#'love and legacy are the sacrifices we make...'

[pidgydraws]

🩸 And Nothing Else Matters 🩸

[poorly-drawn-mdzs]

For your consideration.

(Reminder to vote in the poll)

[llycaons]

'poor heroic tragic saint jiang cheng' is actually my favorite jc misinterpretation it is just so fucking funny. I'll watch the man advocate to abandon a group of political prisoners to mass murder, constantly yell about his issues, threaten his nephew and everyone else around him, and abuse his power to intentionally trigger his traumatized brother bc he's mad at him and I go online and see posts about how he's so strong and noble and a great parent/leader despite suffering so much. LIKE

[themo-themo]

ARCANE S2 SPOILERS

"If you take this path - they will despise you. Love and legacy are the sacrifices we make for progress [...]"

"Jayce will understand."

AND HE DID!!!!! HE DIDN'T CARE WHAT VIKTOR DID TO HIMSELF HE WAS JUST OVERJOYED HE LIVED!!!! VIKTOR WAS RIGHT. BET YOU FEEL REAL STUPID, PEOPLE WHO THOUGHT JAYCE WOULD BANISH HIM FOR IT 😭😭😭

[iminmywritersdungeon]

Been thinking about Arcane and good parents v loving parents. Parents who care so so deeply but are toxic and poisonous.

Silco loves his daughter but he put a gun in her hand. He would give his life for that girl but he wouldn’t heal for her. He would burn the world to the ground but he wouldn’t plant a tree.

Vander seems cold and uncaring but he fights for those kids until his dying breath. He’s gruff and mean, he takes his kids things and he punishes them but he shows them what it means to live the way they do, what it means to be angry and to see where that anger goes.

Ambessa Medarda loves her daughter but she is a warlord, a conqueror. If her daughter fails to fit the mold then she will be conquered too. She will chisel away at the marble of her children and when the cracks become visible she will toss them out, and when golden tears bleed through the chips in the stone she will cry out “I did it for you!” And yet they are empty words. The golden sunburst of her daughter will wilt in her shadow.

Cassandra kiramman is so cold and venomous and like a disease to everything her daughter loves, but she also gets them a meeting with the council. She spreads her vulture wings over her daughter, clouding the sun, drowning her, and still dutifully feeds her when she asks oh so nicely, when she can no longer deny her.

Ximena Talis is both loving and good because she does what she needs to keep her son safe and by god does she love him. She will make the sacrifices and make the choices and make sure her son can live the life that he almost lost.

Singed is like Viktor’s father, but Viktor will be crushed underfoot if he cannot make sacrifices, love and legacy. He will tear his own body to shreds and he will look into that scarred face and he will feel his body destroy him.

And of course, there are Jinx and VI’s birth parents. We know nothing about them, not their names, who they were, whether they were cold or warm or caring or cruel. What we know is that they were on that bridge. What we know is that they wanted better.

Parenthood will rip you to shreds if you cannot handle it. It will riddle you with bullets and it will cry over your corpse are you willing to lose them, are they willing to lose you?

Is there anything so undoing as a daughter?

[ramblings-of-a-chaotic-neutral]

Ok, I don't really post here, but there's a Merlin AU idea that's been rattling around in my skull like it's a pinball machine and I need to get it out, so here we go:

Imagine an AU where Balinor doesn't die and banishes Kilgarrah before sneaking away so Uther doesn't catch him and can't put his newfound son in danger. Of course, both he and Merlin are heartbroken about having to be separated again after just finding each other, but they work out a way to keep in touch and occasionally meet in secret.

And this is all well and good, and everything in the show just kinda proceeds as normal up until about season 4, where we have the knights of the round table well-established in Camelot.

It'd make sense that after a few years of travelling around with Kilgarrah, Balinor would be pretty well-known and well-feared throughout all the five kingdoms as "that dragonlord who escaped the purge and now travels around on the back of a giant dragon", and people all over Albion are kinda terrified of the guy.

Rumors say that he never smiles, that he can kill a man in a split second without even utterring a spell, and can decimate kingdoms with the dragon under his total command. That makes for a formidable figure!

And then one day, Balinor is trying to sneak into Camelot to visit his son (he heard Merlin got hit by a dorocha and wants to make sure he's ok!), and the knights see him and freak out because holy shit that's one of the deadliest guys in Albion!

They're in a tense standoff, with Balinor threatening to call down the dragon on them if they don't let him through. The knights are all ready to give their lives to at least buy the people in the castle time to evacuate, when suddenly Merlin and Arthur make it to the standoff. Arthur immediately starts strategizing with his knights on how they're going to negociate with the sorcerer in an attempt to make sure that they aren't all slaughtered.

Meanwhile, Merlin just laughs and pushes through the rows of knights blocking Balinor's path to the castle. The knights, being very fond of Merlin and not wanting to see their kind little friend be brutally murdered by one of the most terrifying men in exsistence, are trying to grab Merlin and pull him back to safety or shouting at him to get back, but Merlin manages to avoid them as he walks up to Balinor.

For a horrifying moment, the knights and Arthur think that Merlin is about to sacrifice himself for them, but Merlin breaks into a huge grin, yells "Dad!", and runs right into Balinor's arms.

(Merlin and Balinor reason that now that Arthur's king, they might as well start easing him into some of Merlin's less shocking secrets)

And even more shockingly to the knights, Balinor hugs him back, asking Merlin all about how he's been doing, how are his studies under Gaius, etc etc.

And all of the knights just bluescreen. Because the math isn't mathing on this one. Hunith + Balinor = MERLIN?! Does not compute.

They're all pondering how could someone as joyful, friendly, and kind as Merlin be the spawn of a terrifying man like Balinor?? They just cannot comprehend it. The manservant who they all know and love came from this sorcerer who's name is synonymous with the threat of death and destruction??

