#( ian gallagher // main )

[iandarling]

Season 12 Gallavich

[haunted-phantom-student]

Sickness and health is all well and good but I think it's even more beautiful how many of Ian's questionable hairstyles Mickey stuck by him through.

[littlemissmoodswings]

succession is just the rich people version of shameless (us).

fucked up father who pitter patters between "loving" and despising his children and is never TRULY reliable unless something is in it for him causes said children to be a little "fucked up" to cope with the expectations/trauma put upon them and to try and glue themselves back together any way they possibly can even if it means being self destructive (in similar and different ways), and in some cases even hit rock bottom, because their understanding of love/affection is skewed because they're so used to having to EARN it and never DESERVING it.

thanks for coming to my ted talk.

[bylrndgm]

SHAMELESS US ↳ S04E07 | a jailbird, invalid, martyr, cutter, retard, and parasitic twin | dir.: gary b. goldman.

[arcticmist0324]

By the age of 30, everyone needs to have several fictional meow meows that they would gladly abandon every single one of their morals to defend.

[person4924]

how come for every like 10 minutes of screen time lip gets ian gets like 90 seconds

[comfycozycrossfox]

i love characters that get into a lot of relationships/do frequent hookups as a means to make up for a lack of self esteem, like being in a relationship or hot enough to hookup with means they’re worth something, at least.

what’s projecting i’ve literally never heard that word in my life

[pcetstcrtured]

@famefckr liked for a starter!

"well, i was looking for mickey, but i guess you'll do." ian says once the door to the milkovich home opens to reveal the girl before him. however, the grin on his face and the teasing in his tone shows it's obvious he's joking. he pushes his way past her, playfully nudging her shoulder with his own, feeling comfortable enough to make his way in with the knowledge that terry isn't around. "sup?" he asks, turning to face her once more.

[n3tworksucks]

Hey babe! Could you do like a NSFW alphabet headcanon thing for Carl Gallagher?

Ily🤍🤍

HIII BBY OFCC ILYT🤍🤍 (UPDATED!!)

word count;1430

warnings; nsfw n stuff sooo..... do what you want with that💀(an- i updated it because it wasn't too accurate and it was finally starting to bother me so i hope i made it a little more accurate😘)

A = Aftercare (What they’re like after sex)

he'd probably already have like a towel and water or something so when yall are done he could just quickly clean up then probably cuddle, or smoke and talk or both.

B = Body part (Their favorite body part of theirs and also their partner’s)

I'd say he likes his upper body(like idk how to explain lmao) so his torso and arms and stuff because like he could do a lot with his arms and stuff ;)

and for you, probably your boobs or thighs because he likes leaving hickeys on them and he love going down on you, so I could definitely see him growing some extra love for your thighs, and it doesn't even have to be sexual too, he just loves every part of you.

C = Cum (Anything to do with cum basically)

loves cumming inside, like if you're on the pill or hes using a condom, but if not, I feel like his pull out game if pretty strong, so hed like to cum on your lower stomach or back. and for you, he'd love it if you came anywhere lol, like him just knowing he made you cum just makes it better.

D = Dirty Secret (Pretty self explanatory, a dirty secret of theirs)

I feel like he'd wanna talk to his friends about his sex life not necessarily to brag. but also doesn't because he doesn't wanna risk any information getting out and you getting upset or something. but he'd probably tell a little to Ian if the subject came up somehow, but no details.

E = Experience (How experienced are they? Do they know what they’re doing?)

oh god do I even have to answer💀? yes he is. I think we all know lol.. but mostly from like research from when he was younger, because he's not a virgin, but he definitely knows how and what to do in general, but the more you go at it, the more he learns your body and what it takes to pleasure you.

F = Favorite Position (This goes without saying.)

hes got a few for different places, but his mains are missionary but maybe with one ankle on his shoulder, or dogy, and if you have a favorite he'd most likely try it.

G = Goofy (Are they more serious in the moment, or are they humorous, etc)

I mean, not all the time. I'd say 50/50. like there's times where its not a need to be serious but thats mostly the vibe, like it was an important date night or something. then other times like if you're both high or a little out of it then I'm sure there's a few giggles and jokes.

H = Hair (How well groomed are they, does the carpet match the drapes, etc.)

doesn't focus too much down there, but he'd probably trim when he feels like it or wants to look nice lmao.

I = Intimacy (How are they during the moment, romantic aspect…) 

yess, he loves the feeling of being close to you and to him it feels like it just builds the bond more, like even if its angry sex, he'd still kiss you lovingly and stuff like that.

J = Jack Off (Masturbation headcanon)

sometimes yeah, like you're not able to see each other for a while, he'd probably jack off a few times, but doesn’t wanna do it often because he wants to wait for when you get to be with each other again ;)

K = Kink (One or more of their kinks)

he'd probably be into tying or holding your hands together, maybe a blind fold here and there if you're feeling frisky, and he'd probably be into smoking a joint or something too, like shotgunning.

L = Location (Favorite places to do the do)

mostly the bedroom, but, if you both were horny enough, probably a public bathroom, either in a stall or he'd lock the bathroom door and fuck on the counter. or anywhere, he doesn't care.

M = Motivation (What turns them on, gets them going)

it doesn't take much, but he's better at controlling now, but what would get him going now is when you'd just physically love on him, like rub his thigh a little, kiss his neck, tell him you love him. if you do all those, he'd probably drag you away from everybody and go somewhere private. and idk why… but I can see this turning him on too, like when you're sweaty and stuff, I think if he thinks of another reason for you to be sweaty, that would probably get him going.

N = NO (Something they wouldn’t do, turn offs)

definitely a no to anything that could hurt you and make you uncomfortable. no knifes, no major rough kinks and stuff, he'd hate to see you get hurt even a little with stuff like that, like wouldn't be too into harsh degradation, and doesn't wanna make you try unless its tears of pleasure.

O = Oral (Preference in giving or receiving, skill, etc)

loooves going down on you all the time, like, he gets pleasure out of it too, he gets pussy drunk a lot of the time, but also loves a good blow. but he mainly gives first, knowing you give back eventually.

P = Pace (Are they fast and rough? Slow and sensual? etc.)

if its just normal casual sex, probably at a slight faster speed just because. not rough, but if its special or you both have some time on your hands, he'd go slow and sensual

Q = Quickie (Their opinions on quickies rather than proper sex, how often, etc.)

not his favorite, but sometimes you both just need a moment, or just need to be quick with it. he's definitely good at quickies though if you need to be fast.

R = Risk (Are they game to experiment, do they take risks, etc.)

he doesn't mind experimenting with things youd wanna try, or something he saw on the internet or something. and he doesn't care about where, like a public bathroom or in a car. in a way he likes the feeling, but doesn’t necessarily wanna get caught.

S = Stamina (How many rounds can they go for, how long do they last…)

oh god, after military school he could probably go forever lmao, but obviouslyat some point there's rest. but I think he could go at least 3+. whether thats in the same time or same day, but i think after rounds, there'd be a break then he'd be back at it.

T = Toy (Do they own toys? Do they use them? On a partner or themselves?)

now… I think at some point, you both would talk about it, like maybe he ask about it after he passed that one aisle at a cvs💀 but if you did end up using toys at some point, they'd mainly be for you, like a vibrator or something, but wouldn't wanna use them all the time, because he wants to be the only one that can make you feel good yknow?

U = Unfair (how much they like to tease)

he'd tease a little, mainly with his words, but even if he was unfair, he'd let you get back at him sometime to even it out.

V = Volume (How loud they are, what sounds they make)

if he's on top, he groans more, maybe let's one or two moans out, but its mainly heavy breathing. but if you were on top, he'd moan more, and act more subby. especially if he's he's pussy drunk, he'd moan while eating you out.

W = Wild Card ( a random headcanon)

so kinda back to like how to get him going, I feel like he's sensitive to certain touches and words/tones with you. like only if you're trying to get him going, and he can tell the difference between you being horny and you being affectionate, so if you touche him like that, you know he's sighing, closing his eyes, and leaning his head back

X = X-Ray (Let’s see what’s going on under the belt)

I'd say.. about 6.5-7 inches. I'm not gonna go further💀

Y = Yearning (How high is their sex drive?)

pretty high, but can control his thoughts a little more, and by that I mean from 70,000 times a day to probably more times a day lmao

Z = ZZZ (… how quickly they fall asleep afterwards)

he'd wait for you to fall asleep, and even when you're asleep, he'd still probably be awake not doing anything but laying with the love of his life.

[calliecopper]

Ian Gallagher Being His Own Person, and Why That's Controversial

A meta about Ian's story during his time away from Mickey, and the hate his character receives for it. Inspired by @dazzle02 :)

How many times have you heard somebody say that they skipped season 8 of Shameless because Mickey wasn't in it? How many times have you heard somebody say that season 7 is only good during Mickey's episodes, or that the story is boring without Mickey in it, or that Ian's S6-8 arc was boring without Mickey? How many times have you heard somebody proclaim that Ian wasn't a good partner to Mickey?

Mickey is undeniably THE fan favorite character of the show, and with that comes a tendency for fans to defend him tooth and nail, even when he is in the wrong, and refuse to see any other points of view. Characters who go against Mickey in any way receive a harsh amount of criticism that sometimes is not fully justified. This applies even to Mickey's main connection to the story: Ian.

During season 5 and onward, some fans hold Ian's actions against him very harshly when I feel he deserves a bit more empathy. Of these, there are three main things people criticize his character for during seasons 5, 6, and 7 that I feel are not given proper analysis and thought by fandom.

Disclaimer before we get in because people feel very passionately about these two: Every interpretation of a character is entirely unique to each individual viewer, and these are just my opinions. This is in no way an anti-Mickey post, so as you read, keep in mind that any criticism toward him is not meant to make him out to be a bad character. Don't bite me.

Season Five: The Breakup of All Time

I think a large part of why people get so upset with Ian for the breakup is because of the growth Mickey experienced in seasons 4-5 leading up to it.

