#'tell me what you think about thing I made does it make sense does it need anything else' haha okay well. this is a saw trap for me

[in-amor-veritas]

Hii! Perhaps 17 and wilmon?

Eeeee Thank youuuu!!!! 💕

You got

Girlfriend: Omar Rudberg 😅

cheating/university (Wille is crown prince) au oops

More below nsfw🌶️

When Wilhelm had been invited by his classmate over to study this hadn’t been his intention.

No. He had definitely not been expecting to end up like this, a hand tangled in Simon’s curls, trying to suppress the sounds coming from the back of his throat as the other man kneeled between his legs with Wilhelms cock in his mouth.

But here they are.

And okay, maybe he had made it far too obvious that he found Simon completely distracting and alluring, judging by the teasing lilt in his voice when he agreed and the flash of satisfaction in his eyes when Wilhelm had asked.

And okay, this isn’t exactly the first time this has happened.

Actually it’s happened a few times now over the past month.

They’d met in a shared philosophy class and Simon had been quick to challenge him every time he answered a question or shared an opinion. Wilhelm was convinced Simon took immense pleasure in putting him on the spot considering his title and the whole royal of it all which Simon had been quick to disparage from day one.

And fuck Wilhelm thought it was hot. He had never been challenged by anyone before Simon, at least not so publicly with so many eyes on him.

Simon was something delicious and forbidden, hanging just out of reach like original sin.

But maybe not so out of reach.

It hadn’t taken long at all for them to give into the strange, electrifying tension between them. It shouldn’t make sense, it shouldn’t turn him on this much but when Simon had cornered him, pinned him against the wall and looked him over with a sirens smile and bright eyes and said — no one has to know — well Wilhelm had folded instantaneously.

Simon does this thing with his tongue that makes Wilhelms toes curl. He knows exactly how to draw every desperate cry and stifled moan out of Wilhelms lips. The slick heat of his mouth and pressure of his tongue has Wilhelm seeing stars as he feels himself getting closer and closer to oblivion.

It’s just the two of them in this room, well Malin is stationed outside but she doesn’t count. It’s just the oppressive heat and lack of air and Simon’s lips and the filthy noises they make on his cock.

And then he pulls back and Wilhelm falls forward, following the loss of sensation, gasping, “What—“

“Look at me.” Simon demands and he does, he has to.

Simon is a debauched vision there on the floor, on his knees looking up at him. His lips are pink and swollen and glistening wet and his hair is a mess from where Wilhelms fingers have been twisted into the dark curls.

“Simon—“ he groans, letting his hand take him by the jaw, tilting his face up to stare in awe at him, his fine features, thick curls, dark eyes hooded in pleasure, “You’re so…”

A flash of satisfaction blooms in those eyes as he speaks, Simon leans into his hand which is now cupping his face. “What? Tell me.”

“You’re so fucking beautiful.” Wilhelm murmurs, biting his lip as everything in him feels too tight, too sensitive, too hungry.

Simon smirks and rises from the floor, Wilhelm can’t draw his eyes from the planes of skin, seemingly endless and burnished gold in the lamplight. He crawls into his lap and Wilhelm holds him there.

“Am I taking good care of you?” Simon teases and he nods burying his nose into the other mans neck, dragging in a long deep inhale.

“Yes.” He chokes,

“Better than her?”

And for a moment Wilhelm feels guilt, white hot and lancing as he thinks about Karolina, his girlfriend who is out with friends tonight, who has no idea what he’s doing.

No their relationship isn’t perfect, yes they fight a lot, yes he might be forcing himself to be with her because she’s everything his mother and the court wants him to be with. But fuck—he’s been lying to her all this time.

The thought is gone as quickly as it comes however when Simon rocks their hips together, their cocks grinding together. It’s pulled from his mind and vaporizes into nothingness as his synapses fire and his vision is only Simon Simon Simon.