They're all jolted back to reality however when Balinor asks Merlin if he wants to come back to Balinor's newly-renovated stronghold in the mountains (that's only accessable by riding a dragon) to learn more about one day becoming a dragonlord. And suddenly, the knight understand why Balinor's here. He wants to kidnap Merlin from them and twist him into a terrifying sorcerer to carry on Balinor's legacy!

It all basically dissolves into a long game of high-stakes tug-of-war between Balinor and the knights + Arthur, and Merlin's just enjoying spending time with his father and his friends.

Balinor will just casually crash one of their quests while riding Kilgarrah and "kidnap" Merlin while the knights fight to keep Merlin with them.

Balinor eventually gives Merlin Aithusa so he can get practice raising dragons, and the knights see it as some evil scheme to make Merlin betray Camelot and attack it from within, but damn it Merlin's already adopted the damn thing so now they're stuck with a baby dragon.

IDK if I'd ever write a fic about it since I'm pretty busy writing another fic rn, but I thought that it was a funny idea to throw out there!

PS: if anyone wants to read my current project, where I'm giving Sir Leon more anxiety with each chapter after a kinda-botched magic reveal on Merlin's part (and Merlin may or may not be an eldritch god), feel free to check it out here: https://archiveofourown.org/works/54027337/chapters/136771564

Thank you all for sticking with my incoherent rambling! :D I hope you have a great day/night!

Also, please let me know if you guys wants to hear more of the ideas that pinball around in my head!

[sansaorgana]

— STILL PURE

PAIRING — Na-Baron Feyd-Rautha Harkonnen x fem!Reader

SUMMARY — Feyd yells at his daughter for interrupting him at work. His wife confronts him about his behaviour as she tries to explain to the little Countess that her father was never taught how to express love.

REQUEST — (1)

AUTHOR’S NOTE — Feyd is already the Baron in this fic but I assumed women cannot inherit on Giedi Prime so the daughter is "only" a Countess while her younger brother is a Na-Baron. I used my headcanon that if half-Harkonnen children have hair, then they're white because they lack pigment. I also wanted her to have big black Harkonnen eyes so badly... Basically, I wanted Feyd's daughter to look like this:

WORD COUNT — 2,990

ENGLISH IS MY SECOND LANGUAGE.

STILL PURE

Baron Feyd-Rautha Harkonnen was circling around the big table in the conference room where the huge orb of Giedi Prime had been replaced with Arrakis’ one as one of his advisors was explaining the difficult situation regarding the spice production. The new wave of Fremen rebels who worshipped the long gone and deceased Muad’Dib decided to continue their idol’s legacy as they sabotaged the spice production controlled by The Harkonnen forces. The Governor of Arrakis was slowly losing control over the situation and Feyd would rather avoid going there himself. He was needed on Giedi Prime – especially now when The Emperor was on his deathbed. He had to be around in case something important would happen and everyone knew The Baron had his eyes set on the Imperial Throne. Feyd had to choose a new Governor of Arrakis or provide the current one with good advice, hoping for the Fremen problem to disappear soon. It was worrying him because it was giving him a bad reputation at the moment for having problems on Arrakis – it could make some leaders of the great houses to think he was not worthy enough to become the next Emperor.

Feyd’s hands were clasped behind his back as he circled like a shark and all his advisors looked down, taking a step back whenever he approached them. They knew his temper would only rise when he was angered whenever he would experience problems of such nature when it came to reigning over The Harkonnen properties.

“What does the Fremen leader say? Stilgar? That was his name?” Feyd barked at one of the scared advisors.

“Stilgar says he has no control over the cultists. He does not support their actions. He wants nothing but peace, my Lord,” the man bowed his head.

“How bad is it? The most important thing so far is to keep the problem on Arrakis a secret,” Feyd hummed to himself.

“Five percent of the decrease in the spice production income,” the other advisor answered. “Not bad, but can be noticeable in the amount we export.”

“We shall export some of our own private reserves to cover the loss. In the meantime, we have to deal with the cultists,” Feyd decided, already annoyed at the fact he had to sacrifice his own supplies just to cover up the careless governing of Arrakis which was not his fault. “Send more troops there, the operation should be classified confidential. Threaten Lord Volonov to take care of it. He’s got a month before I replace him with someone more capable…”

Quiet pat pat pat sound coming from the corridor was becoming louder and louder until the black doors finally opened slightly and the guard standing by them spotted a pair of two big black eyes staring up at him. 

“My Lord,” he tried to catch The Baron’s attention but Feyd had his back turned on him as he angrily explained the details of the operation to his advisors.

Little Countess Sevina Harkonnen gave the guard puppy eyes as she struggled with the heavy doors. She wanted to come inside and he didn’t know what to do. He was aware that his Lord Baron did not want to be interrupted but he didn’t want to close the door in the girl’s face either. He peeked outside but there was no servant around and The Baroness was not there either. He decided it would be better for the girl to come inside instead of letting her roam around the fortress alone.

She smiled widely at him and jumped inside the room happily as her white hair bounced. She was lucky enough to inherit most of her mother’s looks although her skin was paler, her hair lacked pigment and her pupils were nothing but two completely big black orbs – those were the eyes even her father did not have but they were a result of the pollution her mother’s body had been exposed to on Giedi Prime at the time of her pregnancy.

Not realising how tense the atmosphere in the room was, she approached her father as all the advisors and servants were making wide eyes at her. She stood behind The Baron and pulled on his shirt to make him turn around.

At first, he flinched at the odd feeling of someone pulling him. Who would dare to do that? He turned around quickly with an angry expression on his face but then he looked down and spotted his little daughter. She startled a bit at the sight of his annoyance but she kept staring at him with her big black eyes filled with love and excitement.

“What are you doing here?” Feyd barked at her.

“Can you play with me, daddy?” She pleaded with a big grin.

A few lords smirked at that and Feyd’s jaw clenched. Not only had she interrupted him but also humiliated him.

“Can’t you fucking see that I’m busy?!” He lashed out at her and she took a step back as her eyes filled with tears and betrayal. “Get out of here!” He pointed at the doors.