Mickey in seasons 1-3 is in extreme denial of being gay, and when he grows feelings for Ian, he lashes out and treats Ian like shit. Seeing Mickey's slow growth starting in season 3 brought interest to his character, and in season 4 with his major growth during his coming out, he becomes very compelling to a viewer. After all the angst that it took to get Mickey to finally open up, there's a natural desire to see that positive growth and relationship development continue. When Ian throws a wrench in that by breaking up with Mickey in season 5, people get upset, and they're going to direct that toward Ian because he is the easiest to blame.

There's the sentiment of, "Mickey came out for Ian, took care of Ian, and supported Ian when he needed him most despite his faults. Why is Ian leaving Mickey in the dust when he now needs him most?"

This is honestly not an unreasonable thing to feel when looking at things from Mickey's perspective.

But, when you take a look at Ian's character, and you really think of his motivations in that moment, his decision to break up is actually very understandable. Ian didn't break up with Mickey because he thinks Mickey is a bad partner or because he doesn't love Mickey enough. He broke up with Mickey because he thought that's what was best FOR Mickey.

I think comparing the breakup to their fight over marriage in season 10 to be an effective way to understand Ian better.

In season 10:

"How do you know you love me? Huh? How do you really know? I'm bipolar, right? I don't know who I am from one day to the next, and I can't guarantee shit. So why do you wanna spend the rest of your life with me?"

- Ian to Mickey, S10E9

Compare this to this conversation during the breakup:

"You used to love me. Now you don't even know who I am. Shit, I don't know who I am half the time... You don't owe me anything."

"I love you."

"The Hell does that even mean?"

- Ian and Mickey, S5E12

I feel that Ian's mindset is pretty similar in these two moments. In season 5, he is still grappling with his diagnosis, and he has no frame of reference of how a healthy life with bipolar can look. Everybody has been comparing him to Monica, and he himself seems to oscillate between thinking he is like her and not like her, so in his mind, he has nothing to offer anymore.

Then, in season 10, in his mind he proved himself right. He tried to get his shit in order, lived happily and found peace with his diagnosis, and then he fucked it up. He had an episode, and he lost everything he fought so hard to have. He has practically ruined his life because he DID what he FEARED he would:

"I hate the meds. You gonna make me take 'em?"

"You get fucking nuts when you don't."

"Are you gonna want to be with me even if I don't?"

- Ian and Mickey, S5E12

That conversation isn't Ian saying he isn't going to take his meds, given how in season six, he IS taking his meds. I interpret his above statement to be a warning to Mickey. Because Monica has tried to get on her meds before, has tried to get better, and has failed many times. IAN has gone off his meds willingly twice now. This is him telling Mickey, straightforward, "I do not like the meds, and there will always be a risk of me deciding not to take them."

And in seasons 8-9, he does exactly that. He goes off his meds, and he destroys everything he built for himself. That's part of the reason why he hesitates to marry Mickey in season 10, and part of the reason he breaks up with Mickey in season 5.

Ian views himself and his disorder to be a burden on the people he loves. He believes that Mickey will be better off without him.

"I don't want you sitting around, worrying, watching me, waiting for me to do my next crazy shit."

- Ian to Mickey, S5E12

Because Mickey HAS been doing that. Ever since he was diagnosed, Mickey has been watching Ian like a hawk, acting like a nurse, which frustrates Ian.

"Fuckin' nurse now?"

[...]

"I'm sick of your whiny, pussy crap. I don't need a fucking caretaker, alright? I need the shit-talking, bitch-slapping piece of Southside trash I fell for. Where is he? The fuck is he, Mickey?"

- Ian to Mickey, S5E10

But, of course, Mickey doesn't see it that way. To Mickey, Ian is anything but a burden he wants to unload.

"It means we take care of each other. [...] It means thick and thin, good times, bad, sickness, health, all that shit."

- Mickey to Ian, S5E12.

Mickey would do anything for Ian. He confronted his worst fear by coming out, stayed with Ian even after the infidelity, defended Ian after he kidnapped his son, and tried his best to understand a mental illness he had no prior knowledge about. Yet, Ian still won't commit to him. After everything, he still isn't good enough.

"I'm not saying never!"

"No, you're just saying you don't love me enough now."

- Ian and Mickey, S10E9

And Ian, meanwhile, thinks that HE isn't good enough for MICKEY. He has been diagnosed with a lifelong condition, one that he has seen ruin lives firsthand, something that will be a part of him for the rest of his life, and he doesn't wanna tie Mickey down to that life.

It's all one massive miscommunication.

Finally, I think the part that is the most confusing to fans regarding Ian's mindset during the breakup stems from his moments with Monica in S5E11 and S5E12.

Specifically, the parallels between these two conversations.

"Ian, there's always gonna be people that are gonna try and fix us. And you can never make those people happy. Like it breaks their heart just to look at you."

"Yeah, um, even Mickey now."

"He's your boyfriend, right? [...] I'm sure he means well, but you need to be with people who accept you for who you are. And they're out there. You should never apologize for being you."

- Monica and Ian, S5E11.

Vs.

"What the hell is wrong with you?"

"Too much! Too much is wrong with me. That's the problem, isn't it? Too much is wrong with me, and you can't do anything about that. You can't change it. You can't fix me, 'cause I'm not broken. I don't need to be fixed, okay? I'm me!"

- Ian and Mickey, S5E12.

Monica's interpretation of the relationship seems to paint Mickey in a negative light. "He means well, but he doesn't get it," or something along those lines. Based on her previous experiences with the diagnosis, she has come to the conclusion that people like Mickey or Fiona, who try to get them to take medication and are saddened by the diagnosis, are being controlling, and do not love them for who they really are. That's why she always went back to Frank; he actively tried to get her to NOT take her meds or get better, and did not encourage her when she DID try to get better. So, to her, being off her meds IS the TRUE version of herself, and the people who can not accept that do not accept her.

But I think, while Ian's lines parallel Monica's, that he does not think the same way that she does.

Toward the end of season 5, Ian seems to do a complete 180 from his previous statements on his similarities with Monica.

"You flushed your pills? You get thats a full-on Monica move, right?"

"I'm not Monica."

- Ian and Fiona, S5E8

Vs.

" [...] Cause they all say how alike we are."

"That's probably not a compliment."

"Uh... No, I think it is."

- Ian and Monica, S5E11

This happens in the wake of his arrest, after Ian's siblings talk about him to the military police. Many of their comments seem to hit Ian in a way that makes him feel misunderstood or like a burden.

Debbie: But he's been acting crazier for longer than that.

Lip: Yeah, at least this past year.

Officer: How would you characterize his behavior?

Debbie: Compared to how he used to be... He's different.

Lip: He'll go back and forth from, you know, being depressed, to, you know, incredibly wound up. I mean, he ran off with a baby for no reason.

Debbie: He almost hit me in the head with a baseball bat.

Fiona: Our mother was bipolar, so we know what it looks like. She put us through Hell, and- I'm not saying you put us through Hell, but when they're manic they can be destructive.

Officer: In your opinion, does he require medication?

Fiona: Yes.

Officer: Is he unable to care for himself?

Fiona: Sometimes, yes.

So, when Ian talks to Monica when they reconnect, Ian expresses loneliness and a feeling of isolation.

"I'm really glad you came, yknow? I just... I needed someone to talk to who... gets it."

- Ian to Monica, S5E11

When Monica tells Ian to not be ashamed and that she loves him for him, she is kind of acting like his Frank. The meds have been taking a toll, and recovery is so difficult that running with her and getting validation from the only other person who could "get it" is an easy choice to make. I think the combined factors of Mickey treating him so delicately, his siblings laying out his flaws so plainly, and his mother's open acceptance creates a feeling of bitterness or shame, and Ian is hoping to find comfort in his mother.

But it doesn't go the way he expects it to.

At the diner, he thinks that Monica is going to prostitute herself for money, and is relieved when she doesn't. It's likely he was thinking of his own stint at the Fairytale in this moment.

Then, he recalls a moment from his childhood that he does not look upon fondly, only for Monica to refer to it as "good times."

He meets Monica's partner and discovers he is an aggressive teenage meth dealer that she is helping to sell the meth.

I think Ian has a true moment of clarity during this. He had thought that he was vindicated, that everybody else was wrong, that they didn't understand, that Monica was right, and that he was perfectly fine just the way he was. But then he sees what Monica considers to be "a happy life."

"Ian, I'm finally happy. People like us, we can be happy. I love him, and that's the most important thing, to find somebody to love, right? Who loves you back for who you are. I want that for you. I love you. We're gonna be okay. We're gonna be okay."

- Monica to Ian, S5E12.

Monica's perception of life is warped. What she considers a good life is living in a trailer selling meth. Good memories are traumatic memories for those around her. True love and support is an aggressive teenage dealer, or Frank Gallagher.

A simple drive to Ian was a horrifying kidnapping to Svetlana. Doing a porn that was no big deal to Ian was a betrayal of trust to Mickey. Joining Monica and ignoring the calls of his well-meaning but ignorant family to Ian was a painful and worrisome disappearance to them. Ian's perception HAS been warped, and he's crashing back to reality, realizing that he has run off with MONICA, realizing that he can't continue down the same path as her, and needs to go home.

He's come to accept that he is bipolar. He's internalized what his family has kept repeating, that he is just like Monica, and looking at her living like this, believing that she is living well, is terrifying to him.

So he goes home, believing that he is just like his mother, and he's doomed to be a piece of shit. He goes back, and he breaks up with Mickey. Because he doesn't think that people like him can be happy, and he doesn't think he'll be okay. And that isn't something that Mickey can change. Too much is wrong with him, and Mickey can't do anything about it.

Really, it's just a matter of Ian operating under the "if you love them, let them go" mindset, and Mickey interpreting it as a rejection. It's the two of them both believing they are not good enough for the other and internalizing it instead of properly communicating.

TL;DR: Ian's breakup with Mickey in S5E12 is not done in a healthy OR selfish mindset. To him, he will do nothing but drag Mickey down, and in his unmedicated and clearly altered state of mind, he thinks the best thing is to let him go.

