#'in spite of everything i've done' like END ME

[raayllum]

even Callum and Rayla having their moments of trust in 6x05 ("That's crazy Rayla, look at it" "I know it in my heart, you have to trust me" and his nod/support) and even from previous seasons ("It means I trust her, unconditionally") versus Soren and Viren's relationship breakdown ultimately coming down to feeling Unsafe and the lying, and Soren mandating (for his own safety now even though Viren has changed) that "Everything you're saying to me is just some kind of lie! I'm not going to let you manipulate me again!"

[seven-stars-in-his-palm]

the thing i love about bill cipher is that even after i've learned all of this stuff about him, seen him at the most vulnerable he'll ever get, seen him at his most innocent, i still can't give a flying fuck about trying to justify his actions. yes he's traumatized, yes he was twisted into what we know today, and while it gives a semblance of context to why he did what he did, it doesn't matter. he still ruined ford's life. he still drove and baited multiple humans to suicide. he still tormented every human he saw as his ticket out of the consequences of his own actions. he still took delight in his actions. he was willing to commit genocide for fuck's sake!!! (freezing all of the humans into statues). trying to explain away what he did does not get rid of what he did, but it certainly puts it in perspective. you won't be catching me being a bill apologist any time soon <3

[maxwell-grant]

The Penguin: Episode 1 Breakdown

(Episode 2) (Episode 3) (Episode 4) (Episode 5) (Episode 6) (Episode 7) (Episode 8)

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

[lessi-lover]

the not so very well hidden II b.mead x v.miedema

summary: beth seeks help on how to manage with a newborn baby ★ the not so very well hidden II b.mead x v.mediema

beth and viv hadn't exactly tried to hide you away from anyone. it was just how it seemed to work out in the scheme of it all. with the amount of commitment it took to get through not one but two acl injuries, announcing you was the last thing on their minds. and so, you stayed in shadows away from the media.

beth didn't exactly know how comfortable she felt sharing her and viv's journey of adopting you a couple months past the first round of surgeries, and she definitely wasn't sure of the reactions that would spur if they did tell end up telling anyone.

on the other hand, viv wasn't at all bothered about telling people that they had decided to adopt a baby girl. she honestly enjoyed watching the attention you relished in by her friends and family, although she didn't think she'd get used to them showing up unannounced.

they had kept it tame, only introducing you to a couple of family members, then their cousins and aunts and uncles, and then finally a few close friends. it had all gone perfectly, you and your inherent bubbly nature entertained all of their friends to no end and nobody could stir away from your toothy grin and loud giggles.

it was only when photos of beth and viv walking around with a toddler surfaced on twitter that beth realised how much you would actually be exposed if they were to reveal you to the world.

she didn't like the thought of that.

she wanted to keep your smiley face and bright eyes away from the cruelness of social media. she wanted your first steps and your first words to be a private moment that would just be for her and viv, so they kept you a secret.

"what's on your mind beth?" steph, one of beth's closest friends asked. the two of them had been sitting on the porch, the both of them sipping their tea in silence as they watched the last of the sunset.

the australian had been worried about her friend for a few weeks now, the usually cheerful blonde always the one to make everyone else smile, but lately she just seemed so distracted and out of it from what steph knew of her best friend.

beth sighed, setting her cup down on the wooden table. "it's about y/n." she began, her voice warm even as she spoke so worriedly. "i've been thinking a lot about whether or not we should tell everyone about her."

steph nodded, understanding immediately what her friend was talking about, she had seen a few posts about the 'mystery baby' online but chose not to mention it in spite of comforting beth. "you and viv have done a great job keeping everything private. but why the sudden concern?"

"photos of us with y/n are all over twitter," beth admitted. "it just made me realise just how much exposure to the public she would get if we went public with the whole adoption. i don't want to expose my baby to the harshness of social media."

"viv's not as worried about it," beth continued, trying her best to explain how she felt in hopes her friend could offer the advice she usually would. "she enjoys seeing buttercup interact with our friends and family. but for me, it's different."

steph was on the edge of her seat, her hand moving to beth's knee as she saw a few stray tears escape beth's eyes, the tears dampening her top as she tried to muffle her cries.

"mum never got to meet her, and that still hurts. by the time i realised how sick she really was, the adoption was out of the question and i just wanted to be with my mum."

steph squeezed beth's hand, her expression softening from the one she sported just ten minutes ago, never having seen the fellow blonde so distraught and upset. "i can’t imagine how hard that must have been for you, beth. your mum would have loved y/n."

beth nodded with her lip between her teeth, tears welling up in her bright eyes. "i know she would have. she always wanted to see me happy and having a family of my own. it just feels like sharing buttercup with the world is letting go of something so personal, something my mum never got to be a part of no matter how hard she tried to stay with us."

steph took a deep breath, choosing her next few words carefully, she didn't want to mess anything up given how hard it must have been for beth to share this with her. "you know, sharing buttercup doesn’t mean losing those moments you have as a family. you and viv can still have those special memories, you can control what you want to share and what you keep just for yourselves."

beth nodded, appreciating steph's support even when she had just thrown this into her hands with no warning. "viv and i didn't exactly hide buttercup. it just sort of happened with how everything ended up coming together. two acl injuries and the adoption process.. it was overwhelming to say the least."

"you've both been through a lot," steph acknowledged beth's words, nodding along so the blonde knew she was listening. "how did the the introduction to your family go?"

"it was perfect. little one charmed everyone who came. they couldn't get enough of her actually," beth smiled fondly at the memory. we started with close family and then we moved on to our other friends and of course you."

"see, she is already loved by so many," steph pointed out, remembering how you giggled when you first saw her and reached your small hands out to grab her hand to pull her even closer than the aussie had already been. "maybe it's time to let the rest of the world know. on your terms, of course."

beth sighed, deep in thought. "i just want to keep the special things private. those moments are for us to enjoy."

"and they will be," steph assured the blonde. "no matter what, those moments will always belong to you and viv. nobody can make them any less special than they are to you. you can control how much you share with the world."

beth looked at steph, her eyes filled with gratitude. "thanks, steph. i needed to hear that."

"anytime, beth. whatever you decide, i'm here for you," steph said, giving her friend a reassuring smile.

[wosoluver]

There's a place for you hc

Part 1

Claudia Pina Masterlist

Patri Guijarro Masterlist

Little moments

──✩₊⁺⋆☾⋆⁺₊✧──

"Vicky! Come back here!" you yelled running after the younger girl, that as usual made everything in her power to have fun annoying , not only you, but the whole team. "That's not funny!"

But before you can mutter another word, Patri trips her, making Vicky fall hard, face first into the grass, dropping your phone.

"Be careful, Alexia will kill us if she gets injured!" you say hitting the back of her head playfully.

"A 'thank you' would've been nice!" she follows, looking up to you.

"Thank you, my knight in shining armor for saving the day once again!" you say mocking her a little.

"Oh just kiss already!" says Cata from her spot, sitting next to her friend on the ground, while Pina looks amusingly at the scene. And at the constant bickering between you two.

"Don't start giving Y/N ideas!" said Lucy.

"You know she'll take them!" completed Ona.

You only shook your head laughing as you walked away not entirely denying it.

──✩₊⁺⋆☾⋆⁺₊✧──

"Bon dia, meus amors!" you say coming into the gym to start the workout for the day.

You noticed that Claudia, usually playful and cheery looked a bit tired and not in the mood at all to be there.

"Hey, anything up with Clau?" you said coming to do some pushups next to Patri.

"Uhm not really, she's been like this all morning. Almost got attacked for asking if she wanted a bit of cinnamon on her coffee!"

"Who even puts cinnamon on coffee?" you gave her a disgusted face.

"She does! Well, sometimes."

You decided to follow the girl into the locker room after you were done.

Claudia was taken by surprise when you hugged her, sitting next to her. She looked up at you, questioning silently.

"You look like you need a hug." giving her a small kiss on her temple. "I can get you a warm towel you can use as a heat pad, if you want?"

"How'd you know?"

"We have a similar menstrual cycle, and I've heard Guijarro almost lost her head this morning. And honestly that's exactly what I feel like doing, when I'm on my PMS."

"Thank you." she said as you got up to get what she needed.

Jana shook her head wondering when would you guys ever move out of the friend zone.

──✩₊⁺⋆☾⋆⁺₊✧──

"You, Cata, Salma, Paredes and Ona with me." said Patri pointing at you, picking out her team for the day's training.

"Not again!" you said with a groan. "Alexia please! I want to be in the winning team at least once in my life!" you said looking at the older woman who was captain of the other team, adding a small laugh at the end.

"Maybe if I didn't insist on picking you as a defender every time, we wouldn't be losing!" Guijarro rolled her eyes in annoyance.

"It was just a joke," you put your hands up in defense. "I love doing charity work." you said looking at the others in the group. "No offense guys."

They laughed along, knowing you just wanted to spite Patri.

"Since you're being so selfless today, can you please manage to stop Pina's attacks?" she says back with a clever smirk.

You only passed her the ball while sticking out your tongue. And she remembers wishing she could have you doing that in between her legs.

──✩₊⁺⋆☾⋆⁺₊✧──

You guys got ready to play yet another clássico. The superiority of Barça was already proven, but it was still a lot of fun work, for you to deny them goals, and for your teammates to get the ball past Misa, as many times as possible.

You greeted your rivals as the game was set to begin. The game had been heated as usual, a lot of fouls committed, and by the second half you had already received a yellow card, a few substitutions were made by the 65' minute mark, and Pina joined the game.

You tried your best to keep it in your lane, but you didn't mind dabbling into other positions, so when you had the chance to cross a ball to Claudia, you did and she managed to score beautifully, after a solo play.