They opened at that very moment as the nanny entered the room and looked around, surprised at the sight of scared faces and the little Countess being in the centre of attention.

“There you are!” She opened her arms at the sight of the girl. “I’ve told you not to interrupt your father, he’s in the middle of a meeting,” she reminded nervously as the girl ran up to her and hid her face in the folds of her skirt. “Forgive me, my Lord,” the nanny bowed her head at Feyd-Rautha.

“You’re useless,” he drawled. “Get out.”

“Y-yes, my Lord,” the woman held Sevina’s hand and walked out as quickly as possible.

You left the nursery where your son na-baron had just fallen asleep. On your way back to your chambers, you passed by the doors leading to your daughter’s room and you froze at the muffled sound of sobbing. Concerned, you decided to enter without knocking.

Little Sevina was crying on her bed as the scared nanny tried to calm her down by rubbing her back and shushing her.

“What is going on?” You asked as the doors closed behind you.

“M-my Lady Baroness,” the nanny stood up and straightened herself to bow down slightly.

“What happened? Why is she crying?” You asked her in an accusing tone.

“I… I lost her out of my sight when we were playing earlier today, I’m sorry… I found the young Countess in her father’s conference room. She had interrupted The Baron during a council… I think he lashed out at her, my Lady…” the woman tried to explain nervously as her hands shook.

“You’re useless,” you sighed and she widened her eyes. “Get out, I’ll deal with that myself,” you pointed at the doors and she bowed down once again before leaving quickly.

You approached the bed and sat on the edge of it as Sevina raised her head to look at you. Your heart squeezed in your chest at the sight of her cheeks covered in tears.

“What happened, sweet darling?” You asked her gently while you caressed her back.

“Why doesn’t daddy love me?” She asked with so much pain and sincerity in her tiny, shaky voice that you nearly cried yourself.

You knew it wasn’t true. Feyd-Rautha loved his daughter. Even though he had been a bit disappointed she was not a son in the beginning – he had only said not to worry about it much; that the boy would come next. He had been treating Sevina as if she was made of glass in the first months of her life, so scared of accidentally hurting her because hurt was all he knew.

“Oh, Sevina, don’t think that…” You sighed and leaned in to kiss her forehead. “Daddy loves you so much,” you assured her but of course she wasn’t convinced. “He would kill and die for you, little girl,” you added.

“I don’t want him to kill and die for me, mummy,” Sevina sobbed as those were the concepts she was too young to grasp. “I just want daddy to play with me.”

“He doesn’t know how to play, Sevina,” you fixed her ruffled hair while trying to explain calmly. “He didn’t have a mummy or daddy when he was your age. The way I kiss you or hug you and play with you… He has never had it, darling,” you felt a few tears streaming down your cheeks. You were angry at your husband for yelling at your daughter and making her feel unloved but you were also angry at all the suffering that he had gone through in his past.

There were scars and damages that could never be undone, no matter how much you loved someone.

“And you’re big enough to know that daddy shouldn’t be interrupted when he’s working. You know that he tends to get angry more easily then,” you reminded her. “You shouldn’t have done that.”

“I wanted daddy to play with me,” she snuggled closer to you and you kissed the top of her head, rubbing her tiny arms with your thumbs and cradling her softly to calm her down.

Feyd had been back in your chambers already when you entered. You froze at the sight of him, irritated. However, he seemed to act as usual.

“Five percent,” he snapped at you, although not angrily. “We will have to replace the loss with our own supply so the other lords don’t realise we are expecting problems on Arrakis. That stupid son of a bitch Volonov can’t handle a few cultists and…”

“I don’t care about any of that,” you interrupted him and turned your back on him to approach your vanity table and sit by it, pretending to be more interested in reapplying the powder.

“What?” Feyd was visibly surprised as he watched you in disbelief. You had always been a support for him, especially in difficult times. You both had been plotting on how to take over the Imperial Throne and now you weren’t interested in something as important as the problems with harvesting spice on Arrakis? It didn’t make sense to him.

You ignored him and focused on brushing your hair now, watching him from the corner of your eye in the reflection of the mirror of your vanity table. He approached you, hesitantly.

“What do you mean you’re not interested?” He tilted his head as he leaned in, trying to intimidate you but you didn’t even flinch.

“I’ve just spent an hour calming down Sevina. You yelled at her,” you eventually looked up to look deep into his eyes. He took a deep breath in, irritated.

“She should have learnt by now not to interrupt me,” Feyd straightened his back and walked away. “She’s spoiled,” he added. “Knows nothing about discipline. It’s your fault.”

“She’s a little girl,” you turned around. “You can’t expect military habits from her. She’s your daughter, Feyd.”

“She’s lucky I only yelled. If I interrupted my uncle as a child like that, I’d be punished!” He raised his voice at you, frustrated that you were defending your daughter and making a problem out of something that he considered to be normal.

You hated it when he would raise his voice at you. You stood up angrily and yelled as well.

“Oh, so you think she should be raised the same way you were?!” You asked. “Alright then! Go to her room, grab her by the neck and flog her back with a whip just because she wanted to play with her father!” You pointed at the doors furiously as your eyes were burning with wrath. “Go on! I dare you.”

But Feyd didn’t even move. His jaw was clenched as he was staring at you speechlessly.

“Go. What are you waiting for?” You kept pushing him. “Go on.”

You kept looking into his eyes with so much intensity he eventually gave up and looked down, awkwardly as the guilt started to creep in. You won.

“You rejected her. She thinks you don’t love her,” your voice calmed down but it was still vicious. “And I was assuring her that you do but it felt as if I was assuring myself, too,” you added, just to hurt him. “I can’t stand to look at you, Feyd-Rautha,” you drawled and approached the doors to leave him alone but not without striking the final blow. “I can’t believe I wanted to give you children so badly,” you turned your head to look at him as he looked up, surprised at your words, “because you don’t deserve them.”