Season Six: Dating Caleb and Other Blasphemy

The first time we see Mickey in season six, it's behind a pane of glass in an orange jumpsuit.

Mickey had tried to murder Sammi, Ian's half-sister, and had been sentenced to prison for 15 years. It's established that Ian has not been to visit Mickey much and is trying to move on past that time in his life. But, upon being bribed by Svetlana, Ian visits, and during this visit Mickey asks Ian a question:

"You gonna wait for me?" - Mickey to Ian, S6E1.

And when Ian shows hesitation:

"Fuckin' lie if you have to, man, eight years is a long time." - Mickey to Ian, S6E1.

So, Ian replies:

"Yeah. Yeah, Mick, I'll wait." - Ian to Mickey, S6E1.

Before even meeting Caleb, fans absolutely tear into Ian for his decision to not commit to Mickey in this moment. They call it selfish, or out of character, or unfair to ice Mickey out when he is going through this difficult time.

But, let's look at it from Ian's position.

Ian has dealt with abandonment issues his entire life, with both Monica and Frank being unstable and infrequent providers during his adolescence. Throughout his relationship with Mickey, they had been separated on three separate occasions, one of which was entirely voluntary on Mickey's part. Now, due to committing a major crime, Mickey has been sent away for up to fifteen years. They would both be in their thirties by the time Mickey would be released, or close to it if he got out early, and that's not even considering that he was actively taking part in jobs / activities that could extend his sentence, like stabbing people.

Ian has dealt with recurring disappointment and abandonment his entire life, and throughout their time together, Mickey hasn't really established himself as stable.

Now, before you bring out the pitchforks;

"But Mickey was there for Ian and supported him through seasons 4-5. He grew as a person and proved he IS reliable."

Yes, that's true. He did undergo massive development that allowed him to be a better partner and more reliable person to Ian. But, canonically that period of time only takes place over a few months.

Mickey, for the better part of 2-3 years, was NOT a good partner to Ian. Multiple years of an unsteady situationship is not so easily forgotten. Yes, Mickey 1000% had valid reasons for acting the way he did. It's made very clear in S3E6 and S4E11 why Mickey hides his sexuality and lashes out when forced to confront it. But that isn't an excuse. His reasons for acting in a negative way towards Ian the first three seasons is understandable, but he went about it in a bad way.

Not to mention that, despite his growth, Mickey has just been sent to PRISON. No matter how you spin it, his decision to go after Sammi was NOT justified and does not necessarily bring forth confidence in his reliability and stability.

It's not unreasonable for Ian to not want to wait for over a decade for a man who has not always been the best for him. It sucks as a viewer who is invested in them, but Ian was not in the wrong.

Beyond (justifiably) selfish reasons, Ian also already thought that he was bad for Mickey, was worried that he would ruin his life, and with Mickey's justification for his torture attempt being that he did it FOR Ian, that Sammi had it coming because of what she did TO Ian, Ian probably felt responsible for that as well. There was probably a level of guilt in Ian from the whole situation, both for Mickey being in prison and for leaving him there.

But from his point of view, it's better for everybody to try and move on.

What really bothers me about this criticism toward Ian is the sense that he OWED Mickey his time and loyalty. Because Mickey had given and sacrificed so much for Ian during seasons 4-5, it's like people think Ian is then obligated to return that for Mickey, no matter what Mickey did. It's a very transactional way to view the situation, and it just leaves me with an icky taste in my mouth. Nobody owes anybody anything in that situation. Ian does not owe Mickey companionship, and Mickey did not owe Ian support when he got put in prison in season 9. Returning to Ian was Mickey's decision to make, and not a decision Ian was obligated to make in season 6.

Now, onto the actual "dating other people" part of the conversation.

For months, Ian has done nothing but get his meds on track while working at Patsy's, then at the janitors job on Lip's campus. During this time, Ian expresses having a very low sense of self-worth.

"He as smart as you?"

"No."

"Yeah, he's smart."

"Lip is the genuis of the family."

"So that gives you an excuse for not finishing [high school]? You seem plenty smart, and Dav's uniform doesn't really suit you."

- Ian, Lip, and Professor Youens, S6E3

And:

"This is it for me, Lip. This job. This is where I land."

- Ian to Lip, S6E3

Which Lip comments on in a very concise way:

"Yknow, he thinks... Being bipolar means he's doomed to be a piece of shit like our mother."

- Lip about Ian, S6E3

Ian feels no sense of purpose during these months. He feels he has no worth and that he is doomed to work a dead-end job and have no happiness. He thinks he is just like Monica.

That only changes when he witnesses an accident on the highway, and he saves a woman's life by pulling her out of a burning car.

This leads us to Caleb.

Now I'll admit, this is where I take issue with the storytelling, because this would've been a PERFECT way to segue into Ian's EMT arc, but regardless of what I personally think would've been better, the way it plays out in canon does actually still make sense for Ian's character.

After saving the woman from the burning car, Ian collapses due to smoke inhalation and exhaustion. A firefighter on the scene provides Ian with oxygen, thus saving his life. Ian immediately fixates on this particular firefighter.

Now, Ian has a very complicated relationship with feeling his emotions post his diagnosis. In season five, when he is numbed by his meds, the only way for him to feel again is through pain, via self-harm or starting physical fights, and sex. In fact, sex plays a major part in many aspects of Ian's life.

From the age of fifteen, Ian had been consistently subject to sexual abuse. He's been used for his body by countless men throughout his teenage years and has been oftentimes reduced merely to his sexuality and what he can provide to his partner. Even Mickey, in season 2, tells Ian as such in a panicked rage.

"You think we're boyfriend and girlfriend here? You're nothing but a warm mouth to me."

- Mickey to Ian, S2E8.

(No, I'm not saying Mickey sexually abused Ian. But he did contribute to the way we see Ian default so heavily to objectifying and sexualizing himself.)

So, due to this recurring trauma, Ian has a tendency to default to sex as the primary way of getting satisfaction, be it emotional or physical.

So, when Ian gets a rush of adrenaline from the crash, after months of that numbness, he chases the emotions in the most effective way he knows how.

Ian goes to the firehouse with cookies to give as thanks to the firefighter who saved him, but with a clear ulterior motive of getting laid. When he finds out that the particular firefighter (who happens to be part of the "gay shift" which is an odd writing choice) he saw on the highway is married, Ian meets Caleb. In this scene, they speak all of one line to each other when Caleb invites Ian to a firehouse softball game. The next time we see them on screen together, Ian acts very flirtatious toward Caleb, which sets forth their relationship.

"You ever pitch?"

"... Usually, but I'm open depending on what you're into. Where we doing this?"

"Follow me."

[...]

"Wait, we're actually playing softball?"

- Ian and Caleb, S6E5

I think Ian receives hate for this simply because he's expressing interest in a guy that isn't Mickey. Fans get the impression that Ian is moving on too fast or that his interest in Caleb is sudden or rushed. However, I think the rushed nature actually works to show Ian's intentions. In this moment, Ian is not really looking for a full-on relationship. Given how little they interacted thus far, the fact that Caleb wasn't even who Ian was originally interested in, and how Ian's comments consistently err on the side of sexual, its safe to say Ian was just looking for a hookup. In fact, it's Caleb who pushes so hard FOR the relationship.

Mickey, in a deleted scene, hooks up with an inmate right after talking with Ian. If Ian's relationship with Caleb had only been a fling or hookup, I don't think Ian would've been as heavily criticized. As it is, fans get upset at this relationship because it IS a relationship. They go on dates, Ian starts staying with Caleb, and really they seem to be very domestic.

But I don't think Ian was as dedicated to the relationship with Caleb as fans make him out to be.

From the jump, Ian seems uncomfortable with the quick-moving pace of it. At first he only seems interested in sex with Caleb, but upon the negative reaction that provokes, Ian conceded to going on a date with Caleb (which is a bit of a slap in the face to Mickey fans after Gallavich's ruined date.)

"[...] I was hoping to get my hands on your hose."

"Is that what this is to you? A fuck?"

"You say it like it's a bad thing. Come on, let's get out of here."

"No. I knew you were younger than me, but I thought you were a grown-up."

"Fuck. Okay. Okay. Hey, I'm into you, alright? I thought you were into me."

"I am."

"Then what's the problem?"

"I don't stick my dick in just any guy."

"What do you want, then?"

"Seriously? Do I have to spell it out for you?"

"Yeah."

"A date."

"With, like, flowers and chocolate and shit?"

"No, we could skip the flowers."

"Okay. You're on."

- Ian and Caleb, S6E5

(Side note, pulling a "is that all this is to you" after two non-romantic interactions is not just quick in terms of hookup culture, which Ian is more attuned to, but is quick in any terms. More on that later.)

During this date, Ian is visibly very uncomfortable. Some would chalk this up to him having never been on a date before, and the writing even seems to imply that,

"Okay, look, I have no idea what I'm doing. My last boyfriend wasn't much of a talker, his idea of a conversation was to insult me a bunch and then punch me right before we banged."

- Ian to Caleb, S6E6

but that's actually not true, DESPITE the writers forgetting that.

"You know, Mickey and I never went out on dates. Ned never took me out, Kash and I fucked in the back of a convenience store, and I don't think jerking off strangers in a nightclub counts, so..."

- Ian to Lip, S6E6.

He actually HAD gone out on a "date" with Ned in season three, where he was visibly less uncomfortable than on his date with Caleb. He also went to many loft parties during his time dancing at the club, wherein he blended in very well and was able to sorta chameleon himself with the northside crowd. I think the show wants us to believe his discomfort is from him "never having been on a date before" or being unfamiliar with a "slower" pace, but I think his discomfort actually would stem from him just genuinely not being interested in Caleb in a romantic way, and thus feeling awkward on a date that's in a more romantic setting (compared to his one with Ned, which was undoubtedly more sexual.)

I also think his discomfort stems from being completely out of his element. Ian has taken a massive hit to his confidence since his diagnosis, so his Southside roots bring about a bit more hesitancy in him than it might have before, and he may be less confident in his ability to chameleon. That's why, during the date, Ian shows discomfort with Caleb when he shows more "class" than Ian.

