#( holy damn this went on
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iloveacronix · 6 months ago
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Describe the Lloyd and Morro beef in one sentence
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yo-yo-yoshiko · 1 year ago
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Anytime characters swap bodies I always think about which of our silly little guys gets a break from their usual trash bod/brain.
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clowningcrows · 5 days ago
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gotta confess that i watched wicked somewhat against my will and didn’t think i’d like it all that much/wouldn’t really understand the hype and yeah. yeah i was a fucking idiot. happy to report that i Completely get it now and i fear that i cannot stop thinking about it
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bird-inacage · 1 year ago
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Only Friends Episode 12 | Sand x Ray: Pool Kiss
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minh-i · 10 days ago
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The inconsistent screen time of damn blue lock earbuds are killing me 😭
Like, if the artist just didn't bother to draw them in the further away/smaller panels or in the front profiles? Fair enough, BUT LOOK AT THIS
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Or these ones
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The earbuds literally showed up for one panel and then decided that it didn't wanna be there no more and js left 😭
We got a whole ass side profile of Kaiser and Isagi and the earbuds were nowhere to be seen
You can literally pick a random NEL chapter, literally any NEL chapter for that matter, and you'll see the earbuds disappear and reappear like magic. One moment it's there, and then it's gone, and then back again, only to disappear 😞
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ravenpureforever · 2 months ago
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So guess who finally watched JJK
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sylvieserene · 1 year ago
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Fixing history using the power of editing and my editing skills!!
For today we have, New Titans (1980) Issue #100
✨ Wedding Special ✨
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@robstarblog @robstaryeah pinging yall just in case so that this doesn't get lost in oblivion (It'd be painful since I worked 5 hours non stop on it lol)
I think the most time was taken by the final panel and adding in the finishing touches since I pretty much had to change everything to the pixel level, quite literally lol (I'm serious, I did)
Welp I hope the results were worth it! And with that, another one gets a good ending!!
I kinda didn't add sleeves in the first two panels of the final page because it didn't look good and looked janky with how I was editing it so yeah please ignore that-
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molinaesque · 1 year ago
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On the topic of Raphael and him "being bad in bed".
Okay I'm only ever going to talk about this at length once and then never again. I've been avoiding talking about it until now because bringing it up always just seems to keep this topic in circles and it becomes an endless pit of nothing.
First of all, I know most of the time (like maybe 70% of the time) it's for the lolz. I get it. Hell, Raphael fans will be the FIRST to quip about this.
BUT
For those taking it seriously one way or another... It becomes such old hat VERY fast.
Those who use it as a jab towards Raphael havers are... Kinda dumb. Because it's like... Okay, and? You act as if somehow negates the entirety of his character somehow just because "HAR HAR HANDSOME DEVIL MAN IS BAD AT SEX" and it's so... vapid and boring? Also it seems a lot of people keep thinking "bad at sex" = JUST that he finishes too fast and nothing else but they seem to forget that the player character came up with that insult on the spot (rather than seeing it as a commentary about his pure selfishness and where it stems from). Haarlep is also a bias source. There's a semblance of resentment from them AND they're a damn incubus. EVERYONE'S terrible in bed in comparison (have you seen Tav? Little shit just lays there like a sack of potatoes during the Haarlep scene). This isn't me saying "Oh it means Raphael is terrific in bed because Haarlep's word cannot be trusted". HELL, no. Quite the opposite, actually. I'm saying "okay... What can I glean from that set of information?"
I feel like this goes for Raphael havers too who have this conversation. I feel like many tend to fall into this trap of odd desparity when they realise that "oh no our magnificent hot man is bad at sex" and somehow treat it as if it's forever a caveat and somehow negates the ENTIRETY of Raphael as a complex character. My first reaction when I got this information during House of Hope was laughing and then going "mmm that's so interesting and adds such a great layer to this already amazing character. Where else can I take this to". In fact, House of Hope as a quest does SO much in adding all these tidbits that make Raphael not just another boring, all knowing, god like, ineffible character. It made me love and appreciate his character even MORE. instead of going in circles and lamenting in how this is somehow "the worst thing ever", I think it's way more fun to explore it and delve into where the root of his narcissism and self esteem issues come from. The dichotomy and complexes of his character. There's SO much to talk about there and yet we're still just stuck on "haha devil man is a bottom and bad in bed" (which is another ridiculous thing btw because people seem to misconstrue bottoms as JUST being submissive. Y'all need to be more open minded 😂).