The doors opened in front of you and you walked out to go back to your daughter.

You were sitting on the black fluffy carpet in the middle of Sevina’s room. She was on your lap, with her tiny arms around your neck, cuddling you. There were toys scattered all around the floor but she wanted to take a break for the loving cuddles. She was very unusual for a half-Harkonnen and you were very aware of the fact she was making most people around feel uncomfortable.

Not only her father but everyone in the fortress were stiff around sweet little Sevina who was so full of life and curiosity, always wanting to hug everyone – even servants and guards. Wherever she went, there was a sound of laughter and a sudden feeling of warmth. Countess Sevina Harkonnen was the very first little girl living in that fortress in a long time and she was so different from all its inhabitants. She was too young to know that she was a daughter of Baron Feyd-Rautha Harkonnen – a man feared all over the Empire. That her bloodline was cursed with death and violence. She was still pure and innocent. Perhaps she was a living proof that The Harkonnens were not born this way after all – but they were made in the endless cycle of abusive upbringing. You did not want the same fate for her. You knew she would have to get rougher with time but you hoped she would still remain gentle, too.

The doors to her room opened and you looked up. At the sight of your husband, you protectively put your arm around your little girl. You doubted that he wanted to do what you had angrily suggested before but you wanted to make sure he wouldn’t anyway. Sevina stiffened at the sight of her father and clung to you. It brought you pain to realise that at that very moment she was afraid of him.

“Sevina, we have to talk,” Feyd stood above you two as he started in a serious tone. You gave him a scolding look and your little girl hid her face in the crook of your neck, hiding. “You know perfectly well not to interrupt me while I’m working.”

Long silence occurred. You could see Feyd’s struggle as he had no idea what to do to fix this situation between him and his daughter.

“Sevina, apologise to daddy,” you looked down and she looked up with tears in her big black eyes. “You shouldn’t have interrupted him and you know that, darling,” your voice was soft and calm and she sniffed.

“I’m sorry, daddy,” Sevina turned her body around to face him but she refused to look at him.

“Now, you apologise to Sevina for being mean,” you looked up at your husband and you spotted panic in his eyes. “Now,” you insisted sternly.

“I’m sorry for being mean to you,” Feyd crouched down to be on her level. She hesitantly looked at him. “Can I get a hug, too?” He asked and his voice broke a tiny bit. 

Slitting someone’s throat open was less awkward and unusual to him than to ask for a hug. Your heart ached for him but you were an adult capable of understanding his patterns. Sevina was not. 

Her heart was big, though, and she loved her father, so she would forgive him everything. She nodded her head with a happy smile and ran into his arms to squeeze him tight. Tears pricked your eyes at the sight.

“I love you, darling,” Feyd whispered quietly with his cheek pressed to the top of her head. “I would kill for you. I would die for you,” he confessed.

“But she doesn’t want any of that,” you explained. “She just wants you to spend time with her.”

“Is that right?” He looked down at his little girl and she looked up with her puppy eyes as she nodded. Her tiny hands reached out to cup his face.

“I love you, daddy,” she assured him. “Can you play with me?”

“I don’t know how to play, I’m sorry,” he admitted with guilt in his voice.

“I will teach you,” she hugged him again.

Feyd put his arms around his little girl and pulled her closer. You crawled on the carpet to give him a hug, too. You could feel that he was slightly trembling, so you leaned in to place a kiss on his temple as your hand caressed his head soothingly.

“It’s not weak to show affection,” you reminded him in a whisper. “I’ve never loved you more than when you are like this.”

Feyd laid his eyes on you. They were filled with a mix of pain, guilt and relief. At the end of the day, the only approval he was seeking was yours. You had him wrapped around your little finger.

“So, how do you want to play?” He asked Sevina as he caressed her white hair with admiration. She clapped her hands cheerfully.

“I want to be a Princess,” her eyes sparkled. “And you’ll be my guard.”

Feyd chuckled at that, showing off his black teeth. Sevina giggled as she had never found them scary.

“Soon enough, my darling one, you’ll be a real Princess,” he assured her.

MASTERLIST

[bakugoushotwife]

in my opinion, gojo’s storyline has been handled so so poorly i can’t help but think it’s intentional. it is not bad writing to kill a character—even a beloved character. i know most people will dismiss my criticisms because gojo is so beloved to me and so many others. i’ve said before that i don’t mind if he died. does it hurt? of course, and i would still cry and be sad about it. but there is a beautiful way to do it. with respect and honor for his legacy—for what he has done for your manga, the characters in it, and audiences worldwide. but no…gege chose the path of horror and disrespect. at certain points i’d say to myself, well. this is a dark manga. but essentially gojo is the only character that receives this treatment. since the beginning—since suguru left him, he’s been wondering if he mattered because he was a person, or if he only mattered because he was powerful and useable. we certainly fucking answered that question. he is a weapon and nobody ever cared about him at all!!!

and we knew he was being used—he knew he was being used, but he is selfless. so he did it for his kids. for megumi and yuuji and yuuta—he wanted them to be safe. in these flashbacks it’s exceedingly clear that he knew he would die. again—that’s not my issue. gojo dying to sukuna makes plenty of sense and it would hurt to leave it there. but to give us an afterlife scene where he’s presented a choice—north and south—that concept lead nowhere, that’s truly fucked up. to leave all the subtle clues and hints for no reason but to keep people reading and theorizing his return is fucked up. to continue to use his imagery to promote your manga when you know he’s not even honored in your manga is fucked up. we don’t get a funeral or a grave for him. no one’s spoken about him in chapters despite him fighting for hours against sukuna and damaging him so much that yuuji could win, nothing. yuuta wearing him like a costume and no one is horrified about it. i thought his students WERE different. they weren’t jujutsu society yet. that’s why gojo was their teacher—shaping them into better human beings. how am i supposed to trust in their future when it seems they’re just as cold and heartless as everyone before them? no one has honored gojo in any way since the moment he died. and they’ve forgotten about him. he spent his entire life fighting and no one can even say thank you. gege intentionally used gojo to promote the end of his manga because he knows that gojo fans make up at least half of his fanbase so had we stopped reading when he died, he would have lost a lot of traction. he baited us intentionally, cruelly, and something that transcends storytelling. i’ve truly never seen a mangaka have this sort of vitriol for one of their characters and the people that love him.