"Usually, I get a bunch of apps to share. You good with that?"

"[Uncertain hum] ... Appetizers! Sure, yeah, big- big fan of apps."

[...]

"You seem like a very pensive kinda guy. You an only child?"

"Uh, no."

"Brothers and sisters?"

"A bunch, yeah."

"Older or younger?"

"Both."

"What about your parents? Both still alive?"

"... Yeah."

"... Fantastic. I'm learning so much."

[...]

"Where I'm from, people communicate with their fists."

"Where's that?"

"Southside."

"Mmm. Hands of steel. Okay, so you're a street rat. A brawler."

"Is that a problem?"

"Only if you make it one."

- Ian and Caleb, S6E6.

Then, beyond their first date, we have the actual relationship to dive into.

Throughout his scenes with Caleb, Ian seems to oscillate between neutrality, discomfort, or mild enjoyment in the situations he finds himself in.

There's this interaction, for example, where Ian lets Caleb take charge in defining their relationship:

"So what are we doing?"

"Whatever you want, I guess."

- Ian and Caleb, S6E7.

Or this moment:

"What are you smiling at?"

"I like having you over here. What are you smiling at?"

"I like having a purpose."

- Ian and Caleb, S6E8.

Or when Caleb invites Ian out with his friends, and we see Ian slip into his chameleon persona, mirroring the petty mannerisms of the most vocal participant of the conversation, as well as avoiding diving too much into his personal history.

"You haven't told me which one is your ex."

"Guess."

"Old guy, pink sweater."

"How'd you know?"

"Ooh, a redhead, Caleb? Does his carpet match his drapes?"

"You're a good sport."

- Ian and Caleb, S6E8.

[...]

"If we had known you were bringing a middle school student, Caleb, we wouldn't have come to a place that cards."

"Oh, no, it's cool, I don't drink. I hear it makes your skin old and leathery."

"That's-that's how we're playing this?"

"Hey, you threw down first."

"Where you from, kid?"

"Back of the Yards."

"Local boy. What's your story?"

"Story?"

"Who you are, what you do, how did you meet this chocolate bundt cake?"

"Met him at the firehouse."

- Ian and Gregory, S6E8

[...]

"We like this one, Caleb. Don't we, Gregory?"

"I mean, If young, beautiful, and kind of a smartass is something to like, sure, fine, I guess we do."

- Caleb's friends about Ian, S6E8.

OR, in a deleted scene where Caleb expresses frustration at Ian keeping the distance between him and Ian's family, as well as Ian's lack of communication, while Ian seems unbothered or even perplexed by Caleb's frustration.

"So, where'd you sleep last night?"

"Home. Got done at three, told you I'd be late."

"Yeah, like nighttime late, not next day late."

"Well, I didn't wanna wake you, and I had to go back there to grab some stuff: clothes, towels..."

"Where's there?"

"Home, you mean?"

"Yeah."

"Back of the Yards."

"Right. You did mention that once. I still don't know where it is or who I'd call if there was an emergency?"

"Uh... my brother, I guess? Or my sister."

"Brother or sister. Okay. I'll just track down Ian Gallagher's brother or sister on the internet."

"I'll... put their numbers in your phone."

"Great."

- Ian and Caleb, S6E11 deleted scene.

OR any of the follwing:

When they go to get Ian tested for STDs, he is visibly uncomfortable having Caleb in the room with him.

He is only comfortable revealing his bipolar disorder if it is done in exchange for another secret from Caleb.

He isn't very comfortable sharing his past, only references his previous relationship in a lighthearted manner, and he only reveals his sexual history upon feeling pressured to do so, which he purposefully presents in a callous way.

To me, the entirety of Ian and Caleb's relationship reads as Ian's desperation for validation through sex, which leads to him putting up with a relationship he isn't entirely comfortable in or commited to or ready for. To me, it seems like he's truly just looking for companionship in any way he can get it.

Out of everything, though, I think what really gets to fans most about this storyline is the constant comparison of Caleb to Mickey as a means of demonizing Mickey.

Throughout the entirety of Ian and Caleb's relationship, there is a constant comparison between the two relationships, seemingly with the intent of painting Mickey as a horrible partner.

When Ian tells Lip about his upcoming date with Caleb, he remarks that he never went on dates with Mickey, which comes off as an unnecessary jab.

During his date with Caleb, Ian talks about his lack of effective communication skills, which reflects negatively on Mickey, to the point Caleb brings forward the idea of domestic abuse.

During the wedding that Ian attends with Caleb, Ian mentions Mickey's marriage to Svetlana, and he uses a tone that comes off as belittling the situation and how difficult it was for Mickey.

There's this line, when Caleb asks Ian to kiss for the first time:

"Can I kiss you?"

"I thought kissing comes after you've had sex a bunch of times."

"Ian, kissing comes whenever you want it to. Even now."

- Ian and Caleb, S6E6.

Then, there's Mandy stating that Caleb was better than Mickey.

"A hot black fireman. Also an artist."

"Upgrade from my brother."

"I miss Mickey, but uh... This new guy's nice."

- Ian and Mandy, S6E9

These near constant comparisons to Mickey are frustrating to fans, because it can often feel like Ian, or even just the writers and the narrative, are trying to belittle Mickey's character and reduce him to a one-note toxic ex, which completely spits in the face of the development that he went through. THAT is what is most frustrating to fans.

Because it's true that Mickey was not always the best partner. In real life, Mickey would be a walking red flag, and Gallavich would be undeniably toxic. But that applies to EVERY SINGLE CHARACTER in Shameless. That is the entire point of the show. None of them are particularly good people. They all do shitty things, but they all have compelling reasons for doing it. That's why we can look at these characters and feel connected to them instead of just absolutely hating them.

It's a really odd writing choice for a show that focuses on morally gray characters, or the idea that nobody in the show is really a good person, to decide to play moral high ground in this particular instance, and have Ian suddenly turn his nose up at Mickey's behaviors.

But is this really how Ian feels?

Because, as established, Ian is VERY good at playing chameleon. He is good at shaping himself into whatever a partner wants him to be. He mirrors his partners mannerisms, beliefs, and attitudes.

And Caleb, for all that the story wants to make us believe he's better than Mickey, is actually not the best partner either. Not just for cheating on Ian in season seven and then gaslighting Ian about it; he shows some toxic behaviors in season six as well, including being lowkey judgmental about Ian's Southside roots.

Take, for example, Caleb implying that the Southside is trash, but that he can see the beauty in Ian despite being from the Southside:

"That's my latest. I love to find the treasure inside the trash. Trying to find the secret life in things. What it wants to be instead of what it is."

"Is that what you're doing with me?"

"Good question. Can I kiss you?"

- Ian and Caleb, S6E6

(Which, funnily enough, this line from Caleb goes pretty against the sentiment that Monica had in season five, of Ian finding somebody who loves Ian for who he already is, as Mickey did.)

Or, for another example, Caleb judging Ian pretty heavily during the softball game for being "not grown-up." Simply because Ian expresses sexual interest in him above romantic.

"Cmon, let's get out of here."

"No. I knew you were younger than me, but I thought you were a grown-up."

- Ian and Caleb, S6E5.

Which, as I pointed out before, is really strange behavior. Participating in hookup culture isn't something that Ian needs to be shamed over. There's a sentiment of "Hooking up is beneath me, it's immature," to Caleb's tone, which is unfair. Now, he has reasons for this, that being his experience with getting HIV from a hookup who lied to him, which draws a pretty interesting parallel to Ian.

"Don't worry, guy I did the scene with said he was clean."

"He didn't use a rubber? Are you out of your fucking mind?"

- Ian and Mickey, S5E5.

Vs.

"Guy in college. He lied to me."

- Caleb to Ian, S6E8.

(Which I actually find to be a very interesting plot point and is actually a pretty good scene.)

So, while Caleb was not wrong to put forth a boundary by not hooking up, he was wrong for acting as if IAN was the problem in the situation. Not to mention, his behavior at the game is very strange when taken into account how little they've interacted thus far. He had understandable reasons for his negative reaction, but he went about it the wrong way. Sounds familiar, doesn't it?

Anyways, I could talk about the relationship between Ian and Caleb more, but that's not what the point of this is.

The point I'm trying to make is that Caleb, however covertly, expresses a negative or biased view toward the Southside lifestyle. And Ian, being the type to mimic his partners, follows along in that.

Ian already fears that he is going to be left. He is afraid that showing Caleb who he really is and not being the idealized version of himself will lead to Caleb breaking up with him.

"I'm enjoying it while it lasts."

"You think he'll dump you?"

"Well, I've told him I'm bipolar, and my family's screwed up, and he took it pretty well. But it's one thing to hear it and another to live it, so... We shall see."

- Ian and Mandy, S6E9

So, he chameleons. He makes himself the treasure in the trash. He distances himself from the image of a brooding, Southside street rat.

Because, after so long of constant pain and numbness during and post his diagnosis, Caleb is the first good thing he's found.

"I haven't been this happy in a long time."

- Ian to Caleb, S6E8.

And really, everything that I just talked about doesn't matter when you think about it that way.

No matter how dedicated or invested Ian was in his relationship with Caleb, it still provided him with companionship and validation, which as we know, is something that Ian has an unhealthy dependence on to find self-worth.

And I don't think Ian was wrong in searching for that connection simply because that connection wasn't with Mickey. He could've been well and truly in love with Caleb, and he wouldn't deserve some of the hate he receives for his canon actions.

It's easy to look at Ian's relationship with Caleb and get frustrated because of all the time that was put into Ian and Mickey's relationship. But beyond the instinctual negative feeling that comes with seeing Ian with anybody other than Mickey, his relationships outside of Mickey deserve to be analyzed and observed for what they actually do for HIS character, and not just immediately cast aside as unnecessary or ooc.