“Tell me the truth and I’ll let you fuck me again. Just like this.” Simon whispers into his ears, sending shivers rippling through him.

“Better.” His voice is strangled.

Nothing is better than this.

[oli-ribbun-ver]

EP 4 RAMBLE PART 3 FINAL!!

(ft the other episodes! but mainly ep 4!)

okay actually i think this is more of a gangle ramble now but thats fine

part 1

part 2

CONTINUATION OF THE GANGLE PEOPLE-PLEASER PART OF THE RAMBLE FROM PART 2!

lets see... where did i leave off... RIGHT!!

There are a lot of parts in ALL episodes where she doesn't want to cause problems for people. Which is typically normal for everyone, HOWEVER. Her idea of 'causing problems' is her opening up to people about how she truly feels, or even voicing her feelings in general if they're about someone.

I've already gone over the Pomni conversation and the bit where she has a mini breakdown, and I said I'd include even more of the other episodes in this, so! Let's begin at Ep 1!

Let's talk about what I've observed in episode one.

YES THIS IS IMPORTANT.

Notice how it's emphasized she says it quietly? (I know it's for comedic effect, but EVERYTHING seems to be important for every character, like how the darkness from the bucket on Kinger's head in Ep 2 helped him remember something about Ragatha before immediately forgetting it and then the reason he only remembers things in the darkness is explained! Seems like a minor detail that means nothing, turns out to be HUGE.

She doesn't want to cause a problem. In this case, the 'problem' would be her fully interrupting the conversation because she's worried about her friend. In the mind of a people pleaser, even if it helps someone out, you feel a sense of pressure on you when mentioning someone needs help to others, because "What if I cause a problem or make them mad? I don't wanna do that!", those thoughts are pretty normal, ESPECIALLY for people-pleasers.

"Wait, what about Zooble?" Is said so quietly, you can barely hear it. She either doesn't want her voice to be heard, or she DOES but is too scared to say it more loudly because of some version of the thoughts I described.

not as important but I'd like to note how she literally says NOTHING. like. nothing. i just think its kinda funny but also she just. doesnt give her opinion at all? she wasnt even asked if she wanted to go with them to check on kaufmo they just dgaf about her 😭

ANYWAY

This is the only time she gives her opinion and its not even an opinion HELP

Also I'm trying to save space so I don't have to make a part 4 so shortly into this, since I know I'll have to make one anyway, but I wanna mention how she hides behind her broken mask to protect herself after he screams which kinda hits different now that we know more about her mask.

But anyway, I'll make a seperate little portion of this ramble for that!

I'd like to mention too, anytime she is shoved, has something mean said to her, or has her comedy mask broken, she doesn't complain or say anything about it except for maybe an "ow". I find that interesting, because I think the reason for this is that she doesn't want anyone worrying about her. AKA, she doesn't want to cause a 'problem'.

She wants to please. One does not please by being a 'problem', right? That's probably how she thinks, anyway.

When Jax tells her to do something she doesn't want to do, whether he pressured her like that or not, it wouldn't have made a difference, because she can't bring herself to say 'no.'

In my opinion, from what it sounds like when she says "I don't think we—" she probably would've ended up saying yes regardless. Hell, if he'd just followed it up with "do it," I don't see a world in which she wouldn't, although she'd probably be more hesitant.

also why does his back bend like that he looks like hes gonna become an old man any second now HELP 😭

Also, when Jax threatens her by saying "Do it, or I'll tell Ragatha about the figurine thing," I think that really does something to her.

Every time she's either built up the confidence to say no, or someone has tried to help her say no, she's kicked down in one way or another INSTANTLY.

Episode 4 did not help with that. I believe in the next few episodes, she will not be better about saying no. She might even be worse off, knowing Ragatha thinks her being happy is annoying.

People-pleasers are in different worlds. Being the type of people-pleaser Gangle is, it's an entirely different world from others. It carries a lot of what I can only describe as delusion to it.