You ran along to hug her and celebrate. You had been in a group hug, when she interlaced her fingers around your head pulling your forehead to hers, giving you a slight nod. Sharing a sweet moment, blending your beads of sweat together.

Pulling apart you noticed Patri holding onto the both of you with a big proud smile.

──✩₊⁺⋆☾⋆⁺₊✧──

"Can't wait for the day to be over." you sighed disappointed.

Today had been a tough one. It seemed like every other play you tried to complete failed, your passes weren't assertive enough and you held yourself to high standards and maybe too high for your own good.

Having a bad day felt like the end of your career, ignoring completely the fact that you were a human being and that lows happen.

"Can't take another ten minutes huh?" teased Patri.

"Stop it." you said, brow raised warningly at her. It wasn't like you to cut the jokes short.

"You look stressed." changing into a concerned tone.

"I am." you said barely above a whisper. You weren't one to talk about how you felt, not when it came to your unhealthy relationship with work.

She only nodded her head, putting her phone on her pocket.

"Hold this?" she said handing you her water bottle. "Okay, hop on."

"Why?"

"I'm piggybacking you to the locker room." you two shared a moment of silence as you gave in. Feeling thankful for that small favor, from her.

──✩₊⁺⋆☾⋆⁺₊✧──

Lovely anon, thank you for this idea! I love it so much, I just don't want to give away the plot yet! 🤭 that's the only reason why I haven't attached to your request.

Already have three parts planned for this!

Good to be back! 🩷

don't forget to like and share!

[biggest-geo-oogami-enjoyer]

Hello! I was wondering if you could write hcs for how everyone would be at a carnival?? Thank you<3

The Best of All Amenities (All x MC/Reader - Carnival/Amusement Park HCs)

I'M BACK MOTHERFUCKERS >:D

Hello my beloved Anon, I hope you have an awesome day/night! <33 Thanks for letting me write this for you, and I'm sorry for the extreme lateness of this. I'm on my knees right now forgive me Anon raaaa.

Btw I'm getting back into the habit of writing so cut me some slack for this one. I'm also not experienced with carnivals at all so I apologise for potential inaccuracies my dear. </33

Post-Completion A/N: I just realised this said carnival instead of fucking amusement park I'm so done. I tried to make it work for both I'm sorry Anonnie. i'm sorry but have this anywayy because i've never been to a carnival and don't know what the hell goes on there and also I am kinda silly and if this is inaccurate I apologise

T.W.: Mentions of vomiting.

- Signed by biggest-geo-oogami-enjoyer

Amenities: something that helps to provide comfort, convenience, or enjoyment. 

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Brittney is a walking carnival let's be real.

Like her hair screams classic circus-tent except the white and red is pink and blue.

Would get cotton candy and judgmentally eat it while surveying the rides.

Y'all would be going around looking at everything.

She's probably gonna try to not get on anything because she's shitting herself at the thought of getting on a coaster frfr "not bothered".

Will carry iced coffee around, she somehow has an endless surplus of coffee. It's genuinely terrifying.

You both will wander around and gossip, along with judging the outfits of everyone else like it's a fashion strip.

Will get angry af if the line takes too long.

Will get on at least 1 ride out of spite, ends up almost vomiting. "Never again."

Y'all are paparazzi tho like shit's crazy with how many photos you both take of each other. shame it ain't the kinky kind

Deryl would go berserk. Like this boy will literally lose his marbles from joy.

If you invite him to any gathering, amusement park, carnival (hell any park at all), this boy will be dragging you everywhere.

Indecisive about where to go.

Very indecisive about what to eat. he'll harass you for food teehee

Is the type to get really excited about rollercoasters, until it's your turns to go on one.

In that case he'll start panicking.

You'll have to convince him he's not gonna die.

Will be quaking in his boots from fear.

Don't worry he gets on the ride anyway. Especially if he gets one from you after.

Will just be having a blast despite the terror tbh.

Will not go into any haunted house tho.

Like he will sprint out of there.

You'll have to run after him so he won't get lost lmfao.

Will expect emotional support from you after.

You both have a massive ton of fun tho prepare for more bedroom edition fun later.

Jess will be sceptical.

Don't get her wrong, she'd love to go.

But she's shy and a massive homebody.

and can't socialise to save her life

When you both get there, she'll be overwhelmed by the amount of people.

Sorry broski you're gonna have to do the talking.

Will be scared af of the rides, will clutch onto you for dear life.

May be the type to silently vanish and reappear because she's a midget often caught up in staring at venues and looking at things.

Will be the type to just cling to you tbh

She's either glued to you or unstick so hard and fast she'll teleport to the other side of the planet.

You'll probs take photos tbh, she does have an internet influence.

Y'all will be discussing each others' fav idols and celebs over desserts.

And of course loving each other's company and hopefully bodies.

Crowe will be happy to go wherever with you.

So he'll def be willing to do anything at this entertainment complex.

Yáll are probs gonna grab some snacks and take more mellow rides tbh.

He doesn't seem the type to like really violent ones.

Will probably be the type to just observe you go on a ride.

Will also take photos. He wants to admire you remember this day. <33

Will hold your drinks as well.

Will just serve as your porter and server let's be real.

He'll def go on the more chill rides tho.

Will even let his hair down to feel the wind. >:]

and also so you can pull it ngh

10/10 hair pulling sesh would do again yeehaw

You both have an epic day together. Time for an even sexier night

Hyugo would have already been dragging you places.

So when he stumbles upon the existence of this place, you bet he's taking you there.

Y'all are gonna be fucking parading around.

He's gonna just *point* somewhere and you're going.

Like it's not even a question or a debate.

He'll have a maniacal grin on his face while doing it too.

i'm scared send help

shawty getting a tad cray cray here

You're going on a ride hehe and he's gonna stare ahead very intently, grip the steel bar and have a very spoopy grin on his face.

Has a blast.

Y'all go everywhere, you make time for everything.

He'll shoot people in the line to make sure you have time teehee

y'all wont get arrested cause his daddy's got money

Oh. And candy.

You both eat all the candy.

You both also spend like 2 hours vomiting because of how much candy you had.

10/10 would puke guts out again.

But you both genuinely just have a blast. Shame it ain't a blast of smth white and sticky.

Geo will spawn at the venue with the most monotone expression ever. he's still shocked you invited him teehee

Will recoil at the sight of the massive crowds, will probably drag you off somewhere quieter.

Alas there aren't that many 'quiet' places to go to, so he'll grow to tolerate it (because of you and only you).

Will be the type to order food that he knows you like felt like getting, gives it to you anyway.

Will not be caught dead going on a ride, the screaming irritates him too much.

Unless you beg enough, then he'll do one of his choosing. (it's the most violent one because he wants you to stop calling him a scaredy-cat).

Will be dead silent the whole time, gets off unfazed AF (he'll be hiding his nausea dwdw).

Will also probably hide his face because...his influence, his reputation, (his beautiful sexy face), the fucking paparazzi.

Will probably try to make you go somewhere else with him after, like a cafe or smth, somewhere 'peaceful'.

Does enjoy himself though, will probably not admit it due to...pride.

Only thing is; nowhere's more peaceful than your bed teehee

Sol literally will be squealing with joy if you ask him to go anywhere with you.

This man is too down bad to live.

May or may not buy ice cream so he can watch you sensually lick it.

This bastard will 110% enter any form of haunted house just to see if you'd (hopefully) cling to him.

Will end up clutching your hand either way. <333

Everything is on him, like. E v e r y t h i n g. even you!!

You can't pay for anything, 'tis illegal.

Will be the type to just sit on a ride and hold back a smile because he's not bothered to scream like everyone else (he hates it when people do that, will probs wear headphones for the noise), so he'll just sit there and quietly rejoice.

Will bring his own food beforehand, in case you both don't wanna spend money on the stupidly expensive food there.

Is genuinely happy af tho, this guy will do whatever you want, win whatever you want.

Also will threaten people to move out of the line if they're holding it up or something.

Has no shame.

And that's okay.

Because the shameful things he does in the bedroom is more than enough to balance it out. ;)

You both have a banger time tho. *claps approvingly*

[theoncomingchaos]

Who loves Rook: Spite or Lucanis

I've been seeing a lot of discourse about this, and I just want to add my thoughts.

I might be totally wrong about this, but here we go. When Spite was put into Lucanis, he was still Determination. The fact that he changed throughout the torture, forced insertion, and imprisonment suggests to me that they have been put into a speedrun of a similar situation to Anders and Justice/Vengeance where they have started to meld. (As Anders put it, you wouldn't know where one begins and the other ends). Just like Anders and Vengeance, Lucanis and Spite can have separate consciousnesses and even disagree about things, but their core values have started to influence one another and become a part of one another- heightening certain aspects.

I think this melding is why we see some dialogues where Rook tells Lucanis that he sounds like Spite and similarly it's also the reason for the shared attraction- which I fully believe is coming originally from Lucanis.

I'll be honest my first time through I romanced Lucanis and was very disappointed. I didn't even see him and Neve ever flirt (she only ever encouraged us!) But still, it seemed to go from 0 to 60 with him. Now, I am on my second playthrough and I only just met him, but I am starting to see some really subtle looks and dialogues that suggest that Lucanis wasn't lying later when he said he was attracted to Rook from the beginning, but was afraid to really pursue anything or even acknowledge the possibility of being with them. With his fear of trusting people, ptsd from the prison, failed history in romance, and his new situation with Spite that he still hadn't worked out yet, he never thought anything would or could ever come of his feelings. We know Lucanis loves romance stories and likely longs for one of his own, but in such a situation it must have seemed truly impossible and terrifying to let someone else in. Especially someone you really care for and are starting to trust. So, he pushed it all down. Rook flirts? Maybe a small smile, but then quickly lock it all up with everything else he can't handle. Focus on work. Don't think about Spite, or Rook, or anything difficult.