we spent the entire last chapter talking about some random fucking mission when we have several unanswered questions and concerns. i thought gege said he wanted this ending to be shocking and something you didn’t see in shonen? tying everything up neatly where no one has any trauma or grief for what they’ve experienced, everyone comes back to life except the one character you hate specifically and choso, defying your own power structures and having everyone laughing into the sunset is exactly how shonen ends so what in the fuck is he talking about??

let me disclaim, this is not megumi hate at all. i love him very much and i am so happy he’s back with the group but like. he shouldn’t be able to even walk. he tanked unlimited void for over 6 minutes whenever that length caused irreversible damage to sukuna himself. not to mention the countless black flashes. so what the fuck? he doesn’t mention gojo at all?? the first time he laughs in this manga is after he reads a note written by his dead fucking caretaker about his dead fucking father? like i don’t believe. random open ended kenjaku/suguru mention just to piss me off, an absolutely no mention of gojos sacrifice or how they’ll miss him. i’m sick to my stomach. gege defiled his memory both in the story and outside of it. wow.

P.S. SUKUNA CARED MORE ABOUT GOJO THAN ANYONE ELSE (SUGURU IS NOT INCLUDED IN THIS I MEAN HIS STUDENTS AND SOCIETY)

[thedevilsnatteravn]

“I know the look of a doomed man. I must warn you, if you take this path they will despise you. Love and legacy are the sacrifices we make for progress .” - Singed.

“Jayce will understand…” - Viktor.

[asterinthesiren]

oh my god. oh my fucking god. i just had the most insane and delusional realization/theory about agatha and rio. hear me out ok

first lets recap. agatha's colors are purple, and rio's colors are green. purple is a mix of red and blue, and we associate red with rage, passion, love and blue with sorrow and grief. green is a mix of blue and yellow, blue being the same and yellow as happiness. bUT HERE'S THE THING OK. yellow is also associated with obsession, sensationalism, and cowardice.

we know for a fact that agatha and rio are bound by their sorrow. they share grief--of being hurt (agatha) and of hurting someone they love (rio). HOWEVER, agatha channels her grief through her rage. she turns her blue into red, and we see this in her snark, her devil-wears-prada act, flaming everyone around her.

and rio? she sensationalizes her grief.

she answers agatha's rage with mocking confidence, challenges her passion with her own obsession, hunting her down but never quite killing her--she processes her grief through this facade of sensationalism, but underneath it all is her own cowardice--which the better word for it here is shame. she clearly regrets having to kill(?) nick, but the question no one seems to be asking is this:

why didn't Rio just leave Nick alone?

yes we assume she's the personification of death. but she said it was her job, which means she has someone she answers to. if rio is everything she seems to be, why didn't she challenge whoever it is that gave her that job? if she loved agatha so much, why cause any harm to nick (her son) at all? it looks like she accepted it so willingly, which is why i think agatha hates her so much. so in my mind, i'm thinking rio is always regretting that choice, and she might have thought it cowardly or shameful. because what could have possibly been powerful enough to punish her?

WHICH LEADS ME TO BELIEVE that Rio's trial is having to face that choice again: Rio's trial is going to be about sacrifice. about LIFE.

and i think it fits with the themes of maiden-mother-crone. there's this really good post that i 100% agree with that delves more about the themes (@shutupineedtothink), but essentially what this person talks about is how jen's trial is birth, and rio's trial is life, which completes the witch cycle. i posit that jen's trial is about confronting death. jen is a midwife. midwives don't just make sure that the baby is delivered safely, they are there first and foremost for the mother--because the mother's life is what ensures the baby's. birth is such a dangerous process, because at any moment both mother and baby could die. the midwife's role is to avoid both from happening.

and that exactly opposes jen's essential conflict: rather than confront death (whether that's the death of her powers, the death of her legacy, or the death of belief in herself), she avoids it. thus, the crux of her trial is for her to confront death, and in doing so, face herself. she's been hiding behind the fact that she's bound to excuse all of the choices she's made so far--the trial, then, forces jen to remember that she's not defined by her binds. her potions and knowledge all help the coven dance with death and leave (mostly) unscathed.

the same goes for every witch--the road opposes their essential conflict and forces them to face it:

alice's conflict is denying the identity her mother passed on to her: how can she protect herself, her loved ones, if she doesn't know her own power? if she doesn't know herself? (in comparison to jen, who already knows her capability and denies it (and has it taken from her), alice refuses to know it when it's being handed to her on a silver platter)

agatha's is most likely her power: she defines herself with it, after earning it with blood sweat and tears from years of study and experience. but without it, who is she? what can she do?

lilia's is her past: she is hopelessly stuck in it. she can't shake all of the things she's seen and experienced. and if she's stuck in the past, how can she be able to face the future?

teen is still a bit of a mystery, but i can guess that his conflict is that he doesn't know where he really comes from--and why he's being hidden (we'll end it at that bc there are so many ways that could go)

THEREFORE WITH RIO, her trial is going to be about saving lives, as opposed to taking them. if rio really is the personification of death, she's the one being in the world who absolutely cannot be attached to anyone or anything. and she's THE green witch: she deals with ephemeral things all the time. flowers bloom and die, animals prey on each other, hell even the seasons are a metaphor for death. but here she is, hopelessly in love with agatha. thus, with rio, i think the road will put her in a position where she has to choose between agatha and teen. if she chooses agatha, she'll risk losing agatha's heart forever, because that will be the second betrayal. if she chooses teen, agatha will die. so i think it'll force her to come up with something to save them both. she has to go against her nature of taking lives the way she didn't when faced with that choice earlier with agatha and nick.

because what else does the yellow in her green stand for?

