#( me: DOESN'T FUCKING COUNT. )

[little-pondhead]

DP x DC Prompt

…

There are no more heroes.

Well, okay. Rewind a bit.

Danny has been doing the hero thing for a while now. He’s had a big reveal; everyone has accepted him (including his parents), the GIW disbanded, the Anti-Ecto acts repealed, and generally, everything is going great. Some of the A-Listers are even training as junior ghost hunters to help give him a break from his rogues! (Being Ghost King makes things hectic sometimes, and he just needs the extra help. Sue him!)

The point is, literally nothing is wrong with Danny Phantom’s afterlife.

And then Valerie Gray, the Red Huntress, disappears in front of his eyes.

Danny is baffled! She’s just…gone! Valerie just popped out of existence, like she was never there. But no matter how hard he searches in the Ghost Zone, he can’t find her soul anywhere. His core isn't broken in grief. So she’s not dead. Which is good. So then, where is she?

Some of the others come forward with ideas on how to find her. A few ghosts volunteer to go out into the mortal realm, an area Danny had declared off-limits, to see if she was out there. Danny approves it. He rounds up some of the friendlier (i.e., discreet) ghosts and Amity Parkers and demolishes the outside travel ban.

So everyone spreads out, looking for their dear frenemy and teammate. But it becomes apparent very quickly that something is wrong with the rest of the world.

There are no more heroes.

Every single living superhero on the face of the Earth has just…vanished. Villains are running amok; the countries are in chaos! Some aliens are invading Earth, mythical deities are trying to take over, and society is crumbling to the ground. Everything is on the brink of collapse.

Well, Danny was still there. And so were his people. They were pretty spread out, so could they just…take up the mantles? He also knew where to find the souls of dead heroes in the Zone; surely they wouldn't mind coming out of retirement for a little bit, especially if they couldn't die again. Oh! And that skeleton army leftover from Pariah Dark's reign might be useful in repelling those invading forces.

Honestly, there were more than enough hands to go around! And with the heroes gone, Danny didn't mind letting everyone out for a little break, as long as they followed his rules. They wouldn't stop the search for the other heroes, but hopefully, when they found them, the heroes wouldn't mind Danny's intervention too much. :)

In other words:

Someone fucks up, and all of Earth's living heroes are either wished out of existence or are whisked away to some far-off realm where Danny hasn't checked yet. In the attempt to figure out what's going on, Danny lets the dead run amok over the Earth as they search for clues. The skeleton army repels the invading armies, the souls of dead heroes deal with the world leaders, and his rogues and other Amity Parkers set up shop in place of famous heroes, trying to get the cities under control again.

Basically, they just do their best to keep everything from imploding until the Justice League and others are back.

(And why is it that Danny hasn't disappeared? Well, whatever caused everyone to go poof! only affected living heroes. Anyone heroes that were dead in the first place, or even just half-dead, stayed behind.)

[eternalstrigoii]

Please reblog for larger sample size, and if you feel comfortable, tag your general area?

[lloydfrontera]

'lloyd is very weak now and needs to marry so he'll have someone to protect him'- lloyd has the only grandmaster on the world following him around like a puppy. he has the most terrifying motherfucker on the world wrapped around his little finger. he has the one person in the world who can hit an absolute in the head and get away with it swearing in his heart to protect him no matter the cost over and over again.

lloyd made javier watch him die twice right in front of him just to keep him alive. there is no power on existence that could make javier allow anyone or anything to even think about harming lloyd again.

lloyd is fine

[a-dauntless-daffodil]

Too many fucks in the hotel kitchen (most of them thankfully not literal) (MOST of them)

Angel Dust: “Are you TRYIN’ to kill me???”

Vaggie: “If I was, I wouldn’t have missed.”

Angel Dust: “YOUR SPEAR ALMOST SHAVED OFF MY CHEST FLUFF”

Vaggie: “You looked at Charlie and said ‘ugh’.”

Angel Dust: “No shit I said UGH! Your girlfriend’s oozing demonic tar all over the kitchen!”

Vaggie: “So? She’s allowed to have midnight snacks without being a night person.”

Angel Dust: “Not all over my bagel she isn’t!”

Charlie: “???bAGeL???”

Angel Dust: “Oh hell no you don’t-”

Vaggie: “Give her the bagel and it’ll give me time to make pancakes.”

Charlie: “!!!!!!pAN-----CAkEsssssss!!!”

