#( BLESS/ED/ )

[auchrauch]

Yin Yu's fever Butterfly Dream is looking great

[soapbubbles511]

Stede: Is this alright? 🥺👉👈

Ed: 🥹🫠🫠

[idontmindifuforgetme]

Tomorrow I’m going on a 7-day long hunger strike. I’m doing this in solidarity with the starving Palestinians in Gaza, who’ve been enduring horrendous conditions for more than half a year now—so much so that the IPC projects 1,701,000 Gazans, essentially half of the entire Gazan population, to be in IPC 5 (catastrophe/famine) by July 2024.

I’ve raised 420 dollars to Anera to corroborate each day of my hunger strike; still, if you have anything to spare, please consider donating more to their cause. Anera is one of very few humanitarian aid organizations that have managed to contend with Israeli’s constant aggression, their strikes on aid trucks and their purposefully shutting down the borders through which aid passes, to bring food and medical supplies to a still rising number of displaced malnourished, wounded Gazans. Anything is something, even if you may think a few dollars won’t make a difference.

I’ll also be cold quitting social media for the time I’m on hunger strike. Any posts from May 1 through May 8 will be queued. Thank you for donating to my hunger strike 🤍 it means a lot

[calciferstims]

senshi stimboard

if you’re seeing this, then senshi wants you to take care of yourself and go eat some food <3

sources: 🧡🧡🤎 | 🥘🍲🥘 | 🤎🧡🧡

[rottenaero]

AO3

Part 1

Part 3

Part 5

Part four of roommates idea

The officer clicked his pen again, signaling he took to long to answer. Steve faced him again, “Sorry I- Shit. Eddie he wasn't- he wouldn't do this shit. He's afraid of fucking dogs. Not even the real big ones either, he definitely wouldn't kill someone. He cries when he watches Bambi and gore freaks him out.”

“Are you sure?”

“Yes! I'm absolutely-fucking-positive! He looks all tough and shit but he's not, he's just scared. Fuck that sounds- so bad but- God why don't you believe me and Wayne?”

The officer sighs, ”Eddie sold drugs, did drugs, it's entirely possible he had to many and did something…Not entirely in his regular character.”

Steve bit his lip, “He wouldn’t.”

-

Steve sat in the family video, he's been distant since the shift started and Robin couldn’t understand why.

That was, until the TV showed the news of a Hawkins student dying. Did he somehow know?

Not much later, Max and Dustin came in yelling about phones, and were quick to start using them.

Steve didn’t even seem shocked when they talked about Eddie being accused. When they finally got a lead about a ‘Reefer Rick’, his eyes lit up.

“I know where he is.”

-

“Hello?”

Steve looked around the boathouse, “What a dump.”

His eyes landed on tarp covering a boat, “Eddie?"

“Eddie, are you here?"

Now, Steve wasn't an expert, but that tarp looked a lot like it just moved, and if it wasn’t Eddie then-

He grabbed an oar that was leaning against the wall, and began poking it.

“What are you doing?”

“It moved.”

“So take the tarp off!”

Steve gave Dustin an incredulous look.

“If you're so brave, why don’t you take the tarp off!”

It was silent for a moment, then-

“…Steve?”

The man in question let out a relieved sigh, and smiled. “Eds!”

Steve drops the oar, a resounding clatter banging off the walls as he flings the tarp off the boat.

And there he is, Eddie Munson in all his glory, sitting in a fetal position and clutching a broken bottle to his chest like a lifeline.

As soon as he seemed to see Steve, he quickly threw the bottle to the side and stands up to step out the boat.

“Steve, thank fuck.”

Eddie engulfs him in a hug, pressing his face into his neck.

Steve bites his lip, “Hey, hey its okay.”

Steve slid them down carefully, positioning his back against a column. It was a bit awkward, with them being similar height, but he made it work.

“She- I didn’t kill her! I don’t, she started fucking floating. Then her limbs snapped, god Stevie, please you gotta believe me.”