So, to summarize:

Firstly, Ian wasn't selfish for not waiting 15 years for somebody in prison. Whether he was serious about Caleb or not, Ian was under no obligation to dedicate himself to Mickey. Ian did not owe Mickey anything simply because Mickey was there for Ian when shit got tough. If they had been together, sure, Ian would've been a lot shittier for leaving Mickey alone. But as it was, they were broken up, and even if they hadn't been, Ian would've had every right to not want to continue seeing Mickey after his decision to harm Sammi, just as Lip was justified in not wanting to be with Mandy anymore after she ran over Karen.

Secondly, Ian dating Caleb wasn't bad for his character. In fact, I think their relationship in season six was actually a very interesting way to progress Ian's character and get more insight into his mind and how he operates.

Thirdly, Ian and Caleb's relationship deserves to be analyzed for what it is, rather than what it isn't. Just because Ian is not with Mickey doesn't mean that he doesn't undergo some huge development in this season, both in and outside his relationship with Caleb. Furthermore, Ian entering a new relationship gives us the opportunity to see more sides of his character, and as such the relationship should be analyzed as it's own separate entity, and not just as a hurdle in the way of Gallavich.

Fourth, Ian was not just waiting to cast Mickey aside to jump on the next dick possible. I've seen this criticism before, and when looking at his actual arc at the beginning of S6 and analyzing his general character, that's just simply not true. Entering a new relationship is not equal to immediately disregarding Mickey.

TL;DR: The hate Ian gets from this season mainly stems from "Ian date somebody aside from Mickey, bad Ian" without any further thought behind why he enters the relationship and what the relationship actually means to him. There is no separation in the minds of fans between Ian and Mickey, and therefore, Ian having experiences and an identity outside of Mickey is negatively perceived.

Season Seven: Putting His Own Wellbeing First

This one will be less long winded than the previous one, because I have less to say on it, honestly.

During the entirety of Ian's bipolar arc, it is pretty clearly shown that to maintain mental wellness, Ian needs stability.

When Mickey shows up and asks Ian to run away with him to Mexico, that's threatening to uproot every amount of stability Ian has managed to secure the past two seasons of the show.

I honestly don't see as much hate directed toward Ian for his decision to leave Mickey at the border as I see for his previous decisions. I'd say the main thing I actually see directed toward this season is just that Ian's story is boring without Mickey in it. Mostly because he enters another new relationship with Trevor after his relationship with Caleb, which really just follows the cyclical Shameless cycle of, "Don't know what to do with a character? Give them a new love interest!" But because I talked about the judgement for non-Gallavich Ian relationships above, I don't particularly feel like doing a deep dive into the Ian and Trevor relationship in this meta.

What I want to talk about relates to the Mickey Mexico storyline, though, and that's the hate other characters recieve for trying to dissuade Ian from going.

After finding out that Mickey escaped from prison, Fiona and Ian have the following conversation:

"What are you doing up?"

"Couldn't sleep. You ever, uh, think about about what would've happened if you'd run off with Jimmy-Steve?"

"Lying sociopath Jimmy-Steve? My life would be a nonstop psycho-thriller. I definitely dodged a bullet with that one."

"What if nothing ever gives you that same thrill again? Still feel like you dodged a bullet?"

"I don't know. Probably. Where's this coming from?"

"Things have been weird between me and Trevor since Mickey got out."

"You mean since Mickey busted out of prison and has got half the Chicago Police Department circling the Southside looking for him."

"Can't get him out of my head. Just trying to stop myself from doing something I shouldn't."

"You turned your life around. Mickey would set a match to it. You've done really great without him, and I'm really fucking proud of you."

- Ian and Fiona, S7E10.

I've seen this conversation criticized many times because of how "unfairly" Mickey is treated in this scene. But I truly think that nothing said in this scene was wrong, and Fiona was 100% right.

In the past, Fiona has definitely shown a prejudice against the Milkovich family before. Specifically with Mandy, Fiona seems to look down upon her and disapproves of the relationship between her and Lip. This on its own is unfair treatment and is annoying to witness.

But in this particular case, absolutely nothing she is saying is wrong or biased simply because Mickey is a Milkovich.

People take the line, "Mickey would set a match to it," and compare it to his behavior in late Season 4 through season 5, where Mickey is taking care of Ian, and say that Fiona is being untruthful or hypocritical. If Mickey had never been sent to prison, or even if he had just been released legally, and Ian was simply thinking about cheating on Trevor and getting back with Mickey instead of running away with him, then the criticism toward Fiona would be more justified. But as it is, Mickey is a wanted fugitive, and Ian running away with him would make Ian a fugitive as well, and WOULD effectively set a match to the life Ian had spent the past two seasons working toward. He would be giving up a career he worked hard for and fought to have, he'd be living in stressful conditions on the run, he'd have no support system, and he would have less ease of access to his medication. Running with Mickey would have been the wrong decision for Ian's wellbeing, and honestly, Mickey should never have asked Ian to go with him.

I think that many people have rose colored glasses on when it comes to Gallavich, specifically with Mickey, and that makes it harder to view these moments unbiased. But, looking at it objectively, Mickey was so wrong for asking Ian to come with him to Mexico. He KNOWS that Ian needs stability with his bipolar diagnosis, and he KNOWS that this would be a stressful life he'd be forcing Ian into.

Simply put, he's acting selfishly in that moment. Having your own interests in mind is not always a bad thing, but in this specific case, Mickey would have thrown a huge wrench into Ian's life is Ian hadn't made decisions in HIS best interest.

Again, I have less to say on this as I did other subjects, because to me it feels much more cut and dry. Mickey was in the wrong here 100%, Fiona was not being wrongfully judgmental toward Mickey, and Ian was not in the wrong for not going with Mickey.

After so long of seeing them apart, it makes sense to want to see them together again. So when Ian, again, is the one making the decision to end their relationship, fans are going to lash out at him and those around him.

But it's important to put aside biases and allow your favorite character to be in the wrong occasionally. Mickey is not perfect, and criticism against him, both from characters in the show and fans, is not unfounded nor unjustified.

TL;DR: Mickey was wrong for asking Ian to uproot his life and run to Mexico, and calling that out isn't defamation of his character.

To End This Yap Session:

Ian is by no means a faultless character, and he is not exempt from criticism both inside and outside of his relationship with Mickey. However, I often feel that the criticism he faces is for the wrong reasons, and not much contemplation or exploration is done on him as much as it is for Mickey.

I love Mickey. He's an amazingly complex character, and his relationship with Ian is one of my favorite parts of the show. But in being a complex character, he is also an imperfect character.

I feel that many fans get very protective over their favorite characters, to the point that anything that goes against that character's interests is labeled as bad, and any criticism toward his character is disregarded immediately.

In this particular case of Gallavich, I feel that post season three, fans often see things from Mickey's point of view without looking at Ian's as much. This meta was simply to give my own thoughts on Ian's most "controversial" moments among fans. Obviously this is mostly condensed to season six and his relationship with Caleb, which I feel is the biggest example of jumping to conclusions and only seeing the surface level of his character.

However, I would like to acknowledge that Ian is also an insanely popular character in the Shameless fandom. While he is misunderstood in many instances, he is given much more sympathy and understanding than many other characters in the show, especially many of the female characters. This long-winded meta is only focused on the concerning tendency for fans to link Ian's identity to Mickey entirely without allowing him to be an individual, but a majority of the time he is still a beloved character who is treated favorably by fans. Compared to a character like Debbie, Ian sees much more support, and I feel that the energy I put toward this meta and trying to understand Ian should also be applied to (almost) EVERY character in the show.

Anyways feel free to leave thoughts.

[marvelling-at-marvel-blog]

I find Trevor from shameless the most frustrating characther.

When he first introduced, I really liked him, the way he could really help Ian explore life outside of his southside world and more of the LGBT world was interesting. And I love the actor who plays him, but his character just did not work, and I know why. It was bad writing. (Also, I have to admit I didn't feel the chemistry between the actors, even if they were both playing their roles well.)

Now, first off, I think that Shameless really dropped the ball in writing new characters after season 5 or 6. Especially love interests. In the early seasons, all the Gallagher's interests were people outside of their relationship with a Gallagher. Love or hate them. I could tell you plenty about them, and they interacted and had storylines outside of their love interest.

I mean, think of Karen, Jimmy, Mandy, Shelia, Mickey and even Svetlana.l. They were all interesting outside of just being a love interest, and they all had personality and backgrounds. I really think Shameless lost that in their later seasons writing.

See Kelly, Trevor, Tammi, Caleb, Ford and Cassidy for example. It felt like they purely existed to only further thier LIs storyline. Even the writing of Mickey, when he returned as a main character, wasn't as in-depth as it was in either early seasons.l and just seemed to be more to drive storyline and comedy than in-charachter for him

So, back to Trevor. I wanted to like him, and I did for his first few episodes, but his writing frustrates me so complelty. I think as a person who also works in social services, his actions and contradictions make no sense. So in the episode that Mickey comes back when Ian goes to see him, he is really busy because his trying to place a kid. And when he thinks if he can't, he says he may have to just let them crash on his couch. Which pinged me as completely inappropriate as a social services worker as you can never have a child just say on your couch like that as you are crossing so many professional boundaries and as he rightfullylayer says can give the wrond ide. But in S8, when Ian has that girl stay over, he (rightfully) tells Ian that is completely inappropriate and then gets really mad at him for it, which just made him annoyingly hypocritical.

He is apparently working with at risk youth and abused kids, yet he tells Ian that Monica is trying and to give her another chance as Ian is being unfair to her, that he is being to hard in her. Crazy. I could not think of a single person in this job who would have that attitude towards neglectful or problematic parents. Because anyone in this job would know setting boundaries is healthy and that anyones trauma is thiers to feel how they feel about. Same with the way he treats Ian's grief after losing Monica. When he takes him to the place with the chubby guys, they lost me completely.

Then we have the idea that Ian was clearly sprialing later in S8 and going off his meds, but Trevor seems unaware even though anyone could see it let alone someone with any kind of training.