Angel Dust: “…you’re fucking one fucking creepy lady, lady.”

Vaggie: “Shows what you know, asshole. She’s absolutely adorable, aren’t you Charlie?”

Charlie: “~~~~HEHEHEH~~~ iM cUUUTe~~~”

Angel Dust: “Motherfucker… these damn pancakes had better be worth it.”

Vaggie: “The fuck said I was making you any?”

Angel Dust: “What th- I gave your creepy girl my bagel!”

Vaggie: “And called her creepy.”

Angel Dust: “I made a sacrifice out of the goodness of my heart and this is what I get for it? That was my fucking bagel! RESPECT MY FUCKING BAGEL, BITCH!!”

Husk: “Who the fuck let him fuck the bagels again.”

Angel Dust: “Oh fff-uck me.”

Vaggie: “Again?”

Charlie: “Bagel-ssS? PLURAL???”

Angel Dust: “Blame Husky voice over there, he dared me to!”

Husk: “I said don’t fuck up that bagel.”

Angel Dust: “See?? Listen to the way he’s sayin’ it! So I had ta! And it was just the one time!”

Vaggie: “WHEN was this ‘one time’.”

Angel Dust: “…Uhh…”

Vaggie: “…”

Vaggie: “Babe. Drop the bagel.”

Charlie: “Suddenly I’m very awake now and really wish I wasn’t.”

- NEW HOTEL RULE ANNOUNCEMENT-

57.) No fucks in the kitchen. Not of any kind. Don’t even say the word while you’re in there, it’s too fucking dangerous.

[charmwasjess]

My absolute favorite Dooku headcanon that doesn’t appear in the books or shit but is so real to me is that he genuinely has a strong, involuntary emotional response to Yoda’s notoriously-disgusting swamp cookery. 

Like, teenage Dooku doesn’t just have Daddy Issues, he has the full subscription, and that growth spurt had to be insane on him. An extra-hungry awkward too-tall boy who is a bottomless pit of need with a bunch of family-flavored trauma?? And a parent-shaped creature is offering him filling home-cooked food along with validation?! Bring on the swamp soup. I bet he imprints on that shit so hard like a baby vulture. 

In the Master and Apprentice book, Dooku’s “thing” with his Padawans is having meals together. Did he get that tradition from Yoda? And Yoda sometimes needed to stay on Coruscant during Dooku’s training, so he was often off banging around the galaxy with Lene Kostana and Sifo-Dyas. You can almost imagine how getting back to the Temple and reconnecting with his Master over a meal would be a thing. 

It also kind of vibes delightfully with Yoda in ESB taking one look at gangly-ass Luke and immediately trying to cook for him/feed him. And seeming genuinely confused when he doesn’t like it. Oh, a needy, lost, half-grown human with more Force ability than sense? He has just the recipe!

[dukeofthomas]

My understanding of Jason Todd's age;

Jason dies when he's 15, 4 months before his 16th birthday. He is dead for any number of time; it doesn't count towards his age.

He's resurrected; he is in a coma for 1 year, then catatonic for another. He is then put into a Lazarus Pit. (These 2 years are practically useless, as he doesn't remember them and they contribute very little to the story. They could be condensed to 2 months and it would change basically nothing.)

He trains for about a year. You can then give him 1-12 months of prep and planning time before his debut as the Red Hood, and the story of UT(R)H, at which point he would be mentally 16-17, physically 18-19, and it would be (--) years after his birth.

[bowtiepastabitch]

Let's talk costuming: Avaunt!

So I think we can all agree that Aziraphale looks his most traditionally angelic in the Job minisode, no? In fact, all of the angels' costuming increases in drama for this particular episode. This is, obviously, a very deliberate choice on the part of wardrobe, so let's discuss.

On a technical level, the biggest thing that stands out to me about this fabulous robe is the draping. Oh, the draping. It feels like a classic angel 'fit because on a very fundamental level, it is. A lot of what we think of as angelic draws on Renaissance artists' depictions, with flowing robes, fluffy wings, and glimmering halos. In art from this era, there is a strong attention to detail on the natural flow of fabrics that makes Renaissance sculpture so breathtaking, such as here: (The Ecstasy of St. Teresa, Bernini, 17th century CE)

It's this ability to make solid marble look like fine silk rippling with movement that leaves such a strong impression in my mind when I look at these kinds of works.