If Pomni had not stepped up when Gangle thought she was alone after work hours, Gangle would have abstracted. I am a firm believer in that. She was breaking. Losing her mind.

Gangle tells herself to stop trying to achieve her dream while breaking down over the fact her efforts to achieve her dream might not be enough.

So let's go there, and get a

Closer look at Gangle's mental state.

(and why she's most likely the least unwell character)

Gangle is mentally ill. Everyone knows that already, but to what extent?

I'm not sure if we'll ever know.

But what we do know is this.

More likely than not, Gangle almost abstracted in Ep 4. And out of everyone who has EVER vented so far, Gangle has shared relatively nothing. Even after the Spudsy's adventure, what we've seen so far is her never mentioning her feelings except that she feels like she messed everything up.

Gangle doesn't know how to help herself. Zooble can make her feel better, but not for long, because Gangle doesn't think she can get better.

When she was about to vent to Pomni, she stopped as soon as she felt like her feelings were REALLY about to come loose, put her new happy mask back on, said she had no time to talk about her feelings, and fled.

What I think is that Gangle thinks everyone is more important than her, so when she FINALLY got to be important she was happy. Really, truly happy.

The worst thing you can do is make someone think they're not wanted or loved.

Something that makes me sad is that Gangle does not feel wanted or loved.

Gangle was almost gone in Episode 4.

We almost lost Gangle. Had Gangle abstracted, she'd die without ever feeling like people cared about her.

For all we know, she could be the first person to abstract after Kaufmo.

I personally believe that.

The end of Episode 4 was a su¡cide attempt. (is that word allowed? im not sure..l ill censor it anyway)

I saw someone say this in the comment section of either the episode itself or a reaction video, and I completely agree.

They say before people commit su¡cide, they have a sudden boost of joy. Everything will be over soon. Why not enjoy that fact?

I think it was a subconscious su¡cide, at the very least.

She was happy. For the first time without a happy mask to hide how she feels deep down, she was happy.

She had a sudden boost of happiness, and then stepped backwards into oncoming traffic. When someone experiences a near-death situation by their own hand, there's a moment of regret before they are gone. I've experienced it myself, and it is horrid. That feeling is one I will never be able to forget. Even if I never so much as blacked out, I felt faint, and I will NEVER forget that fear, that horror, dread, regret.

The shock. Wondering if it was truly me who did it.

And I think. That is what Gangle experienced.

And then, that feeling was brushed off by Caine, whether she knew he doesn't understand the feeling of wanting to disappear or not, she was quick to blame herself for it all. Both about her performance to Caine, and alone, to nobody but herself.

"I guess I just... cracked under the pressure I suppose."

And maybe, just maybe.

That crack will never heal.

Thank you for listening and reading my ramble, everyone!! I appreciate it more than you know!

Bye bye for now, friends! Have a lovely day!

[isatartdump]

How does zobie siffrin get infected. Is there a story/character reason like the eye?

Also,,, if the zombies don't rot, how can you tell who is and isn't a zombie? Do they move differently due to the brain being rewired? Do they just look sick? OR. Do they look too healthy considering the situation...

About how siffaroni got infected I imagined it being a mix of them being super tired after going through the house on their own and protecting someone else. I think it would make sense.

It's like what made him lose his eye, you know? That bit of them that would throw themselves infront of everyone. Being faster makes it easier and the adrenaline and tiredness hides the starting symptoms that already involve... Being tired and sick.

This wont change ^. The rest may change a bit or a lot depending on what feels/reads better, honestly...

I've been thinking on what would be better? I don't think they should rot as it would be agaisnt King's wishes but then they'd probably look like they're sleep walking in a bit of an extreme, you know? The infected are healthy- and stuck in time, which means they don't grow old, feel hunger, pain, etc etc- but they're still able to "infect" others. They look like really, REALLY tired sleepwalkers so. Sometimes they're... Almost being themselves. Almost. So eager to welcome loved ones but being rewired to work like a zombie (prioritize infection and ETC) they'd be violent. Loving someone so much your bear hug may break some ribs- It won't matter once you're "frozen" since you don't feel pain anymore but. Maybe it isn't good on the long term.