His writing is just so bad and seems literally to be only to serve Ian's storyline and screw his character development outside of that. Especially in S8. Then he doesn't even appear at Ian's court preceding and just disappears

I think he could have been good for Ian. And I think with the lack of chemistry I felt between them maybe they should have just been friends after the whole cheating thing. And maybe it's the fact that Cameron's chemistry is off the charts with Noel that made it really feel like he had none with Caleb or Trevor but that doesn't make up for bad writing. I get that writing a new post-Mickey love interest is hard after how much fans love him, but the writers can only blame themselves for that too as the never wrote a good ending storyline for a loved charcther they though was leaving for good at end of S5.

Shameless really lost a lot for me when they stopped writing their supporting character as interesting people outside of their relationship.

Trevor is my example charcther of that. That actor deserved better.

[gallawitchxx]

29 for the kisses, please!

- - - - -

send me a number & i'll write you a smoocheroo 😚

- - - - -

#29: ...as a promise

The digital clock on the wall is a goddamn tease.

How is it only three-thirty?

It’s not the worst job in the world, working the reception desk at an auto repair shop. It’s mostly just answering phones and handing out intake forms. Running credit cards upon drop-off and pick-up, and using what little knowledge he has about cars to field basic questions. Ian’s a little surprised that his parole officer had stuck him in a place that was clearly running some kind of illegal chop shop after hours, but whatever.

Southside is as Southside does.

But today has been fucking dragging. A shipping delay had pushed a ton of work back a week or two, so there was only one pick-up on the books, and it had already happened. At nine a.m., right at the beginning of his eight-hour shift. One can only clean a desk so many times before starting to feel a little buzzed off cleaning spray fumes, so for the past couple of hours, Ian’s been supremely bored, his mind bouncing from one topic to another, trying to keep him occupied, but away from the mechanical sounds coming from the belly of the shop.

The ones coming from the only mechanic on duty today—Mickey.

Jesus, Ian’s got it bad for the guy.

Between Mickey’s filthy fucking mouth, greased-up knuckle tattoos, and the way his ass looks in a pair of coveralls, Ian never really stood a chance. But then he had to go and be funny and smart and secretly sweet with the kids who come in with their parents, and in no time at all, Ian was halfway to being fully in love.

The way Mickey looks at him doesn’t help the situation either, nor does the coffee and Kind bar combo he drops at Ian’s desk every shift, which means Mickey heard and remembered an off-the-cuff comment Ian made one morning when discussing break room snacks with the shop owner.

But what’s really making things hard—literally—is what happened the last time he saw Mickey…

A few nights back, a freak downpour had collided with a blocked drainpipe and flooded the shop’s main floor. They’d had to shut the whole place down so that the mechanics could instead work on pumping rainwater back outside where it belonged. When the worst of it was over, Mickey promised to take care of the rest, shooing the other guys out the door and home to their families. Ian, who didn’t have anywhere to be, and was a bit distracted by the way Mickey’s wet tank top was clinging to his cut chest, offered to stay and help finish the job.

Help Mickey out with another job, too...

But that was days ago, and even though Ian’s knees still ache from where he’d knelt on damp concrete, they haven’t talked since. Not even when Mickey had dropped off his breakfast! Ian had been on the phone, the timing of which felt suspect.

By the time four-o-clock crawls around, Ian’s worked up the nerve to go say something. But then the chime on the door alerts him to someone coming in, and before he can even say hello, some asshole is screaming at him about promised timelines and demanding a refund.

Ian puts on his best customer service smile and tries to smooth things out, but it doesn’t work. More yelling ensues.

“Ey, there a problem up here?” Mickey’s voice cuts through the noise.

“Yeah, there is,” spits the douchebag. “My car was supposed to be ready a fucking week ago, and this idiot here can’t seem to make that happen.”

“Woah, woah, woah,” Mickey says, taking a step forward. “Imma stop you right there.” He looks at Ian for the first time (since he came down his throat). “Gallagher, can you head to the back and grab me the project file? Should be somewhere on my station.”

Ian blinks. “But the files aren’t—“

“Now, Ian,” Mickey commands, his blue eyes blazing. “Go.”

“Sure thing,” he says, rising from his chair.

The rage-red moron has the nerve to fucking smirk at him, and fuck, Ian doesn’t fight anymore—swore to his court-ordered therapist he was done with that shit—but this asshole just might get him back in the ring. His hands itch as he passes, clenching and un-clenching as his jaw clicks.

Mickey avoids his gaze, which pisses him off even further.

Ian forces himself onto the shop floor, closing the door behind him.

A few minutes later, Mickey joins him. “You okay?”

“Yeah.” Ian scans him for signs of a struggle, but he looks good. Great, even, his cheeks pinked. “You?”

“Course. Forget that dick. Caved quick and left. It’s a fuckin’ shipping issue, ain’t got nothin’ to do with you.”

Ian nods, unsure what to do or how to proceed. After a beat, he mutters a weak thanks.

Fuck, it’s awkward.

Then,

“Didn’t know—”

“Listen, man, I—”

They both stop talking, laughing nervously, the tension breaking just enough for some of their natural chemistry to seep back into the situation. Ian’s hands now itch with a wholly new desire to touch and caress instead of maim.

“I coulda handled him, you know,” Ian mutters.

Mickey chuckles. “Don’t doubt that for a second. Thought you were gonna fuckin’ deck that dude.”

“I was—I would have…” Ian shrugs. “But if I went back to prison, we couldn’t finish what we started the other night.”

And well, that gets Mickey’s attention.

“Guess that makes me a hero or somethin’ then, huh?” His voice is like gravel as he steps into Ian’s space.

Ian stares at his mouth. “Or something.”

“Tell ya what…” Mickey stares back. “He comes back, we’ll kick his ass together. Can pin it on me if the pigs show up.”

“Promise?”

Mickey answers with his lips, his teeth, and his sinful fucking tongue.

By the time they leave for the night, their knees have matching bruises.

[cobra-creampuff]

@fanficfanattic you will regret this

okay so. it wouldn't be the revenge specifically because that is its own story and i think the whole general Thing is really dependent on the characters in it (as it should be! most of the time) and the shameless characters really don't mesh well with it (as it also should be! most of the time). HOWEVER. if the characters of shameless were put into a plot/setting framework of a golden age pirate romcom with a defining theme of self actualization especially regarding gender expression and/or trauma recovery...

the milkoviches would be the ranking crew on one ship, with terry as the captain. the gallaghers are also the ranking crew on their ship, and frank is the captain. very early on in "canon" or perhaps pre-"canon" they mutiny and elect fiona as captain instead. kev and vee own a bar at a pirate port. i wouldn't pick nassau because like. that is reserved for real life and black sails. to me. maybe tortuga or maybe port royal. anyway one day the bar was owned by some guy. the next day the bar was owned by kev and vee. nobody knows how that happened. every "episode" the bar features in there is a new version given. none are ever confirmed.

i like the families knowing each other/having close enough experiences that a main relationship conflict with any of them is each not understanding that their circumstances are actually not the same (i.e. how ian can't quite grasp that being gay is a much bigger deal for mickey than it is for him; they live in the same town, they went to the same school, they're in the same tax bracket, they both have a shitty dad who hates them personally and no mom, ian was in the closet too, etc, so there's kind of this disconnect there where i think ian expects mickey's experiences of homophobia to be at least similar enough to his that it shouldn't make that much of a difference - but of course there is actually a huge gulf between a shitty dad who hates you because you were conceived through infidelity and shows it by insulting you but mostly is absent anyway and a shitty dad who is. a fucking neo nazi and organized crime boss who regularly beats you blue. and i think the same is true for other members of each family, like how fiona judged mandy, and i guess in later seasons i didn't watch [insert gallagher] says some kind of something implying gallaghers are better than milkoviches and mickey points out if that's true it's only true by an insignificant margin. not that any of that was ever textually explored because the writers weren't actually interested in exploring anything. who said that).

and also! i always love a character or characters that are famous, or infamous as the case may be, in-universe. EveryoneTM knows who the milkoviches are. EveryoneTM knows who the gallaghers are. and they each have a distinct reputation that comes with their name. and! i also like the knowing Of each other for a long time before getting to Know each other dynamic that the canonical milkovich and gallagher kids have via having gone to school together and buying (or bullying) goods and services from each other. love childhood Ugh This Guy Again to lovers waaaaayy more than childhood friends to lovers. personally. not to mention the capulet and montague vibe.

anyway so i'd want to preserve that as much as possible. so idk maybe frank and terry used to be whalers for the same company or even on the same ship, and the kids lived in an isolated island whalers' families ghetto (which would also preserve frank's and terry's frequent long absences). wait wait yes. okay. here it is i've got it.

they are employed/indebted to the same company but actually work on different ships, and they generally dislike each other because they are both supremely dislikeable, but there are limited socializing opportunities in a whaling community so they are extremely bitter frenemies because it's either that or nothing. and obviously they hate whaling because who doesn't, but terry hates it out of anger toward the company (reasonable) and frank hates it out of laziness (also reasonable tbh). anyway so at some point they start talking about mutinying and going pirate, and frank thinks they're talking shit but terry's serious. and terry's also scary and frank's a coward, so alright looks like he's going to mutiny and go pirate because he said he was going to and terry said yes he sure was.

so terry starts (drunkenly) strategizing, and his strategy is the very peak of violence. and frank is not exactly a paragon of compassion, but violence is pretty high risk and you know once you kill a guy you can never get a loan from him again. and maybe a little tiny itsy bitsy weensy ickle part of frank just doesn't want to do murder because it's murder. so for once in his pathetic little loser life he puts up a fight, kind of, and argues with terry that all that isn't necessary and it's possible to unlawfully secure a ship through other means. and he actually manages to not back down about it until terry gets too annoyed to keep the discussion going, and because he's already piss sloshed and frank is the only man he's spoken to outside of work in like twenty years, terry doesn't kick the shit out of him for being an annoying pansy or whatever and instead makes a bet with him that terry will get a ship his way and frank's way will fail. they obviously don't have any fucking money or literally anything the fuck else because they are fucking whalers, and anyway it's more to their style to bet years of service on the other's ship instead. so if frank fails to take over his ship, he and his family will be indebted to terry instead. and if terry fails to take over his ship (or doesn't have enough survivors left to sail it back), he and his family will be indebted to frank.