In painting, too, there is a similar effect. Something about the material culture of the Renaissance really lent itself to this style, perhaps fueled by the rise in new textile luxuries that occurred in vaguely the same period. This is seen especially strongly for angels, such as in the sculpture above, and in this painting: (The Annunciation to the Virgin, Botticelli, 15th century CE)

There's a stark contrast between the dress of the two figures. The virgin Mary is no less ornamentally or expensively dressed, but her style is rather minimalistic next to the angel's voluminous robing. It paints a very clear impression of angelic dress, and the designers for Good Omens would have been aware, in at least a small way, of the art history precedence for such a thing.

The poof of the sleeves, the tucks down the front, the little belt with the train tucked in, the gathers, the weight of the fabric, everything about this robe is constructed to carefully recreate the rather fantastical imagery of renaissance art. It's not necessarily an easy texture to nail down, given that the artists themselves had no concerns of gravity, comfort, or the way it would look in actual 3d motion, while our brave costumers were dealing with all three as well as a budget, time constraints, and the constant consideration that white fabric just gets dirty so easy.

Here's some of the other angels as well, so you can see how theirs reflect those same dramatic themes.

And then, of course, when costuming a show you have a second question: What does this mean for our character? Or rather, we know how, but WHY did they make him look so traditionally angelic?

Well, thematically, the Job minisode centers around Aziraphale's struggle with being a good angel and Crowley's struggle with being a good demon. Aziraphale is learning how to be an angel that follows along with heaven as far as we can, and he's so terribly torn up about it. He spends a lot of his time fretting about doing what's expected demanded of him, even if perhaps he doesn't believe it to be the right choice. Natural, then, that he should look the part of the perfect angel whilst sorting out these ethereal woes.

Crowley even draws attention to it himself, giggling a bit at the suggestion that Aziraphale, with his fluffy hair and flowing angelic garb, could possibly become a demon. And it is a rather silly mental image; the garment itself would be comically silly in really ANY other context at all. In the same manner, his performance of angelic archetype borders on excessive:

He's trying so desperately hard here to be the angel he wants to and is supposed to be. He's dressed the part, he's using his big scary angel voice, but deep down he's clinging to an identity that doesn't quite fit.

(You'll notice in this shot the distinct difference between his and Crowley's dress on the level of silhouette as well as color. We see this a lot from the two of them, but with the points I made above it felt worth pointing out in this particular scene)

Here at the end, as he's coming to terms with the cracks in his heaven-given identity, his robe is largely in shadow, blurring out its startling whiteness. We do not see him dressed this way again. (He continues to wear white, obviously, but from here on out his style of dress mimics the human trends of the time rather than that classical angelic imagery)

[tricoufamily]

1st draft of some ocs i've been thinking about writing or doing some art of. 1920s. moderately religious professor/single father and his very sickly from birth son. things start getting really bad for the son. he's going to die, and nothing can save him. dad goes crazy and becomes a serial killer for human parts to make these black magic remedies that keep him alive.

[missm0rgue]

I now possess three out of four legendary Elements Of Chaos (my Danger Days CD just arrived and I'm so happy)

Now i need Bullets 💔💔

[deangril]

Hello, Dean

[laur-talks]

ranking ritsu's vb designs /lh

1. Normal

The only ritsu design, everyone else can leave. ok kire you can stay but youre on thin ice

2. Kire

I keep forgetting where his body ends and his veil begins, and so from a distance he just looks like a inky blob

3. Ace

This is like if a iced bicuit were nonbinary. No seriously, i can taste this image

4. Mabayu

The only reason i voted this higher than eve is because he has one of the only variations in hairstyle apart from uruha :sob:

5. The VVV Live Design (bonus entry)

It's giving teto synthv from wish, but it's still better than some of the other designs on this list 

6. Eve

The colours are so garish that the only reason i remember this design exists is because my school has a poster with the periodic table of the elements as manga characters, and the girl from iridum looks like eve

6. Strong

I'm 99% sure that caffein made this design so that he could have an excuse to draw ritsu boobs, but his body up from the waist is built like a lego figure and i just can't get past that. (ritsu's, not caffein's) 

7.Uruha

This is the only ritsu design i could realistically cosplay, since dresses are the bane of my existence, but then again, i don't want to look like a gothic leprechaun if i can help it

8. Deepvocal

Maybe it's because its the png always used on those stupid ass memes, but i genuinely have beef with this design. he looks like he would describe himself as being an "alpha sigma rizzler with the level 5 gyatt and the baby gronk mewing aura". and that's not even starting on his abs..... 

