that the people attacking, threatening and objectifying Imane Khelife wanted the chance to attack a woman for not conforming to their idea of what a woman should be like.

In this context, it’s hard to see the rage and violence levelled against her for this victory as anything other than misogynistic - and racist.

It’s also hard to understand why in a sport like boxing – where the whole point is to hit your opponent – a person should be criticized for following the rules of the sport. It’s almost as if excellence is allowed in men’s sports, but in women’s sports, it’s automatically viewed as suspicious. And Imane Khelife isn’t the only athlete of colour accused of “being a man” because she defeated a white woman. Serena Williams has spent her career fending off accusations that she “was born a man” both because of her muscular physique and her excellence in her field. Caster Semenya, who has naturally elevated levels of testosterone, has been likewise demonized. It’s almost as if the people driving this toxic narrative believe that only men can excel in sport.

And as for the argument that claims that elevated natural testosterone levels in a woman is “an unfair advantage,” don’t all elite athletes have some kind of physical advantage? Do we dismiss basketball players for being unusually tall, or weight-lifters for being unusually muscular, or runners for being lean and light? Why do we celebrate Michael Phelps for his genetic advantage, but penalize Caster Semenya for hers? Women have fought so very hard for the chance to participate in sports that were once seen as the sole province of men. Now, when they dare to excel in them, they are accused of secretly being men, or of not being “proper women.”

This isn’t any kind of feminism I recognize. The feminism I believe in is about breaking down barriers, not setting them. I personally dislike boxing (both for men and for women), but I respect any individual’s choice to compete. And attacking a woman boxer for winning a boxing match is as misogynistic as claiming to “defend” her opponent by painting her as a victim. Both athletes chose to compete. Both accepted the risks. Both have had their Olympic moment ruined by people who don’t care about sports, or the facts, or even women. This isn’t feminism. This is the worst and most patronizing kind of prejudice, and it actively hurts women – all women, but especially women of colour and those who do not conform to traditional ideas of what a woman should look like, what sports she should enjoy, or how she should behave.

Women fought for years for the right to make their own choices, to have their own identities outside of the stereotypes set by the patriarchy. Questioning those choices - those identities - isn’t progress.

Supporting women doesn’t mean protecting them from themselves.

It means not setting limits on who a woman wants to be.

#olympics #khelife #carini

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greeneyessmize · 3 months

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Today's thoughts are of the youth of Penelope & Colin and how it affects their relationship, specifically: how they fight.

Penelope is maybe 20 at most. Colin is perhaps 23.

They are also a part of the upper class. This allows them essentially a longer childhood in some ways for the era. They are emotionally pretty on par with a somewhat shy and sheltered 18 year old today who has never had a relationship and a 20 year old college kid who was also a bit hiddenly shy but has dated around a bit.

This means that neither of them have ever had to compromise on a larger, but intimate, and more important scale.

They don't know how to fight from a place of common goal. This is what they have to learn together.

I am going into detail with how this affects multiple scenes, so here is a cut for everyone. :)

Pen & Colin only know fighting with siblings, parents, friends, and enemies. So they know fight against, not fight for.

Penelope specifically only knows how to fight by false retreat and full opposition.

Her false retreat is seen most clearly in her use of Lady Whistledown. This is where she cocoons herself outwardly but lets her anger fly using precisely cloaked arrows. Her LW comments on Colin's fakeness upon his return to Mayfair showed a lethal strike.

Her full opposition fights are seen in her arguments with Eloise, both over her yelling that yes she does want to be married some day and then when Eloise confronted her about being LW, and then in her fights with Colin over LW.

When she and Colin fight in the middle of the street the night before their wedding, Pen goes full opposition, even going up on the high step to put her on the same level as Colin as much as possible. She does not retreat, she does not shrink. She goes conflict blow to conflict blow with him. She apologizes but does not bend or break. There is no compromise to be found because they are fighting against, not for. As one raises their voice, the other matches. There will not be a winner, but they don't know that.

Colin's fighting styles are either full shutdown, or like Pen, full opposition.

His full opposition fight with Pen in the middle of the street shows that he also will not back down. Each thing Pen says, he counters until she loudly declares the one thing he can't refute: that she loves him.

You also see that he is unwilling to compromise in his full shutdowns. He won't even try to talk to Pen after they are married during the nights and mornings where he places himself on the settee. He doesn't know how to say what he desperately needs to express to her in any constructive way. So. He stays on the settee, as close as he can to Pen, but unable to engage with her.

When she tries to engage with him, like at the review of the wedding breakfast planning, and it is she who makes the majority of the attempts, Colin still only knows how to go full opposition and/or full shutdown. Pen tries to answer him honestly when he asks if she will end LW because she really doesn't know. But since he can't give her grace to understand her on this... It only leads to more teary eyes and more distance.

On their wedding day, their tenuous truce after the middle of the street argument is broken in their fight after the Queen's threats. Here we see Penelope go full opposition and proclaim clearly and for the first time that she is Whistledown. And then Colin ultimately reacts with full shutdown, saying he will sleep on the sofa/settee.

The morning after their wedding, Colin is teary-eyed, taking tea fully dressed on the settee where he clearly spent the night. He leaves Penelope abruptly while she is still undressed for the day, intending to leave her out of his plans for the day. He definitely saw she was upset by this. I do wonder if that gave him a bit of dark satisfaction.

When Penelope comes to Bridgerton House to inform Colin of Cressida's blackmailing, Penelope gives way when Colin focuses his full opposition towards Cressida instead of her. Granted it takes a few times of being ignored, but she doesn't yell and ultimately lets it go. You can see that it hurts her to let Colin disregard her wishes, but she still ultimately allows it until he messes it all up. In this debacle they both learned to step back from full opposition between each other.

Penelope realized that even when it does not end well, sometimes she must let Colin have his way. Colin realized that not listening to Pen is where mistakes are made. Neither of them are yelling anymore.

Then comes the day of Francesca and John's wedding. It's not until she doesn't give him the reaction he thinks he wants that morning, as he is forlornly laying on the settee... that we see a shift. She does not react with regret or sadness or pain or anger. Pen is calm, cool, collected. She says she will spare him the confined shared carriage to Bridgerton House. She breezes out of his reach while he is still processing this new development.

Colin takes an important step by going to reread all of Penelope's letters. This is something he did not do in anger. He did this so he could gain perspective. This is his realization that full shutdown is ineffective and is not doing anything he wants or needs.

Penelope also is taking a step forward. She recognizes that false retreat and cloaked attacks are only increasing her own damage. She appeals to Colin with earnestness and honesty after the wedding of Francesca & John. She and he both refrain from moving into full opposition fighting this time. They are listening to each other. Colin asks what Penelope needs from him. She answers with everything he has needed to hear. He tells her what he needs, she listens. They are looking at a common goal. She moves forward with her plan to confess to the queen.

Then after her confession to the Ton at the Butterfly Ball, Penelope does the one thing for Colin that she can think of to heal the wounds of their fighting: she offers to let him go.

This is not something either of them ever wanted. But Penelope offers it because she truly feels, that with their very little communication through this, that Colin must want freedom from her. She cannot see through the pain they have inflicted on one another.

Colin immediately recognizes that now is the moment he must say everything in his heart. He has a moment of panic, of potential loss. Through everything he has always wanted and loved Penelope. He just had no idea how to show it while he was also angry. But now he has let go of his anger, and he will deal with it better should it happen that he is angry again.

Colin does what he needs to most. He tells her everything he is feeling. They are honest with each other. They have their common goal. They won the fights together.

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