#'look how Cool this is! how TECHNOLOGICALLY cool!'

[ahqkas]

Can you please write dumb/subtle/random/cute things batboys will do while they are crushing on reader?

♯ FEEL YOUR LIPS CRUSH . . .

— gn!reader, fluff

© ahqkas — all rights reserved. even when credited, these works are prohibited to be reposted, translated or modified

BRUCE WAYNE

becomes overly observant but awkwardly obvious

bruce wayne is a master of observation—trained to notice the smallest details in a room, a person, or a crime scene. but when it comes to you, this skill becomes more of a curse than a blessing. his crush transforms his usual precision into something downright awkward as he hyper-focuses on the tiniest parts of your life.

it starts innocently enough. you’ll be in the middle of a casual conversation when bruce interrupts, his deep voice breaking through your train of thought.

“you’ve switched your coffee order recently,” he says matter-of-factly, his piercing blue eyes locking on yours.

you blink, momentarily confused. “uh, yeah. i wanted to try something different.”

“it’s good,” he replies, his tone completely serious, as if your new preference for caramel flavored coffee over vanilla is a critical observation.

sometimes his comments catch you so off guard that you don’t even know how to respond. like the time you came into the room wearing a pair of old sneakers. bruce, who was leaning against the kitchen counter sipping his coffee, glanced down and said, “those laces are frayed. you should replace them.”

you laughed nervously, unsure if he was joking. “uh, thanks for the tip?”

but bruce wasn’t joking. “i’ll send alfred to pick up new ones. you don’t want them snapping mid-step.”

he tries to play it cool, he really does, but his constant streak of seemingly random observations only makes his feelings more obvious. one afternoon, you find him glancing at your notebook while you jot something down. without even looking at you, he says, “you press harder with the pen when you’re tired. your handwriting’s smaller today.”

you set your pen down, giving him a skeptical look. “do you . . . keep track of my handwriting, bruce?”

his face doesn’t change, though you swear his ears flush the faintest shade of pink. “no,” he says smoothly, taking a sip of his coffee. “it’s just. . . noticeable.”

it’s the way he says it—quiet and genuine—that sends your heart fluttering. he doesn’t realize how much he’s revealing, but his small, awkward comments and laser focus on the details of your life make it abundantly clear.

the funny thing is, you’re not the only one noticing. alfred, who’s known bruce wayne longer than anyone, often raises an eyebrow or hides a knowing smirk whenever bruce starts one of his “random” observations.

( “perhaps master wayne should focus on his own handwriting.” bruce glares at alfred, but his lack of a comment only makes the butler’s smirk grow wider. )

finds excuses to be helpful

bruce’s wealth is something he wields with the subtlety of a battering ram when he’s crushing on someone. his intentions are good—he genuinely wants to help—but it often comes off as over-the-top or hilariously unnecessary. for someone as logical and composed as the bat, using his money to make your life easier feels like a no-brainer, but he doesn’t realize just how obvious it makes his feelings.

it starts small at first. you might casually mention needing to replace something—your laptop is acting up or your phone is outdated. the next day, without fail, a box will mysteriously appear at your doorstep. inside, you’ll find not just a replacement but the absolute best version of the device, meticulously selected and clearly expensive.

“bruce,” you say, holding up the latest model of a WE laptop you can’t imagine ever affording on your own. “did you do this?”

he looks up from his work, his expression calm and unbothered. “it’s practical,” he says, as if that’s a reasonable excuse for gifting you a piece of technology worth more than your rent. “your old one was slow. it’s inefficient to struggle with outdated equipment.”

when you try to protest, he waves it off, as though spending thousands of dollars on you is no more different than buying a cup of coffee.

but it doesn’t stop there. one morning, you’re sitting in the kitchen with him, absently complaining about how your car keeps breaking down. it’s an offhanded comment, something you don’t think twice about, but bruce takes it as a challenge. by the time you’ve finished your coffee, he’s already pulled out his phone to make arrangements.

“wait,” you interrupt him, narrowing your eyes as you catch him murmuring something to alfred over the phone. “what are you doing?”

“nothing,” he replies too quickly, but later that day, you’re startled to find a sleek new car parked outside your home, the keys and a handwritten note from the butler sitting on your counter.

“bruce!” you exclaim, storming into the study to confront him.

he doesn’t even look up from his computer. “your old car was unreliable. this one is safer.”

“that’s not the point!”

“it’s just a car,” he says with a small shrug, though there’s a hint of amusement tugging at the corner of his mouth.

despite his attitude, it’s clear he’s putting an incredible amount of thought into everything he does for you. his gestures are less about showing off his wealth and more about making sure you never have to struggle, even in the smallest ways. because to him, it’s just logical—he has the resources, so why wouldn’t he use them to make your life easier?

DICK GRAYSON

finds excuses to touch you

for someone as physically expressive as dick grayson, touch comes as naturally as breathing—but when he’s crushing on you, it’s a whole new level. he’s not even aware of how much he does it at first, but the moments start to add up. it’s little things at first: the way he always seems to find a reason to brush his hand against yours, the casual way his shoulder bumps into you when you’re walking side by side, or the way he’ll lean close when he’s explaining something, his hand ghosting over yours as he gestures.

but then, it becomes less about the accidental and more about the intentional. when you’re sitting on the couch together, he’ll sling an arm over the back of it, his fingers close enough to brush against your shoulder. he’ll offer his hand when you’re stepping out of a car or climbing over something, even if you don’t need it, the contact lingers just a second longer than necessary.

“careful,” he’ll say, his voice soft and teasing, even though the step you’re taking isn’t remotely precarious.

“you know i can walk, right?”

he grins, squeezing your hand briefly before letting it go. “just being chivalrous.”

and then, there are the moments when he gets so wrapped up in the conversation or your presence that he doesn’t even realize what he’s doing. like the time you were sitting together, and he absentmindedly started playing with the hem of your sleeve. it wasn’t until you cleared your throat that he looked down, startled, his ears turning pink as he quickly let go.

“sorry,” he mumbled, a sheepish grin spreading across his face. “didn’t realize i was doing that.”

but the blush on his cheeks told you everything you needed to know.

for dick, touch is a way of expressing what words sometimes fail to say. every hand on your shoulder, every playful nudge, and every lingering hug is his way of saying, i like being near you. i like you. even if he hasn’t quite found the courage to say it out loud, his actions make it impossible to miss.

teases you relentlessly (but gets flustered when you tease him back)

teasing is how dick shows affection, how he keeps things light, and, more than anything, how he tries to get your attention. when he’s crushing on you, though, his teasing takes on a new level. every little thing you do seems to give him material to poke fun at, not in a mean way, but in a way that makes it clear he’s paying attention to everything about you.

if you trip over a word while talking, he’ll immediately smirk. “careful there, shakespeare,” he’ll quip. “do we need to enroll you in a public speaking class?” or if you drop something, he’s ready with a dramatic gasp. “wow, butterfingers, do you need me to carry everything for you? i could be your personal assistant, but i charge by the hour.”

it’s playful, yes, but it’s also consistent. he’s always looking for ways to make you laugh, even if it’s at your own expense. like the time you were struggling to open a stubborn jar of jam, and he swooped in, popping the lid off with ease.

“guess i’m just the stronger one here,” he said, flexing his biceps with an exaggerated grin. “it’s okay; not everyone can have these guns.”

but if you so much as raise an eyebrow or fire back with your own jab, the tables turn in an instant. one day, after he’d spent a full five minutes teasing you about your choice of coffee ( “a triple-shot vanilla latte with almond milk? fancy. are you sure you don’t need a royal escort to carry it for you?” ), you finally snapped back.

“oh, and i suppose you’re the coffee expert, mr. regular black coffee? real creative. i bet the baristas have your order memorized.”

the grin on his face faltered for a split second, his eyes widening just slightly. then came the blush—the faint pink hue creeping up his cheeks as he tried to recover, rubbing the back of his neck awkwardly.

“hey, black coffee is . . . classic,” he mumbled, suddenly unable to meet your gaze.

and that’s the thing about dick grayson: as much as he loves dishing it out, he can’t always handle it when it’s directed at him. the moment you tease him back, especially if it’s about something he’s sensitive about (like his perfectly styled hair or his need to one-up everyone), he turns into an awkward, flustered mess.