9. Eve 2 or whatever this design is supposed to be 

What. what is this. i genuinely thought that this design was a relic of the past from the eve design competition in 2014, and i kind of wish it still was. this flopped so hard omfg. blue does not suit him at all😭 

i disagree with most of your opinions but oH MY G OD IM SO GLAD PEOPLE HATE THE BLUE ONE AS MUCH AS I DO LMAOAOAOAO

in THEORY the blue should work because it's a contrasting color to orange which is a major color in his design. but for some reason it just. doesn't. i can't see him wearing anything in that color

[phantombre]

Welp.

I've found Mr. Romantic.

I think he has seen better days. RIP.

That's a cool ass hat, though. Can I borrow it?

Hmmm.

Rome does look pretty good with that dope hat (probably because I made him bard-like and bards always have dope hats), but I don't think I'll add it to his main design. I do like it, though. However, I think I went overboard on the design of it. Looking back, it's not nearly as complicated. I don't even think it has a feather. Oops...

One would think that Smitten would have no reason to enter Spooky's mansion. (Like, what? A trivial prize for a thousand-room expedition? I've better things to do.) But rest assured. He doesn't have just one reason. Depending on what game mode you play, he can have three to seven reasons to enter.

Here are the reasons:

There they are! Peak beauty!

I mostly wanted to see if I could sketch them, and this was a pretty good excuse to do so.

I'm warming up to this crossover idea, but I gotta put it on the back burner. I need to finish the voices. Ack.

[heikeee]

no but i need to scream into the void or i'll go mad. listen. kikyo wasn't a bitch. i don't think the way she was written did her any justice; it just makes her easy to hate. and don't get me wrong, this isn't about her relationship with inuyasha or kagome at all, i just want to talk about her as a character because she is one of the most complex of them and she needs to be looked at with more empathy.

i've said it before and i'll say it again: her whole thing is that she is tragedy personified. think about it. everything, and i mean every single thing that could have gone wrong in her life, HAS gone wrong. she had a difficult upbringing, having to raise her little sister and having to shoulder the burden of being the sole purifier of the shikon jewel (which constantly put her and her village under threat). she was never dealt an easy hand to begin with. then, she finds solace in love, tries her best to think of a way of unraveling herself from her duties to live a free life, while still caring for others selflessly: she took in onigumo, and he betrayed her. by pretending to be inuyasha, he had her think that her lover had betrayed her as well, and succumbed to wounds inflicted by him (or so she thought), while sealing him to the goshinboku.

the last wish she spoke of was to take the shikon jewel to the beyond with herself. later, kagome finds a way to actually destroy the jewel, which was what kikyo had intended to do but couldn't. in her heart, her last wish was to see inuyasha again. the jewel corrupts this wish and grants it in the most fucked up way possible.

her remains are robbed from her grave and she is brought back to life with NO agency on the matter, by someone who wanted only to exploit her powers. now, untethered from from her past duties, she is finally free to experience emotion. and that includes bad emotions. so anger, resentment, jealousy, contempt, loneliness, selfishness (and that's part of being human). every unfulfilled wish, the unfairness of it all. she spends the rest of the series navigating this undead existence, the duality of not belonging anywhere, constantly torn between doing what is right and what needs to be done to reach her goal, having no choice but to consume souls of recently departed girls to have the energy to fight her only fight (destroying naraku), all the while helping villagers and kids, and even the inugang, despite not wanting to align with their agenda at first. she contemplates sacrificing kohaku, yes, but ultimately her redemption is that she chose to save him instead of purifying the jewel in the end. she showed that she trusted the inugang to finish what she couldn't, and chose to spare another life, if possible (she says so herself in ch441)

it is very difficult to relate to someone that doesn't give access to her vulnerable side very often. her and sango are the two characters who had it the hardest and were forced to make the most difficult decisions out of everyone. but we love sango, even when she chose to sacrifice rin, even when she contemplated killing kohaku then herself, because we know where sango's heart lies and how torn she is about all of it. kikyo, on the other hand, is stoic and hardened by her life (and also post-life), but ultimately her biggest trait was kindness. we don't get to see her cry and be like woe is me about it, something that could've made us more empathetic towards her like we are with sango.

my point is kikyo deserves to be looked at through kinder eyes. she is a complex character, and she requires a bit more analysis and compassion to actually see who she really is. my tragic girl

[idensgarden]

kinda dislike when people argue that bill is under the same umbrella as other depictions of abuse in media. like ive seen him compared to *checks notes* thefucking moth guy from hazbin hotel. (previously this post came off as a very uhh "bill didnt do anything wrong!!!" type post and i am NOT about that)

that is to say i love the portrayal of a toxic relationship, that was very good on alex hirsch's part

[basicallyjaywalker]

Wanna ramble about a moment/character in ninjago you think people need to talk about more?