Maybe I need to re-rethink that. But the heavyness of losing someone that is, roughly, still there is what is the most interesting thing to me on zombie stuff so i'd focus a lot on that.

They're not losing siffrin (or anyone else that has already been turned) but if they can't find a cure they're never having the actual Siffrin back

[radicalrascals]

Nick shakes his head slowly, the slight frown yielding a smile. "You don't have to tell me, because I know. You show me every day." He takes a deep breath, trying to replay the scene in his head. It doesn't make sense and yet it does. A little uncomfortably so, but eventually he chuckles, if purely to express his disbelief, not because the two people he loved acting like assholes was suddenly funny to him.

"I'm pretty sure Rafa didn't want you to defend yourself either." He quickly raises his hand as to stop Hari from adding his tuppence, because one thing Nick needs to make clear: "It wasn't fair. He has no right to test you. And while I think it's..." he swallows any and all negative adjectives that come to mind and just shakes his head for a place holder instead, "It probably made sense in Rafa's weird brain and he didn't mean ill, even if he was being exceptionally... provocative..." The last word is almost whispered. Realisation hits and Nick bites his lower lip, frown back in place. "I know you wanted to leave and I'm not going to stop you, if you still want to. But if you're still here when I get back, that'd be nice. I just need to...", he picks up his half-smoked rollie and wiggles it about, before he gets up and places a brief kiss on Hari's hair.

Outside, Rafael's fingernails dig into his palm but he keeps himself firmly locked in place, not giving into the desire to pace and throw his arms around in wild gestures while trying to explain himself. He has a thousand things on the tip of his tongue but he swallows them all, for they were knives rather than shields. Eventually he just settles on an almost too neutral elucidation for someone so clearly passionate and governed by emotions: "The question was if he would break Nico's heart, not if his wife would. And if someone would ask me if I would cheat on you and they would name all the women I'm friends with, my colleagues, everyone I ever dated and, yes, my ex-wife included, I would still say 'no, I would not cheat on you and I have no romantic feelings for any of these people mentioned.' This has never been an attack towards his ex-wife nor him having an ex-wife in the first place." And he looks the other way before he gives in to a 'but you keep making it into something I never said.'

Still he mutters: "And I don't hate him."

"Good. I would still love him if you did," Nick could see Rafa being taken aback by Nick's sudden appearance, so he uses the brief moment of his older brother trying to wrap his head around the new situation to walk up to him and wrap his arms around him: "Cê não precisa esconder que tá magoado."

"I'm not."

"Tisha, can you please punch my brother in the shoulder. I'd do it myself but I don't feel like driving anyone to the hospital tonight." He lets go of Rafael and lights his smoke and finally, finally gets to enjoy it. "You don't give people a chance to treat you right, Rafa, and you think I'm the same. But I actually say if something bothers me. And you know what? Hari listens. And he can accept a no. But you think you gotta save everyone and be a martyr in the process. That's hurting people too, you know?! And I bet Tisha and I could tell you for hours and days how wonderful Hari is, but I want you to go back inside and see for yourself. And this time, when you apologise, make it sound less estúpido, yeah? And can you also try to forgive him too? Tisha, did I forget something?"

“He was… he told me that if I broke your heart with anyone, my ex or whoever, there would be consequences.” Hari sighs. “And I told him that if he ever talked about the mother of my children that way again, I would punch him in the mouth.” He’s really not sure what sounds worse in hindsight, the threat or the defence. “In the moment, all I was thinking was… fuck this, she’s not here to defend herself, she’s engaged - fine, he hates me, but why is he dragging her through the mud too?” He explains, slow shake of his head like he’s chiding himself instead of relaying the information.