However, if the melding has already happened as I suspect, then the feelings Spite is expressing are shared with (and likely sourced from) Lucanis, he's just better at expressing it directly- which makes sense for a spirit that was once Determination. When you first talk to Lucanis after the rescue, the thing Spite says about Rook changes accordingly to your tone, but to me the responses still sound like they come from Lucanis and are then echoed in Spite: "He doesn't want to hurt us." Even the "He's more fun than you" is something Lucanis seems to think about himself as he is fully aware that much of his life has not been his own and believes "all he knows is death."

Leading back to the main point, Lucanis's trust and interest in Rook would be heightened by Spite the way Anders' anger towards the templars was heightened. Even though they are finally free from the prison, their is a sense of constant suffering from still feeling trapped by fear, regret, and pain- Spite feels that suffering too. The elements of determination are still within him the same way justice is another side to vengeance. Both spite and vengeance are the results of failing to achieve their goals of Justice and Determination. Spite sees Rook as a way to free them from pain and restraint, a glowing and beautiful key to the prison door, and he is determined to do what needs to be done to solve the problem. That's why he doesn't hesitate. He has no fear. He wants to talk to Rook. He wants Rook to come in and free them.

After Rook has freed them, they become a source of comfort and safety, once they encourage Lucanis and Spite to find a way to cohabit comfortably, the two continue to meld, and the need to protect Rook, to love Rook, to keep them, is very deeply shared. Now, IF Spite was somehow removed or even somehow restored (Both of which I think are impossible) that would likely change. Determination outside of Lucanis would likely become more like Compassion. He would likely forget the horrors he experienced to return to his original purpose.

So, that leaves some final questions, particularly one Hawke helpfully asked Anders- Is Spite an unwilling party in the threesome?

That's up to everyone's own morality. While both Spite and Lucanis didn't have a choice to become like this, it is the situation they are in and the way they have to find a way to accept and live with because there really doesn't seem to be any real way to change it. Through their time together, Lucanis and Spite have influenced each other and grown into something new. Part of that is Spite also loving Rook. In that way, for those who are feeling (rightfully) underwhelmed by Lucanis's romance, Spite can almost be seen as a symbolic expression of Lucanis's love.

All that being said, I think there were some small things they could have done to make the romance more satisfying over all...but I'll save that for another post.

[yandere-sins]

Yan-Poll #22

[Continuation of this poll]

You could tell by the way your captor was pacing that something was wrong, but you didn't know what.

Pulling your blanket over your head you heaved a deep sigh, counting down the seconds that he'd burst through the door demanding yet another stupid thing you didn't want to do. After the mental and physical torture that had been the previous day, you had chosen to pout and rest in bed all day long, even when your kidnapper left you for some hours. All the sleep and quiet had done you good, your rebellious nature giving in to a rare but much needed rest day.

You had yet to leave the bed, but all you wanted was to stop worrying about what he was thinking and focus on your daydreams that would eventually turn into real dreams as you drifted off into another nap. With your luck you'd probably be in another screaming match by the time he asked you to have dinner with him. You needed to preserve your energy for that and not for wondering what the fuck made him so restless.

"So..." you heard his voice from the doorway, making you heave yet another, this time loud and audible, sigh.

"What did you do all day?"

Throwing back the blanket you revealed your messy, unbothered self giving him the stink eye and he stared back bewildered.

"I stayed in bed. Drank some water. Slept. Fun times."

"That's all you did?" You nodded.

"You didn't get up and do... you know," he gestured wildly in the air, probably meaning something like 'try to escape' or 'ruined the furniture out of spite'.

"No. I just stayed in bed. I ate some snacks though, the ones you brought me."

"Well... did you enjoy it?"

"Sure? Got some rest, laid low for a day. Had my favorites snacks. Nothing to complain about."

"I see..."

Humming thoughtfully, your captor turned around, glancing briefly back at you before he walked to another room in the apartment. You watched him, confused, but eventually settled back into your soft pillow and closed your eyes, trying not to mind his weirdness too much.

The next time you awoke, the sun was setting, and a feeling of surprise washed over you as you realized he hadn't asked you for dinner. But as soon as your senses stabilized you heard the sizzling of food in a pan and the clinking of metal and cutlery from the kitchen. You decided it was the right time to get up and have some food, your captor looking up when he heard you come into the room.

He smiled, nodding towards the table. "Have a seat, I'm almost done," he invited and you did as you were told, taking the two glasses that were prepared on the counter with you to the table. Everything was already set and it wasn't long until he put down the hot pan with food on the table. He even went as far as to put give out the food to you, and you had to admit it looked and smelled amazing.

You two ate mostly in silence, which made it harder to ignore that your captor seemed to be nervous, tapping his finger on the table and bobbing his leg up and down. You caught him looking at you when you gave him an annoyed glance and he set down his fork, clearing his throat before leaning onto the table.

"So I..." he started, thinking about his words for a moment before continuing. "I've been thinking. This is probably the first time that you behaved well since you came here. And I came to the conclusion that you deserve to be rewarded for that."

Everything from "behaved well" to "came here" to "rewarded" made you cringe so hard, you lost all your appetite. But before you could spit it out and destroy the apparenty harmony he was feeling between you two, he gave you a choice that you didn't expect.

"What would you like?"

It felt like a trap. A truly, honest trap. Besides, if you said, "I want to leave without you," he'd probably not give you what you wanted. Was there even a point of telling him anything if he could very likely refuse your choice or even end up being angry and annoyed about you asking for things like your freedom or something to enable your escape or get help?

But then again, there were a lot of simple things you were missing too.

You missed going out to clear your head. Walk in a park or in a cafe. Have a look around a store and buy some clothes or books you wanted. Maybe if you asked him to take you on a date you'd have a chance to alert someone. And if not, you at least got some of the novelty back that you missed.

Or perhaps you should have asked him to let you cook again. Besides being able to access tools (although probably under supervision) that you could use to escape or threaten him, you'd also get to cook your favorite dishes again. Or perhaps he'd take you out grocery shopping where you could ask someone for help or at least get items into your temporary home that you could utilize or enjoy.

And what about the obvious choices like asking for a phone to 'play games' or at least utensils for your hobbies? Anything to make it more bareable to be hear. Anything to make him believe you were finally getting used to being with him and settling in so you could trick him into more and more?

That perhaps were also the reason why it would be a good idea to let him choose. See what he comes up with and pretend to be happy and thankful about it to keep him less alert and more at peace. You'd strike when he finally let all of his guard down, unable to do anything at that point.

This opportunity sounded like a trap, but it had the potential to become an advantage.

(Reasoning and discussions welcome! ♥)

[imageingrunge]

A needlessly thorough review of DATV so I can move on with my life:

WHAT I LIKED:

The story pacing flows better without all that open world slog from DAI I am not bombarded by 50 side quests that have no baring on anything other than rp flavor

The game is pretty, CC is nice

They gave you far more opportunities to flesh out your Rook's background than in DAI and da2 but it's not as fun has having a mini origin story from DAO

no fall damage and if u run out of a combat zone ur companions follow u too

Hossberg wetlands really remind me of dragon age awakenings and I like the way the blight looks there, it gave me a nice nostalgic feeling for the older games

WHAT I DID NOT LIKE (IN DETAIL)

Voice Acting & Dialogue

It is really hard to be invested in a game that feels the need to recap everything you just experienced from 5 minutes ago, (verging on insulting my intelligence) and the silliest part is while i do hate this I got so checked out after act 2 I needed the recap 

A lot of the dialogue and banter is just empty small talk and meaningless pleasantries that sucked the life out of me, had me longing for the days of hearing Ohgren's beer belches reverberate off the walls in the deep roads:

 Voice acting is really consistent, I hated it when you never knew how your inquisitor would sound in DAI sometimes too serious for a funny comment or like yelling at Cassandra and cullen over nothing - Rook is more consistent but it comes at a loss of personality every line is uttered in the same annoying tone that had me being like damn can he stfu already (da2 was ideal voice acting for me if they cant deliver that again just go back to a voiceless protagonist)

Me whenever my rook opened his mouth: i was getting violent on that skip button

The dialogue between rook and their companions holds it back from being enjoyable at all really- here's some examples:

Emmerich's personal quest in act 2: "I want to do this immortality rite it's a very high honor in my order but rook I might die in the process permanently, I am an orphan and afraid of dying" Rook: "You could die?!?! That's awful". In Origins you can have a conversation with Wynn about her inevitable death and respond in a manner similar to rook and Wynn teases you by saying "well i'm not going to live for ever dear" it made me smile and sad about not being able to really help her. Did not feel that way Emmerich though, Im so uninterested in him as a character my response and feelings are "old people die all the time" and then 'wait why the fuck haven't you done this immortality ritual yet instead dragging me over here to collect some flowers"

Companions & Romance

the flirt options aren't all that flirty, its just rook being nice, all the romance content seems behind a 'romance locked in' moment (that comes in so late in the game u already forgot who u were even flirting with at times) so you can't hop ur way from one bed to another before deciding on 'the forever one' (remember when I could ride the iron bull then break up and be with Cullen- I don't think that’s an option here)

The companions are all pretty forgettable, I did everyone's personal quest (with the exception of Taash tried to kill a dragon for them n failed so bad i just moved on) and forgot there was even an approval system with them or that I was supposed to pick choices for them. It felt like i was on a train going in one direction where it did not matter what I said or did to them they would be fine. It’s like I've lost and gained nothing by doing these quests. The deepest thing I learned about Emmerich is that he is a 50 yr old orphan scared of dying. And it makes me not care all that much about them beyond “I just need you to function enough to get me to the end of the game sure Taash embrace being Rivaini, yes Harding live peacefully w that Titan shit inside you idc… Lucanis..ahh what was ur issue again I forget”

I made Lucanis live peacefully with Spite (stuck as an abomination that's supposed to be as volatile as Anders & Justice) Let Emmerich become a lich and no one batted an eye. Everyone just heehee haw hawing over Emmerich's new skeleton form and I forget about spite a lot unless he comments on something i've killed. Was there supposed to be some moral quandary? to make Emmerich a lich I had to "kill off" Manfred... the walking skeleton who might as well have been a rock with a pair of googly eyes attached to him for all i care

I don’t want to help Bellara light funeral pyres in a puzzle game play style that isnt a deep message about death. I want Aveline's speech about reading her favorite book to her dying father after hawke lost thier mother.