He looked over to the party, Robin’s eyebrows were pinched, Max was darting her eyes between the two, and Dustin looked like he was about to say something.

Finally, he gathered the courage. “ Eddie, we believe you. What you saw, it’s been happening for years. Well, not this particularly but the supernatural.”

Eddie peeked his head out, “ What do you mean?”

Dustin crouches down awkwardly, hands together. “Theres another world. Its kind of like this one, but its terrifying. There are things there. Its called the upside down. We’ve been fighting it since 1983 when Will went missing.“

Steve feels him tense. “ ‘We?’ ‘Fighting?’, How do you fight an invisible force?”

“Demogorgons, demodogs, government people, russians. We’ve had to face them for years. Steve and I were there in 1983, Max in 1984, and Robin just joined in last year with the Russians and the mall.”

Eddie’s eyes widened, and he turned his head slightly to face Steve. “ Is that why you were so beat up last year?”

Steve shrugged, “ Yeah. Pretty much.”

Eddie burrowed his head into his neck again. “ Jesus H. Christ.”

“Look, we’re here to help you Eds, that murder in the trailer? They were asking me questions, they think its you. Wouldn’t let up on the idea no matter how much I insisted it wasn’t.”

Eddie looked at Steve with a mix of fear and gratitude, “What do we do? Can’t exactly waltz up and tell them it’s supernatural.”

Steve hummed, “We need to figure out what happened to that Chrissy, and clear your name.”

Max stepped forward, “We’ll help you, Eddie. We’ve faced worse than this.”

Eddie nodded, “Okay. Shit, we’re really doing this..”

Robin glanced around, “Not to interrupt or anything, but maybe we should do the whole story? Like, you guys didn’t even mention the super power girl, and shes like major isn’t she?”

The long haired metalhead nodded, giving Steve a squeeze before letting go and standing.

He turned to face Robin a grimace on his face, “ Right, yeah, full story. Super power girl, sure.”

Steve patted his shoulder, when did he even get up, and after a second, bumped him with his hip.

“Buckle up, Eds. This is gonna take a while.”

Tag-list

@bxlthazar @i-have-three-feelings

[hualian]

Heaven Official’s Blessing donghua season 2 ending theme song art 🦋

[ilovepannacotta]

This comic page is based in "Reliable Conclusion" by @kattythingz

Yessss, it is another collab with my wonderful friend and amazing writer!! Go and read her fic, i love every part of it!!

[goatyuuji]

every day we get closer to 27th december

[fisheito]

everyone gets a turn in the ridiculous skintight edmondsuit. or at least, .everyone SHOULD

[vinzulu]

[moeblob]

Would you believe me if I said I rewatched s1 of a silly isekai anime but refuse to watch s2? (it's true btw, you should believe it, I watched s1 three times now)

[cuddlytogas]

there was some Twitter madness recently where someone left a comment on someone's art to the effect of, "Ed shouldn't wear a dress, he's a man!" which I do disagree with on principle, but unfortunately, it brought out one of my least favourite trends in the fandom

so, naturally, I had to write a twitter essay about it. and I already largely argued this in a post here, but the thread is clearer and better structured, so I thought I'd cross-post for those not on the Hellsite (derogatory). edited for formatting/structure's sake, since I no longer have to keep to tweet lengths, and incorporating a couple of points other people brought up in the replies

so

I want to point out that the wedding cake toppers in OFMD s2 aren't evidence that Ed wants to wear dresses. Gender is fake, men can wear skirts, play with these dolls how you like, but it's not canon, and that scene especially Doesn't Mean That.

People cite it often: 'He put himself in a dress by painting the bride as himself! It's what he wants!' But that fundamentally misunderstands the scene, and the series' framing of weddings as a whole. I'd argue that Ed paints the figure not from desire, but from self-hatred; it's not what he wants, but what he thinks he should, and has failed to, be.