“I’ve always been better at defending other people than myself. But he wanted me to defend this, us, not… I could have handled it better, in a few ways. And I will apologize to him, when he and Tisha are done out there.” But something else sticks in his mind, something Nick said before he asked- “But you are the person I wanted to say all that to. About... what you mean to me. At least, the first person. It’s too important to say it in an argument, to prove something to your brother. I had to say it to you.”

Tisha chews on the inside of her cheek for a moment, trying to collect her thoughts. "No, you shouldn't have. You would have reacted just as badly if Hari brought up your ex wife, whether he was looking out for me or not. And I would be just as mad at him for implying that you'd break my heart by going back to her." Is what finally comes out, as if this reframing will make a difference. "And I would want you to defend her, if you felt her character was being questioned. Snowden… Nobody here is anybody’s first love. Singling out Hari for being divorced is hypocritical and you know that. His youngest is ten years old, his ex is going to be in his life for a while.”

I am not the first person you loved. You are not the first person I looked at with a mouthful of forevers. It’s not the time for poetry, but it flares into her mind anyway. “You two probably would have liked each other if you spent tonight getting to know each other instead of looking for reasons not to. And now Nick has to decide if he can be with someone that his big brother hates, and that fucking sucks."

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[ropebunnykant]

i fear the ending of agatha all along is once again making people confuse “i didn’t like the ending/the ending made me sad” with “that was bad writing”

[yellllowstar]

slowly I'm recovering the beauty of discovery

(creature by half•alive)

(textless + timelapse below cut)

[eeblouissant]

do you ever find a song that reminds you so violently of a favourite character that you kind of just like. freeze there once the realization hits

so anyway I found a new Dorothy song and I’ve paused everything I was doing to talk about it because. oh my god. come cry with me.

Flowers by Marina, here’re the lyrics:

obviously I’ve related this back to her marriage with/& divorce from stan, but I feel like this song really encapsulates how easy it is/has been for Dorothy to fall right back into his arms at the slightest show of affection, regardless of how far along she is in her own healing journey, and how awful she knows he is. “And it’s most tempting to give in when you hear the firin shots, when you’re steps from winning back all the happiness you lost.”

She’s very weak to emotional temptation, it’s one of her biggest character flaws. It doesn’t take much to convince her to do something she has already been yearning for even slightly. (I could connect this back to her recovering gambling addiction on so many different levels but thats another post entirely, and kind of self explanatory) ie: the episode stan takes a wife, where he shows affection for Sophia in crisis, keeps dorothy company, and now - regardless of the fact that she’s about to ruin a planned wedding and that, stan is stan - dorothy is determined to take stan back and completely convinced that he wants her back, too. We see dorothy in a similar situation with stan in season one also, to a little bit of a lesser extent. There are so many big and small examples of this that it would be impossible to name them all individually, but I think the examples involving stanley are most relevant here. oh god, not to mention the time they almost actually get married again … spare me. Eventually, everytime, when he proves once again to be the asshole that cheated & left her, she comes to her senses. But oh my god sometimes it just takes so much for her to see that someone is bad for her. “–but I would rather not, betray myself, just to keep your love at any cost”

Sophia comments on this flaw once or twice in canon too (OUCH, BTW.) and it just … dorothy is always so defensive. girl your mother is correct I fear!!!

“If you’d just bought me flowers, maybe I would have stayed”… the slightest show of affection would have kept her there with him for even longer, I’m so sure of it – thank god he stayed gone for as long as he did. Should have been forever!!!!!!! she had been slipping away from him since day one.