LIFE.

[gingermintpepper]

In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.

Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.

Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.

And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.

And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.

All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.

Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.

The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?

The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.

[holyfigtree]

🇵🇸 Yahya Sinwar's last will in testament (translated from Arabic):

"I am Yahya, the son of a refugee who turned exile into a temporary homeland and turned a dream into an eternal battle.

My will is for you to remain loyal to the blood of the martyrs, to those who have left us this thorn-filled path. They paved the road to freedom with their blood so do not waste those sacrifices on the calculations of politicians or the games of diplomacy.

The Al Aqsa Flood was a battle of spirits before it was a battle of bodies, and of will before it was a battle of weapons. What I leave behind is not a personal legacy, but a collective one for every Palestinian who dreamed of freedom.

Be a thorn in their throat, a flood that knows no retreat, and do not rest until the world acknowledges that we are the rightful owners and that we are not just numbers in the news.

They fear your steadfastness more than your weapons. Resistance is not just a weapon we carry, but it is our love for Palestine in every breath we take, it is our will to remain despite the siege and aggression.

So hold onto the land as firmly as roots cling to the soil for no wind can uproot a people who have chosen to live.

Carry the dream of Palestine in your heart and make every wound a weapon, and every tear a source of hope.

This is my will: do not lay down your weapons, do not throw away stones, do not forget your martyrs, and no not compromise on a dream that is rightfully yours."

🕊️

[blueberrypancakesworld]

Hiii there!

I wanted to request an oscar tully x targaryen reader maybe rhaenyras daughter please.. tbh i dont even know what it should be about i just wanted it to ba a oscar and targ reader .. thanks ☺️☺️

The river and the flame

Oscar Tully x princess!reader

warning : hurt/comfort, kissing, holding hands, no use of Y/n

Summary : A sacrifice, the only daughter of the Queen of the Black had to be married and the best match was the new young Lord of the House of Tully who promised to give his strength to the Queen. An engagement and marriage consummated, the fire finds itself in waters where both young nobles must hold each other to make it together and not burn and drown each other.

info : thank you dear anon for this request it was a lot of fun to write it have fun reading and have a nice day everyone

masterlist

~~~~~~~~~~~~~~~

With fire and strength she could have been born, but when the gods were merciful and gave her first husband something in a night of listlessness through wine and potions, the Queen of the Black conceived her fourth child from a marriage that could never have been consummated.

The queen's first and own princess was born, the little child with the image of her parents bright hair thicker than her mother's silken hair and violet eyes like gems that captured everyone. Behind her were the symbols of the dragon and so she was the only one of her siblings to keep her mother's family name, a decision that complicated things and put her three brothers in an even worse light.

But sacrifices had to be made for the princess, sacrifices in the form of "assassinations", new marriages and the retreat to Dragonstone where the faction of the blacks gathered and rebuilt over the course of weeks and months.

The legacy of the Black Dragon Queen was laid on her true daughter and two small toddlers, even though Jacaerys Velaryon was her eldest son and a young man willing to prove himself to inherit his mother's legacy, he knew he had strength in his blood, a blood that his two brothers had but not his half-siblings.

So the Targaryen family, the black party faced with serious problems Daemond in Harenhall had been trying to gather support for some time, Aegon and Viserys sent away with Rhaena but what now?

An alliance had to be forged because even if honor still prevailed houses no longer chose Viserys' side, it was about the future of families, of royalty and children, it was a decision that could mean death or life, ,,Without news from Daemon we cannot rely on the support of the Riverlands…if you allow the proposal of marriage to be made" the Master began again, who returned without his raven's message.

But she didn't even have to look up from the map to hear her mother's reply, ,,Out of the question" before Rhaenyra tried to find answers in the documents and maps, she had no one to marry but her daughter, but what mother wanted to lose her child in an area she could never get to herself.

It could mean her death but when violet eyes met there was something like hope in the princess's eyes, ,,If my queen allows me to marry the new Lord Tully I would be protected by the Prince Regent and the lords of the surrounding houses who have sworn allegiance to Oscar Tully" she gave her explanation and clasped the small metal statue of the fish they had all heard the aftermath of the death and resurrection of the head of the house and it was the only solution.

It ended in a few arguments, tears and loving gestures but now just a few days later here she was under the banner of the fish with her husband Osacr Tully, despite the fact that they were both young so appreciative of each other he had welcomed her without vourtiele was sincere and loving…and perhaps her heart had beaten faster than she thought when he had placed a kiss on her palm.

He held her hand as he showed her Riverrun, introduced her to the household, the hall and the vassals who had also proclaimed themselves for his wife, he treated her as in the songs and stories of yesteryear about noble knights, ,,My reign would not be possible without you, you are the first flame in the river and my heart rejoices more and more every day in your company my beloved," he said to her as he helped her onto one of the boats and they sailed across the river together.

She smiled back at him and gratefully held his hand, holding this little,,,nushell" quite insecurely in contrast to her grandfather's boats, but with every little jerk he held her tightly to him, his dark eyes like the river assuring her of her safety.

,,You are safe I promise" he murmured to her as he held her and she dipped her hand in the river, the wetness and coolness was pleasant instead of the everlasting heat and warmth, ,,I will follow you my lord husband" she replied after the words her mother and grandmother had taught her.

Before she felt his hand gently on her cheek it was just the two of them and the still river as they came closer and kissed again, ,,Oscar please my love" she whispered and she leaned her forehead against his for a moment as the two barely grown nobles lay in each other's arms enjoying the river ride while a joyful scream could be heard above them from time to time between the clouds and she followed Oscar's interested gaze closely.

The water, the fish, the river was her new home, which she quickly took to her heart. Her clothes, although now more of a bluish red and bronze, she kept the symbols of the dragon with her hair, brooches and Seasmoke herself.

Until she met her great-uncle again who had watched this marriage with a disdainful look and even if he didn't admit it, it offended him that his great-niece had managed the union in what he couldn't do in weeks, ,,Impressive isn't it what a princess can do with such looks and devotion, isn't it Lady Tully?" he had asked her at dinner as he sat next to her and looked into tired, almost haggard eyes that resembled her own in color.

She knew Oscar must have heard, she knew her great-uncle and her husband hated each other, didn't like the prospect of sharing power, ,,Her sacrifice to her family and the Queen towards my Targaryen wife is truly impressive she is not only in my house she is the Guardian of the Riverlands Prince Regent" Oscar said with pride in his voice as he raised his goblet and took her hand saying a good luck to Rhaenyra and his wife and she welcomed the restraint of her great uncle who would have otherwise only made things worse.

But all could not always go well only one moon later at the weirwood tree in the garden of the ruined castle Harenhall the houses of the Riverlands found themselves together with Oscar as their new lord and Daemon, a confrontation the princess attended with Seasmoke watching over the whole thing with an interested eye.

A confrontation that ended in blood as Daemond cut off Ser Willem's head ordered by Oscar whose eyes reflected fear for a moment as he looked into hers she clasped his hand the highborn couple watched this execution for all to see she felt the brief squeeze of her hand as Oscar truly saw this bloodshed for the first time.

,,You did the right thing Oscar they will follow you now and so will my great uncle…I won't let any words come back to haunt you I will stand for it" she told him as soon as everyone else had left the ruined garden and the young lord sat down by the tree still somewhat affected by the murder she felt herself almost reflexively wiping the blood away with a handkerchief before helping Oscar wipe his away.

She returned his silent thanks with a gentle kiss and the two sat there in silence until an idea came to her and she called her dragon who was struggling for space in the garden, ,,You have shown me the beauty of the water of your river let me show you the beauty of the sky" she said and climbed onto Seasmoke's back who seemed happy to be flying again.

She saw how it confused him for a moment, the boy rose and placed his hand carefully on the bright waremn scales and Seasmoke nudged him, mocking Ocsar who had been feeding the dragon fish with the help of his wife.

,,Can we fly through clouds? " Oscar asked as she saw courage and joy return to his gaze and he placed himself behind her, his grip on her stomach tightened and she heard his cry as Seasmoke took off with a scream and seemed to disappear into the smoke of his fire in the air.

She put one hand on Oscar's while with the other she gently guided Seasmoke, knowing that Oscar didn't understand her she would one day teach him, ,,I'll fly through anything you want look at this peace and quiet" she said louder over the sound of the loud flapping of wings and Seasmoke's hissing she heard Oscar slowly relax and hug her, laughing happily as he too saw this special something she could see every day.

Up here there didn't seem to be any problems it was quiet not too hot or too cold and peaceful, ,,It's incredibly beautiful" he mumbled continuing to hold on to her fetus as she headed for the clouds and he hesitantly held out a hand and gasped as his fingers got wet and showed her like a little child enjoying a wooden swing but she did the same and they joined hands and flew through the clouds for hours.

She heard his thanks and praise every now and then, a kiss on her cheek and both their hearts beat together in peace as they found beauty in each other's homes, together in love that would go beyond war.