(Yes, I am slightly biased by my rampant anti-marriage opinions, but bear with me here, because it is relevant to the interpretation of the scene, and season two as a whole.)

The show is not subtle. It keeps telling us that the institution of marriage is a prison that suffocates everyone involved. Ed's parents' cycle of abuse is passed to their son in both the violence he witnesses then enacts on his father, and the self-repression his mother teaches, despite her good intentions ("It's not up to us, is it? It's up to God. ... We're just not those kind of people. We never will be."). Stede and Mary are both oppressed by their arranged marriage, with 1x04 blunty titled Discomfort in a Married State. The Barbados widows revel in their freedom ("We're alive. They're dead. Now is your time").

But even without this context, the particular wedding crashed in 2x01 is COMICALLY evil. The scene is introduced with this speech from the priest:

"The natural condition of humanity is base and vile. It is the obligation of people of standing ... to elevate the common human rabble through the sacred transaction of matrimony."

It's upper class, all-white, and religiously sanctioned. "Vile natural conditions" include queerness, sexual freedom, and family structures outside the cisheteropatriarchal capitalist unit. "The obligation of people of standing" invokes ideas like the white man's burden, innate class hierarchy, religious missions, and conversion therapy. Matrimony is presented as both "sacred" (endorsed by the ruling religious body), and a "transaction" (business performed to transfer property and people-as-property, regardless of their desires), a tool of the oppressive society that pirates escape and destroy. That is where the figurines come from.

When Ed, in a drunk, depressive spiral, paints himself onto the bride, he's not yearning for a pretty dress. He's sort of yearning for a wedding, but that's not framed as positive. What he's doing is projecting himself into an 'ideal' image of marriage because he believes that: a) that's what Stede (and everyone) wants; b) he can never live up to that ideal because he's unlovable and broken (brown, queer, lower-class, violent, abused, etc); c) that's why Stede left. He tries to make himself fit into the social ideal by painting himself onto the closest match - long-haired, partner to Stede/groom, but a demure, white woman, a frozen, porcelain miniature - because, if he could just shrink himself down and squeeze into that box, maybe Stede would love him and he'd live happily ever after. But he can't. So he won't.

The fantasy fails: Ed is morose, turns away from the figurines, then tips them into the sea, a lost cause. He knows he won't ever fulfil that bride's role, but he sees that as a failure in himself, not the role. It's not just that "Stede left, so Ed will never have a dream wedding and might as well die." Stede left when Ed was honest and vulnerable, "proving" what his trauma and depression tell him: there's one image of love (of personhood), and he'll never live up to it because he's fundamentally deficient. So he might as well die.

This hit me from my very first viewing. The scene is devastating, because Ed is wrong, and we know it! He doesn't need to change or reduce himself to fit an image and be accepted (as, eg, Izzy demanded). Stede knows and loves him exactly as he is; it's the main thread and theme of season two!

(@/everyonegetcake suggested that Ed's yearning in these scenes includes his broader desire for the vulnerability and safety Stede offered, literalised through unattainable "fine" things like the status of gentleman in s1, or the figurine's blue dress. I'd argue, though, that these scenes don't incorporate this beyond a general knowledge of Ed's character. Ed is always pining for both literal and emotional softness, but the significance of the figurines specifically, to both Ed and the audience, is poisoned by their origin and context: there is no positive fantasy in the bride figure, only Ed's perceived deficiency.

Further, assuming that a desire for vulnerability necessarily corresponds with an explicit desire for femininity, dresses, etc, kind of contradicts the major themes of the show. OFMD asserts that there is nothing wrong with men assuming femininity (through drag, self-care, nurturing, emotional vulnerability, etc), but also that many of these traits are, in fact, genderless, and should be available to men without affecting their perceived or actual masculinity. It thematically invokes the potential for cross-gender expression in Ed's desires, especially through the transgender echoes in his relieved disposal, then comfortable reincorporation, of the Blackbeard leathers/identity. It's a rich, valuable area of analysis and exploration. But it remains a suggestion, not a canon or on-screen trait.)