“you spend how long on your hair every morning?” you asked him once, teasingly ruffling his carefully combed locks after he made fun of the mismatched socks you were wearing.

he froze, his hand shooting up to fix the damage. “it’s not that long,” he protested, his voice defensive but light.

“oh, come on! i bet you use at least three different products. don’t tell me you don’t have a favorite brand of gel.”

his cheeks flushed crimson as he stammered, “i—you know, it’s just . . . maintenance! can’t all of us roll out of bed looking flawless, okay?”

you laughed, and he groaned, muttering something under his breath about how you were “way too good at this.”

JASON TODD

acts nonchalant but is always nearby

jason todd is many things—brash, sarcastic, sometimes even reckless—but when it comes to feelings he doesn’t fully understand, he defaults to keeping his distance . . . or at least pretending he’s keeping his distance. the truth is, when he’s crushing on you, he’s drawn to you like a moth to a flame, always finding an excuse to be wherever you are without making it obvious. or so he thinks.

take your quiet sunday afternoons, for instance. maybe you’ve settled on the couch with a book, enjoying the rare peace. jason walks in, all nonchalant, like he’s just passing through. he glances at you—just a quick flick of his eyes, like he’s making sure you’re still there—and then he settles in the chair across from you, a spot he never uses otherwise.

“what are you doing?” you ask, watching as he pulls out a book of his own, the same one he’s been pretending to read for weeks.

he doesn’t even look up. “reading.”

you roll your eyes but say nothing, knowing full well he’s barely getting through a page. you can feel his gaze on you every few minutes, like he’s trying to memorize the way your brow furrows in concentration or how you chew on the corner of your lip when you’re focused. and if you catch him? he quickly snaps his attention back to his book, pretending obliviousness.

“didn’t know you liked this spot so much,” you tease, gesturing to the chair.

a smirk plays on the edge of his lips, though there’s a flicker of defensiveness in his eyes. “what, i can’t sit here now? thought it was a free country.”

it’s always like that—his attempts to mask how much he cares come with a side of sarcasm. but the truth slips through in the little details. like how he never actually leaves the room until you do. or how, even when you’re sitting in silence, he finds a reason to linger. maybe he’s scrolling through his phone, flipping through a magazine, or staring at the ceiling like he’s deep in thought. but really, he’s just soaking in your presence.

and then there are the times when he doesn’t even bother pretending. like when you’re sitting in the kitchen, finishing up some work, and he wordlessly sits down across from you, arms crossed and chin propped in his hand.

“what?” you ask, glancing up at him.

“nothing,” he replies, though the slight curve of his lips gives him away.

it’s not that jason is afraid to admit he likes you ( although there is a possibility he is but we don’t talk about that )—it’s just that he doesn’t know how. so instead, he hovers. he sticks close enough to feel like he’s part of your world but not so close that he risks giving himself away. so while he might act nonchalant, the truth is, he’s anything but. every glance, every lingering moment, every excuse to be near you is jason’s way of saying he cares—he just hasn’t found the words yet.

fixes things you didn’t even know were broken

jason’s way of showing he cares is a little unconventional, but it’s always in the small, unspoken ways. he’s the type to notice things that no one else would—things that have been lingering for ages in the background of your life, just waiting for someone to fix them. but because it’s jason, he’ll never bring it up. he’ll just do it, no questions asked, and then act like it never happened.

it starts with the little things. your chair in the living room? it’s been squeaking for months now, but it’s not something you’ve gotten around to fixing. it’s one of those annoyances you’ve learned to ignore, a piece of background noise that doesn’t really bother you enough to take action.

until one day, it suddenly stops.

you sit down in the chair, and for the first time in ages, it’s silent. your eyes narrow. you didn’t fix this—so who did?

“jason?” you ask, glancing toward him as he lounges on the couch, pretending to be deep in whatever he’s doing.

he doesn’t even look up. “what?”

“the chair. it’s. . . quiet now.”

he pauses for just a moment, but it’s enough to catch the shift in his demeanor. he shrugs, barely concealing the hint of a smile tugging at the corner of his lips. “must’ve gotten lucky. or maybe it fixed itself.”

you know it didn’t. but before you can press him on it, he’s already back to whatever he was doing, like the whole thing is no big deal. it’s almost as if he’s trying to play it off, hoping you won’t notice that he’s been quietly fixing things in your life, one at a time.

the next thing happens a few days later. you walk into the kitchen, only to find that the light above the sink, the one that flickers every time you try to use it, is now working. perfectly.

you stop, standing in the doorway and just staring at it. there’s no way you fixed it. and it certainly wasn’t broken enough to need replacing. so once again, you turn your gaze to jason, who’s now sitting at the kitchen table, eating a snack and acting entirely uninterested in your investigation.

“jason, did you—?”

“no,” he interrupts and continues watching the video essay he turns on every time he eats.

“uh-huh,” you say, narrowing your eyes, walking toward the light and testing the switch again just to make sure you’re not imagining things. it stays steady, glowing without hesitation.

he’ll never say it out loud, but each fix—each thoughtful act—speaks louder than any words could. the broken things don’t matter, because jason is here, fixing them in his own way, piece by piece.

TIM DRAKE

gets shy when you’re too close

tim drake is usually the picture of composure. he’s calm, collected, and can handle himself in just about any situation, but when you’re too close, all that confidence seems to slip away. it starts small. you’re sitting beside him, maybe sharing a space while working on something, and without thinking, you slide just a little bit closer to him. maybe your arm brushes against his, or your knee nudges his under the table.

it’s enough to throw him off, just for a second. his heart rate picks up slightly, and he tries to hide it behind the screen of his laptop, pretending to focus harder than he really is. but he knows, deep down, that he’s hyperaware of you now—of the way you’re sitting, of the way your presence seems to fill the space between the two of you.

his eyes flicker toward you, but quickly dart away, like he’s afraid you caught him staring. it’s an involuntary reaction, the nervous little shift in his posture as he tries to seem as casual as possible. he clears his throat, his voice slightly quieter than usual. “uh, sorry, was just—just making sure the laptop was charging.”

it’s obvious to you that he’s not really talking about the laptop. he’s trying to act like it’s no big deal, but every time you’re too close to him, tim’s body betrays him. the way his leg shifts a little away from yours under the table, or how he tries to subtly angle his body so there’s just a little more space between you and him, even if he doesn’t want there to be.

you might not notice the subtle movements, but tim does. and every time you get close to him, whether it’s by accident or on purpose, he feels a flutter of nerves that he can’t quite explain. it’s not that he doesn’t want you near him—far from it—but the proximity messes with him in ways he doesn’t understand. his thoughts get jumbled, and his usual calmness slips, replaced by the flustered feeling he’s not used to.

if you ever catch him looking at you, his gaze quickly drops, and a soft blush creeps up his neck. “i—i didn’t mean to—uh, just making sure you’re not too cramped.” he mutters, his fingers fidgeting with the edge of his laptop, anything to distract himself from the fact that he’s suddenly very aware of you being so close.

sometimes, when you get too near, tim will just freeze for a moment. it’s like his body can’t process the closeness, and the little awkward silence stretches between you two. it’s not uncomfortable—far from it—but it’s a vulnerable thing for tim, this closeness he doesn’t know how to handle.

but if you keep talking, or even just touch his arm gently when you lean over to look at something, tim’s composure slips even more. he shifts in his seat, trying to act like he’s calm, but his hand might twitch toward yours for just a second before he pulls it away like he’s afraid you’ll notice how he’s reacting.

follows you around during patrol

it’s late at night, the moon casting faint silver light across the streets, and the only sounds are the hum of city life and the occasional rustle of leaves in the wind. you’re out on a walk, maybe trying to clear your head or just enjoy the quiet, unaware that someone is watching you from the shadows. tim, clad in his suit, has been tailing you for a while now. it’s not that he’s trying to be creepy or intrusive, but rather, he’s just . . . concerned.

tim is the kind of person who can’t turn off his instincts, and tonight, for whatever reason, they’re telling him to stay close. he’s perched high above you on a rooftop, watching you walk along the street below, trying to remain unseen. his red robin suit blends into the darkness of the night, the shadows making him nearly invisible to anyone who might be looking.