For Neve's romance, it took the whole world falling part and everyone dying for her to kiss me for a 2 time and then pity fuck me and afterword she’s like I’m leaving don’t want to be too distracting. All these lines carry no weight like bad actors w no chemistry

jaw on the floor comparing this (first time I said "i love you" to neve)

to the first time I said it to cullen and how he treats u before the big battle

I get that she isn't lovey dovey but at 70 hrs in and 2 kisses it feels like she just dont love me </3

Combat - as a spellblade mage*

combat was this weird mix of sometimes fun sometimes a new and unique form of human torture (wydm press shift 4 times n hold down e then press V C and 2 IM ON A KEYBOARD!) Once u make it past level 20 u are immortal but ur enemies are sponges I dreaded every single dragon fight despite that being my favorite thing to do in DAI. Don't ever want to see another Ogre in my life they body me into corners that hitting space can't save me from.

At some point u just gotta run around the place a lot hoping ur companions can do the damage for you bc the mobs aren’t interested in them at all. i was spamming 2 n slamming on that E key hopping it would be over n done with already, If i wanted to play a flashy monster hunter game, well then id play tw3 at least that combat is fun.

Lore & Story building

At the end of Trespasser, I was under the impression that the conflict in DATV would revolve around solas amassing an army of elves all over Thedas to rebel against the Evanuris. He had a whole network of Spies working against the Inquisition and the Antaam, and planned to restore the elven people, upend their religious views, and try to tear down the veil as a way of atonement. So I was understanding of there only being 3 import choices ( 1- who you romanced, 2- Save or redeem Solas 3- Disband or Keep inquisition). But that's not the story we get; instead its this??

The veil jumpers are like engineering mages with no ties to Solas beyond being an elves. There is no religious struggle they just seem to accept that these Gods have always been evil and need to be stopped. Solas is just a one man army trapped in the fade off screen for like 70% of the game. Should I have just kept the inquisition around after all? The only mention I got was my disbanded inquisition choice was inky going "my name still carries weight in southern thedas" and it seemed like disbanding or keeping it would have an affect on how easy or hard it would be to stop Solas but no it really doesn't at all

“It doesn’t feel like a Dragon Age game”

A criticism I rarely take seriously because that can mean so many different things? Like what is it the atmosphere? The aesthetics? The “dArK fAnTasy” none of these things have ever stayed consistent in any dragon age game. And I’d say DA franchise lost its teeth/edge when dai rolled around it was pretty light in the world of dark fantasy

However…theyre kinda right this time around....

It doesn’t feel like a dragon age game because they removed a lot of the lore your were exposed to in the previous games to the point where this might as well be another game all together. (i am not even a lore nerd but i do need something there to feel like i am in a dragon age game)

Yes the city is named Minrathos you were are told of its cultural significance and history as the seat of the empire but looks like a shittier version of kirkwall (and I kept getting lost going around the map so I hated it even more for wasting my time) Honestly the city felt super high tech and out of place in a fantasy setting imo, I missed it when everyone lived in a wooden hovel in the middle of the woods.

There is no reason for the venatori to follow Elgarnan and ghilian'nan or for the Qunari either but it all gets hand waved away with "they offered us power"

Reading the Inquisitors letters made me feel like im in a spinoff game and the real story is happening somewhere else. And sad to like baby take me with you!! i want to save u from this nightmare

A lot of the factions are sanitized to the point of being boring Darvin's little 'we're warden we don't do blood magic that's just not right" baby I let the wardens sacrifice elves to Corphyeus 3 weeks ago :/

Qunari Culture

So the whole reason you were fighting the Antaam in DAI was because they believed you were in cahoots with Solas, who's whole plan to them is to sow chaos and disorder- that is a HUGE no no in the Qun so they see it as their sacred duty to stop you. The Qunari we meet in DATV mindless npc mooks who attack you not because your with Solas but because the Evil elven gos promised them uhh power n shit for stopping you. Like I know I did not just waste my time in DAI reading about how egalitarian the Qun is everyone is like a Hive, they depend on each other so selfishness is rooted out so wtf was going on in Treviso with these guys. A whole culture decimated down to being darkspawn mobs part 2

What made me never want to play another DA game ever again:

Everything you ever did in Orlais, Ferelden, Kirkwall is pointless. No matter what the last letter from the Inquistor is "yeah the blight reached the south Denerim is gone, ferelden is blighted beyond repair, we took back Skyhold but barely. The Venatori disposed of whoever you put in charge of Orlais and there's giant leviathans rising out the sea in Ostwick"  There is no conclusion to this it's just the state of the world now

I cant even pretend my non solas romanced Inky is happy and safe after all this? My hof and Alistar might as well be dead for all that it ever mattered. I get that the devs wanted a clean slate but did they have to burn my house down and salt the fields? It feels so spiteful and mean, like they wanted to make a whole separate game and tack on the "dragon age" title to it for money. If they're not interested in the lore or world building why should I? it made me fully checked out of the rest of the story. Like damn idgaf about elgar'nan and the other one give me back Redcliff

TLDR I dont know if i should be sad that I still care about this or glad its over either way im blocking all datv tags n moving on

[quirkwizard]

Battle Report: A Retrospective on the Final War Arc

The Final War Arc is finally over. It's been a wild ride. And while I had my issues with it, I ultimately think was a good arc. I think it may go somewhere in the 7/10 to 8/10 range for my tier list of arcs. Who knows though. With all of that done though, I wanted to take a chance to look back on this arc and talk about what's transpired. Now, is this a little premature? Kind of. At the time of writing and posting this, the epilogue is still going on. The series has not ended and any of my complaints may be null and void after all of this is over. However, the arc is massive. It's eighty chapters long with dozens of plotlines and characters all mashing up against one another. I want to take the time out of focus on everything that has happened and leave the epilogue to it's own post.

And with that context, it is a lot to cover. Even if it's not the epilogue, it's still everything from chapter 343 to 423. So this post is going to be more disjointed, stream of conscious writing about my thoughts on specific parts of the arc that are worth talking about instead of doing some deep dive on the whole thing. Sure, I think the civilian stuff with Eri and everyone else in the bunker is nice in it's own way and I think how the pilots are used is hilarious, but that isn't enough for me to talk about. If you want me to discuss something in particular or expand on something here, I may talk about it later or add it to the post. With all of that being cleared up, my retrospective on the finale of the Final War Arc.

Shoto vs Dabi: This is the first fight of the arc, and we are definitely starting strong. I've already gushed about how much I enjoy this bit ever since it happened, so I will keep this brief. Of course, seeing Dabi back and all of his spiteful glory is great. Though, if we're being honest, the real start is Shoto and his new Super Move. The Phospher reveal is such a cool power-up for Shoto, and it works great in so many ways. It's a unique and clever way to counteract Dabi's firepower without just trying to overpower him. And it all leads to this beautiful and distinct art of flowing ice. It's so cool. And the best part is that it acts as the perfect cap to his character arc of trying to define himself, combining the two halves of himself into a combination that is completely his own. That's not even getting into the numerous references to phosphor, giving this even more depth.

All For One vs Endeavor: In spite of having a lot of focus, I don't have a lot to say about the forest fight. It's a lot of the same stuff as the Tomura fight, though not as egregious. I will say that I think Enji's bits in this arc are rather underrated. Having Enji fight All For One is a good way to wrap up that part of this character, finally growing past his own insecurities relating to Izuku and All Might while still achieving something that would make him worthy of being the top pro. The flashback about his father dying saving someone adds so much context to who Endeavor is as a person, and I'm really glad we got it. And having Endeavor burn away the past version of himself is such a cool image and a good moment for his character. Honestly, I think Enji continues his hot streak as one of the best written characters in this story.

Tomura vs Everyone: I didn't much care for this part. It felt very repetitive. Characters attack Tomura. It doesn't do anything. Tomura starts monologuing. Repeat. They couldn't do anything to Tomura, but as Hori has shown, he's reluctant to kill off named characters. It's why, despite getting ragdolled, none of them died. It didn't feel like the threat of death was looming over any of them, making this big battle feel relatively low-stakes. So we're stuck in this cycle of Tomura beating all of them up for dozens of chapters, only for neither side to really get anywhere. It feels like we're stalling. That Hori simply needed Izuku out of the picture to delay the final fight for him and Tomura. Which, sure, I get, but he could have at least made what was happening with Tomura more interesting. What's worse is that this is so much time spent with AFO Tomura. A character who isn't nearly as interesting as some of his parts and is a watered-down version of both.

Spinner's Assault: This is by far the worst part of the entire finale. Let's ignore the politics and message and how they may or may not apply to the real world. This mini-arc is focused on Koda, Shoji, and Spinner. All characters I like to varying degrees, but none feel like they have earned this kind of focus. The whole mutant discrimination plotline feels woefully underdeveloped, so having it be the center point of this part feels jarring. And saying it only happens outside the city is such a handwave. Not only does that make no sense, as bigotry can happen just as much, if not more, in metro areas, but it has little showing within the world. Hori, if you wanted to set this up, maybe you should have actually had some major focus on stories out of the city. So having so much time dedicated to it just feels wasteful and frustrating. I could go on a longer rant, but I will save it for another time.