I don't know who you are anon, but I'm glad you asked!

I am desperate for people to character-analyze Wu. I'm desperate for a lot of character analysis including Nya but since I got a lot of my Nya feelings out with some lovely folks the other night (edit: the other night was a month ago dw about it. this took a minute) I'm going with Wu this time

Master Wu to me is such an interesting case of a character who it is so easy to ignore the bits of the show that hint at his wider issues and traumas. He is a man defined heavily by his family and by his past. A lot of criticism he gets, I think, is due in part to that.

I've mentioned before that I've been rewatching S1 with a friend of mine and intermittently pausing to infodump on them about interesting character things I notice from that season. A lot of that has been Wu-focused because despite having seen RotS dozens of times throughout my life (watching it on CN, watching it on Netflix when only it and Legacy were around, rewatching it with friends) I have only just started noticing the seeds of character written in.

I might also just be reading too much into things, but hear me out

In S1 (and by extension, the pilots), Wu is characterized as your typical old wise teacher. In the first few minutes of EP1: Rise of the Snakes, he is chewing out the Ninja for playing video games instead of training. The line he uses? "Never put off until tomorrow what can be done today."

It's a line that gets repeated throughout the series. In fact, it gets repeated that very episode when the ninja go (pun not intended) to fight the Hypnobrai and a literal pre-teen. At first, it seems to just be a piece of wisdom. Some old proverb Wu's picked up over the years, possibly one he even coined himself. However, in EP7: Tick Tock, Wu tells the story of who, possibly, first told him this.

(Source: Tick Tock/Transcript | Ninjago Wiki | Fandom, highlight added.)

It was Garmadon. Now, I'm not gonna dwell too long on Garmadon, if you spend five minutes talking to me you'll learn he was the first character whose story I obsessed over and I want this essay to be about Wu, but I think he plays a role in Wu's overall story, as does Wu's family as a whole.

Prior to this, Wu and Garmadon's relationship has been more of a sibling rivalry taken to a good vs. evil extreme. We didn't know why Garmadon was evil and we didn't know about Wu and his relationship as kids. However, this scene establishes the backstory. They were, as Wu puts it, "the best of friends." That is, until Garmadon gets bit by the Devourer going to get the katana Wu lost.

Now, I know the Devourer bite was destined to happen because of the Overlord or some shit, but Wu doesn't. As far as he's concerned, Garmadon getting bit was a direct consequence of both his mistake and his cowardice. He lost the katana. He was too scared to get it. Garmadon went over instead. Garmadon got bit.

The scene goes on to show the FSM tending to Garmadon in the aftermath. Wu is watching from behind the door, likely told to stay back, but concerned. And in his POV, we get this intense moment, where Garmadon turns, looks directly at him (his eyes turning bright red for the first time), and says "It's all Wu's fault!"

(This clip should begin at the start of Wu eavesdropping. If it doesn't, skip to 0:58. I highly recommend also paying attention to Wu's body language during this scene.)

The camerawork does a great job of showing how this probably felt for Wu. It zooms in, Garmadon's voice echoes, and the background blurs. We see in the flashback that this is a moment Wu has etched into his memory. Not to mention, he was likely a very young child when this happened. LEGO characters' ages are weird, but Wu in this scene has the Big Eyes, which always seem to be used for characters under 12. We don't know exactly how much older Garmadon is to my knowledge, but he doesn't have the Big Eyes, so he's probably closer to 12 and a few years older than Wu for sure.

Imagine that. Being in elementary school and your older siblings gets hurt. They're acting strange. They're lashing out at your father. Then, they blame it all on you. They're hurt because of you. Wouldn't you internalize that?

I could go on about Wu's relationship with Garmadon, but again, I think I've spent enough time on it and I don't want to only focus on that. It's an important part, but there are others.

Let's talk about Wu's relationship with his dad.