he’s not sure why he’s doing it—it’s not like you’ve asked him to keep an eye on you—but there’s something about the quiet stillness of the night that has him on edge. maybe it’s because you’ve been a little distant lately, or maybe he’s just worried something might happen to you in the dark. either way, he’s got his eyes on you, and he won’t stop until you’re safely back where you belong.

he’s quick, agile, moving like a shadow himself. you might hear a faint creak of a fire escape ladder or the flurry of footsteps just out of your line of sight, but when you look, there’s nothing there—just the empty street, the soft glow of streetlights, and the ever-present hum of the city.

it’s when you stop for a moment, distracted by something—maybe you’re checking your phone or admiring a nearby storefront—that he’s closest. in that moment, tim takes a chance, moving closer to you, just a few feet away in the darkened alley. he’s not trying to startle you, but there’s something in his gut that tells him he can’t let you out of his sight, especially when it’s this late, and the streets feel a little emptier than usual.

he’ll hover just out of view, giving you space but never quite leaving you alone. if you keep walking, he follows, keeping his distance but staying close enough to ensure you’re safe. when you stop at a crosswalk or glance around, he’s already a few rooftops away, peering down at you from above, making sure you’re not being followed.

the closer you get to home, the more relaxed tim feels, but he never lets his guard down entirely. even when you reach the safety of your doorstep, he lingers just out of sight, making sure you get inside without any issues. he’ll remain in the shadows for a moment longer, watching as you lock the door behind you, ensuring you’re safe before finally letting out a breath he didn’t realize he was holding.

only then does he disappear into the night, his heart still racing, his mind replaying the images of your walk. he’ll retreat to his hidden vantage point, slipping into the dark corners of gotham once more, but the small weight of relief that you’re safe settles deep in his chest. even though he doesn’t want to admit it, there’s a part of him that feels content knowing you’re okay—even if you’ll never know how closely he’s watched over you.

[keferon]

My hands are shaky and my head is refusing to work properly! But! I made it!

The Blurr chapter for Mecha au >:D

Blurr's job is not to fight for humanity.

Blurr's job is to smile for the camera and take the applause of people who praise him for his bravery and sacrifice. Blurr's job is to sell his face, his voice and his skills to millions of viewers. He must impress investors, show off advanced technology and make a determined face saying that to save mankind he is ready for anything. And then get in a luxury car and drive off to some expensive place to burn a whole bunch of zeros out of his paycheck.

He's not someone who stays after work to help his coworkers. And he's not the one who spends his nights trying to save as many people as possible. He signs autographs, makes big statements, and promises people he'll protect them.

And people believe him.

And they love him.

Swerve is sick of this spectacle. Swerve is sick of this man.

Under the cut

————————————

Nobody likes Blurr.

Okay, if you think on a large scale, everyone loooves Blurr. His face is on every poster, his brand is in every possible store, his voice and is in every cool commercial. You literally can't exist without knowing who Blurr is, or at least seeing his face once. It's a “Luke I'm your father” level phenomenon. How massive a rock do you have to live under to miss something like that?

Everybody loves Blurr. You can go buy a t-shirt with his face on it. You can go listen to his interviews or purchase a tiny replica of his action figure. There are incredibly many ways a Blurr fan can blow a hole in their budget.

Swerve knows, because he's done it many times. And recently, it's stopped being something he's proud of. To be precise, it was exactly four days ago when Blurr first stepped into his office. Swerve had just finished his shift and was finishing his tea when his boss suddenly appeared in the doorway, with the best racer in the world right behind him.

The tea was instantly dropped, adrenaline was released, and the brain was turned off.

In that moment, Swerve thought that this is what it must look like. The moment when all your good karma comes together in one pile to reward you for all the times you dropped a sandwich butter side down or missed a deadline.

Both of which happened with annoying regularity. Swerve is unlucky. Sometimes things seem to fall through his hands.

It started out great.

Swindle, their boss, showed up in the office space one day looking simultaneously jubilant, nervous, and very inspired. Usually on such occasions, Swerve could almost see the dollar signs reflected in his boss's glasses.

“Attention everyone. We have an important guest arriving in an hour.”

Swindle expressively pushed his glasses down on his nose and looked around the room

“I promised him a tour and I expect you all to behave yourselves.”

He meticulously looks around the floor beneath his feet

“Send someone to clean up all the trash. This place is unbelievably filthy. The floors should be sparkling in twenty minutes! And, oh! Hey you, go buy some good drinks.”

Having finished inspecting the floor Swindle hurriedly runs off, probably to say the same thing to the neighboring department.

Swerve stretches his neck out curiously, listening in

“Is the president coming to see us?”

Walking by, Jazz shrugs

“When the president was coming Swindle said the floor was dirty and made him wear boot covers.”

It's not the president

Swindle gestures generously to the entire office at once and looks overall like a bird trying his best to primp up

“And here we have the engineering department offices. In the next building is the assembly plant, that's where the mechs are put on their feet so to speak. And this is where all the computing, design, and planning happens.”

Just over his shoulder stands and looks around at none other than

Oh, dear God.

Swerve's tea flies to the floor next to his thought processes.

He's seen Blurr countless times, but never in person. How can this guy look as good in person as he does in expensive retouched-until-squeaky-clean photos? Mystery.

Blurr's gaze slides lazily over the simple office setting and for those two seconds when it's directed at Swerve it feels like sheer madness. He tries to look normal. He's not sure he's succeeding, but he's making an effort.

Swindle waltzes through the office, heading for the next door

“Come on I'll show you the mech hangar.”

Blurr grins.

“A highlight of the show I suppose~”

His voice is like a needle bursting a ball of stunned silence. People begin to rise from their seats and scramble to say hello. Someone asks for an autograph, others ask for a bunch of selfies, a couple people in the corner hastily fix their hair, one of the employees just pulls out his phone and shamelessly starts filming.

Swindle looks at the this with an unchanging commercial smile, but his gaze promises all kinds of punishment.

Perhaps if it had been the president, the buffoonery would have been smaller.

______________

For the next few days, Blurr is the big news and the center of all discussion.

Officially? He's becoming one of the pilots in the Mecha program.

In fact? Swindle's greedy soul couldn't get enough of the idea that the Mech concept could be monetized.

The dust is blown off Blurr and his boots are licked. He doesn't go to general training, he doesn't participate in ordinary or overly dangerous missions. He's allowed everything and a little more. His job is to look pretty on camera, speak his lines, smile and wink. He's a walking advertisement and Swindle's incredibly powerful tool in negotiating with investors.

Swerve once saw him called to a negotiation in the middle of the night, and even sleep-deprived and exhausted after a full day of filming, Blurr had the strength to pull that charming expression on his face and flawlessly play along with Swindle wherever he needed to.

His mech was a work of art. And that's not even an exaggeration. Usually the main purpose of mechs is to be efficient and practical. Blurr's Mech was made separately and so many people worked on its design that it could have its own end credits. It's beautiful, sleek, shiny and show-offy. It's designed to be awe-inspiring, but not so decorated that it's ridiculous.

When Swerve looks at its specs, he almost feels sick. Maneuverability, mobility, everything is absolutely top-notch. But most importantly, speed.

The technology to accelerate Mechs to incredible speeds has been around for some time, but the average robot doesn't reach even half of the technically possible maximum. Because even the fastest machine can't outrun the human brain.

After a certain threshold, pilots are no longer capable of controlling their own Mech. Human reaction speed is simply not enough to maneuver without crashing into anything or losing their orientation in space. And. Well. Without losing consciousness.

This has led to Mech manufacturers sort of tacitly agreeing on a rough speed limit and tending to stick to it. Just to make the technology safer and more suitable for everyone.

Regardless. Everyone except Blurr apparently.

Because the numbers across from his Mech's speed specs are horrifying. Swerve looks at the blueprints and thinks it's either freaking awesome or absolute suicide. Maybe something in between. Can a human being have reflexes like that? What about this turning mechanism? The numbers tell him that these levels of g-force make a large percentage of pilots just pass out.