Do I even need to start talking about “and now my future gleams with colours bold and bright, in a home that’s filled with love and hope and a life that just feels right.” PLEASE. PLEASE… I’m so fragile …… please … I feel like this one speaks for itself. And right after a line that so perfectly describes her home life while married to stan? I’m not well oh my god this is sick

[tommygotwrittenoff]

no, no, because imagine. we get a shot of eddie looking at himself in the bathroom mirror. he touches his mustache and sighs. the next shot is someone knocking on the door of the loft. buck opens it, and it's eddie on the other side, freshly shaven and finally ready to acknowledge what buck means to him

[isekyaaa]

I'm going to say again like I know it is really dumb to feel this way, but I finally put into words why I get so annoyed when people ask me for a part 2 to one of my works. Like I explained once to people that writing is a very slow and arduous task for me, but it's more than that?

Picture you are an artist working on a painting. You spend months on it to get everything just right. You pour time and energy into getting the perfect composition, the perfect lighting, the perfect shades etc. And then finally, you finish it. After a year, you finally finished your masterpiece. And your work is a hit. People really like it. But then.... Someone comes up to you and says, "Gosh, I really love this painting! But you know what? I love it so much that I think the painting is much too small. You know what? You should add on two extra feet of canvas onto the right side of your painting. That way, you can add on more to your painting and it'll be even bigger and more enjoyable!"

To me, that's what it feels like when someone asks for a part two. Like this last fic honest to God I started on more than a year ago. Granted, I'd pick it up and put it back down, but I put a lot of work into making sure everything was as perfect as possible. It's not an amazing fic, mind you, but it still gave me a lot of trouble. But eventually I finished it into a COMPLETE work. It's a finished painting. That's the story I wanted to tell in its entirety.

I get why people want a part two. I get that the story ends to leave you wanting to know what happens next. But that's the point. That's the story I wanted to tell. It's complete. This isn't supposed to be pure romance. It's supposed to be more on the comedic side. But when people ask for a part two, it's like they're telling me that they're not satisfied with my artwork, that it's not perfect and needs more work for it to become perfect. It's like they're ignoring all the year's worth of effort I put into making sure the composition, wording, humor, etc was just right. Not only that. I should put another year's worth of work into making it truly perfect. It's insulting and exhausting.

Granted, like I said, I do understand people completely do not intend to make me feel this way. I'm not irritated with these people directly. I know it's supposed to be a compliment. But like.... Maybe it's because I'm prideful but I really can't help but be insulted. It's telling me that I didn't do a good job as a writer.

[blujayonthewing]

guy with two parents who will perceive criticisms in completely neutral statements or actions and then either dramatically wilt or viciously jump down your throat about it is psychologically incapable of offering constructive criticism even when asked, more at eleven

[the-judicial-assistants-notebook]

why didn't they just use franziska for literally all of this.

[usuallydyinginside]

"No One Mourns the Wicked" is about Glinda, not Elphaba

Okay, but hear me out. Wicked songs are so good at saying one thing and meaning something entirely different once you have more context. For instance, "I'm Not That Girl" is Elphaba singing about Glinda initially, then in Act 2 flips to Glinda singing about Elphaba. Because it turns out, Elphaba IS that girl and Glinda is not. When we meet the Wizard, he sings about how he always wanted to be a father. When you get to Act 2, you get the sad little reprise in the background music as he realizes that WHOOPS, he was one and he destroyed his only kid. "Defying Gravity" starts with "I hope you're happy" in the sarcastic sense and ends with them both using the same phrase to genuinely wish one another well.

"Thank Goodness" is set up as a cheerful engagement song where Glinda genuinely means "thank goodness for how great my life is" and ends in a place where she's insisting that she IS happy even as she realizes her engagement is a sham, her best friend is gone, and she's left with the Wizard and Madame M, who she doesn't even like.

You get the picture.

Basically, the whole musical is about subverting what you expect, starting with the base premise of "what if the Wicked Witch was the hero of the story" and digging in from there.

Honestly, I'd never paid much attention to the first song. It's a good opener, sets things up well, but it has some big competition with later songs. However, in the movie the staging and camera choices made me really notice it for the first time. Because you know what? Someone DID pay attention to that song, and you can really really tell.