Now, I have not yet read the Spinjitzu Brothers series. I cannot speak to any development of Wu and the FSM's relationship in there. I have, however, read The Book of Spinjitzu and blogged some of my thoughts on it here, including some of what it says about Wu.

For those who haven't read it, first, there is a Google Drive folder floating around with all of the canon spinoff books/graphic novels in it. Here's the link if you wanna read them!

The FSM is an... intriguing figure. I mean, in the series he's basically god? He made the entire world. That's already a very high bar to live up to. Then, in Book of Spinjitzu, there's a few specific parts that, when I read them, signaled that Wu internalized a specific message when he was young.

(Source: The Book of Spinjitzu, Page 3).

Wu does not want to disappoint his father. It is up to him (and Garmadon until he turns evil) to "uphold the legacy of Spinjitzu" and, by extension, his family. He says he was "very young" when this was explained to him. Considering he seems to already be training at an elementary age, "very young" means VERY young.

(Source: The Book of Spinjitzu, Page 16).

Here, we again see Wu being very aware that he has some large burden to carry. Something else interesting here is that the thought of the Green Ninja Prophecy is already weighing on him too. His considering if he might be the Green Ninja is of extra interest because of how the Green Ninja Prophecy and the--I wouldn't call it obsession, possibly fixation?--with who it is factors into his later actions, but we'll get to that later.

(Source: The Book of Spinjitzu, Page 19).

This one in particular gets me because it comes after Wu mentions Garmadon becoming more evil. It is a statement of power. Wu knows that the legacy of Spinjitzu now rests in his hands alone. He cannot let himself fall the way Garmadon did. He cannot disappoint his father. Whether or not the FSM intended it, Wu always knew the fate of the world rested, at least in part, upon his shoulder. He knew this from the time he was a young boy and it remains in his mind to this day.

Now, these quotes are indirect, but they all point to one clear idea: As a child, Wu internalized the idea that he alone is responsible for keeping Ninjago safe. He will play a pivotal role in its history.

There's not evidence in this book that the FSM's was a bad father, per se. However, just because one doesn't set out to harm their children, doesn't mean they won't. I often say Wu has an "Atlas complex," which I have no idea if it is an actual concept but use it to refer to this idea. Wu feels as though he is responsible for holding up the world, much like Atlas. He must keep the balance, he must solve the Green Ninja prophecy, he must make his father proud.

(Source: The Book of Spinjitzu, page 61).

I'm going to get further into what this means for Wu as a teacher to the current Ninja Team, but for now let's look at Wu's first foray into teaching.

Morro. Wu's Biggest Mistake.

That might seem like an overstatement, but it's not.

(Source: Ghost Story/Transcript | Ninjago Wiki | Fandom)

Okay he says regret, not mistake, but I was paraphrasing.

Let's turn back to his quote about his destiny. Wu writes, "Is my life's mission to be the Green Ninja? Or maybe it will be to find the Green Ninja and protect him (or her)??"

From a very young age, Wu was not only aware of the Green Ninja but prophecy but also thinking about his place in it. We see this again when he takes Morro in and trains him.

(Source: Ghost Story/Transcript | Ninjago Wiki | Fandom, highlight added)

A big thing Wu is criticized for here is making Morro believe he is meant to be more. That he is the Chosen One. And Morro, being a young homeless orphan just now given some semblance of power and protection, latches onto that. And I can see it, but when you take into account the above that he was trained from (likely) a younger age than Morro and given a similar level of responsibility, it becomes more understandable. Wu is just doing what he was taught. He doesn't believe that he is harming Morro until it is too late.

This is the entire story, but I'm specifically going to be discussing 1:36 onwards here. I also wanted to add that rewatching this scene made me lay down on the floor! What the fuck! But I digress.

There's a lot going on in this scene. For one, Wu washing his hands of Morro in some ways, but not others. He turns his back on Morro when he tells him that destiny has decided, but looks at him again when Morro storms out. He goes to save Morro from the Grundal, but decides that he cannot "teach those who would not listen." Most importantly, when Morro leaves to go find the Tomb of the FSM, Wu leaves the door open. He waits for Morro to return, but never goes after him. And Morro never comes back.

Wu gives Morro's fate a dismissive response at the end of his ghost story ("I am saddened he was banished to the Cursed Realm") but it's clear he still cares deeply about him in the finale of the season.

Wu's VA in this is phenomenal btw. That "Please Morro!" and "MORRO!" make my heart ache.