Is Blurr really going to pilot this death wagon??

To achieve that kind of speed and mobility, they'd have to cut off half the armor or make it very light. Which would almost be like inviting a dangerous injury.

But if the Mech is made primarily to flaunt rather than fight...well... it probably makes sense.

Swerve's inner fan is sliding down the wall.

Blurr is incredible. And what's even more incredible is that he's kind of sort of almost Swerve's coworker now.

It only takes him a couple days to realize.

Everyone loves Blurr.

But the one who loves Blurr the most is Blurr himself.

The rose-tinted glasses are breaking slowly but surely. On the first day, Sverve walks up on shaky legs to get introduced. He tells himself that this is definitely not an attempt to get an autograph. They're coworkers. He's just...uh...greeting a new employee.

Blurr looks slightly bored.

“You're from this department....uh.. What's its name, whatever.”

Swerve clutches his hands in front of him so he doesn't accidentally drop anything

“OH.Uh yeah. Swerve! Engineering Department. You were there on a tour the other day. I usually work in the assembly plant, making armor for Mechs, developing new alloys. But I design too! I, uh.

(Don't talk about Blurr. Don't talk about Blurr. Don't talk about Blurr. Don't talk about Blurr. Don't talk about Blurr. Don't talk about Blurr. Don't talk about Blurr. He'll think you're a crazy fan. Don't talk about Blurr.)

Blurr starts to get sidetracked by his phone.

Swerve swallows awkwardly.

“I'm uh. I'm a big fan of yours. Sir.”

(Good job...)

Blurr chuckles softly and offers out his hand

“Well, nice to meet you.”

Sverve's hand is shaking like crazy, he hopes he isn't squeezing too hard. Working in the assembly has made his hands rough. Blurr's narrow, soft palm is almost sinking in his grip.

“ 'Nice to meet you, yes. Nice to meet you sir! If you, ah, if you have any problems or questions or uh, well. You know, if you need help with your Mech or upgrades or or.”

Blurr chuckles.

“I'll be counting on you~”

Swerve feels like his soul is about to break away from his body.

The next, day when they cross paths in the hallway Blurr waves to him.

“Hey you. Whatever your name is. Can you tell me how to get to Block D?

Swerve stops awkwardly.

“Ah. Of course! I'm Swerve sir. Come, I'll show you.”

Blurr smiles a beautiful, ad-libbed smile and follows him in

“Thank you darling.”

From this point on, the entire program gradually learns a simple but unpleasant truth.

Blurr is an asshole.

And nobody likes him.

He always has everyone at his beck and call. You rarely get to see him on his own. There's always someone swirling around him with a guilty or annoyed face. A sort of serve-get-show-explain designated poor guy.

Swindle treats Blurr like a precious antique vase.

Blurr treats people like his servants.

The whole world is in love with the glittering cover, the image polished to a squeak. Until recently, Swerve was doing the same thing. Now it feels more like an embarrassing crush.

Blurr still doesn't remember his name. He actually remembers at most three to four people by name, and calls everyone else “hey you” or “ darling”. After Swerve reintroduced himself to him for the fourth time he just sort of...stopped trying.

On the field, Blurr is incredible. No one can deny that. The tremendous speed of his Mech leaves all the other pilots in the dust. Whoever said human reflexes weren't fast enough? HA. When Swerve sees his reports and results, he gets dizzy.

The combination of such incredible speeds and light armor means Blurr simply can't miss. If he hesitates, if he falters. If he gets confused. The whole metal thing will smash him to smithereens.

And yet Blurr comes back untouched time after time.

Swerve's no longer inclined to think it's just because of his mad skills. He knows that Swindle is paying Blurr a lot of money for his cooperation. No one would let Blurr fight on the front lines, no. It would be too dangerous. He has to do just enough so that Swindle can record a commercial and in it call Blurr a badass pilot without adding small print to that statement.

Blurr's job is not to fight for humanity.

Blurr's job is to smile for the camera and take the applause of people who praise him for his bravery and sacrifice. Blurr's job is to sell his face, his voice and his skills to millions of viewers. He must impress investors, show off advanced technology and make a determined face saying that to save mankind he is ready for anything. And then get in a luxury car and drive off to some expensive place to burn a whole bunch of zeros out of his paycheck.

He's not someone who stays after work to help his coworkers. And he's not the one who spends his nights trying to save as many people as possible. But he is the first person every citizen would name if asked to say something about the Mech program. He signs autographs, makes big statements, and promises people he'll protect them.

And people believe him.

And they love him.

A month later, he still can't remember anyone's names and sometimes calls people by the colors of their clothes, laughing as if they should take it as a cute joke.

Swerve is sick of this spectacle. Swerve is sick of this man.

That's okay.

It's not like fanboying over Blurr is Swerve's only passion.

He gets upset.

Then he gets mad and rips down all the posters.

Then he has no time to be angry because Swindle wants to launch Mechs into outer space and damn it, Jazz flies off the planet and doesn't fucking come back. The engineering department stays up nights trying to figure out where he's gone, but they can't.

Unlike Blurr, everybody loved Jazz.

Unlike Blurr, Jazz deserved every ounce of that love.

The ground beneath his feet is starting to shake.

At first, all that happens is panic. Everyone starts making a confused noise, someone assumes an earthquake.

A voice on the speakers says that everyone needs to evacuate immediately, but no one hears it because huge mechanical tentacles start coming through the windows and the whole building starts shaking, creaking and crumbling.

Sverve has seen the monsters humanity has to fight many times. But never this close. And their size leaves him absolutely terrified. These things are huge, they take up all visible space. And what's most damning is that they can break down the walls around Swerve like a fucking cookie.

He's gonna die. Oh god he's going to die, he's going to die, he's going to die, he's going to die, he's going to die, he's going to die, he's going to die here under this stupid rubble or get eaten or turned into one of the ugly bloody stains on the wall. His heart is doing a million beats a minute and his eyes are starting to sting. He tries to get to the emergency exit, but the door is blocked by one of the huge toothy creatures that is actively trying to get in.

Next to him, Swindle is shouting to someone on his comm, trying to sound louder than the rumble of the collapsing building and the hungry aliens.

The floor tilts at a very disturbing angle and Swerve grabs one of the interior doorways to stay in place. A second later, he reaches out and pulls Swindle, who has already slowly begun to slip toward the monster's huge hungry maw, to the same doorway.

Swindle grabs onto the frame of the door and Swerve at the same time. His glasses are cracked and his usually neat expensive coat is all dust and debris.

“It was a trap.”

Swerve can't hear a word over the grinding of breaking structures.

“What?”

Swindle almost slips and falls, but Swerve grabs him by the scruff of his coat and puts him back on his feet. Working in an assembly shop gives a man strong arms and right now he's very grateful for it.

Swindle makes a second, louder attempt

“It was a trap!!! All available pilots are now on the other side of the country! I've called for backup, but who knows how fast they'll get here.”

A smooth, silky voice comes from a walkie-talkie strapped to his coat.

“Ouch Swindle. So little faith in my professional skills?”

Swindle rounds his eyes

“Blurr??! Where are you!”

Blurr's voice sounds...not quite as it usually does. It's missing the habitual lazy note. The one that makes him sound like the whole world owes him money.

“Give me another minute and the answer will be 'here'.”

The building shakes again. Swindle swears so eloquently that Swerve can't help but admire it.

Swerve can't stand Blurr's smug face, but when he spots the first glimpse of blue metal in the window, joy floods his brain.

He usually associates Blurr with dumb nicknames, dismissive treatment, and commercials.

Now he watches the sleek, fast Mech lunge fearlessly at the monsters surrounding the building and thinks that. Fuck this. He's an asshole, but if he buys Swerve enough time to evacuate, he'll bring him a thank you card or something later. Though it's unlikely Blurr will care about that of course.

Swindle continues to shout instructions over the walkie-talkie. Swerve basically drags him outside by. He jumps up probably a full meter when very near him one of the monsters falls to the ground.

Blurr's Mech stands proudly on top of the fresh corpse and looks...actually really bad. Swerve knows that this particular robot was not built for rough, open confrontation. Its armor is too thin. Designed for speed and agility, not strength. He assembled it himself, after all.