For those who need a refresher, the lyrics to the chorus Glinda sings are: And Goodness knows The Wicked's lives are lonely Goodness knows The Wicked die alone It just shows when you're Wicked You're left only On your own I was always so busy noticing Glinda's grief over thinking Elphaba was genuinely dead that I failed to notice Glinda's grief over her OWN fate. The movie did such a good job with this because every time we get to the pink lines about being alone, Glinda IS alone. She is standing apart from the crowd who adores her. Standing above them. Standing at the center of a bunch of people yet still, isolated.

Because in the end, we know that Elphaba DIDN'T die alone. We know she wasn't on her own. We know her life WASN'T lonely ultimately. She had her flying monkey and animal friends. She had Fiyero.

And who does Glinda have?

Everyone, but realistically, no one. She is an ideal, not a person to most of Oz, just as much as Elphaba has become the token scapegoat. Where Elphaba is the "Wicked Witch," Glinda is "Glinda the Good Witch" - she is literally supposed to be the embodiment of goodness.

And what does Glinda have at the end of this whole thing (as of this song at least)? A disastrous end to her engagement, the death of her best friend, a sorceress who has hated her, demeaned her, and dismissed her from the start, and a con man who is also just a symbol more than a person.

I think it really hit me when Glinda throws the fire on the giant effigy of Elphaba. Ariana's acting was SO good there, because I'd expected us to see that private moment of horror or regret. What I didn't expect was the sort of determined and almost angry glare at the effigy.

But it makes sense. At this point, Glinda has realized that she lost everything and everyone she actually cared about.

As she so aptly puts it in "Thank Goodness"...

Though it is, I admit The tiniest bit Unlike I anticipated. But I couldn't be happier, Simply couldn't be happier, Well, not "simply" 'Cause getting your dreams It's strange, but it seems A little, well, complicated.

There's a kind of a sort of cost. There's a couple of things get lost. There are bridges you cross You didn't know you crossed Until you've crossed!

And if that joy, that thrill Doesn't thrill like you think it will Still-- With this perfect finale, The cheers and the ballyhoo! Who wouldn't be happier? So I couldn't be happier, Because happy is what happens When all your dreams come true.

Well, isn't it?

Happy is what happens when you're dreams come true.

It's not Elphaba's fault that Glinda has ended up this way. Glinda chose it every step of the way. Yet, if Glinda had never met Elphaba, (if she'd never known her, you could say), she might have stayed shallow and vain. She might never have been challenged to look deeper and realize how empty it all felt.

So as Glinda sings "No One Mourns the Wicked," she realizes that even if the Munchkins are singing about the "Wicked Witch," she's not.

She's singing about herself.

The one who traded her morals, friendship, and love for a taste of the admiration and power over those who don't really know her. The one who was so worried about being likable that she herself doesn't like who she's become.

Even after she makes things better for Oz and herself by sending the wizard away and getting rid of Madame M, it just leaves Glinda by herself as the leader and source of goodness in Oz. It leaves her on a pedestal she can never step off of.

It leaves her lonely.

Entirely alone.

[captain-lovelace]

People are bribing others to vote for Glenn so in the spirit of fairness, send me proof of having voted Lovelace and I will send you a picture of my guppies and/or my cat!

Sexiest Podcast Character — Scripted Champion vs Unscripted Champion

[ilibelle]

Imagine that your uniform is made up of several layers of different types of fabric and bulletproof shields. In addition to the extra fabric, you wear a mask and helmet that cover your entire face. Your costume makes it impossible to identify whether you are a woman or a man, and to top it off, you never speak. This leads people who aren't part of your squad to believe that you're just a short man who never speaks.

You work for the squad led by Colonel König. Recently, there were some situations that resulted in Kortac temporarily joining Task Force 141, two squads united to capture a terrorist.

You are not and have never been a sociable person. You don't talk to people you don't know and you always let someone else do the talking for you. As much as you are an adult woman, mature enough to make decisions on your own, you are shy. Very shy.