Bakugou's "Death": What a waste. Come on now, did any of you really think Bakugou died here? Or would stay dead? And having his resurrection tied to his clustered sweat feels like a slap in the face of Edgeshot. The guy who reduced himself to a thin string just to save Bakugou's life. On that note, having Edgeshot be the one to save Bakugou feels… out of place. Edgeshot is a pretty minor character with no connection to Bakugou. Many figured that this sudden change would lead to some boost for Bakugou, but it didn't. So why Edgeshot? Why couldn't Best Jeanist be the one to do it, the one that is more important to both Bakugou and the audience? And this doesn't feel like a major change for Bakugou. If you have your character die and come, there should be some greater change to them or how they act, but it doesn't. At least, nothing as major as a death and resurrection should have. The biggest effect it has is on Tomura, bringing him out of the control of All For One, and Izuku, showing that he wouldn't lose control and break again. Once again, Bakugou's grievous injury is more important to the characters around him.

Rewound All For One: One of the more controversial parts of the arc. Is it a reach for Garaki to make the drug? Kind of. Is it annoying to still have All For One around? To a degree. Does it lead to some frustrating moments like All For One not unleashing his biggest area-clearing attack to start with when he knows he's on a time limit? Yes. However, I ultimately feel as though this does more good for the story than bad. By giving All For One this timer, it gives him a more definitive weakness to exploit and a ticking counter in the form of his body degenerating. And by keeping him around, it gives him a chance to go against Endeavor, Toshinori, and Bakugou. That way, they're completing their own arcs without feeling like any of their efforts are wasted or overstepping each other's time in the ring with All For One.

Dabi's Quirk: This is going to be a more personal annoyance, but I'm really frustrated with how Hori handled Dabi's Quirk. First off, him instantly using Shoto's technique against him is such nonsense. You're telling me that seeing it is enough for him to replicate it with no training?And him suddenly making ice for himself also makes zero sense. He hasn't shown anything like that before, and nothing about his power implies that he could. And don't tell me it's literally Rei's Quirks, but that makes even less sense. I could explain that as an evolution of his ice resistance, but that's more me trying to make sense of it. Could you justify it as being Shoto's sibling and their powers having similar mechanics and traits? Sure, but a lot of it comes across more as a convivence to keep Dabi's corpse moving. At least his design is cool.

Wasted Students: While the manga actually does a good job of distributing attention, there are some students that I feel were shafted. A special mention goes to Sero, Ojiro, and Sato, whom Hori pretty obviously just shoved together to get them out of the way. The ones I'm thinking about are Iida and Momo. Momo was one of the 1-A characters who had some arc, so having her be relegated to a living printer feels wasteful. However, I can at least forgive this a little. Her moment was during the PLF War, and her position makes sense. But shoot, Tenya was done dirty in this arc. He doesn't have any really cool moments of his own and very little in the way of character moments. I thought he was going to have something done with Stain, but no. Most of his time in this arc is spent supporting Shoto, quite literally in the case of the Ice Jet maneuver. Wait, why was he even fighting Dabi? Tenya himself admits he's a bad match for this, so why was he there? 

Shiketsu Students: This is one of the few moments in the arc that actually surprised me, and it's a welcome surprise at that. As someone who thought that the Shiketsu students were interesting but underdeveloped, it was cool seeing them act as reinforcements. What was even a better surprise was Camie's "Glamour" trick with the fake Hawks. That has got to be the funniest movement in this entire arc, bar none. Of the three, Inasa gets the most focus, and I think he does pretty well with it. While I do like his soft cap on his arc with the Todoroki's, reflecting his growth as well as their own, I really enjoy how much he just shuts All For One down this arc. All For One is trying to do these big speeches and one-liners, and Inasa is out here yelling him down like any other two-bit criminal. It's equal parts hilarious and awesome.

Tokoyami:  On the flip side of my statement about students, I think Tokoyami is really good in this arc. Tokoyami is one of the less prominent characters in terms of development and actual emotional moments to support him. The arc did a good job of giving him some kind of arc for his character. About how he sees his powers and how hard they are to control. And I'm going to be totally transparent here, I just think full-power Dark Shadow is really cool. There isn't anything deep or nuanced here. Seeing this giant shadow mecha loom over the whole battlefield and make All For One go pale is super sick. It's not just all action and character, either. He probably had one of the best reactions to anything ever in the whole series when illusion Hawks "died". So in spite of my issues with the other students, at least Tokoyami was done well.

The Big Three: Yeah, I didn't really care for what was happening with a lot of the Big Three. They ultimately fall into the same issues as everyone else in the UA Battle Zone that I talked about before. And while their massive railgun attack was cool on paper, it all amounted to nothing. It all feels like such pointless fluff to tide the user's over. It's not even like they have anything interesting going on character-wise, either. Mirio is easily the biggest victim of this. Ever since Mirio got his Quirk back, he hasn't really been given any chance to act outside of the costume or really be his own character. Seriously, the biggest moment he has is him acting as the butt of the joke in order to distract Tomura so Izuku can get in. Was there really no better way to do that? And as much as I want to remember him for other stuff he did, like yelling at Izuku, there really isn't anything else that sticks out.

Gearshift: Again, a more personal gripe, but one that bugs me a lot. I really don't like "Gearshift" as a power. Like "Fa Jin", it doesn't feel like it expands on any of Izuku's capabilities, only doubling down on what is already there. Unlike "Fa Jin", this had way more potential that went unused. Being able to alter the speed of an object or person is such an interesting concept. And for all of the hype surrounding it, it doesn't feel like it's used to its full potential. Really? We couldn't think of a better Quirk for him. Or at least come up with something more interesting for this one to do? All it's used for is to give a power boost to Izuku and make him go faster. The only time it's used to do anything else is when he uses it to speed up Bakugou. Why couldn't we get more stuff like that? Or at least maybe giving it a chance to interact with Izuku's other quirks for combinations?

Gigantomachia Battle: I like this well enough. As much as the reappearance of what's his face frustrates me, that's more of a carryover from my problems with Midnight's death and not the fault of this arc. It's a good follow-up for the brief arc with Mina and I like how much her new move ties into their growth with its name. Plus, it gave Shinso a cool moment that felt natural without stepping on anyone else's toes. I will say that I'm pretty confused at the sudden turn with Gigantomachia, who only really seems mournful over what All For One did once. And the one time he did, it seemed more regretful that someone as pathetic as Tomura was the successor. Otherwise, he just seemed like a loyal thug without much personality.

Todorokis vs Dabi: For the dramatic resolution of the Todoroki family storyline, I find myself having very little say about it. It's good. I really like seeing the feral, demented version of Dabi who is barely held together. Enji's lines about people watching him and taking responsibility become twisted with Dabi's view of him and his actions. I like the monologue Shoto gives as he's flying to stop Dabi. I guess my issue is that the rest of it doesn't stand out as much to me. And the actual resolution doesn't feel any different from the way Shoto fought him. It came across like the earlier fight with him was just there to keep him occupied so Enji could fight All For One and didn't serve any real purpose for the characters. That there needed to be this resolution for everyone else in the Todoroki family and for Dabi as well, but doing it like this lessens some of the punch. 

Uraraka vs Toga: One of my favorite parts of the arc. This entire section was such a dark horse for me, someone who didn't put a lot of stock in the Uraraka and Toga storyline. It shocked me how invested I was in the fight. Just seeing how hard Uraraka fights is so enthralling to watch, going through so much to help Toga. And this is one of the few points in the series where Awakenings work, with an Awakening that actually feels earned and relevant to the character at that. All because she wanted to help and connect with Toga in order to save her. And if Toga did die here, I wouldn't mind because I think it fits. She was able to live and die as her own person, making her own choices. All in all, it's a highlight of the arc and a great capstone for both of the characters.

Aoyama's Section: Why does Aoyama have so much focus on him? I don't dislike Aoyama, and I'm glad one of the more minor characters is getting attention in a way that feels relevant to who they are. I just don't think he really needed this much space to himself, having his own battlefield and major villain to fight, with little to no other focus on other characters. Having him stand up against All For One felt like more than enough of a final beat for his character arc. It was him acting in spite of his fears, facing down the scariest person in the entire series. Hagakure's presence bugs me here as well, since it just reeks of convivence. And man, giving out yet another Awakening? Were these not supposed to be rare? It's yet another example of an Awakening that barely feels any different from before and doesn't feel earned.

Toshinori Yagi vs All For One: Unlike a lot of fans, I wasn't as bothered by this part. On paper, Toshinori fighting All For One with a massive mecha suit kind of flies in the face of one of the core ideas of the series. That people without Quirks cannot be heroes. However, the story makes it clear that this is something that cannot stand up against All For One, requires all the resources of his decades of hero work, has decades of experience as the top hero, and he's only doing as well because he's fighting All For One because he's acting irrationally. My only reservation is that All Might is using parts inspired by the students. While I think these are cool, it seems like this is supposed to be his big moment as a teacher. And... I guess the story wants us to believe that. I don't know. It feels like Hori hasn't really put in enough work to have this be a satisfying payoff. He only really has two or so scenes involving the other students outside of Izuku. I believe he's a proper mentor to Izuku, sure, but as a real teacher for the whole class? Not really. Don't get me wrong, the idea and execution of it were fine, but the set-up needed more legwork.