unfortunately, they both successfully mutiny and take control of their respective ships, so the wager is void. frank doesn't press the issue for real but he constantly bitches and moans that technically he didn't lose so terry owes him. terry makes it Well Known that if he ever runs into frank off neutral grounds and not on a job he will kill him extremely dead since, you know, technically he didn't lose so frank owes him.

anyway fast forward. the milkoviches and the gallaghers both become Big Name pirates. they make port at the same place and frequent the same bar and do business with each other, but they are ENEMIES. (i think i like port royal for this, because it was not quite as definitively a pirate port for a lot of the age, so it's more believable for the bar to be neutral ground that terry would actually honor since offending the colonials that also hang out there would ruin it for everyone - and most importantly would fuck up his business in addition to putting a black mark on his reputation.)

okay so. positions. terry is the captain. they don't have a quartermaster at all because terry is a tyrant and won't allow it. mickey is the closest they've got, as the only one who is brave, angry, and informed on everything enough to occasionally challenge terry. don't get it twisted, it's definitely not often. the general rule of the ship is that everyone is subservient to terry and nobody looks out for each other in a way that might get in terry's way. but just. every now and then, mickey will make a fuss about something or redirect terry's anger (sometimes he ends up as a whipping boy in the latter case, but never intentionally. yet! ☝️). mandy is also brave and angry enough to challenge terry, and she does sometimes, but she's at an extra disadvantage because she is not informed or (pseudo-)respected like mickey is. yet.

his official position is bosun, but really mickey is a jack of all trades. he does a little bit of everything, and is the understood second in command despite terry not allowing for a real quartermaster or first mate. mickey keeps the inventory, ensures that everyone gets their correct percentage of rations and loot shares, assigns whatever duties terry couldn't be assed to, and carries out discipline for whatever offenses terry doesn't take personally (sometimes obeying terry's orders including the method/severity of the punishment, sometimes punishing someone terry said to but didn't give specifics on how so mickey can decide that for himself, and sometimes completely of his own volition; usually the latter is either for neglecting a duty, endangering one of the milkoviches in some way, or of course something mickey took personally lol). (compare to izzy hands)

iggy is the navigator/pilot, has good control of the boat, can read currents, winds, and stars, but mickey reads the maps. he's happy with this position and is one of only two brothers who never enter into the power struggle. he likes sailing, he likes the frequent semi-solitude, and he likes not having to be involved in on-ship discipline or in making any hard choices. (compare to fang)

in what i watched the other brothers really didn't have much personality so idk about them, but they each have some level of rank/leadership over the non-milkovich crew members. one is in charge of commanding the gunners, one is in charge of commanding raiders, etc. mickey will give them a general "this is what terry wants" guideline and mostly leave them to it unless what terry wants is something particularly (and needlessly) dangerous, in which case he does his best to give them more specific orders that will hopefully lose less crew without them getting pissed off he's stepping on their toes, which would of course make them make the situation worse out of spite/power display.

mandy is the cook/surgeon when terry is around, but she's a strategist and raid leader when mickey's in charge (compare to roach) - which happens because the milkoviches have a fleet, mostly just due to their reputation and the fact less established pirates and sometimes merchants will surrender once the flag goes up and bargain to be annexed into terry's command rather than slaughtered (which works maybe. 30% of the time), and terry is so power hungry and paranoid that he can't stand to let any of the other captains in the fleet actually captain one of his ships for too long at a time. he's always going from ship to ship just to undermine his captains and exert his own power over each crew, leaving mickey to head the flagship.

mickey ends up with all the responsibilities of a captain but not much respect; everyone knows he's not the real dad boss and he has to fight for every single order he gives. the real reason(s) he's the understood second in command is because 1: nobody else wants to be that close to terry (again, compare to izzy hands lol) and 2: none of his brothers are as (realistically) ambitious as he is (they want power but aren't aware of or willing to put in the work to gain/maintain it + they don't jump on opportunities as fast, etc). so nobody ever calls mickey 'captain' or 'sir' or anything else that denotes or implies a higher rank, both to keep him cut down and out of superstition that terry will somehow Know and take offense to anyone except him being given even that much authority.

and of course all of the milkoviches including mandy are general enforcers of the milkovich rule on the flagship. they all participate in mutiny-busting, routine intimidation, etc. and they all give unofficial punishments for insults or just for pissing them off. manny, who i assumed is an uncle and have no interest in being corrected on if i'm wrong, is a fence.

sveta (and yevgeny) would be included Later as a prostitute working at a brothel near port, with the same general Circumstances of Meeting mickey (and ian) as in canon, marrying mickey for financial/social status reasons while he's forced (which i kind of assume is the canonical situation since she seemed genuinely happy on their wedding day), and then the same plotline of mickey having a problem with her madame but instead of the madame turning all the girls out she gets killed by definitely mickey for sure ("i kill, you take credit." "why the fuck would you not want credit?" "don't want precedent you kill boss get promotion when i will be boss." "..." "you should be happy, this give me good reason to not kill you." "...jesus, you fit right in with this fucking family.") and svet buys the brothel property under mickey's name (since she can't legally own it herself) and becomes the new madame while he keeps pirating, so now he (and mandy) has somewhere to go separate from other milkoviches while at port where he can actually fucking relax for once in his fucking life. & ig if you really want sandy to be here she can be a fence too, but tbh if i ever do write anything in this fandom again i have no intention to include her or any other characters introduced past season four :)

on the gallagher ship frank is captain for a while, at least in name. he is usually both drunk and seasick in addition to his natural laziness and inability to work with others, so a lot of the time he doesn't even try to captain and lets fiona handle it without interference. every now and then he gets some kinda fucking bug up his ass and goes banging on about his rightful authority or whatever and sends them on some deeply stupid and pointless farce and/or will say they're doing something and then give orders that absolutely will not accomplish that thing. for a while, the gallaghers follow along with this, then they start just not obeying him/quietly belaying his orders to other crew, then they start telling him directly they're not going to do what he wants, then actively preventing him from giving orders in the first place (usually fiona locks him up, or lip knocks him out, and debbie got to knock him out once too, but if it ends up being left to ian he'll do something more creative and lowkey humiliating like shoving a gun rag into frank's mouth or dunking his head in the pickle barrel), and then finally they officially commit mutiny and kick him off the ship entirely.

the gallagher ship doesn't include any extended family. no aunt ginger, no uncle clayton, no whoever the fuck else was in there. their non-gallagher crew is all the mentioned neighbors and etc that they're friendly with in canon, minus kev and vee.

fiona is captain, lip is quartermaster, ian is navigator and he likes to correct and expand maps and has big dreams of going straight (ha ha) and becoming a chartered cartographer/expedition leader. lip and ian also lead raids. carl is the master gunner. debbie is officially bosun but has a pretty in between job. she assigns shifts and chores and supervises and all that, but she doesn't ever handle discipline, and she also does the more i guess administrative is the best way to put it quartermaster duties that lip is too bored by to do. she also is always on the up with the rumors and can typically be relied on to know who's who and where they are (*mickey mouse meme* this is a tool that will help us later).

liam is the surgeon. several non-gallagher crew members think he's a witch because he is way ahead of his time wrt medicine (simply because he treats based on evidence lol) and because he so very rarely talks. he has no strong opinion on this perception as it usually doesn't interfere with his ability to do his job and often keeps strangers from approaching him uninvited (the boy. is autismal. and also has selective mutism. which really should be called something else by now but i digress).

ian knows all the myths and legends, though he doesn't really believe any of them, and frequently regales the crew with them. lip doesn't really like the stories because he suffers from a whimsy deficiency, but when he has the patience for it he'll back ian up on the lute (Later, mickey will play for ian too, or sometimes for his girls to sing/dance to).

so the milkoviches and the gallaghers both use port royal as their port of call, and they both spend a lot of time in kev and vee's bar. kev and vee are personal friends with the gallaghers, but as said their bar is neutral ground so they keep civil relationships with literally anyone who abides by that neutrality, including the milkoviches, other pirates, merchants, fishers, pirate hunters, naval officers, natives, colonials, anyone as long as they pay their tab and don't cause trouble.

sheila and karen are merchant class but seem like gentry to ex-whalers, especially since actual gentry nearly never deign to go somewhere so close to the docks, and even tho technically after a while being quite successful pirates they are richer in terms of material wealth (but still not in social wealth). karen loves to come to the bar whenever she hears pirates are in town. she loves the thrill of the baddest boy a bad boy can be (and also the thrill of bad girls who are proud about it), and she loves the attention she can get when she dresses up in something classy just to go slum it with a bunch of society-fringe sailors. lip is her favorite, sure, but he gets it in his head that she's his shore wife or whatever and that she'll eventually tearfully beg him to retire and stay on land with her (extremely loud buzzer noise).

jimmysteve is a fence. and a drug runner. and a semi-pro snitch. he (in some ways, much like frank) thinks he is much cleverer than he really is and that he can play multiple sides at whim. he gets himself in trouble with the pirates for breaking neutrality, and gets himself in trouble with more than one royal navy for thinking he could snitch but only when he felt like it lmao. he somehow always manages to weasel his way out of trouble and back into good graces (again, much like frank, except frank gets his hundredth chances through pity or trickery and jimmysteve mostly just uses daddy's name and plantation money).

kash and linda are also merchant class and have a little curio shop and bakery. ian likes to do basically the opposite of karen and 'sneak' away from the lowbrow area of town that caters to sailors to shock and impress all the not-poors with how Just Like Them he is, which is how they meet and start hooking up.

but of course it IS a romcom about self actualization and. you know. comedic romance. so the Main Plot is actually just gallavich and not as much of an ensemble here.