Many of the plates are crumpled. Some are torn off. His legs are intact, but one of the joints sparks funny.

Blurr quickly looks around and Swerve unwittingly follows his example. The whole place is on fire. Office buildings are in ruins and a huge column of black smoke rises above the assembly plant.

Blurr's Mech drops to the ground and gets down on one knee. The plates on its chest are pulled aside and Blurr sticks his head out of the cockpit while simultaneously opening the visor on his helmet.

“Everyone okay?”

Swindle clutches the walkie-talkie

“The office areas are empty, but there still could be people left on the lower floors of the assembly plant. But we have no access there!”

Blurr drums his fingers quickly on the metal plate

“Fire?”

Swindle shrugs his dusty shoulders

“Something exploded at the bottom of the building. It's a real smelter down there.

Even if we send a Mech, it won't last more than a minute before it overheats. Or make the building collapse.”

Blurr's gaze becomes focused. Sharp. Swerve has seen that look many times on tough front line fighters like Jazz. On Blurr, never.

“'That's enough time for me.”

Swindle waves his hands

“Are you crazy?”

Blurr slaps his palm against the armor of his Mech

“This baby is light. Lighter than anything you've got! If anyone can do it without dropping the building, it's me. They make Mechs in the assembly hall, it's got high ceilings right?”

Swerve wants to snap. He wants to throw his hands up angrily and yell something along the lines of “you were literally there!”

Who else is down there on those lower floors??? Tailgate? Maybe Wheeljack? If something exploded, Wheeljack was definitely there. And probably closest to the explosion.

Swindle curses furiously, but retreats and runs off to give orders to someone else.

��”Be a hero if you want, but I'm not going in there. For all I know there could be melting metal in there instead of a floor! It's just not reasonable.”

Swerve's brain stumbles over that statement. Why...Swindle is acting like he's being forced to climb into that building too...?

Blurr looks nervous.

“You know what. Fine. I got it. Hey, you--”

And there it is. The good old namelesness.

Blurr pays no attention to Swerve's frowning face, nor his hands shaking with fear

“ You're familiar with those buildings. You know who was there and where to find them right? I need you to walk me through.”

Swerve feels the urge to snap again and this time doesn't hold it back

“If you cared about something other than yourself, you'd know this damn building and the people who work in it too and !”

“I don't fucking remember!” Blurr interrupts him.

Swerve doesn't have time to put anything in after that. Though a sarcastic comment is begging to be made.

Blurr quickly takes off his helmet and wipes the sweat off his forehead.

“I don't remember okay! This isn't a fad or posing or whatever else you think of me. This is what an accident can do to you if you miss a turn! I can't remember shit, okay?! Do you need a medical report?!”

Swerve just...stands there with his mouth open and probably looks like an idiot.

Blurr nervously tucks back his disheveled hair. The longer he talks, the faster he does it.

“Now. I know you don't want to die in a pit of fire. But I need your help to save them. Don't do anything, just take the map. I promise I won't let you die.”

He sounds determined. And holds out his hand to Swerve, silently inviting him to climb up onto the Mech.

His face is stained in sticky dust, his hair is an absolute mess, and his narrow palm is covered in streaks of soot. It's as if he's been dragged face down a muddy road.

He's. Very Handsome, Swerve thinks.

He takes his hand.

Blurr helps him up, pushes him into the space next to the pilot's seat, and closes the cockpit.

“Been inside a working Mech ever?”

Swerve clenches his hands nervously on the back of the seat

“No.”

The lights of the consoles around him come to life as Blurr puts on his helmet. The space around him hums. It's a strange noise. At once unsettling and calm.

Mech feels alive, he thinks. Then corrects himself. Blurr is mind-linked to this Mech. This Mech can technically be considered alive in a sense.

Blurr moves one of the monitors toward him and opens the map.

“Just mark the path here. Don't touch anything else. And hold on tight. I won't be going too fast anyway, but it'll be shaky.”

Swerve swallows nervously.

“Understood.”

After that, everything turns into motion. Watching the Mech work while being inside is mesmerizing.

Blurr doesn't say much, concentrating on the controls. His hands aren't shaking anymore, Swerve notices. Not even a little.

He steers the machine forward confidently and smoothly, dodging falling debris and avoiding the biggest pockets of fire without panic or hesitation.

He's also strictly following the path Swerve is laying out for him.

The air filtration system is doing well so far. Swerve can feel the smell of burning and the heat slowly creeping up, but it's bearable for now. For now.

They find a man on the nearside of the emergency exit.

Two more people a floor below. A small group stuck in the elevator.

Wheeljack's on the doorstep of his lab.

Blurr pulls them all out. Picks up the first group of people and carries them outside, goes back into the fiery furnace, finds more survivors, pulls them out, goes back, searches, rescues, goes back, searches, rescues.

The heat is coming up. Swerve can feel it. The plates around him are getting hot. The air smells like burnt wires.

Blurr’s Mech wasn't designed for this kind of thing.

His Mech was made to flash for the camera and accelerate to impossible speeds. To deceive and confuse the enemy. Its armor is thin and cools easily in the air, which usually helps it avoid overheating.

This also means that this Mech heats up very quickly as well.

Now, with the air around him feeling like a red-hot frying pan, Swerve regrets not saying anything back then. He regrets that he didn't make any changes to the blueprint.

More and more warnings pop up on the screens. The map stopped working correctly some time ago and Swerve is forced to give directions verbally.

He nervously grips the back of the pilot seat with one hand and, without noticing, Blurr's shoulder with the other.

Blurr carries two more people outside and hands them to the rescuers. Then turns back to the building again and. OH FUCK. Right in front of him, a huge crack begins to creep along the structure. This thing is on the verge of collapse. The roof is already starting to fold down in a very bad way.

Swerve clenches his grip fearfully and hears Blurr hiss through his teeth.

Suddenly, the cockpit opens. The fresh air of the street feels like a cold sledgehammer blow after the heat and stuffiness of the lower levels.

Swerve is about to ask something, but doesn't have time because Blurr uses Mech's hand to gently but quickly pull him outside and set him on the ground.

“You were going to mark another spot.”

Swerve nods hurriedly.

“Tailgate is still there.”

Blurr wrinkles his face.

Swerve corrects himself and clarifies

“Bright blue uniform. Short. Considering all the places we've been, I think he's in the staff quarters. It's...”

He chews his fingers, trying to remember numbers and directions without a map

“...two floors down, left, another floor down and straight ahead.”

As he speaks Blurr bends over the side of the open cockpit and spits...blood on the ground. His nose is bleeding, Swerve realizes. That's not good. It's a clear sign of a malfunctioning neural connection. Or damage to his respiratory system? Possibly both.

Blurr doesn't seem to notice his worried look

“Two down, left down then. Shit. Wait. Two down, left then down, straight ahead yeah?”

Swerve nods.

Blurr keeps repeating these directions like a mantra. A very fast and creepy mantra.

His gaze roams strangely and his breaths sound hoarse. His teeth and chin are covered in blood and his face is streaked with soot.

Swerve understands. He's about to do another go.

Two down, left, down, straight. Two down, left, down, straight. Two down, left, down, straight.

Alone. He's going, and he's going to fry himself alive in there for a stranger he doesn't even remember.

Swerve doesn't have time to say anything. What's he gonna say? Stop? But he wants to save Tailgate? Go on, I believe in you? But it's certain death.

Swerve rarely has nothing to say, but this time he can't find the right words.

Blurr wipes the blood with his sleeve, wrinkles his nose, and storms off, heading back into the flaming mess the plant has become.

Not twenty seconds later, the roof collapses, spewing a huge cloud of smoke, ash, and fire into the sky.

Swerve wrinkles his shirt nervously in his hands.

The walls are still in place, right? If the roof is gone but the walls are still standing it's... it's. It's.

Damn it. He's trying to remember the blueprints. It means the ejector will work. It means Blurr can still get out through the top. That--

Blurr's not getting out. As the small, bright blue escape pod appears above the falling walls of the building, Swerve feels his brain stop. Remember the blueprints, remember the damn blueprints. The Mech is light, the design is compact, the space in the pod is for only one person.