Morro believed Wu stopped caring, but he didn't. Even after all he's done, even after trying to destroy all of Ninjago--destroying what Wu had spent his life trying to protect--Wu tries to save him. He begs for Morro to come with him. Morro refuses, Wu watches him perish.

Someone else Wu is close to is gone. Wu again considers himself responsible. Everything is his fault.

And finally, we reach Wu today. A cautious, secretive man. He loves his students, this much is clear. Even as early as the pilots, he drops his wise teacher persona to joke around with them.

As with Morro, he trains them like his father did him. He even uses the same methods his father used when he trains them.

(Source: The Book of Spinjitzu, page 32)

While he is hard on the Ninja, wanting them to succeed and training them to help defend the Realm, he lets his guard down more than it seems he did with Morro. He also learned a valuable message from his experience with Morro when he hides the Green Ninja Prophecy from the Ninja, getting angry when they start to push themselves in the same way Morro did upon learning about it. It's clear he doesn't want a repeat.

Now, I can't speak for later seasons (I will eventually) but this fear of repeats, his students going down a dark path because they're tempted by power or greatness, losing someone else, likely drives Wu not telling them other important information. That is just a passing thought though.

Final notes:

I'm currently in the process of rewatching S7: Hands of Time. I actually got this ask right after finishing EP68: Scavengers, which opens with Wu having a nightmare. In it, he and Misako are walking outside of Yang's temple. While walking, Misako delivers this line in response to Wu reminiscing about the time they've spent together:

(Source: Scavengers/Transcript | Ninjago Wiki | Fandom)

This line, to me, is Wu's subconscious trying to tell him something he needs to hear. It's hinting at what might be his greatest flaw. Wu is haunted by his past, by his mistakes. He finds it difficult to tell others because of both his guilt and his desire to not put that worry upon them. In this very season, he makes the mistake of trying to face his past on his own, and he nearly dies for it.

In the same episode, you see Wu trying to make sure Lloyd doesn't make the same mistakes.

(Source: Prev)

Wu stresses the important of the team. It's as if he sees Lloyd blaming himself for what happened to Wu, sees him doing the same thing Wu has, and is trying to prevent him from doing the same thing. This is further emphasized when, after Wu falls asleep (well, fakes falling asleep), Lloyd says "Wu's mistake was going in alone. So was mine."

Master Wu is, like many characters in this show, someone who is more complex than meets the eye. He is not just a wise, old teacher. He is a man who, throughout his life, has made mistakes and carries the weight of each of them on his shoulders. He is a man who tasks himself with making up for those every day. He is a man who wants better for his students, his family.

Until the day he dies, he will guide and protect his students. And possibly? Even after death too.

[wizardsix]

astarion stans who refuse to try befriending or even romancing anyone else are the most annoying mfs. "I only romance astarion I just can't relate to the other stories" really? you can't relate to gales deep self loathing? his deep love and loyalty for those he cares about? you can't relate to wylls kind heart and desire to always do good, even if it means he's miserable? can't relate to shadowheart blindly following a god, only to learn the truth and reinvent herself? you can't relate to lae'zel or karlach who were lied to and used as weapons their whole lives, but continue to push on even when they're scared? you can't relate to the overarching theme of authority vs autonomy???

it's not difficult, it's just people refusing to appreciate and explore the game to its fullest bc their manipulative sexy vampire is all they need(something astarion actually loathes being seen as btw). but ok, you can be boring and do whatever you want, but don't lie and say the other stories are bad, because they're not. it's simply a lack of media literacy and critical thinking. because to you, if a character doesn't tell you point blank that they're aware of their situation, it's bad writing. missing the entire point that victims don't always realize the situation they're in. keep in mind astarion and karlach are the only ones who got away from their abusers, which is why they tell you clearly and confidently about what happened to them, fully aware that it was abuse. whereas the others give only their tunnel visioned perspective and speak highly of their deity(not caring about themselves, wish to appease them for something in return).

don't get me wrong (seriously, if I see one person misunderstand me I'm going to lose it) astarion is a good character, but people who only like him need to stop acting like he's the only complex and well written one. stop crying when people with brains call you out for being weird about his ascended ending. the game isn't about him. at least try and show some respect to those who worked hard on the game. make an oc and try new things, i promise the fictional vampire won't care if you don't romance him one run. have a drink with shadowheart, dance with wyll, go to a restaurant w karlach, maybe then you'll calm down.