Stain's "Moment": Yeah, this is something I can't forgive. Stain is such a major figure in My Hero Academia, both in and out of universe. He's the guy who changed the whole trajectory of the story and brought a whole new level of respect for the story. Hori brings him back to restore Toshinori's motivation and give them plans for All For One. And then he comes in for a big moment in the final fight. Only to be ragdolled, having accomplished nothing. There was no final moment of sacrifice, no heroic last stand. Just slapped aside and exploded. Not only does All For One's escaping feel like a mass convenience, just so happening to have a Quirk to push all the blood out of his body, but it's so disappointing for Stain. It feels like an afterthought. Like Hori remembered that Stain was around and threw him in to die. He doesn't even get a moment in the ghost realm. Come on, Hori. If you went through the trouble of having his Quirk stolen, why not do something more with it?

All For One's Backstory: Yeah, I still think this part of the story is hilarious. This is so over the top and dark that it comes full circle into being funny again. All For One's backstory feels like some edgy teenager fanfiction. Like he was born to a drug-addled mother, literally drained the life out of her to the point she died. He was nearly eaten by rats at birth, he was the real first Quirk user, he's been killing people since he was four years old. It was to the point that I thought All For One was lying about it to make himself seem cooler or more inhuman than he really was. But no, we're actually supposed to believe all of this and take it seriously. I really have to wonder what Hori was thinking with this. Is it supposed to show All For One as evil to the core? But doesn't that go against the idea that it's nurture over nature? Or maybe it's to show that the worst circumstances made the worst evil? Okay, then why is All For One so unapologetically evil, supposedly even before he was born?

Bakugou vs All For One: I find myself having very little to say about any of this. It's a big-ole fight scene with Bakugou and All For One. It doesn't feel like it really completes anything from Bakugou arc outside of his hang-up with All For One and All Might retiring. Yeah, I'm glad it got tied up and that Bakugou got to save Toshinori, but it hasn't felt all that relevant to his overall arc. Maybe I'm downplaying this a lot more than I should, but that's just how I see it. The only major hangup I have is with the whole "people wanting it bad enough changed the future for All Might." I chose to interpret this as more metaphorical than literal. Like everything that's motivating Bakugou is pushing him forward, or that all of the steps everyone took up to this point defied fate. Otherwise, we are getting into some stuff the series never talks about and never explains. At least this fight gave us the "Bakugou deals bonus damage to children" meme.

Dream Hawks: Okay, this isn't so much a real problem, but I feel like this is a big missed opportunity: why isn't Stain the one getting the vestiges to rebel? You know, the guy who had such focus and determination that he was able to ward off an entire squad of top heroes from attacking him with sheer force of will. The guy who ironically sparked a whole villain renaissance with his words about the rot at the core of the world of heroes. It'd give his death some purpose and give him one final amazing scene against All For One, giving him a chance to redeem himself after all the problems he caused the world with his dogma. Ironically, he'd be dying a hero and stopping one of the biggest threats to the world. But sure, give another scene to Hawks. It's not like he's been already been a heavy focus of the arc.

Izuku vs Tomura: We've been waiting for this fight for a while, and it did not disappoint me. Not only is the part where we finally get Tomura back, immediately making this fight far more enjoyable, but the fight itself is so cool. You can feel the struggle, exhaustion, and desperation in each of Izuku's panels. We get to see more of feral Izuku. Who doesn't want to see more of feral Izuku? What's better is that we actually get Izuku using some interesting strategies against Tomura, like pushing up the rocks to stop the spread of "Decay" while using it as cover to perform a counter attack. And having this be topped off with the sacrifice of "One For All" makes this all feel that much more harrowing of an experience, with Izuku piece and piece of himself just at a chance of victory. It's one of the few final fights of a series where I was actually worried about the main character.

Shared Dreamspace: This might just be my favorite moment in the whole arc. We get all the shared visions as our two protagonists begin to understand each other more. And for all of this talking, it never once tries to excuse Tomura for what he did. Even Tomura talks about how he doesn't regret what he's doing or why he's destroying everything. He's doing it all for himself and the League. And while Izuku can understand this, he can't condone it, and it doesn't excuse what Tomura did. It's a good way for both sides to get their points across in order to get some kind of resolution without feeling like it's breaking either of them. It's all about understanding and learning from each other, which is what this conflict has been all about. It's all so well done and pretty much exactly how I imagined a confrontation like this would go down between these two.

All For One's Return: Is it kind of frustrating that All For One has returned yet again? Sure. I can understand people getting sick and tired of him, now more than ever. However, I think it's explained well enough not to bother me, and ultimately, the only way for the story to have its cake and eat it as well. It's a clean way to remove Tomura from the story without having to dirty Izuku's hands. Tomura has made it pretty clear that he has zero intention of ever stopping, and redemption was not on the table for him. It also gives Izuku a final fight against All For One, who, while not as personal to Izuku, is the biggest evil in the series. On top of that, it fits with the idea of everyone coming together to be the greatest hero by getting their licks in on All For One. It's what the story has been pushing for the whole time: One For All fighting back against All For One.

Oboro, Aizawa, and Yamada: As much as I wanted to get excited about this part, it did feel woefully undercooked. Oboro's condition and Aizawa and Present Mic's reaction to it feel pretty minor in the grand scheme of things. They only get one chapter to hash things out, and it feels very rushed. Which is odd because it has some of the biggest impact on the arc itself, with Kurogiri teleporting everyone around and being the lynchpin in the two major paradigm shifts in the arc. It's Spinner's whole motivation for attacking the hospital, it removed Aizawa from the playing field at UA, and it ends up sending all of the doubles from the island to the fight in the forest. What we got was nice, especially Kurogiri saying he wants Tomura back when they are all fighting All For One, but sadly, it wasn't enough.

The Final Run-Up: Look, I am the biggest sucker for moments like this. Izuku is still standing in spite of losing both arms. Then everyone is coming out of the portals to the final fight, all firing out their attacks to go down. It's like Endgame, but actually thematically relevant to everyone coming together to beat the greatest threat to the world. And the part where all the good guys are helping the protagonist forward just so they can deliver that final blow. I can't help but feel hyped up as each of the other students and heroes fight back against All For One. We get All For One going out like a total punk. And we can share a final vision between Tomura and Izuku. I cannot say anything analytical or in-depth about this. I just think it hits all these different sweet spots in me while still ending things on a good note, and it brings me so much joy.

[erinoma9]

Problems with "The Search" Comic

Retconning Ursa's backstory

Some old lore about Ursa, before the comic came out.

Admittedly, this page conflates "royalty" with "nobility," which extends to Mai and Onji's page.

Contrast these excerpts to the Search. (SPOILERS AHEAD! And Long!)

"Born to Fire Nation royalty [nobility] and - raised as such."

Search! Ursa: Her family went into hiding after Roku's death. She grew up as a commoner in Hira'a - a small, remote 'backwater village' located on the far edge of the Fire Nation. Her father, Jinzuk worked as the town's magistrate, and her mother, Rina was a master herbalist. Her mother is the daughter of Avatar Roku and has his headpiece in her possession.

"She was the perfect match for Prince Ozai and soon became his wife"

Search! Ursa: Azulon and Ozai track down Avatar Roku's (supposedly remaining) descendants and possibly monitor them for months. They (forcibly) propose a union between Ursa and Ozai for eugenics purposes.

In a nutshell, her relation to Avatar Roku is enough to qualify her as the perfect match.

"There was a time when it probably wasn't such a bad marriage. I think they probably started okay. Certainly better than it ended up."

Search! Ursa: She didn't want to marry Ozai, she wanted to marry her one true love, Ikem but she didn't get much of a say. And come the wedding, Ozai drops a massive bombshell on her.

In short, it starts out as a bad marriage, to put it mildly.

Someone on TV tropes (Fridge Horror section. Be Warned!) posited that "started out okay" can mean anything. And that "okay" doesn't mean happy or willing.

To that I say, it's a massive stretch to claim this scene is equivalent to "started out okay." Okay is not another word for utterly miserable! Words similar to okay can range from alright, pleasant, acceptable or tolerable. So, "started out okay" and the conveniently ignored "better than it ended up" doesn't apply to the Search.

"She is a very sweet woman and a wonderful mother, but she is also very protective -- especially of her favorite child Zuko" ... "Ursa spent most of her time raising her children to be good Fire Nation citizens and the ideal royal family."

Search! Ursa: The comics intentionally or unintentionally avoid portraying Ursa as an imperialist but don't contradict that she taught Zuko and Azula Fire Nation Propaganda offscreen.

She didn't seem to care about being the "ideal royal" herself, privately at least.

For instance, she writes that infamous letter falsely citing Ikem as Zuko's father to spite Ozai among other reasons. Most damningly, she sees her life in the palace as "a life that [she] did not choose for herself," leading to the infamous memory wipe. Both examples have attracted critics, hence the "infamous" connotation, and arguably butcher her 'protective mother' characterisation.

Zuko Alone Ursa: Zuko. That's what moms are like. If you mess with their babies, humph, they're gonna bite you back! [Later on] Ursa: Zuko, please, my love, listen to me. Everything I've done, I've done to protect you. Remember this, Zuko. No matter how things may seem to change, never forget who you are. DoBS pt 2Ozai: My father, Fire Lord Azulon, had commanded me to do the unthinkable to you, my own son, and I was going to do it. Your mother found out and swore she would protect you at any cost. She knew I wanted the throne and she proposed a plan, a plan in which I would become Fire Lord and your life would be spared. [Later] Your mother did vicious, treasonous things that night. She knew the consequences and accepted them. For her treason, she was banished. "She (Ursa) kind of saved Zuko's life by doing something not very nice to Fire Lord Azulon" ~ Mike "Ursa mysteriously disappeared on the same night as Fire Lord Azulon's death. Some say that she was somehow involved in Fire Lord Azulon's death -- and that she did it to protect Zuko. But the truth is not known."

Search! Ursa: Despite these quotes stressing her role in Azulon's death and clearly implying that she murdered him, that role is given to Ozai. Instead, Search! Ursa merely makes the plan and a deadly poison, all because the writers didn't want her hands dirty.