In the capsule lies an unconscious Tailgate.

Swindle grasps the radio

“Blurr? BLURR!”

Swerve looks at the smoke and ash and feels numb. He doesn't want to be here anymore. He has to know. He doesn't...

He feels weird. The same kind of weird as when objects fly seemingly through him. Everything just stops being real.

The thought comes out of nowhere. You don't have to obey the rules. You can see more. Just look.

He's not sure how or why he's doing it.

No one around him is paying much attention to him. Everyone's busy with survivors and damage assessment or just stunned by the chaos.

And him? He disappears.

And then he appears at the bottom. Under the rubble.

All around him is ugly, molten and red-hot chaos, but he doesn't care anymore. He feels like whatever is happening is about to end and he just has to be in time. Time for him to find out.

Blurr's Mech lies crushed by the fallen roof. Its cockpit is open. A gaping hole where his chest was, the place where the escape pod had undocked.

Wall debris has pinned him in a crooked, grotesque pose.

Blurr is here. His legs are wedged between crumpled metal plates inside the cockpit, leaving him hanging upside down. His suit is charred. Half of his face is destroyed. It looks like a horrible bloody and burned mess. It's ugly and gruesome.

Blurr opens his only working eye and gives Swerve a cloudy look.

“I must be seeing things...”

Swerve shrugs in daze. He knows he shouldn't be here.

Blurr spits up a mouthful of blood

“I'm sorry I hurt you uh...”

“Swerve.”

“Yes. Swerve. It's hard for me to remember things unless they're...akgh...hell... not in my face all the time.”

Swerve moves closer and frowns

“You know, that explains but doesn't excuse you.”

Blurr closes his eye and coughs. That sounds really bad.

“No...I guess not.”

He huffs off the blood again. The burned half of his face is oozing with it. The blood runs down his forehead, collecting in a small puddle on the floor.

“It was better than letting everyone know what's wrong with me. I can't even begin to think about the amount of messes I'd be dragged into.”

Swerve notes that the fire seems to be getting closer.

This whole bit of dialog is so unnatural. Who even talks about that kind of stuff before they die. On the other hand. Well. Character development?

“So you think it's better to have everyone assume you're a jerk than that you got your head screwed on?”

Blurr wrinkles his nose.

“ You're a very specific kind of ghost.”

Swerve shoves his hands in his pockets and looks away

“I needed to know. Before you die.”

“That's ...akghhh...ha....it's good to know. Can you tell me something Swerve? As..agh...

As a last wish?”

Swerve shrugs again. He stares at the dripping blood. At the ugly, bubbling burns. At the burst vessels in his eye and the paths of blood from his bleeding nose. He looks at the broken and scorched and dying bloody mess.

He looks at Blurr.

And he thinks, until today, he didn't really love Blurr. Not with the posters and figurines. Not with the disdain and dislike.

He loved an image. And hated an image.

He reaches out and tries to touch Blurr's hand, but goes through it.

“I'm sorry. But we're both not really here. And I have to go.”

He can feel the cold metal around him, which is strange because he's standing in the middle of smoking and burning ruins

“But if it makes you happy, I guess you're my favorite character after all.”

Blurr doesn't answer. Swerve isn't sure he even heard him.

The feeling of metal around him grows sharper.

Someone shines a flashlight in his face.

Swerve blinks stupidly and tries to move away.

The unknown Autobot medic standing over him smiles happily and puts the flashlight away

“Welcome back. You've been in a coma Primus knows how long.”

The other medic to the side frowns

“You have zero tact.”

Swerve blinks his optics puzzled, raises his servo and for a while just stares at it like some movie character. All around him is an Autobot medbay. Metal walls. Metal instruments. And him. Metal.

Yes. Seems so. That's the way he's always been. That's right.

“Doc, you won't believe what kind of weird dream I had.”

___________

Swerve feels like he's going crazy.

He's standing in the middle of a hallway on one of the Autobot ships, and he's staring. shamelessly.

There's Prowl standing at the end of the hallway. And on his shoulder is...

“ JAZZ????”

Both bot and human turn around abruptly at his scream. And both look equally puzzled.

Jazz waves his hand

“Do I know you?”

Swerve is definitely going crazy. It's Jazz. The same one. From his...dream??? But he's real and tangible??? Sitting on Prowl's shoulder, talking and breathing and being seen by everyone not only Swerve????

“You're...real...?”

Jazz raises his eyebrows

“I am. Yes. Really Mech, you sound very familiar.

But I can tell you for a fact that I have not been friends with any Cybertronians before...”

This can't be, this can't be, this isn't....

It was a dream. The spawn of his TV series-addled mind. A hallucination. It wasn't real. It wasn't, was it?

But Jazz is here. And he disappeared from Earth. And now he's here.

And.

What the..

Swerve blurts out something like “sorry-sorry-see-you-later-now-I've got to go” and runs off.

“HEY DOC????”

The autobot, already familiar to him, flinches

“Primus...Swerve? Is something wrong?”

Swerve realizes that everything is about to either make sense or lose it completely.

“Tell me...is it possible to project a holoform...like...very far away?”

The Doctor tilts his head.

“Depends on power consumption. If you channel all the energy available in a frame, you can go very far. But that would send you into a...coma...if you...tried...Swerve, is there anything you'd like to tell me?”

“Doc do you know where Earth is?”

“Wha...no?”

Swerve chuckles nervously and bites his knuckles.

“I don't either. But I think I've been there...”

[read-marx-and-lenin]

I'm not "kill all ai" type of person but are you implying that the technocrats wet dream is actually about the destruction of ownership and a path towards communism?

Anti-AI arguments boil down to either idealist nonsense (AI art has no soul!) or arguments that can be made against literally any technology under capitalism (it uses electricity! It needs water for cooling! The industry exploits the developing world!)

AI art is not going to bring us closer to communism any more than any other technology. That said, the progress of technology furthers the material conditions that form the basis of communism. Communism is not possible without a developed industrial base. It is important to look at technology not only at how it is being used now but also how it could be developed and better used in the future. Otherwise, we end up as Luddites or anarcho-primitivists. The present state of things is not the only possible state of things.

It is likely that, were generative AI better developed and refined, it could be a great aid in the creation of works that would otherwise require entire teams of people working manually. Manual labor is not a virtue. It is merely a necessity, and reducing labor requirements only threatens the financial security of workers under capitalism.

Right now, any workers facing unemployment or overwork due to automation via AI or other means should absolutely organize together and demand protections. But the culture war demonization of AI as some unique evil that threatens the sanctity and purity of art is reactionary and idealist, especially when it is bound up in intellectual property apologetics. If we don't have the correct view of AI, then we risk taking incorrect steps to combat any threats resulting from it.

The strengthening of copyright law, for example, is very much an incorrect step that would only serve capital at the expense of the masses. We should not be defending bourgeois and petit-bourgeois anxieties surrounding their property rights as if they have anything to do with the concerns of proletarian artists who are at risk of being laid off due to automation. Ensuring that IP holders get royalties from AI generation will not save jobs and will likely have ripple effects that threaten archival projects, search engines, and fan works. Not to mention that it would make any open source generative AI models basically impossible to develop or distribute legally.

So no, AI will not bring us communism. But reactionary anti-AI backlash will certainly not help either.

[vladdyissues]

hey speaking of giving them good things out of pure seething spite

assorted badger cereal AND cheese melt fluff?

-reveal gone wrong. Fentons are supportive, but reveal happened in front of GiW, which means government agents now have his identity linked to a ghost caught on camera causing mayhem and destruction. don't matter how ultimately ineffectual OR competent you make them, Danny Fenton's in deep shit now.

-but hey, Vlad's got himself some connections! Danny Fenton disappears. Daniel Masters appears. Big bro to Danielle Masters, yes he's always existed, of course he's not Danny Fenton, Phantom is still appearing in Amity Park, there'd have to be a portal in Wisconsin to pull that off.

-Danny expects to feel isolated. Instead? Gets to have extended ghost family like his new gremlin little sister, gets to have a home schooling experience that means he isn't pressured to keep a schedule broken by ghost attacks, gets to visit through the FentonWorks lab regularly.

-And Vlad seems to have chilled the entire fuck out with two half-ghost kids to Obsess over parenting.