Apologies if this came off as ranty/condescending maybe. But it's coming from someone who's just minding her own business but have to see a variation of that line CONSTANTLY in the notes/tags on my art/gif posts and as I said... It gets so old REALLY fast. Like please be more imaginative than this, I beg of you. 😭
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kifu · 2 years ago
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Sappho. I wanted to know if I could under layer shading with markers. That failed. HOWEVER, I took a picture of my greyscale marker drawing before I obliterated every ounce of shading with grotesque color so that I could play with it digitally. I'm ecstatic. She is GORGEOUS.
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where-is-caithe · 18 days ago
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(charr voice) WAHOO
GO MY SHARKS
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goldyluna · 9 days ago
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I got inspired by @rosehippiefield's post about Shin's advice on how to deal with Midori and his own behavior towards Sara (that you can find here!). It made me want to analyze more his reasons behind all of his cruel acts. And how some other people from our main cast were affected because of the death game. So.
People can act very differently in different situations. Their emotions and behaviors are always connected to something they go through. No matter if we understand why and how.
So people that are aggressive, cruel, judgmental, rude, miserable, or every other negative adjective usually have a reason for being the way they are. Knowing the reason is really important for understanding others behavior. Of course understanding the reason doesn’t automatically mean we should like this person or forgive them!
Aggression can happen as a natural response to stress, fear, or a sense of losing control. People also react harshly and negatively when they feel like they are mistreated, people don't listen to them, or they are just frustrated. Fear is a really important factor in how we act too.
In Your Turn To Die we have a really specific situation. A few unsuspecting people got kidnapped and put in an unknown place to fight for their lives.
Death itself is a really strong stressor. So adding to it that basically everything is unknown is really not helping with the pressure.
Like was said before, people can behave differently even in similar situations. Really important are the personality, previous experience and predispositions.
Our main cast experiences different things, and because of that, their perspective and way of going through their current situation can be even more different.
Each of them will react differently because of the trauma and reactions of the body to the situation. Some of them even had traumas before landing in the Death Game by Majority.
There, of course, will be feelings connected with experienced trauma (during and afterwards). There are some that we can also see in the game:
Anger
Numbness or difficulty feeling any strong emotions
Lost
Fear or panic
Grief
Worried
Irritation
Confusion
Restless
Hypervigilance
Shock or horror
Shame
People may be affected by trauma in many different ways. There may be problems with looking after yourself, not being able to have a stable job, being distrustful, forgetting things or they can struggle with low self-esteem. People like that can experience flashbacks, panic attacks, dissociation or suicidal thoughts.
After this long introduction, let's take a closer look at some of our characters!
NAO Nao lost someone very dear to her. She even went a little crazy for a moment. But she is so strong mentally she moved past the death, she didn't give up.
A lot can be said about Nao. That she is rational, really smart, selfless and she is not afraid of making sacrifices for a greater goal. That's why it was her that pushed fake Reko down the pit, saving Sara from making the decision.
She doesn't hold a grudge against Shin. She really pays attention to details, so she notices Reko behaves differently. But she still hits Shin because she got scared (Kai's making) and, more importantly, we get the Massacre Ending.
It is not the greater good, this is not selfless. It is selfish and only for her (and Sara), so she can live. Because it is not fair for anyone to be destined to die.
KANNA Kanna was searching for comfort from Sara. She viewed her as someone safe and trustworthy. Someone she can look up to as a big sister.
I am not saying she was replacing Kugie, but at that moment she needed a sisterly figure and Sara suited this role so well. She gave her support and spent time with her. Sara was the one that was there for Kanna and was from the very beginning.
We see Kanna as someone cowardly, shy and innocent. Maybe a little too trusting. The death she experienced at the beginning didn't help and only made the whole experience worse. But she was with people that she trusted and wanted to help. That she was so brave in the second Main Game, making her death a choice. And even if she lived, her demeanor changed. At least a little. She wants to live for those that died for her and it is making her stronger.
Kanna will always be Kanna, but thanks to all the people that support her, she could show her real self. The prettiest flower in the game.
Q-TARO Q-taro is someone who changed his ways. He could escape with the tokens he got (and did), he could leave Gin for dead. But he wants what he thinks is the best. Being alive was the best he could think of at the beginning.
He is an easygoing and friendly giant with high levels of anxiety and selfishness. He has his moments of doubt, like with the tokens.
When we give him enough tokens, he escapes. Even when Rio tells him that, if he inserts all tokens, everyone else will die. Even when he is offered his tokens back. He just apologizes and turns away from Sara.
When we won't do the trade with him, he can't go with his plan. When his doll talks during the coffin roulette, he admits he wanted to abandon them all even if it meant killing someone. And when he talked with Mai after she woke up, he said that he would do the same as her, but he didn't have the opportunity.