Importantly, the groom figure doesn't fit Stede, either. Not just in dress: it's stiff and formal, and marriage nearly killed him. He's shabbier now, yes, but also shedding his privilege and property, embracing his queerness, and trying to take responsibility for his community. In a s1 flashback, Stede hesitantly says, "I thought that, when I did marry, it could be for love," but he would never find love in marriage. Not just because he's gay, but because marriage in OFMD is an oppressive, transactional institution that precludes love altogether. All formal marriages in OFMD are loveless.

So, he becomes a pirate, where they reject society altogether and have matelotages instead. Lucius and Pete's "mateys" ceremony is shot and framed not like a wedding, but as an honest, personal bond, willingly conducted in community (in a circle; no presiding authority, procession, or transaction).

That is how Stede and Ed can find love, companionship, and happiness: by rejecting those figurines and their oppressive exchange of property, overseen by a church that enables colonialism and abuse. Ed is loved, and deserves happiness, as he is, no paint or projection required.

ALL OF THIS IS TO SAY: draw Ed in dresses! Write him getting gender euphoria in skirts! Write trans/nb Ed, draw men being feminine! Gender is fake, the show invites exploration, that's what 'transformative works' means! But please, stop citing the cake toppers as evidence it's canon. Stop citing a scene where a depressed Māori man gets drunk and projects himself onto a rich, white, silent bride because he thinks he's innately unlovable and only people like her can find happiness, shortly before deciding to kill himself, as canon evidence it's what he wants.

(Also, please don't come in here with "lmao we're just having fun," I know, I get it. Unfortunately, I'm an academiapilled researchmaxxer, and some of youse need to remember that the word "canon" has meaning. NOW GO HAVE FUN PUTTING THAT MAN IN A PRETTY DRESS!! 💖💖)

[ross-nekochan]

Stasera sono appena stata alla festa di fine anno aziendale con i nostri partner aziendali.

C'era anche una lotteria e in palio c'erano premi di vario tipo: voli in business class per mete caraibiche o USA, voli nazionali, elettrodomestici, una fornitura di carta igienica per 1 anno (quanto so simpy sti giappi eh?!?!), 12 tipi di ramen istantaneo coreano ecc.

Primo premio: 2 biglietti aerei A/R per la Micronesia in business class.

Pescano il biglietto... "chi sarà mai il vincitore di questo premio?????

....

...

...

ROSSELLAAAAAAA"

😱😳🥴🤯

[maturemenoftvandfilms]

Clipped (TV Mini Series) S1/E2 'A Blessing and a Curse' (2024) - Ed O'Neill

[crimson-and-clover-1717]

107 is key to shining a light on Ed’s psyche. He cannot cope with the treasure hunt. Ed’s attitude isn’t simply due to his hatred of the unpredictability of nature, or going against a carefully-curated persona. His psychology doesn’t understand the lack of measurable endgame, and it’s compounding his stress further. People who have known true hunger don’t waste time and energy wandering the earth with fake maps searching for pretend treasures.

Ed only starts to relax properly when he believes he’s found the day’s ‘angle’. And of course it involves both food and a money-making idea. Whilst eating the snake, Ed begins freestyling about becoming a chef in his own restaurant. I’ve mentioned previously how Ed’s traumatic past causes him to want to place extrinsic value on things. He can’t simply enjoy eating the snake. It’s how could I make money from this? It grows in the moment, and allows Ed the comfort of giving the day purpose, thinking up a future idea outside of piracy, and around food.

Of course, Ed later learns there was an angle to the day after all: him

[unadulteratedkr]

Ed teach tummy in your inbox cause it makes everyone feel better 😌

me rn, feverish in bed, picturing myself faceplanting in ed teach's tummy