#( re: filmes )

[familyabolisher]

I've walked past the Barbie branded selfie booth, sat through the reel of old commercials that precede the previews, and watched Margot Robbie learn to cry, and I’m still not sure what “doing the thing and subverting the thing,” which Greta Gerwig claimed as the achievement of Barbie in a recent New York Times Magazine profile, could possibly mean. This was the second Gerwig profile the magazine has run. I wrote the first one, in 2017, which in hindsight appears like a warning shot in a publicity campaign that has cemented Gerwig’s reputation as so charming and pure of heart that any choice (we used to call them compromises) she makes is justified, a priori, by her innocence. This is a strange position for an adult to occupy, especially when the two-hour piece of branded content she is currently promoting hinges on a character who discovers that her own innocence is the false product of a fallen world. But—spoiler alert!—the point of Barbie’s “hero’s journey” is less to reconcile Barbie to death than to reconcile the viewer to culture in the age of IP.

“Doing the thing and subverting the thing”: I haven’t finished working out the details, but I think the rough translation would be Getting rich and not feeling feel bad about it. (Or, for the viewer: Having a good time and not feeling bad about it.) One must labor under a rather reduced sense of the word “subvert” to be impressed with poking loving fun at product misfires such as Midge (the pregnant Barbie), Tanner (the dog who poops), and the Ken with the earring, especially given that the value of all these collectors’ items has, presumably, not decreased since the film opened. Barbie may feature a sassy tween sternly informing Robbie’s Stereotypical Barbie that the tiny-waisted top-heavy billion-dollar business she represents has made girls “feel bad” about themselves, but if anyone uttered the word “anorexia,” I missed it. (There was a reason Todd Haynes told the story of Karen Carpenter’s life and death with Barbies, and it wasn’t because an uncanny piece of molded plastic has the magical power to resolve the contradictions of girlhood and global capitalism.) There’s a bit about Robbie going back into a box in the Mattel boardroom, but Barbies aren’t made in an executive suite; they come from factories in China. On the one hand, it’s weird for a film about a real-world commodity to unfold wholly in the realm of ideas and feelings, but then again, that’s pretty much the definition of branding. Mattel doesn’t care if we buy Barbie dolls—they’re happy to put the word “Barbie” on sunglasses and T-shirts, or license clips from the movie for an ad for Google. OK, here’s my review: When Gerwig first visited Mattel HQ in October 2019, the company’s stock was trading at less than twelve dollars a share. Today the price is $21.40. 

Christine Smallwood, Who Was Barbie?

[odetokeons]

i don't know what this movie genre is called, but it's my favourite movie genre

[noonesrnd]

🧪🧠💊🫀

[hanfocus]

my han jisung roman empire (real)

[suratan-zir]

If you're confused, don't know anything about Russia's war on Ukraine, and aren't sure which information to trust, you should know at least one thing:

Everything - everything - you see professionally filmed from within the Russian army, or that comes from Russian-annexed territories of Ukraine, must be approved by the Kremlin. A journalist or filmmaker cannot gain access to Russian-controlled areas without a green light from the Kremlin. Even if it seems apolitical or oppositional, even if the creators claim to be against Putin - if they were able to film professionally or over an extended period within Russian-controlled spaces, they got permission. Please keep that in mind.

[renthebarbarian]

Queer Icons of Horror

[miwwwch]

[copia]

PAPA IV and the SKELETONS in Rite Here Rite Now

[kdval]

RE: Village

[violetbudd]

horror movie blinkies made by me using ezgifs, lunapic, phonto, and online-image-editor. use with credit :)

[vieneri]

Adam Driver in BlacKkKlansman (2018) dir. Spike Lee

[odetokeons]

The Substance (2024) + parallels with other horror films

Re-Animator (1985)

Saw (2004)

The Shining (1980)

Videodrome (1983)

Pearl (2022)

Repo! The Genetic Opera (2008)

Carrie (1976)

[maekar76]

Horror Madness!!

[dareduffie]

the crazy thing about cherik is that i knew they were gay going into it and then they were even gayer than i thought they would be. do you know how homosexual you have to be to have that happen

[maddox-holloway]

The Temptation of Jonathan Harker

[sergle]

I know that animation in big blockbuster films is like not ever supposed to look good anymore and whatever, like it's almost intentionally bad, but from an artistic standpoint, can you imagine how hard it would have slayed if they made the minecraft movie purely with pixel animation?