He trusted Mai and didn't blame her for the stabbing because he understood. He made the whole plan of saving others by dying himself. Sacrifice from a guy wanting to live hits so hard.
KEIJI The thing with Keiji is complicated. He is a liar, a murderer and a skiver. But he also is so full of guilt and anger. He is still grieving. Years passed, but he still feels guilty about the death of Mr. Policeman.
He is angry, desperate, lost in the dark thoughts. And he acts on them during his First Trial. But Megumi was his friend once, someone really important to him. They drank together, worked together, spent a lot of time together. So he had another's blood on his hands and the whole death game on his head.
He isn't trusting anyone because he knows he himself has something to hide. But he suppresses all the emotions and hides behind humor and fake flirting. He lies about being a policeman because he thinks that would be the way for others to not think he did anything horrible.
He doesn't feel like someone who can do anything about his situation, let alone theirs all. It is easier to give responsibility to another person, even if she is only 17 years old.
He acts how he believes is the best. He acts without telling the person that is supposed to trust him the most his plans. For the best or for the worst.
The death game isn't really a good supplement for therapy.
SARA Sara is very strong-minded, very befitting for a leader. She is our main character, so it is obvious a lot will revolve around her. But even this is too much. There is just so much on her shoulders.
She is only in high school but she almost died a few times (and she did, probably, as we are the players, so the GAME OVER screen isn't strange for us) in a very short time. She got people she can trust and those that hate her and make her life harder. She became a leader for all of them and they look up to her.
"Are you going to be our goddess of victory... or our angel of death?”
A lot of pressure is put on her. She will be the reason everyone will survive or die. Isn't that comforting, Keiji?
But okay, some may say that she is a born leader anyway, but she holds onto Keiji really hard. He is her anchor after Joe. It is also a way to destroy her if she will ever lose him. Because while Sara is she's extremely competent, she makes mistakes. But we know she will always get up.
Sara is also even more interesting, because we know her rate of survival is 15.5% (and the % of our participants is really curious in itself and deserves its own post). We saw a lot of faces of Sara thanks to simulations. She could be merciless, manipulative and ready to do anything to survive. She is obsessed and selfish, not caring for anyone else, just herself.
And we can't blame her, she wants to live. When we are desperate, we do things that aren't good. Those horrible situations, life-threatening ones, make us different people.
Have you ever heard about the Johari Window?
The Johari Window is a quadrant diagram that is used to show how we know ourselves and how others perceive us. It can be a tool to understand ourselves—how we behave, our character traits, skills, attitudes, knowledge and reactions.
Like the name suggests, there are four parts to this model.
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Open Part - there are things that are known to you and others. If you know you are shy and you act shy towards other people, all of you know that you are shy. We know Nao is an artist. She knows that and tells others she went to study art. She was completely Open with that.
Hidden Part - is when there are aspects only known to you. You keep them hidden from others so others won't know those things about you. For example, you can be very opinionated, but you don't show it to others. Then they can't know that your opinions may be different than theirs because they can't hear your thoughts.
Blind Spot - it is the complete opposite of the previous part. There are things that others know about you, but you are not aware of them. Kanna is really clever. She figured out the password to Kai's laptop when Shin had a problem with it and she knew that Shin tampered with her sister's message. But she still thinks of herself as not smart (she says that in chapter 2 part 2).
Unknown Part - this one is really interesting, because about this part neither you nor others know about yet. Mostly it stays a secret, but sometimes, where there is a really unpredictable situation that can, for example be life-threatening, that Part may come to light.
We never can know how we will behave during those situations that we never lived through. We don't know if we will fight, flight, freeze, flop or fawn.
Q-taro and Sara are perfect examples of the Unknown Part of the Johari Window.
Q-taro's high level of stress pushed him to do some horrible things. When he had to actively choose if it was him or Gin that would die, he didn't do anything. He let Gin get hit because he was afraid to die, even if the poison would work slower on him. Some shame him for this, but if we were in his place, would we do differently? Click a button that could kill us. We don't know and we hopefully won't.
We may say we would do or not do some things, but until the situation happens to us, we won't be sure.
Similar with Sara and her behavior. All the things she did, all the thoughts, emotions, relationships and ways of doing things we see are a result of some really important factor. She changes after the logic route, why?
Because of Joe. He is her tranquilizer, her anchor, her morality. He was the person that made Sara care during the death game.
Her whole behavior switched only because of one person.
When we pick Kanna to live, Sara is how we know her. Compassionate, strong, mature. But when Shin lives, Joe dies again, but this time in her memories. It makes the situation similar to those in simulations.
Even Sara is terrified by what she is doing.