~~~~~~~~~~~~~~~

[kuruk-weekend]

The lovely promo art is by @bellwethers. Make sure to check her blog and commission sheet!

KURUK ERA WEEKEND 2025 - PROMPTS

DAY 1 - FRIDAY, JANUARY 10TH

FIX IT AU OR “KURUK LIVES” AU

LOVE AND LOSS

AVATAR COMPANIONS

DAY 2 - SATURDAY, JANUARY 11TH

SCARS AND TROPHIES

DUTY AND SACRIFICE

DREAMS AND NIGHTMARES

DAY 3 - SUNDAY, JANUARY 12TH

FAMILY OR FOUND FAMILY

MENTORS AND MENTEES

DIALOGUE PROMPT: "THINGS COULD HAVE BEEN DIFFERENT"

EXTRA PROMPTS (TO SUBSTITUTE ANY PROMPT, ANY DAY)

LEGACY

HOMESICKNESS OR TRADITIONS

ADDICTION OR MENTAL ILLNESS

***

The prompts are supposed to inspire you, not to restrict you. So, do as you wish with them. Edit them, add to them, or ignore them. As long as your work has to do with the Kuruk Era and adheres to the rules, it's all good!

Thank you to everyone who voted and/or reblogged the promo material! We hope you have the best time during the event!

Do you have any questions? Do you want to be a mod? Do you want to join the Discord Server? Please send us an ask.

Check the rules below!

INTRODUCTION

As per your vote, Kuruk Weekend will happen between JANUARY 10th and JANUARY 12th, 2025!

When sharing your work, please tag with #kurukwknd25 and mention @kuruk-weekend. The ao3 collection is called Kuruk_Weekend_2025. Adding your work to the collection is optional.

What works will be accepted? Everything, as long as it adheres to the rules. This means one-shots, multi-chapters, art, moodboards, head-canons, meta-analyses or anything else you want to create.

RULES

1. Be kind! Only provide constructive criticism when asked and don’t hate on other people’s work. This means ship and let ship, don’t like don’t read, no kink-shaming, etc;

2. Your work must be your own! No AI and no plagiarism!;

3. Sexual content must happen between adults. Submissions containing ped*philia will not be shared. Works that discuss the theme will be accepted as long as appropriately tagged.

4. Submissions containing racist, ableist, sexist, queerphobic or any other hate content will not be shared. Works that explore hate as a theme will be accepted as long as appropriately tagged.

5. Tag your work! And use Tumblr’s community labels if needed.

[miumiumandoodz]

"Chris will never be Rose's dad"

Of course he wouldn't. That man will tell the girl how much Ethan loves her and how he's proud of her. He makes sure that Rose is aware of Ethan's sacrifice and legacy. He would remind the girl of Ethan ALWAYS because that's the kind of man Chris is. He lost his parents early on too and I think he would use his experience to remind Rose to always have Ethan on her heart.