It's not unusual for other people to ask your teammates about you, always wondering why you don't speak up. They ask about the many layers of fabric that make up your outfit, whether you don't suffocate from the excess cloth and pockets.

And these people always refer to you in the masculine.

Always.

Soap is a bit of a curiosity when it comes to mysterious people who don't interact much with others in the room and who just stand in a quiet corner, far away from any living thing in the room. No wonder he made Ghost his best friend.

So believe me when I say that he's intrigued by you. The mysterious, masked guy in the dark corner of the room, who so far hasn't interacted with anyone since he arrived. You've caught his attention, but he won't talk to you because something inside him tells him not to come up to you out of the blue.

Something inside him tells him to take it easy this time, because that something inside him thinks that the outside of that guy should be molded slowly to reveal the inside. Does that make sense?

The first person Soap will ask about you is König, because them strangely hit it off, much to the unhappiness of Ghost, who didn't like König. Perhaps it's because he's taller and has stolen the role of being the tallest in the room from Ghost.

And also because he saw König talking to you about something, but you didn't use your voice and just nodded. Which led him to think that maybe you were mute.

Soap approached König with a smile, bringing up some other subject before starting to ask questions about you. He doesn't want to sound weird.

"Hm... You know, I keep asking myself..." Soap begins, waiting for a signal to continue.

"What is it?" König asks, crossing his arms and smiling beneath his mask.

"That guy in the corner... Why doesn't he join the others?"

"Oh." König straightens his posture and looks at you, standing in the corner of the room and staring at an interesting spot on the floor. "She's a bit shy, don't worry."

The gears turned slowly in Soap's head after this information.

"IT'S A WOMAN?!!??!!!!?"

It wasn't Soap's intention to draw the attention of everyone in the room, Including you, to him and König. But it just happened.

Hello:)) it's my first time posting something written by me and my English is terrible, but I tried my best with a translator 😞

[inkskinned]

i think probably magic is real.

the thing is that i was a teacher for a long time and sometimes i come back to this moment in the classroom where a 7 year old asked me are mermaids real? and i stared at her and had no idea how to answer.

for a really long time i just assumed that glow-in-the-dark paint/etc was a result of something made in a lab. i just recently found out that a specific mine in new jersey that just has rocks that do that naturally and it sent me for a loop about stuff.

because first of all - let's be honest, all of us: if there was going to be a naturally-occurring location for uv-activated glow-in-the-dark rocks? it would have to be in New Jersey. that's just the place that makes the most sense for that to happen. probably 10 thousand years ago cavemen were like. "oh this place is gonna be new jersey one day. this has new jersey energy."

the rocks only glow in the presence of uv light and are otherwise just normal rocks. in lord of the rings, there's a special sword that glows in the presence of orcs. it is magic, except that's a real thing that exists (and exists, as we have discussed, in new jersey, of all places). i guess maybe this implies orcs give off uv light.

yeah, okay. magic is just science. i know all the stuff about how ghosts are probably just caused by vibrating pipes. i knew about how there's a reason-for-all-of-this. but what do you mean that there's rocks that give you poison damage if you touch them. what do you mean that we live on the same planet as electric eels. what do you mean that a battery just, like - stores power?

and i don't know. in 20 years maybe they will find a mermaid but they will say something like well she's technically not a mermaid she's this other species, she has whiskers and not hair. and i will have to travel back in time and tell a 7 year old not technically, but there's something that is like a mermaid.

and she will look at me and think that what i am saying is science means magic isn't real and what i am actually saying is science is our word for why magic works. and then i will teach her about uv rocks, and new jersey. i will tell her to be a scientist, which is the same thing as being a wizard. there is probably a reason why sci-fi and fantasy are often grouped together. it is very lucky to be here, i think. if you squint, the improbability of it all - it does kind of feel like spellwork.