-although if he's going to live in this house Danny is damn well going to learn to make his own ghost-tech and learn the value of an honest day's mad science.

-(Vlad didn't bust his ass learning to solder at a professional level for a field of technology so experimental no one credible believes it exists just so Danny could get desparate and use tech as a projectile)

-and it's really nice having lab safety respected so the food doesn't reanimate.

-and he can just use his powers whenever, however.

-huh. with homeschooling getting easier all the time, maybe he could take up a sport? you don't need to attend a school full time to do that, right...?

-best revenge is living well. Or in this case, enabling such for a kid who just says the saddest things about his home life without realizing

-seriously it makes Vlad go "mine nao" on a deep, irrevocable scale.

-also fucking no one believes Daniel Masters is Danny Fenton because they've a: met his little sister, and b: seen them interact. you're saying these two didn't have the same parents and grow up around each other? (And the fun thing is: technically, Dani being a clone means BOTH of those are true!)

-something something "what do you mean I qualify for scholarships?!" + realization he's actually smart he was just being forced to triple shift his life and it was the worst thing he could have possibly done

I am the biggest sucker for Danny unexpectedly thriving under Vlad's care due to having all of the opportunities and special attention that come with being filthy stinking rich. (That's basically what I'm doing in Familiar.) But having a place where he finally feels comfortable being himself and having people he can relate to? Priceless.

his new gremlin little sister

Can you imagine how awesome Danny is going to feel when it finally clicks that he's not the youngest child anymore? That he's a "big brother"? I think he'd be over the moon. (Mostly. I've heard stories of little sisters.)

an honest day's mad science

ALSKDJHFLAKJSHDFLAKJSDHF Vlad inadvertently switching on Danny's dormant mad scientist gene by demonstrating how to Science Correctly while observing proper safety protocol and making it look really fun and cool—something his parents always wanted but never managed to do—is delicious. Two helpings, please. Heap it on 🍽

[elizabethemerald]

The Meeting

The Beginning of the New Pantheon: Part 3

Masterpost

“What do you mean, what?” Cassie demanded. “Do you know about Olympus and the Hellenic gods?” 

“Yes, we know about the Greek gods!” Sam snapped. “We’re not stupid you know!” 

“I’m just asking!” Cassie put her hands up in surrender. “I wasn’t certain if I had actually stumbled into an alternate dimension where instead of Olympians the domains were managed by sentient mayonnaise and the oceans were filled with shredded cheese.” 

Her statement knocked both of them onto their back foot in a way that announcing she was on a mission from Zeus didn’t. Maybe they were used to higher powers reaching out with missions? 

“Has that actually happened?” Tucker asked. 

Cassie took a moment to think about all of the weird alternate realities she and Young Justice had gone through. 

“Uh… not exactly, but pretty close sometimes.” Cassie said. She pulled out her JL comm “Anyways! I’m going to call for backup. I can explain more once they are on the way.” 

“You probably won’t get very much range on that thing.” Tucker said, looking at her comm. 

“Wha…t?” She looked down at her comm in confusion. 

The top of the line Wayne Tech communication device that Red Robin had personally modded and improved even beyond the rest of the League’s equipment was now a generic two way radio. Like something fresh from the box at Radio Shack, from back when Radio Shack still existed and was popular. Her confusion changed to mounting horror as she pulled out the palm computer that was capable of hacking into the pentagon and instead revealed a flip phone capable of playing snake (maybe). 

“Ok, while not an alternate universe full of mayonnaise, Amity Park is still apparently trapped backwards in time, and all technology is forced to match. Cool. Cool. That might make calling for help a little difficult.” 

Sam looked sympathetic as Cassie tried to contain her freak out. Tucker looked curious at the thought of whatever advanced technology that might be available outside the city. Cassie took a deep breath and steadied herself. 

“I’ll go for help personally as soon as I can, but in the meantime, I’m here now. If you two or Phantom need any help, I’ll do whatever I can.” Cassie declared, her voice once more steady and sure. 

“How do you know Phantom?” Sam demanded. 

Before Cassie could respond or explain, a wailing claxon sounded, the loudspeakers screaming a warning of some kind. Both Sam and Tucker tensed and Cassie prepared for a fight, whatever was coming, she would be here to help. 

.

Donna gave a small sigh of relief as she touched down just outside Titans Tower. Nightwing was there to greet her, and it was clear that the rest of those she had asked for were already here. She led the way to the Tower’s war room. By the time she had settled at the head, the rest of the table was full. Not everyone present would be part of the New Pantheon, but she knew those who would be needed the support from the rest. 

“Thank you all for meeting me so quickly.” Donna started. “Diana, Cassie and myself have just returned after being summoned to Mount Olympus by Zeus himself.” 

Everyone in the room sat forward, laser focused on her. She had to take a steadying breath. Sure, Zeus had named her the next Queen of Olympus, and it would be her duty to guide and lead the New Pantheon, but she was not alone. She had friends here, allies, some who would share the responsibilities, some who would willingly follow her orders. They could take the domains of the gods and make something better of them, for the whole planet. 

“They gave us dire news, and a mission, a larger mission than any we have faced before.” She watched as the others tensed, ready to spring into action, so she raised her hands a little. “The Earth is not currently in any danger. The threat that they foresee will come in decades, not days.” The room relaxed, the air feeling breathable once more. “Since we have been given the time to prepare, we can prevent what they predicted from impacting the denizens of Earth.” 

“Well then, what is this threat, so that we may vanquish?” Damian demanded, his hand tightly grasping a weapon, his chest puffed out so he could make up for his short stature. Donna carefully hid, her grin, he would not appreciate being taken less seriously. 

“The Gods of Olympus are dying.” Donna said, then she continued on to explain what she, Diana and Cassie had been told. 

“I’m not certain I trust when they say that there is nothing that can be done.” Red Robin said, leaning forward while he thought. “We’ve faced impossible and improbable before and succeeded.” 

“That’s true, but in the meantime, we should consider the option that has been provided, successors to the gods chosen from among our numbers.” Donna said, she knew no matter what she said that there would be some of them who would try and find an alternative, she wasn’t certain there was one, Greeks in general and the Olympians in particular weren’t known for giving up without a fight, at least as long as they had any other option. 

“Who was chosen to be a successor?” Impulse asked, then zipped around to the other side of the table, an armful of snacks appearing in his arms. 

“I was chosen by Zeus to be his successor and the next Queen of Olympus.” Donna said. 

She had mentally braced herself for disparaging remarks or someone contesting her potential rule, instead she was surprised by the outpouring of support from her companions. Everyone seemed to feel that Zeus had chosen well and that she deserved her future role. 

“You definitely should be Queen, but I’m kind of surprised Cassie didn’t end up as Zeus’ successor considering the whole lightning lasso thing she’s got going on.” Kon said. 

“Cassie was chosen by Ares to be his successor.” 

Donna could see the other three members of Young Justice scowl at the God of War’s involvement, except Dick quickly snapped his fingers at them. 

“Hey let’s keep our diplomatic faces on for the time being. I’m sure some of us aren’t happy with some of these decisions, but the last thing we want is for this to devolve into an unnecessary conflict with the Olympians.”

She smiled at him, glad for his support. The Olympians ruled through a monarchy, and the League teams knew they needed a single leader during a crisis, but maybe this New Pantheon could rule with something more egalitarian. 

“And speaking of our Boy Wonder, Nightwing, you were chosen by Apollo to be his successor. The League’s Sunshine boy will be our God of Light.” Donna announced with a smile, but when she met Dick’s eyes she knew he could see more truth in her words. Apollo was not just a god of light, he was also a God of Truth, which made perfect sense for a detective like Dick. Plus there were few who could equal Apollo’s wrath when scorned. 

“Wait, does that mean he’s your kid?” The younger Superboy, Jon asked. 

“We are not literally becoming the gods, we are taking their place.” Donna said quickly before anyone could get any weird ideas. “So no one needs to marry their sibling, no one needs to eat their children, and I will not be leaving a bunch of demi-god bastards all over the planet.”

“If Cassie was chosen by Ares, where is she?” Impulse asked. “Did he already make her a god and we missed it?” 