But that man keeps promises. He promises Ethan to take care of her and watch over her. He would do anything at his capacity to make sure Rose is okay and safe and strong and can fend off on her own. He raised his younger sister back when and she turns out to be not only strong and independent but also compassionate and empathetic. We know how he treats Rebecca and Sheva, always with care, always with respect. We know how he treats his men.

Chris can never be Rose's father but he's the next best thing what a father would be to Rose.

[raven-at-the-writing-desk]

any thoughts on lilias parenting style?

I’ve long held the belief that Lilia is not the “best” or “perfect” parent in TWST, but I love that he’s so imperfect yet is willing to learn and grow from his failures and shortcomings. It’s really commendable how far he has come, especially considering that he used to be much gruffer and made claims like he never wants a child or he’s not suited to be a father and is repulsed by the very idea of it.

It’s sad to think about how, for the longest time, Lilia believed he was incapable of loving others—both receiving love and giving it in a parental capacity. He says as much to Meleanor before what could be her last stand. Bro has so much love to give 😭 and it’s so fascinating to see book 7 focus on that love between parent and child, blood be damned.

Of course Silver is the quintessential child we all think of whenever Lilia’s parenting is brought up. Silver says it must have been tough for Lilia to raise him as a single parent and with limited knowledge of human children—but Lilia still did it, and out of the kindness of his heart, for an infant who was essentially a complete stranger. However, as far back as the human-fae conflict of Briar Country, Lilia was literally throwing his life and reputation on the line for his “children”. He protected Malleus’s egg with his own body. He provided the magic that would shave off several hundred years from his lifespan to ensure that his prince hatched. He allowed himself to be chased out of the capital city but still made the time to be there for Malleus, as well as shielded Silver from the ugly truth. In modern day, we also see Lilia him imparting sage wisdom onto his boys and making efforts to help them with their own downfalls: advising Malleus on the differences between fae and humans, asking the other first years to watch over Sebek, inviting Malleus to events, reminding Sebek to be kind to his human peers, etc. Above all else, Lilia promotes understanding, and wishes for a world where all the races can live together. He leaves Silver with the same sentiments, and in him, Lilia’s legacy of love can live on.

As I said briefly mentioned before, Lilia isn’t perfect. He’s putting his own life in danger and taking the emotional brunt of the events of the past for them. He hides the circumstances surrounding Malleus’s birth, the truth behind Silver’s origins, and many other details pertaining to the warring period. In modern day, Lilia is quick to make an exit when the dark carriage comes for him, trying to save his boys the agony of a prolonged good-bye. There are also just general parenting failures under his belt: feeding babies milk through a cup (you’re supposed to use a fitted nipple, otherwise the baby could choke), not being concerned when Silver is missing + expecting him to come back on his own, general emotional insensitivity and unawareness (him laughing when Silver realized their ear shapes are different and they’re not actually blood-related), leaving Silver unsupervised in their forest cottage while he goes off to travel, taking his pranks and mischief too far (thus causing trouble for Silver, such as Endless Halloween Night), his… cooking… etc. He does manage to mend some of those issues (like having the Zigvolts help watch Silver or letting slightly older Silver housesit with the animals), but other issues like the milk in a cup persist. Additionally, Lilia can be inconsistent with his emotional awareness, as he does not realize his Halloween mischief would worry Silver as much as it did. At the same time, Lilia is overall more in tune with his son’s feelings (he’s one of the few who can read the notoriously stoic Silver’s emotions flawlessly). However, Lilia still prioritizes keeping his childrens’ eyes away from the truth and instead is shouldering the pain for them. We find ourselves circling back around to all the sacrifices Lilia has made for Malleus, Silver, and yes, even Sebek—and I’ll bet that Lilia is willing to go the distance and do more.

I actually wonder if Lilia’s “I’ll shoulder everything for you” parenting originates in part from him overcompensating for the love he never received as a child. He was an orphan taken in as a ward for his country, shunned by the Briar Valley senators for being some filthy bat with no proper lineage to speak of. He didn’t get the girl he crushed on and instead lost her and his best friend (still MIA) to the war. He was banished from the capital and loathed for his mere existence. He had things thrown at him and was chased out of cities. Lilia has experienced so much hatred and vitriol that I would not fault him if he turned bitter and sent that same hate and vitriol back. That would be the easy thing to do. But… he has also experienced great kindness and acceptance along his travels. Strangers inviting him into their homes. People telling him about their lives. Offerings of food and a warm bed. It is through these experiences that Lilia is shown an alternative: a world of love, not war. Then, upon seeing these children in need of guidance, he sees a younger version of himself in them—lonely (Malleus, isolated in his castle), lost (Silver, without his parents), confused (Sebek, about his half fae/half human identity). He knows what could become of them if he lets hate envelop their hearts. And Lilia doesn’t want what he suffered through to befall them, nor a future where the same vitriol is perpetuated. So… he throws himself into ensuring these boys have a guiding star, someone who champions empathy and cooperation between all races, at the cost of himself.

It’s fascinating to consider that Silver (the one who was most closely raised by Lilia) reflects his father’s teachings but also Lilia’s self-sacrificial behavior, even though Silver isn’t fully aware of what Lilia gave to raise him. Silver consciously believes that he hadn’t done enough to “pay back” his dad (similar to how Lilia may have taken Malleus under his wing to “pay back” his debt of Maleficia taking him as an orphan in and not being there for Meleanor in her final battle). To compensate, Silver keeps pushing himself to do things like suppress his own sadness at Lilia’s farewell party, taking physical blows for Lilia, and even believing that he isn’t worthy of Lilia’s love. I guess the sayings “like father, like son” and “the apple doesn’t fall far from the tree” are applicable here.

Anyway! Lilia as a father (whether literally or figuratively) will never not be interesting to me.