Is it just me or is this scene so rushed? What happened to the "swore she would protect you at any cost" line?

Why does she assume she'll get to take her children, even though they are his heirs?

And then there's Ozai's response: he calls them, his collateral and has no problem referring to them as your children. He even threatens their lives, along with Ursa's, if she doesn’t keep her word.

Aside from how stupid it is for him to say that, it begs the question of why he didn't kill Ursa afterwards? He just lets her walk free when she's a loose end to him. Plot hole much!

So, Ursa's mum taught her how to make that poison - okay, in the vein of "what kind of mother forgets her children", what kind of mother teaches her daughter how to make an extremely deadly poison? Literally, no one talks about that!

[derseprinceoftbd]

This is a rant I've been meaning to get off my chest for a while, but the conception on Tumblr, AO3, and sometimes here, that Jake is capable of "teasing" Dirk, and all that implies, irks me deeply.

Let me be clear: Jake English is not self-aware. He, in Canon, never does anything resembling self-awareness, maturity, emotional boldness, or anything else that requires a spinal column. This includes apologizing to anyone, talking about his problems in a way that doesn't end up being selfish, teasing someone, particularly Dirk, or transitioning. (I maintain this especially; he does not have the boldness, maturity, self-awareness, or nerve to have transitioned his gender presentation pre-Act-6.)

He has an *understanding* of pranks, if we allow Paradox Space as evidence, but that's it. He makes *Tavros* look like a fully-roleplayed-into-Class-shift Lord.

You know what the popular Fandom perception of Jake, as a member of a DirkJake relationship, lines up with? *John*, before his main writing trait became a deep, all-consuming depression and repression thing.

Like, John’s original Act 5 and earlier characterization before his underreaction to his dad's death and the spiral that sent him down towards his current "transition would not save her" characterization is what people use for Jake (charming, funny, actually seems to have his shit together enough to maybe be transmasc (man, remember *transmasc John*?), and, most importantly, seemingly capable of dealing with the levels of vaguely sociopathic bullshit that an even-close-to-accurate Dirk would throw at him), but DirkJohn/JohnDirk is less popular, to the point of not having a consensus order, simply because Jake and Dirk are *coded* as liking each other.

I think a lot of people miss that DirkJake is fundamentally the Equius of relationships; Hussie isn't one of those writers that feels pride in finding pathos in the ridiculous, but spiteful glee and humor. He genuinely does not care if he accidentally touches people's hearts in a way that doesn't involve Dave, or *maybe* Vriska. The fact is, DirkJake is a joke relationship, which is spelled out very clearly in their conversation.

You know, their conversation. The one they have together. The time we see someone who is actual Dirk Strider, not Hal pretending, not Aranea co-opting a memory, not a Brain Ghost, talking to Jake. That time.

Yeah, that doesn't exist. DirkJohn has as much conversational basis as DirkJake.

Edit:

LESS! GAME OVER! "I FAILED"! LESS!!!

DirkJake is a joke, a long, subtle one being made on everyone who saw Dirk's affections and immediately wanted him to get together with his disabled(?) ongoing harassment victim. Hussie was having a lot of fun making it seem like Jake found it important in the Masterpiece, I'll tell you that much.

@thelifetimechannel/@geejaysmith/@clonerightsagenda did magnificently wringing blood from this stone, I really do mean that, their Alphas are genuinely written better than Canon for 3/4, but that's all it ever was; every DirkJake writer is the YouTube comments under [this video](https://youtu.be/B7bpv5xyrOY?si=wYTCFDHM5ZzOY8fp) saying Equius could ever have been more than what he was.

TL:DR

1, Jake is pathetic, and we should remember this.

2, Hussie is a jackass who hates us one and all for the sin of caring and everything he has done with this franchise since maybe EOY2 has had an ulterior motive, and we should remember this.

3, Most people who write longfics set in SBURBless AUs, whether normalcy or fantasy, and want to ship Dirk and Jake should really be shipping Dirk with John, since now that history of Dirk-Jake interactions that justifies the ship in-Universe is gone at the Author's leasure, John would have the dynamic they want, and they talk *exactly as much*.

4, If you want to trans Jake, [there's a sensible way to do that](https://archiveofourown.org/works/8619856), but there's no in-character way to make him transmasc.

5, Read DDOTA, I beseecheth of you. Like yeah the Striders are emotional to a kinda weird degree but apart from that they really got everyone down right.

[i-heart-hxh]

So I can see Gon wanting to reunite with Killua but feeling too guilty to initiate the reunion. As for Killua, as much as I'd love to believe he wants to be with Gon again, a part of me feels like he's letting go of their promise to stay together in exchange for staying with Alluka because she needs him more. We as the audience know it's temporary, but do you think Killua feels the same way? Maybe I've read too many fics of him trying to move on and leave his feelings for Gon behind (literally every reunion fic is Killua actively avoiding Gon and Gon has to go out of his way to find him and make up it's sad)

Hi!

First off, in canon I think it's likely they'll end up reuniting as a result of the plot bringing them back together, so in that case I don't think either of them will have to initiate it, necessarily, or if one of them does it'll be because they have a good reason to.

Putting that aside, I agree that Gon likely let Killua go with the idea that Killua will get to decide when they reunite (because Killua was likely the one who initiated the separation/had more reasons to separate and because of Gon's guilt about what happened between them), and that Killua may try to push himself to move on from his strong attachment to Gon. I think he'll fail at that over the longer term, though, especially once he heals from what happened a little more and finds pushing those feelings away isn't as simple as he hoped. (I also don't think he'd ever want to move on from his friendship with Gon, it's more the deeper feelings that I can see him trying to run from.)

If we're assuming the plot doesn't bring them back together, I could see them staying in contact lightly throughout being separated--and then gradually, as they both heal and think over what happened, increasing contact and missing each other more as they talk more until one of them finally is ready to initiate reuniting in spite of the anxiety around it. I also could see them eventually needing to be in the same place for some reason (Hunter-related event or something with their mutual friends, perhaps) and that kind of forcing a reunion--kinda similar to my "plot reasons" idea, but more mundane.

I do legitimately think both of them think of the separation as temporary, though, with the caveat that Killua knows he and Alluka are in danger from Illumi and he's devoted to protecting Alluka from that, so naturally that adds some uncertainty on his end. Even with all the emotional complications under the surface, the way they left off was pretty light outwardly and emphasized seeing each other later and staying in touch, and even with everything that happened I truly don't think either of them are done with the other even internally.

There would likely be some awkwardness/anxiety around initiating a reunion and how to time that (though again, I think canon might forgo that by giving them a plot reason to be together again), but that doesn't mean it wouldn't happen. I think they'll miss each other a lot during the separation and eventually something would push them over into initiating something even without any plot forcing them.

I do think it's Gon's "turn" to show Killua again how much he values him (and thus give Killua a chance to finally open up about his feelings), but I also don't think it's fair to see it as super one-sided. Even with all the pain and not being sure what to do because of the uncertainty in their relationship, I believe Killua wants to be with Gon, and his reasons for avoiding him would be more about not feeling ready than legitimately not wanting to see Gon.

[boytumms]

Okay don't mind me, I've just been reading too much about various sorts of mythology stuff and... old myths genuinely have a lot more weird pregnancy things than you'd expect (I still find the fact that Odin's eight-legged horse in Norse mytholohy is the son of Loki - whom Loki was pregnant wirh anf gave birth to, mind - way too funny, although that's completely beside the point), so... this isn't inspired directly by a specific myth, but reading random mythology stuff is kinda what put this into my mind

Anyway, I've been thinking of a boy who somehow manages to royally piss off a fertility god. Perhaps he defiles their shrine, or steal some sacred item or mess with their priest - or maybe him just refuses to do something the god wants him to do. And because gods are so well-known for never being spiteful and always giving proportionate and reasonable punishments (extreme sarcasm), the god curses the boy to become pregnant, but unable to give birth unless some extremely specific conditions are met. Maybe he can only give birth at one specific location, or has to eat some specific hard-to-aquire thing to induce labor, or it's one of those seemingly impossible and contradictory "neither at sea nor on land, neither at day nor at night, neither alone nor with other people" kind of conditions (i pulled that specific one out of my ass but you can find similar kind of contradictory and stupidly specific shit in mythology sometimes, you get my point), or some combination of the above, or some other stupidly specific and unintuitive condition, idk.

And the boy doesn't know the condition, of course. The first nine months he simply waits for the pregnancy to run its course, but as the months stretch on past the ninth, past the tenth, with no sign of the pregnancy coming to an end, he realizes he's not getting off the hook that easily. By then, of course, he's so heavily pregnant that everything is difficult - he can't walk very far at once at all, he needs ridiculous amounts of fabric to have clothes that fit, the baby - or babies, rather; he can't tell but he thinks he must have two or three in there - are restless and kick and writhe so he hardly has a moment's peace from them...

So he becomes searching for some solution, some way to birth the babies. First whatever conventional ways there are to induce labor. None of them do anything. He prays and makes sacrifices to the god, groveling and apologizing and begging for relief. No response. Then, he begins to seek out wise people, priests and oracles and shamans, first close by, then traveling further and further away to find someone who could tell him what to do.

It takes years, years of incredibly difficult travel, of weird looks from others and humiliation and yet often having to rely on the aid of other people to get to wherever he's going this time, because really he's in no state to travel except he doesn't have a choice. After the initial nine months, the babies do seem to grow slower than before that, but they do still grow little by little, making the burden quite literally heavier to bear, and they are restless in his womb, as though they too would know it is well past their time to be born already.

But finally, after years of searching, years of torment, the boy finds out the condition, and figures out a way to fulfill it. Once that is done, though, there's still the incredibly long and painful process of labor and giving birth to the babies, now much larger than his body ever was designed to give birth to...