the Plot in question happens because mandy gets sick of shit and decides she wants to just fuck off. she just has to figure out where to fucking go instead. she doesn't want to just run away. she doesn't want to be alone. the gallaghers just kind of seem like the only real choice. she knows them by reputation to be damn good pirates but as kind and generous as pirates can reasonably be. they don't torture, they don't rape, they don't hurt young kids or pregnant people, they don't kill unnecessarily (and yet all of them are still alive, so like. for Real they must be fucking good pirates), etc. she figures if she seduces one of them on the last night of their leave, they'll take her back to their ship to fuck her and then in the morning the chaos of making way will make them forget to make sure she disembarks.

she picks ian because fiona is busy with jimmysteve, lip is busy with karen, and the other three are too young for her. and also. she thinks ian is cute, and she's seen him act like a whole gentleman with her own eyes more than once. she like. actually kind of wants him. and he's sitting alone. so she goes over. at first he seems into it. he's not intimidated by her even though she knows he knows who she is. he listens to her when she talks and has relevant things to say. he's funny. he's charming. he doesn't treat her like a whore. it takes like half an hour before mandy's goal has changed from "seduce him to get onto his ship" to "fuck him so much forever and maybe have an epic romance or something". but of course when she starts really putting the moves on, he just flat out rejects her. he does it gently, but still. just a straight-up full-stop no.

so then. mandy's plan changes to "get mickey pissed off enough at this guy that he ends the stalemate and kills his whole family and then convince him to give the damn ship to her". and well, the best way to do that is to make mickey think ian hurt her (which also will later provide them all an excuse to give terry as to why they blew up his legendary status's structural support rivalry from his backstory - they started it).

so she makes a scene in the bar, and she uses some very skillful body work to make ian look like he's aggressing her - which only works on him despite him also being very skilled in that area and usually very tactically observant because he's unnerved to have been hit on so boldly by a woman.

as it happens, at least two of her brothers (notably NOT mickey himself) are in the bar when she does this, and she kind of thought that would be enough to at least start a fight if not the war she's planning to work them up to. but. they don't really do anything. maybe they cuss at ian or throw something at him or whatever to warn him off or let him know it's time to leave if he knows what's good for him, but like. they don't even get up. so now mandy is humiliated from being rejected by ian AND humiliated to have made a scene, to have publicly positioned herself as a victim, and nobody caring enough to put down their fucking grog.

so now she really doesn't know what to do. she's upset, she's embarrassed, she doesn't want to go back to her own ship almost doubly as much as when she sat down at ian's table. in the end, mandy makes it onto the gallagher ship regardless, by stowing away. she does recognize that it's their ship when she carefully tucks herself away in the farthest corner of the hold, but really... where else could she go? on any other ship she'll be treated even worse than on her own, at least in a day-to-day sense, and that's only if she manages to convince someone else to take a woman crew member in the first place. and if she's caught as a stowaway, which she inevitably will, any other crew would put her to death. when she's caught on the gallagher ship they might whip her and put her in the brig, but they won't hang her or toss her overboard, and she thinks she can probably plead her case to them given enough time. she'll just have to try to stay hidden until they're well out to sea to buy that time in distance back to port.

the only problem with this is that terry is off on another ship just now, and mickey is in charge-ish. and unlike terry, or even like some of the other brothers, mickey 1: notices when mandy doesn't board and 2: cares. he makes them wait for her, getting increasingly pissed off until he seems almost as scary as terry, until finally one of the brothers who was there steps forward to fearfully admit he saw ian gallagher mess with her.

first, mickey punishes that guy. he gives up the other brother who was there pretty easily, so mickey punishes that one too. they are both expecting a terry-level It's Personal punishment - everyone knows mandy is mickey's favorite - but it's not even quiiiiiite on the level of a mickey-level It's Personal punishment. he's not holding back on purpose, and he absolutely is taking this so fucking personally, but. they're family too. he wouldn't torture them unless they tortured him first. or made too credible of a threat that they were going to.

anyway, when that's done mickey immediately assumes ian has kidnapped mandy and is certainly forcing himself on her at this very moment, or else he murdered her for bruising his ego last night and mutilated her body so no one would know to tell mickey someone needed to be return-killed. so uh. well. mickey is officially pissed off enough that he orders the ship off course to hunt down and kill ian's whole family. and for once he's not contested on it, even though it's against terry's preceding orders, because first of all. he is so so evil right now and no one wants to breathe too loudly at him, let alone argue. and also secondly... mandy's family. none of them would want her dead unless she killed them first.

so the milkovich flagship hunts down the gallaghers, and they make no secret of it. terry catches wind, but the teller includes mandy's presumed fate at ian's hands, so he's pissed at being disobeyed and double pissed at mickey for daring to take initiative, but he approves of the reasoning enough that he decides not to catch up with them and crush them back underneath his thumb until after they've razed every last gallagher from the earth. insert atla book one style imminent redemption arc anti-villain misadventures here (perhaps even complete with manny purposely giving mick bad intel to keep him sailing around in circles lmfao).

meanwhile. mandy gets caught as a stowaway. luckily, it's ian who finds her. like in canon, he impulsively confesses that he's gay - or whatever euphemism or obsolete term they were using for that back then - and asks her to pretty please call her brothers off. mandy, having been hiding in the bowels of a ship at sea in the 18th century, had no idea that her brothers were on. whoops! together, she and ian explain a severely abridged version of what happened to fiona and convince her to let the milkovich flagship catch up to them. mandy swears up and down that her brothers won't sink the ship while she's on it, and she can convince mickey to board so she can explain before leaving the gallaghers without her presence's protection. (fiona had never had any personal beef with any of the milkoviches, beyond just thinking poorly of them as people as a whole and having a particular distaste for many of terry's best known atrocities, but now mandy is definitely on her shit list and mickey is on the thinnest of thin ice.)

so the milkoviches catch up to the gallaghers. they do some damage to the ship before they notice mandy on deck, but it's just warning shots anyway. they had every intention of exploding them into a billion pieces, but a warning shot is just the proper thing - even if you've got no plans to accept a surrender or give any time for return fire before you obliterate them into viscera and sawdust. but then it turns out mandy is right, and mickey orders an immediate (slightly panicked) ceasefire, and thoughtlessly boards when mandy asks him to even though that's objectively tactically very stupid.

as privately agreed, mandy tells mickey it was a misunderstanding. that ian hadn't actually menaced her. he'd just been clumsy with his words and actions and she'd taken offense, but he'd apologized and then she perfectly willingly went back to his berth with him where they spent the whole night thoroughly and consensually enjoying each other's company. they simply slept through the morning bells, and by the time they did wake up it would have been such a horrible inconvenience to take mandy back to port, and she'd figured mickey would have left without her by then anyway. she didn't realize it would cause such a hubub, and btw she and ian are courting now.

mickey is pissed obviously - not least because now he's going to have to face biblically apocalyptic wrath from terry - but mandy is really really his favorite, and he's relieved she's okay, and maybe he's a little bit relieved he doesn't actually have to vaporize like twenty people too but that is for absolutely fucking nobody to know up to and including mickey himself fuck you very much. so all she gets is the milkovich pirate captain version of Go To Your Room Right Now Young Lady. she is unconcerned, and offers her hand to ian so he can make a small production of gallantly kissing the back of it before she goes over the gangway.

mickey stays just long enough to give ian the milkovich pirate captain version of a shovel talk, which involves a lot of disturbing kraken imagery (it's kind of homoerotic too, but surely that doesn't mean anything haha. unless...). for some totally unknowable fucking reason, ian seems to be entertained by mickey's uh. way with words, more than he is threatened. at the end of mickey's speech he's even smiling. he offers a reasonably chilling rejoinder, and then fucking bows like he's some kind of bougie rich fuck seeing a guest out of his big bougie fucking house. fucking... dickhead. fuck.

anyway so yeah. it's so over for mickey. cooked! and soon to be stuffed and basted ;)

[atthedugouts]

As I've said before, one of the main reasons I lament the potential Mickey/Yev storyline is because I strongly believe it fits into one of the major themes of the show. Will the children of abuse live up to the sins of their parents or will they make different choices? Is a question I think Shameless tackles beautifully. We see it with Fiona trying to be a better parent to her siblings than Frank and Monica. We see it with Lip trying not to be like Frank and work on his alcoholism. With Ian and the parallels with Monica and their bipolar. Debbie struggling through her abandonment issues not only seeing how she handles being a parent compared to her own but it's also a great foil to Fiona who was Debbie's main parental figure.

And as much as we see the Gallagher children succeed we also see them fail. Fiona is not a perfect guardian and has her own issues with drugs and alcohol. Lip has many ups and downs with his sober journey. Ian ended up in prison because of his bipolar.

I don't imagine Mickey's step into fatherhood would be easy. It's something I think he would have to deal with for the rest of the show. Much like it took forever and a half for him to admit his feelings for Ian I don't think he would openly talk about his feelings towards Yevgeny. Probably because he doesn't understand them or is afraid.

Mickey and Svetlana would probably make bad decisions and would probably get CPS called on them. Unlike their fathers who's love for their children is conditional Mickey and Svetlana will fight for their son. I think that would have been great storyline to explore. You get to see Mickey and Svet fight with their trademark banter and grow as friends and parents. You get to see Mickey make different choices then Terry in actively fighting for his son not against.

I also think the dropped storyline is why some audience members struggle with Mickey's character when he finally returns in season 10. Because whatever growth he was having was halted and with the absence of Svetlana and Yevgeny there wasn't much to explore anymore.

[beijingnoodle]

Started playing Jedi: Fallen Order and let me tell you knowing that the actor for Ian Gallagher is playing the main character vs seeing and hearing him is very different. From here on out I’m going to be referring to Cal Kestis only as Gay Space Jesus. Also I already changed his lightsaber color to orange.

[pcetstcrtured]

@famefckr liked for a starter!

fiona is hardly phased by the surprise guest in her living room, all too used to it by now and not at all surprised. she raises a brow, instructing liam to sit down at the table before making her over to mandy. "if you're lookin' for lip or ian, i don't think either of them are here. pretty sure lip's off helping kev with something and ian's -" though she cuts herself off as she fully takes in the other girl now, slight concern shooting through her. "whoa, hey, you okay?"