SHIN (+ Midori)
And that's why Shin is so suspicious of Sara all the time! But let's start at the beginning with him.
Shin is, like every character in YTTD, a very complex character. We know him as an annoying, scary and cruel man for most of the game. Some of us hate him still and some took him as their favorite.
What he did and his reasons aren't forgettable. But it is nice to see a reason behind his behavior.
Midori is sadistic and really cruel. He torments others for his own amusement and loves to watch them break. He loves to make others be afraid of him—and that's why he always tries to be intimidating by holding eye contact and saying unsettling things. He is mean and childish, but he also is really good at reading people. He uses that for his own use, to push the limits of others, control them and let them fall in desperation.
Shin spent a lot of time with Midori. He was his only friend in school and he was so scared of him. Midori did everything to make Shin uncomfortable, but also unable to leave him.
But thanks to that, he knows a lot about him. Shin knows Midori loves control, so taking it away from him is lethal. He knows that Midori is so afraid of death (even if Midori thinks nobody will ever kill him), he is a coward that cares only about himself.
When Shin gives Sara advice, it is so ironic. He tells Sara she should act how he acts towards her. To try to intimidate Midori, make him scared, take away his control.
The advice is important, because only thanks to that can we see how Shin sees Sara and his situation.
Sara is so similar to Midori. Shin can see in her all those cruel acts that never happened. She is in so much control because she is the leader and makes a lot of final decisions. She can be so intimidating. She has sometimes emotional outbursts (that are entirely justified). Additionally, she has a really high % of survival that automatically makes her the most dangerous enemy.
Of course Sara isn't like Midori. Their reasons are different and Sara is genuinely a really good person. But Shin has problems with distinguishing them.
Shin definitely got traumatized during his "friendship time" with Midori. It affected him so much, he is searching for danger in anything remotly similar to what he already knows. His defence mechanism and heuristic try to save him, but it does more harm than good.
He got hurt by someone close to him, so he is extra careful. He doesn't want to be too close to people, prefers to be distant and mean. He prefers to act as someone he hates and is scared of, why?
Because he is afraid. In his own eyes, he is weak and easy to get rid of if he is useless. He thinks the way to survive is to act as the only person that made him feel the worst.
Intimidation, cruelty, cunning, manipulation, lies. Those are the keys to survival in the world where it is kill or be killed. If he is those things, he may live longer than if he were himself.
But as we know, Shin also isn't like Midori. He cares—for Kanna, Gin, even for Keiji and Sara. And he wants them all to escape, despite everything. But going back to old Shin isn't an option anymore. Too much has happened.
Fear is infinitely connected with anger. Anger makes people mean and impulsive. That's why after Kanna's death, he made the worst Joe experience for Sara. That's why he was so mean to Kanna when it turned out that she isn't the Sacrifice and is ready to die for him.
That's why he hates Sara. He is so, so afraid it hurts.
He wants to destroy any possibility that could hurt him and the only way, in his opinion, for that to happen is to hit first. And that's how they should fight with Midori.
Fight fire with fire.
But if anyone knows how extinguishing fire with fire works, then they know that at the end both fire dies and the forest will still be burnt. There will always be victims, no matter if they are main or side characters.
Fire destroys. Midori is so widespread that he can't be stopped by using only water. Sara is a small fire that Shin wants to nip in the bud before it is greater than the forest itself.
But we are heading towards the end slowly. There are fewer and fewer people. Relations will always be strained but also deeper, on another level. Let's see how they will act in the final chapter!
THE END
Finally, I just want to say: there always will be choices to choose, decisions to decide and fires to fight. We can hate, love or like anyone for any reason, but it is important to understand the other person.
Sometimes life is so unpredictable. We won't know what will happen and what we will do. We don't know ourselves as well as we think we do.
But let's be kind to ourselves and others. We don't know what they went through and what will happen to us.
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ask-vocalandroid-miku · 2 years ago
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Hello! It's very nice to meet you-- Oh. How odd. I don't really feel like myself...
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HM: "What's going on...? I feel kinda different...what is this?"
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thegaybiochemist · 2 months ago
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God dammit atlus you've done it again I feel distinct emotions from a video game
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safekeeperscosm · 2 years ago
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he'll be less insistent once he sees her in action :)
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cyncerity · 10 months ago
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i’m just gonna say this: no one does character design like the Foolish Gamers fanartists. Like holy shit. It looks so good every time what are they feeding y’all.
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adhbombus · 1 year ago
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I love the running gag that’s Norm just does some crazy shit and then Doof is like a “damn really? I gotta read that instruction manual “and norms like “Yes you should.:)”
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