“No. The Olympians agreed not to elevate anyone until all of their chosen successors were together. Cassie went to make contact with a group of heroes who were not in the League database.” Donna watched as Red Robin frowned and started to type on his wrist computer. “According to Cassie they weren’t even on the super secret Young Justice only database that the rest of us are supposed to pretend we don’t know about.” 

His frown grew more pronounced and Dick smiled and reached over and ruffled his hair. 

“So who are these heroes we’ve apparently never heard of, but have caught the attention of the Olympians?” Dick asked, half to take the attention off Tim and half out of genuine curiosity. 

“None of them have names I recognize, half of them don’t even have hero names, just regular civilian names.” Donna replied as she pulled out her copy of the list. She had less information on the new heroes as reaching out to them wasn’t her responsibility.

“Maybe it's something like Constantine?” Stephanie asked. “He’s always just known by his full name, even though his enemies call him the Hellblazer.” 

“They could also face magical threats of some kind.” Raven said, her hair floating a little and the shadow under her writhing for a moment. “Demonic incursions are usually handled without the input or knowledge of the rest of the League.”

Donna bit her lip. As a demi-god, Cassie was one of the better members of the younger heroes to face a magical threat, but it was very possible for her to get in over her head. She would trust the younger girl, but if she didn’t report back by the time the rest of Young Justice and the Teen Titans were informed and gotten over their respective fits about it, she would have to go herself to ensure that Cassie was safe. 

Though how much trouble could she really get into in the middle of the country?

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[here-there-were-dragons]

does anyone else remember that time during when every single thing had these super high definition detailed 3d renders of incredibly glossy hyperrealistic blobs of water undulating and wiggling in very specific tiny ways to show how they could get the simulation to do realistic details so tiny and complicated on it, even when the thing is question had absolutely nothing to do with water, because the technology to render it like that was new and everything was trying to seem cool by going ‘look how real we can make this now’, where someone would have had to draw that before and would likely not have done as convincing a job?

[al-luviec]

compiled whatever this is (and I run out of tag space)

meh HoT gifs (3/?)

[doriansbutt]

Lairos Aldwir aka Rook

[independent-fics]

Every time I rewatch leverage it makes me miss my flip phone.

[darabeatha]

/ I think f.ate moved way too fast on o.dysseus

[keferon]

Sorry in advance for the word vomit but. I love the whole Jazz-and-Prowl figuring out the language barrier but also consider:

They don't.

Prowl's been captured by Quintessons and is currently thinking of ways to completely scrape his processor so they can't get any useful data, only to get rescued by a random mech. They fight their way out (the mech is extremely proficient in combat). At first he thinks it's a drone- it looks at him when he asks questions but doesn't answer (responds to noise, not language), it is sparkless (not alive) and it makes random but entirely incoherent noises and doesn't even ping (not able to communicate). Prowl has no idea what's going on but he's too injured to make it back to base alone and it's helping him? So. He chalks it up to some waylaid stealth military asset and tries to think of ways to both get it back to base whilst also making sure it's not some sort of Quintesson Trojan-horse [10%].

Meanwhile, Jazz was sent to blow up a Quintesson command camp by his organisation but instead he got thrown through a weird portal, and found a pilot all tied down and probably being tortured so naturally he busted him out but uh. He has no idea what the other is saying. He's talking in total tonal gibberish. Not that he's judging, he's heard some stuff about how far other piloting programs are willing to go to advance neural technology. And his face! He has one! A handsome one. Must be some advanced shit because he's got micro expressions and he's using them to frown as him. Anyways, Jazz's got bigger fish to fry. The sky's a different colour, there are two suns and atmo is reading terribly low levels of O2. Maybe he and this pilot got thrown into an alien planet? Cool- well, actually pretty bad but hey they're in this together.

Prowl knows by models that they're bound to run into another Quintesson patrol eventually, and based on the drones alertness to its surroundings, his previous observations to its capacity to fight, and how it doesn't stray to far from him, if patrol numbers are favourable [1-8 range] they can survive [70, .5]% the route back to base. But the drone is reckless and abandons him to the melee (how can a drone be reckless?) and Prowl gets injured worse. Energon drips from wounds, and the angle makes it challenging for him to patch it. But the drone creeps closer, folds to its (knees? Its joints are in an odd but effective configuration) and gently (gently?) begins to mimic (clumsily) Prowl's motions of patching his wounds. Here is where Prowl falters, because drones are not so careful. Drones do not do not look up multiple times at his faceplates, and become more delicate when they see you in pain. Drones don't hold out a servo and help you to your pedes when your done. Which begs the question, if he's not a drone, so what has been done to this mech?

Jazz on the other hand is freaking the fuck out. Naturally. Because uh, he started slicing Quints, expecting Frowny to do the same because his mech was still clearly operational, only for the idiot to completely disregarded normal combat standards which can be summarised as 'fight hard or die' and instead get chewed on by some big ass teeth.

Only to see the glowing purple dripping from his torn sides, only to see that he's bleeding.

Machines don't bleed.

So Jazz figures out Frowny is an alien first. He starts pointing at himself and saying his name, insistently, until Frowny repeats it. He points at Frowny, and records and replays whatever sound bite Frowny makes until Frowny's also nodding in confirmation. He still calls him Frowny, because even though he has his name? Probably? He has no idea what it means and can't actually pronounce it (no idea how to get a mouth to move that way) but hey! Progress! He does this again and again with small things (rock, hand, cyber?animals, music (Frowny's confused at that one it's pretty adorable) ect.

Prowl has no idea what to make of this strange mech. Is he a failed experiment? A runaway from Cybertron following the Functionalists rise or power? Thennn Prowl finds out one fateful night that the mech is actually an alien organic (in a fit of misunderstandings, and squeezes him pretty hard for it ouch and feels SO guilty about it later) and suddenly the language/culture barrier makes way more sense.

Prowl's injuries degrade (a line splits). He has no way to communicate this except for the energon dripping out of his chassis. The organic is clearly worried (how did he think he was ever sparkless), and Prowl can't reach the injury himself. So he guides the mech's servos past armour and wiring, down to protoform (near his sparkchamber) to the split line. Gestures and hopes the mech can figure out what to do from his miming[#^%]. That'll he'll be careful, and won't hurt him [5%, 87%, #*%, *########%].

Frowny is later picking shrapnel stuck in his forearm that's too small for him to remove, so Jazz gets out of his mech to help with his small human hands. Jazz has no way to communicate to Frowny that if he moves, he'll sheer Jazz's limbs clean off, but he goes in anyway, because Frowny's hurt, and speckled in blood. Because he's clearly struggling and hurt and tired. Because Jazz has to trust that he won't.

Frowny's injures eventually make him collapse, and Jazz carries him the rest of the way. Jazz has no idea how they'll be received (especially considering how Frowny reacted when he found out Jazz was organic). Jazz knows he might be dissected. Knows he might be pulled apart (again) but.

He remembers all the little moments they had on their journey (Frowny shielding him from falling rubble when Jazz was out of his mech once, them getting to gesticulating arguments, Frowny's reaction to his music, how he fell asleep on Jazz once and it was fricken adorable).

It doesn't matter that Jazz can't say (barely understands) his actual name. That Frowny probably doesn't understand his. It doesn't matter that they talk in halting miming, in broken sound clips and touches and half-glares.

He's already gone out on all his limbs, might as well put his head on the chopping block. And if it causes him to lose the damn thing, well.

He's a pilot. Dying horribly is practically his job description.

OOOUUUUGGGGGHHHHHHHHH DYING HORRIBLY IS PRACTICALLY HIS JOB DESCRIPTION,,,,,,,,,,,

[hua-fei-hua]

today i learned that we weebs are responsible for the existence of the .ass file type. #heritage

[rizadyke]

Books need to be broken in the same as a pair of doc martens

[july-19th-club]

the major appeal of the Corn Maze is tapping into the human experience of Being Surrounded By Maize During Harvest . i love you corn and i love walking in circles under an autumn sun while you rustle gently and smell exactly as you always have for the past many hundreds of years at this same time in this same spot. effervescent

[sskk-manifesto]

(｡･ω･｡)ﾉ♡