I loooove perpetual pregnancies like this!!! It could even be similar to the Greek story abt Leto, so he’s in labor as he tries to figure out how to break his curse. Imagine him having to suffer through contractions, feeling his baby’s head sooo painfully low in his hips as he tries to push but the curse prevents it from coming out all while he’s in search of a way to give birth.

After years and years of searching, his babies become massive. Even with the slowed growth, they’d be the size of 2-3 year olds by the time he finally manages to fill the conditions to progress his labor. Maybe as he’s finally giving birth to his first baby, the god that cursed him decides to come down, just to torment him one last time before his punishment is over. There’s nothing the boy can do to get way from the god, belly pinning him to the ground with the weight of his writhing babies, unable to escape the wrathful god. Each time his baby comes to a crown, the god pushes it back in, making his scream is sob in agony, begging to be let go as it makes his tummy twist and writhe. He tries to kick and push the god away, but he’s too weak after carrying such a burden with him for so many years, completely helpless in the hands of his tormentor.

It goes on for days, weeks even, the god switching between pushing his babies back into his belly, then and painfully squeezing the swell to watch him thrash. Once they’re sure he’s learned his lesson, they let the last baby slip out between his trembling legs, leaving him exhausted, alone, surrounded by half a dozen massive babies as he’s finally allowed to pass out

[jeannereames]

It is with great sadness that I report the passing of Peter Green, giant in Classics. He died this last Monday morning (9/16/24) at the ripe old age of 99. He was born the same year as both my parents.

Peter was not only a very fine scholar, but also a damn good writer--which isn't always true of historians. He wrote historical fiction (no, really, he did: The Laughter of Aphrodite, about Sappho, and Achilles, His Armor, about Alkibiades). And he wrote some quite excellent collections of essays: In the Shadow of the Parthenon and Classical Bearings. His Alexander to Actium--a monster book about the Hellenistic Age big enough to choke a mule--actually made money for U-Cal Press. Not common for academic books, especially of that size!

I have issues with Peter's take on Alexander, I'll be honest. In fact, it was his cheeky summary of Hephaistion as "Tall, handsome, spoilt, spiteful, overbearing and fundamentally stupid" that made the little Hephaistion sit up in my head and object: "I wasn't like that!"

And that launched a dissertation. So in a backhanded way, you can thank Peter for my work on Hephaistion.

But I want to tell you about the other Peter I knew, a genuinely helpful, friendly, and likable guy. He and his wife (Classicist) Carin Green were long-time friends of Gene Borza (my academic father) and Kathleen Pavelko (Gene's now-widow). Born in the UK, he had mid-century British Classicist training mixed with some very progressive politics that might surprise.

He also gave me the best (academic) edit job I've ever received, in now 25 years of publishing. Together with Gene, I gave a paper at the then-APA (now-SCS), which ended up becoming my first (co-authored) publication, "Some New Thoughts on the Death of Alexander the Great." Peter was there to hear, and came up after to congratulate us then quiz me about my psych background and the info I'd brought on grieving. Gene told him about the chapter in my dissertation on Alexander's mourning, and Peter said, "Send me that chapter" for Selecta Classica, of which he was editor. I warned it was long. (To the tune of 60 pages in manuscript!)

But I sent it. And he took it. Then did the edits (both academic and literary) himself. It was fantastic. I quibbled on two things. First, commas. Ha. But second, he insisted everything go back into Greek without some translations, contending anybody reading it would know the Greek. I objected. I lost. I still think that was a mistake, but it was also evidence of that mid-century Brit Classicist that assumed the only people reading it would be other Classicists.

But folks, he made that first (solo) article of mine so much better, forcing me to clarify problematic phrasing, elaborate where I'd been too brief, etc. And he did it with a light hand that allowed my own voice to come through. He became my model of How to Be A Good Academic Editor. When I edit today, I have him in mind.

Peter, thank you for all you've done, not just in print, but as a human being and mentor to young scholars, like me. I'll pour a little libation of good red wine in your memory.

With his passing goes the last of that generation of Macedoniasts.

[total-drama-brainrot]

Total Drama AU/Headcanon: Where everything is the same, except Noah is just as crazy/insane as Izzy and Eva, but he's much better at hiding it (with a sarcastic calm personality) ... Only Izzy, Eva and Owen know his true unhinged colors (and that's why they get along with him so well) .../// Duncan briefly saw it during the Total Drama Island Special Finale, when Duncan grabbed Noah's leg, but Noah escaped, and we didn't see HOW Noah escaped... In this AU, Noah bit Duncan's hand then gave Duncan a silent psychotic grin, which shocked Duncan and gave Noah time to escape (Noah basically pretending the bite and grin never happened) ... In TDWT, imagine if Alejandro ever found out that the sanest one on his Team is only PRETENDING to be sane! 😅

I've seen that one Scary!Noah AU floating about in the main tag lately, and I love the concept. There's so much that could be done with having someone like Noah (scarily smart, mostly motivated by either spite or The Bit, nerfed by his own laziness/apathy/hubris) have the added bonus of Going Apeshit sometimes. Either as a treat to himself, or as the natural consequence of his hidden nature.

It's like that "Izzy Isn't Crazy" theory, but in reverse. "Noah Is Crazy, He's Just Good At Masking".

In this AU, he and Izzy would get on like a house on fire.

Like recognises like, after all; Izzy would clock him as just as unhinged as herself at their first meeting, and probably confront him about his 'game plan' at the first chance she could (maybe that's why she was so quick to swap with Katie? A bid to get herself on the same team as Noah?). Noah would try to deny it at first, because he's supposed to be the 'lazy genius'- slipping from his allotted persona this soon into the competition would jeopardise his strategy!- but Izzy would reassure him that she can practically smell the crazy on him.

He'd live up to his title as 'The Schemer', by means of plotting pranks and other such events with Izzy. She'd use her status as the overt crazy girl to pull them off, and Noah would either help behind the scenes to abate his hunger for chaos, or live vicariously through Izzy's blatant mania whilst revelling in the fact that their plan(s) play out perfectly every time. Imagine how much better Izzy's bear suit prank would've been with a man on the inside- and now imagine how much better it would've been if Noah pretended to get eaten/mauled by bear!Izzy (using smuggled ketchup packets and A Lot Of Screaming to convince the Gophers of his demise)! (He'd play off the incident by blaming the whole thing on Izzy- saying she was the one who used the ketchup, and his screaming was just him being Rightfully Terrified of being eaten. Gotta keep up the charade!)

No one would suspect him either! Who would ever assume that slothful, apathetic Noah who complains about the trials and tribulations of 'hard work', 'effort' and 'physical activity' could be a friend and an accomplice to the unstoppable force of nature that is Izzy? He's always too busy shoving his nose into his book to ever consider befriending the crazy girl, there's no way Noah would even tolerate her! (/s)

I think he'd eventually reveal his true colours to Team E-scope plus Owen once their friendship is cemented off-screen. Noah isn't the trusting type (I'd clarify, but I'd end up writing a whole unrelated essay- maybe another time) and he's habitually secretive- his non-answers in the WT Character Interview and his Sierra-given title of "The Man of Mystery" attest to this- so he'd need to know that his friends are really his friends before letting himself be vulnerable/transparent with them, since any 'friendships' made on Total Drama always run the risk of being a ploy/fake. It is a social game, after all.

As for the Duncan Incident. Having Noah bite people is going to turn into a running gag for me at this point, because it's so fucking hilarious to imagine him in a scenario where he's forced/pressured into violence and immediately starts chomping down on someone. This weasel boy wasn't built for punches and kicks but On God can he use those pearly whites to cause some damage. (The human jaw has a surprisingly strong bite force. Noah absolutely knows this.)

I'd also like to suggest that Noah rips himself out of his cargo shorts after biting Duncan, leaving the punk with a bleeding handful of nerd shorts and an open wound for his troubles. He'd already let go of Noah by that point too; it's hard to maintain your grip on anything when you've got a manic bookworm tearing away at the tendons in your hands. So he's just sat there, terrified and concerned, nursing the throbbing, sluggishly bleeding bitemark on his hand and wondering how Noah managed to contort his usually stoic facial features into a grin so wild and feral.

And Noah races back to Izzy and Eva, face and teeth splattered in Duncan's blood, sans cargo shorts. Neither of them question it; Izzy has an idea of what he's done, since Noah's smugness levels have risen at least three tiers and he's smiling almost contentedly to himself, and Eva has learned how to Mind Her Own Business when it comes to Izzy and Noah's eccentricities (though she often shoots inquisitive looks towards Noah's red-painted face).

Then in World Tour? Alejandro is suffering. Noah's the only person on his team who isn't lacking braincells and/or completely unhinged (or so he thinks), and as such he's the latino's only lifeline to sanity on the forsaken jet. So when Duncan returns in London and seems scared of the harmless bookworm? That's concerning.

Assuming that Noah's a wee bit more savvy in this AU thanks to his subterfuge experience in Island, he probably wouldn't be as outwardly apparent in his distrust of Alejandro during the challenge- either that, or he'd be enjoying torturing Tyler too much to think about how much of an eel Alejandro is. So Alejandro wouldn't have any reason to want to eliminate him, if anything he'd be motivated to keep him around, if only to act as a buffer between himself and the idiocy of Team Chris.

Duncan's re-introduction and allocation to the team would be Alejandro's first inkling into the fact that Noah is more than he seems. When the delinquent is ushered to stand next to Alejandro and Noah, his pupils contract into pinpricks or terror, and his attention flickers between the aloof cynic to his side and an oval-shaped scar on his hand. The cynic shoots Duncan a friendly smile (Alejandro ignores how the smile doesn't quite reach Noah's eyes) and the punk turns sheet white.

Alejandro doesn't know what to make of it.